#the last paragraph is one of my favorites

[milothepantran]

As a person who still deals with issues of PICA, I feel the fear of consuming something I really shouldn’t and having to go to the hospital to be stomach pumped. Hasn’t happened yet, but seriously anything and everything has been in my stomach.

TMI/TRIGGER WARNING (this paragraph is gross)

Favorites textures are:

paper - cardboard, composition/notebook paper, toilet paper, tissue paper (puffs plus is disgusting), fortune in the cookie,

Fabric - cushion stuffing, sweatshirt sleeves, loose string (mainly clothes or blankets),

Rock salt - road salt

One of the weirdest instances, is when I chewed a divot into my headboard. There were wood block pieces that would detach from the headboard. While I was already using it to chew on, I popped out a baby tooth…. And over a few months, three more. Mind you, they were not ready to come out. Last one was a molar that shattered due to not being ready.

@thatsoftboi @jessermes @homunculus-arguments @quasi-normalcy @derinthescarletpescatarian @werewolf-transgenderism

it's so weird to me that everyone on this website is a human person outside of their weird internet niche so rb this with a random bit of your lore

[writernopal]

Wednesday Friday Kiss Tag

Because I know if I left this to Friday, I might not get to it and it would sit in my drafts for another week 😅 Anyway I was tagged by a few peeps for this one!

@writingmaidenwarrior, here

@pheita, here

@talesofsorrowandofruin, here

Thank you all so much!

Rules: post a smooch between your OCs for Friday. It can be as light as a peck or as intense as a makeout. It can be romantic or platonic or familial. As long as a smooch takes place it’s free reign!

Tagging (gently): @justnerdy15 @crowandmoonwriting @heymacareyna @liv-is @sugar-phoenix and anyone else who'd like to do this!

This one is like mildly spicy so I'll put it under a cut!

From AASOAF 2:

The words flowed out of me with such urgency that I wondered if she could hear them over sobbing. She drew back and, with little warning, threw her lips against mine with a fury I had not thought her capable of. I didn’t know if there was anything to decipher from her gesture, but I didn’t care. I craved her more than air itself.  I shoved us down to the ground and felt how she tried to keep up with my energy, but quickly surrendered to me entirely. My hands found the buttons of her dress as she fought to breathe, but before I could do anything, a firework burst overhead, startling us both. It swiftly returned me to a state of sobriety, and I suddenly felt guilty. We should not do this here. It was dangerous; even if it wasn’t, she deserved better. “Will ye follow me?” I asked her breathlessly. “Yes.” She replied with equal labor in her voice as another firework exploded above us, lighting her features beautifully. She appeared like a saint standing behind colored glass with that myriad colors from those cosmic lights scattered about her face. And here she was, blessing my undeserving being with the beauty of her gaze and the gentleness of her heart. I could kneel to her in servitude for the rest of my life, simply looking at her and never wanting for anything else because her appearance was an absolute feast for the soul.

[im-still-watching-anime]

i am officially, FINALLY all caught up again in both the manga and the anime for bsd and OH BOY there are thoughts and opinions but also WHO CARES because my tags are finally FREE to be unfiltered

[somerunner]

Of course, as a practicing member of the church, and being someone who's easily swayed by propaganda, I view the history a little differently. But not all that differently (only just enough to voice that I view it differently), so I'm not going to make a post trying to write out my preferred version of events. That's a far lower priority than engaging with this post on what I agree with.

The thing is, sanding off our rough edges really is a tragedy. I think that sanitizing our history or steel-manning it is a tragedy. Even if it's something that most if not all religious organizations and countries do, if your reported (note: "reported," not "recorded," but records are reports after a fashion, so it really doesn't matter) histories lose the messy complexity of the past, they fail to adequately prepare you for the messy complexity of the present.

The church was and is composed of people, and people get panicky when their in-group comes into conflict with another in-group. The deeper the ideological divide (note: or the deeper divide in any category, but in this case it was primarily ideological), the worse the conflict. And no matter if your ideals are to be peaceful, you get a large enough group together and there will be agitators within it, and followers of those agitators.

I don't think of myself as a good person. I think that's why I stay in the church -- for both of the reasons you might expect from that last sentence (i.e. it makes me better the more I participate in it, and in addition I'm not principled enough to strike out on my own). I feel compelled to both defend and criticize the church in the same breath, because doing only one of those things feels wrong.

I don't know where I was going with this. I hope this didn't come across as a defense of the church any more than your post did, and I hope it didn't come across as too critical either. I think your story linked above (the "I was taught by one" part right before you bring up Fallout) is one of my favorite stories of a devout member of the Church of Jesus Christ of Latter-day Saints. He's a little kooky and quite vindictive, but dedicated to being better and to trusting in God. That's probably the best I can hope to become, though I'd probably be trading vindictiveness for waffliness (i.e. the tendency towards waffling, or failing to decide).

There are plenty of published articles and talks within the church or by active members of the church that I feel have acknowledged this kind of messiness within it, but I feel like only acknowledging this from within the bubble makes me feel some kind of sheltered. I'd still be remiss to not mention them, though, hence this paragraph. Of course, some of them still feel a bit sanitized to me so they'd feel wildly sanitized to most Tumblr denizens, but I think a few might be something the average tumblrite could stomach. My favorite (and one stomach-able by the readers here, I think) is probably the opening sections of Letters to a Young Mormon by Adam S. Miller, that read rather similarly to your autobiographical posts. I still haven't finished the thing after several years, and it's only like 80 pages, and a miniature book at that.

Happy trails, Babylon. I mean, bloody and desperate trails, Babylon.

Would you mind sharing the psalm and why you felt that person was the most humanist Mormon? I'm not religious at all but I find these sort of things very interesting.

In exchange I could offer the reason for my url ?

I'm warning you, this is kind of a mega essay, and it's fucking unhinged. Click at your own risk.

(Alright. You clicked.)

Psalms 137

By the rivers of Babylon we sat and wept

when we remembered Zion.

There on the poplars

we hung our harps,

for there our captors asked us for songs,

our tormentors demanded songs of joy;

they said, “Sing us one of the songs of Zion!”

How can we sing the songs of the Lord

while in a foreign land?

If I forget you, Jerusalem,

may my right hand forget its skill.

May my tongue cling to the roof of my mouth

if I do not remember you,

if I do not consider Jerusalem

my highest joy.

Remember, Lord, what the Edomites did

on the day Jerusalem fell.

“Tear it down,” they cried,

“tear it down to its foundations!”

Daughter Babylon, doomed to destruction,

happy is the one who repays you

according to what you have done to us.

Happy is the one who seizes your infants

and dashes them against the rocks.

———

Mormonism has layers. Different cores of believers, cultures within itself. The largest group of Mormons also dominate its image within the larger culture. You know them as the nerdy, cheerful, bubbly dorks on South Park, or the hopelessly naive childlike weirdos from the Book of Mormon musical. Strangely sanitized, "wholesome" people that are, clearly, unwhole. Missing some essential part of the human experience.

(Pain, maybe?)

I think that embracing this image is letting Mormonism view itself as what it wishes it was. A group with all its rough edges sanded off, all its raw and desperate humanity scrubbed away. A clean and godly and slightly unsettling image of joy.

That isn't how it started.

Now, most people know the story of Joseph Smith. Fourteen year old farm boy starts a cult because the whole world if full of idiots, I won't repeat it because you've probably already got it from South Park. But at some point that weirdo cult did become a religion, and I would point to that moment as the Mormon War of 1838.

I don't know how far after the founding that was. Enough that Joseph Smith was a grown man. Enough that the Mormons had around 15-25 thousand members. They'd moved to the Illinois-Missouri area and were establishing settlements.

(They creeped the locals out. Of course they creeped the locals out.)

Eventually, they got pushed out of the county they'd claimed. Jackson County, it was. The state couldn't actually take that county from the people that expelled them, so to try and make the Mormons "whole" for the land they'd bought (ignoring the houses and farms they'd already set up) it gave them a new county.

Next election that came around, that county was sieged. Voting was blocked. Now, the people of the state were terrified that this weirdo voting block was going to take them over. They probably weren't wrong. Some former Mormons had straggled in from the county revealing a frankly corrupt land dealthat the early church had used to transfer resources to itself, and that served as a tipping point. To prevent their state from becoming a religious basketcase, a mob sieged the Mormon county during the next election.

The state tried to return order by sending the militia in to break up the siege, but the militia mutinied. They joined the siegers. A ground of strange, extremist violent Mormons known as the Danites rode out and attacked local settlements that were known to house the families of the militia members.

The Governor at the time - Lilburn Boggs - sent out an executive decree. The Mormons were traitors, and were to be killed on sight. It is the only religion in the US to have ever had such an order made against it.

The Mormons surrendered their county and went to Nauvoo, Illinois. There were again expelled from that city in 1846, and traveled west.

They died in great numbers and they never forgot the homes they lost.

———

I tried to tell the story as sympathetically to the people of Missouri as I could. The Mormons made messes wherever they went, and they unsettled everyone they interacted with. But they were attacked as well, and had a history of violence against them. It should not be totally surprising that they became insular and strange.

Many (most?) Mormons that learn all of their history wind up leaving the religion. It has twists and turns and knots and it is incredibly, overwhelmingly human. I think that's where the facade of Mormon perfectionism comes from - the shame of that. The desire to be something else. But being human is all I've ever wanted. And occasionally, there are people faithful in the church - layers upon layers deep - that know their history.

And they are angry about it.

I think it's more common than people realize. Did you know that until 1930 Mormons swore literal religious oaths of vengeance against the US government for the deaths of Joseph and Hyrum Smith?

I always felt like these were, in some way, the real Mormons. They knew their history, and they loved their church, and they hated what it had suffered all those years ago.

They scared me, those people. But they seemed complete. More complete than the people that had carved out everything that didn't make them smile. They'd walked into the mirror, and touched their shadow, and danced with. Melded with it.

And I knew a few like that. I was taught by one. And he didn't convince me, but he interested me. Gave me some respect for the people I left behind.

———

In the game Fallout: New Vegas, there is a character named Joshua Graham. He's a Mormon. Not like the silly children in adult bodies that they always use on TV. He has gravitas. He has put away his moral compass before, to pursue the dream of one powerful man. Poured his soul into it, helped that man conquer the whole west in piecemeal. He's a somewhat on the nose analogy of the Mormon people themselves, following Joseph Smith. And when he finally failed, when he fought a battle he could not win on the gates of the Old World Hoover Dam, he was lit on fire and thrown into the Grand Canyon to die.

But he did not die.

He says he survived because the fire in him burned brighter than the fire around him. And it seems that way when you speak with him in game. There is something compellingly bright to him. Not shiny like a new toy, or a Utah teenager that hasn't seem just how grim the world can be. He's something blinding, compelling.

But that brightness casts shadows.

He is vicious. He was saved in the canyon by the family he left, the old Mormons of a new world. And he's trying to find that part of him again, regain the soul he lost pursuing someone else's vision. But that old vicious animal part of the covenant is with him. I see Joshua Graham and I see the animal that the Mormons became to survive the West.

And in the game, there is eventually a choice given.

You can lead the tribe Joshua has joined up with out of their Zion. Their Jackson County Missouri. Peacefully and perfectly and inhumnanly transcendant, the way the Mormons wish they actually were about everything. You can give him the chance to be what Mormonism has always wished it could be. Or you can fight with them and help them reclaim their paradise, but get your hands stuck deep in the muck of this world.

Joshua Graham knows his history. He knows all the homes his people lost. And whatever brightness he's trying to regain, whatever soul he's trying to win back from the world that takes and takes and takes and takes - he wants to give it all up again to let these people keep their home.

He knows his past and he is angry.

And as the player, you help him make peace with one of two things: Being human by being fallen, or keeping his soul at the cost of reliving the ancestral trauma of losing Zion yet again.

Both were pretty visceral decisions for a Mormon teenage Babylon to make.

(Tagging @boonebignaturals in this because I need a witness to my madness.)

[lightsonparkave]

how do you choose the theme and compile the prompts for each months of LoPA?

Thanks for asking! For themes, I go with concepts that both intrigue me and are broad enough that I won't have trouble finding prompts and I feel give space for different interpretations and approaches. I also have a list of themes that I came up with a few years ago and add onto it whenever a theme comes to mind. I peruse that list if I'm not quite sure yet what the next round will be. If I get struck with sudden inspiration, though, I typically go with the theme that just came to me for the next month.

Seasonality frequently comes into play too. Certain times of the year I feel are ripe for contemplating certain ideas and being in certain moods, so you can see connections between some rounds across different years! This helps me figure out rounds ahead of time, though I almost always end up scrambling last minute each month despite that haha. I tend to get distracted by my prompt search.

Speaking of which, if I see something that would make a great prompt, I save it. I rummage through that collection every time I need to make a new round. That never gets old because even if I had a theme in mind for that prompt, while I sort through my likes and drafts, I may see that prompt in a different light because I realize it suits the round I'm hunting prompts for.

This is also why it takes me hours to put a list together even if I have that treasure box to sift through as well as things I come up with that I think will be good ideas to start a search. You'd think I'd learn by now to spread this process out throughout the month instead of scrambling last minute, but no. :') It's fun, though, because I not only revisit works that I've gone through, but I get to go down rabbit holes as well. I use the works as starting points and go down different branches, or I have keywords in mind that I use to see what turns up. I've been introduced to a handful of new writers, artists, musicians, and other creative individuals and thinkers and works that way, and my Steve/Tony and LoPA mind never shuts off entirely when I look at new things so when I'm experiencing something new, there are a lot of times when I think "THAT'S STEVE/TONY" or "how can this be Steve/Tony?" haha.

I love looking at a variety of sources for creative inspiration although weirdly enough, I tend not to draw on them while I write. I guess I just like looking at shiny baubles and the act of curating and sharing my finds! But the whole reasoning behind LoPA's existence and what inspired me to start it are a whole different story and this is about process so I'll stop here.

[cacaitos]

i think it's rad that juli screams and wallows so much for a god that didn't answer him at any moment except by his own impression both for his own supposed condemnation AND forgiveness.

and that not only so pressed by the made up imprsssion of the guy he made in his head he also, as his most significant and material show of love he devoted himself to the person he will never and can't ever meet again. like yeah in theory they will in heaven but in practice is living for the dead, the ever moving goal of the immutable, platonic divine.

isn't he a romantic.

[cool-as-steel]

guys have you heard the altogether treasure island song. have you heard it. have you heard it.

[isekyaaa]

A man taking pity on an innocent yet deadly monster and raising it as his own. It comes to love him and he comes to love it. But as it grows older, its nature begins to take hold. The man does his best to ignore it and hope in his child. This hope ends up causing the death of thousands. In the end, the man is forced to kill the monster, his child, who only did their horrific acts out of a genuine love for him.

Then BAM reincarnation and the monster ends up getting reborn as a child. I can't help but wonder how they'd view their father after.

[triglycercule]

i think its jovial when i see like mtt art and its of like dust and killer mauling each other while horror is off either cheering them on/being a joy to the world/or trying to break up the fight because when asked about his opinions of horror and killer,,,, dust would just b like,,, damn. they're me but they also went through terrible things. that's a shame. and then immediately move on

BRO IS SO LOCKED INTO THE HUMAN HUNT HE DOES NOT CARE 😭😭🙏🙏🙏‼️‼️‼️ he would simple just walk away 💀💀💀😭😭 dust is the type of guy to hear gossip and then mind his FUCKING BUSINESS thats so real dust stays unbothered his crown did NOT move. he might think theyre weird or disgusting or terrible people but at the end of the day!!!! he has better things to do!!!! (and can he really judge when he's lowkey just as bad BUT ANYWAYS)

be like dust. when you see people you dislike simply walk in the other direction. use that block button! (putting on noise cancelling headphones as dust watches horror and killer fight and phantom papyrus narrates the fight like a national geographic documentary) (HELP THIS IMAGE IS MAKING ME CRACK UP)

[pepperyduck]

this is love ft. kento nanami

a/n: a few sappy slices of life with my main man :3 enjoy as i dig up motivation to finish kinktober. 18+ mdni!

"honey?" kento's voice is muffled through the door as he calls out to you, "everything okay?" the door rattles as he tries to open it, knob jingling.

"uhm, yeah! everything's fine!" you nervously shout, much too loud, and rush to unplug the iron that had melted your husband's favorite shirt. you panic and yelp when the hot iron scorches the side on your hand, throwing the stupid device to the ground in a clatter.

"why is the door locked—are you okay?" he asks, voice becoming more concerned as he hears the movement inside.

"i'm—i'm fine! promise! just give me a minute!" you're rushing into your shared master bathroom to run cold water over your hand, and kento’s using a screwdriver pulled from thin air to break into your bedroom. tears well in your eyes when you catch the sight of kento seeing his favorite shirt burnt and melted to his own ironing board. "i’m so sorry…"

in reality, he doesn’t care about the shirt—he’s already at your side to inspect your burnt hand. after a few seconds, he speaks.

"did you try to iron my shirt for me?" nanami asks, a small smile on his face, "you didn’t have to do that." he turns off the faucet and takes a small towel to dry your hand off.

"i tried to, i’m sorry—i didn’t know it would do that." you apologize, looking down at the cold tile flooring in defeat.

"oh, honey." he coos, "it’s only a shirt."

"have you seen your father?" you ask your son, yū, who’s sat at the dining table, eating breakfast. he shakes his head no, and when you look at your daughter, mayu, she does the same.

"jeez," you grumble to yourself, bedroom slippers pattering down the hallway as you go to search for your husband. saturday mornings were his time to sleep in, but realistically, he never slept past 9am. and currently, it was nearing 10am.

you check everywhere. he isn’t found in the bedroom, living room, his office, the garage, the patio or in the little garden he kept. upstairs, downstairs, everywhere, he isn’t there. and when you check in your bedroom for the last time, you hear a soft buzzing coming from the bathroom. upon entering, you see your husband bent over the counter, leaning close in the mirror as he shaves his stubble with an electric razor.

"there you are—when did you get that?"

kento had always been a clean shaven kind of man, going to a barber shop once every two weeks for his straight razor shave. it hadn’t even crossed your mind he didn’t go after work yesterday.

but when he looks at you—you burst out laughing. he’d shaven most of his beard off, but a few fuzzy patches remained on his cheeks, along with a mustache grazing his upper lip. peach fuzz and a few knicks litter his chin. this was the first time you’d seen him unable to do anything perfectly. and he looks ridiculous.

"is it really that bad?" he groans, pouting when you wrap your arms around yourself in a giggling fit. you shake your head, although your unforgiving laughs are a testament to the opposite.

"no—no, let me help," you say after calming down.

after gathering a new razor and some shaving cream, you sit atop the counter and your husband stands between your legs. kento is surprised how flawlessly you shave his face, without creating any more marks or cuts. you giggle and kiss him, getting some shaving cream on your face.

"ken?" you shout from the kitchen, where you’re sat, working on your dissertation. it’s been a long road of blood, sweat, and many, many tears; but you’re finally getting towards the end. about to earn a doctorate.

"yes, darling?" kento replies, walking into the kitchen on queue, his timing impeccable.

"can you read over this paragraph, please?" you kindly ask of him, pointing to your most recent written paragraph. he leans over you, planting one firm palm on the table, the other on your back; his eyes read along the sentences and his fingers tap along your spine.

"ah," his finger becomes more focused on a certain word, "wrong 'there', honey."

"no it's not..." you instantly retort, squinting your tired eyes to read over your writing. and you're right, it was the correct one the first time. this was his version of teasing you. but kento couldn't keep up the face much longer before he's giving in with a shit-eating grin you didn't see that often. "you're funny." you groan as kento stands back up.

after reading over the paragraph for about the nineteenth time, you notice kento silently slipping you some tea before turning back around to keep himself busy with cleaning. you absentmindedly take a few sips, then some more...and you find yourself becoming more and more sleepy...

and you're out like a light, forehead pressed directly against the table as a puddle of drool forms on the papers below. kento already has a warm blanket straight from the dryer to drape over you, and you stir just enough to get comfy on your arms.

kento knows that his back will hurt in the morning, but he sits around the corner of the table next to you, settling his head into his arms to drift off to sleep alongside you.

music of your taste plays rather quietly in the kitchen. you stir the pot of soup and inhale the flavorful aroma that wafts through the air.

kento sets two bowls next to the stove, then rummages through your silverware drawer to find two spoons. the kids are at their grandparents for the weekend, it's only you and your husband, converted into the duo you were long ago.

you step away from the stove to go fill up two glasses of wine, the brand kento had as his favorite had slowly turned into your favorite over time, too.

kento fills up the two bowls to the brim of the delicious food, grinning on the inside at the simplicity of it all. just you and him. he lids the pot with the matching glass top and makes his way over to the table.

you set out place mats for the both of you, then place the wine glasses in their prospective areas. kento places the bowls on top of the mats as you grab the spoons from the counter.

in the kitchen, your bodies subconsciously dance around each other. carefully, in perfect tune and pace. delicate steps of a routine formed over so much time together.

in the universe, your souls are tied, striding alongside one another in each lifetime repeated.

and this, is love.

[springcatalyst]

What if 6, 10, 15?

SO true. gracias gracias im having so mucn fun lol

-

Julian did not speak as the pair made their way through the dark streets, very aware of the blood that soaked his shirt, on his hands and in his hair.  She eyed him warily in a way that was meant to be inconspicuous, but he was familiar with watching and being watched, and knew what it looked like.  He did not speak, for he was unsure if his illusion would hold when he did.  It may have fractured already. 

She watched him. 

He did not speak.

In a simpler world, on a different night, this blood could feel righteous, like karmic justice, like a deserved consequence.  It wasn’t not those things.  But there lingered something caustic that prevented any satisfaction from being carried through opened veins.  Something still rotted beneath his lungs. 

He did not speak, and tried to blame the cold for his companion’s trembling hands.

Something decayed in both of them.

He tightened his grip on his cane. 

Send me a number and I'll write a micro-story with the word or phrase :)

[saturngas]

hickeys on display

[🪐] satoru wears proudly the hickeys you left on him last night

pairing: gojo satoru x f!reader

genre: fluff

warnings: established relationship; only one suggestive paragraph; crack fic? again me trying to be funny; nanami mentioned!; slight possessive traits;

word count: 1k

..

nanami sometimes pitied you. you were a good human being, a nice woman, a devoted and strong sorcerer. but why did the world reward you with this menace that calls itself satoru?

the moment his eyes landed on the tall sorcerer walking in the bakery shop, nanami swore he wanted to throw himself off the window.

satoru had convinced him to go out to his favorite bakery shop to spend time while his beautiful wife returned from the mission. the blonde man actually didn't have any other plans for the day, so he could bare a couple of hours with the strongest.

but not like this.

Japanese culture revolved in humbleness and respect towards others. satoru was anything but that. he had gained multiple stares since he landed on the bakery, all eyes focused on the angry marks on his attractive neck and collarbones.

"what happened to you? were you attacked on your way here?" nanami asked sarcastically as satoru sat down in front of him.

"what do you mean, nanamin?" he faigned ignorance as he adjusted himself on his sit, his large hands fidgeting with the menu. nanami sent him a dead stare, not believing his cluelessness. "oh this?" he pointed to his exposed skin. "oh it's just that I miss my wife so much. I also want anyone to know im so taken."

Nanami couldn't believe his ears. he wanted to choke the hell out of the sorcerer for being so shameless.

"your ring is sufficient."

satoru eyed the silver band adorning his ring finger, the lovely reminder of your wedding playing on his head. "well, yeah I guess... but people dont usually look at other's people hands first."

the curious and judgmental stares from the strangers in the store were making nanami a bit uncomfortable. maybe he should just have his baguette as a take out.

"nanamin, have you ordered yet? I think ill have the strawberry cheesecake and a vanilla milkshak— what are you doing?"

in front of him was nanami holding up his phone, hands ready to take a picture of satoru as an evidence to you and a reminder to him to never go out with him again.

"im sending your wife a picture of you. I hope she doesn't approve this and takes you home away from people." as soon as satoru heard the mention of his wife, he stood taller in his sit, puffing out his hard chest, his exposed bruised neck more on display as a boyish grin struck his face.

"haha, okie~" a fit of giggles left his lips that made nanami exhale the hardest he had that evening. "please tell her I miss her and that I love her with all my heart."

come get your husband. he has no shame.

your phone buzzed in your pocket as a final puff left the remaining of the curses you just have exorcized. you checked the message sent by a good friend of yours, nanami. you couldn't help but laugh.

since you were called for a quick mission not too far from tokyo, poor satoru was left alone without his pretty wife. he insisted on going with you, however you reminded him of the house chores he had been avoiding the past weeks.

your husband had a habit of sending you recurrent messages whenever you were away. it could be him on a mission overseas sending you pictures of himself in every angle just to crack a smile on your face. or it could be him spamming you on texting him back if you left him on read by accident.

right now, it had been around thirty minutes since satoru had informed you he had finished his duties, sending you visual proof—he would often get away with it—and a dozens of messages declaring he missed you and was miserable without you, so he let you know he would be visiting nanami, probably because there wasn't anyone within his range he could bother.

what you didn't expect was the photo attached to nanami´s previous message.

satoru was sitting in a booth—probably in some bakery shop—with one of the biggest grins you had seen on his angelic face. his baby blue eyes were covered by his rectangular glasses and his white hair was a bit messy.

but what immediately caught your attention wasn't his toothy grin or his perfect jawline—it was the shameless exposure of his bare neck, where purple and red marks decorated the pale skin of his collarbones, neck, and trapezius.

the night before was a night. satoru made you feel so full that your eyes were at one point covered in tears of pleasure, your jaw as tight as ever as you took all of him so well. the carnal heat inside you was boiling and daring to explote, so you released it with snug bites on satoru's skin, anywhere within your range, making him groan and hiss in painful arousal. there were moments where you would almost chew on the rosy skin to suppress the loud moans. satoru took good care of you. but now?

your husband deliberately decided to wear that low collar sweatshirt you loved so much. but not right now! how was he so uncaring about showing the entire world your marital business?

a sighed left your lips as you replied to nanami with an "im coming," before departing your way to the place, already having the directions since satoru left his location on with you all the time.

"please dont ever do this, toru."

"then dont give me these hickeys! and dont leave me alone too much! I need to remind myself you still exist, baby."

"I was done with my mission in like two hours!"

"oh wow, you are getting stronger pookie bear."

taglist: @snwvie @fanficsforkicks

hello guysss, im working on other works because I have like so many ideas but it's kinda hard to write them all the way I want to. im also working on pt 2 of some works some of y'all have suggested. bare with me alr :]

[ashwhowrites]

Requesting for cliche story fuck boy eddie simping over a nerdy girl. Maybe angst in the middle?

Ugh one of my favorite dynamics to write. I hope this is what you wanted and you enjoy it! Thank you for requesting 🫶🏻

⚠️no actual smut but talks of it

She's different

Eddie spent years being made fun of and being insecure. In ways, it helped him build a tough shell and made him stronger. But it also made him void of any feelings. He turned cold-hearted and didn't let anyone get close enough to him to hurt him.

He was still a teenager, and he had his own needs. And when his hair grew out and he dressed in chains and leather, more girls were at his feet than he had ever seen. Most girls were from the hideout, groupies that lived to watch him on stage. They threw themselves at him for a chance to get backstage and be under his touch.

Being in a band was the happiest thing that happened to him and he loved the easy access of girls to choose from. School was hell, but the second he was on stage, he was what all the girls wanted. And no one would take that feeling away from him.

~~~

Eddie was half asleep as he sat in class. His hand on his palm as he felt his eyes grow heavier. He had a late night with a girl's name he didn't remember. He moaned in discomfort as he felt her marks still stinging on his back.

"Hi," a soft voice spoke in front of him. He snapped open his eyes to see a girl in front of him. She had glasses, and her hair was down. She wore a little sweater and a skinny pair of jeans.

"Can I help you?" Eddie yawned

"Um..." She said as she looked around the classroom. Everyone is moving to sit with their partners. "We are partners. Were you listening?" She asked with a little giggle.

Eddie couldn't help but smile as the sound left her lips. He had to admit, for a quiet nerd, she was adorable.

"I was not, but take a seat," he said with a smile. He used his foot to push out the chair next to him. She moved delicately as she put down her books and sat next to him. He smelled her perfume and examined her even closer. She had these big curious eyes, a soft nose, and incredibly pink lips, and her skin looked soft.

"Well..." She began to explain everything he missed. He tried to listen, but he couldn't stop watching as her lips moved to form the words. He nodded along as she continued to talk.

She turned her head to look at him, she felt her face burn as he stared at her with a small smile on his face.

She coughed and removed her eyes from his. "So! Let's start."

~~~

By the third day of working together, Eddie loved saying her name. He loved how sweet it sounded as it left his tongue.

He was shocked to find himself so lost in her. Not that being a nerd was bad, he used to be one. But he never thought of himself being attractive while being a nerd. But God, did she do it well.

He was captivated by how smart she was. Way too smart to be in his class. She was mature and he could tell by the way she spoke with a high vocabulary. She didn't make him feel dumb, which was different. She was sweet and took the time to explain anything he didn't understand.

He was smitten.

~~~

Five days into working together he wanted more. He wanted to see her outside of school, outside of her shell. He wanted to see how she looked in the outside world and how her personality might change. He wondered if she had another side of her. A side that didn't stress about grades and let loose.

"What are you doing tonight?" He asked, not realizing he cut her off as she explained another part of the project. He was too lost in his head as he thought about her.

She closed her mouth and gave her answer a thought.

"Well, it's Friday so nothing." She laughed, "Why do you ask? Are you worried we won't finish? Because we have five minutes and just one last paragraph." She explained as she pushed up her glasses.

"Nah, respectfully, I could care less about this project," he chuckled, "I want to hang out, just the two of us and not focus on the project."

She froze as she looked over at him. His eyes sparkled and the sun shined perfectly on his face.

"Why would you want that?" She nervously asked. She couldn't form a single idea why he would want to hang out with her. She wasn't anywhere near his usual crowd of friends.

"Because I want to get to know you. I was thinking about a date?" He offered. He felt a little nervous and didn't understand why. Asking out girls was something he could do in his sleep, but she had his stomach fluttering and his hands sweaty.

He felt more nervous as he waited for her answer.

"Why not," she smiled. She clicked her pen and grabbed his hand. He flinched a little as the pen tickled his hand as she wrote down her phone number.

"Call me," she smiled as she picked up her stuff. A second later the bell rang and she was gone in a flash.

Eddie bit back his smile as he looked down at his hand. Her number and a little heart written next to it. He jumped out of his seat, a bounce in his step as he walked out.

~

Eddie didn't realize he was causing much of a commotion until Wayne walked into his disaster room.

"Edward, what in the hell are you doing?" Wayne asked as he took in the sight of Eddie's room. Clothes were thrown everywhere, and shoes were missing their pairs.

"I'm trying to find a nice shirt but everything is a band!" Eddie cussed to himself.

Wayne couldn't help the smile that went across his face, "And why do you all of a sudden need a nice shirt?" He was young once, and he knew exactly why his nephew was stressed.

"Don't look at me like that," Eddie groaned as he yanked off his shirt and added it to the no pile.

"What's her name?" Wayne asked, he leaned against the door with his arms crossed.

"Y/N," Eddie sighed, "I asked her out and I have nothing to wear!"

"Looks to me like you have a lot of options," Wayne laughed, "But what if we go get a nice shirt? I'll take you."

Eddie looked at his watch, he had a good few hours before he needed to leave.

"Fine but we don't speak of it," Eddie said as he pointed at Wayne.

Eddie's leg shook in the car as they pulled up to the small strip mall.

"How come you are this nervous?" Wayne asked as he got out of the car. "We share a wall so I know you aren't shy with many girls."

Eddie blushed in embarrassment, and he mumbled an apology.

"She's different, I guess." Eddie shrugged, he walked behind Wayne as they walked into the shop.

~

Eddie stood in front of the mirror as he sprayed on cologne. He used water to pat down his hair, and he ran his hands over his new button-up.

He was nervous but he was excited.

Wayne wished him luck as he walked out the door. Eddie got in his van and headed to the address she gave over the phone. His heart raced when he talked to her for a few seconds. He was not sure what he was going to do when he was with her all night.

Before he knew it he was outside her door and knocking.

"Hi, Eddie," she smiled as she opened the door. "You look very handsome." She was surprised to see him in something else other than a band shirt and ripped jeans.

"Oh, thank you," he smiled, "you look wonderful." His eyes skimmed up and down her body. She wore a simple and casual dress. It was white with little sunflowers. It matched her personality. She wore her glasses and light makeup.

"Thank you," she smiled.

Eddie gestured for her to walk in front of him, they walked to his van and got inside. She listened to his music as he drove to the location of their date. She was nervous. She had never been on a date before and definitely not with a guy like Eddie.

"I hope you like water," Eddie said, Y/N looked out the windshield and saw that there was a little pond. He got out of the van and opened her door. She thanked him as she got out. She waited as he grabbed a basket from his backseat.

He led them down a little hill, his hand holding hers as she wobbled.

Once they made it to the flat ground, he let go of her hand. He reached into the basket and pulled out a blanket. He threw it on the ground and offered her to sit first.

She smiled as she sat down, smoothing down her dress to cover her thighs. Eddie sat next to her and took out a few snacks from the basket.

Within an hour they were talking like they knew each other for years. Eddie was learning so much about her and it made him like her even more. She had an amazing personality and she was funny. She made Eddie laugh so hard that water came out of his nose. Which made her laugh so hard she had to hold her stomach.

She didn't think she had ever been so happy to be with someone.

And for once, Eddie loved getting to know someone.

As another hour passed, Eddie's urgers got the best of him. She was telling a story and he was lost in her eyes. The way the moon shined down on her and the sound of the water, it couldn't get more romantic in his eyes.

Eddie didn't notice he was leaning in until she froze. He looked down at her lips as he closed the space between them. He softly kissed her lips, and his hands reached forward to wrap around her waist.

She was nervous but she kissed him back. Her hands shook as she moved her arms around his neck. She was new to this and she wasn't sure how to kiss him back. But as he kissed her harder, she got the hang of it.

The kiss got heated as he slipped his tongue into her mouth, she shivered and was surprised to hear a moan slip from her throat.

Eddie took the moan as a green light to move forward. His hands moved down to her thighs and began to slip under her dress.

Her lips stopped and she yanked back. Her hands stopped his hands from moving even further.

"Don't be nervous," he whispered, he went to attach his lips to hers again but she turned her head.

"I'm not, It's our first date, Eddie. I don't want to rush anything." She explained honestly.

"It's not rushing. I do this on all my first dates." Eddie shrugged like it wasn't a big deal.

Y/N felt a blow hit her chest. All of his dates? How many has he been on? How many had he brought to this exact spot?

"You're a pig," she scoffed as she shoved him off of her. She stood up.

"Woah, what's going on?" He asked as he stood up. He wasn't aware his fuck boy ways were sneaking out of him.

"Absolutely nothing anymore," she glared, "take me home." She marched to his van without a glance back.

~

The car ride was silent. She didn't speak a word, just stared out the window.

She should have known better.

"Did I do something wrong?" he asked as he pulled up to her house.

"I'll see you Monday." She spat as she got out and slammed his door.

"Y/N!" he yelled after her as he got out. He grabbed her arm and turned her around.

"What did I do?" he asked genuinely.

"I do this on all my dates," she mocked, her voice deep as she repeated his words. "I should have known it was all an act."

The realization smacked him in the face.

"Shit, I'm sorry. I didn't mean to push like that." His eyes were soft as he apologized. "None of it is an act! I really like you and I'm not used to feeling that way. I'm used to something different, you know?"

"Maybe you need to figure out everything you feel, and maybe we can talk when you are ready to face those feelings." She smiled sadly and pecked his cheek. He watched as she walked inside.

~~~

The next night Eddie was all over the place. He performed and ran straight to the bar. He wanted to drink his sorrows away. He had one shot and he blew it. He showed just how washed up he was. He slammed down his shot and called for another.

"Hard night?" A random girl asked as she sat next to him. He turned his head to take in the blonde.

"Yep," he said, slamming down his second shot.

"Let me make you feel better," she whispered into his ear.

~

Eddie sat in the back of his van with the random girl on his lap. Her lips were on his neck, but everything felt wrong.

He wasn't enjoying it, and it wasn't making him forget about her. He tried to close his eyes, but all he saw was her sweet smile as they laughed by the water.

He stopped the girl's hands as they went for his belt.

"I can't do this. I'm sorry," he said, he didn't look at her as he grabbed his shirt and slipped it on.

"Are you serious? Since when?" the girl scoffed

"Have you ever really liked someone? Not like being in love, but in that area where you can see yourself falling in love with them?" He asked, the girl sighed and slipped on her shirt.

"Yeah. Chances are if you can already see yourself falling in love, it'll happen. You stuck in that spot?" She asked

"You know my reputation around here. I fuck and move on. She's different. I asked her out and we had an amazing date, then I fucked it up." He sighed, "Not sure how to fix it."

"Admitting it to yourself is the first step,"

"And the next?" he asked

"You admit it to her."

~~~

Monday morning arrived and Eddie was ready to win her back.

Since the project was finished, she wouldn't be sitting next to him. But that was not going to stop him.

He wrote a little note this morning, asking to meet outside during lunch. He walked in and saw her already sitting at her spot. He took a deep breath and handed the note to her.

She looked up at him but didn't say a word.

Eddie walked back to his desk. All throughout class he kept looking back at her.

~

Eddie waited outside and checked his watch. Lunch started ten minutes ago and she wasn't there. He was nervous he might have messed up too much and that she didn't care to fix it. She probably realized he wasn't worth the hassle or the emotions he caused.

He crunched the flowers in his grip as he looked over his shoulder.

"Hi,"

He heard her soft voice before he saw her. He turned around and smiled as she walked closer.

He was nervous as he handed her the flowers, "these are for you."

"Thanks," she said quietly as she took the flowers from his hands.

"I'm really sorry for acting like a dick. You were right, I needed to figure out everything I felt. I went to the bar and I met someone."

Y/N ignored the pain she felt as she listened.

"My plan was to do what I always did. Sleep with someone until I forgot why I was there in the first place. But I stopped it because it felt wrong. I hated myself for being with her. I kept thinking of you." He stepped closer as he held her hand.

"I was doing the wrong thing and with the wrong person. And it made me realize, that I really like you. And I want my main focus to be just on you. I want you." He looked deep into her eyes. "I would love to have the chance to take you out again. I've never actually been on a date, that was my first real one. I know I fucked up the beautiful night we had, but I really think I can make you feel special."

"I guess there's no harm in giving it a shot." She smiled

Eddie jumped to his feet with excitement.

"Thank you!" he crushed her in a hug as she laughed.

~~~

They had been dating for a month and Eddie was true to his word. She felt more special than ever and it was all because of him.

She felt a little nervous as they walked into the hideout. He was honest about his past here and the reputation he had. But she wanted to be a supportive girlfriend and watch him perform. She had to try to forget about all the girls there and just focus on her man.

"The second I'm done, I will be coming straight to you," he smiled. He leaned in and pressed his lips against hers. She was in a territory where Eddie was never taken, and she wanted to prove herself.

She wrapped her arms around his neck and kissed him harder. She wasn't shy as she snuck her tongue in his mouth. Her body rocked against his as his hands landed on her ass.

He felt his head spin as she pulled away. His eyes slowly opened as he caught his breath

"What was that?" he asked, his eyes dark as he drank her in

"Good luck kiss," she said with a shrug and smirk

"I'm going to need luck hiding the front of my pants," he teased as he adjusted his tight jeans.

"I'll help you faster," she whispered in his ear. She enjoyed the way he shuddered.

He kept his eyes on her as he walked into the back.

~

She understood why so many girls adored her boyfriend. The way he performed was incredible. It was hard to look anywhere else.

She waited at a table in the back as he wrapped up. His sweaty body came walking towards her but a girl stepped in.

Y/N couldn't hear the conversation but she could tell the girl was flirting by the way she ran her hand up Eddie's arm.

Then another girl came after that one left. And then other.

Y/N felt sick as she watched countless girls walk up and flirt with him. It was a painful reminder of what Eddie's past was.

She was quick to run outside, needed fresh air and to be away from the scene she was stuck watching over and over.

Eddie was quick to push everyone aside and follow her out.

"Hey baby," he said softly, she was leaning against the wall.

"You were amazing!" she praised as she pulled him into a hug. Eddie hugged her back and thanked her. He pulled back but kept his arms around her.

"Want to tell me what happened in there?" Eddie asked

Y/N sighed and looked down at her feet

"I was just a little jealous."

"Why? You are my girlfriend, they've got nothing on you." Eddie explained

Y/N scoffed and unhooked her arms from him.

"They have all had sex with you, Eddie! They've got plenty on me. I mean, I am nothing like those girls."

"Exactly!" Eddie said as he placed his hands on her face. "I don't want you to be anything like them. I want you because you are you. Yes, I've been physical with them, but that is all. There is no connection or emotional ties. It's different with you because I really see myself falling in love with you."

"Really?" she smiled as she looked up at him.

"Of course." He said as he crashed his lips on hers. She moaned as she kissed him back, her hands in his hair.

After a few seconds, she pulled away. Smirking as he chased her lips. She had him right around her finger.

"You know..." she started, her hands slipped down his body and rested on top of his jeans. "Maybe I'll eliminate the one thing they have on me." Her smirk made Eddie shiver in excitement.

"As in sex?" Eddie choked out. His eyes lit up like Christmas as he practically bounced with anticipation.

"Van, now." She said as she turned around and walked towards his fan.

He watched her walk away with a dopey smile on his face.

"YOU COMING?" she yelled as she turned. She walked backward and kept her eyes on him. She laughed as he seemed to snap out of his daydream. He fished out his keys and dropped them on the floor.

"SHIT, I'M COMING!" he screamed as he bent down and grabbed his keys.

She giggled as he ran straight to the van.

@bmunson86 @mxcheese @ladymunson @michaelfuckinglangdon @z0mbie-blah @biittersweet @mirrorsstuff @somethingvicked @micheledawn1975 @ago-godance @magnificantmermaid @tlclick73 @hargrovesswifee @cityofidek @silky-luxe @lokiofasgard616 @loving-and-dreaming @eddiemunsonsbitch69 @thegemaqua @ashlynnkennedy @strangerthingsstories5255 @harringt8ns @pleasinghellfire @whoscamila @stusdollface93 @gretavankleep37 @bellaisswagger @arlxt

[tanaor]

Want to worldbuild like a pro??

(📖 Master tips and everything I know📖)

Hello writers! You don't know how to worldbuild? Don't know where to start explaining the world you have created? Don't worry, you are in the right place! I have been there myself, and after many research (and even more trial and error) I have put together a list of the best worldbuilding tips I have encountered, and also created some of my own. (I know the first one is kind of overheard, but trust me).

Don't start right away with worldbuilding. A long paragraph about how your world works and its history might overwhelm new readers. A lot of other writers suggest waiting and learning about the world at the same time the protagonist does, or if that doesn't work for your story, dropping bits of information while the story moves forward. However, if you want to give a sense of how your world works from the start...

Exposition through action. This is my favorite method, and it helps a lot if you don't want to pause your story to info dump about the world you have created. Instead, this method relies on explaining the world and its dynamics while you continue with the narrative, briefly. For example: "As always, you couldn't see any trees in the meadow. The king had ordered years ago to cut each one of them because of a prophecy that foretold that the last dragon egg would lay in an oak."

Use expressions that reference normality or routines. In the last point, we used "as always", but there are tons of expressions you could use in your writing. This helps the reader understand what is the norm in this new world and what things are common, to later detect something that is not within that norm (or sometimes just to understand the world and its traditions better).

Use flashbacks when necessary. If you need to explain a very specific or detailed topic, I suggest using a flashback scene, that will help the reader understand with the narration and dialogue, instead of just explaining it to them. It makes for a more dynamic learning experience. But, at the end...

Do whatever will intrigue you. Some readers even like info dumps, and there is not one correct way to show your world. If it would make you curious, go and do it, wether people say it's correct or not. There are a lot of successful books that randomly stop to explain something about the world, and there is nothing wrong with that if you like it.

Hope you find this list useful, and as always happy writing :)

Also, if you are interested in tips or more examples of a specific topic, you can always leave a question in my ask. I'd be glad to answer it!!

Other tips for writers: previous | next

[wombywoo]

do you have any ghostsoap favorite fics, perhaps?

boy do I....

I should preface this by saying that I'm pretty...particular with what types of fics I enjoy reading (I only like certain character interpretations/tropes/writing styles, etc) so bear with me...

These are all mostly canon-compliant, non-AUs, ones that I regard highly~

Seasons--by StinglessWasp: This is pretty much my go-to fic rec for anyone into CoD and ghostsoap in general. It showcases everything I love about these characters, in a setting that feels as authentic to the games as possible, while also exploring the depth and sincerity hidden under the surface. So well-written and paced--the dialogue and military references all contribute to that 'feels like a mission out of the game' experience. Plus, I just love this interpretation of our boys--the humor, the inner struggles, the intimacy--Wasp 100% *gets* these characters and it's a joy to read <3

Except You, You Can Stay--by Iravaid: While this one isn't *technically* ghostsoap until the last chapter, in my opinion, it's required reading for anyone who gives a shit about Simon Riley. This is *the* character study--an intimate dissection of Ghost's past that seems so realistic and grounded, you forget how ludicrous those comics really are. Ira takes such care in treating these heavy topics with delicacy and effectiveness. Each chapter has you going 'oh wow, this is even better than the last', but as a whole--it's a stunning, fleshed-out glimpse into Simon as the character he was always meant to be. And the final chapter which eases you into his relationship with Johnny is so authentic and sweet, it just makes perfect sense that they should be together, and that this poor poor man deserves some goddamn love <3

bleeding in the house of god--by revolvermonkcelot: This is a really great 'missing scene' fic, a perfect opportunity to explore the in-between moments that the game so carelessly chooses to gloss over. I can't praise Monk's writing enough--it's slick and crisp and very tasty; the imagery just jumps off the page and you can practically feel the sweat. Plus, the dialogue exchanges between our two boys are so well-timed and in-character--love all the slang and British references~ This whole fic reads like an addition to their mission flirting, and I'm all for it! You can truly tell this author has such deep understanding and experience with this franchise (winkwinkwink, this is a joke) Read it--it's good!

The Dead are all Living--by Kabbal: This fic blew me away when I first read it. It's such a unique take on the retirement trope, I just adore this interpretation of Simon as an aging recluse while he builds his home. I tend to lean towards more subtle, grounded characterizations of Mr Riley, and this really fits the bill. All of these glimpses and fragments into his post-military life contribute to an overarching love story; the scenes with Johnny are so poignant, it's like you're pining alongside them both. I love how not-perfect they are; flawed and difficult and real. There are some moments and lines that just....struck something in me so deeply. I'm sure I'll still be thinking about it for a long long time <3

Portrait of Taction--by a_platypus: Another Simon-centric fic that I absolutely love. The character voice in this is off the charts, I can hear him so vividly in all of his inner dialogue and stunted attempts at conversation. Simon is so endearingly dense in this fic, you're just waiting for him to finally get his act together, but the clumsy, oblivious steps he takes in his relationship with Soap are truly a treat to read. I love this version of Johnny too--confident and considerate, but still hopelessly crushing on his superior. It's comedic, well-written, and the paragraphs describing Soap's journal give some of the best insights into his character I've seen <3

come on, haunt me--by flyby2: This was a really good long fic that I took my time savoring. What could have been a typical 'on leave' fic instead took time to develop a unique spin on the backstories as well as throwing our boys into some wholesome encounters. Both Soap and Ghost felt very true to character, and I appreciate the exploration of PTSD and the subsequent struggles that come along with...all that. There was a really nice balance in having their romance spread across the chapters, and I can promise a very sweet, happy conclusion <3

in the mess of it all--by flowersferns: A lovely one-shot that exhibits some of my favorite aspects of these two characters. I'm a sucker for 'one of them is hurt, the other is freaking out, they are both idiots in love, etc'. There are some really great dialogue and character moments in this, plus the overall prose hits hard. Love this take on their romance--the mutual trust, the familiarity of their bond. And just the general theme of impermanence--the inevitability of what this relationship means for them--two soldiers, willing and ready to sacrifice their lives at a moment's notice, still clinging to each other because...god...that's all they have---big fan of this :'D <3

Lapsus--by Lisbetadair: Another really great one-shot and 'missing scene' fic. The authenticity in the writing is spot-on--it's like you can feel Soap's pain right off the bat. I love how smoothly the banter flows between the two, and the attention to detail and references all help lend to that 'hardened military man' exterior. Ghost smelling like flowers because of a face wipe is such a delightful addition, plus the scene where Soap is, ah, donald-ducking it in just a t-shirt with his jewels out is such a funny mental image, I still think of it fondly from time to time. It's funny, it's surprisingly cute, it's very in-character. Stick around for some awkward but adorable cuddles <3

I'm sure I have more to recommend, but these are the ones I can personally endorse for now~

[yourqueenb]

THE TITLE 💀😭 (not a lie in the slightest, I was just caught off guard lmao)

No but in all seriousness, I think I have a bit of a complicated view of Kiara. Imo the issues with her have less to do with her interactions with the other characters as an individual and more to do with how she was treated by said characters, the writers, and fans vs. how the white women of the court were treated — which is why I understand why you often compare her to them and agree that that is pretty much essential to comprehending just how bad the writing for her is.

In an instance where someone is playing chapters with a week in between each one, hiatuses of several months, and give or take a year between each book PLUS all of the retconning throughout, Kiara disappearing for significant periods of time or having minor cameos, and an MC who is not romancing Drake, I think her poor treatment is very easy to miss and it’s equally as easy to take misinterpretations as fact. *I would even say that there is some basis for people to have a less than positive opinion of her if the conversation from book 2 chapter 1 about her and MC’s alliance is one of the factors.

*From what I understand about the fandom at the time of the series’ release, people definitely took the ‘Kiara is a snob’/‘Kiara is so fake’ thing too far. But I think it would be a bit disingenuous to say that she does not come off as rude and snobby in that scene, especially given everything else we know about her. Kiara is intelligent, observant, and calculated. As a diplomat and noblewoman, she values etiquette and propriety. And as a polyglot/linguaphile, she not only has a deep understanding of language but also tends to choose her words and when she participates in conversation overall very carefully. So with all of that in mind, her saying things like “even if MC were someone we deigned to associate with”, ordering Penelope not to “start up on those dogs again”, and pointing out her and Penelope’s high position of honor in response to a disgraced MC asking if they’ll be joining her in the back (which could’ve been meant matter of factly but looks bad within context)…. definitely cuts deep and feels unnecessarily snooty (and patronizing in Penelope’s case). Not to mention the whole “she’s beneath us” comment in response to MC being a bit sarcastic after everything just mentioned.

However, the absolute vitriol many fans had for her along with how eager they were to paint and view her only in a negative light no matter what makes no sense considering all of Penelope, Madeleine, and Olivia’s wrongdoings. Like Kiara doesn’t even come close to being as hateful and malicious as the last two and isn’t fake at all like Penelope. So why do the other three get excessive amounts of grace that they aren’t even deserving of while Kiara gets none and is either actively hated or largely forgotten instead?

If the writers valued and cared for their Black characters as much as they do their white ones and focused on consistency instead of favoritism, then some of the writing for and dynamics between the TRR cast wouldn’t have been as bad. But even then, that would still require entire scenes and chapters to be completely different. And that still doesn’t cover the fans’ eagerness to purposely misinterpret things and project their biases onto Black characters or the writers’ willingness to pander to those fans regardless.

Thankfully, PB didn’t reflect the fans’ view of Kiara as a Jezebel in the writing (which is honestly a bit surprising considering how much they catered to Drake stans and the fact that they have used the stereotype before in other stories as you pointed out). But given this essay and what I remember of this series myself, I just want to briefly point out and comment on some of the other stereotypes and real world experiences I noticed PB perpetuating and reflecting within TRR.

The first is the scene where Drake and MC can prank Kiara by dumping out her hair products. I haven’t read the scene or romanced Drake myself, but I think the inclusion of that at all is… let’s say interesting… considering the fact that attacking Black women’s physical appearance and beauty is often one of the first things non-Black people do when they feel threatened in any way. And of course, the prank seems fairly harmless in the grand scheme of things and is nowhere near equivalent to real life policing of Black hair. However that particular option appearing after the overall rage/jealousy of Drake stans toward Kiara isn’t really something that can be ignored.

The next is all of the questioning, mocking, and challenging of Kiara’s skills and capability. This one especially rubs me the wrong way because it’s such a common microaggression, but I feel like most people didn’t even notice it in the story and definitely don’t irl. Like Olivia is lauded as some sort of badass super spy who Cordonia couldn’t survive without even though she does nothing with any of the intel she manages to get…. But sure, Kiara is the one with delusions of grandeur who needs to prove that she’s as capable as she says she is 🤨

And coming off of that, I think it’s very telling how a lot of the fans take issue with Kiara’s perceived “snobbishness”, but ignore it or find it amusing when Olivia, Madeleine, or anyone else at court acts the same way if not worse. If it were an issue with classism and arrogance in general, then surely Olivia, Madeleine, etc. wouldn’t be exempt from criticism/backlash, right? But they usually are and are even seen as people who deserve to be cocky… so then what could possibly be the issue now??

And once again, I feel compelled to point out how a lot of the time Black people can’t escape the ugly realities of the world that we live in even in fiction. We can’t be too beautiful, too smart, too aware of our accomplishments, or too comfortable in prestigious spaces lest we threaten the inherent superiority of everyone else. Society holds us to a higher standard yet expects so little of us at the same time. And unfortunately, Kiara and many of PB’s other Black characters are indicative of all of this

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website