#the kowalskis
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milkyautism · 1 year ago
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I ended up watching "Take Care of Maya" on Netflix...
Suffice to say my cynicism has grown 3... hundred sizes. First world society has failed me once again.
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sammaggs · 2 months ago
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3x01 Burning Down the House | Continuous
THIS IS ALL ONE SHOT!!!!!!!!!!! THIS IS ALL. ONE SHOT.
A nearly two-minute walk and talk in the precinct set with NO CUTS. For TWO MINUTES.
This is TWO FULL YEARS before The West Wing, which popularized the long hallway single shot walk and talk.
Genuinely hard to convey how difficult a shot like this is to choreograph with so many different moving pieces. As one continuous take this shot is WILD. It means everything—including the push in to Ray and Elaine, the pull back out to include Fraser stepping precisely back into frame, the ACTUAL LIVE DOG, the walk into the bullpen with all the extras cutting in front of camera, the gag with the ink—all of that is in ONE GO, NO FUCK UPS.
INCLUDING!! One of the best pieces of acting in the ENTIRE SERIES right here:
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THE love at first sight moment. In the MIDDLE of all this.
My favourite thing about this is imagining Gordon Pinsent standing patiently in the bullpen waiting for his moment for the 45 times it took to get the first ninety seconds of this shot clean.
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Oh I will never be done being obsessed with this show. The level of stagecraft involved here alone is insane. Paul Gross the man you are,
Happy 27th birthday today, Burning Down the House (Sept. 14, 1997)!! You are still iconic🇨🇦🍁
due South Long Shots [one] [two] [three]
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aqua-regia009 · 11 months ago
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Wolves Attack (Detail), oil on canvas — Maciej Sancewicz after Alfred Wierusz-Kowalski
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miyunnnaise · 8 months ago
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three of them
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hija-ck · 9 months ago
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boys 🫶🏻
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khocoa · 3 months ago
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the main trio if the museum trip wasn't cancelled
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bayboyzone · 1 year ago
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penguins of madagascar log
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knightofleo · 1 year ago
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The wolf paintings of Alfred Von Wierusz-Kowalski
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nllick · 6 months ago
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I thought about switching Trent & Kirby with Johnny and Peanut but I thought about how they technically aren't canon..💔
(template not mine)
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eaion · 1 year ago
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DUE SOUTH S03E02 - Eclipse
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spajderserdel · 1 year ago
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penguins!!
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couldtheycatchkira · 10 months ago
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paullll-novg · 20 days ago
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Gary hc
This is a comic that I forgot to post, now I only have 1 hour a day to draw😭🙏
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aqua-regia009 · 11 months ago
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A wolf in a snowy evening forest, 1883 - oil on canvas — Alfred Wierusz-Kowalski (Polish, 1849-1915)
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sammaggs · 2 months ago
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1x02 Diefenbaker’s Day Off // 2x08 One Good Man // 2x13 White Men Can’t Jump to Conclusions // 3x01 Burning Down the House | Normalized
due South does a main character re-casting better than any other show on TV, and they do it by playing with television's own accepted meta-narrative.
Recasting a character has a long tradition in television, creating a viewership that knows and understands the storytelling short form at play. As viewers, we realize that sometimes actors aren't available to reprise a role (or simply aren't interested in it anymore); but, for the sake of the story, sometimes the show needs that character to come back. So we lean hard into suspended disbelief and just go with it. After all, the characters in the show accept the parareality of it—why shouldn't we?
Of course, the most famous example of a character recast would be the Dick/Darren disaster on 1960s sitcom Bewitched, when Dick York was unceremoniously replaced by Dick Sargent in the role of Darrin Stephens. ("The Dick Wars" would have gone absolutely insane).
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it was... not successful
But they weren't the only ones to do it. Aunt Viv from Fresh Prince, Becky from Roseanne, Daario Naharis from Game of Thrones, Greg Serrano from Crazy Ex-Girlfriend (pain, agony)—recasting characters but maintaining the fiction is a storied tradition in TV. New actor, same character; totally normalized.
And shows continue to do it, even today, with a—uh—similar dedication to fucking it up doing it poorly.
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why must we be punished like this
due South even engages in this trope itself in season 2, when hard-hitting investigative journalist Mackenzie King is recast and they don't even try to find an actress who looks similar. In 1x02 Diefenbaker's Day Off, she's played by brunette Madolyn Smith-Osborne; in 2x08 One Good Man, she's been replaced by blonde Maria Bello, and nobody talks about it.
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yeah i'm absolutely the same person, obviously
Everyone diegetically (within the world of the show) is just like, oh yeah, that's hard-hitting investigative journalist Mackenzie King. Totally. Only non-diegetically (outside of the world of the show) does the viewer go "No, that's not the same person." Internally, the fiction proceeds as usual.
So what would happen if, say, Samantha Stephens turned to Dick Sargent and said "You're not Darrin," when everyone else in the show continued to treat him as though he was? Or if Jaskier told Geralt that he knows he's not actually Geralt, and everyone treated him like he was delusional?
Or if Fraser, even, had recognized Mackenzie King as someone entirely different, and everyone treated him like he had a hole in his bag of marbles because of it? Of course that's Mackenzie King; even her boss knows it. No, she's never been a brunette. What are you talking about?
And that's exactly what happens in Burning Down the House.
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the rays vecchio
Diagetically, everyone else treats Callum Keith Rennie's character as though he is Ray Vecchio. "Oh, good, you found him," says Det. Huey. Elaine, Franchesca, literally everyone else both at the station and outside of it treat Callum Keith Rennie Ray Vecchio as though he is David Marciano Ray Vecchio. They're acting exactly as any other TV character would in the face of a recasting: as though absolutely nothing had happened.
Except for Fraser.
Fraser's specific brand of parareal Canadian plot magic means that he's immune to the recasting blindness; he's acting as an agent of the viewer, voicing our non-diegetic concerns. Fraser is (as he so often is) a character with one foot outside of the narrative. He's just always been like this and he doesn't know why.
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oh this man is infuriating and hot, fuck. shit.
And for a character who already thinks he is likely insane (he sees the ghost of his dead father! He communicates with his deaf half-wolf! He is instantly committed to a mental institution upon voicing the actual true story of his life!), this is very extremely distressing. Fraser thinks he's actually lost it this time, because everyone else in due South is acting like a TV character, and Benton Fraser is acting like a viewer.
This is so brilliant on so many levels. They just fully lampshade the damn thing. It allows our protagonist to speak for disgruntled or confused viewers. It engages at a postmodern level with television as a medium with a storied history (and due South is incredibly postmodern; nearly every episode is or contains a reference to another piece of media). It's written from the perspective of someone who loves and is knowledgeable about TV tropes.
And it gives us an entirely new Ray while still maintaining respect and loyalty to the original, something no other straight (lol) recast could ever do.
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Genuinely one of the most clever, witty, well-crafted hours of television ever made. I could write essays about so many different parts of it. And I guess I will!!!!!!
It’s Burning Down the House week in our dS Stacked Rewatch!
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hija-ck · 4 months ago
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🧟‍♀️ 𝗕𝗨𝗟𝗟𝗬: 𝗨𝗡𝗗𝗘𝗔𝗗 𝗡𝗜𝗚𝗛𝗧𝗠𝗔𝗥𝗘 🧟‍♂️
throwback to one of my fav fics ever written!! a bully zombie dlc would have changed the world
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