#the lesser man

[meshaamem-li]

"we need weirder queer identities" y'all can't even handle queer mascs

[antiyourwokehomophobia2]

Something that's important to realize is that men do not view their hatred of women as political or as a personal viewpoint. When men say things like women are less than men or stupid or not good for anything or that they belong in the kitchen, they view it as a natural fact of the world. They're fine saying vile shit about women because they firmly believe those things to be basic truth. They view it as natural order. To them it's as true as the sky being blue. They don't consider their views to be subjective. They think everyone feels how they do and the ones who don't are too stupid to recognize very simple truth. If you've ever wondered why a man would feel comfortable freely saying something offensive about women, that's why. To them, women being less complex than men is as simple as saying that humans need food to eat.

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[junopede]

Kayne is a 13 year old girl writing fanfic on his school Chromebook at two in the morning

[eyedoeluhn]

eidolon’s talk with yamada is so fucking funny to me. Piggot’s like fuck me man capes are so inconsiderate about boundaries and you know what she’s so right. What the fuck do you mean you opened with ‘I looked into the past and analyzed your behavior’ how was she supposed to respond to that. And then he immediately just starts drafting his suicide note. David. David please.

[loveisinthebat]

Lil Funk Loaf

[luckyblackcatxiii]

This post is dedicated to the scrunkly burgomaster himself and the current relationship between him and Saverio. He thinks it's going well enough, but it's hard to tell when Ismark keeps making a unique expression only for him. Is it good, bad? Guess time will tell...

(Ireena seems invested though)

[thaliajoy-blog]

Just watched the whole of the Acolyte & I can say that the reversal of Mae & Osha is one of my fave things in it. It's even there since the starts even if we don't exactly look at it ; Mae's desire to kill the Jedi is based on a rightful need to see the harm done to her community finally punished ; she later let go of her bloodlust and anger to reconnect with her sister, also accepting a less violent & more legal punishment for Sol, which will regardless finally see his crimes recognized. She chooses love & sacrifice. While we know from the start that Osha failed to become a jedi because her negative emotions, how the "accident" Sol caused forever altered her & tainted her dream ; and her anger only grows, until she murders Sol. She chooses a path that lets her revel in both power & her emotionality.

[rainbow-nijisaki]

Butterflyyy

After the last batch I feel I'm obligated to post husband at least once, so how about some hairstyles?

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.

[boyfridged]

other people struggling to recognise jason post-res, sure. but-- jason coming back to gotham and keep walking into dead ends because some parts of the city plan shifted just a bit when it got rebuilt after the events of "no man's land." jason getting lost in the manor; jason opening the door to where his room once would be, finding it to be just a carbon copy of other guest bedrooms. jason struggling to read bruce's expressions because they used to be so much more open. jason surprised at the ruthlessness of minor villains who used to just stick to their gimmicks but now are dedicated serial killers and terrorists. jason being scolded by batman for not following a protocol that he does not know of during a rare team up... etc... etc... so what follows is not quite relearning; relearning assumes a certain level of previous familiarity he does no longer possess... the city got colder, and crueler. but it's his home. he can keep up. he can even be two steps ahead (the relativity of distance is a problem. ahead might look dangerously like behind. but trust him, he knows what he's doing.) the new rules can be broken before he finds out about them. he won't be surprised about his bedroom being no more if he never wanted to go back there in the first place. no need to read into bruce's expressions; they obviously convey the worst. minor rogues can be disposed of before they turn out to pose real danger. and that dead end, the wall? nothing an explosive won't fix when he's in a hurry.

[july-19th-club]

i brought him over with me, you know. we sailed together under avery when we was kids. he was my first bunkmate. and for years, he went on how he'd got this huge stash, hidden away. and i should live to survive him, because one day, i will be a rich man. but as you know...we lost him on the pembroke. so i open his locker and what do i find? twelve pesos. a busted pocket watch. and a letter with instructions to deliver it to his sister in new york. lying sack of shit! was mister craig. so: i bought the boys a round with the pesos, traded the pocket watch for a bit of tail, and spent two weeks that winter in new york trying to deliver that fucking letter to his sister. looked high and low. never found her. so on the way home, i waited until we were in open water and i could see no land in any direction. and i dropped it over the side. returned to the sea...there are no legacies in this life, are there? no monuments. no...history. just the water. it pays us, and then it claims us. swallows us whole. if you EVEN care

[the-labyrinth-of-me]

Wait did both Alice and Zane record Alan when he was at his lowest point? Didn't Alice make her exhibition to show the world what she sees? To show Alan the truth about himself? That it never was Scratch visiting and terrorizing her, but Alan himself? Did she depict his "self" and Zane depicted his "persona"? The two sides of him that he wishes he can eliminate bc they brought him into trouble (Scratch representing anger and the fallouts with paparazzi and stuff, Zane representing his self-destructive behavior with alcohol and drugs and the party nights)? The both sides that caused his marriage to start falling apart? Was that the reason Zane made that video of Alan when they were on that booze and drug-fueled bender while working on the Return manuscript? Is this party video the companion piece?? Alan's downward spiral, same as Alice's photos? Do they fucking work together aasdffjfjfkfk

[uncanny-tranny]

So often, twink death is framed as a bad thing. However, the "twink death" for trans men* is frankly one of the most healing things you will bear witness to (pun intended).

[rubikor]

non-existent memories

[frapajapa]

shoutout to girls who learned they deserve to live free and left the cage!!