#the majority if the dialogue in this isn't made up
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I’m really sad about it but I really am not looking forward to the next Dragon Age game. All of the press and statements that have been released just feel like it’s gonna be a let down in one way or another. I understand that the company and devs want to draw in a wider audience and get more people interested in the series, but the statement of ‘you won’t need to play the first games to play this one’ really concerns me. As well as them saying the Inquisitor won’t be a huge factor nor will your (possible) romance with Solas? A huge part of why I personally was looking forward to this game was that tie in. That ending of will it be a bitter end truly or will there be a chance for some sort of happiness? I felt before the announcements a bigger sense of need to not mess up my choices. Now I just feel like it’s going to be a horrid let down and something that ties in poorly with not so great character development. I’m hoping I’m wrong but man, it really is looking like this isn’t going to be a game for the older fans.
#i know that each game we had a different protagonist#but i didn't have the opportunity to feel this heavy of a possible let down going from origins to 2#origins wraps up the warden's story pretty decently#same thing with 2#hawke coming back as well in inquisitor was a nice tie in and made returning players feel like their past choices and love interests#were honored and not forgotten and had impact#well now anyone who romanced solas just has to sit there#twiddling there thumbs and then hoping that his character isn't reduced to one dimensional choices#like why give us all that one on one stuff and all those dialogue choices in trespasser?#what's the point if you're going to erase their relationship and make it not a huge impact in solas#dragon age#dragon age dreadwolf#evie babbles.#you're welcome to disagree and i really do hope i'm wrong#but this just feels so dismissive of returning fans#it's not even a rough game to jump in at the end either#you already didn't need to play origins to enjoy da2 or inquisition#plenty of fans went backwards#why erase major choices from the latest game#why give us that option if that was the plan
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Kind of incredible what a homerun Mad Mew Mew is.
In Undertale's base game, the Mad Dummy is a one-off joke miniboss. It comes at you outta nowhere, delivers some funny dialogue, and isn't important in the slightest. The dummy's personality was mostly pretty hostile and unpleasant, so people didn't like it much. Before the Switch release, this was one of Undertale's least cared-about characters.
Then the Switch port releases, and Mad Dummy is back as Mad Mew Mew, in an optional boss fight. Except Mad Mew Mew seems uncharacteristically happy. She goes on about finding a new body and instantly recognizing it as herself, and it's a pretty dang obvious trans allegory. Mad Mew Mew shows a lot more vulnerability, making her hostility seem more like a self defense mechanism and upping her likeability. Lo and behold, one of Undertale's least popular characters instantly becomes a trans icon.
Before this, similar theories existed about Mettaton, since he is another ghost looking for his perfect body, but the allegory wasn't nearly as un-obvious as it was with Mew Mew.
It's honestly crazy that she's still almost exclusively in the Switch port. Her fight was not included in the Xbox version, nor was it patched into the Steam release. She also has not made a major appearance in Deltarune.
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What's all this about Solas speaking in iambic pentameter? English isn't my first language so I never noticed anything odd about the way he talks, but your blog is the first time I've seen it mentioned by anyone
hello! ◕‿◕ Solas sometimes speaks in a specific pattern or rhythm. It sometimes gets described as or compared by people to iambic pentameter. (which is a type of rhythm common in traditional English poetry. Shakespeare used it in his sonnets and plays.) Though, I'm not sure that it's actually literally that or always that. The main point is that at those times, he's speaking particularly poetically, with a specific poetic rhythm in his speech. (Like where the stress on syllables is and the 'beats' in his speech.) Occasionally, the Inquisitor's dialogue line[s] in response to him are the same.
When Trick Weekes wrote Solas in DA:I, they wrote some of his key scenes to KD Lang's cover of the song Hallelujah on a loop. They talked about some of their process and the reasons for the use of this technique in terms of Solas' characterization in this DA:I-era blog post:
Trick Weekes: "When Solas talks about things that he saw in the Fade, things that speak to a distant past, I needed him to sound ever so slightly otherworldly and wistful – someone remembering a dream with a sense of both sadness and inevitability. If you follow [that link] and look at some of Solas’s lines, you may notice a familiar rhythm come out. It would have been forcing it to give lines the same rhyme scheme, but giving the words the meter captured some of that wistfulness and made Solas sound ever so slightly otherworldly. (In the rare cases the player got into the same rhythm, there was always an approval bump from Solas. For that brief period, it was like the player was thinking like he did.) I used this a few times over the game, and I love what it did to his voice. Also, Cori (who edited Solas) is exceedingly kind for putting up with my request that changes to those lines keep this surreptitious rhythm."
[source]
An example of when it happens in DA:I is:
"I've journeyed deep into the Fade // in ancient ruins and battlefields // to see the dreams of lost civilizations. I've watched as hosts of spirits clash // to reenact the bloody past // in ancient wars both famous and forgotten. Every great war // has its heroes. // I'm just curious // what kind you'll be."
Compare this with the song's lyrics:
"I heard there was a secret chord // That David played, and it pleased the Lord // You don't really care for music, do ya? Well it goes like this: The fourth, the fifth // The minor fall, the major lift // The baffled king composing Hallelujah Hallelujah // Hallelujah // Hallelujah // Hallelujah"
An example from Trespasser is:
"I lay in dark and dreaming sleep [I heard there was a secret chord] while countless wars and ages passed [That David played, and it pleased the Lord] I woke still weak a year before I joined you. [You don't really care for music, do ya?]" etc.
Recent mentions of this are:
Q. Will Solas still occasionally or dramatically speak in iambic pentameter? A. “Massive kudos to Patrick, who always writes Solas so well. Again, Solas is a returning character. It’s the same Solas you know and love (or hate depending on who you are). The same writer. So I think the answer is yeah, it’s Solas.” – John Epler
[source: BioWare dev Discord Q&A on June 14th]
User: "you really went off with solas. but the iambic pentameter makes writing fanfic dialogue for him so treacherous..." Trick Weekes: "It doesn't always have to be in the cadence! Just when he's deeply feeling The Old Days! He's written in standard prose 99% of the time!"
[source]
I think he does it a bit in the gameplay reveal video [Veil ripping scene with Varric] too. hope this helps :>
[msg refs this post]
[For the developer Q&A from June 14th on Discord: Notes are here, re-watch link is here]
#video games#mjs mailbag#groons#long post#longpost#aa nb in this post i'm not saying it's IP. i said i dont think its actually literally that 😅#it says ppl describe it as that and then has quotes hh#same as prev mentions on my blog :D its quotes from e.g. the discord q&a transcript#where someone asked about it in a question#spoilers
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Correcting Misinformation and Disinformation
If anyone is trying to say that these lines are official in Sonic Frontiers, know that it is misinformation and that they are lying because these lines were cut and are not in the game officially.
In bullet points:
These lines are cut-lines and they never made it to the final version for any platform
Ian, the writer for Sonic Frontiers, didn't even write these lines to be in the game
Since the lines are in the database of the game (but does not occur in the final version of the game), the lines can be modded into the game to make it seem official or that it's in the final version of the game
"Proofs" showing these lines to be in the game have faults within them, such as not occurring on the correct island or weather condition
There are several factors to consider when acknowledging these lines existence. One of the main factors is that these are cut-lines that never made it to the official and final version of Sonic Frontiers. This goes for both the English and Japanese version of the game. These lines can only be found through datamining the game, which means to look through files deep within the game that don't make it to the surface. So, these lines will never be activated because there is nothing to activate it, therefore it is not official lines.
Another thing to know about is that Ian, the one who wrote the story and dialogue lines for Sonic Frontiers, was not even aware of these lines existing in the game because he never wrote them or had anything similar be made for these lines to exist. Therefore, it wasn't even planned to have these lines in the game whatsoever. Someone else, other than Ian, snuck the lines in and had it go against what the original story was in the first place; they tried to have their own story or vision be put in the game aside from what Ian wrote or how it was originally conceived. This makes the lines even more unofficial and not real. Many already acknowledge that these lines are not official and are cut lines.
youtube
One more thing to consider is that even if people show "proof" of it existing in the games, these lines and even text can be easily modded into the game for it to seem like it exists in the final game. But just because it is modified in, doesn't mean that it was there originally.
As it can be seen through this individual who is able to make unused conversations be put into the game in some manner through modification, it is also possible to put unused conversations lines in the game in some manner. These lines towards Amy aren't the only lines that are unused in the game. There are many lines that aren't used and that are still in the database of the game, but that doesn't mean that any of them made it to the final game for people to see through normal means.
Another thing to take note about is that these lines towards Amy (the "Umbrella" and "Making up his mind" lines), are lines that occur on Rhea or Ouranos Island, but the first pictures shown in this thread show that the lines were randomly said on Kronos Island, the first island you go to in the game. That shows that this person modified the lines to be said in the game and that they are not triggered under normal means. Another way to figure out that these lines are modified is that the "Umbrella" line is supposed to only be triggered while it's raining, but the line is said randomly while it is only cloudy in the person's "proof" of it existing in the game.
On a side note, datamining and modifying games tend to be illegal depending on what company the game comes from. For example, Nintendo has policies that say that if you are to play their games, you cannot modify their systems or games that are played on that console. So this practice of modifying and datamining is not encouraged by the majority of game companies and isn't welcomed, therefore it should become a common practice to not to try to do these illegal activity towards any game.
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Did Astarion kill DU Drow or did DU Drow pass the checks? (Or did that interaction not happen?)
Cause you’ve basically described DU Drow’s type as THAT Bitch™️ which I respect. But if THAT Bitch™️ killed him too?
Of course this could be me projecting, cause my Durge failed the checks and he came before he went 🫡.
Pretty face, legs for days, a mean streak, AND held a knife to his throat within five minutes of meeting, Astarion had already grabbed his attention, top that off with the fact Astarion actually killed him? My murder man was munted, the Bhaal boy was barking, slaughter son was salivating…
You get the idea
God damn it you're right, his type is just the conceptual archetype of That Bitch isn't it LOL
THAT BEING SAID you are actually mistaken! He may not like suck-ups, but he likes strangers putting knives to his throat even less.
Not to mention: Astarion's immediate order of business after that is to try and desperately get on your good side. In other words, doing the very thing that puts DU drow off. He didn't care for Astarion or his attempts at seduction at all, held him at arms' length, and was just a dismissive asshole to him throughout the majority of Act 1 (he was an asshole to everyone at that stage though, to be fair.)
It was only at the tiefling party when Astarion, completely unprompted, implied that the very idea of having sex with him disgusted him that DU drow became interested and started pursuing him. In the narrative I made up for this course of events, I like to think Astarion realized that his usual strategy wouldn't work here and that he was dealing with a man who only wants what he can't have. DU drow is a contrarian at heart, and for as long as Astarion was throwing himself at him he was going to be turned down.
Astarion only bit him after they started having sex, and at that point he had already told DU drow about his vampirism through normal dialogue ("Well, Obviously."). This is sincerely the only way he got away without being staked when that scene triggers (and it was honestly really cool to experience it in that order because it felt a lot more strategic from my POV as the player).
The bite was definitely a turning point in the relationship (DU drow enjoys being hurt by people he values under a controlled environment, but isn't fully aware of it due to his missing memory -> now his object of carnal desire puts that very concept on the table on a habitual basis, making it pretty much a pillar of the relationship -> DU drow begins to see Astarion as someone who actually has something to offer him, instead of just being a pretty conquest that he can show off.) However he still attempted and passed the first check to break free from it. They weren't close enough for DU drow to completely let go of his sense of self-preservation, nor did he come to trust Astarion entirely for a long time even after that. At that stage, if Astarion had sucked him dry (and then revived him, I guess) DU would have most definitely killed him.
(And If you're wondering how this translates to my actual gameplay - I wasn't taking the game seriously because I don't usually like fantasy as a genre, so I made a guy, named him Drow, and proceeded to be a huge dick to everyone until they all ultimately wormed their way into my heart while I kicked and screamed.)
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And just like that, Forge has a name.
I almost choked when I heard it. I use captions, so I could see I hadn't imagined it, and I was in absolute shock. I repeated "DANIEL?" in disbelief about 10 times, my hand on my mouth and my eyes wide. I looked at my husband to confirm I wasn't going insane. Then I stared into space for the rest of the episode.
X-Men '97 using Forge's real name was the last thing I expected. And the way they did it, too, so casually, in conversation. I'D BEEN WAITING FOR THIS FOR 30 YEARS.
You might think it's a small thing, but before X-Men '97 episode 10, so before yesterday, Forge didn't have a real name. He was introduced in 1984. Let that sink in: that's 40 years without a single Marvel writer bothering to give him a name.
The fans, myself included, came up with headcanon to justify the decision and sometimes made up names for him in fanfic (Jonathan Silvercloud being the most famous one - no it's not an alt reality name, it comes from fic), but no Marvel writer took the time to explain or rectify.
This was frankly insulting of them, especially when you consider Forge's constant presence in the comics, and the ridiculous number of names some other characters have. Also, and perhaps most importantly, Chris Claremont had already planned a name for him:
All Marvel needed to do was use this name to make it canon. Or perhaps ask Claremont if they could use it. (And if they didn't want to speak to Claremont, they could still just...make up another name. You know, that thing writers do all the time.) But no, even after the name was announced on Twitter, it still was never used, on panel or elsewhere.
Enter a simple piece of dialogue in X-Men '97, and boom, Forge has a name. It wasn't that difficult, was it? Such a small move, but it shook me like a bomb. It's a historic moment for the character, and for the people who love him as much as I do. It's like he was finally given an identity, and with it the basic dignity he deserves.
I had imagined all sorts of scenarios in which his name would be revealed - all quite dramatic or emotional. But I guess the best way to retcon something that doesn't make sense is to pretend it never happened. So revealing his long-withheld name in conversation, natural like, is absolutely perfect. I love that Forge doesn't even react, because, you know, it's just his name, no big deal.
(I'm a bit sad that Ororo wasn't the first one to call him by his first name, but hey, you can't have it all.)
As far as I'm concerned, the name is canon now. '97 isn't the comics, but it's still Marvel, and that's good enough for me. I've waited long enough. And if the first name Claremont wrote is canon, then so is the last.
Which means: Forge has a full name. *SQUEEEEEEE*
I don't know who made the decision to use Forge's name or why, but I want to thank them. They righted a major wrong.
Now catch up, Marvel Comics. Everyone deserves a name. Even the monkey wrench repairman with non-flashy powers.
Everyone, meet Daniel Lone Eagle.
#x men 97#xmen97#xmen97 spoilers#xmen forge#x men forge#forge#Daniel Lone Eagle#marvel#marvel comics#xmen#xmen comics#x force#x men
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Cooking Together - (W/ America, England, Canada, Russia, France) x GN!Reader
Summary: Cute little scenarios where you cook together with some of the nations. 💕
Contents/Possible Warnings: A lot of food mentions, fluff, like a ton of fluff, slightly suggestive/flirty dialogue and implications (nothing outright not sfw), major emphasis on how England cannot cook
America (Alfred F. Jones)
There were both pros and cons to the situation you found yourself in. The pros were that the kitchen smelled nicely of apples and cinnamon, but the cons were that the flour had only been out for a few minutes and it was already everywhere. Still, the smell of cinnamon was nice; so you had that going for you.
Despite the state of the room around you, your boyfriend was not deterred in the slightest. In fact, he was practically bursting with excitement, humming a song as he formed the dough that the flour had been used for into a pie crust. A fresh apple pie was the end goal, and he couldn't be more thrilled. The way those handsome, baby blue eyes of his were shining with pure glee had you melting.
"I haven't baked in so long!" He exclaimed, grinning at you while you worked on the pie filling in the bowl in front of you, the scent of nutmeg in the air now joining the smell of cinnamon. "Hold on," He told you suddenly, reaching out to cup your face in his hands. "You've got something on your lips." With that, he kissed you sweetly, smiling into the kiss as his lips moved against yours.
"There we go," He spoke, pulling away once he was done, looking satisfied with himself. "All taken care of." You chuckled, your cheeks a light shade of red. "Did I really have something on my lips, or did you just want to kiss me, Alfred?"
"Both. You tasted like sugar, literally." He laughed, kissing you again, much quicker this time. "It isn't even done yet, but you might be sweeter than the apple pie is, babe." He teased with a small smirk.
"If we hurry up you can have both, you know."
You didn't need to say that twice. He did go fast when he was motivated, after all, especially with an awesome two-for-one deal. Needless to say, you both shared a lot of kisses that tasted like sugary, cinnamony apples that day.
England (Arthur Kirkland)
As much as you didn't want to admit it because it sounded harsh, Arthur Kirkland could not cook or bake anything without it going horribly wrong, even when it came to the dishes he had been 'perfecting' for years now. Fish and chips? That would burn. Beef wellington? Overcooked and inedible. His infamous scones? Ash. If you weren't used to it by now, the results of his cooking would scare you.
Speaking of scones, he tried to make them at least once every month or two, and surprisingly, nothing had yet to catch on fire. It made your heart break without fail every time you saw him look at his failed attempts, though.
"Arthur? Love?" You approached him one night, having already gone out to the store and bought every ingredient you'd need from the scone recipe you'd found online (you weren't going to risk using his. It might very well have been cursed.) "Do you want to bake with me? It could be an unplanned date night." You smiled at him warmly. You were his biggest soft spot, and he always gave in to those smiles of yours.
"Of course, dear." He smiled back, placing the book he had been reading down. "Oh! We should bake scones, I haven't made any in a while, and you love my scones, don't you?" You nodded, your smile faltering a bit as you remember the last time you tried his scones. They were burnt, of course, but you still managed to put on a smile and tell him how good it was in a little white lie.
"I was thinking the same thing." You responded, leading him to the kitchen to show him that you had already prepared everything. Every measurement was made and ready, all he had to do now was put it in a bowl, mix, and then bake. Easy as that. Or you hoped.
"This must've taken you a while, love." He observed, smile widening at the sight. You were so sweet to him! He never liked the whole measuring part, and here you had done it all for him. He could swoon over just how much he loved you. "Let's get started!" He exclaimed, overflowing with excitement.
With you guiding him along, things came out more than edible, they looked delicious! Instead of a hardened, blackened mess, the scones looked almost exactly like the picture in the recipe as you pulled them out of the oven.
"Look, Arthur!" You grinned, showing him the tray before setting it down. "You did it! These look bakery-worthy—" You let out a surprised gasp as he pulled you into a celebratory kiss, soon melting into it.
"Aha! Now France can't say I don't know how to cook!" He beamed, causing you to begin laughing. If he was happy, then so were you.
Canada (Matthew Williams)
Mornings with Matthew were always something you looked forward to. Waking up in his arms, combing your fingers through his soft, messy blond hair, and giving him his well-deserved 'good morning' kisses. It was a pure domestic bliss that you wouldn't trade for anything else in the world.
"What do you want for breakfast, hon?" He asked softly, still cuddled up next to you in bed. Another great thing about mornings with him was his cooking. Every day without fail he made you something mouth-watering good. Whether it was something simple or more complex, everything he made showed his love for you, even if cooking seemed to be a bit mundane to some people.
"Pancakes? Ooh! Blueberry pancakes." You replied happily, a small laugh leaving him in response. He blushed slightly, finding your enthusiasm both endearing and adorably cute. "Let me help you make 'em," you insisted with a grin. He laughed again before leaning into you, unable to resist kissing you when you were this adorable.
It didn't take long for you to find yourselves in the kitchen, hugging him from the side as you watched him cook. The blueberry-filled batter you had made turned out amazingly, and you were eager to see the results of your work in the form of masterly crafted pancakes.
When they were all done and covered in Matthew's favorite maple syrup you both sat down to eat, talking about whatever crossed your minds as you ate your breakfasts and sipped your coffee. It was moments like this why you savored and enjoyed your mornings with him, these moments where you two engaged in quality time and you were reminded just why you had fallen in love with him.
Oh, not to mention you also liked how his lips tasted like maple syrup when you were kissing him afterward, too.
Russia (Ivan Braginsky)
Before he met you he was used to doing everything alone, including having meals. He had no one to share his favorite dishes with, and eating was always a lonely activity when the seat next to him at the dinner table was empty. When you came along things weren't so isolating anymore.
Cooking dinner together had become a staple in your relationship early on, the act being used as a way to spend some quality time together in a simpler fashion. It was something that you two used to bond when you were still getting used to each other. Cooking wasn't just making a meal for you, it was a display of priceless non-physical intimacy.
"That tickles, Ivan," you giggled, feeling him nuzzling his face into the crook of your neck as you sauteed the meat and stirred the sauce you'd need for the meal you were making, the tall Russian towering over you from behind as he held you gently. "You're really affectionate today, дорогой."
He let out a happy hum in reply, pressing a soft kiss to your neck. "You're cute today, мое солнышко. How could I not be?" You smiled at his compliment before grabbing a spoon and scooping a bit of the sauce inside of the pot in front of you, turning around to face him. "Open up," you said, moving the spoonful toward his mouth and letting him taste what you had made.
"Very good," He told you after tasting the sauce. "You're starting to cook like a professional, дорогой. I don't think I've ever had a better beef stroganoff sauce." You blushed, tilting your head to the side. "Really?" It really must've been good if he hadn't tasted a better version of a dish he had eaten countless times over the decades.
"You're being cute again," He chuckled, a warmth growing in his chest at the sight of you. He loved you and these moments together so, so much.
France (Francis Bonnefoy)
French cuisine wasn't known for being regarded as some of the best in the world for no reason. Living in Paris with your boyfriend who was fond of dinner dates led you to witness firsthand why France was seen as a leader in the culinary arts. As much as you loved going to a fancy restaurant and sipping wine while you ate with Francis, you wanted tonight's date to be a bit less extravagant.
All you wanted was to cook with him at home and share a simple night over a home-cooked meal. Luckily, your boyfriend wasn't opposed to the idea in the slightest.
"This is romantic, oui?" He questioned with a pleased smile as he poured you a glass of wine (nothing too expensive, per your own request). "A night in with mon amour. What could be better?" He smiled, handing you your glass. "I'm a chef magnifique, so you'll be served food better than any restaurant can offer."
He wasn't exaggerating, either. As your date commenced, you were pleasantly surprised to see how talented he was when it came to both cooking the main course and baking the dessert of raspberry macarons. The only downside was that the macarons were harder to make than they looked.
"Mine look weird compared to yours," you observed, looking over to see his work. "I think I keep piping in too much jam..." He looked over at yours, nodding in agreement. "Oui. But they'll still taste good, non?" His gaze then traveled to your lips, and he smirked. "You have jam on your face, mon amour."
He leaned in, kissing you lovingly, making sure to get rid of that raspberry jam he was talking about. You tasted beyond sweet, and that wasn't just because of the macaron filling. "You know, I wouldn't mind tasting something else tonight other than the food we made, chérie~"
"Let's eat first, Francis," you replied with a playful roll of your eyes. He was a flirt, but he was still yours.
#💫mimicwrites💫#gn reader#gn!reader#hetalia world series#hetalia#hws hetalia x reader#hws ivan braginsky#hws russia#hws hetalia#hetalia x reader#hetalia america x reader#america x reader#hetalia america#hetalia alfred f jones#alfred f jones#alfred f jones x reader#arthur kirkland#francis bonnefoy#hetalia canada#canada x reader#hetalia france#hetalia france x reader#england x reader#hetalia england#hetalia russia x reader#russia x reader#ivan braginsky x reader#arthur kirkland x reader#hetalia england x reader#france x reader
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I have a hot take.
And I understand that a lot of it comes down to opinion and interpretation. The "official canon" for the game is your own damned canon, and I frankly love that for all of us. It's beautiful and freeing and sets us up to celebrate a variety of different worlds and that's pretty rad.
But (of course there's a "but") I'm coming to understand that…
…my canon interpretation of this line is very different from a large majority of this fandom.
And I guess it's not really a hot take. No one's interpretation is wrong, and I would never want someone to think that. No one should ever have their fun taken out of the game, it's a game. I think mostly I'm just looking for folks who read this the same way I do. Because to me?
Solas' greatest fear is not to literally die all alone.
Like, all by himself.
Not only do I believe that that's a large oversimplification of the meaning behind that statement, but I'd also argue that dying all by himself is precisely what Solas intends to do. He has had every opportunity to avoid it, especially in a Solavellan run, yet he's made zero moves to do so whatsoever.
At the end of Inquisition, he was still a member of the single most powerful and influential religious and paramilitary organization across the entire southern half of their continent. Aside from defeating a sea of demons and darkspawn horrors, and closing a breach in the sky between the Fade and the material world, they've also singlehandedly redesigned the flow of commerce between two nations, they've seated a ruler on the throne in Orlais, and chosen the next Divine to serve on the Sunburst Throne in the Chantry. They're responsible for shaping the future for the whole of southern Thedas, and the leader of that organization is potentially very sympathetic to Solas' beliefs and perspectives. There was much they could have accomplished together, and yet…
He left. Vanished into thin air, even, for two years. With no word.
And when we finally got the chance to confront him, and wrestle a larger kernel of truth out of the man, he told us that he walks the din'an shiral. A journey of death. And he made it unequivocally clear that he intends to walk it alone.
By himself.
There are a lot of ways to interpret what the din'an shiral even is, but the solemnity and weight he used when he referred to it carried a sense of finality. He intends to bring about the death of the world, that much we know is true, whether he sees it that way or not. But could his own life be the cost?
His ritual artifact is a blade, believed to have been fashioned from his red lyrium idol after having been recovered and cleansed. But it could've remained an idol, or it could've been made into an orb. It could've been a staff or a crown, or a necklace with the jawbone of some other critter. But it's a blade. Is it simply because rending the veil involves a certain act of piercing or tearing? Or is it still a weapon? An implement of violence or self-defense? Or even… of self-harm?
Regardless of the interpretation, there's nothing about Solas' future that suggests to me that he's safe. Or accompanied by anyone who intends to keep him safe. And there's nothing about Solas that suggests to me that he isn't acutely aware of all of this.
I don't think Solas has any fear whatsoever of literally dying all alone, at least according to my personal canon. To me, I think Solas views his death as his duty and he will not bring anyone down with him.
I believe that "dying alone" means something much bigger and deeper and more meaningful to Solas than it does to us, the player. And he goes to great lengths to identify and define what this fear means to him through a series of conversations he has with Varric during party banter.
There's quite a bit of self-discovery Solas conducts through this dialogue. It starts when tells Varric that he read Hard in Hightown. He then asks him if there are other trickster figures in dwarven literature, presumably because stories of Fen'Harel stated he walked as kin amongst both the Evanuris and the Forgotten Ones and there could could be some tie or some clue about that here, whatever that means. He goes on from there to begin asking pointed questions about Orzammar and what he perceives to be a lack of dwarven ambition. He makes remarks about how they could have a larger hand in shaping global affairs through their control of the lyrium trade and he seems genuinely confused why Orzammar would never consider reuniting with Kal-Sharok.
But he really circles down into the heart of the matter when he asks Varric if he ever misses a life beneath the stone. Varric responds by asking how he could miss something he'd never had, having been born a surface dwarf. And he tells Solas that even if the stone called to him in the manner he's describing, he's very happy with who he is and the life that he has, and he has no wish to change anything.
And from there, we watch Solas grapple with his answer. To him, Varric is someone who is just as sundered from his own identity, and he cannot fathom finding satisfaction in a life like that - a mundane life without magic or the song of the stone. He cannot rationalize it against his guilt and his regrets and his pride, and cannot let it go. So he then spins up an anecdote of a man he saw in the Fade.
He saw a man, alone on an island. His tribe had fallen to beasts and disease, and his wife had died in childbirth.
He was the only one left.
He could have left to find a new land or a new people. But instead he stayed. He spent his days catching fish in a little boat and he spent his nights watching the stars and drinking fermented fruit juice. (That's wine, Solas. That's called wine. You can just call it wine.)
To Solas, this man has surrendered to his defeat. And he gives us our first glimpse into what his fear might actually mean, right here.
"Knowing it will all end with you."
From there, Varric even asks him, "What's with you and all the fallen empire stuff, anyway?" And they go on to discuss what it means to give up and what it means to fight back, what costs are truly associated with each, and how those meanings can vary so widely between individuals whose lives have been so different. The analogy we didn't see at the time however, that we can now examine through hindsight, is that the man on the island wasn't just a representation of the old dwarven empire, but also of the Elvhen.
The man on the island was supposed to be representative of Solas himself.
(I also think it's cool that Varric mentions Orzammmar being too proud to ask for help.)
We are supposed to hear the anguish in his voice when he asks Varric whether he has any concept of what his capitulation to live as a surface dwarf has cost him.
Because Solas knows. For whatever reason (that we're about to discover in Veilguard), the remaining Evanuris were so horrific after the death of Mythal that the only solution he could devise that had any hope of protecting the world was to create the Veil and drive a wedge between the dreaming and waking worlds. To create a divide between magic and reality. To silence the song from the stone. To create a barrier that the blighted gods could never cross.
But one that also trapped the spirits.
And afterward, while he slept a dreaming sleep for centuries, the toll of creating the Veil having been so great, he watched as his people also began to quicken and die. He watched as their spirits also crossed the Veil to be trapped behind it forever. Everyone he ever knew and loved. All the chains of slaves he broke were for nothing. They simply traded one cage for another. Because of him.
And while Abelas and his company still guard the Well of Sorrows, they are bound to Mythal. (Also, I'm pretty sure you can make a choice to kill them? I never have, but I think you can?) They are still creatures that are beholden to her, and thus they are expendable. Mythal was even willing to sacrifice Flemeth to gift her power to Solas, to cure his weakened state after waking from uthenera, and hopefully prevent the risk of future mistakes being made. Like Corypheus.
Even Solas is expendable in the line of his duty, if it means he will succeed. He would gladly sacrifice himself to rectify his greatest mistake, and restore his people to themselves. Because they've been sundered for so long, they've forgotten who they are. And they are not his people anymore. He will make them remember.
He will restore their connection to the Fade, he will reveal lost paths to ancient libraries, and he will reawaken their relationships with their spirits - archivists, and spirits of purpose and wisdom and valor and faith and all of their ancestors that lived before them. He will make them what they were, as they were when he knew them. Because without that, they are incomplete. The spirits are incomplete. He is incomplete.
Our job in Veilguard will be to either help him find a better way to accomplish his goal, or help him find a way to find satisfaction and completion in this world. (Or, you know, kill him, but not in my canon, thanks.) Either way, we have to get him to accept help.
Because the burden that he carries within himself is the sole memory of a vast nation, and it is heavy. Far too heavy to bear alone. He is the last living key, a fragile remnant, a final, solitary link through dreams to the history, the knowledge, and the entire cultural identity of the Elvhen people. (The People people? Is that redundant?)
And without him, all of that is lost.
Forever.
To him, he is the last of the Elvhen.
So, my interpretation of Solas' greatest fear is not that he is afraid to die all by himself. It is something I feel is truly much more heartbreaking.
It is that he is afraid to die the last of his kind.
He is afraid to die alone.
#dragon age#dai#dragon age inquisition#dragon age trespasser#datv#datv spoilers#da4#da4 spoilers#dragon age the veilguard#dragon age the veilguard spoilers#veilguard spoilers#fen'harel#the dreadwolf#what it really means to be afraid to die alone
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Off My Chest
Rant about Hybe under the cut. I give you my word I will try to post a majority of positive content, because the world (and my mental health) doesn't need more negativity, but sometimes you just gotta vent.
Folks, if you've known me for a hot second, you've realized I am a Jimin-biased Jikooker... but I am OT7, and I sincerely love and support BTS.
I believe Jimin is a grown man who can advocate for himself and I believe Jungkook absolutely supports and adores him, whatever their relationship status is.
I always try to accentuate the positive and avoid online drama and negativity as much as possible, but I need to get this off my chest.
I will never be gas-lit into believing that the way Jimin was treated in solo era was fair, or equitable, or even made any kind of business-sense. I've genuinely tried to entertain other people's points of view and listen to people who claim to have industry expertise, but...
I will never forget his mail being tampered with four times, his leaked insurance information, denial of more music videos, overlapped solo release, only 9 days of promotion, split title tracks, no radio or play-listing, no bio for his Spotify for months, no restock of his single CD for months, hundreds of thousands of frozen and deleted sales, millions of culled streams, shady articles in WeVerse and Billboard, insulting dialogue in In the Seom, failure to submit to RIAA certification for months, only a paywall documentary on WeVerse, zero official acknowledgement of his Hot 100 #1, 1 billion streams on Spotify, or wins for The Fact, MAMA, and two Webbys, plus broken in-ears, anemic little balloons and a sad background tarp as decorations for his fan events… and the company telling him how doing more would just be impossible.
I compare all that to the push that other members and other groups got, and I know it just isn't true. It wasn't impossible.
Hell, Jeon Jungkook put in more effort to promote Jimin’s work and showed more respect for Jimin as an artist during his at-home lives than that whole company did, which honestly makes no sense from a profit standpoint.
I will never forget it, and I will not entertain arguments that say I’m a solo or an anti or jealous about it. I have eyes.
I am not out to shade any other members nor put forth any conspiracy theories. I simply want all our boys to get everything they justly deserve.
And yes, other members have suffered mishaps and neglect, but nothing of this scale, this consistently. It baffles me, I cannot understand it, and I'm done trying. Something strange was going on behind the scenes and we may never be privy to the details.
In trying to put this awful feeling behind me, I will say I am elated that Jikook are serving together and can support each other. I am glad there will be a Jikook travel show. I'm continually impressed with all of Jimin's success (in the military and professionally) despite all odds. I will always love and support all of BTS with my full heart.
And I sincerely hope the company has been taking notes and course-corrects for PJM2, even if it rubs some higher ups the wrong way if they had a different vision. Considering Jimin’s unique talents and his amazing star power—even his ability to bring Paris and New York to a screaming standstill just for the opportunity to see him exit a car—I would hope the company will “do their best to promote all labels and artists without discrimination” going forward.
But what happened truly sucked, and I needed to get that off my chest. I am not interested in further discussion or debate. I am now going to do my best to shift my focus and energy on to the things I want to manifest, instead of the things that enrage me.
So let me end on a positive and hopeful note: I put all my trust in Jimin, who signed a new contract with Hybe and who unfailingly adores all his members. There can be no love without trust. I will always do my best to trust BTS.
But I'm watching carefully. For Jimin and all our boys.
Love, Roo
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Until I read the comments on that one post I had no idea the Bechdel Test was a joke and wasn't supposed to be a serious measuring stick by which you gauged if something was feminist or not. Everywhere I'd ever heard it brought up, it was brought up as a very serious thing, and it was a failure of media if it didn't pass it. I remember the debate about Mako Mori from Pacific Rim and if she was a character you were "allowed" to like as a progressive person despite the fact that Pacific Rim doesn't pass the Bechdel Test, the discourse, the discussion of if the director was sexist for not writing in another woman for her to chat with about non-men related stuff, the camp of people trying to insist that having a fully realized character arc and being as developed as any of the male leads = good writing even if she doesn't talk to another girl...
And I've also had the remark about my writing not passing the test, just not to my face. I searched my fanfic's name once, curious to see if anyone was discussing it outside of tumblr and AO3, and found a Tiktok complaining about it not passing the Bechdel Test. The top comment was "motherfucker YOU don't pass the test but we still watch your ass". I cackled and moved on, but neither the commenter, poster, nor I had any awareness this wasn't Feminist Media Critique 101 theory and was, in fact, a goof.
Right now there's a segment of fandom debating if Blue Eye Samurai is feminist since when Mizu and Akemi talk, they do bring up men, since, y'know. Women aren't considered people with rights in their era in Japan and thus it's something they mention instead of only talking about being cool girlboss badasses who never bring up gender. If something doesn't pass the Bechdel Test, a smug segment of the internet high-fives itself and congratulates one another on being More Feminist Than Thou.
They then get really angry if you disagree, even though by this metric, Sleeping Beauty (the original animated one, where Aurora has only 16 lines of dialogue) is more feminist than Blue Eye Samurai.
--
*DYING*
Okay, so, nonnie....
Dykes to Watch Out For (1983-2008) was a long-running comic and major piece of lesbian media. I grew up buying compiled volumes at the bookstore. To be honest, that kind of 90s-ish lesbian culture isn't really my scene despite me being bi, but it was very nice to have this slice of life-y somewhat realistic, occasionally somewhat parody, look at the queer communities around me. It's up there with Tales of the City for me in terms of being a window into a particular culture and time and place.
If anybody is interested in queer history, in addition to looking up factual info, I think a read of the complete Dykes would give a really good overview of how people were thinking about things and what issues came up a lot. You'll see things like Barnes & Noble increasingly putting feminist bookstores out of business in the 90s, attitudes towards porn in lesbian circles—all kinds of cultural issues of the day.
I drifted away as I got later in my teens and found more genre fiction I cared about, but at one point, this comic was a very welcome antidote to the glurgey coming out stories that made up a lot of the more realistic media.
Anyway, here's the comic itself, reproduced in its entirety because I think it's important to actually understand the context.
This is from 1985, so the era of Rambo, Conan, and Death Wish, each of which you can see being made fun of here. It's based on Bechdel's friend Liz Wallace's actual rule for seeing movies.
That's it. That's the origin of this whole stupid test.
"LOL, fuck 80s action movies". That's it. That's the joke.
The fact that blockbusters still routinely fail to pass in the 2020s is shameful, but that was never the point of the strip.
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"Omega Needs You Both": A Deeper Look at Crosshair's Plan 99 Monologue
So, I had an interesting exchange with someone on Twitter about the 3.15 "change of plans" scene and what exactly Crosshair meant -- specifically by the line "Omega needs you both."
I figured I'd share my thoughts here, and do a breakdown of the dialogue in this scene.
We start with Crosshair seeing Tantiss' defenses and his hand starts shaking uncontrollably. But, he clenches his fist and gives his brothers an update:
Crosshair: They've got heavy patrols guarding the perimeter, with lurca hounds. Wrecker: Told you we should've brought Batcher.
Wrecker, who was mauled by a jungle creature in the previous episode, has basically been running on a combination of adrenaline, determination and med patches for at least an hour. As Wrecker says this line, he chuckles and then groans with pain from his wounds.
Crosshair notices and gives him a look that Wrecker can intuit even under his helmet.
Wrecker: Stop looking at me like that. I'm fine. Crosshair: No, you're not.
Crosshair sees the situation they're in: Their five-man squad is down two people already.
Tech is dead. (RIP, bestest boy! 😭)
Echo is inside the base, but they can't coordinate with him. For all they know, he might've been captured or killed after deactivating the science vessel's sensors at the end of 3.13.
And now, on top of Crosshair's own hand tremors, Wrecker is severely injured.
Clone Force 99 is down two people already, two of the remaining three aren't at full strength, AND they’re going into Tantiss without any (known) back-up. 😬
Even if they manage to get past the patrolling stormtroopers and lurca hounds, they still don't have an easy way in. (Of course, the Zillo beast solves both of these problems about two minutes later.)
So, knowing full well what they're going up against and seeing the bad shape his squad is in, Crosshair offers a solution:
Crosshair: Change of plans. You two head to the communications array and try to contact Rex. I'll infiltrate the base myself. Hunter: Not happening. Wrecker: Yeah, we've handled worse situations than this countless--
Wrecker of all people knows that their squad isn't invincible. But, I think he's trying to infuse some optimism into the conversation and convince Crosshair not to do something rash.
Meanwhile, Crosshair basically tries to do the exact same thing to Wrecker, but in a much harsher way:
Crosshair: Wake up, Wrecker! Clone Force 99 died with Tech. We're not that squad anymore.
Crosshair says what they're all probably thinking:
Clone Force 99 charged into every battle in the Clone Wars with full confidence and zero hesitation. Maybe they weren't exactly stupid about it, but they were definitely reckless.
Crosshair is trying to tell Wrecker that they're not that invincible squad anymore. They lost their MVP in Tech. They cannot afford to go recklessly charging into battle like they used to, which he believes Wrecker is suggesting.
Crosshair: I've been inside that mountain. I know what we're up against. If we all go in, we're not all making it out.
Again, even if they manage to get inside, Crosshair knows exactly how well-defended Tantiss is. He's trying to convince his brothers to get to safety, because he knows the odds are stacked against them and he doesn't want to lose them.
He wants to keep them safe. He wants to protect them. So, he uses the best logic he has to try to convince them: 🥺
Crosshair: Omega needs you both.
I know a lot of people look at this line and interpret it as: "Crosshair thinks Omega doesn't need him (like she needs Hunter and Wrecker)."
There's definitely an argument to be made for that.
Crosshair has major self-esteem issues throughout Season 3, and he definitely feels like he failed Omega after missing the shot to track her ship in 3.11.
I do think he believes that Hunter and Wrecker matter to her more.
I also think he doesn't know or fully accept exactly how much he means to her.
But, he must have some sense that his well-being is important to her — that she cares about him.
She refused point-blank to leave Tantiss without him. She spent five months telling him, convincing him, that they were going to escape together. For all his efforts to push her away, she never gave up on him. And when the opportunity finally came, she kept her word and freed him.
Between 3.05-3.11, Omega spends a lot of time with Crosshair.
She helps him reintegrate back into their family and reconcile with Hunter. She doesn't like when he suggests taking on CX-2 by himself. She tries to help him heal his hand and his mind. When she tries to convince them people can change, she reminds Crosshair that she never gave up on him.
She also told him multiple times in Seasons 1 and 3 that he was her brother. Omega always saw him as part of her family, and she wanted him in her life.
(EDIT: It’s also totally possible that Crosshair realizes Omega cares about him while ALSO believing she doesn’t need him. “She cares about me” =\= “she needs me,” especially compared to how much she needs Hunter and Wrecker. He is still weighed down by guilt and insecurity, after all, and feels like he failed her in 3.11.)
Again, I do think Crosshair underestimates and/or doesn't fully accept how much he means to her (or how much she needs him).
But, I think he’s ultimately trying to tell his brothers: "You two can't die, because Omega needs you."
Crosshair knows how much they care about her. He probably thinks they'll agree to anything -- no matter how stupid -- if helps guarantee her safety.
Omega is the best reason he has to convince them they need to live.
In general, Tech went through a similar process in 2.16.
He first told his family to "sever the connection hinge now," and Wrecker refused. He called for Plan 99 and Wrecker still tried to talk him out of it. So, he shot the connection hinge himself, because he knew they'd never let him go even if it meant they’d all die too.
(RIP. He really was the bestest boy and the squad's MVP.)
Crosshair is doing the same thing: he's trying to convince his brothers to let him sacrifice himself to ensure their safety. 😭
Now, Tech's situation was different. It really was "either he dies or they all die." There was no way around it.
But that's not a guarantee here in 3.15, although Crosshair thinks it is. (And as we see later, he's basically right. The CX operatives could've and would've killed them, but Hemlock apparently wanted them alive.)
Anyway, let's close out Crosshair's monologue:
Crosshair: So, I'm doing this alone. It's-- It's what I deserve.
Pairing this with his previous statement that Omega needs Hunter and Wrecker, it can definitely sound like "I don't matter to Omega (like you do), so I need to sacrifice myself." Again, there's an argument to be made for that.
(EDIT: I really think DBB’s delivery of “Omega needs you both. So, I’m doing this alone. It’s what I deserve” is a BIG part of why people interpret it the way they do. And they’re arguably not wrong to do so. It does feel in-character for Crosshair.)
But, I'm guessing he means that sacrificing himself will finally atone for everything he's done -- hunting down and nearly killing his family, killing all sorts of people for the Empire, failing his loved ones, etc.
He's telling them: "I've made so many mistakes. Let me make up for it now by keeping you safe."
Thankfully, Hunter and Wrecker talk him out of it.
Hunter: Don't even think about Plan 99, Crosshair. Omega needs all of us, and so do those clones. Wrecker: We've always known the risks, and so did Tech. We do this together.
Hunter affirms that Omega needs all three of them. He's using the same logic that Crosshair tried: "Don't throw your life away, because Omega needs you too."
And Wrecker tells Crosshair more clearly that he knows their squad isn't invincible anymore. But, if they're going to do anything, they're going to do it together.
I honestly wouldn't be surprised if Crosshair planned to keep arguing with them, but then they got distracted by the Zillo beast. 😅
In summary
If I had to rewrite Crosshair's monologue so it would more clearly convey what I think he's trying to say, it would go something like this:
Crosshair: Wrecker, we're not wild Clone Wars frat boys anymore. If we go rushing into Tantiss like we used to, we're all gonna die. You two need to live for Omega's sake. So, stay here and stay safe, and let me sacrifice myself. I nearly killed you all, and did a whole bunch of other bullshit, so I need to make up it.
As I said, I think a lot of these points are open to debate and discussion. But, I wanted to offer alternative interpretations for some of these iconic lines, because I feel like everyone keeps landing on the same (wrong) ones.
Feel free to comment/reblog with your thoughts!
#star wars#the bad batch#tbb crosshair#tbb spoilers#tbb season 3#the bad batch crosshair#tbb omega#omega and crosshair#crosshair and omega#the dad batch#clone trooper crosshair#crossdad#crosshair tbb#crosshair the bad batch#hunter tbb#clone force 99#tbb tech#the bad batch hunter#hunter the bad batch#tbb wrecker#the bad batch wrecker#tbb#bad batch#wrecker tbb#omega tbb#tech tbb#the bad batch tech#tech the bad batch#clone trooper tech#clone trooper wrecker
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Upstanding Gentleman (Ony)
Onyankopon was raised in a strict Ghanian household. He was pretty strait-laced...until he met you, of course. Still, Ony has many tricks up his sleeve that never fail to surprise you.
A/N: Yes, I'm high. Hello. So, this is the second Ony post I've had lingering in the back of my mind. It's in head cannon format but I think this could be something. Enjoy!
Warning(s): Explicit Sexual Content; Depictions of smoking marijuana; Penetrative Sex (p in v), Oral Sex (M receiving), Sex in childhood home, Black reader in mind, N-Word used; AAVE/Dialogue with Dialect
Pairing: Sober!Onyankopon x Stoner!Reader
Inspired by: Lauryn Hill and my bf :)
Sober!Ony was raised by a single mother who kept him in line. No drugs, no alcohol and he definitely had a curfew.
Straight A student and graduated the top of his class in high school
Spent majority of his childhood playing video games and taking apart old computers his mother would bring home from her teaching job.
Played basketball and practiced frequently with his friends
Loved taking photos and drawing
Only smoked weed once when he was seventeen and felt guilty about it for a week before he told his mom. (She smacked his head but wasn't that mad)
Never had a thing for drinking. His mom let him have some wine during his graduation dinner. His uncle, later that evening, gave him some liquor. Ony wasn't a fan.
Sober!Ony who went to college in a different state-- hours away from his mother.
He chose to go to a school pretty far away from home to study photography. He loved his mom but he felt like he needed a firm separation from his home life and college life.
That's where he met you. This sweet little thing from a town he had never heard of. So cute...
...and yet you smelled like trouble. Ony's suspicions were confirmed when you offered him a blunt in your car one night. Y'all had been talking for a minute at that point but you never gave off stoner vibes.
Ony declined but didn't mind hanging out as long as you rolled the windows down.
Turns out, you were a huge stoner. Bongs, smoking pieces, a stash larger than some of the ones he had seen back home. You weren't a plug, not really, you just really loved weed. You were super smart, too. Ony had known people like you from back home-- motivated stoners who smoked frequently but it didn't impede them getting shit done. You were like that and Ony really liked that about you.
Ony wasn't sure how to proceed at first but...one thing was sure: You had a hold on Onyankopon that he just couldn't deny.
Sober!Ony who, four years into your relationship, isn't super sober anymore.
"Mama, let me get one of them fruity drinks out the fridge." "They got alcohol in 'em Ony," You call from the kitchen. "I ain't ask you all that. They taste alright-- I feel like a classy nigga drinking them." "Okay, Classy Nigga," You say, bringing him one. "Mister Classy Nigga to you," He says, with a wide grin. "Pinkies out, baby."
Sober!Ony who branched out after meeting you but didn't partake as frequently as you did.
"Let me get a hit, baby." "Nigga, you don't smoke!" Ony kisses his teeth, side-eyeing you. "Then do that shit where you kiss me and blow the smoke in my mouth." You laugh loudly, throwing your head back at his nerve. "Okay, baby," You say, sparking up. Afterwards "Shit, where my inhaler at?"
Sober!Ony who made a great impression on your parents. Perhaps too great.
Your dad loves him, speaking highly of him every time your boyfriend comes up in conversation. "That Ony is a fine, upstanding gentleman," Your dad alway says. Little does he know... "What's that, ma?" His voice is husky in your ear as he thrusts into you roughly. His hand is over your mouth as your childhood mattress squeaks under your weight. Ony has you bent over, his pace punishing as he fucks you from behind. Tears streak your face as you helplessly claw at your sheets "Better be quiet," Ony drawls. "Don't want your folks to hear us, right? Or they gonna know what a slut you are for this upstanding gentleman."
Sober!Ony who loves the way you give head while high.
After many extensive and deep discussions about consent, Ony finally lets you give him head. At first, he was chilling. But then... "Shit, baby! Fuck," He groans, his head falling back. "Slow down, ma." You got his cum on your cheek from the first time he came but you don't care. You don't let up, taking his length down your throat. You suck the entire way down, slurping as you pull back to swirl your tongue around his leaking tip. Your tongue runs along the vein underneath his shaft before taking him back in your mouth, hollowing you cheeks as you slurp him down. "Fuck," He hisses, throwing his arm over his face. You had that man's toes curling and all.
Sober!Ony who loves how sexy you are at any given time of any given day but especially loves when you're feeling yourself while off the za.
Now the skies could fall...not even if my boss should call... Your hips sway seductively to the music as you take a pull from the blunt, in your own world. Lauryn Hill blasts from the radio as your lights change colors in a slow fade. Ony stands at the door of your shared bedroom, watching you sing and dance. You turn slowly, finally noticing him. You wordlessly hold out a hand to him with your body still moving to the music. See I don't need the alcohol...your love make me feel 10 feet tall... He takes your hand, pulling your body close to his. His hands trail your body, finding your ass as the two of you grind on one another. Yeah, Ony is gonna take his time with you tonight.
Sober!Ony who loves you as much as you love him despite your differences.
"Papa, you seen my bong?" "Judie?" "No, the other one." "She in the kitchen cabinet, baby."
"Ma, you seen my screwdriver?" "The fuck you doing drinking those?" "Bae...the tool. My tool." "Oh, it's on the counter by the microwave." a moment later "Onyankopon, what the fuck did you do to my damn radio!"
Overall, Sober!Ony who has changed a lot since the two of you got together. As long as you don't give him any cause for concern, he's happy to let you do as you please (and partake when he feels like it). You level each other up in ways no one expected. You're his lady and Ony doesn't want any one else but you.
"C'mere, my lil pothead," He says, cuddling up to you in bed. "Shut up, nigga." "Watch your mouth. Now lemme rub my legs against yours..."
A/N: I had fun with this. Asks are open!
#Onyankopon x reader#Onyankopon x black!reader#aot x black reader#aot onyankopon#onyankopon smut#Onyankopon fic#reader insert#black!reader insert#fan fiction for black women#black reader#Lyv Writes#My Writing#Ony's Observatory#Lyv's Library#Sober!Ony
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Everything we know about what happened to Khan, Bakara, and Lilotte after the movie
Despite the fact that the second Dofus movie has not been made (and, from the way things are looking, might never be made at all) we know quite a bit about what happened to its characters afterward — the reason for that is simple: they're referenced in the games!
In this post, I will try to compile everything we know for the ease of access — but I implore you, instead of using my abridged compilation, just watch my video archive instead, if you're really interested in these characters! The posts I make on the MMOs are entirely recapping everything I already went over in my videos.
BAKARA JURGEN
The Dofus MMO takes place approximately 200–300 years after the events of the movie, and 70–90 years after a genocide against Huppermages has been enacted by Bonta, which forced their people to go into hiding. (you can read more about this in my posts about the Dofus MMO!)
Despite such a long time having passed, one can still find people who look up to her in the world — including Kerubim Crepin, who reminisces on having known her, her brother, and her sister-in-law, before all of them were gone...
There isn't a lot of that is known about her life (or her involvement with Khan, and whether they ever became a couple...) but what we do know is that she grew to be a very well-respected leader and role model among huppermages, and lived a long, fruitful life.
And also that, just like literally everyone in the cast of the movie, she either lied her ass off about everything that happened in it, or the legends have distorted the truth badly.
By the time of Dofus MMO, Jahash and Julith are both viewed as icons and role models by the Huppermage community. It is quite likely that, at least in part, this is the case due to Bakara's (and then Agata, her heir/apprentice/daughter-figure's) efforts to not let their memory be forgotten.
Agata never discusses Bakara in her dialogues pertaining to Bonta's genocide of Huppermages, and when coupled with Kerubim saying that Bakara is "just a part of the history now" during his own dialogue on the topic, there is a heavy implication that Bakara did not live long enough to see this tragedy — and that her passing is not a fresh wound.
LILOTTE DELAGRANDVENTURE
There is even less known about her fate, but some things are pretty obvious: she had a family of her own — and she is still venerated as a great ancestor even six centuries later, by her great-great-great grandchildren.
You can find a descendant of hers in the Wakfu MMO, as a political leader in a tradition-obiding ouginak tribe, which is a very long cry from the way Lilotte and Indie led their lives as city-dwelling ouginaks.
For context, there is a bit of a... conflict, between these two lifestyles, which makes this development quite interesting:
I feel like this dialogue just speaks for itself, when it comes to the way people like Indie, Lou, and Lilotte are viewed by Ouginaks at large...
Considering the history of oppression that Ouginaks have, it is quite understandable why a lot of them want to live in an independent community of their own people — instead of molding themselves to fit the norms set by the followers of the Twelve gods; and why they may look down on their fellow Ouginaks who do not share this sentiment.
Lilotte's bell is a known relic, and her legend is still known — albeit with major alterations, which are most likely the result of six centuries having passed.
:)
KHAN KARKASS
I have saved all content regarding him for last, because he is the one we know the most about — from the plans to include him in Welsh & Shedar, to his inclusion in the Wakfu MMO.
He is buried next to the stadium, with his Gobbowl cup — the greatest achievement of his life... despite him having years of life after it, as an adventurer. A bit sad, isn't it?
Here's what he says about his life:
And here's him getting Joris's age wrong, lmao:
I debated including what we know about him in Welsh & Shedar in this post... but it's a bit of a beaten horse, by now, so I will just give the simple rundown:
In Welsh & Shedar, Khan and Joris seem to be pretty close, reportedly having adventured together after Khan's knee injury. Khan can be seen spending time together with Joris even in the trailer.
It is easy to assume that by this point, that with Joris being 60-years-old, most other mortal loved ones of Joris's have either passed away, or had their own lives to deal with, not having much time to spend together, which is pretty sad.
Considering the fact that instead of spending his time with Bakara, he is seen alone as an old man, it might be possible that she passed away before him or that their romance did not work out.
Another reason to believe their romance may not have worked out is the fact that neither Bakara's, nor Khan's fans, mention them being an item.
He also had the stories about him morph... but somehow, I really doubt that it wasn't his own damn fault.
#bakara jurgen#wakfu#dofus#ro liveblogs dofus#krosmoz#khan karkass#lilotte#lilotte delagrandventure#bakara#maingames
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Johnshi HCs
I'm sorry most of these aren't explicitly romantic I just have so many HCs about the two of them it's driving me crazy.
Johnny holds Kenshi by the waist, Kenshi holds Johnny by the shoulder or the bicep. After some time Kenshi starts to go for his hand instead.
Johnny is on his phone all of the time. Kenshi will either avoid the internet for a week or plays chess on the computer at the kitchen table for a day straight without talking to anyone (secretly uses Sento for this).
Kenshi has good spirits (literally) when it comes to his blindness, but can get very defensive when others pity him for it. Johnny is the only other person he will let touch his blindfold, take it off, or wash it.
Kenshi doesn't love the name "Johnny Cage" and thinks that "John Carlton" suits him. Johnny thinks that it sounds like an "old man's name"
Kenshi would visit Johnny on set sometimes but not say or do anything but sit in the background and watch him in silence until he was done.
Speaking of that- Kenshi had a good time filming in Outworld for Johnny's movie (made him feel like an action hero), but absolutely refused to watch the parts he was in.
Kenshi thought Johnny's movies were mostly cheesy before and after meeting him. However, he ended up rewatching all of them and got excited when there was news he got cast for a new one (before they started to officially date).
Johnny was a pretty good student growing up who made A's and B's as per expectations of his parents but hated school because he got picked on. He got into a decent university where he ended up falling in love with physics. He accidentally became famous around the time he was 20 (maybe he got street casted and went viral?) and had to balance acting with school to get his pHD. He is that school's most famous alumni.
Kenshi was mostly homeschooled by his parents and did not show much attention in academics in his youth due to his intense upbringing in the yakuza. This is something that he regrets but accepts that it wasn't really his choice to begin with. However he is quite knowledgable, knows broadly about history and literature, and can speak multiple languages (Japanese, Chinese, Korean, English, Spanish). He also learns braille relatively fast after losing eyesight.
Kenshi thinks it's so hot that Johnny has a pHD but also thinks its so strange he doesn't do anything with it. (It's a backup plan so he can write textbooks if his career tanks)
Johnny is great at drawing due to it being a hobby growing up stemming from him being a major comic book fan. Kenshi isn't very artistic however used to be able to do mediocre calligraphy (a skill he learned from his parents) before he became blind.
Kenshi breaking into Cage Mansion the second Cris left was admittedly pretty awkward for him (but he was too distracted by Sento to rly care).
Kenshi tries to not let it get to him, but he is saddened by the fact he cannot read properly anymore. Johnny tries to support him by buying him every audiobook in every language he understands. Kenshi will sometimes ask Johnny to read to him mostly because he loves the sound of his voice.
At first, Kenshi tried to get Sento to help him with daily tasks (cooking, cleaning, etc.), but after talking to Kuai Liang he tries not to rely on Sento on anything non-kombat related.
Kenshi has a slight lisp (I'm sorryyyy this isn't rly a hc but you can hear it in his intro dialogues he still sounds like a badass tho i think it's super cute thank god for Vic Chao)
Johnny makes their home a "smart home" a.k.a 30 Alexas in every room of their place, and a Samsung fridge he can live tweet from while making green juice.
Kenshi sometimes used to drive with Sento in the back seat and got arrested for it one time. Now he gets told off by Johnny for it every time he tries it again.
Kenshi will only drink milky coffee (lattes, cappuccinos, etc.) and prefers tea. Johnny hates coffee and tea and pounds red bull in the morning.
Kenshi used to care a lot about his personal style and mostly only wore suits and dress attire. After losing his eyesight, he didn't care as much anymore and just focused on wearing things that were comfortable (sweatpants, sweaters)
Johnny buys Kenshi soft fluffy things to wear all the time. Kenshi always says it's unnecessary but ends up wearing it anyway.
In MK1 Johnny is 32, and Kenshi is 39 (I like the idea of Kenshi being old it just makes sense to me). It both amuses and horrifies Kenshi that he's dating a white man 7 yrs his junior.
Johnny calls him "old man Takahashi" and Kenshi just goes along with it and says "get off my lawn you punk" or something LOL
I think Kenshi was more of the brawny "tough guy" of the yakuza than the suave, seductive type. He has more of an awkward and stony personality. And the fact that he was desperate to get out makes me think he wouldn't entertain the "flirty" role of the job. (a.k.a Kenshi is BAD at flirting unlike a certain someone)
Johnny sometimes helps Kenshis clunky azz samurai gear on before he engages in kombat. Johnny is also the reason Kenshi sometimes gives up and just wears a suit.
Kenshi shops like an old Asian dad. LOVES Costco, will eat all of the samples. Will buy everything on sale even if he doesn't need it. Will not take Johnny with him because his megastardom ruins the peace of being unrecognized. Has taken Raiden with him though. Will use Johnny's credit card. Johnny is dismayed that he hasn't taken a liking to Erewhon and Whole Foods
When Johnny isn't there with him at night Kenshi will play his movies and fall asleep to the sound of his voice
Kenshi will have sex with the blindfold on. He will fall asleep next to Johnny with it off.
Kenshi doesn't like sleeping with the blindfold on, but was worried it would scare or disgust Johnny in some way. It doesn't and it never did. In fact, Johnny appreciates the intimacy that it creates.
#Johnshi#Johnshi hcs#Johnny cage#kenshi takahashi#johnny x kenshi#mk1#maybe i'll write more of these#johnshi isn't even my fave mk ship lol#these are so kenshi centric#now you know what character i have projected onto#mk brainrot
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Lore Ask Compilation: "Every Other Question Is About The Drow's Dick" edition
Oh I LOVE Minthara, her dialogue is absolutely fascinating and in my opinion some of the best written In the game. Experiencing her in my Evil Durge playthrough without having been spoiled to her companion scenes prior was great - the amount of depth they managed to add to her, without it at all feeling forced or rushed, and considering how much less time she gets to develop at our side is really well done. While nearly everyone's quests had me immersed, she was one of the few characters who really made me pause and think about the things she had to say to me, what she truly meant by them, and what they meant for me as an avatar doing an evil run.
We have a lot of characters in this game that are meant to be full of wisdom and experience, who are meant to be the ones who say the right thing at the right time that inspires us to make the correct choices, but I don't think either Halsin or Jaheira (and I love Jaheira) made me feel like I knew so little about life quite as Minthara did.
And, of course, she's absolutely hysterical. 10/10 I wish she had a proper companion quest past being rescued but I understand why she doesn't.
[MORE ASKS UNDER THE CUT]
It doesn't connect to the urethra since the slit in on top, so he nuts and pisses normal.
Also you 100% are not sorry, stop lying to me.
Man, I thought a lot about this one because I play so fast and loose with the content the game gives us that I'm positive there must be SOMETHING I'm completely disregarding, but I couldn't think of anything! I've chosen to pick slightly less obvious interpretations to some lines and text but nothing that completely deviates from canon, I don't think. If anyone has noticed something I neglected to mention, feel free to let me know - not because I want to revise it, but just because I'm curious!
For the second part of the question, not really. Larian did a great job of giving us plenty of room to play around in the dark urge's background, I think I'm yet to see something that I find to truly "not fit" in the ample freedom they've given us. I have my preferences, of course - I'm shocked to find that most dark urge's are NOT big hulking beasts, for example - in fact that seems to be the minority by far, but I realize that I have my... Uh... Biases.
You can see a cute little divot through the fabric if you look closely LOL
And nah, I think his penis has seen enough sharp points for a lifetime.
Well.
Unless someone decided to add some bite-marks to it.
HMMM, I... Don't think so.
He didn't cry as a baby, he didn't cry as a child (and this isn't something I just decided on now - this is a major reason why his foster drow mother even kept him around) he didn't really cry growing up or at any point during the campaign. I think he is capable of it - sadness in him just tends to be far more confusing a feeling than anything else.
He will have emotional moments in ANE, whether or not that will culminate in crying is something you will have to wait to find out LOL
Astarion has noticed this and just took it as a character trait - the drow doesn't cry, he just gets confused, angry, frustrated or simply bottles it up. While he can be demanding of his emotional maturity, he isn't going to try and dictate how he should experience his own feelings. If it did happen it would definitely catch him majorly off-guard, perhaps even shift the perception he has of him to a certain extent.
Oh my god you just know they All managed to be utterly quiet about it for as long as humanly (and unhumanly) possible until like, I don't even know, halfway through the Shadow-cursed lands where one day Karlach finally turns back to the group around the campfire after a half-nude drow has strut past and she's like "SO
"DOES ANYONE KNOWS WHY HIS DICK HAS A SNATCH"
And Wyll is like :0... Karlach you can't just ask people that.
And then she pointedly turns to Astarion and starts trying to interrogate him on how it works while Gale covers his ears and Shadowheart is like:
This is gonna blow you guys backwards but he does not do those things in front of people and thinks its rude if you do.
HMMM Mostly physically but it's a little subtle. He really enjoys interacting with Astarion's (and previously Orin's) hands - kissing, holding, caressing. Touching hair and faces as well. He can engage in more overt physical affection but usually Astarion has to be the one to initiate.
A disarmingly earnest proclamation of love and adoration here and there as well - he isn't shy in the slightest to tell people how he feels about them, he just isn't constantly reminding them of it unless inspiration strikes.
Most of all I think he expects his loved-ones to see his care for them in his tendency to go out of his way to help them achieve their goals.
He went with them to the Shadow-cursed lands but I never helped him fix the curse, so he stayed behind when the gang went onwards to the city. DU Drow didn't really like him so it was good-riddance as far as he was concerned.
If he had come along and propositioned him during act 3 - uh, you know the really mean rejection line you have as a choice during that dialogue? Yeah, that one lmao.
Alas, DU drow is just monogamous. He could entertain group-sex with a partner for fun at the most, but not ever a third person in the relationship. And In my personal interpretation (but by all means - everyone else have fun with their poly arrangements!) of Astarion and his delivery of the "this is about Halsin" line, I also thought he was lying about being comfortable with it, so I write him as monogamous as well.
Nothing. Nada. Not a thing. Say what you'd like about Bhaal but he sure knows how sculpt them out of his murder-meat.
(Thank you!!!)
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A censored version of Nu: Carnival is coming to the app store... Which is not good
When this was first brought to my attention, I honestly didn't believe it at first. I mean, why would I? Nu: Carnival has advertised itself as an adult-only game since it's release. I rarely go on Twitter since it's a total shithole, but that's how I found out that the rumors were true. Nu: Carnival - Bliss, they're calling it. The overall plot, events, and gameplay will be the same. But many crucial changes will be done to the dialogue, CG, and audio. Long post ahead, but I'll be ranting about it below
Why is this a bad move?
There are multiple reasons as to why making a censored, teen friendly version of Nu: Carnival is a horrible decision. I might not get them all, but here are a few I can think of off the top of my head:
It is literally impossible to separate the nsfw from the source. Whether the devs like it or not, they made an nsfw game. After the first half of the prologue, the game opens with porn. You are introduced to two characters at the time — Aster and Morvay. That right there is already an issue. Morvay is an incubus. He is a sex demon who wears leather lingerie. While there is certainly more to his personality, his is very existence is sex. Sex is what keeps him alive and fed. Morvay is very open about his sexual desires and the topic of sex as a whole. He doesn't find it shameful or taboo. So... What are they going to do with Morvay? He can't be removed since he's bonded with Aster. Censoring him will have him take a MAJOR hit. Now that leads me to the second part of this bullet point: sex is a crucial part of the plot. Essence is what keeps Klein stable. Eiden and his clan's job is to use their essence to fix the gem altars so said altars can keep the essence regulated throughout the continent. While there are several ways to replenish one's essence, the most effective way is through sex. Sex also plays a crucial role in expanding on the plot and the characters. Sex scenes aren't just there for entertainment, there is genuine lore within the dialogue. Through sex, Eiden bonds with his clan members in the most intimate and personal ways. He sees his clan members at their most vulnerable moments, and through that they share a deep connection. You can see when sex scenes go from Eiden and whoever the clan member is having sex just to have it to having sex because they genuinely care for each other and want to physically bond. I could delve deeper into this topic, but I'm sure you all understand by now what I'm trying to say. Sex is not just an accessory or perk. It's part of the worldbuilding
Minors will not be able to escape nsfw within the fandom. Since the game's release, the fan base has been entirely made up of adults. Since we are all adults, we freely talk and post about the nsfw parts of the game. You go on any social media platform where Nu: Carnival is discussed, and you will see nsfw. It's a very casual topic in the fandom, and in a way it's something that bonds us together… As weird as that may sound. My point is, making a censored version of the game is pointless, because the source itself in inherently nsfw and the fan base is full of adults making nsfw content which is usually uncensored since the artists expect for anyone in the fandom to only be adults
Minors in fandoms often bring drama... Hear me out on this one. Not to sound like one of those "grr minors dni I hate minors" people, but kids in fandoms often bring drama and discourse. As aggravating at it is, I have to admit that it isn't entirely their fault. When you're in your early teens, you're starting to discover yourself. You become very opinionated and defensive over your beliefs because you're trying to figure out who you are and where you stand in life. You're trying to gain independence and autonomy. It's normal... But it's very draining. Since Nu: Carnival has an all-adult fandom, there isn't a lot of drama at all. Sure, you're going to have stupid people saying stupid shit to start drama, that happens everywhere, but those people are typically ignored because it isn't too common. With kids coming into the fandom and starting unnecessary drama, it'll be so much harder to avoid. Not only that, but kids don't have as much media literacy as adults do. It's not an insult, but simply a fact. Nu: Carnival delves in a LOT of heavy themes in the game. Some of which are stated outright while others require you to read in between the lines to pick up on them. Since the fandom is all adults, it's easier for us to handle these topics and discuss them maturely
Why are the devs doing this?
My guess? Money. The devs are part of a company after all. At the end of the day, all companies want to make money. By making a game they can put on app stores, the game becomes more visible to a broader audience. People who have never heard of Nu: Carnival before will see what appears to be an innocent anime game when it's far from that. All it will take is a simple google search for people to see the the game is very much nsfw and not something minors should indulge themselves in. It's dangerous for both parties involved, both the minors and the adults
But hey, whatever's bringing in the money, right? Sigh...
#not how i wanted to make my full time return but okay#btw guys hi i just finished my semester#i have like a month off so i'm planning on getting back into things i didn't have time for#this blog being one of them#god my autistic ass hates change so much#WE DON'T NEED KIDS IN THIS FANDOM#nu carnival#nu carnival aster#nu carnival morvay#nu carnival eiden#nu carnival yakumo#nu carnival edmond#nu carnival olivine#nu carnival quincy#nu carnival kuya#nu carnival garu#nu carnival karu#nu carnival blade#nu carnival dante#nu carnival rei#nukani
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