#the link is for that playlist i made for generally how the album would be

[klavierforte]

&& that tiny ray of light amidst the shadows || @tinyredlawyer

Apollo Justice has always hated Klavier's music.

And Klavier has known it this whole time, too. Apollo wasn't exactly subtle in his distaste for the Gavinners, and Klavier has been fine with that. He's learned to acknowledge the critics, and mostly lets that sort of thing roll off like water on a duck's back.

So why, oh why, was he sending this?

Hey there,

Sorry for this being perhaps a bit out of the blue, but I was hoping to get your opinion on something. Not related to our law careers, but...to do with music.

I know you've never particularly liked the music I made with the Gavinners, and that's fine. It's never been something everyone will love, and I respect that you don't. In fact, it's somewhat refreshing. So, please understand I am not wanting you to pretend to fawn over my music.

Anyway, the point...I have been having trouble writing music for a while. Since the Tobaye case, mostly, and it has basically driven me insane that I've been stuck since. And...for the first time since that case, I've actually written something worth putting out.

All that being said...I'm not sure I'm ready for these specific songs to be heard by most people. They're nothing like what I had pictured when I thought about a solo album before. (I've thought about what my first published music after the Gavinners would be like before, and now that plan is out the window--whoops. I had even been mulling the thought of having you do the rap part of a song, if you'd wanted to do it. Bringing in my friends on my return to the music biz, if that makes sense. Oh well, I suppose. I haven't even told the band's old manager I've got something in the works, either...)

Not sure I'm ready for people to see what I was thinking and feeling when writing these, really. I know you're primarily going to hate these, too, and that's fine, but...I want an honest opinion. And I feel okay letting you give them a listen because I know an honest opinion is what you'll give me.

No rush or anything to get back to me--like I said, you will probably hate most of these songs. But I did edit these specifically for you so the loud and angry-sounding ones are a bit quieter. And I think there's at least a couple that may border on something you might find enjoyable. So just...tell me what you may think.

-K

There's ten audio files attached to the email, and a word document with the lyrics, and the email is sent off at what would be roughly 4 AM in the States.

Certainly the news about recent events in his life would be something he would want to talk to Apollo about instead, but this is the only thing Klavier sends Apollo's way--a grand total of six days after news breaks of Kristoph Gavin's execution.

[littlestartemis]

This is like THE thing I'm most annoying millennial about, but I've decided I'm going to make a guide about this instead of just venting to my friends about it for the Nth time. I am not a fan of spotify. On the surface I already didn't like it, the idea of paying a monthly subscription for a media player that requires an internet connection was abjectly backwards imo. Then I actually used it recently, and I'm even more frustrated, because searching for songs doesn't give you any clear indication on if it's the Actual Song you wanted, or just some rando's remix or something. Not to mention the queue and playlist functions just not working 1/3 of the time, and... yeah.

"Man I wish this artist would release on spotify so I could listen to this song."

"Hey are you gonna put this thing on spotify? I'd really like to listen to it away from my computer/off youtube."

Allow me my one snarky comment here because I feel strongly about this and then the rest of the post will be a polite and detailed guide.

I'm gonna let you all in on a secret, you'll never believe this. There's a method, inside your computer (and phone!), where you can listen to music, any music you want... without the internet. Fuckin wild, right? (Making a break because this ended up being longer than I thought it would)

On your computer, even up to Windows 11, you have a thing called "Windows Media Player" that's just automatically on your computer. And if it's not, for whatever reason, lemme make things even easier for you with a link to install it.

You open it up, and you're greeted with this. (yours obviously won't be filled with FFXIV clips and songs by default, just work with me)

Now, I think everything here is perfectly self explanatory, but I've heard as time's worn on that the younger generations are becoming increasingly poorly taught when it comes to navigating computer programs.

Home is just the first thing you get when you open it. Shows all your recently viewed media on your computer

Music Library is your entire collection of songs in your music folder (we'll get there)

Video Library is the same thing but for video files

Play queue is what you have queued up to play in a list Right Now

Playlists is... the list of playlists you've made

So! Good first step, we have a media player. This thing doesn't need an internet connection, it can make playlists, it can shuffle, it's got it all. But like, how do you actually get songs on it, right? Well, we've got a few methods.

If you're a fan of contemporary/pop music, you've got the easiest time of things. If you're already someone who's ok with paying spotify once a month for their service (which is just a media player with always on internet), you shouldn't have a problem with giving that money directly to the artists you already like the work of instead. Not to mention, on streaming services music can be added and removed at the whim of... really any number of people. Whereas if you get yourself the mp3 file, you own that shit forever.

Most every artist offers a way to buy their music from them directly in album form. For shows, movies, and video games, that can be a little more up in the air, but it's nothing a quick google search of "[media name] original soundtrack download" can't direct you to. My first port of call would be to recommend this site here. Despite the name, it carries an absolutely stupid titanic repository of music downloads, the vast majority of which being for things that either no longer have legal means of purchase, or never had one to begin with. You'll have to download them one at a time if you don't/can't make an account and donate to them, but... that's literally just a time investment. Lil bit of elbow grease.

Now, let's say you're willing to put in that elbow grease, but what you wanted isn't here. Well, you've got an ancient, tried and true method to follow suit on next; youtube conversion. It couldn't be simpler. Copy/paste the url (the funny string of letters numbers and characters in the bar at the top of your browser window) into the thing that says "please paste youtube url here", and press the convert button. You've even got options to change the quality (if you need a smaller file size) and trim a length of time off the beginning or end of it! Again, you'll need to do this one at a time, and via this method you won't get premade names (beyond whatever the yt video's name was) or special album art or whatever. But if all you're after is listening to your music of choice without fucking spotify, that shouldn't be a problem.

And I'm not done yet! Circling back to my earlier comment about "some kids just don't know how to work their computers", some of you may genuinely be asking "what am I supposed to do with these mp3 files after they're on my computer?" We'll start with "where even are they" to begin with. You have something baked into your computer called a "file explorer". I keep mine pinned to my taskbar, but you aughta be able to find it and open it up by searching that name in your start menu

This is what the left side of that File Explorer window aughta look like, more or less. You only need to worry about two of these things here for our purposes; Downloads, with the arrow pointing down at the line, and Music, with the music note in the green circle. By default, anything you download, be it from a converter, more illicit sources, or 100% legal "I bought this from the band's website", is going to go into your Downloads first. (side note, if your computer ever tells you you're running out of space and you're like "what the fuck how??", check your downloads, might need to clear that shit out into the recycle bin) You're gonna move those files from Downloads to Music (I only recently learned that file explorer supports additional tabs now, like browsers! That rules). The simplest method of moving them over though would be to click once on the file, then right click, you'll see a row of pictures at the top of the right click menu, you want the scissors (this is called Cutting). Once you click those scissors, you head over to your Music tab, and in the empty white space, you right click, and at the bottom of the menu you'll see a clipboard with a piece of paper, (that's Paste) click that, and it'll remove that file from Downloads, and move it over to Music.

Your media player program is automatically designed to detect mp3 files inside that Music folder. So, from here, you just need to work the media player!

Open up that Music Library tab in your Media Player, and everything will automatically be grouped Alphabetically, you can change that with "Sort by:" in the top right. Know what else? If you do buy an album (or download one otherwise), it'll recognize that on its own too! You can sift through your collection by Albums at the very top there! So you just wanna listen to an album, you can pop over there, click an album, and...

Play all, right at the top, the red button.

You wanna make a playlist? Right click any song, and in the right click menu you'll see "Add to+", check that, and you'll be prompted to just add it to the now paying queue of songs, or to make a new playlist. Do that, you name it what you want, and now you can just right click-> add any songs you want to that playlist.

Now when it comes to phones, I know most people have iphones, and in that realm... yeah I can't help you sorry. But if you're not, we're in another "this should be on your phone already, and if it's not you can install it". Samsung Music. Open that bad boy up, and

Damn doesn't this look familiar. On my Samsung phone at least, nearly EVERYTHING I just laid out applies to making this all happen just on your phone with no computer. But, if you only download on the computer, and still want this shit on your phone, there's a VERY easy method there too!

Get a USB-C cord, hook up your phone to your computer, and you remember the method I told you for moving those files over from Downloads to Music? Works the exact same for moving things from your computer to your phone. Hell, your phone even has a Music folder of its own! Works the same.

This has been my very long and hopefully helpful PSA about listening to music via methods that don't involve God Damn Spotify. Go enjoy yourselves. Don't pay for shit you don't need to pay for.

[daisyswift3]

The Acceptance Stage of Grief—The Manuscript and Guilty as Sin

So I realized sth crazy recently. I think the 🎃 messages describe the 5 stages of grief; and I think the standard edition and The Manuscript variant of TTPD have the album cover they do bc it’s a play on the common expression “You’ve made your bed now lie in it" which means to accept the unpleasant results of your actions. This aligns w the Apple Music playlists Taylor made that have The Manuscript as part of the acceptance stage of grief. However, I will caveat this by saying that I don't think the Apple Music playlists are completely accurate as they are full of red herrings to throw everyone off (I'll explain this in more detail shortly) but I do think The Manuscript is one of the few songs that is properly placed and is not a red herring since the bed imagery and connections to the 🎃 messages indicate it represents acceptance. I think the messages not only give us Taylor's overarching story spanning the past decade, they also give us the true 5 stages of grief that are separate from the 5 stages of grief given in the playlists which are mainly for marketing and pr purposes. The messages are likely meant to be a navigation tool for us to more easily cut through all the noise, red herrings, and chaos that has come w TTPD's release (x)(x)(x). In the messages I just linked, 🎃 and 🫚 make it clear that there is a very specific reason why they sent this korner messages explaining the whole messy story. I believe this reason may be related to the TTPD epilogue because in it Taylor is essentially saying she’s at the mercy of the general public and her fans as she’s on trial in a court of public opinion; and I think our role is to serve as the “witnesses” to help her win this case and prove that she didn’t completely lie abt everything because otherwise how would this small group of ppl on tumblr have figured it out yrs ago? I think it’s possible that after coming out Taylor may direct ppl to this korner to prove that the truth was there hidden in plain sight the whole time if you were just willing to dig a little deeper past the surface level interpretations.

In this album cover, Taylor is literally lying in a bed that she’s made bc she is accepting whatever the consequences of her actions are. The story isn’t hers anymore, she’s sent it out into the world like a message in a bottle and now it’s just a matter of time. Come what may. This is the end of the 9th 🎃 message and I believe all of the 10th message as well since she chooses to step through the closet door accepting whatever fate lies on the other side. This connects to the most recent volcano anon message as well (x). I think the first part of the 9th message represents the depression stage of grief since it’s explaining that Taylor is a tortured poet because she is forced to hide her truth behind metaphors and red herrings which are likely the old habits that die screaming in The Black Dog, a common symbol of depression. In the fortnight mv, she is literally being tortured in an asylum w electroshock therapy (which is one of the same methods of conversion therapy they use to used on queer ppl) while a black dog lingers nearby.

In the Apple Music playlists, Taylor put The Black Dog in the anger playlist, but as I mentioned earlier I think this may be because the playlists are supposed to be more for swifties and to sell the Toe breakup narrative. Because, if you think abt it, it doesn't really make sense for The Black Dog, which is commonly used to represent depression, to symbolize anger. It also doesn't make sense for the acceptance stage playlist to be called I Can Do It With a Broken Heart when the song ICDIWABH is actually in the denial stage playlist. The math does not math. I think she was purposely trying to make it confusing for the general public and fans to make the puzzle harder to decipher so she gave them low hanging fruit. I think it's possible that the vinyl variants, which each have a bonus track that has a corresponding 🎃 message, are the actual 5 stages of grief. The Albatross = anger, The Bolter = bargaining, The Black Dog = depression, and The Manuscript = acceptance. I think it’s possible that she chose to only have 4 variants to make it harder to connect them to the 5 stages of grief and to make it look like the 5 stages of grief were just a last minute thing she threw together because she was running w swifties’ theories. But since the 5 stages of grief show up in the messages, it’s clear that this was sth she’s had planned for a while and it wasn’t just a last minute decision. I think that the denial stage may just be represented by a message and song.

“Six weeks of breathin' clean air, I still miss the smoke” -> The “smoke” is the smokescreen/Lavender Haze/blowing smoke/smoke and mirrors/bearding/pr stunts/red herrings/metaphors that she uses to cover up her truth like a magician pulling the wool over everyone’s eyes. She’s no longer going to use these tactics of trickery and deception but it’s not an easy habit to break when you’ve been doing it your whole life and it’s essentially your default state. Just like how it’s hard for a smoker to stop smoking cigarettes, which is probably another layer of this line making it a double entendre. I think this is what the lavender haze mv scene w her blowing smoke is meant to represent. As the clock gets closer to midnight she’s going to start this process of unraveling the “braids of lies” she’s woven over the years and it’s going to be a very difficult and painful process. I haven't done a full analysis of The Black Dog yet but I believe it's similar to TSMWEL, Peter, Fortnight, and Chloe et al where it's a conversation between Taylor the brand and Taylor the person. At the end of the song, Taylor the person finally chooses her happiness and her lover over her image/brand, which is the cause of her depression -> "Cause tail between your legs you're leaving and I still can't believe it cause old habits die screaming." She burns all the files and gets rid of her house which is likely the lover house. This is when she drags the "enemy" in the 8th message into the shark infested waters which I'll explain in the next paragraph.

The Bolter vinyl variant, represented by the entire 8th 🎃 message, is likely supposed to symbolize the bargaining stage of grief. I think she achieves part of the acceptance stage when she chooses to jump into the shark infested waters which may be why The Bolter edition also has her lying in a bed and why the 10th message (acceptance) seems to be a direct continuation of the 8th message. In the 8th message, the “enemy,” which is likely just Taylor herself or her public persona/reputation, is trying to make a deal w her—quite literally bargaining w her—and asking her lover to jump into the shark infested waters (destroy her reputation and get eaten alive by the fans and general public). Taylor refuses the deal since Karlie has been through enough already and jumps into the waters choosing to sacrifice her brand and image instead ->

“He [the enemy] was a cad, wanted her bad just like any good trophy hunter ['I've been the archer, I've been the prey'], And she liked the way it tastes, Taming a bear [Taylor’s made it clear she’s the bear], making him care, watching him jump then pulling him under, And at first blush this is fate, When it's all roses, portrait poses, Central Park Lake in tiny rowboats, What a charming Saturday, That's when she sees the littlest leaks down in the floorboards And she just knows she must bolt ['And you know in your soul when it's time to go']” //

8th 🎃 message: “You are not a hero. You never have been, and you never will be. You're a selfish asshole. But there are some people in this world worth breaking character for. And so in one swift motion [pun intended], you replace the solid boards beneath your feet with rushing deep blue water.”

10th 🎃 message: “You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters.”

The Apple Music playlists have The Bolter in the denial playlist but again I believe this is a red herring since the themes in the 8th message align more w the bargaining and acceptance stages.

(If you want to read more abt the connections to midsummer/midsommar see this excellent thread on the June 21/midsummer eve easter eggs)

I think this might also be what the bed imagery in Guilty As Sin and the Wildest Dreams eras tour visuals represents. She has accepted that when she reveals the truth many ppl, especially the conservative evangelical Christians, are probably gonna tell her she’s going to hell because she’s in a relationship w a woman, and figuratively burn her at the stake like the ppl accused of witchcraft and heresy in the middle ages were and this really ties in w all the religious imagery in this album -> “my bedsheets are ablaze” // “you’ll see me in hindsight tangled up with you all night burning it down" // BDILH eras tour visuals. We’ve discussed how in the TTPD epilogue she’s on trial in the court of public opinion and the jury is her fans and the general public. I think Guilty as Sin is her essentially saying “yes it’s true, I committed the crime of loving another woman; condemn me to hell if you want.” I find it interesting that it’s posed as a question “Guilty as Sin?” as if she’s asking the jury if they deem her worthy of punishment. It’s ultimately up to them to determine her fate and decide whether she’s guilty or not guilty. Some other kaylors pointed out that in the wildest dreams visuals Taylor looks completely at peace, sleeping soundly while everything burns around her. This likely symbolizes how she’s made peace w the fact that many fans may leave her and she may lose her career when she comes out—it indicates complete acceptance of any ensuing consequences.

(x)

But wait there’s more! I think there’s another layer to this song that relates to something very important she said in the rep prologue that many swifties conveniently ignore: “There will be slideshows of photos backing up each incorrect theory, because it's 2017 and if you didn't see a picture of it, it couldn't have happened right?” The obvious answer to this posed question, which is more rhetorical than anything, is NO. Why? Because “We think we know someone, but the truth is that we only know the version of them that they have chosen to show us” i.e. Taylor is only showing the public one side of herself w pap walks, staged photos, and social media posts and she can keep the other sides of herself hidden if she wants by just not doing these things. If she wants the public to know sth they will know abt it and if she doesn’t want them to know sth they won’t know abt it. Taylor knows that her fans have willfully ignored this message that she’s repeatedly tried to send to them over the years; so now she’s flipping the question on it’s head and using their inattentiveness to her advantage. She’s now saying “Well you guys never actually caught me and Karlie in the act, there’s no photographic or video evidence, so how can I be guilty as sin? I mean you said it yourself by ignoring this prologue. There is no picture; therefore it did not happen. So by your own logic I cannot be guilty!”

I also find it interesting that the bedsheets on the album cover and eras tour visuals are plain white 🤍. White is commonly a symbol of purity and innocence. This may be the purpose of the black and white aesthetic of TTPD—black for guilty 🖤, white for not guilty or innocent 🤍. The black and white may also relate to her duality and how she has 2 versions of herself that are in opposition to each other, Taylor Swift the person vs Taylor Swift the brand.

Just in case you got lost during my ramblings and tangents, I'll give you the tldr as well:

Beginning of 8th 🎃 message -> Bargaining stage: The Bolter; the enemy [Taylor Swift the brand/her reputation] wants to make a deal w her

Beginning of 9th 🎃 message -> Depression stage: The Black Dog; "old habits [red herrings/bearding/lavender haze/smoke and mirrors] die screaming"; Taylor is a tortured poet because she is forced to dilute her truth w metaphors, symbolism, and red herrings and this feeds into her depression

End of 8th and 9th 🎃 message and all of 10th 🎃 message -> Acceptance stage: The Manuscript and Guilty as Sin; she has made her bed and now is lying in it; represents the peaceful acceptance of any ensuing consequences; she has sent her story out into the world like a message in a bottle and made her case; now it is now up to her fans and the general public [the court of public opinion] to determine if she is guilty or not guilty; real Taylor has killed her old habits and the black dog by dragging her public persona into shark infested waters and burning down the lover house which represents her closet and music empire

Since this post is already lengthier than I wanted it to be I won't go into detail abt the denial and anger stages but I believe it's possible these are represented by the 1st and 2nd 🎃 messages respectively assuming the 5 stages of grief are in the usual order in the messages. The Albatross is obviously an angry song abt getting revenge on someone--most likely Scooter--so it makes sense for it to represent the anger stage; plus the same parachute metaphor that's in The Albatross shows up in the 2nd message which is related to the failed coming out and mastersheist which Scooter was involved in so it checks out. Then working backwards, this leaves the 1st message, which perfectly parallels The Prophecy, for the denial stage. I believe the 1st message is abt her first big pivot, her first failed coming out, during rep era (going full throttle on her getaway bike then slamming on the breaks which damages her heel) which was originally supposed to be lover/daylight. This would explain why she clips the wings of her TS6 jet and spray paints "reputation" on the side while wearing a palm tree outfit which relates to the palm tree/paradise easter eggs during lover era. I think this pivot may have been the thing that started this downward spiral through the 5 stages of grief hence why it represents the denial stage. Of course this is all just my interpretation of everything and I could be wrong. Feel free to share your thoughts, I'd love to hear other ppl's interpretations!

[desire-mona]

so, i want to get into nickel creek, where do i start?

a comprehensive guide / masterlist by desire mona :-)

so ive gotten like. probably 3 or so asks about this + i need a pinned post for the nickel creek community so im making this. keep in mind that i am still a relatively new fan so i definitely dont have the seasoned advice that someone who's been listening for a while would have.

more info under cut!

lets start with the basics -

who is nickel creek?

nickel creek is a 3 piece bluegrass band from california made up of chris thile on mandolin, sara watkins on fiddle, and sean watkins on guitar. all 3 members are vocalists and sing lead vocals on various songs, but youll most likely hear chris on main vocals in a majority of their songs. though they are categorised as bluegrass / folk, their music delves into sounds from a variety of different genres, so a general acoustic label would probably be more fitting. they were originally known as "the nickel creek band" starting in 1989, but they dropped the "the" and "band" in uhhhhhhhh... some time before 2000.

what should i listen to first?

thats honestly up to you, i think anywhere is a good place to start since literally everything they make is good, but i can give u some kick off points so u can know whether or not u like them the quickest i suppose. i was introduced to them at a pretty young age, and the 2 songs that i remembered after years of not hearing them were the lighthouse's tale and this side.

lighthouse's tale - youtube, spotify, apple music

this side - youtube, spotify, apple music

after deciding that i should fully commit to the creek, i started with the tiny desk. i was BLOWN away by how kickass their live vocals were. i went thru and i listened to their albums one by one after that, but i'll have a list of all the albums later on.

"ummmm mona that's too many fucking buttons!!"

ok FINE here's two much easier ways but i think the way i did it was best. whatever.

both my father and my fellow creeker coworker discovered them from their best of album released just after they began their hiatus from 2007-2014. that was a good starting point to go through and listen to the rest, but beware that there are two (very good) albums that came out after this was released.

reasons why: the very best - youtube, spotify, apple music

OR i'll be extra nice and make a spotify playlist for you that i'll eventually make a youtube playlist as well (but not apple music im not paying for that shit <3)

(DO NOT LISTEN ON SHUFFLE - IT IS IN INTENDED ORDER)

every nickel creek album (even the baby ones)

*im doing my best to link physical copies from their official merch site, but some vinyls havent been reissued. if theyre not sold then ive linked the amazon page, but if theyre just sold out then ive linked the merch page anyway. physical copies linked are cds and vinyls respectively, sorry tape users.

little cowpoke (1993) - internet archive, cd

here to there (1997) - youtube and theres a cd but its over $100 so

nickel creek (2000) - youtube, spotify, apple music, physical copies (cd on official merch site is sold out as of 10/2/24)

this side (2002) - youtube, spotify, apple music, physical copies

why should the fire die? (2005) - youtube, spotify, apple music, physical copies

a dotted line (2014) - youtube, spotify, apple music, physical copies (no dotted line physical copies on the merch site, sorry!!)

celebrants (2023) - youtube, spotify, apple music, physical copies

ok fine i like these guys, what can i watch?

OH IM SO GLAD YOU ASKED!! here are my favs, you can do some exploring on your own as well!

their music videos

celebrants music videos (these are live performances)

2002 live @ aol sessions

2000 acoustic innovators documentary

toxic cover

studio session @ the current + interview

cmt's on the verge

new haven 2024 concert

kill bill cover w/ kacey musgraves

ok but what else have they done?

well all 3 members have their own solo careers, as well as separate bands and projects that theyve done. i wont be linking anything for this section, so you're just gonna have to do some digging for yourself.

chris thile:

solo career

unbelievable amounts of collaborations, too many to list

punch brothers

mutual admiration society

live from here

probably other shit, chris is kinda everywhere

sara watkins:

solo career

watkins family hour

im with her

mutual admiration society

sean watkins:

solo career

watkins family hour

fiction family

works progress administration

mutual admiration society

in conclusion + notes

listen to nickel creek or i will kill you with hammers. if you have any more resources youd like me to add to this post, let me know and i absolutely will!! i do plan on making some fandom-y stuff, such as blinkies and dividers. if youd like to check out all of *my* nickel creek posts, you can visit my #certified creeker tag, or if youd like to see all my posts about chris thile, you can visit my #dangly mandolin boy you will be mine tag. i apologise about the name i just. i like him.

thank u for reading!! feel free to send to anyone you want to annoy the shit out of <3

[guillemelgat]

Hey hello I made a thing! As perhaps a few of you know, I have spent the last half a year being completely unhinged about Patrick O’Brian’s Aubrey-Maturin books, and I’ve always been particularly interested in the character Stephen Maturin and his relationship to Catalonia. I saw that there was a lack of stuff about this part of his identity, and, being me, I felt the need to fill it in the only way I could: compiling music and yelling about it for thirty pages. Hence this playlist.

You really don’t need to know anything about these books to listen to this playlist. You also don’t need to know anything about Catalan (I hope). Catalonia and the Catalan Countries in general (including Valencia, the Balearic Islands, and parts of southern France, Aragon, and Sardinia) have a really interesting musical and literary tradition, and I wanted to make that more accessible, so I put together a few songs I liked, translated them, and wrote a bit about each of their significance, including the most important cultural tidbits I could. Some things don’t translate super well, and I hope my Catalan followers will forgive me for trying to adapt them more for English-speaking audiences than perhaps would be preferable; I usually don’t choose to do that, but in this case I wanted to open the door, and not to intimidate people.

Now that that’s out of the way, here is a link to the PDF of the liner notes (graphic design is my passion, as they say): https://drive.google.com/file/d/1MUpRM84W8aypznEIrt0eA1jG5OxaRZvz/view?usp=sharing

Under the cut I’ve included the ephimera and unnecessary commentary that you know and love, feel free to read or ignore it as you will

These roughly follow the order of the songs and are varying levels of seriousness

If you like "Sant Joan, feu-lo ben gran" then I'd highly recommend listening to the whole Tornaveus album. I almost included the “Stabat Mater de Sudanell” and the “Goigs de Sant Julià de Lòria��, which are both from western Catalonia, and they also have more cançons de pandero, in perhaps a slightly more traditional style. A lot of the other songs have interesting cultural commentary in them, especially on feminist topics, and they’re very well-researched because literally one of the members of the group is basically the ethnomusicologist of Catalan music at the moment. Anyways, if people would like the liner notes perhaps next time I’m home I’ll scan them, they’re in Catalan and English and very well-written. Also note the legendary Lluís Llach song which has been turned into a polyphonic piece lol (and I did not include the “Goigs de la Nostra Senyora de la Llibertat” but tbh that might have been a mistake on my part) (Blorbo side note that I think this fits Stephen’s childhood very well which is mostly why I chose it)

“L’Hereu Riera” is one of my favorite Catalan folk songs I love it so much and if you want to hear the Catalan version (as opposed to the Valencian one included here) and see the dance and also see a cobla, I am including a link to this version by Germà Negre which is tragically not on Spotify. I chose the Valencian one because (1) Al Tall and (2) I think it fits The Blorbo better (specifically I was thinking of his fiancée who dies before Book One who idk if anyone ever remembers shdjfhskf). That being said, Stephen would probably know the Catalan one (and almost certainly not the Valencian one). Also, on a memey-er note, Hereu Riera bisexual king and literal icon <3 love how he has to remind his girlfriend on her deathbed that actually he'd technically be interested in both her sisters AND her brothers if he wasn't so into her that he never wanted to marry anyone else

I literally did put in Roger Mas just so there would be at least one person with a Lleidan accent, #diversity win

Many points about the “Cançó de pandero de l’Urgell” and “Jo no canto per la veu” so here we go:

I put these two songs in mostly because I got very obsessed with the cançó de pandero from Alcarràs (which is a great movie that came out last year about a farming family in a village near Lleida that is winning all the awards atm). Anyways, since Carla Simón has been too busy winning things to put up the gotdam soundtrack, I did a bit of digging and it turns out that it was written for the movie?? By her brother??? It's excellent and very anticapitalist and you can listen to it here and see the trailer for Alcarràs all in one! (Includes English subtitles)

The original “Canto per un amic meu que per mi daria la vida” is probably from a Valencian cant de batre, although I could not get any confirmation on that. But regardless everyone should listen to Pep Botifarra's version of it, which I would literally marry if it had a physical form it’s so so good. (I posted it here back in ye olden days but it's been long enough I think I can post it again)

Valencian music side note because I can’t stop myself: the second pair of verses in the "Cançó de pandero de l'Urgell" (starting with “vos esteu ben acotxada…”) are sung by Miquel Gil, who is a very famous Valencian traditional singer, anyways you should listen to this version of him singing “Del Sud” by Obrint Pas (you want to go down a Valencian music rabbit hole so so bad)

I firmly believe that Stephen would canonically be obsessed with Ausiàs March, and the fact that he has not yet recited any of his poems is Patrick O’Brian’s biggest failing in my eyes. Anyways I have more thoughts but I’m saving them for other posts shdfjsd

If you read this before listening to the playlist please just listen to "El testament d'Amèlia" and follow along with the lyrics in real time before reading the blurb, it's such a good experience to let that song hit you as it comes. I won't say more than that but you'll get it when you get it. (Also obligatory listen to Marala they're so good <3)

From the Càntut album, I also quite like the songs "El pomeró" and "El divino vull cantar", and Càntut in general is an incredible resource, it's a database of folk song field recordings from northeastern Catalonia.

Brief pause to scream about the fact that Maria Arnal and Marcel Bagés WERE ON NPR??? AND NO ONE TOLD ME???? Anyways link in the sources section, also they're great and you should listen to their whole discography

As the #1 Roba Estesa stan blog on Tumblr, listen to Roba Estesa. And Ebri Knight. And El Diluvi.

I chose this version of "La presó de Lleida" because I like it but here's a more traditional one sung by Joan Manel Serrat, another Catalan legend. Here's another one in Catalan rumba style with Sílvia Pérez Cruz singing, the sound is a bit wonky but it's also one of my favorites. The Valencian version of this song is called "La presó de Tibi" and El Diluvi have done a very explicitly anti-monarchical rendition of it (the Balearic one is "La presó de Nàpols").

I'm sorry for never putting the Sílvia Pérez Cruz version of "Corrandes d'exili" but if you want it here it is. Also note that the statue of the Virgin in the poem is a reference to the Virgin of Montserrat, it literally all goes back to her shfjkshdf (also apologies for being very bad at Christianity and Catholicism, if I mistranslated things let me know)

HOO BOY SARDANA TIME

Okay so I have a whole essay to deliver on this that I've been holding inside for the past like two months or so, I apologize in advance for my excessive pedantry on the topic.

In Master and Commander, Stephen delivers this speech:

"‘Then I must tell you that on Sunday mornings it is the custom, in that country, for people of all ages and conditions to dance, on coming out of church: so I was dancing with Ramon Mateu i Cadafalch in the square before the cathedral church of Tarragona, where I had gone to hear the Palestrina Missa Brevis. The dance is a particular dance, a round called the sardana.’"

I hate to be a hater but it is very, very unlikely that anyone would have been dancing a sardana as far south as Tarragona in this time period. The sardana as the symbol of equality and brotherhood emerged in the Renaixença and would not yet have been a thing; Stephen could well have heard sardanas in Ullastret, but they would have been a more typical folk dance, and not anything like the way they're described in the book. It's very ironic, then, that they've become THE Catalan music style for Aubreyad readers, but hopefully this playlist can change that a bit :)

(also sorry for being a sardana-hater on main, someone bring me to dance a sardana and maybe I'll feel better)

Songs that didn't make the cut: La cançó del lladre, Rossinyol que vas a França, La balanguera, La gavina - I'm always happy for more recs!

Originally, this list was also going to include songs in Irish; I quickly realized that I was in over my head with that one, but the working list of songs is here (may be subject to changes so save songs elsewhere if you like them!). Also I would add "Fé Bhláth" by Imelda May and Kíla if it was on Spotify but alas it is not; and "Amhrán na Leabhar" which I have not had time to add but was kindly recommended by someone. I'd love it if someone was interested in actually doing a proper playlist for Irish though—it's a gap in my knowledge that I'd love to start filling.

Aaaaaaand that's a wrap. I hope. Final comment to say thank you to everyone who voted in the cover image poll, turns out you all won :) (Pirineus did win and take the cover of the liner notes though)

[tactidoll]

Dollypop, got any rap recs?

so ive been planning on doing a series of playlists as a kinda introduction to rap, especially so after the dot vs drake beef has put rap back in the spotlight and made more people than ever actually aware of the lyrical content of these songs, its mostly been an issue of executive function beating my ass 5 ways to sunday lately, but suffice to say rap recommendations has been on my mind a lot lately

i could probably go on for a few hrs about hip hop and its place as the culmination of all music prior, but rap is a genre that more so than others rewards album listening so i will more often than not recommend albums over singles/tracks but ill try my best to isolate what i consider to be a well rounded list (no links cus i dont use spotify lmao)

theres a lotta ways to split up rap and hip hop as a whole into a thousand micro genres, especially when you take regions into consideration but i think im gonna go with just 15 tracks that cover as many bases as i can and give a little explanation for each track starting with

NY State of Mind - Nas: ny state of mind is THE classic in my books, dj premier provides the perfect boom bap beat for nas to make the final push to usher in a new generation of rap, literally sampling eric b and rakim in the chorus, the previous pair to bring the genre from the 80’s into the 90’s, furthering that push with more complex rhyme schemes and blending the street/gangsta rap of nwa and wu-tang with the jazzy introspection and philosophy of de la and tribe, a perfect set piece for the album of a desperate kid rapping and telling his stories like its his last day on earth because it just might be

Doomsday – MF DOOM: the manifesto of a super villain, a rulebook on rap, a re-emergence of a forgotten rapper, after the death of his brother and issues with the record label dropping KMD Zev Love X disappeared in ‘94 and then in ‘99 MF DOOM dropped operation: doomsday, the dizzying rhyme schemes and word play, the casual humor and pop culture and sampling referencing lends to a true statement of a song, that DOOM was here and was gonna change the world

4th Chamber – GZA: a dozen wu-tang tracks could’ve appeared on this list and all would be justified but 4th chamber is my favourite by far, starting with the now iconic samurai or kung fu film sample and then kicking into a crazy intro beat that calms slightly in time for ghostface killah to come in and pick it right back up with the first verse of this slick posse cut

Mathematics – Mos Def: Yasiin Bey Is a genius plain and simple, another track produced by preemo another masterpiece of a beat, Bey raps about the sociological statistics that work to keep the black population down in this mathematically driven guide through the politics of the late 90’s

You Got Me – The Roots: this track really shows just how good live instrumentation can be, black thought is one of the greatest of all time, simple as frankly I don’t have too much more to say its just a brilliant song

Wesley’s Theory – Kendrick Lamar: the opening to the greatest album of all time, opening with the mission statement of the album, the sample at the start before the james brown esque hit me pulls the tone back down to earth, part one of the track being a young kdots reactions to the money hes been looking for and part two kendrick plays the role of uncle sam the mascot of white supremacy looking to exploit over eager black artists and talents and lump them with a bill and lock them up when they cant pay it, the deep seeped politics, the groove of thundercat and george clinton of the parliments and funkadelic collectives and the dr dre break really helps sets the tone of the album

Jazz (We’ve Got) – A Tribe called Quest: the perfect jazz rap song, the beat was original made by pete rock before being remade by q-tip, a quintessential classic of the genre simple as

Shook Ones pt 2 – Mobb Deep: the greatest gangsta rap song of all time and frankly its not close its something spectacular, the hardest two 19 year olds ever sounded, over a dark almost evil beat produced by havoc this track is an absolute landmark for not just queensbridge but the entirety of the east coast

Introvert – Little Simz: this track is nothing short of spectacular, a powerful, cinematic, orchestral masterpiece, deep diving into her inner turmoil and her roots, the corruption of the british government, this song shook me to my core when I first listened to simbi, a rallying cry that calls for a war against the oppressing forces further tightening the chains if we ever are to be freed from the oppression

Don’t Cry – J Dilla: this song is gorgeous, chopping up I cant stand (to see you cry) by the escorts into a wonderful beat, made by jay dee in the final throws of his life, half worked on while hospital bound, frequent collaborator and fellow soulquarian questlove stated that this was a message to his mother as J dilla knew the end was near

Nuthin’ But A G Thang – Dr Dre ft Snoop Dogg: the quintessential G-funk banger the genre doesn’t get better than this

SORRY NOT SORRY – Tyler, The Creator: a weird choice for this list, I wasnt sure if I wanted to include it because its so tied to tylers discography but its honestly one of the best rap songs ever when you have the context, especially when you take into account the music video where tyler and all the various versions of himself stand before an audience of ex’s and other notable judgemental presences in his life, as he kills almost every version of himself barring the ‘ugliest’ sides of himself in igor and goblin era tyler potentially insinuating those parts of him still reside inside him

I Used to Love H.E.R – Common: this song is so very important, maybe the best use of metaphor in the whole genre, a fallen out of love story for that very same genre, fantastic storytelling and a great beat by no I.D. one of the most important producers and figures in hip hop out of chicago

Aquemini – Outkast: the title track from one the duos third album and really the record that put the dirty south on the radar on a nationwide level, a sign of their decision to stick together for as long as possible, andres verses really shows hes one of the all time greats and that big boi is not far behind at all

Hazard Duty Pay – JPEGMAFIA: this song was all I listened to for a few weeks after it release, an aggressive single verse track over a soulful beat what more could you want

[randomvarious]

Today's mix:

Feed Your Head by Michael Dog 1993 Psybient / Ambient / Tribal Ambient / Dub / Downtempo / New Age / Trance

Well, it's definitely not my cuppa, folks, but if you want some early 90s UK spacey ambient acid chillout psychedelia, the Planet Dog label's Feed Your Head series definitely seems like a good place to look. Coming out of a hippy-ish British space rock tradition, Planet Dog, like a whole lot of other UK labels that launched at around roughly the same time, originally started out as uniquely quirky and eclectic club nights, first under the name of Club Dog in the mid-80s, and then as the more popular Megadog afterwards. And here for 1993, the biggest brain behind the operation, Michael Dog, puts together a partially mixed set that reflects upon his new label's then-current electronically-driven state.

Similar to what the San Francisco underground had been putting down at around the same time—as the Haight-Ashbury Grateful Dead spirit of the 60s collided with the contemporaneous techno-libertarian vision of Silicon Valley—this comp pulls ambient, dub, spiritually new-agey eastern tribal sounds, and trance all together, yielding a linked crop of tunes that feels fit for something like Burning Man, which is a festival that you couldn't pay me to ever attend, unless it was enough for me to quit my day job and explore the history of modern music full-time! 😁

And speaking of San Francisco, it also can't be ignored where this series' title obviously derived itself from: Grace Slick's repeated, finishing line on the late 60s psych rock staple, "White Rabbit," by SF heroes Jefferson Airplane.

(by the way, isn't it bonkers that the same band that made that song would transition to Jefferson Starship, and then just Starship, and then release that ridiculous early 80s hit of "We Built This City" too?!)

Anyhoo, I don't mind cyberhippy music altogether, but I'm much more partial to the downtempo side than I am to the ambient one, which means that I prefer the music to have some kind of consistent drumbeat that I can nod my head along to. And the only song on this album that really seems to hit me in that regard comes courtesy of the one-and-only Banco de Gaia, an inimitable pro's pro when it comes to that beautifully lush and psychedelic globally-quilted chillout sound. A more well-known Washington, D.C. duo like Thievery Corporation would take a similar approach to newer generations and masterfully enmesh themselves in that massive global chillout scene that would flourish between the late 90s and mid-2000s, but a song like BdG's "Qurna (Haj Ali's Birthday Mix)" is more or less emblematic of where that type of sound comes from, as it lays beautiful blends of psychedelic and string synths alongside nature sounds, hand-drums, and my sought after steady backbeat 😎.

Another thing worth mentioning here is that even though I don't really like this mix very much, kudos still need to go out to Michael Dog for how he went about making it, because rather than just doing normal transitions like almost every DJ does, he went out of his own way to create passages himself to link these songs together to make the whole experience feel more seamless. Not the first time I've heard of this happening—in fact, some in-house person did it for one of those pre-Jock Jams, MTV Party to Go mixes at Tommy Boy a couple years afterwards—but definitely not a commonplace practice by any means.

Also, the liner notes on this release give a shout out to Beyond Records, another UK label that was in a similar vein to Planet Dog at the same time, whose own Ambient Dub series inspired PD to put out this Feed Your Head one. I prefer Ambient Dub as a whole over this first volume of FYH, and you can find a bunch of my favorites from that series in the earliest sections of my own coveted 90s Downtempo playlists��word to the wise, though: the YouTube one has more Ambient Dub stuff than the Spotify one, including an extra super tasty cut from Banco de Gaia himself 😋.

And one other thing I wanna mention here is how a lot of the music on this album seems to have come from offshoots and side projects of already well-established psychedelic and space rock acts. Astralasia, the group that opens this comp up, are from the Magic Mushroom Band, duo System 7 came from Gong, and Eat Static, Nodens Ictus, and The Ullulators were all directly linked to Ozric Tentacles. All part of the same UK scene and all traveling along this sort of newfangled psychedelic electronic club thing together too. Interesting times, to say the least.

So, once again, not the biggest fan of this broad, early 90s psychonautic ambient vibe, but if that's your thing, or you think that it very well might be your thing, this release feels like a pretty wide-ranging and exemplary capsule of it.

Listen to the full mix here.

Highlights:

Banco de Gaia - "Qurna (Haj Ali's Birthday Mix)"

[jestershark]

if you say "i like everything except country and hip-hop"

there was a post going around a while ago which had people justifying why they don't listen to black music and rap and it pissed me off so i made a baby's first rap playlist.

some personalized recommendations below the cut

Being An Ally (tm) means complaining about racism and also Pushing The People You Are In Community With To Do Better. so I've compiled a list of excuses I've heard people make and some songs to counteract those excuses.

so i went through the post and then some reddit/quora responses for "why don't you like black artists" and "why don't you like rap"-- the general answer for lots of these is "you have uninterrogated racism and bias and you aren't working on fixing that"

so while i don't think a lot of these excuses are like, good excuses, I'm going to go down a list of excuses and recommend some starter songs

i think a lot of White Kids have this response of "i like everything except rap and country", but black musicians make every kind of music! rap itself has a ton of variation-- it's not just mumble rap and gangsta rap, there's tons of artists with different voices, different styles, and different results. (honestly a lot of you would like backpack rap and nerd rap. i see you)

here's my list

"I like music with good lyrics"

try out doechii

By the time you hear this I'll have taken on another form The way I been snappin ya'll gon end up my children of the corn I think I've adapted to all of the cannibal savages I feel a Possession in this session I need a catholic to Assess it Come and bless it Then undress it

mf DOOM is a favourite for a fucking reason:

There's four sides to every story If these walls could talk, they'd probably still ignore me Contemplate war over a cup of warm coffee It's really getting gory, tell your problem to Maury

Don't bore V with the "Glory, hallelu-ey" Crews be like, foo-ey he's just a buncha hoo-ey I knew he had new G, who he? Viktor Vaughn He had a new sicker song, I think he call it "Lickupon"

like 90% of hiphop is just incredible lyricism and puns. what's not to like.

"rappers just write about drugs and violence"

writing about violence well is art! this song is art:

this song talks about violence, does that make it bad? unrelatable? why does it do that?

also if you like music that has INSANE lyrical flexibility, please listen to this:

"i only like music if i can somehow tie it to my ocs"

everything is going wrong in my oc's life and they're barely keeping it together:

"i like strings and traditional instruments"

this baseline + godzilla sampling is so good-- listen to how they pass the verses back and forth!

this whole album is a master class in good sampling and i really recommend it!

"i like kpop"

here's a rap song with miku in it

"i like gay music only"

there are SO MANY gay rappers and hip hop artists, so many. do you deny the internet? this song by ilovemakonnen is extremely Gay Love. here's a song about being a huge lesbian.

here's a huge playlist: find SOMETHING. here's a bunch more.

"Most all rappers sound the same", "the beats nearly all the same", "Not a whole lot of melodic value to rap" , "Most modern rap is crap with no actual musicianship or storytelling", "Because rap is hedonistic, narcissistic, misogynistic and worst of all violent."

ok go through and listen to what I've linked above. do those all sound the same to you? think about why. think about what you like about other music, and what it might be about this music in particular that you don't like.

if you listen to a song by tupac, or snoop dog, or any other 90s rapper, their music is the cornerstone of all of modern music. including country. including kpop. including stuff that's far away from any other music. without hiphop and rap you don't have like. half the other genres that currently exist, and the other half have no reason to evolve or change.

"I just don't like their vocal timber"

you're racist. find jesus.

A final word:

listen to critics who say this stuff better than i can-- and i guarantee these are fun youtube videos to watch by creators who Are Good At Their Jobs

the rap critic

fd signifier

foreign man in a foreign land

khadija mbowe

princess weekes

bonus some of you should watch this video and this video

[gatheredfates]

Send 🎵 plus a muse and I will share a song from their playlist & some lyrics that stand out -- Z

OH MAN. Spotify blessed me on this day by deciding to randomise one of his main songs.

I have a lot of thoughts on EXUVIUM and how this album influenced a lot of my headcanons around WoL Kor, Endwalker and the void/Z in general. Justin explained this album in part is supposed to be a reference to an apocalypse, which is very fitting when you consider the themes of the game. I DIGRESS, however. I'll link the most applicable lyrics.

Wrap me tight in these swaddling clothes The newly born savior King and lord of the void

Before his fall to darkness and ascension as a voidsent, Z was a fairly ordinary man. He was pianist in the Fel Court of Trioa; a middle-class, forgettable figure within the gentry. What he lacked in status he made up for in confidence and charm - traits that would meld into egotism and arrogance when the darkness came.

However, Z as he is now has no memory of the Z he was. That man - his name, his face, everything about him - was lost to time. He was born in the same way many voidsent are born.

Alone.

He opened his eyes to a blackened sky and the screams of the living... and he loved it. He hungered for their aether; how they writhed in his hands, how they begged for their lives and how easily he could take them. He carved for himself inside those hallowed halls a kingdom he could never have in life, pantomiming the things he dared not allow himself before, with no memory of why they were important. Ary could goad him and say she preferred him when he was a pianist, the same way he'd come back to that same piano and play it over and over again, but he didn't have the memory to know why. The hunger overrode the sense.

He became the lord of his own void, consigned to the castle until he was freed to Eorzea. A literal king and lord of nothing.

And though we’re touching skin to skin Laying in threads of gold You softly whisper in my ear, “Darling you’re still alone.”

This is in direct reference to his lover, Ary. Just because Z's mind doesn't remember Troia does not mean his soul does not. He will dream of a court wreathed in purple and gold, where a lordling's daughter loved him. Perhaps he loved her, too.

In the weakness of the soul, in those small flecks of humanity, whatever is left of her - kindness, cruelty, sense or despair - reminds him that he still alone. No matter how much he is sated, no matter how much he takes, he has nothing. When he wakes from his walking nightmare, he will be alone.

No matter what he does, he is still alone.

[nextstopwonderland]

Hmmm, what *would* go on a Bryan playlist? I don't have a pithy title, sorry!

so like, I went with songs that make me think of him. I’ve made a few mixes but they’re pairing based — nevertheless some of them made it onto this because they still fit the general vibe/were more him-coded.

which for me is basically kind of gentle/nature-y/kind/folky.

I get a Peter Gabriel/U2 vibe with him. And just uplifting/whimsy.

(I wasn’t thinking Bryan as a wrestling character when I did this either, which obviously has more of a frenetic/violent energy; hence why there’s none of his theme songs on here)

So here we go:

(click titles for Spotify links)

1. Where the streets have no name - U2

Just such a escaping into nature at Joshua Tree vibe

(If you haven’t played the album while driving through Joshua tTee 10/10 recommend)

2. Life in a northern town -The Dream Academy

He lived in a PNW town. I love the whimsical/meditative nature of this song

3. Solsbury Hill - Peter Gabriel - Spiritual soul-searching and uplifting

I was feeling part of a scenery I walked right out of the machinery. What a Bryan-esque lyric. He’s literally been talking about disappearing after this next year (much to my utter dismay)

4. Closer to Fine - Indigo Girls.

Sticking with the spiritual soul-searching and uplifting vibe. The line (my favorite line) about the college degree doesn't apply to him but he recently talked about that -- like what would've been different if he did have a formal education/if it actually matters at all. (I'm grateful to Barbie for making a new generation of people discover this epic)

4. Gypsy - Suzanne Vega

Again, a very nature/vagabond getting away from the rush of it all. I love the way Yuta described their hike -- how it was so nice to just turn things off and just "be". And Bryan, who literally uses his phone 1 hour per day is definitely all about "just be-ing."

5. The Wind - Cats Stevens/Yusuf

More of the same simplistic living/being/folksy vibe.

6. Northern Sky - Nick Drake

Goes hand in hand with the above for me.

7. Spinning Away - Brian Eno, John Cale

More of that 'just be-ing, experiencing the joy in the little things, appreciating every moment, nature/artistic vibe. I love the way he talks about all the ideas he has in his head, how he's constantly thinking about wrestling and has notebooks upon notebooks of ideas, not just about that but all kinds of things.

8. Kind and Generous - Natalie Merchant

A sappy one to close it out, i love how everyone who talks about him basically calls him the nicest person alive.

If anyone wants all the songs in one place, here ya go

[yoggybloggy]

3, 18, & 22! 🎶

(three song ask game)

3. three songs you were recently obsessed with

party!! - ryoukuoushoku shakai - ending theme of the dungeon meshi anime. it slaps HARD. so funky and good i especially love the instrumental break hardline - julien baker - the on-repeatness of this one has passed by for a bit but what if it's all black baby all the time has been my discord status for a month. also i love how the little oblivion songs really break open in live performances sadness as a gift - adrianne lenker - been getting into adrianne lenker lately. i've only gone through one album so far but this is one of her newer ones and it's pretty good

18. three songs that remind you of your best friend

jackie onassis - sammy rae & the friends - mimi introduced me to this one though i introduced him to sammy rae and its very dear to me. shes the first lady i'm singin woah-oh woah-oh!!! we're in love - boygenius - got so so so emotional the first time i heard this one cuz i kept thinking of the besties. linking the live demo cuz it came up when i searched up the song and even though i don't listen to it regularly the deleted verse GENUINELY made me cry and i have to expose more people it turtles all the way down - sammy copley - bit of a pisstake but hey its for posterity. i broke two people with this song. i got leigh to listen to a song that would kill his heartrate

22. three songs you listen to when you’re sad

your type - carly rae jepsen everybody does - julien baker (the full band version... life ruining) i want you - mitski (i love the regular version its so timeless but this bonus track version off makeout creek did make me cry)

couldn't really think of songs for more general kinds of sadness so these are more like "when i'm yearning and wallowing in it in a Bad way". literally pulled from the "going through it" playlist lol

[numetaljackdog]

what i'm listening to 5/5/2023 (song notes under cut)

spot. link//yt link

Laura Les - Haunted: haunted. by laura les.

Machine Girl - Dumbass!!: i was listening to a whole bunch of machine girl in the lead-up to the gecs n girl show and i feel like it made me a bigger fan than i had been previously. i honestly still am not like the most familiar with their individual songs but this is one of the ones that sticks with me. NO SUCH THING AS THE BOOGEYMAN!!!!

Cracked Out - If You Leave Me I'll Kill Myself: pretty tasteless but as soon as i came across this post and listened to it i was immediately hooked on this song. it reminds me of the dumb edgy comedy bullshit i would have listened to as a tween, but like, the better side of that stuff. it was basically impossible to find much of anything about this group, so the spotify track is a local file that you guys won't be able to play, and it wasn't on youtube so i actually uploaded it myself this morning just to put it in the playlist lol

Sum 41 - In Too Deep: i feel like sum 41 tends to kinda get dismissed as part of the obnoxious skate punk scene of the 90s-00s, and to a large extent that's fair, but man did they have some good hits. i feel like edgy teen songs like these really can work by being simple as long as they just hit the premise with everything they've got, and this would be an example

Tyler, The Creator - DOGTOOTH: i was very pleased when this reached the top 40, brief though its stint was. i've been getting more into tyler recently bc i feel like i've been missing out, he's really such an interesting artist and he balances a lot of different traits super well while still delivering the goods in terms of good beats, good lines, etc. seriously, "not sure what you overheard but it's probably what I said" is such a good fucking line

Nick Lutsko - A Ghost Story: would STRONGLY recommend checking out the video for this one, either in the youtube playlist or on tumblr here actually never mind i can't find it. watch it on youtube it's fun. i followed nick lutsko on youtube for a while before whatever network it was that he was producing for went under. probably machinima. i mainly knew him because of his limp bizkit parody which is funny bc i wasn't even listening to actual limp bizkit at the time. anyway i really like his voice and i'm actually glad that he's still finding success these days

Naughty By Nature - O.P.P.: as i've referenced, i've been rewatching robbydude's paper mario vods, which are very good, and in one of the early ones robby references this song and it made me look it up. and then i made this post and it was underrated. i don't really have anything else to say it's just a good classic rap song

Slipknot - Left Behind: putting this here as more of a landmark to represent that i've been listening to iowa (the album this is from) a lot in general. i've had slipknot on the brain recently more than usual (not for any reason of course. winks) and reminded myself of why everyone loves iowa so much. it's so fucking brutal and biting... nu metal <3

Busta Rhymes - Woo Hah!!: honestly another one where it's like yeah idk this is just a classic what do you want me to say. busta's a legend and this song is legendary and he tears it up and it's good

Sweet Trip - Tekka: probably the most direct of the violet finds from this month (hi violet :3) i had never listened to sweet trip before but tekka instantly grabbed me... it's all crunchy and stuttery and has yummy synths. i especially love how it just fucking breaks down in the second half it's like that machine that's breaking down and sweating and sputtering it's almost sexual. you know

Ike & Tina Turner - I'll Never Need More Than This: so i've been on my phil spector bullshit, as you might have guessed, so i was revisiting some of his tracks to just kinda take it all in. as always, it. well it sounds really fucking good, and tina turner turned in a killer performance as always. i love. sound :)

Rowdy Rebel - Computers (feat. Bobby Shmurda): I'M SLIDIN OVER CARS WHILE I SHOOT

.

.

.

THEY THINK THAT I'M TOM CRUISE

Machine Girl - Scroll of Sorrow: it's really rather exciting. see for those in the know (which is all of you bc there's only two or three people reading this), you're aware that my mutual (hi again :3) had posted about how, at the live show, the vocalist of machine girl got up real near the crowd (including said mutual) during scroll of sorrow. as such, i was listening out for the song at my own show and well chat i'll tell you i was not able to recognize it :-) but there was one point where they got up on the railing above the pit and were singing from up there, and while it wasn't like exceptionally close to where we were at, it was still cool bc it was like hey! that's like the thing! that i heard about! :) amd anyway i like the song

Sonic The Hedgehog - His World: itsa banger... i actually heard the penny parker cover of this song from the sonic fandub way before ever hearing the original so even now i still mix up the lyrics but it's fine. i've actually never played a mainline sonic game or any video game or any media at all but i like the music

Strapping Young Lad - Oh My Fucking God: i straight up didn't know that strapping young lad was a devin townsend thing, not that i've listened to any of his other stuff. this song's weird and loud and stupid and i like it

Rae Sremmurd - No Flex Zone: okay now. based on this one and the previous song, can anyone guess what semi-popular artist playlist i was listening to this month? i tried to listen to a lot more rap this month, because i wish to learn more about this beautiful world. no flex zone has been my first exposure to rae sremmurd and it was a good one, although i like one of the guys way better than the other one. slim jxmmi i like him better

glass beach - classic j dies and goes to hell part 1: i didn't really "get" glass beach for a while, i thought they were alright, but this month they started to click (once again with some help - check out this post teehee). they're cute, earnest, and high-energy; i have to kinda be in the mood but i can get into it 👍 i've also seen the band described as sort of a modern emo type deal and while i don't yet know if i agree or disagree with that it compels me

NLE Choppa - Final Warning: straight up this dude is weird and has a weird hit on the charts rn but bc of that i was like "ok let's see what he was like before his big image change" and ended up liking some of that stuff. he's so energetic and it really gets you pumped up, which is def what i'm looking for in this type of thing. he's got some interesting lines, too. it almost makes me wish he hadn't changed at all - i feel like i missed out lol

Vanilla Ice - Prozac: okay look i try not to vanillapost too much but like i'm a little bit insane about vanilla ice. i'm obsessed with his career path and it is not uncommon for me to just sit and think about it for an hour or more. i really enjoy his nu metal stuff, at least the earlier portions of it, and this is a top-tier track from that era. real headbanger. FUNKY RHYME KILLER, THE DOPE SONG DEALER

[metaldragoon]

Well, I was tagged by @lordsky4ever​ to shuffle and list the first 10 songs on my playlist and post them, and I don’t want to let my countryman down.  I spent like an hour listening and writing about every song AND NOW it appears I cannot add music to a post on Desktop, so I made a separate post with those songs on my phone and then thought I’d edit in what I wrote after, but I also cannot do that on desktop.  A miserable disconnect.  Anyways, BELOW THE CCUT! you can read what I wrote about my post you just scrolled past if you want.  Thankfully the add music feature puts the songs in backwards order so everything I wrote is in opposite order so it’ll either start or end really inconveniently depending on how you read/listen, if anyone does such a thing, which I don’t expect anyone to because 10 songs is a lot and I would never do that as I find Tumblr’s music player/Spotify extension to be both inconvenient. But, perhaps you at least know one or two songs already and can read my small thoughts on that, even though half of the songs I don’t really have anything to say about it.

1. Counting Stars by Sugarcult - One of the most depressing songs of my life! I don’t recall the specifics of what I did when I first listened to it but I know who I have a lot of associated thoughts with regarding this song.  It’s a go-to whenever I’m sad and want to just continue to being sad.  I know I originally liked some other song by them called “Bouncing Off The Walls” which is probably what lead me to listening to more by them, but BOTW (I don’t think that acronym is used for anything else) is a much more upbeat song as the band is in general, and I don’t think I really vibe with much of their other songs. 2. Psychotubes by Moon Hooch - I know nothing about this band, this is just some Spotify suggested song that I really liked.  They’re described as “jazz fusion/nu jazz” but I have no idea what either of those genres mean.  They be drumming and saxophoning and it’s a good song to run to (this entire playlist was my go-to running playlist when I used to have CELLULAR DATA) 3. Low by Cracker - Kind of a grungy country rock song, reading their Wiki which is what I think I will do with every band while I listen through all these songs and speak my thoughts, it appears to be their most popular song. I do find myself particularly disliking the band name Cracker, seems like I am on to some confederate jams or something.  Spotify has already subjected me to two ad segments over 3 songs. 4. Wait and Bleed by Slipknot - I didn’t really listen to Slipknot until after high school although I would say I am a pretty big fan now, but this is the one song I consistently listened to before the rest of Slipknot presented themselves to me.  I remember in Gr. 9/10 there was a hot emo girl named Michelle that I had a crush on and always thought about when I listened to this song because the lyrics go inside “my shell” I wait and bleed but I thought it was “Michelle.” In the end I don’t believe I ever spoke to her in my life because I am a social recluse 5. Ghosts by the Presets - Another band I don’t know anything about, or at least the name “Presets” but they have a very generic pop sound that I was a little embarrassed about because I thought it might be like Coldplay or something.  Apparently they are Australian and very popular.   6. Kill Your Darlings by Mesh - I don’t know Mesh either, but I do find this song really good.   I’m confused because they have 7 albums on Wiki but they’re all red links and despite being British are just popular in Germany.  Maybe I need to get on the .de to figure out more. 7.  Shutterbug by Big Boi - Apparently this song came out in 2010 which feels weird I thought it was way older.  Anyways, I love it, one of my favourite beats and a lot of times it was the first song I sought out whence beginning my trots. 8. We Will Rock You by Queen - I remember as a kid I was convinced this song was in Final Fantasy IX but later learned that was just Kuja’s boss theme which isn’t terribly similar.  I think it’s a pretty funny song but I won’t lie it still pumps me up. 9. Never Come Down by Cunninlynguists -  I think it was two years ago I finally listened to Cunninlynguists, who I’d heard of a while ago ‘cuz their name stands out but is also kind of dumb so I never bothered, but I was really hooked once I did hear.  This isn’t my favourite song and my one hater friend criticised me for listening to them ‘cuz they do dumb lyrics I guess but I’m a big fan.  I played a lot of TRACKMANIA while listening to them.   10. peacefall by Purity Ring - Mmm I was sad one day and it was pouring out in the middle of the nights so I took a very long walk and I posted a video of the rain on here and I was listening to this song looping when I did that.  I only know like 3 songs by Purity Ring and they seem amazing but I’m bad about actually remembering to listen to bands.  I’ve been thinking a lot about songs to use for an AMV for Berserk if I ever did one and this song has been a heavy contender.

[librarianrafia]

Aug 2024)

Today's links

"Disenshittify or Die": My speech from Defcon 32.

Hey look at this: Delights to delectate.

This day in history: 2009, 2014, 2019, 2023

Upcoming appearances: Where to find me.

Recent appearances: Where I've been.

Latest books: You keep readin' em, I'll keep writin' 'em.

Upcoming books: Like I said, I'll keep writin' 'em.

Colophon: All the rest.

"Disenshittify or Die" (permalink)

Last weekend, I traveled to Las Vegas for Defcon 32, where I had the immense privilege of giving a solo talk on Track 1, entitled "Disenshittify or die! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification":

https://info.defcon.org/event/?id=54861

This was a followup to last year's talk, "An Audacious Plan to Halt the Internet's Enshittification," a talk that kicked off a lot of international interest in my analysis of platform decay ("enshittification"):

The Defcon organizers have earned a restful week or two, and that means that the video of my talk hasn't yet been posted to Defcon's Youtube channel, so in the meantime, I thought I'd post a lightly edited version of my speech crib. If you're headed to Burning Man, you can hear me reprise this talk at Palenque Norte (7&E); I'm kicking off their lecture series on Tuesday, Aug 27 at 1PM.

==

What the fuck happened to the old, good internet?

I mean, sure, our bosses were a little surveillance-happy, and they were usually up for sharing their data with the NSA, and whenever there was a tossup between user security and growth, it was always YOLO time.

But Google Search used to work. Facebook used to show you posts from people you followed. Uber used to be cheaper than a taxi and pay the driver more than a cabbie made. Amazon used to sell products, not Shein-grade self-destructing dropshipped garbage from all-consonant brands. Apple used to defend your privacy, rather than spying on you with your no-modifications-allowed Iphone.

There was a time when you searching for an album on Spotify would get you that album – not a playlist of insipid AI-generated covers with the same name and art.

Microsoft used to sell you software – sure, it was buggy – but now they just let you access apps in the cloud, so they can watch how you use those apps and strip the features you use the most out of the basic tier and turn them into an upcharge.

What – and I cannot stress this enough – the fuck happened?!

I’m talking about enshittification.

Here’s what enshittification looks like from the outside: First, you see a company that’s being good to its end users. Google puts the best search results at the top; Facebook shows you a feed of posts from people and groups you followl; Uber charges small dollars for a cab; Amazon subsidizes goods and returns and shipping and puts the best match for your product search at the top of the page.

That’s stage one, being good to end users. But there’s another part of this stage, call it stage 1a). That’s figuring out how to lock in those users.

There’s so many ways to lock in users.

If you’re Facebook, the users do it for you. You joined Facebook because there were people there you wanted to hang out with, and other people joined Facebook to hang out with you.

That’s the old “network effects” in action, and with network effects come “the collective action problem." Because you love your friends, but goddamn are they a pain in the ass! You all agree that FB sucks, sure, but can you all agree on when it’s time to leave?

No way.

Can you agree on where to go next?

Hell no.

You’re there because that’s where the support group for your rare disease hangs out, and your bestie is there because that’s where they talk with the people in the country they moved away from, then there’s that friend who coordinates their kid’s little league car pools on FB, and the best dungeon master you know isn’t gonna leave FB because that’s where her customers are.

So you’re stuck, because even though FB use comes at a high cost – your privacy, your dignity and your sanity – that’s still less than the switching cost you’d have to bear if you left: namely, all those friends who have taken you hostage, and whom you are holding hostage

Now, sometimes companies lock you in with money, like Amazon getting you to prepay for a year’s shipping with Prime, or to buy your Audible books on a monthly subscription, which virtually guarantees that every shopping search will start on Amazon, after all, you’ve already paid for it.

Sometimes, they lock you in with DRM, like HP selling you a printer with four ink cartridges filled with fluid that retails for more than $10,000/gallon, and using DRM to stop you from refilling any of those ink carts or using a third-party cartridge. So when one cart runs dry, you have to refill it or throw away your investment in the remaining three cartridges and the printer itself.

Sometimes, it’s a grab bag:

You can’t run your Ios apps without Apple hardware;

you can’t run your Apple music, books and movies on anything except an Ios app;

your iPhone uses parts pairing – DRM handshakes between replacement parts and the main system – so you can’t use third-party parts to fix it; and

every OEM iPhone part has a microscopic Apple logo engraved on it, so Apple can demand that the US Customs and Border Service seize any shipment of refurb Iphone parts as trademark violations.

Think Different, amirite?

Getting you locked in completes phase one of the enshittification cycle and signals the start of phase two: making things worse for you to make things better for business customers.

For example, a platform might poison its search results, like Google selling more and more of its results pages to ads that are identified with lighter and lighter tinier and tinier type.

Or Amazon selling off search results and calling it an “ad” business. They make $38b/year on this scam. The first result for your search is, on average, 29% more expensive than the best match for your search. The first row is 25% more expensive than the best match. On average, the best match for your search is likely to be found seventeen places down on the results page.

Other platforms sell off your feed, like Facebook, which started off showing you the things you asked to see, but now the quantum of content from the people you follow has dwindled to a homeopathic residue, leaving a void that Facebook fills with things that people pay to show you: boosted posts from publishers you haven’t subscribed to, and, of course, ads.

Now at this point you might be thinking ‘sure, if you’re not paying for the product, you’re the product.'

Bullshit!

Bull.

Shit.

The people who buy those Google ads? They pay more every year for worse ad-targeting and more ad-fraud

Those publishers paying to nonconsensually cram their content into your Facebook feed? They have to do that because FB suppresses their ability to reach the people who actually subscribed to them

The Amazon sellers with the best match for your query have to outbid everyone else just to show up on the first page of results. It costs so much to sell on Amazon that between 45-51% of every dollar an independent seller brings in has to be kicked up to Don Bezos and the Amazon crime family. Those sellers don’t have the kind of margins that let them pay 51% They have to raise prices in order to avoid losing money on every sale.

"But wait!" I hear you say!

[Come on, say it!]

"But wait! Things on Amazon aren’t more expensive that things at Target, or Walmart, or at a mom and pop store, or direct from the manufacturer.

"How can sellers be raising prices on Amazon if the price at Amazon is the same as at is everywhere else?"

[Any guesses?!]

That’s right, they charge more everywhere. They have to. Amazon binds its sellers to a policy called “most favored nation status,” which says they can’t charge more on Amazon than they charge elsewhere, including direct from their own factory store.

So every seller that wants to sell on Amazon has to raise their prices everywhere else.

Now, these sellers are Amazon’s best customers. They’re paying for the product, and they’re still getting screwed.

Paying for the product doesn’t fill your vapid boss’s shriveled heart with so much joy that he decides to stop trying to think of ways to fuck you over.

Look at Apple. Remember when Apple offered every Ios user a one-click opt out for app-based surveillance? And 96% of users clicked that box?

(The other four percent were either drunk or Facebook employees or drunk Facebook employees.)

That cost Facebook at least ten billion dollars per year in lost surveillance revenue?

I mean, you love to see it.

But did you know that at the same time Apple started spying on Ios users in the same way that Facebook had been, for surveillance data to use to target users for its competing advertising product?

Your Iphone isn’t an ad-supported gimme. You paid a thousand fucking dollars for that distraction rectangle in your pocket, and you’re still the product. What’s more, Apple has rigged Ios so that you can’t mod the OS to block its spying.

If you’re not not paying for the product, you’re the product, and if you are paying for the product, you’re still the product.

Just ask the farmers who are expected to swap parts into their own busted half-million dollar, mission-critical tractors, but can’t actually use those parts until a technician charges them $200 to drive out to the farm and type a parts pairing unlock code into their console.

John Deere’s not giving away tractors. Give John Deere a half mil for a tractor and you will be the product.

Please, my brothers and sisters in Christ. Please! Stop saying ‘if you’re not paying for the product, you’re the product.’

OK, OK, so that’s phase two of enshittification.

Phase one: be good to users while locking them in.

Phase two: screw the users a little to you can good to business customers while locking them in.

Phase three: screw everybody and take all the value for yourself. Leave behind the absolute bare minimum of utility so that everyone stays locked into your pile of shit.

Enshittification: a tragedy in three acts.

That’s what enshittification looks like from the outside, but what’s going on inside the company? What is the pathological mechanism? What sci-fi entropy ray converts the excellent and useful service into a pile of shit?

That mechanism is called twiddling. Twiddling is when someone alters the back end of a service to change how its business operates, changing prices, costs, search ranking, recommendation criteria and other foundational aspects of the system.

Digital platforms are a twiddler’s utopia. A grocer would need an army of teenagers with pricing guns on rollerblades to reprice everything in the building when someone arrives who’s extra hungry.

Whereas the McDonald’s Investments portfolio company Plexure advertises that it can use surveillance data to predict when an app user has just gotten paid so the seller can tack an extra couple bucks onto the price of their breakfast sandwich.

And of course, as the prophet William Gibson warned us, ‘cyberspace is everting.' With digital shelf tags, grocers can change prices whenever they feel like, like the grocers in Norway, whose e-ink shelf tags change the prices 2,000 times per day.

Every Uber driver is offered a different wage for every job. If a driver has been picky lately, the job pays more. But if the driver has been desperate enough to grab every ride the app offers, the pay goes down, and down, and down.

The law professor Veena Dubal calls this ‘algorithmic wage discrimination.' It’s a prime example of twiddling.

Every youtuber knows what it’s like to be twiddled. You work for weeks or months, spend thousands of dollars to make a video, then the algorithm decides that no one – not your own subscribers, not searchers who type in the exact name of your video – will see it.

Why? Who knows? The algorithm’s rules are not public.

Because content moderation is the last redoubt of security through obscurit: they can’t tell you what the como algorithm is downranking because then you’d cheat.

Youtube is the kind of shitty boss who docks every paycheck for all the rules you’ve broken, but won’t tell you what those rules were, lest you figure out how to break those rules next time without your boss catching you.

Twiddling can also work in some users’ favor, of course. Sometimes platforms twiddle to make things better for end users or business customers.

For example, Emily Baker-White from Forbes revealed the existence of a back-end feature that Tiktok’s management can access they call the “heating tool.”

When a manager applies the heating toll to a performer’s account, that performer’s videos are thrust into the feeds of millions of users, without regard to whether the recommendation algorithm predicts they will enjoy that video.

Why would they do this? Well, here’s an analogy from my boyhood I used to go to this traveling fair that would come to Toronto at the end of every summer, the Canadian National Exhibition. If you’ve been to a fair like the Ex, you know that you can always spot some guy lugging around a comedically huge teddy bear.

Nominally, you win that teddy bear by throwing five balls in a peach-basket, but to a first approximation, no one has ever gotten five balls to stay in that peach-basket.

That guy “won” the teddy bear when a carny on the midway singled him out and said, "fella, I like your face. Tell you what I’m gonna do: You get just one ball in the basket and I’ll give you this keychain, and if you amass two keychains, I’ll let you trade them in for one of these galactic-scale teddy-bears."

That’s how the guy got his teddy bear, which he now has to drag up and down the midway for the rest of the day.

Why the hell did that carny give away the teddy bear? Because it turns the guy into a walking billboard for the midway games. If that dopey-looking Judas Goat can get five balls into a peach basket, then so can you.

Except you can’t.

Tiktok’s heating tool is a way to give away tactical giant teddy bears. When someone in the TikTok brain trust decides they need more sports bros on the platform, they pick one bro out at random and make him king for the day, heating the shit out of his account.

That guy gets a bazillion views and he starts running around on all the sports bro forums trumpeting his success: *I am the Louis Pasteur of sports bro influencers!"

The other sports bros pile in and start retooling to make content that conforms to the idiosyncratic Tiktok format. When they fail to get giant teddy bears of their own, they assume that it’s because they’re doing Tiktok wrong, because they don’t know about the heating tool.

But then comes the day when the TikTok Star Chamber decides they need to lure in more astrologers, so they take the heat off that one lucky sports bro, and start heating up some lucky astrologer.

Giant teddy bears are all over the place: those Uber drivers who were boasting to the NYT ten years ago about earning $50/hour? The Substackers who were rolling in dough? Joe Rogan and his hundred million dollar Spotify payout? Those people are all the proud owners of giant teddy bears, and they’re a steal.

Because every dollar they get from the platform turns into five dollars worth of free labor from suckers who think they just internetting wrong.

Giant teddy bears are just one way of twiddling. Platforms can play games with every part of their business logic, in highly automated ways, that allows them to quickly and efficiently siphon value from end users to business customers and back again, hiding the pea in a shell game conducted at machine speeds, until they’ve got everyone so turned around that they take all the value for themselves.

That’s the how: How the platforms do the trick where they are good to users, then lock users in, then maltreat users to be good to business customers, then lock in those business customers, then take all the value for themselves.

So now we know what is happening, and how it is happening, all that’s left is why it’s happening.

Now, on the one hand, the why is pretty obvious. The less value that end-users and business customers capture, the more value there is left to divide up among the shareholders and the executives.

That’s why, but it doesn’t tell you why now. Companies could have done this shit at any time in the past 20 years, but they didn’t. Or at least, the successful ones didn’t. The ones that turned themselves into piles of shit got treated like piles of shit. We avoided them and they died.

Remember Myspace? Yahoo Search? Livejournal? Sure, they’re still serving some kind of AI slop or programmatic ad junk if you hit those domains, but they’re gone.

And there’s the clue: It used to be that if you enshittified your product, bad things happened to your company. Now, there are no consequences for enshittification, so everyone’s doing it.

Let’s break that down: What stops a company from enshittifying?

There are four forces that discipline tech companies. The first one is, obviously, competition.

If your customers find it easy to leave, then you have to worry about them leaving

Many factors can contribute to how hard or easy it is to depart a platform, like the network effects that Facebook has going for it. But the most important factor is whether there is anywhere to go.

Back in 2012, Facebook bought Insta for a billion dollars. That may seem like chump-change in these days of eleven-digit Big Tech acquisitions, but that was a big sum in those innocent days, and it was an especially big sum to pay for Insta. The company only had 13 employees, and a mere 25 million registered users.

But what mattered to Zuckerberg wasn’t how many users Insta had, it was where those users came from.

[Does anyone know where those Insta users came from?]

That’s right, they left Facebook and joined Insta. They were sick of FB, even though they liked the people there, they hated creepy Zuck, they hated the platform, so they left and they didn’t come back.

So Zuck spent a cool billion to recapture them, A fact he put in writing in a midnight email to CFO David Ebersman, explaining that he was paying over the odds for Insta because his users hated him, and loved Insta. So even if they quit Facebook (the platform), they would still be captured Facebook (the company).

Now, on paper, Zuck’s Instagram acquisition is illegal, but normally, that would be hard to stop, because you’d have to prove that he bought Insta with the intention of curtailing competition.

But in this case, Zuck tripped over his own dick: he put it in writing.

But Obama’s DoJ and FTC just let that one slide, following the pro-monopoly policies of Reagan, Bush I, Clinton and Bush II, and setting an example that Trump would follow, greenlighting gigamergers like the catastrophic, incestuous Warner-Discovery marriage.

Indeed, for 40 years, starting with Carter, and accelerating through Reagan, the US has encouraged monopoly formation, as an official policy, on the grounds that monopolies are “efficient.”

If everyone is using Google Search, that’s something we should celebrate. It means they’ve got the very best search and wouldn’t it be perverse to spend public funds to punish them for making the best product?

But as we all know, Google didn’t maintain search dominance by being best. They did it by paying bribes. More than 20 billion per year to Apple alone to be the default Ios search, plus billions more to Samsung, Mozilla, and anyone else making a product or service with a search-box on it, ensuring that you never stumble on a search engine that’s better than theirs.

Which, in turn, ensured that no one smart invested big in rival search engines, even if they were visibly, obviously superior. Why bother making something better if Google’s buying up all the market oxygen before it can kindle your product to life?

Facebook, Google, Microsoft, Amazon – they’re not “making things” companies, they’re “buying things” companies, taking advantage of official tolerance for anticompetitive acquisitions, predatory pricing, market distorting exclusivity deals and other acts specifically prohibited by existing antitrust law.

Their goal is to become too big to fail, because that makes them too big to jail, and that means they can be too big to care.

Which is why Google Search is a pile of shit and everything on Amazon is dropshipped garbage that instantly disintegrates in a cloud of offgassed volatile organic compounds when you open the box.

Once companies no longer fear losing your business to a competitor, it’s much easier for them to treat you badly, because what’re you gonna do?

Remember Lily Tomlin as Ernestine the AT&T operator in those old SNL sketches? “We don’t care. We don’t have to. We’re the phone company.”

Competition is the first force that serves to discipline companies and the enshittificatory impulses of their leadership, and we just stopped enforcing competition law.

It takes a special kind of smooth-brained asshole – that is, an establishment economist – to insist that the collapse of every industry from eyeglasses to vitamin C into a cartel of five or fewer companies has nothing to do with policies that officially encouraged monopolization.

It’s like we used to put down rat poison and we didn’t have a rat problem.Then these dickheads convinced us that rats were good for us and we stopped putting down rat poison, and now rats are gnawing our faces off and they’re all running around saying, "Who’s to say where all these rats came from? Maybe it was that we stopped putting down poison, but maybe it’s just the Time of the Rats. The Great Forces of History bearing down on this moment to multiply rats beyond all measure!"

Antitrust didn’t slip down that staircase and fall spine-first on that stiletto: they stabbed it in the back and then they pushed it.

And when they killed antitrust, they also killed regulation, the second force that disciplines companies. Regulation is possible, but only when the regulator is more powerful than the regulated entities. When a company is bigger than the government, it gets damned hard to credibly threaten to punish that company, no matter what its sins.

That’s what protected IBM for all those years when it had its boot on the throat of the American tech sector. Do you know, the DOJ fought to break up IBM in the courts from 1970-1982, and that every year, for 12 consecutive years, IBM spent more on lawyers to fight the USG than the DOJ Antitrust Division spent on all the lawyers fighting every antitrust case in the entire USA?

IBM outspent Uncle Sam for 12 years. People called it “Antitrust’s Vietnam.” All that money paid off, because by 1982, the president was Ronald Reagan, a man whose official policy was that monopolies were “efficient." So he dropped the case, and Big Blue wriggled off the hook.

It’s hard to regulate a monopolist, and it’s hard to regulate a cartel. When a sector is composed of hundreds of competing companies, they compete. They genuinely fight with one another, trying to poach each others’ customers and workers. They are at each others’ throats.

It’s hard enough for a couple hundred executives to agree on anything. But when they’re legitimately competing with one another, really obsessing about how to eat each others’ lunches, they can’t agree on anything.

The instant one of them goes to their regulator with some bullshit story, about how it’s impossible to have a decent search engine without fine-grained commercial surveillance; or how it’s impossible to have a secure and easy to use mobile device without a total veto over which software can run on it; or how it’s impossible to administer an ISP’s network unless you can slow down connections to servers whose owners aren’t paying bribes for “premium carriage"; there’s some *other company saying, “That’s bullshit”

“We’ve managed it! Here’s our server logs, our quarterly financials and our customer testimonials to prove it.”

100 companies are a rabble, they're a mob. They can’t agree on a lobbying position. They’re too busy eating each others’ lunch to agree on how to cater a meeting to discuss it.

But let those hundred companies merge to monopoly, absorb one another in an incestuous orgy, turn into five giant companies, so inbred they’ve got a corporate Habsburg jaw, and they become a cartel.

It’s easy for a cartel to agree on what bullshit they’re all going to feed their regulator, and to mobilize some of the excess billions they’ve reaped through consolidation, which freed them from “wasteful competition," so they can capture their regulators completely.

You know, Congress used to pass federal consumer privacy laws? Not anymore.

The last time Congress managed to pass a federal consumer privacy law was in 1988: The Video Privacy Protection Act. That’s a law that bans video-store clerks from telling newspapers what VHS cassettes you take home. In other words, it regulates three things that have effectively ceased to exist.

The threat of having your video rental history out there in the public eye was not the last or most urgent threat the American public faced, and yet, Congress is deadlocked on passing a privacy law.

Tech companies’ regulatory capture involves a risible and transparent gambit, that is so stupid, it’s an insult to all the good hardworking risible transparent ruses out there.

Namely, they claim that when they violate your consumer, privacy or labor rights, It’s not a crime, because they do it with an app.

Algorithmic wage discrimination isn’t illegal wage theft: we do it with an app.

Spying on you from asshole to appetite isn’t a privacy violation: we do it with an app.

And Amazon’s scam search tool that tricks you into paying 29% more than the best match for your query? Not a ripoff. We do it with an app.

[ultraphobic]

Hi Lane!!

Omg I forgot about the time zones haha. When I wrote that message, I still had December 8th. I understand why you didn’t watch live performances and it's okay! I can't watch some bands perform, especially if they don't exist anymore for some sad reason. INXS is an amazing band! Have you seen the TV series about them?

This glam festival promises to be really memorable! I really hope Michael will be there.

Omg!! The piercing master is great! Do you have any favorite types of piercings?

I hope I can see a picture of the Bandit! 200 playlists in Spotify is great. if you don't mind, I would love to explore your playlists because I feel tired of my music and I need something new. I understand about the Warrant albums! albums with Jani after Dog Eat Dog are not available in my country and now I want to order a CD, but it will have to wait a couple of months.

Wow, that's so cool!! And what do you like to draw? handmade T-shirts, in my opinion, are a very cute and memorable gift.

I hope you will be able to make all your travel plans come true! Do you have any fav sights that you would like to see?

Oh I'm really sorry that you are experiencing a lot of stress at this time :(by the way, when is your birthday? And how is winter going in Australia?

🎄If you could talk to any musician, who would it be?

🎄Do you play any instruments or would you like to learn?

🎄 How do you like to celebrate Christmas?

Your Santa ⛄️🎄

hey santa!!!

sorry for a later response i’ve been at a family christmas event all day 🥲

i didn’t even know there was an inxs tv series? i’ll have to check that one out!

glamfest lineup just came out about an hour ago as i’m writing this and the lineup is killer! slaughter and lynch mob are headlining which is awesome so i think i may just get vip… no michael monroe but thats ok! if he comes to australia separately that’d still be cool but if not it’s fine

i think my favourite type of piercing to do on other people is a helix piercing at this stage, but on myself my fav is just any type of nose piercing, bc i can do anything with them!

i’ll link my spotify HERE so feel free to check that out :3

& yeah it sucks that ultraphobic - under the influence is just so widely unavailable its like they just kinda want people to see their discography go from dog eat dog to born again which sucks because theres so much good stuff on ultraphobic, belly to belly & even the few new songs on greatest and latest (bad tattoo, keeping up with the jones, southern comfort) like… pls warrant i beg of u to let me listen

i had some fun doing drawings of shiny stuff - cutlery specifically i guess??? i think that was fun! & yea the silly shirts were also fun! i made one for my dad that just said “i am bald” which he hates but i think it’s hilarious

for the meantime travel is going to have to wait because i am saving for a surgery but i am hoping to see a tattoo artist in melbourne victoria to do a portrait tattoo eventually! in europe i’d love to see some ancient stuff & i’d also like to see some of italy’s vineyards :)

it’s actually summer right now for australia so aside from the general christmas present buying stress i’m actually not too bad rn it’s june-august where i get more stressy but again time zones and hemispheres are wacky so i understand the mixup - my birthday is feb 11! so a month and a half away!

summer is sooooo hot rn it was 38° yesterday (100° if you’re a fahrenheit user) i was just laying in the aircon sweating my ass off waiting for the heat to take me out but thankfully it wasn’t AS bad today

where are you from btw?

if i could talk to any musician… i’ll give you two answers because you didn’t specify dead or alive

dead: jani lane bc i love him and i think we’d relate on a lot of things

alive: patrick stump from fall out boy because he seems like such a sweet and intelligent guy and fall out boy got me through a lot of my teen years and i also think he’d get me

i do play a few instruments! bass is my main one that i’m best at but i also play guitar (planning on restarting lessons in the new year now that i have a job that pays me better), piano (sometimes), ukulele (again sometimes), and i have background playing small wind instruments (recorder, harmonica). i would love to learn the drums though! i also (try to) sing a bit but only rly in front of ppl when i’ve been drinking a bit and we do karaoke

christmas is the same every year really, we do a couple of extended family events in the lead up & then on christmas eve we each get to open ONE thing from under the tree. on christmas day we have lunch/dinner with my mums side of my family, which switches between three houses (our house, aunts house, mums cousins house). we do a secret santa for gifts at this but if you’re under 18 you get a present from every family. we used to go to church on christmas eve but since my dad’s not religious and me and my sister kinda stopped believing & my mum isn’t rly a fan of the catholic church as an organisation (shes still christian she just doesnt like the church) we dont do that anymore)

sometimes we drive around on christmas eve and look at the lights that people put up on their houses! a lot of people do that in my area btw just in case that sounds creepy

thanks for the message!!!

p.s. cat tax here is a pic of the boy

[jisungshotfirst]

Toku anon: okay so for starters, I think Cravity has gotten to the point where they have their distinct sound. But there's like, different flavours of their sound.

We got that cool tough edgy sound (Baddie, but also Bad Habits), we got the ethereal ballads that make you feel you are floating among constellations (Light The Way, but also those Hideout ballads), we got the upbeat groovy tunes (literally the title track. Seems to fit them perfectly and it never gets old. Perfect), and we got the Summer Vacation Playlist Material (anything from Cloud 9 to Fly).

(There's also this other mini-genre of Cravity sounds that I can't describe quite well, and I'm not sure if Get Lifted quite fits in there, but I will tentatively call said category VroomVroomVroomSkrt.)

Anyway, I like it! They've definitely found their sound(s), and now they're improving and expanding on that. Personally, my favourite is pretty obvious (Baddie is gonna be a playlist regular, those instrumentals have a crunch to it I like, just yes). However, I do respect your favourite being Fly. Especially since spring is taking a long time to arrive this year, so that song helps deal with the winter blues.

Also, the music video visuals! The little camera cuts and the set designs and everything are wonderful. Especially that part right before the last chorus where the camera flips and there's all the planets. The set design crew are doing some excellent work.

👏👏👏👏👏👏👏👏 I very much approve of this categorisation of their sounds I love it. Exactly tho!! Like there are various sounds and styles in their music but ur able to link songs together which is fantastic! There's familiarity but it's not all the same sound 💕 truly what I love about kpop in general.

Dying that is a perfect category name. Get lifted, my turn, chinga linga, gas pedal, new addiction.. automatic maybe? ..... they go into the vroomvroomvroomvroomvroomvroomskrrt category<3

Literalyyyyyyy spring is taking forever 😢 I'm so sad it's too cold😢 fly helps indeed tho<3 I love the whole album but I feel like fly was made for me, it would feel wrong to have any other as my fav. I bop out entirely to it every time!!

The mv was so beloved !! The effects were so good the boys got so excited about that part with the planets too gjfjdj but its sososo cute how they said this is an homage to all of the people behind the cameras and stylists and set designers and everything :( all of them having jobs as staff and even like included the cameras and directors in the shots ?? So cool! They r the sweetest boys ever and they rly just made a song going 'u work so hard! Let us cheer u up". They're so cuteeeeee