#the insane complexes about victim blaming.
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When designing Triandra w prominent cutouts and a low rise miniskirt, like. Esp w the body type I'm going for w her (very thin, not particularly busty, lanky almost boney). In my heart I never want Plumeria to slut shame her. Like yeah, I do think Plumeria could be cagey about it. But ultimately, ESPECIALLY as they've been interacting with mortals more in Askr, Plumeria goes, "Oh, honey. There is not a single thing you can or refuse to do, that you have or lack, that would prevent those wretched mortals from leering at you with their vile, lustful gaze." With a heavy sigh, she adds with finality, "Do whatever you want. Just don't say I didn't warn you."
LIKE... Plumeria having this understanding that no matter what you look like, there's someone out there that's into that. And regardless of how you present yourself, there will be people who'll find ways to objectify and sexualize you. Her acknowledging, it's actually not Your fault. Unfortunately she just. She has so many issues. In every single other facet of life LMFAOOOO
#oughhf i'll admit. my brain is not braining rn. i'm really tired. but.#i love the idea of plumeria being a stubborn abrasive older sister type. to triandra esp#but also extends very. very loosely. to peony and mirabilis as well. she has that aloof loyality. the solidarity.#also really important to me that plumeria has a slightly different flavor of... whatever this is.#like mani is a reflection of what religious purity culture and victim blaming does to a motherfucker#plumeria is like. she has these extremely similar complexes about desirability. none of which are healthy#but to me it's so important that like. w plumeria the perpetrator is always to blame. w ANGER and ferocity#unfortunately she has like. a really skewed sense of that. where any amount of sexuality in any context feels like a threat#and mani is extremely similar in that respect. just slightly different flavor. idk idk i'm NOT wording it right#LIKE i feel like they internalized the same things w similar results but in dif circumstances/contexts#is what i THINK i'm getting at???? what i'm Saying is mani's got that one covered actually.#the insane complexes about victim blaming.#idk idk. not a single coherent thought here. except that plumeria is so special to me actually#and the parallels between her and mani are. inherently extremely funny.#grabs moe by the fucking scruff.#fe plumeria#fe triandra#my notes#mani tag#fuck it. for mani mention. in the tags. i've wanted to make this connection for A LONG TIME actually#but. i can never describe it right not even jokingly 😭 just. know it's There.
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How do I explain this? (Spoilers for Enstars Sanctuary story)
Sanctuary is the story of a guy who woke up in a strange world with weird looking monsters and empty streets with a guy who was his former theatre club president. Except the theatre club president (implied to be a bit of a cryptid except this world definitely has no magic) had somehow mentally regressed back to his five-year-old self, which is fine because he's a genius, and now the guy and his former club president have to deal with this strange place together. But the side story is that two of his friends are being shown around what is basically a cult disguised as an amusement park to indoctrinate people into believing they can become idols and apply to work in that industry. And there's also another side story in which the guy's other friend is being harassed by a middle aged man who's kidnapped their goddess, basically, and is also the mastermind behind the overarching plot in the villainous sense. Also, the former theatre club president's new team, specifically that team's leader, is perpetuating the idol cult because he's got a twisted obsession with idols and believes that to farm them is the only way they won't be discouraged by those with exceptional talent and skill.
But in reality, this is just the story of a lonely teenager who could only find a little bit of freedom to express his abandoned child self in a messed up system that another teenager (who is very smart but just doesn't understand human relationships) created because he cares about nothing but in reality cares about everything and perpetuates a cycle of constant destruction to keep his one obsession alive.
But even further than that, Sanctuary and the whole SS ARC is just a story of a bunch of high schoolers/recent high school graduates who want to sing getting tangled up in a very dangerous mafia-esque world and sometimes realizing that they should call the police or some law reinforcement but forgetting to do so every. single. time.
#note stop getting into media that offers such compelling philosophies that you blatantly disagree with challenge i guess?#i could go on a spiel about how eichi saying 'i need to continue this path of destruction for those victims i destroyed in the past'...#...is kind of self-perpetuating that cycle of destruction and teetering on using victim blaming#sort of like that one story i reblogged a while ago about the villain who counted every person they killed...#...and were brutally rebuffed by the hero#but that isnt to say i hate eichi...honestly i cant help but just feel sorry for him#because he obviously isnt as detached and or as smart as he tries to be#but he also is definitely not as in love with idols as he thinks he is rather than hes kind of obsessed with them which causes....problems#same with wataru (and whats with that mysterious old couple that im 90% sure are his foster parents?)#like i know theyre very complex and annoying and mysterious to the other characters#and they are insane. that i will not deny. if they were real id probably not be able to keep up#but as a reader theyre just lonely and definitely acting way cooler than they actually are (same with ibara sorry guys)#enstars#ensemble stars#fandom spamdom#stuff i say#enstars sanctuary spoilers#also i will say this....wataru and eichi deserve each other but also i want to pry them apart because they are NOT HELPING THE OTHER#by the way i say all of this from a point of deep amusement because this is very fun#dont take me too seriously cause im probably wrong or misinterpreting#need my disclaimer tag again but its not showing up so disclaimer these are all just my personal opinions#anyway i stand by my last post in saying the ra*bits members need a break#AND I DEFINITELY STAND BY MY DECLARATION THAT SOME SORT OF LAW REINFORCEMENT SHOULD BE CALLED#like i know that police arent great but there are CRIMES HAPPENING COME ON????#like take everything ive said on this blog as a complete joke except for that....the amount of times these teenagers have been...#...threatened with death/bodily harm/destruction of their beloved ones is kinda funny when they do it to each other#and kinda concerning when a shady middle aged man im pretty sure isnt going to be *that* bad in the end but fails in talk does it#i have rambled pardon me
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HOW TO BE A DOG. | S. GOJO
⊹ general tags ; fem + afab!reader, reader presents femininely and has some specific character traits (i.e. personality traits, nothing physical), reader is shorter / smaller than gojo but nothing specified, reader is a teacher, gojo carries reader at some point (but he is canonly able to do very insane things physically so)
⊹ content warnings ; dead dove. do not eat, yandere gojo satoru, manipulation, stalking, obsessive behavior, delusional behavior, workplace harassment (not from gojo), victim blaming, canon typical violence, graphic depictions of murder, minor character death, excessive religious imagery, coercion, gaslighting, abuse of power, something akin to stockholm syndrome, graphic depiction of noncon / sexual content, forced intimacy, fingering, hickies / bruises, begging, edging, loss of virginity, size kink, 18+.
all sexual content present in part two.
⊹ wc ; 17.3k / 36.1k
link to extended authors note | ao3 | how to be a dog, by andrew kane.
LINK TO PART TWO
⊹ a/n ; well. its here. i wont ramble too much but i hope you enjoy and if you dont...well don't tell me. thank you to ame for your endless patience. likes and reblogs mean the world. the title is inspired by the poem linked.
⊹ synopsis ; with six eyes to see it becomes clear, you are being watched.
“Of course you must learn to love, to love always and love entirely and to be wounded by nothing so much as the violence of your own love.” - andrew kane, how to be a dog.
⊹ PART ONE : A CHILD BORN IN WINTER MUST NOT LONG FOR SPRING.
There’s a dog living outside of Gojo’s apartment. It’s a collarless, lonely thing. Clever, too.
Though, Gojo doesn’t know much about its life before it started hanging around the area, he gets glances on occasion. It’s not emaciated and it doesn’t look hungry, but it’s roughened up with matted fur and a healed tear in one ear.
More importantly, it doesn’t bother anybody in the neighborhood. Despite its outward appearance and hostility when approached, its aggression won’t go farther than a warning bark or growl. Most of the adults living in the building know better than to try, but some of the kids living upstairs desperately attempt to befriend it. Of course they fail, and Gojo thinks that that poor thing is growing apathetic to the touches of sticky hands.
The whole building is pretty fond of it, surprisingly. Gojo lives in a upend complex in a metropolitan part of Tokyo and the people here can be snobbish. So it comes as a shock that this dog wasn’t shooed away months ago.
Everyones sort of agreed to take care of it. There’s a food and water bowl outside of the security office - and just last week a sign was implemented of Do’s and Don’ts for what food scraps can be left. There’s a donation box to get some proper shots and paperwork - since it looks like the building's doorman has agreed to take it in if everyone chips in for the expenses.
(Gojo suspects this has something to do with those very kids, devastated by the thought of it being gone.)
Warm welcomes from the residents aside, Gojo hasn’t seen it act friendly before. He wonders about that. It seems hesitant to trust anyone and he’s sure there's a good reason. It’s just that it's clever. To be a stray in this area of Tokyo and be so calm is an impressive feat, so he thinks it probably has some grasp of his own situation. If it acted cuter, it could get a warm house and family too. Though the whole aloof and distant thing does the job just fine, Gojo can’t help but wonder what such a clever creature is doing, turning away from living lavishly.
Much like everyone else, Gojo’s contributions have come in the form of food scraps and some donation money to work towards the 5,000 yen goal. On the occasion their paths cross, Gojo sits near it. Sometimes, they share a moment of silence and Gojo talks just to see if it’ll ignore him. It seems like it’s listening. It always makes a grunt of dismissal when Gojo turns to leave and he’s started to count that as a little victory.
Gojo isn’t intrigued by anything as much as that dog. At least not lately. It’s damn near impossible to seriously pique his interest and yet that clever fellow is one of the few things he stops to ponder at.
Today, Gojo is intrigued by the dog that lives on the street of his apartment and the strange woman who’s petting it like some sort of domesticated baby.
He’s very, very intrigued by that.
The rain comes down in heavy sheets. It’s a Wednesday, and he has no classes to teach so he’s home and preparing to run errands. He’s going about his day as usual, basically. When Gojo isn’t swamped with a mission or the reformation of Jujutsu Society - he likes to play the part of the average man.
The plan for today was to take his unused car out of the lot so he could get some dry-cleaning done, go buy a new pair of sunglasses because his old ones are scratched, and go do some shopping. He needs to buy groceries again ( an uncommon occurrence) so that one's on the list too.
He’s dressed down. A black windbreaker is hanging over his shoulders, tight gray shirt and some comfortable jeans. He’s got on his errand shoes, a nice pair of sneakers and his keys are hanging from a loop in his belt. His hair is styled down and he’s got on his glasses instead of his typical mask.
He has a gameplan, a fully fleshed out expectation of how today will go, and it’s derailed by a woman he’s never seen before. He’s drawn to you so naturally it’s baffling.
You’re crouched just in front of the security office. Dressed in a loose skirt and long sleeves, looking down by the local neighborhood stray. For the first few seconds, he just lingers on in utter awe. You’re carrying a comically cute umbrella, clear with flowers and a pink edge. He kind of thinks you look like a peony.
He approaches slowly, quietly.
When he finally gets close enough to really see, he can hardly believe his eyes. That old, menacing mutt is happily getting his chin scratched by you.
“Oh, uhm. Hello?”
The sound of your voice startles him out of his trance. Snapping back to reality, he glances down to where you are and realizes he’s towering over you. In an effort to be polite, he steps back and gives you his most disarming smile.
“Hi. Sorry for the intrusion, I was just,” He glances at the dog who almost looks offended at the interruption “I noticed you were… petting this dog. Guess I was a little surprised.”
“Surprised?”
And your surprise surprises him even more. He blinks slowly.
“Yeah. He’s not aggressive or anything but uh,” Gojo chuckles, concluding you must be a little new “Well, he’s not exactly friendly. I don’t think I’ve ever seen anyone succeed in well…petting him.”
You’re taken aback by this information. Yeah, definitely new.
“Really?” You glance at Gojo before looking back down at it “I just gave him some treats and waited a bit. He’s such a sweetie. Sure you mean this dog?”
Gojo gets a good laugh out of that. Partially at your cluelessness and partially at your disbelief. He nods, smiling a little.
“I’m very sure, actually. He must really like you,” He says, hands in his pockets. He bends down to join you, but he’s still a little bigger than you at that height “I guess I can see why. You’re pretty friendly.”
You peek over at him. You seem a little shy at the compliment. Gojo feels his interest pique a second time today alone. New record.
“Oh, uh. Thank you. I teach kindergarteners so I sort of have to be.”
He hums. Reaching his hand towards the dog, who sniffs and cuddles his palm (something it’s never done before) in order to win your favor more. It really is a clever little thing, just like he’d always suspected.
“I’m a teacher too. A highschool teacher, though. No need for me to be friendly, I guess.”
You laugh at his joke, smile reaching your eyes as you hug your knees to look at him.
“You seem plenty friendly to me.”
He pretends to think about it.
“Maybe you have a gift for making people come out of their shell,” He says with sincerity, relishing in the fact he’s finally getting to pet the dog in any capacity “I think this little guy could probably attest to that.”
“And you have a knack for flattery.” You quip.
The natural chemistry is noticeable enough for it to catch Gojo off-guard. He grins.
“Hey. I’m not all bad. And what's flattery if I’m being honest right?”
“Sounds like something a flirt would say,” You tease, airy. He laughs a little.
“You seem like you’re having fun giving me a hard-time.” He pouts. You giggle.
“A little,”
“Jeez. How rude of you…” He waits, prompting your name. You smile.
You give him your name. You say it soft and easy. He makes sure to return to the favor.
“And yours?”
“Gojo Satoru.”
__
You live up to your first impression in the time that Gojo gets to know you as his neighbor.
Friendly. The word he’s looking for is friendly.
There’s other words though. Sometimes meek, typically cheery, oftentimes quiet. You’re quite unassuming, and possibly too gentle when compared to everyone else in the general area. You fit in fine, no worries there. And Gojo knows that for certain because he can’t stop himself from watching over you like a hawk.
He doesn’t really understand it himself. Gojo gets along with everyone. He’s always been a people person who likes to talk and likes to get to know strangers. There’s nothing that special about your connection in that way. You live next to him, directly across the hall. You often knock on his door to give him something that you’ve made too much of or ask to borrow some sugar
And it’s not done with any romantic intent. Gojo is good at reading people. He’s never seen someone so blatantly romantically uninterested in him. You’re not even conscious of him as a man, cemented to him by the one time you came to the door dressed in paper-thin PJ’s. He hasn’t recovered from the shock. One of the many times in his life where he was grateful no one could see where he was looking.
He’s had a few months since your first meeting to get an idea of your personality and what things about you he should keep in mind. You noticed that he’s often not in his house, so you’re relatively aware of your surroundings. You’re often up late because your lights are always on well into the evening.
(He finds out later you’re usually making lesson plans or little gift bags or planning birthdays. You really love your job, something he can commend while simultaneously feeling quite jealous about.)
You favor the lovely spring colors like pink and purple because you have so much of it always on you. You dress brightly in general. And you smile, often, and stumble over yourself trying to be nice to the other tenants. The kids in the building adore you. The sheer amount of propositions you’ve received to be someone's full-time nanny could probably keep you employed for another two decades.
And you always put your best into everything, no matter what.
This is probably the aspect Gojo is most fascinated by. It’s not exactly a novel trait. He’s encountered something like it before. One of his most prized students is Maki Zenin. Her whole thing is kicking ass through sheer spite.
But unlike his students or anyone else he knows - you don’t seem to be motivated by spite or anger or frustration. Even when you are angry or upset - you always force yourself into being more understanding. Into being nice, kind, and still giving it your best if you’ve been shorted somehow. He’s tempted to call you a try-hard. It draws on the line of people pleasing sometimes but it doesn’t matter either way. This is a quality in you Gojo likes all the same.
He's always been drawn to people who are earnest. His company favors such things. He cherishes Yuuji for such a reason, and can say something similar for Nanami. It’s a refreshing perspective. He’s not a bitter person, but he’s not an earnest one either. So Gojo likes that you’re so properly, gently sincere.
For the last few months he’s made a real effort to talk to you. So he’s not just the guy next door, but at least an acquaintance and at best a distant friend. On the mornings you both have classes to teach, he walks you to your car and if he wakes up before you - he’ll bring you a cup of coffee or a pastry he knows you enjoy.
You’ll often do Gojo little favors and he’ll return them - joking to each other about being a good neighbor. An inside joke with each other that Gojo is growing increasingly fond of, all together with leftover cups of coffee and glances that linger too long. Some mornings, he takes out your trash when you’re feeling too tired and you’ll do him the favor of getting the stuff out of his clothes that he doesn’t want to dry-clean.
It’s these little exchanges that make up the bulk of your interactions.
He’s even been to your apartment (another reason he’s sure you’re not attracted to him). He went last week to help you cut out little autumn leaves to put on your classroom walls, and you rewarded him with some lemonade.
He’s still thinking about it days later, how you sit on your legs and the way your cardigan hangs off your shoulder. When you’re focused, you leave your mouth open a bit and poke your tongue through your lips. He’s endeared by it.
By you in general.
It’s all boring and mundane, but that’s what makes it. It’s a luxury he rarely affords. Craves, really, which is why he’s starting to go straight home more often than not.
It’s nice that you’re always there. That you’re usually home and when you’re not - Gojo doesn’t have to guess too hard about where you are. It’s so constant. He basks in the feeling of constancy like an expensive silk.
It’s little luxuries like that, he thinks, that make you so special to Gojo without much effort on your behalf. Being up at the top means he is always fascinated by the place closest to the ground.
What’s heaven to a man born there?
__
In your fourth official month of residence, the neighborhood dog finally gets adopted.
He’s not there for the big reveal. He hears it from you while he’s on a mission, through a text message and a photo. He acquired your number early on, but you’ve only started doing these text exchanges recently. Reason being Gojo’s had an unusual amount of cases that need his attention and you’ve been very aware of his absence.
(The first time you texted Gojo after 3 days on the other side of the country, he was scarily happy. After all, most times when he leaves - people are expecting his return. There’s an assurance that he will return alive, that he has to. It’s not often people worry.
It was another thing he learns about himself through you. Being fussed about is refreshing.)
Currently, he’s all the way down in Nagasaki. He’s been investigating what the local government has described as an “infestation in the water,” leading to poison and all sorts of hallucination. It’s been causing all of the local hospitals to fill up and the news is advising people to distill their water if possible when at home. Make sure to buy bottled, and double check on your children.
In other words, there’s an unidentified curse wreaking havoc in small towns and rural areas at an unusually fast rate and Gojo has been sent to figure out its origin. What’s really weird is the location. He’s in Nagasaki prefecture, specifically in Hasami - a town in the Higashisonogo district. He really didn’t have much time to do research on the area, save for a few quick google searches and probing questions to his student, the well traveled Yuta Okkutsu who is a hair more familiar with the region than he is.
But there wasn’t much for him to find. Hasami is known for the porcelain it produces. The population is a little under 15,000 and the weather is nicer in spring than it is in summer where it gets too humid. It’s considered a small town, though that number is relative in consideration, and currently the local officials are sending off reports about the water supply.
Even when doing deep research using official means, there was nothing that unusual about the place. No major criminal incidents or occult presence or some other thing that would make this occur naturally. Gojo is no stranger to small town violence or bullying and they can often produce the most volatile curses.
But he’s currently on his 3rd day here, where he’s taken up talking with the locals and he can’t find any specific attitude that would foster a special grade.
It had led him to a conclusion, but one he was deliberately avoiding. That someone planted the curse here in Nagasaki, or maybe somewhere else. Which really complicates the whole affair, because then this is an investigation and not just a situation of fate. It also means that this curse was likely harvested somewhere and that Gojo can’t be sure it’ll be easy to get rid of.
Most importantly, all that fanfare means he’ll be home late.
Given how much he’s longing to see you, it’s the thing he’s been dreading most.
It’s weird. He’s never dying to see anyone, with the exception of an old friend long gone. But Gojo has been desperate to see you for the few weeks he’s been away from home.
(He can’t tell if it’s normal to long this much for a person he truthfully doesn’t know that well.)
But, while he’s away from home, the thoughts of you play on loop in his head. Like white noise, static yet constant - there, all the same. As he walks the rainy streets of Hasami, hands in his pockets - he can’t help but wonder when the next time he gets to see you will be
It’s like some sort of miracle (aren’t you always one?) when Gojo hears his phone ring, buzzing against his abdomen.
He’s drawn back into reality when he feels it. In front of a store that sells handmade plates and glasses, he lets it go for a while. Feels it buzz against his pocket while he settles his thoughts. He examines his surroundings, notices the cars, and the mother with her daughter across the street and the gray sky - all before he picks it up. Your name flashes him on screen, and something itches deep in his chest.
The clouds open up. And it’s still raining, but there’s a ray of sunlight cutting through them. For a minute Gojo feels worldly, grinning with damp skin before he slides his thumb across the phone.
You’ve never called him before.
“Hello?” He greets, wondering if it was an accident. Then you come through the other side of the line.
“Hi ~,” You say, clearly doing something in the midst of talking “How’ve you been?”
“I’ve been alright. Very shocked you called me, yanno?”
You laugh quietly.
“Sorry about that. I just wanted to check in. And I wanted to say thank you.”
“I mean… I’ll accept but I feel like I should know what for.” He jokes. Your tone goes sincere, marshmallow soft and twice as sweet.
“You paid the rest of the fees for the dog out of pocket, didn’t you?”
He smiles to himself.
“Ah. Busted. That was supposed to be a secret between me and Mr. Security-Man,”
“He didn’t tell me. I just…guessed. Seems like something you’d do.”
His first instinct is to disagree.
“It’s not like I did it out of the goodness of my heart, okay? It was looking a little sad sleeping during the cold seasons. It was very pitiful. So bad, so sad.”
“Why’d you do it?” You ask, probing but not too deeply “Like… really. It was really nice of you, but it was a couple thousand and that can’t be cheap.”
He relents, head leaning back on the wall behind him.
“The kids, remember?” He murmurs, eyes staring up at the gray clouds “You said they’d be sad if the dog didn’t get adopted soon.”
“The way you’re talking about it makes it seem like you’re doing this for me.”
“And if I was? Would that bother you, hm?”
You wait a minute, hesitating with your words.
“Well…no. I guess not, I just—thank you. I guess I’m just a little… embarrassed about it or whatever.”
“Shy, huh? Cute.”
“Jeez,” You huff. Gojo can practically hear your grinning from the other side; it makes his heart flutter. He wants to go home, to wherever you are “And you always say you’re no flirt.”
“I’m not a flirt. I’m just telling it how it is.”
“Yeah? Well, thanks anyway then. It made them really happy. You should’ve been there to see it. Maybe you can tell them when you get back?”
“Don’t wanna.” He states outright.
“You didn’t even think about it!” You exclaim.
“Mm, because I don’t have to. I definitely don’t want them to know.”
“Why not, though? You’d be their hero, y’know?
Maybe it’s something in the air. The damp weather out closer to the ocean, or the distance between you. There’s a tiny echo in your words, mechanical through the speakers. The word hero leaves a melancholy in his mouth, floating in the back of his throat like liquor refusing to go down. He chuckles.
“Ooo, are you into that kinda thing? Like, super charming knights in shining armor? Or superheroes, maybe?”
You giggle on the other side of the line. If you notice him avoiding answering you, you have the courtesy not to say anything.
“Isn’t everyone? I don’t know. I think if a really good-looking guy saved my life, it’d probably make my heart race a little, yeah. I’d catch feelings over that for sure.”
He takes a deep breath. Everything smells like rain.
“Is that so?” He says, chest blooming with warmth “I’ll keep that in mind.”
__
Gojo returns from his mission empty-handed.
He was out there for a long time, at least longer than usual when he’s traveling for a mission. He’s not used to hitting so many dead ends. The problem kept growing, but every trail he’d uncovered went cold in about a day. Just before he gave up hope, he was called in by Yagi. Since the issue has spread into other parts of the city, it’s no longer his solo jurisdiction.
More hands on meant more time for Gojo to be teaching. It also meant that he would finally see you after so long. You waited for him outside the day he returned to Tokyo - wearing a cream colored sweater and the prettiest smile Gojo had ever laid eyes on.
Gojo returns from his mission empty-handed but it’s not entirely pointless. Upon returning - he had a somewhat shallow epiphany about the way you make him feel. About the way he’s affected by you, which is arguably more valuable than some lead.
Being away from you for so long is something that makes him so irritable. He’s had some time between then and now to come into terms with it.
Falling back into his routine, it was obvious. Suddenly there was a gap he’d never noticed before that blew wide enough for him to fall through. He actively avoids not seeing you if he can, and ever since your permissive conversation a few weeks ago - it’s harder to notice the way his desires fester.
There’s not much he wants out of his life. So when anything noteworthy pops up, Gojo is always eager to get a hold of it before it’s too late.
He usually soothes that by reminding himself of your position as a civilian, a kindergarten teacher at that. The responsible thing to do is make sure you’re safe. To play the hero from the sidelines and ensure you don’t encounter anything from his line of work. That’s his whole life's work. To create a life like that, and it helps to stay on that path when he believes you’re sheltered from that reality.
That’s why, when you tell Gojo you can see curses, he feels the entire floor collapse from underneath his feet.
He receives such devastating news over a cup of coffee at that.
It’s closing in to Fall slowly and Gojo has decided to take you out to eat as an apology for his disappearance. He intended to give you another half-truth about his job so you wouldn’t lose any sleep over him.
When it happens, it’s less that you tell him, and more that you keep glancing. Just over his shoulder, with this terrified expression that Gojo couldn’t not notice, even if he tried.
You’ve got your hands around a warm drink, in a white, ceramic mug but your gaze keeps diverting to the place behind him. When he looks over to that same place, a curse is there. Small. More insignificant than a bug, but there.
It’s risky to mention it. Because if Gojo is wrong, it’s not something he can brush off. He’d have to come up with something to excuse himself, and he isn’t sure how to lie out of that (even with his natural disposition of being a trickster.) But when you keep looking, his instinct kicks in. There’s no way you aren’t seeing it.
He doesn’t ask you directly. That’d be too incriminating, so he lowers his tone. Watches you briefly as you tremble in fear.
(A small, small part of him is only asking because he doesn’t like how distracted you are from him. Killing the curse seems like it’d relieve that annoyance too.)
“Can you see it…?”
The question makes you jump out of your skin. You reel back, eyes widened before the realization really sets in.
“....It?”
Gojo looks around the cafe for a minute, to make sure no one is listening before he turns around and points to the cursed spirit behind him.
“It,” He says, thumb pointed at the deformed curse moaning in one of the booths.
When it dawns on you that Gojo sees what you see, you cup a hand over your mouth in shock. He can’t describe the way getting that confirmation feels. It raises so many questions about who you are. More than he had before, at least.
No longer are you the innocent, clueless civilian and that changes every interaction he’s had with you since the start. Though it’s not uncommon for people who can see curses to fall through the cracks, he can feel his own curiosity dig into his skin like seeds taking root. He doesn’t think he should be excited, but he is.
He’s excited watching your fearful tremble. He’s never seen you like that.
“Yes,” You say, voice a little shaky this time “I can see… it.”
He takes the spoon out of his latte and cleans it with his mouth. Studying your expression momentarily, he takes a deep breath before standing to his feet. The terror is so subtle, the kind he can only catch because he’s so familiar.. He knows those emotions better than he knows most.
Curses aren’t phobias. Not illusions or ghosts, but tangible madness. Impactful to those who can see it, but nothing to those who can’t. Fear like that, which can’t be shared with anyone, has a specific look when it shows up in someone. Gojo hasn’t felt that fear since he was very, very little. He watches curses with the same bland expression he might watch a horror movie, but he can understand your reaction at least. He knows it like the back of his hand. All the people he’s saved, who could see them too, always wore the same one.
Still, he’s caught off guard. He feels bad that you’re scared. But the proximity between you and him which was once oceans wide has decreased significantly in no time at all. That feels good. Even better than he would’ve imagined.
“Are you scared?” He questions intently, maintaining a sense of neutrality.
You swallow a lump in your throat, eyes glued to the table in front of you.
“Yes,”
Your voice is a hoarse whisper. The corners of his lips twitch upward.
When he’s sure no one is looking, he stands up and walks over to the table behind him. Pretending to look for something so he doesn’t look out of place. It doesn’t take more than a second to destroy it. It’s tiny, something he’d never think of fighting since it’s so harmless. The curse equivalent to a fly.
He gives it a violent death and sees you look on with horror in your expression. He finds himself pleased with that, wiping his hands on his pants before returning. Maybe you recognize his strength when he sits back down. Still, instead of pulling away again, you fold your hands in your lap.
“T-Thank you,”
He grins at you.
“Of course,” He says “Can I ask you something?”
You nod your head and sip your tea.
“Do you know who I am?”
You look confused.
“...Are you a celebrity?”
He laughs hard at that. Hearing that makes him not want to tell you.
“I’m Gojo Satoru,” He reintroduces. You nod slowly “I’m a sorcerer.”
Another lie of omission. The strongest, he should say. He takes a sip of his latte, frowning at the bitterness. Through his mask, he watches as you fiddle with your hands. He stacks the empty creamer cups together before opening two more sugar packets and stirring them.
“A sorcerer…” You look perplexed. Confusion settles into the lines of your face. Sheltered, Gojo concludes. Only parents, who shelter you wouldn’t tell you what a sorcerer was despite your ability to see them “What does that… mean exactly?”
“It means I kill curses for a living” He replies simply.
“I thought you were a high school teacher.”
He smiles.
“Smart cookie. I am, but the school I teach at specializes in cursed technique and sorcery.”
“Oh.”
You look befuddled.
Gojo thinks he might be an opportunist.
“Do you really not know anything about them? It’s rare for people to be able to see them and not know anything about them.”
You shake your head, eyes peering into your drink. He watches how the image reflects in your eyes.
“Uhm. Not really. My parents told me to do my best to stay away from it. We lived in the countryside but I had to move out into the city for work so I kept… running into them. I can’t like… kill them. And I don't always see them.”
“You can’t use cursed techniques?”
“I guess that’s what that is. I don’t think I can, no.”
Vulnerable.
“Hmm. What circumstances,” He says, purposeful in weaving concern in his words.
“Is it that bad…?”
Not really. His job and the job of his peers is to make sure civilians make as little contact with curses as possible. There are more people like you, and because curses feed off of negative emotions - many dangers can be shafted by just not reacting. Even so, it’s customary for people to have some semblance of protection. A weapon if nothing else, for anyone who can see them.
“Do you carry anything with you?”
“Like a weapon? I have mace for when I take the train late at night.”
“Not that kind of weapon,” He says gracefully. He can tell you’re out of your element, and some small and twisted part of him would like to keep you in the fateful dark.
“What other kind would there be?”
“There’s a lot you don’t know,” He half answers. Your frown deepens. He puts his palm over the top of his coffee cup but doesn’t feel any warmth “Aw, don’t be like that. I’m just teasing. You’re always so calm and collected, I was surprised to see how scared you got, you know?”
“Everybody gets scared sometimes.”
“Mm,”
His non-committal response leaves you nervous again. Fidgeting with the edge of your cup or the loose threads in the sleeves of your clothes. What a bundle of nerves you are. Gojo puts all the comfort he can in his voice, dredging up some sense of sincerity.
“Well, since it scares you and I’m such a nice guy, I’ll protect you if you get into any trouble.” He says, snapping his fingers and pointing at you.
That makes you relax. Makes your shoulders droop, a smile gracing your pretty face. Gojo can feel the floor underneath him sinking as you tease him. His eyes trace the curve of your neck. He’s glad you can’t see him or where they look.
“Oh, what? Are you gonna come running every time I need help?”
He smiles.
“I’ll be your personal Superman.” He promises, making a silly expression trying to make you laugh. It feels good when he succeeds, the weight of his words softened by it. If you feel how heavy the comment is, it doesn’t show up on your face.
You snort, taking a sip of your drink and there’s something so kind in your expression that Gojo aches over.
“That right?” You hum, smiling over the edge of your ceramic mug “You’re my hero.”
__
Since then, Gojo’s kept quite busy.
The last time he saw you at all was at the diner a few weeks prior and little has been different since then. You send more nervous messages than before, but aside from that things are the same.
He’s done a good job, he thinks. Partly of ensuring you, partly of instilling healthy fear. Your eyes always widen like you’re caught off guard by his comments - sometimes washed away with a laugh but other times genuine. Gojo likes to keep you on your toes. A bit of harmless fun and endlessly amusing.
Gojo would be there to protect you just like he promised before, so even scaring you isn’t something he thinks of as bad. It’s not untrue that you should be a little more vigilant, but just telling you to do so is no easy feat.
He would like to be spending time with you today just the same as he has before, but he’s home alone instead. There’s been a brief reprieve between cases so he’s on his own to unwind. There’s nothing he wants to do, so he decides on a movie.
Gojo is the only one of his friends who still has cable TV. According to Shoko it’s a luxury purchase but for him it’s one less choice he has to make when coming home to relax.
It’s an American film on now, some psycho-killer classic that he’s already seen a handful of times with Japanese subtitles.
None of the lights are turned on, so the TV illuminates the room in flashes of color. He grabs a soda from his steel-gray fridge and cracks it open, listening to the soft fizz that comes to a slow halt. Pulling it to his mouth, he travels slowly back to his couch. The leather squeaks under the weight of his body. The weight of his back creates a divet that he can be comfortable in. He rests his head, glancing back again at the screen.
A scream rips through the house, agitating his every nerve. He picks up his remote and turns it down just a tad before watching the movie with a sort of disinterest. Horror movies aren’t his favorite, admittedly. He pretends he scares easily, but the opposite is true. Gojo has seen too much for it to be entertaining, no less scary.
He likes movies based on their creative merit. He’ll watch one on its creative merit.
But to be scared? For frights? Not really. Very little gets his heart pumping hard like that. Sometimes the storytelling is good. Other times there’s something cathartic about the formulaic death. The final girl, the call from inside the house. The dependable and clean ending of tropes. Even if it’s messy or sinister, it’s fantastical. Fictitious and detached.
Gojo enjoys that. For anyone else, it’s probably a twisted way to think about it but to Gojo it only feels natural. He doesn’t examine that detachment very deeply. He’s just aware of it, lingering in the back of his head.
He takes a long sip of his drink. The sickly sweet taste slowly coats his mouth. Fizzy and smooth, it goes down easily. He sits up in his seat, making himself comfortable as he tries to pay attention to the movie. The main girl is hiding in the bathroom, and the killers' steps are echoing through the house. The broken, somber string instruments in the background, fill the white noise with apprehension and terror.
Gojo doesn’t feel a chill down his spine. His eyes are still fixed on the screen though, with slight anticipation of what's next even though he already knows. It’s nearing the end and he’s seen this movie before. She’s not going to make it, and Gojo knows that.
He watches intently in spite of that. The door bursts open and there’s a knife in her chest - and screams. It’s horrific and ugly, blood-spattered and graphic.
He doesn’t flinch until the whole way through.
It’s brief, but the thought passes his mind. Lately, the only thing that Gojo seems to react to is you.
But he doesn’t think about it too deeply. There’s no need to.
The TV goes to commercial and Gojo realizes he’s finished his soda. He stands back up, onto his feet to toss the can and grab another. This time, he grabs some snacks too. Piles them onto a plate, dried meats, and something mildly sweet for after before he returns to his living room. Sitting back down on his couch, he scrolls through his phone for anything interesting but comes up short of any results.
He sits up a little straighter as the next movie plays.
__
Spending time around curses is a necessary part of the learning experience.
Things you can’t learn in all the lessons and tutoring in the entire world. Even though Jujutsu Tech exists, and even given Gojo’s lineage - when he started working officially, he didn’t know everything. You can’t. No matter to what extent you study, there’s some things that you can only gauge through experience. Going through something over and over, like muscle memory.
Gojo spent a lot of his life wanting it to make sense. Wanting curses and the way they showed up to make sense. This is a lesson in truth, divine truth you can only take up in experience. Curses are human emotions, which means that they are finicky and everywhere. And the dangers of them will always look like the aftermath of destruction.
Sometimes, there’s nothing you can do to prepare for why things happen. It’s why Gojo is always grasping for light where he can find it.
Gojo Satoru stands in an empty parking lot all the way in Osaka. He examines the sight in front of him and can’t find anything he’s learned to prepare for what's next.
Fog has rolled in thick clouds over every inch, limiting his vision. The air tastes of smoke, and the earth underneath him is damp. The wet concrete squeaks under the weight of his shoes as he takes in the surroundings. The parking lot of an animal hospital, in particular - where all the staff were reported to have fallen unconscious. After being rolled out by the proper authorities and after all the animals were moved into a different location - Gojo was left to examine the remnants of the incident.
The reports are similar all across the country. Not the location. but the symptoms. People falling sick and ill. The initial reports of a water-borne illness didn’t progress far past the first city. It’s evolved since then. People get sick, pass out and hallucinate and animals lose all control.
The aftermath isn’t very messy so luckily it doesn’t attract too much attention. There’s no bodies, or blood - nothing heinous thereafter. The effects appear later in the people affected, taken over by an unnamed madness that appears to turn their internal experience to ruins. Gojo would’ve preferred the first situation. Violence like that becomes easy to digest with enough exposure.
These kinds of symptoms are always hard to stomach. Civilians get answers that placate them. The truth is that there's something bigger out there at play and they were just so unlucky to bear witness to the terror. With altered memories and the badge of trauma, what they don’t know can’t hurt them.
Gojo knows though, and sometimes he envies their ignorance.
He makes his way into the building. A set of glass doors greets him when he turns the sidewalk, with a blinking sign. Osaka Animal Hospital is written at the top in neon, accompanied by the words 24hr service. Gojo only glances at it briefly before sighing, hands on the bar to push himself through the heavy glass doors. He has to lean some of his weight to get through, and there’s just another set beyond those where he has to do the same.
Then, he’s inside.
The presence of the curse and of cursed energy ignites familiar caution within him. It’s here, in some capacity - or it was recently. The perpetrator is here too. Why that is, Gojo can’t quite understand. It seems a little backwards to linger here after everyones been evacuated and there’s no doubt someone would come to investigate.
All Gojo can think is that maybe they weren’t expecting him. But by now, they must know he’s there too. Gojo’s presence is intentionally oppressive - by nature it must be. Now it’s a waiting game, a quiet one at that.
Hospitals are always echoey and this one is no different. The squeak of his boots bounces off the walls as he takes steps towards the receptionist desk just to see if he’ll find anything.
He leans over it, to stare at the left over records - untouched by the authorities. Everything looks like it was left in a hurry. Strew pens and a corded phone just barely back in place - with computers on a blue idle screen. All the daily documents are still out sitting on the desk with no organization to indicate they’ve been filtered through. No paper clips or post-its telling the next person working about what to do.
Instead of walking behind the counter, he climbs over it with relative ease. Once he’s behind it, he takes better note of his surroundings. He doesn’t find anything completely relevant. There’s painting of animals, and some certifications for bills of health as well - but nothing that warrants his attention. He redirects through the papers in front of him, coming across a stack unexamined. Those answer sheets they give you to fill out so they can assess the situation before meeting you.
They’re split into two piles it looks like, though that could just be some coincidence. Still, he flips through them. Directing his attention to the little comment box with the prompt what are you being seen for?
It’s nothing serious. Normal things an animal owner would be upset or worried about like bowel movements and eating something that shouldn’t have been consumed. A minor injury or a worrisome behavior - but nothing that sticks out. For pages and pages, Gojo flips through the little packets trying to find anything.
It’s not what he sees, but what he doesn’t. A blank packet of papers, with no name for the owner or the pet. Only a description in the prompt box, neat handwriting in a single line.
“Showing signs of anxiety.”
Gojo smiles to himself. Interesting.
He jumps back over onto the other side once he’s seen it. It’s strange. Why would they go to the lengths of premeditating it like that? Whether it’s the curse itself or some third party, it’s an unreasonable thing to do.
“Not like people like this are usually reasonable, but,”
He saves the rest of the thought, sighing. The room has two hallways to go down. Both directions have some lingering cursed energy, but the hallway leading to the overnight area is much stronger. It’s separated by a big metal door, so Gojo braces himself to go through it.
He walks towards it slowly and through the doors even slower. It’s a long, empty hall. The ceilings are low, white fluorescent lights over his head like a falsified halo. They flicker on and off, with the ones at the very end of the hall having fizzled out completely. Gojo can hear, feel, and see everything. He can hear his own breathing and the artificial crackling of electricity. Feel the lingering presence of sickness, the sediments of a curse preparing itself to emerge like a butterfly from a cocoon.
He peeks into the different rooms of the hallway. One half of the hall is kennels, once again empty and left in the same messy state as the front desk. The other half of the rooms look like surgery rooms, with a storage closet tucked into one corner. The hall comes to an abrupt stop at the end, a painted gray wall with nothing to offer at the end.
But when Gojo is half-way through, he hears it. A heart-beat. A human one, slow and steady like it’s not worried at all. Not moving or running, just there. Thump, thump, thump.
Gojo perks his head up as he walks, leaning over to get a look at every room. Empty, empty, empty.
Then, in the very last one is a shadowy figure. The sound of the heartbeat is louder and the feeling of cursed energy is so strong it’s nauseating. Gojo pauses when he peers in, waits for there to be any response to his presence. There’s no way whoevers lurking doesn’t know he’s there, but there’s nothing that makes him react. He frowns.
His hand reaches for the handle of the door with a sigh, the mechanism inside clicking to let Gojo know it’s open. He takes a deep breath before opening it, stepping inside and shutting it behind him.
Even with the room as dark as it, the person inside is clear to his vision. A young girl. Probably no older than 17 with…
He furrows his brow. With a dog, from what it looks like. No ordinary dog, obviously. A curse in the form of a dog, with teeth too sharp for its mouth and fur that looks like a smear of charcoal and nothing like hair at all. It’s on a long leash, the chain wrapped around the young woman's palms.
The dog seems to tense up at the sight of Gojo. The eyes are empty and white - almost transparent. It’s a snarling thing, muzzle over the mouth and clearly on edge. Gojo looks at its owner, the perpetrator in this instance. Who looks calm, black mask tucked over face and long dark hair with bangs cut sharp.
Gojo doesn’t know what to say here. He wasn’t expecting to make contact this easily with a curse and its master. It’s been months now, the authorities chasing after this special grade from city to city. She’s obviously strong, and so is that curse that’s strained against its collar like it’s ready to rip him in half if he moves. Not stronger than him, because no such thing ever happens - but strong enough for him to be cautious.
He doesn’t step forward. He stops by the door and tilts his head. He’s sure she can’t see his eyes, but they make eye contact all the same. None of it makes any sense, but making sense of it isn’t Gojo’s job.
Instead of introducing himself, he opens the conversation with a question.
“Why’re you still here?”
“I knew I was going to get caught soon.”
An answer he couldn’t predict even if he tried. Gojo huffs.
“There was some time between the authorities coming and this investigation. You could have left before then, no?”
“Doesn’t matter. Something would’ve stopped me.”
“What a weird kid. What led you to that?”
There’s a minute where the dog (?) starts barking, but the noise is nothing like a bark. It’s cosmic and strained, and sounds more like a distorted radio than an animal noise. It’s in the shape of an animal but it isn’t one, like it couldn’t complete itself to be one. Gojo winces at the sound, intensified in the closed walls of the room. It’s piercing, and a little annoying.
When she soothes it, it calms down quickly. It’s obedient.
“Uh. A vision. Closer to a premonition. Fate.”
“Fate said you were going to get caught today. Right.”
“Aren’t you a shaman? Shouldn’t be that hard to believe.”
“Point taken. How did you know I was a shaman and not some murderer?”
She gives Gojo a pointed look.
“Look at you. Plus, I can feel that you’re a shaman.”
“Another premonition?” He asks, this time sincerely. She shakes her head.
“No. Your aura.”
Gojo stares ahead.
“...Right, yeah. It doesn’t look like you’re planning on attacking me.”
“I don’t think I’d win. I’ve never met anyone stronger than me.”
“I’m the strongest there is, so I guess not. How did you wanna go about this, then? Famous last words?”
“You go first. I’d rather talk to you than the other officials.”
“Hm. Don’t know if I have any questions, kiddo. My job is catching you, not interrogation. I guess I am a little interested in why.”
This makes her deflate a little. It’s hardly noticeable, but Gojo sees it anyway. The dog seems to react, snarling at her discomfort. He’s starting to understand the connection between them.
She thinks for a minute longer before sighing.
“Well. I guess I should start about why, right? It’s an old story. I came from a small village. I used to walk miles to school everyday and I’d get bullied a lot since my granny was a shaman. It was just us growing up. A nice old house with not a lot of modern anything,”
Gojo crosses his arms, leaning back on the wall and nodding his head. He figures she’ll tell him top to bottom, so he doesn’t give any input.
“My granny died a few years ago. I didn’t have any family so I moved on my own. Even back then, the only other thing I cared about were animals. I started working at a shelter and then I met Senbei.”
The more she talks, the worse he feels. Gojo already knows how this story will end, but he doesn’t interrupt her as she pauses between her sentences. Being 17 and bearing the burdens of loss is something he regards as a nightmare.
“Senbei was my best friend. Most loyal dog ever. And you know, I started my job with high hopes and kept him by my side. I wasn’t always angry. Working in that shelter and watching animals come in trembling every time I fed ‘em made me angry. How cruel and sick people could be.”
Her explanations are jumbled and clumsy. She sounds angry but it’s not that simple, curling in on herself the more she talks. Noticeably, she doesn’t try to justify it. She says it easily, with acceptance that it happened. He thinks that acceptance is harder to bear than delusion. Gojo can’t help but commend her silently.
“I’m sorry you went through that.” Gojo replies.
He’s being sincere.
“Should you be sympathizing with me?”
“Doesn’t matter. I just do.”
Her expression softens. She looks sad, and it’s not like Gojo doesn’t understand. She keeps going though, hands shaking in her lap. Gojo thinks she might’ve been waiting to tell someone.
“I don’t know when I stopped seeing the good in people….I always thought about—about my granny and how no one—no one came to see her. She was always taking care of everyone and no-one—“
“I know, kid,” Gojo says with a sigh “I get it.”
“Then you know,” She pauses, taking a deep breath. There’s frustrated tears pouring down her cheek this time. What a strange, sad thing she is: “That you can’t go back. Even if you forget. It just—it changes you.”
Yeah. Gojo knows something about that, too.
“I was already pretty desperate when Senbei was alive. Just trying to hold on. When he was killed, I lost it. I just fucking— I lost it. I’m sure you understand. You get it right?”
Gojo looks at her confused. She shakes her head, looking down in her lap at the curse in her hands.
“I can tell you're like me. That's why your aura is so tainted and… fucked up and malicious. It should be crystalline blue kinda like spring water—but it’s muddy. Rigid.”
“What are you talking about?”
“The fact you’re hanging on by a thread. You can feel it too, right?“
Gojo remains quiet at her observation. He doesn’t know how to react.
“When you want something so bad, it just— does something to you. Either because it won’t happen or because it needs to take your life to exist. Happened to granny, to me. It’ll happen to you, too.”
“I doubt that,” Gojo says, your face flashing in his mind. He shakes his thoughts away.
“You’re thinking about it too literally. You want something, so you chase it and lose yourself in the process. You’re dead. No longer you, all tangled and in ruins. It’s not too late, but if you keep going—that thread is gonna snap.”
“A premonition?” He says, partially sarcastic. She shakes her head.
“No, a prediction. You don’t have to consider it if you don’t want to. I just thought I’d tell you since you gave me some last minutes with this Senbei.”
Gojo shakes his head.
“I don’t have any reason to be forceful if you comply. Take your time. I don’t have anything better to do.”
Gojo glances at her as she pets it, having resigned herself to silently gazing upon it. He can’t stop himself from thinking about everything she’s said, so he averts his gaze to the ceiling and pretends otherwise.
The silent stretches, a pregnant pause before she speaks one more time. She has a look on her face Gojo can’t read.
“You know, it’s funny. Everyone thinks dogs are loyal to their masters, but that’s because we made them that way. We can’t stand being alone or unloved so we made something that can do both without ever seeing any less of us.”
“You’ve had a lot of time to think about it.” Gojo says, unsure of how to reply. She isn’t expecting anything, but remaining silent fills him with a sense of dread.
“Guess so. You should take some time to think about it too,”
She says to him, petting the curse that whines like it’s been hit in her small hands. Gojo takes a deep breath.
“…Yeah. I’ll do that.”
__
The case ends anti-climatically.
Gojo finds it funny. The officials came and the young girl was promptly arrested. He never even got a chance to ask her name. He learned through some probing that she only made two asks before being taken.
The first, to keep her curse dog with her, and to send her thanks to the sorcerer who had apprehended her in the first place.
On the news, much later in the week - a news report surfaces. “Danger in the Deep,” giving reasonable and logical explanations for the events that occurred in cities across Japan not even a few weeks ago. New studies show, experts say, here’s a word from your local—a barrage of fancy language to pad the publishing, add depth and realism. The public is none the wiser.
Gojo has to admire the commitment to keeping the peace. The case ends, and the girl gets arrested and put on trial. He doesn’t know if he’ll be seeing her again any time soon, though he’s sure he has the power to intervene.
He’s hesitating to do so. Why stick his neck out for her in a situation like this one? Over other situations, more dire ones at that. She’d make a good ally.
Their last conversation hasn’t left the back of Gojo’s mind. He’s conscious of it, albeit it hasn’t slowed him down. He’s not looking for another assessment of who or what ghosts are haunting him. He’d prefer to put it all behind him now
So life, in some capacity, has returned to its baseline. It’s normal. He has cases but they don’t take him more than three days. He’s able to do his usual chores without anything impeding them. He’s been teaching, no longer forced to make his students fend for themselves.
He’s been seeing you again regularly, too.
He’s getting ready now to do just that. Scheduled to get another coffee together (something of a tradition now) and pick up some conversations. You’ve been busy, though Gojo doesn’t know the details of what.
He wants to know. He’s even tried asking but as soon as he gets close to the subject, you slink into yourself like you’re trying to disappear. Besides, he doesn’t want to intimidate you into telling him.
(Though, it would be so easy to do. You’ve got a record for being a scaredy cat, and as much as it endears him - he is entirely too hung up on the potential for exploitation to admire it kindly. It’d be easy to turn the notches up, pressure you. With how easy going you are, you’d let him do it. Gojo bets you’d cave. He thinks the face you’d make would be entertaining too.
Above all, the offer is tempting.)
In spite of your refusal to discuss the specifics, Gojo does want to cheer you up in whatever capacity he can. So, he’s taking you out for a while and hoping a comfortable environment and the presence of other people will soothe your nerves a little.
He’s getting dressed for it now, rifling through his closet for decent casual attire.
He’s got his hair styled down, a pair of new sunglasses on the table and his clothes folded on his bed before he tries them on. Most of his closet is uniforms, plain black and boring. For now, he’s settled on a black crew neck and blue jeans - ripped at the knees.
He looks over his appearance in the mirror, posing in it. Arms flexed and stretched over his head before putting them out in front of his body.
He takes his time to take part in the ritual. He slips his boxers up over his legs, waist band tight around his torso and clinging to the curves of his thighs. He pulls his jeans up, low at his hips with a belt buckled through the front. Then comes his sweater over his abdomen.
He wants to look nice. Though, he could be deluding himself - lately you seem a little more aware of his appearance. It makes him happy that his good looks haven’t failed him in the instance they matter most.
As he puts on his accessories (in this case a watch and a ring) his phone buzzes atop his dresser. He stops to pick it up, a message from you on the screen. He peers over so his face can be read, then smiles.
(sent 11:15am) Ready ~
He laughs to himself.
(sent 11:16am) Almost ready. Need to look my best for such a tremendous occasion.
(sent 11:16am) For coffee?
(sent 11;17) For coffee with my favorite kindergarten teacher ofc ♡
You send back a simple reply telling him to hurry and come out. Gojo chooses to interpret your embarrassment as a sign. It puts some pep in his step, and he hurries to finish dressing up.
He steps out of his house, locking his door from the outside before shuffling down a single flight of stairs and out into the front entrance of his complex. He notices you waiting at the front gate from where he’s standing.
The neighborhood dog (officially named Pokupan) is asleep by the security office. You’re the same as always. Today's outfit is a dress with long sleeves and colored tights. It suits you. A splash of warmth in an otherwise dreary world, Gojo stands in place as he watches you for an unidentified amount of time. Minutes feel like seconds as you pace back and forth. Your phone must be in your purse because he can’t find it anywhere on you.
He’s delighted when you finally turn your head to look at him. You cup your hand and give him a kind wave which he laughs at and returns enthusiastically. His stride is long, walking towards the gate.
You have to tilt your neck up to look at him (making his chest squeeze unhelpfully) but you smile when you do so.
“Hey,”
“Hello there Miss. Waiting for a special someone?” He jokes. You flush.
“They’re an important friend,”
He tries not to let his smile falter. Friend.
“Then, is it a bother if I ask to take you out?”
This time you falter. Gojo notices it out of the corner of his eye, the briefest brush of nerves that makes it seem like you’re warming up to him after all. It’s gone as quickly as it came but it’s there and Gojo etches it into the back of his eyelids for memory. He smiles at you as you look away, flush
“Not at all,”
He grins, again, even brighter. Then he sticks his arm out for you to loop in. You hesitate again. This time Gojo can’t be sure why.
“I’m just being a gentleman, you know?” He pouts. His frown takes effect as you loop your arms together. He keeps it friendly. Too much pushing and you’ll skitter away right before his eyes. Still, even this much progress feels good. It feels whole and light and good.
It’s a pleasant sort of day.
Not that it’s warm, or even sunny. It’s cold, on the edge of Autumn that dances into Winter. Freezing but bright out, the kind of sky where everything is clear. During the day the sky has no clouds and no stars when it comes to night time.
Nonetheless it’s nice. The cold is the kind that makes you want to cozy into someone for warmth, so Gojo doesn’t mind walking in. The walk itself isn’t very long either. The cafe is near your complex, just about 15 minutes worth of walking. There’s no snow or ice to trip on, and because it’s freezing - you shiver every time you stray too far from the heat of his body so the walking is done exceptionally close together
There are kids and parents walking together on the street alongside you, dogs and their owners, street vendors with hot tea. It’s that kind of day where the cold doesn’t keep anyone indoors, in fact everyone seems to relish in the fact they can run and run and run without overheating. It feels like everything is in sync with each other, comfortable and harmonious in spite of everything else.
After 15 minutes, you’ve arrived at the store front. Not long enough for Gojo, but that’s okay. There’s next time he has to look forward too.
(He tells himself this every time. It’s never enough for him. He can never get enough of listening to you talk. He could probably mimic your cadence without having to try. It’s a sound he doesn’t get sick of―a miracle, another one, because Gojo hates so many sounds―yet there’s one he always looks out for.
There has to be a next time. If he forgets to tell himself as much, he gets so restless he can hardly stand.
The cafe is nice. It’s one of those places that you see on Instagram often with plenty of sweets for Gojo’s taste and plenty of fancy teas for yours. The outside has beige-colored brick and a brown sign decorated with cutesy drawings. You spend a good amount of time crouched beside it, taking a picture or two to later post on your story.
“You have to tag me, okay? It’s your payment for wasting our precious time together,” He jokes.
You stand to your feet and brush off your pants, the material of your coat rustling as you do.
“Yes, yes ― I promise. I’ll have to ask who drew them when we get in there.”
Gojo smiles at your enthusiasm before opening the door for you. Another one of those glass ones with a logo printed on the top half and the metal tinted brown. A little bell chimes above your head as you head in first, and Gojo heads in after you. He has to duck not to his his head on the top of it.
It’s not too crowded at this hour. A handful of people sit among the many tables and booths. Your head is turned to the menu and Gojo trails behind you like a shadow. One to compliment all your light.
It smells delightful inside. Like warm cookies and vanilla and tea. Gojo feels his sweet tooth kick in the minute you two stand in line. The barista is a doe-eyed blonde college student. There’s another employee with long dark hair and thin, narrow eyes. It reminds Gojo a lot of that girl he met a few weeks ago but he tries to put that thought out of his mind.
He sticks his hands in his pockets and eyes the menu. The special item is a yuzu cream cake, the picture of it hanging on the wall like employee of the month. There’s a glass display of all the other items and the menu matches the rest of the decor.
“This was a good choice,” Gojo says, entranced by all the desserts around him. You laugh, turning your head slightly to look at him.
“Are you complimenting yourself right now?”
“Am I wrong?”
“Your sweet tooth is so bad,” You say through giggles “Your poor dentist,”
He gasps in offense.
“I will have you know I keep my pearly whites pristine. Not a single cavity for the record.” He says back, placing emphasis on the last words. You snort a laugh.
“I’ve never had one either,” You repeat back, perhaps mindlessly before saying “There’s a lot we don’t know about each other yet.”
Yet. Yet. Gojo’s subconscious will hold onto that word for too long. It makes his heart beat too loud. He’s relieved that you’re nothing like him. If you were in this very moment, you would hear the thunder raging inside of his ribs.
Instead of saying anything, he scoffs playfully.
“I bet you were such a goody two-shoes that you never ate sweets before bed-time.”
Your eyes widen in surprise followed by embarrassment, where you tuck your chin into your sweater.
“Ugh,” You say, so weakly Gojo can’t stop himself from laughing “What’s wrong with being a goody two shoes, huh?”
Gojo feels almost feline in his self-satistication. “I didn’t say anything was wrong with it, just that you were one.”
Your frown deepens.
“I don’t care for your tone, mister.”
“Are you gonna scold me like one of your students?”
“If it gets you to be nice,” You say firmly, in that Teacher voice that Gojo has caught glimpses of over the last few months. He does a fake salute.
“Yes, ma’am!,” He proclaims, soft enough so only you hear it. You break out into another set of his giggles, melting his cold heart. It’s not the smile so much as it is yours. The line moves up just a little bit. Gojo steps in front of you before you have a chance, his figure shadowing you.
“What do you want?”
“I think I’m gonna get one of those fruit teas and some cake.” You say absentmindedly. He smiles at you playfully.
“Heard,”
Gojo turns to order for you both, laughing through your obvious protests about his paying for you. He’s able to block you from getting in the way as the cashier looks on the both of you bemusedly. When the order is placed, Gojo taps his phone against the reader before moving aside where you stomp your feet and follow him.
“I told you I would get it this time,” You whine. He hums.
“Mm, there’s always next time?”
“You say that every time!”
“So you never know? Maybe it’s next time for sure.”
You seem to realize that this is a fruitless conversation and that he’s not going to relent. With a flush on your face, you cross your arms and pout.
“I’ll get you back one of these times, I swear….Anyway, thank you.” You add the last part quietly. He hums.
“It’s only fair, you know. After all, who else would come here to eat sweets with me?”
You look taken aback but Gojo doesn’t retract his statement. He’s sure there’s someone he could ask. But there’s no one who would agree to it as easily as you have. The environment wouldn’t be so welcoming, either. Someone who would do something like this with Gojo is long lost. It almost feels foreign to him now.
In order to ease the tension, you look up at him warmly.
“Then, I’m glad you asked me.”
There it is again. That warm, sort of fluttery feeling he gets in his chest being around you. He wonders if he’s allowed to be so happy.
The food arrives at the counter, the young woman calling out for Gojo. You and Gojo split the task of carrying the plates, picking a nice booth in the corner with the top covered, You slide in across from him, situating your bag.
You and Gojo go back and forth, setting up everything so it looks nice under the lights. Gojo takes on taking the photos this time, clicking from a few different angles and stopping to show you after each photo.
“I’ll send you the picture later, okay?”
“Don’t forget.”
“I won’t, I won’t. Let’s eat, okay?”
You nod enthusiastically.
__
You and Gojo eat and chat comfortably for a while.
He’s not sure how much time passes. He wasn’t checking because why would he? He’d like to be with you a bit longer, so he refrains from thinking about it and hopes you do the same. Just a bit more, he tells himself. Until you really, really have to go.
There’s nothing major to catch up on. You tell Gojo about your job, mostly and how you saw some friends from out of town the week before. Winter is coming and you want to do something nice for the holidays. You’re getting along well with your fellow teachers which is good. He was worried about that, but he can’t keep eyes on you at school.
(Not for not having tried. He’s thought about it, but his presence would be too noticeable and he doesn’t trust anyone else to the task)
So it’s relieving. Your only complaint has been that some of the students have the sort of parents you can’t handle. Pushy and involved in a way you can’t ignore but can’t tolerate either. Gojo jokes to take care of them, gesturing to his arm like he’s ready to knock someone's lights out.
That makes you laugh, and following it you have this melancholy look that sends alarms blaring in Gojo’s head. You don’t broach the subject at all afterwards. You talk about everything else you can. The sale on radishes at the market, thinking about getting a car just to have it, maybe visiting your parents sometime soon.
Gojo listens. He doesn’t have much to add. His work is strictly classified to people who aren’t in the field and it’s nothing fun to begin with. He does tell you what he can - usually about some antics his students have gotten into during training. He can at least talk about that.
He tells you about the movies he’s watched, how he went drinking with his co-workers last week, and how he thinks Pokupan is starting to act friendlier to him.
It’s fun because it’s you. Gojo likes feeling like he’s involved with you intimately. He likes hearing you talk. The sound of your voice is such a pleasant contrast to his own. You talk with a kind of joy Gojo could never hope to carry, all gestures and smiles and interjections - trying to make sure your point comes across. How you don’t think the kid sitting in the front is a bad kid, just needs guidance. How the material of your sweater isn’t really cashmere but more of a blend.
Time passes comfortably that way. The drinks and food have been reduced to crumbs and cold drops of tea, glasses emptied and phones abandoned.
But neither of you have made any move to leave, and Gojo is still listening to you talk with a pleased smile on his face. It was a pleasant sort of day, remember?
“So it was fine in the end, but the classroom was such a mess seriously―”
So, it throws Gojo off when you stop speaking so abruptly. How easily the atmosphere melts, and what an unpleasant film it leaves behind.
It feels like an axe hammering on a stop, a sharp and near violent thud that cuts off the end of your sentence. The air becomes tense in the blink of an eye. Gojo can feel it, the sensation of cursed energy. It’s stagnated, little like pebbles at the bottom of a creek. But it’s there, and Gojo can feel it creep over your shoulders like a sixth sense. Like someone skipped a stone over that same water. He senses it in the air like dust in the light.
He sits up straight, focusing his attention on you.
“Hey,” He calls out, softening his voice as much as he can. Trying hard to identify what's wrong exactly “You okay?”
Your hands shake as you lay them flat on the table. You’re almost completely spaced out by now. It all happens in the blink of an eye.
Gojo stares at you, calling to you a second time.
“Hey. Hey, look at me?”
When you finally hear him, you jump in your skin. Your shoulders relax when you realize it’s only Gojo. Normally that would make him happy, but not like this. Your hands are shaking. A nervous fidget in all of your movements that he’s never seen before, like you’ve been shocked with electric wire. He hates it. The taste of your fear (this fear) is different and unfamiliar.
He doesn’t like it.
You turn your head to look at him then avert your eyes again. He can’t follow your gaze as it shifts. It’s too erratic.
“No, uhm. It’s just, uhm.”
“Woah! Hey, Miss. I wasn’t expecting to see you here,”
Everything feels like it slows down as Gojo watches your eyes snap up. Your expression drops again, even lower, and if he listens close enough he can hear the sound of your heart. Your discomfort is tangible. It leaves a metallic taste in Gojo’s mouth as you suddenly curl in yourself, shoulders hunched and peeling skin off your nails.
You don’t even look to Gojo for help. Instead, your words go soft. You become helpless in front of his eyes.
“Oh. Yes, hello.” You bow your head trying to say as little as possible. Gojo stares as you shake like a leaf in the wind. Something ugly curls up inside of him, a knife twisting in his chest.
“Aw, c’mon? What’s with the unfriendly act? Is it ‘cause you’re here with your boyfriend?”
You look up at him panicked. Not because of the comment, but because of his tone. Gojo hears it too. How sinister it is. Like he’s blaming you for it somehow, like you’ve wronged him. The feeling inside of him is so ugly, it’s so wretched. His knuckles turn nearly white from how hard he’s closing his fist. You put your hands up and go to explain yourself anxiously.
It makes Gojo sick. He smiles, turning his head just a little so he can see. He opens his eyes and stares, focusing his vision on remembering every detail of the bastard's face.
“I’m not her boyfriend. We’re neighbors,” He explains, tone as cold as ice but smiling.
Gojo puts pressure in the atmosphere. His natural and suffocating aura returns to him easily. He smiles and remains unnervingly still, waits in quiet for the man to respond. He scratches the back of his head, still indignant.
“Uh. Okay. I guess that’s good. Wouldn’t be appropriate for a teacher to be out on a date like this huh?”
Again. This guy, whoever he is, turns his head like he’s trying to talk down to you. Diverts his perversion and sadism towards you that leaves Gojo wondering what his head would look like against concrete. A bitter, heinous feeling waits inside of him, nesting into his ribs as the sound of every voice in the room comes to be muffled. All Gojo can hear is his heart. How long it's been since he’s heard it.
It’s loud. A cacophony, or a hymn. Divine rage in the sound of his soul leaves has him unsure of how to proceed.
Gojo glances at you. Your eyes are rounded, full of desperation. Pleading.
Gojo hates whoever this is. Gojo wants to save you. He thinks you deserve to be saved.
He stands up. He has enough height on the guy to be intimidating, the guy just barely coming up to his shoulder. Gojo stares down wildly, pulling his glasses to the bridge of his nose to peek briefly over the edge. The bastard stops talking immediately, words coming to a stutter, It’s satisfying.
“Who are you?” He asks.
“Wh-why is that any of your concern? Can’t you see I’m talking to―”
“I didn’t ask about who you were talking to. I asked who you were,”
He hears you from behind him “He’s a parent from my school,”
“Ah, okay. Interesting. Since you’re a parent, we wouldn’t want to make this a confrontation right?” Gojo says, bemused “It’d be a real issue for everyone if it turned out that way,”
Gojo puts a hand on his shoulder, tightening his grip hard enough to hear him gasp. He’s weak, but that’s to be expected.
“So, I suggest you turn around and head home, hm? Since we wouldn’t want it to be a big fuss.”
Gojo can see it now. With a little pressure, he could turn the blade of his shoulder in sawdust and watch him fall to his knees. He’d let out a cry, a sharp pathetic wail like a hit dog. Gojo would make him say sorry to you before he lets up his hand from his skin. He’d do it infront of everyone in the store so they could hold a little fear in their hearts.
He won’t do it. Just for now. If it complicates your work then you wouldn’t be able to support yourself. What would he do if you ended up somewhere far away? Out of his sight, something like this could happen again and Gojo wouldn’t be able to take care of you.
So he doesn’t crush it. He pushes his palms into his shoulder blades and whispers quietly, just so the two of them hear. He pulls away and watches as his face goes pale, a simple stutter leaving his lips. Something about how he’ll see you later and that somethings come up before he turns around and leaves.
Gojo watches as he does. The door chimes again, and the man disappears. The patrons who might’ve glanced turn away again like it was just a simple altercation, which is good. Then finally, Gojo looks at you where you are. Your hands are trembling so hard, a shake of relief in your shoulders as you cover your face. You look like you’re getting ready to cry, so Gojo takes it into his own hands. He cleans up all the food, wipes the table, and even grabs your jacket and bag as you take a minute to collect yourself.
He taps your shoulder lightly afterwards, waiting for you to look up. Once you do he smiles, reaches a hand out to you so you don’t have to think twice.
“About time to get out of here, huh?”
You nod, so slowly. You look so relieved, even as you sniffle. Your hand is so small compared to his. He squeezes it protectively as you slide it into his own, and helps you walk out of the store together.
The air is cold, the same as before, the temperature having warmed just a bit. The bell above the door rings as the two of you finally leave, standing in the street. Unlike before though, there’s something bitter in the air. The sun has hidden itself completely in the clouds and the streets feel emptier, lifeless.
Gojo turns to you with a somber expression, trying to smile. It doesn’t quite reach his eyes.
“Do you want to go somewhere to talk about it, maybe?”
You chew your lower lip then sigh “...Yeah. Probably should, huh?”
You and Gojo decide on a place not too far from where you are. It’s a small park, a good place to end off an otherwise good day.
You have to take the bus to get there, but there’s not many people. Gojo eventually gives you back your things, lets you slide your jacket on and fix your face - but ultimately takes your hand and holds it on the ride there. He brings it to his lap and you don’t pull away even though you seem to fidget the whole time.
The bus finally stops in front of the park. It takes hardly any time, but Gojo finds he’s unable to let go of your hand so he doesn’t. Instead, he holds tight and lets you trail behind. You let him lead you quietly out back in the street. You give your thanks to the driver as the doors close.
He can’t let go of your hand, though he knows now would’ve been a good time to do it. His grip only grows tighter.
“Let's go find somewhere to sit,” He offers. You squeeze his hand this time and don’t look away.
“Okay,”
He tries to keep pace with you this time, instead of walking ahead. Your strides are shorter than his so he’s careful that you don’t fall behind. Your eyes still have that watery look to them but you’re no longer trembling from fear. Just the cold, if anything.
And your heartbeat no longer sounds so hazardous. Gojo is still restless, still fidgety. His thumb is rubbing circles into your skin but it’s not really for you.
You find a bench, eventually - in the middle of the long walk-way just a distance away from a playground. Gojo juts his chin out towards it, before turning over to look at you.
“Let’s go sit,”
You nod as you walk together towards it. You sit first, and Gojo finally lets go of you. He sits besides you. There’s a minute where the whole world is deathly quiet. There should be something calm about it, but it isn’t. You’re no longer terrified, and a distance away. There’s no danger lurking in the dark and there’s no cars passing or children crying.
Everything is calm and silent, but Gojo couldn’t feel more unease if he tried. He thinks he hides it well. But there’s that itch again, in a place behind his ribs he can’t reach into and he finds it hard to breathe.
“So,” He starts, breaking the tension “I’m guessing it’s not a friend,”
The stupid joke makes a smile appear on your lips. It’s small, but Gojo takes some comfort in it anyway. You wipe away your lower lash gently, a wet laugh leaving your mouth.
“No, not a friend. He’s uhm… a parent from my school.”
“The one who’s been bothering you for all these weeks?” Gojo supplies. You turn your head, eyes widened in surprise. Gojo lets out a breathy laugh.
“You….knew?”
“Not about him specifically, but I could tell something was bothering you,” He admits, and then adds “I always pay attention to my favorite person, you know?”
The addition has you looking away, but Gojo doesn’t mind. You sigh, rubbing your face with your palms before leaning back against the bench with your head hanging off the edge.
“He’s the parent of one of my students. Akio, he’s a good kid. A really well-behaved one but… too well-behaved. Never raises his hand, never complains or says he won’t do something.”
“I’m guessing that sent off an alarm bell, huh?”
You nod softly.
“Yeah. I figure it was something at home, but I’d met his mom prior and she was a real angel. Then, his dad came to visit. The man we met at the store, and I knew right away.”
Gojo feels his jaw clench listening to you talk.
“But still, you know, my job as a teacher is to be as respectful as I can. I always politely declined him when he would make comments and remained professional. Eventually, his mom stopped coming altogether and—I tried, I really—but he…” You trail off, a lump in your throat. He watches as tears form in your eyes, his anger getting more and more tangible. He tries not to express it, putting a hand on your knee “He just… kept pushing. A-and once, he looked like he was gonna get violent. I made a report, you know, to the school. But you know how they are,”
“They never even bothered investigating huh,” Gojo sneers. You laugh a tired sort of laugh.
“Of course not. After that, I just tried to endure it. And I know he hasn’t done anything technically, but it doesn’t really feel like a matter of if but when,” You explain haphazardly. Gojo squeezes where his hand rests.
“I believe you. It’s okay,” He says as soothingly as he possibly can “It’s okay. I’m here,”
There’s a sense of relief that washes over your whole body and before he knows it, you’re breaking down. He feels a lot of emotions all at the same time, watching your little frame as you lose it so easily in front of him. A part of him is so furious he wants to make it everyone's problem. Another part of him is so deeply sad knowing you’ve suffered all on your own.
And the most notable part of him is the sense of protectiveness, burrowing inside of him. A sense of possession. It sinks into him like teeth, seeps into his blood like the venom of an animal so that he bleeds and breathes it. Gojo can’t shake that deep sense of urgency, a nameless and faceless desire that consumes him. He shudders.. He holds it in, all of it. Cups his hands so desperately so that it doesn’t spill over and touch you, the ink of ruining the soft white of your clothes.
In a world that you have made beautiful, desire is ugly. Hideous and infectious, it tears Gojo limb from limb. It makes Gojo feel on edge. Gojo should not desire for any more than what he was. People always die when he does.
But maybe they don’t have to. Maybe, he can protect you. He can keep you safe. He wants to keep you safe. He wants to keep you all to himself.
It’s in an effort to soothe those feelings that his arms find themselves around your form. It’s the first time you’ve hugged in such an intimate way. Where expects you to turn away - you don’t.
Instead you cling, your arms around his jacket and your face in his chest. You cry and weep and sob and you look so small like that. You look like you’ll collapse and Gojo holds you. Says it’s okay, it’s okay, it’s okay as you let it all out. It must feel good to finally let it all out, after everything and he doesn’t intend to stop you.
“I promise I’ll always protect you from now on,” And he says it, and means it. If you feel the weight of his statement, you don’t let it show “It’s okay. You can cry if you need too,”
You cry and cry and cry.
And Gojo thinks the call of heaven is nothing in comparison to the sound.
__
In the end, Gojo can’t forgive him.
It’s not without effort. He tries to do it at your request, because after all the tears he wants to help. He says he can maybe pull some strings. But that gentle heart you have declines. You don’t want it to become a big deal. You feel a little better knowing he knows. In the end, you don’t want it to affect that brats reputation.
“You know how kids can be,” You say, voice full of concern for everyone but yourself “I don’t want to make school life anymore difficult than his life at home must be,”
So, Gojo tries to listen to you. But days pass, and days turn into weeks. In the end, a month goes by and Gojo is full of terrible and divine anger.
In the end, Gojo won’t forgive him. Gojo can’t let it go. He feels so righteous in it, he starts avoiding his own eyes in the mirror. There’s something inside of them he has no desire to look at. Eyes that tell all, Gojo turns away from their gaze. Gojo is angry for you, and it’s not in his character to do nothing about it.
He decides on less of a whim that it looks. He wonders about alternatives, if there’s anything that can stop this feeling from imploding inside of him but nothing comes.
When he decides that nothing can be done, Gojo goes out of his way to start watching him.
Like any mission, he needs enough background information to map out a plan. He wants to make sure that it has virtually no pushback for you. There’s always a possibility you’ll get caught in the crossfire and that’d be the worst possible outcome. Gojo can protect you from a lot of things, but he’s not as confident about the law.
(Not that he can’t. Just not in the good, right way he’s sure you want him to protect you in. Gojo’s love is divine, not right. There’s nothing in this world Gojo can’t shield you from, because he’s the strongest.)
He also can’t make anything obvious or leave any room for interpretation. If there’s anything that feels off when the reports go live - you’ll stick your nose where it doesn’t belong. He thinks in the instance you find out (about all of it, the premeditation especially) you’d probably tuck your tail and run.
(Gojo would find you. But the chase means there’s some time you’re apart. The thought is almost nauseating.)
He likes that you’re curious about everything. In most instances anyways. But he thinks it’s better to leave you in the dark sometimes. Having you worry about it would ruin the point of this. And sometimes, it’s better not knowing every detail. Honeytraps are more ethical than nets.
He’s doing it for you in the end, like he does most things. And the kid will benefit, maybe even get some sympathy from his classmates for a while about the tragedy that befell his father. Gojo thinks it’s a good plan because no one loses. It’s a lot like killing a curse.
It only takes two weeks to learn virtually everything there is to know. A guy like that doesn’t have much he can hide.
The name of his target, he learns, is Nobu Watanabe. Father to Akio Watanbe and ex-husband to Akiko Watanbe. He’s a recently released felon (let off on good behavior) with a battery and assault with a deadly weapon charge. He’s a college drop-out, and has been working a lot of odd-jobs since he was 16.
His personality is bad, worse is his drinking and smoking habits. He’s often found drunk in the street, and has a track record for single nights spent in a cell. His ex-wife is usually the one bailing him out. Gojo can’t help but feel sorry for her. Somehow, he doubts that he’s good to her. He’s a deadbeat father through and through. He only offers to pick up his kid to harass you. At least from what he can tell.
He isn’t as awful to his kid as everyone else. Gojo doubts that was always the case. Akio isn’t a bad kid, but it’s hard not to notice the way the light in his eyes disappears when his father comes around to pick him up. A head always looking towards the floor, hands tucked in his pockets.
It’s difficult for Gojo to feel any guilt about what he’s doing. After everything, he can’t find it in himself to feel any regret.
His target is currently working at a dock, not too far from the city. He seems to work there most days, working at a bar on the weekends. It’s a big company that handles foreign goods that he does physical labor for. Lifting and moving boxings, checking inventory - it’s not a complicated affair.
If there’s not a major shipment, he still seems to clock in so he’s definitely paid some kind of hourly wage. He smokes often on the job, but works diligently when there is something to do. An easy but physical job, he’s strong. Gojo can understand what intimidates you about him.
Gojo, though, isn’t intimidated by him at all.
He waits a week before he takes action. To shake off anyone or anything that might be trailing him, and to make sure that everything is the same as he observed. That his schedule wasn’t going to change. A week passes, and when Gojo has confirmation - he decides to do what he does best.
Gojo Satoru decides to play God on a Sunday.
Sunday is a day shipments come in and a day he often works alone. The pay is better on Sunday and Nobu is the only one on his shift who takes it. He’s not expected to finish the strenuous work because he’s alone for such a long stretch of time - just to make a dent in it. The people at the next shift are the ones who finish the job.
He starts his day as early as 6am. It’s near winter, so the world is painted in a miraculously melancholy blue. Gojo follows him that morning. He knows the route well enough to trail behind him and not attract any attention. They pass together, turning corners and taking bus rides until Nobu’s finally in at his job.
There, they part briefly. His target goes into the big white building and he goes on top. Gojo has to teleport to the roof because everything is gated with security cameras covering every inch of the property. Following him puts Gojo at risk. So he waits on top of the building, hands in his pocket and pacing until Nobu comes out the otherside to the docks. His jumpsuit put on haphazardly, only half-pulled up to his waist, with a clipboard and pen as a bunch of boxes waiting for him to check them.
After Gojo confirms that he’s alone, he lies in wait. He sits and waits - watching as the clouds pass. Watching the open sea, how it remains unchanging no matter what boats pass through to shore. He looks at his phone every now and again to check the time.
It shouldn’t be too difficult to actually do it.
You know, if Gojo turns his infinity on, there’s nothing in the world that can touch him. He can touch it, but it can’t touch him. There will always be a barrier between his hands and the world. Between him and the known universe, a bridge that started burning the minute Gojo was born into it. If Gojo turns on his infinity, there’s no way to leave traces of him behind.
Did you know? If Gojo turns on his infinity, his fingerprints don’t show up. There’s no DNA to find. Not a trace of him in the world that he hasn’t left purposefully. Even if Gojo chokes him with his hands bare hands - he wouldn’t be touching him. But Gojo can feel it. Feel his pulse, feel his breathing come down slowly.
If there’s such a thing as heaven or hell, Gojo wants to ask God about being homicidal. If it was a flaw of human design or their Lord reflected inside of them.
He lies in wait on top of the roof until 7.
When 7 hits, the world around him is still so dark. No one kills in broad daylight. The heavens are murky, sky full of black clouds like puffs of smoke. It’s freezing cold, a spine-tingling chill making its way up Gojo’s skin and hardening his hands. . Gojo waits for the doors of the garage to creak open. When the sound echoes into the air, a metal screech in the void, Gojo stands to his feet.
He jumps to the ground, landing with a dull thud. He comes out unscathed, a cat on his feet. He dusts off the front of his pants. Nobu hasn’t taken notice of him. Gojo takes a look around them. There’s no cameras in the warehouse. Gojo waits alone in the dark.
Five minutes. It’s five minutes when all of the lights go out.
“What the fuck?” Nobu mumbles, dropping his clipboard on top of a bunch of boxes, running a hand through his hair. Gojo waits in silence, watches as he turns around.
When he finally does, he jumps back in shock. Gojo feels a cold chill run through his body.
“What the fuck? Who the hell are you?” Nobu asks. Gojo grins.
“Ah, you don’t remember? We met a few weeks ago! We had a nice little exchange and everything.” He says, voice going higher by an octave. The man in front of him stares, off put by Gojos’ presence. He stumbles in his thinking, his body tensing up.
“Who the…what the fuck is going on?”
“Hey, don’t be so scared,” Gojo says, then uses his teleport to phase himself closer. Nobu’s eyes widen, shocked. Scared out of his wits, with the story of heartbeat like he’s being hunted. “Tough guy like you has nothing to be scared of, does he?”
“W-w-what…how did you…”
Gojo shakes his head.
“Don’t worry about it, man.” He says, voice calm and smooth and even. He’s surprised by how his emotions feel in his body. Like he’s so angry that he’s not. There’s something inside of him, the white waters that wade, that Gojo can feel. It’s strange “We’ve got about 5 minutes till the lights come back on.”
For a while, they stand at a draw. No one moves. Not him, or Nobu, or the open oceans. It’s quiet for a dock. Even quieter for a dock in Tokyo, and Gojo’s not even using his abilities. He probably won’t need too, other than infinity - there’s not any good reason for him to exert himself any more than he must.
Weeks of planning, weeks of watching, weeks of waiting. Nothing feels like it matters at the moment. He wants it to be over soon-ish.
It’s not that Gojo is particularly sadistic.
It’s just that, everything feels like it’s teetering over this very moment. He thinks it to himself quietly like someone trying to remember where they last left their keys.
Briefly, Gojo thinks “I can’t go back,” after this. In the back of his head he just knows.
He envies this aggravating strangers' ignorance, too.
“What do you want from me?” He says, stuttering - a gasping breath of fear in his lungs that snaps Gojo out of his thoughts. Gojo shrugs.
“Nothing, really. I’m not short on money, you know? I make a good living,” He says, spouting off about nothing as he closes the gap between them. Stepping closer infinitely until Gojo backs him into the garage, into the tall tower of boxers where there’s no cameras and no witnesses “Hm…is there anything you can do to fix this?”
No, Gojo answers mostly to himself, But wouldn’t that be nice?
“P-please, I have—”
“A son right? And an ex-wife, and a dead mom in Saitama. You didn’t think I came here without doing any research, did you? We’re the same in that way you know, I might be a frivolous - but hell if I’m not diligent,”
He looks like he’s going to throw up. Gojo remains indifferent.
“Who are you?” He asks, this time really wondering. With that hoarse voice of curiosity, of defeat.
Gojo hums.
“Good question. Who do you think I am?” Gojo poses and lifts his hands up. He puts them around his neck, pushing hard until his back is against the stack of boxes. It’s dark but Gojo can see everything. He keeps his open, tightening the grip of his hands slowly.
Nobu tries to spit something out but the words get sputtered, muffled by lack of oxygen.
“Do you think I’m a devil? An angel? God? I wonder,” Gojo says, staring. With his mask on, but his eyes opened wide. “Guess I’m kind of like a boogeyman,”
Gojo can feel it. His body underneath his palms, gasping and struggling for air. He can feel his hands try to pry his hands off. He can feel his body slowly start to lose its air, how he deflates like a balloon. Gojo is unmoving, unfazed, unworried. He’s near motionless except the hard grip of his hand on his neck and the pulse that slows gently under his palms.
It takes 5 minutes, maybe less, with all the strength in both his hands. Gojo isn’t counting. He holds on for maybe 2 minutes after that, just to make sure it’s not a fluke. He waits till the heart stops sounding in his ears and until the body is completely limp except for where Gojo is holding him away. He goes out sad. Useless, even.
When Gojo stops, Nobu’s body drops to the floor with a dull thud. He stares at it for a while, then sighs. It’d be nice if he could just leave it there, but he does his due diligence. Picks it up from the ground with relative ease, over his shoulders.
He walks it out towards the dock - the very edge, before tossing it in water and watching it sink. When it disappears from his sight, Gojo is left with his reflection in the deep blue. He meets his eyes for the first time in weeks, and knows he’s seeing exactly what he thought he would.
His anger has settled, just barely. Just enough to be able to see the change in his own vision. With his Six Eyes, Gojo can see that there’s no turning back.
With his mask on, he looks at himself, warped in the vision of the sea. The vision of him—crystalline and white and blue—murky and moving.
Gojo jumps to the roof and turns the light on again. The power comes back.
A dog barks distantly, over and over and over. Gojo watches the sun rise alone.
__
The following weeks pass without a hitch. Gojo feels like nothing has changed.
(But that’s not true. Everything is different. The same but different)
At the two week mark, winter has set in and Gojo is spending time with you in your apartment together. Currently, you’re cooking dinner (after carefully instructing Gojo to stay put in the living room.) Gojo is sitting watching T.V. He’s helping you grade papers at the coffee table, humming to himself.
It’s about 7 when the news starts to play. A local news channel and a familiar face on the T.V. Gojo is surprised when the breaking news report airs.
“Two weeks ago, a missing persons report was filed for ex-convict Nobu Watanbe. Sources say he was last seen working at a Dock in Tokyo - which experienced a power outage. It’s reported that Nobu seemed to have gone missing at the time, and hasn’t made contact with anyone since then. Could this be the work of a…”
The rest of the report Gojo tunes out. He turns his head slightly to see if you’ve noticed. Your eyes are glued to it., standing and staring silently. You place your spatula on a towel on the counter.
“We got word about a week prior to this,” You say, breaking the silence after some time without Gojo prompting. He looks at you “Akio started coming with his mom again and she gave me the story. It wasn’t unusual for him to up and disappear, but he hadn’t done so since Akio was born,”
“That so?” Gojo says, nonplussed. You nod.
“I feel guilty but,” You trail off, rubbing your arm anxiously “I can’t help but be… relieved. Just a little. I don’t want the guy to be dead or anything, but it,”
Gojo stops you in the middle of your sentence.
“You don’t have anything you need to feel guilty about,” He corrects, voice stern. You give him a sad look but he remains firm in his stance “He was harassing you for weeks. It’s only natural that you feel relieved, you know?”
You’re not entirely content with the response, but you seem to know well enough this isn’t something Gojo will compromise on. You sigh, looking down at the floor.
“Yeah. That’s true I guess, but still. I wonder what happened to him, or if he just decided to run away,”
Gojo pretends to think about it.
“Maybe. Otherwise…guess it was God’s divine punishment,” He says, continuing to grade papers. He doesn’t even look up as he says it. You let out a puff of air through your nose in amusement .
“Yeah,” You say, “Maybe. I should thank him some time,”
Gojo hums.
“I don’t think that’s a bad idea,”
#gojo x reader#jjk x reader#manipulation cw#writing tag#dark content cw#yandere cw#noncon cw#murder cw#yandere!gojo#stalking cw#i tried to add the most major tags#lmk if you need more#ok. gn#part two will be out whenever ame has read lol
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Vincent’s lingering obsession with Lucrecia is excellent drama, but their story is not a doomed romance.
This is an unpopular opinion, but I don’t think Lucrecia deserves nearly as much pity and excusing of her actions as she gets. This is not character-hate post, it's an analysis of a character I think gets short shrift as a Mother-Mary in a bell jar, and deserves better.
Lucrecia is morally grey. Charcoal grey. I love complex, morally grey characters, particularly when they're women, since usually women are relegated to roles that infantilize and objectify them, particularly in video games, which have historically been a very backward, androcentric medium. I strongly dislike brainless victims, subject to the whims of the male characters, without much agency, and Lucrecia was not such a character.
Lucrecia was an adult with agency and brains. She was a grown ass adult. She was a brilliant scientist. She made decisions with her eyes open, and even sacrificed her unborn child to her work. She is a very interesting character. The fact that she didn't idolize motherhood as the end-all of female existence, and that her obsession with her work was stronger than her desire to be a 'good mother' makes her far more interesting than otherwise. The fact that she regretted it later and wanted him back doesn’t magically make her a good person, or change the choices she made. It demonstrates guilt and remorse, which are part of character development. The bottom line is that she committed atrocities in the name of science, then felt guilty about it later, once she realized how devastating the consequences were to her personally. To say she didn’t know what she was doing or Hojo manipulated or controlled her is to infantilize and disrespect her character. She’s not some sacrificial angel who was a victim of circumstances; she was a willing participant in her own downfall.
Lucrecia is a tragic character, but she's not a romantic lead. Except in Vincent's head. After all was said and done, she had one of those too-late changes of heart that make tragedy so emotionally impactful. She had a human reaction to Vincent's death and felt terribly guilty for her role in all of it, as she should. That doesn't mean she loved him, it means she wasn't a monster. She lost her son, and gradually, Hojo's callous inhumanity and her inability to escape the net she wove with her own hands closed in on her. Did she deserve to never hold her baby son and never see him even once? No. But she caused it, with her own actions. That's tragedy. She was miserable, bereft, and riddled with guilt, so she made a last-ditch effort to make something right...by doing more insane science shit that turned Vincent into a monster. Seeing that she'd only made everything worse, she tried to kill herself, but was unable to, and thus ran off to become a crystal statue in a cave (this is a trope that I dislike, but that's the story, so that's what we've got).
Vincent is a bad judge of the circumstances. Vincent persists in seeing her as a lost love, and someone from whom he was unjustly separated by circumstances. The fact that he is so blinded by his feelings for her that he places her on this pedestal and can't blame her for what she did is excellent characterization, and I love it, but it's because he’s wrong. He loved her. She didn’t love him (I think she was in love with his father, but that's just icing on the tragedy cake, at this point). His lingering attachment, not to the real Lucrecia, but to the idealized version of her he has in his mind, is a very sad reality that adds so much delicious pain to his character. In the end, he is unable to blame her, because he loved his image of her (and Hojo is a way easier target for anger, because he's literally the worst), which speaks far more to his personal bias in the situation than to her actual role in it. She’s not moustache-twirlingly evil like Hojo but she’s not Vincent's star cross'd soul mate tragically torn away by cruel fate. Lucrecia was her own person.
In summation. Their story is not a doomed romance, it's a complicated, messy, ugly tangle of thorns, and one of the best written tragedies in a game that literally bleeds tragedy from every orifice. It's got one-sided love, obsession, mad science, betrayal, jealousy, fetal experimentation, murder, corpse reanimation, and a guy who can't die, and is left to deal with the consequences of everyone else's actions by himself forever. No one is innocent and no one comes out unscathed…strike that. Vincent is innocent and Hojo comes out unscathed. But still. Lucrecia is not a holy mother, she's not a brainless victim, and she's not Vincent's lost love. She's a person he loved, and who didn't reciprocate. Most importantly, she's a person. A whole-ass, complex, morally grey, fully developed person, who made terrible choices, then made even worse choices, and in the end, couldn't escape the fate she wove for herself.
And then wound up encased in crystal so she could be a pretty statue forever cause the game devs just couldn't help themselves I guess.
#lucrecia crescent#vincent valentine#ff7#final fantasy 7#ff7 vincent#professor hojo#warning: hojo#science!#opinion#i wrote this without pre-planning sorry it's rough and scattered#don't burn me at the stake#my opinion may change
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And just to add on! I never said my "art" was 100% by me I simply just didn't tell people, hate to say it but ive actually given up on being an artist because of people like you. I've commissioned and gave you money, and your friends money for art yet you still want to complain about me using somthing almost 4 months ago now to help me put food on the table. What you don't seem to understand is ain't nobody gonna tell you their entire life on the internet. You have no idea what a person could be going through yet you still sent your server of over 3000 people after a 15 year old girl who was just trying to enjoy creating something.
To say that I was "suicide baiting" is crazy because when did I EVER mention killing myself.
And one last thing, your sever is a cult. It's also fucking disgusting. A cesspool of brainless children looking for online relationships. You, yourself being included. It's a breeding ground for grooming and such things. You disgust me. The fact I have multiple screenshots of you saying you were "gods favorite lamb" please get a damn life dude. Your mental unwellness actually is a joke. The way you are open about your disgust for fat people is repulsive. You can't blame trauma on everything hope this helps xx
Your words speak for themselves on your character.
I am not disgusted by fat people. My current partner is plus sized. I asked for advice once on our perspective of incredibly unhealthy overweight people, and if feeling sick when seeing them made us a bad person. Our ex was morbidly obese due to her feederism and v0re kink. she bragged about being overweight to us and sexualized it. She wrote fanfics about force feeding us. She fetishized our ED. She roleplayed vore and feederism nightly behind our back with strangers while we were sleeping in vc together. We are working on untainting the mark she left on us, and that process is not for you to discredit or spread rumors about.
I'm not giving you consequences. I am protecting people and safespaces by alerting them of your repeated abusive behavior to keep people safe. The world does not revolve around you. You are receiving NATURAL CONSEQUENCES for being an ABUSIVE LIAR. No matter your age.
Drop the guilt tripping. Tracing over AI you were generating for art trades was not putting money on the table. You "never said the art was 100% yours", are you fucking serious? Your story of being the victim grows every time you speak. You being 15 does not mean you get to do whatever you want and expect nothing but pity. We tried to help. Us and our mods were there for you to vent to even after you admitted to shit talking us in the past. You did this to yourself.
Blacking out your entire profile and sending cryptid goodbyes to my entire staff team, even people you had never spoken to, is suicide baiting. When we blocked you on our main you found our ALT and sent the same short goodbye message. That comes off strongly as implying suicide.
For the love of god I'm not harassing you I'm just not letting you spit on my name using baseless rumors because you're upset you got caught. What the fuck did you think would happen?
I sent NO ONE after you and I am near COMPLETELY confident you have not been harassed. I have said over and over again to not harass you when I put out info on you to ban for members safety. That is NOT harassment. Your victim complex is insane.
Also. My server is not a "cult" and saying that to a survivors face is repulsive. It isn't a word to throw around and you make me sick. Please leave me alone. Stop messaging me. Stop threatening me. Stop lying about me. It will not make people feel bad for you. It will not make you feel better.
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Oh, you're a far Leftist who says there should be no borders?
You say that people need to stop having a sense of ownership for territory?
Do you apply this to everyone? Because, when you talk about hot button issues like oh-so-bad USA, or Israel, for that matter, you suddenly care about territorial ownership. Because there, according to you, whatever group you deem victimized has a full and exclusive right to the territory and everyone else is just an imperialist occupier who, despite being completely peaceful, can and must be driven out by all means, including the most insane murder.
You are just as hypocritical as the far Right. You are just as angry. You are just as misguided, seeking simple answers to complex problems and wanting a group of people to completely blame it on. You project your view onto the world just as much. You are just as ready to use violence and right of conquest to enforce your system and your system only, and to murder everyone who has an issue with it.
#politics#extremism#political extremism#right wing#left wing#left wing extremism#right wing extremism
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Need to know what your Wesker from the gaming HCs thinks of The Institute from the Fallout series. It's a caricature, so sterile and advanced compared to the wasteland it surrounds that it's an intentional narrative turn, dripping with allegory and metaphors to the dangers of assuming the role of creation.
I'm so deeply unwell trying to figure out if he'd get ideas, or cringe, OR BOTH, or be uncomfortable, or be too comfortable.
I am so so so curious what he thinks of Big MT - their situation, how they were all brilliant minds akin to his own with stunningly similar teachings that were destroyed by one man to prevent them from enacting bloody ruin - and the resulting insane Zero, Eight, Klein, Dala, Morbius and Borous. How they behave, how they echo out their original selves incomprehensibly, stuck in obsessions they can't shake any more than they can regenerate their brains' neutered nerve endings.
I can think of so many games that echo out the 'hey science, Do Not build the torment nexus, please' thing oh nooooo lol
Thank you for reading!
What's up Nshtn! Thanks for the ask!
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In my opinion, his reaction would differ varying on what part your Wesker is from, mainly either pre RE5, or post RE5.
Pre RE5 Wesker would find it laughable that these game developers were actually trying to say something about scientific discovery, something that has been said a million times before.
He'd look at Big MT and view it as a failure, but one with so much promise. Including all the Think Tank members.
They had made so many incredible discoveries and inventions; Saturnite, the retrieval harnesses, cloaking tech and cyber dogs.
But their demise only showed their lack of ambition in Albert's eyes. They didn't go far enough. And they weren't aware of the traitor in their midst before it was too late, and they had all been turned into shadows of themselves.
Albert Victim Blaming Wesker.
In his eyes, they deserved it, because they were weak. And Albert? He is simply different™.
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Post RE5 though is a whole different story.
Albert will empathise with the scientists, yet he will quietly admire Mobius' determination to stop the others before they can cause further damage to the Mojave.
After all, Wesker has now been humbled, irrevocably. He sees that even if he did succeed in his mission of spreading Urobouros, he could have damaged the world beyond repair, being what his so called 'godhood' could fix.
And he could have hurt you.
Secretly, Albert wishes he was like Mobius; wishes he had been able to see the reality in his complex fueled delusion, and stopped himself before he lost such a great part of himself that he felt empty inside.
Miraculously, Albert has you to help heal him, but he can't help but wonder what would have happened if you weren't there.
Would he go entirely mad, like the scientists of Big MT? He can only speculate.
But he knows that despite losing so much, he's gained a lot more than what he had.
Albert Whumpsker. He'll be okay.
---
Sorry I didn't get to cover the Institute in this one, I'll mull it over the next few days and if you want I can post that too. I hope you're satisfied, and thanks again Nshtn!
#worm mail#albert wesker x you#albert wesker headcanons#albert wesker x reader#albert wesker#resident evil wesker#resident evil#wesker x reader#re wesker
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Does anyone else keep getting into this frustrating situation where you're trying to complain to someone about getting hurt, and the person you're talking to, instead of consoling you, sides with the one who hurt you?
They go ahead and analyze in complex detail what arbitrary issues might this other person have and explain away their behaviour by rationalizing it and dismissing it with ''they just have their own issues" or "why don't you try to understand it from their side", they'll even act superior for having the understanding and empathy for this other person in these trying times!
Then they expect from you that you go and be compassionate to a person who has just hurt and upset you, as if that's your job, like that is now expected of you. Don't take it personally and go help resolve this person's issues.
But that is completely insane. If someone hurts me, how is my job to now go and fix them? How is it my obligation to show compassion and empathy to someone who explicitly saw nothing wrong in hurting me and taking their anger and frustrations out on me. I'm supposed to reward this behaviour? I'm supposed to show them that not only it's okay to take it out on me, but I'll return it by being compassionate and extremely understanding? What exactly will that do, will it stop them from taking their shit out on me? Of course not.
It will send them the message that it's completely okay, even rewarding, to take their issues out on me the second and the third time because not only they will not be held accountable for hurtful behaviour, they'll be rewarded for it. They'll be seen as the 'victim' and someone who needs extra compassion and understanding, as a result of them hurting someone else.
What drives me even more insane is that if I'm complaining about someone hurting me, then it's not about the person who hurt me and their feelings, this is about me and my feelings! I'm asking for understanding and compassion, not for a lecture in how I'm supposed to be more compassionate to people who hurt me! The person you're siding with is not even there, they're not affected by you taking their side, they will not be grateful or reward you, you're not resolving their issues, you're standing in front of me and telling me that my pain doesn't matter and this other person's issues come first. That hurting me will only inspire you to also ignore my pain and focus on the perpetrator as someone who deserves compassion more than I do.
If hurtful and abusive actions are the only ones that inspire compassion, while being victimized inspires lectures about morality and empathy, we are never going to stop victim blaming.
#victim blaming#centering the perpetrator in compassion#centering the victim in scorn#asking for help and getting told off for being hurt#and to understand the perpetrator better#no i will not#and fuck you for not caring about what happens to me
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girl i usually agree with you but…what?? I understand you’re talking about radblr, but your post is almost word for word what people who believe in “female privilege” say. Outside of radblr, most people agree with you to an extreme. People in real life hate women and will always reach to make privileged women the focus of every problem, and will always blame women for any bad thing happening. Radblr is one very small pocket of tumblr where the opposite happens. A post about how “women can be bad people sometimes” is not needed.
shockingly enough after seeing a fuckton of disgustingly bigoted posts that were brushed off because the bigots were female, i had to say something! how libfem of me!! guess i lose my radfem badge!
who the fuck else is, right now, calling it out in radblr spaces outside of anti-radfems? sometimes outsiders have healthy criticisms that aren't totally unwarranted. marginalized women will still feel unsafe and want to call shit out when it's said about their male counterparts within those marginalized communities. as a wheelchair woman, the ableist bullshit i've seen brushed off the moment it's about a male person makes my blood boil. the insane rate of abuse against disabled people at the hands of nurses means that this shit cannot go unnoticed. i'm sorry but feminist activists are allowed to keep an eye on bigotry in their spaces and root out that bigotry, even if it makes you personally defensive since it includes female folks. if it wasn't necessary, why does that female bigotry keep spreading?? why isn't it magically fixing itself? sometimes we gotta face issues head-on, even if it involves issues that outsiders call us out on.
libfems brush off their internal issues all the time bc to them, it seems minor compared to their Real Issues tm. that is a common trend on the left, especially with racism in white women, ableism in abled women and anti-gay male homophobia in women (including sapphics unfortunately). and i refuse to let feminist spaces continue it. i see an issue in our spaces, i talk about it. plain and simple. if we leave it all under the rug, it'll just fester and be horrible publicity for the movement. bigots only appear nice to fellow female folks of a certain marginalization bc they know they would face backlash if they said what they believe. they also still have an Us vs Them mindset about themselves as white/abled/het/higher-income/etc. if we're too cowardly to address female bigotry, and female abuse - especially maternal abuse - it means we're also failing the marginalized and vulnerable girls and women being harmed by those "females" as well as male victims of bigotry/abuse, who i know gyns tend to inherently care less about, as most radfems tend to be very vocal about, at least in jest. i personally prioritize female issues as well, but i still know that unrooted bigotry in any movement is a bad sign, and only gets worse.
i've seen many ppl say that mixed race issues are not worth talking about, or invisible illnesses don't deserve indepth discussions, because visible poc and disabled people face worse things. but we hopefully both know that's bullshit, since to fight ableist society & racist society we need to know those povs as well. complex issues are ALWAYS worth talking about. to maintain a unified front, we need to root out bigoted rhetoric and tell fellow gyns that they MUST put in the work to unlearn the bigotry they learned growing up too. you can't just let gyns who don't face certain kinds of bigotry be let off scot-free in our spaces just because they limit themselves to mocking "moids" or whatever in bigoted ways. i'm sorry to say it, but i've been abused by many women, and faced bigotry at the hands of women, and i do breathe a sigh of relief everytime a feminist addresses it more than just as a quick defensive mention. female bigotry is often deeply affected by the patriarchy, so it's 1000% worth analyzing properly, and is necessary to defeat it.
i get where you're coming from, i do - we're always told to think of others instead of female issues, always told our issues are lesser. but leaving these issues out of our to-do list is not the way to deal with it.
white, abled heteropatriarchy actually BENEFITS from a radical feminism movement that isn't self-aware and won't clean up its bigoted members, or prevent bigoted female rhetoric. i don't tolerate hypocrisy or knee-jerk defensiveness. i don't tolerate bigots, period.
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an underrated episode (in your opinion) from each spn season?
bugs is overhated but 1.03 dead in the water
2.04 children shouldn't play with dead things but i also think 2.13 is underappreciated by the wider fandom. i wonder why
3.05 bedtime stories is a really great episode. to me, it's an extension of the whole unable to Let Go thing from dean's time as a spirit in 2.01 especially within the context of season three (dean selling his soul and sam's premediatory grief) and how it connects to season two (john selling his soul for dean)
4.04 metamorphosis. again, i wonder why
5.03 free to be you and me is not appreciated for the ways in which it's actually really strong as an episode
6.13 unforgiven
7.16 out with the old is insane to put between repo man and born-again identity. underrated. but i'll go with repo man. i personally avoid it because it's genuinely upsetting for me to watch, it's such a well crafted episode that unapologetically explores the complex nature and sam's relationship lucifer. the foiling between our character of the week wanting to be possessed again with lucifer's victim blaming at the end is great. up there with metamorphosis, but in a more abstract sense
8.04 bitten is overhated. my pick for this season, however, 8.08. once again, appreciated for the wrong reasons and anyone who claims to not understand aspects of sam's motivations for the season have clearly seemed to skip over this episode. i digress, though. 8.14 is also pretty fucking fundamental to sam and dean's relationship for the rest of the season and 9.01 but also has one of my favourite character of the week characters ever. people tend to wincestify it and call it a day 👎
there r so many great picks for season nine but i'll stick to just two: 9.12 sharp teeth and 9.19 alex annie alexis ann. 9.15 is overhated or omitted entirely. again, i wonder why
10.04 paper moon
11.12 don't you forget about me. sam and alex mirroring episode <3
12.03 the foundry is underappreciated
13.04 is overhated, misunderstood, and underrated
14.15 peace of mind
15.17 unity
#there are so many episodes that are unable to be underrated because there's nothing to generate a cult opinion about. they're just mid#quaerit
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I have a question for all the (checks notes) like 2, maybe 3 people who look at my Higurashi posting: does anyone else kinda hate the phone scene from Minagoroshi?? (the one where Satoko finally admits to the child care office that she's being abused)
Minagoroshi is one of, if not my favorite arcs in the series despite its ambling pacing, but it always drove me kind of insane is how the phone call scene is portrayed both in-universe and out as a kind of triumph. It does work exceptionally well as a filtering of the arc and overall series' message through Rika's mindset at that point in the story (and god knows she has some shit to work through), but it always leaves a sour taste in my mouth with just how much victim-blaming is happening throughout and I'm curious if this is a me issue or a shared sentiment
There is SO much of an onus put on how Satoko responds to the abuse and shaming her for her "weakness". While there is the added context of Keiichi and Rika trying to pressure Satoko into doing something despite her fear, the fact that they outright say this is a way to "atone for your crime" (of not reacting to abuse "correctly") is absolutely crazy to me, especially because this narrative is repeated uncritically by so many characters throughout the story, including adult characters like Irie who should REALLY know better
It's not even that I dislike the overall concept of the phone scene and what it means for Satoko and her relationships with other characters, but something about how victim-blaming is used as the motivator and catalyst for this change really rubs me the wrong way. What makes this especially frustrating is how so many phrases from the phone conversation are repeated almost word-for-word from Shion's monologue from the 1982 classroom scene. If your only way to motivate someone is by repeating the words of the girl who told a third grader that everyone would be happier if she killed herself, I think there might be a little bit of rephrasing in order
The entire reason they're stuck in this situation to begin with is because Satoko won't admit to the abuse because she thinks she's a burden and needs to be strong to make up for relying on her brother-- complexes she likely gained from what Shion told her in 1982. They're using the same narrative that got them into this mess to get them out of it, and all of it serves to reiterate that Satoko has been doing something wrong for the way she responds to abuse. This isn't even getting into the obvious danger Satoko puts herself in during the phone call by doing what they said (that could be a post all its own)
Maybe I'm just belaboring the point, but there's something that leaves such a sour taste in my mouth about that scene in particular and how it's treated as such a victory within the narrative as a whole. Am I the only one who feels like this? I feel like there has to be a way that the overarching message can stay without victim-blaming the 11 year old
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Any insane chance that you have any general Jeff headcanons brewing up to yap about? 🤨🤨🤨
Sorry this took so long!!! This is only the tip of the iceberg of my Jeff hcs ngl 😭
Jeff the Killer Headcanons -
TW: Suicide Attempt, Implied Abuse, Bullying, Hospital + medicine talk, Manipulation, Talk of delusions, Murder, Toxic Relationship, Dissociation
Clockwork and Jeff both did a lot of sports and clubs in middle school and highschool, and would often get picked up together by Lyra or Liu. Jeff did it because his parents put him in a lot of activities to put a lot of pressure on him to have many talents and to be good at something so that he would get a scholarship, despite him hating the activities and never having free time because of it. These activities included hockey, soccer, STEM club, and karate. The only one Jeff actually enjoyed was karate due to it helping him get his anger out.
The incident was not Randy and Keith lighting him on fire. Instead, Jeff was relentlessly bullied by Randy for years, and was generally terrorized by people at school, that he tried to kill himself by starting a fire in his room when nobody was home. He left his suicide note in the mailbox, and it explained in detail what Randy, Keith, and Troy did to him and how they hurt him and Liu. While Jeff survived the attempt, his mother decided to publish the note in the newspaper, and everyone at school read it. Randy and Keith then actively got blamed for Jeff's attempt and everything that came after. Granted they deserved it for what they did, but it still was not a great experience for them.
When Jeff came home from the hospital, he barely spoke for the first week or so due to both his declined mental state and a side effect of the painkillers.
Margaret, Jeff's mother, was a infamous journalist who had many connections, and actually often lied and blackmailed her way to the top. She also often would write and publish about her sons, practically constantly sharing any personal moment they chose to share with her like she was a family vlogger. Because of all this, she actually ended up publishing Jeff's suicide note, exposing him to their entire state.
He's a manipulative bastard, but doesn't realize he is. He truly believes what he did to Nina, Liu, and Jane was for the best and was helping them. He doesn't have a good mental state in the slightest, but refuses to accept help because he believes he doesn't need it.
He still actively despises Randy and Keith. Hell, at one point when Randy and Keith were trying to go about their lives and move on, Jeff came after them and attacked Keith. He survived, but Jeff said he wouldn't let either of them live while he himself is still alive. Keith and Randy started staying with Troy and Jesse after that.
The only specific targets Jeff has are Randy, Troy, Keith, and Jesse. The rest are at random, though he steers clear from the Alliance, EJ, Lulu, the kids, Sadie, and Toby.
Jeff has ADHD, though his parents refused to believe he wasn't neurotypical, and would refuse to take him to therapy until after the incident, leading to Liu having to do the research for him.
Jeff has anger issues, control issues, a bit of a god complex, as well as a slight victim complex.
Jeff is terrible at social cues and body language.
Jeff often sharpens his knife as a stim during the times when he's deep in thought.
Jeff has big main character syndrome, and constantly believes that everything revolves around him.
Jeff absolutely adores copycat killers of himself, since he loves the idea of people looking up to him and his “work”, and seeing his crimes as he does, like art. He sees copycats almost like people just inspired by him, and even sometimes will stalk people and encourage them to follow in his footsteps to go down the path he did.
Jeff has had so many times where he will say stupid shit, and Liu has to get him out of trouble because he never watches his mouth. Due to Jeff having no self preservation nor any sense of consequences, they never end up realizing when to back down though.
Jeff is very impulsive and will do stupid shit a lot because "why not". As long as it's fun and doesn't include him eating or drinking anything, he'll do it. He has terrible self control.
He truly believes him and Jane are still friends and that he isn't in the wrong for killing their parents, because in the moment, Jeff made themself believe Jane's family was abusive. Jane actively expresses to him that she hates him, but Jeff just thinks she's joking around.
Jane has kicked Jeff in the shin with her heels too many times to count to the point where his heels are super bruised.
Ben and Jeff are frenemies, and BEN kinda sees Jeff almost like a weird cousin she doesn’t want to hang out with. She does enjoy Jeff's company though, and is happy to have a friend.
One of his best friends is Killing Kate. They hang out every Wednesday to do karaoke.
Jeff used to somewhat be in a relationship with Nina for a few months after the incident, though neither had actually verbally expressed that the relationship was anything romantic, leading to Nina believing they were in love and Jeff thinking that they were nothing serious and Nina would never be his top priority. Nina, heartbroken, left him after hearing him say to her face too many times that if she died, he wouldn't care.
Jeff learned Spanish from Nina. He still has a bit of a struggle with it though, and he always pronounces the words in the whitest way possible. Nina would tease him about his pronunciations a lot.
Jeff loves the Nightmare Before Christmas movies, and once dressed as Jack for Halloween pre-incident, and convinced Nina to dress as Sally with him.
Jeff can very easily lucid dream. He doesn't always know why, but usually when he's dreaming, he always realizes it's a dream rather quickly, and almost always, he will just shut down the dream he was in and start something else. Because of all of this, he has become unaware what is reality or not, and constantly just thinks almost everything is a dream. Most of the time he spends with his friends he assumes is a dream because he doesn't think in reality they would want anything to do with him. This is also why he's so careless about life, because he doesn't know whether or not anything is real or not and if he'll have real consequences, especially since he's even had times where he did actually try to do the right thing and make things right between everyone, only to realize that it was just a dream and he didn't accomplish anything.
Jeff talks in his sleep a lot. This has woken up and scared the hell out of anyone he shares a room with. Ben even has a couple videos of Jeff talking in his sleep on her phone.
Jeff secretly has a pet frog named Georgie. It chills in a pond behind the Refuge, and has a specific symbol on its back that Jeff uses to recognize it.
He has a huge fear of clowns, and absolutely hates the IT movies. A couple gag gifts that Liu got him growing up because of this were Pennywise merch. Jeff stuffed them all in a box in his closet never to be seen again.
He was a big music theater fan, though he was never able to actually take theater in highschool due to his parents seeing the class as useless.
Jeff often wears an eye mask when he sleeps so he can rest his eyes properly.
#creepypasta#creepypasta headcanon#jeff the killer#jeffrey woods#jeff and liu#liu and jeff#clockwork creepypasta#lyra rogers#randy jtk#randy creepypasta#keith jtk#keith creepypasta#troy jtk#troy creepypasta#nina the killer#nina hopkins#jane the killer#jane richardson#homicidal liu#jesse richardson#eyeless jack#lulu creepypasta#suicide sadie#toby rogers#ben drowned#killing kate
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Sometimes I feel like the Shimura situation is downplayed because Kotaro was not more outwardly violent in actions.
Everyone in that house was living to please him. "Don't make Kotaro mad" "just follow his rules" "please kid, do you want candy? toys? just please stop crying and don't get in his bad side". A freaking hostage situation by the vibes. He was a tyrant in that house and you could see everyone feared the repercussion of his anger, it just happened to be in a not physical violent action --except with Tenko.
Do you wanna hear what the joke is?
That the Shimuras probably thought that it was not that bad too. That it was not that far gone. "He doesn't beat us". "He is trying to be better". "He had a rough childhood". "He does that 'cause he cares about us". "He's learning".
That's how victims of an abusive household sound when they try to excuse their abuser behaviour. And I'm not blaming the victims here, okay? That's how the abuse conditions you to behave like. It blinds you. Everything you try to desperately to retain some control over the situation ends up somehow making it worse sometimes. It's fucked up.
That house was presented like a jail in the manga. Perfect everything but all its family members were terrified of making a mistake on their roles. Nao's parents wouldn't dare to talk against him 'cause he was the lord of the house, the one with the economical power, the head of the family. Only Nao could do so and he only listened to her on the surface. She was begging him, his wife, everyone was screaming at him to stop, even the freaking dog. Nothing at all stopped him.
Kotaro was a tyrant. He was reaching his limit with Tenko and his desire to be a hero, to the point he got violent. His instinct when he saw Tenko running towards him with his quirk activated was not running away to survive it (like Hana) or freezing up in fear (like Nao's parents) or running towards the distressed kid to protect him (like Nao). His instinct was to hit Tenko. To command him to stay away. Tenko was reaching for his dad because he was scared and wanted to feel safe in that moment. Tenko didn't try to kill Potato until Kotaro hit him and rejected him when Tenko needed him the most.
I understand the urge to point out how the Dabi or Hawks backstories were awful due the physical abuse, the neglect and poverty. But I don't agree with dismissing how insane and complex was the Shimura household just to rank it lower on the shitty backstory scale.
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The 12th house and it's meanings
Welcome! To reinforce, I mainly study traditional astrology so you can disagree with some of the things I´m saying, but understand it´s just another way to read into this study. I tried to brief and I might do another post with the 12th placements (planets, astral points, etc.) Enjoy!
In traditional astrology, the 12th house is portrayed as the place of "the bad spirit" (in contrast to the 11th, known by traditional astrologers as the place of "the good spirit").
Traditionally, some keywords to this house are; hidden enemies, suffering, death, troubles, injuries, spiritual problems, and more. The main reason for these dramatics is because the 12th house is right above the 1st, the rising line, meaning the true self of an individual. The things above you cannot see, it becomes a matter of the unconscious. When you have a physical or internal injury you can feel something is wrong with your body - the 6th house represents your physical health, if your 6th is afflicted, it mostly means health issues - but when your mind is not well, you can't just do an x-ray or routine exam, is something hidden from you, the conscious mind cannot access by its own. It makes it difficult to seek help because you don't know immediately.
place of isolation can be one of the significations of the 12th. placements in there tend to feel alone, as someone can never truly understand them. Sometimes that's the case. These placements can have a unique way to look at things, they tend to have an outside look at matters since the 12th is right above the ascendent line, so unconsciously, they put themselves out of the situation to have a better understanding of what's going on, and that can sometimes go wrong since they can be in it as well.
In my previous observation post and wrote that is very difficult to have malefic planets (Mars and Saturn) in the 12th, but I mainly meant Mars since Saturn rejoices in there. But a Mars in the 12th is an unhappy Mars, and the planet of anger and war being unhappy is not a thing. It's very uncomfortable because Mars needs a place of releasement, to let go of whatever thing is holding them back. But the 12th blocks any type of releasement mars needs, it can't see things truly, they're walking in a fog field with someone poking them. A common way of this appearing in an individual is that they can have a very difficult time admitting fault. It creates a victim complex of someone blind by their own errors, blaming the person next to them and creating scenarios that people are coming for them and they did nothing wrong. In my language, we have a saying that translating means "persecution mania", which is someone that thinks people are constantly trying to make the worst of them, and with Mars being there it can be true sometimes, but most of the time is just the anger not knowing how to get out. And to be frank, it manifests worst in men.
I know two guys with this placement (who didn't know each other btw) and the amount of gaslighting and pretending to be a victim of the situation was insane. I also know a girl with this placement who had some communication problems about anger, but it wasn't anywhere near the two guys. I say it's worst in men but not because of an astrological factor, it is simply how women and men are raised and what society expects from them. And when these men were raised thinking things would be just the way they wanted, when in face of frustration, they become massive manipulators who don't know how to acknowledge their own problems.
coming back to the 12th, aside from the negative significations, it can be a good place for spirituality. Is not material and nobody can take it from you. Is a place to travel with your soul and mind, not your body. To connect with something beyond what you can see and to accept we don't know everything. Sometimes things are hidden from us but are not always a problem.
At last, one of the key ways to have a good relationship with your 12th house is both the conscious and the unconscious. You need your consciousness to not put yourself as the victim of the circumstance, to understand that you have control of things, and not let your vulnerability be a weapon for others to use. And also to not be afraid of what you cannot see, feel, or touch. Realize the thin line between what's in your control and what is not and be satisfied with the choice you make. Practice your spirituality and do things you like, train your own wellness and satisfaction. Karma will come, you have the power to decide what type of karma you'll receive.
and feel free to comment any questions, suggestions, or thoughts you want to share!
xo!
#astro observations#astrology#astro notes#traditional astrology#astrology placements#astrology notes#zodiac signs#astro posts#astro community#astro placements#astroblr#12th house#mars placements#spiritualism#6th house
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a deep dive into my issues with the rosewood chronicles
SPOILERS AHEAD FOR THE ROSEWOOD CHRONICLES BY CONNIE GLYNN
(pls read so i can discuss these books w more people. i have MANY thoughts)
ellie wolf has the most insane victim complex i have EVER read about; not only does she never do anything on her own to develop the plot or help other characters develop the plot and/or themselves, she spends half the series being all moody and emo and blaming herself for everything but then she does literally nothing about it. she spent a solid three books bitching and moaning abt how she ruined her friends' lives and then she did nothing abt it.
ellie treats her friends like SHIT; this goes mostly for jamie and lottie. firstly, jamie was wronged by literally everyone ever and i will never get over it. jamie spent his entire life in servitude to ellie and her family and he lost his identity, his birthright, his freedom and his childhood because of them and yeah, it was never ellie's fault, but she continuously makes his job more difficult as a way of "rebelling". there wouldn't be a problem w this bc i also hate the royal family, but she is the only character who has the luxury to rebel bc the repercussions of her actions always fall on jamie and not her. this is shown multiple times (the portrait thing, the end of undercover princess) where ellie fucks up and jamie is punished for it. yes, she has every right to resent her position, but in acting out she let jamie take her falls and she knew it and she hated her parents for it, but she still continued to act the way that she did and blamed her parents for the way jamie was punished, and not doing anything to change the way she was acting. also she just is never grateful towards him at all. also their "friendship" was fucked from the beginning bc they literally had a master-servant dynamic (see: the time in the first book where ellie literally ordered him to be nice to lottie, also the vow in pah). you can't be friends w someone who has power over you. despite jamie standing by her side through literally EVERYTHING, ellie chooses lottie over him time and time again. and even tho lottie means more to her than anything, ellie even treats her like shit. immediately after the princess thing gets out, ellie uses lottie as a way out and lottie immediately shoulders ellie's burdens and sees it as a blessing. ellie blames her parents for lottie's troubles, but if u recall she was the one who initiated the portman deal, not her parents. and she also didn't inform lottie about any of it until after the meeting w the king and queen. she immediately dispenses of her responsibilities onto lottie bc lottie supposedly "enjoys" them. this takes a toll on lottie from the beginning when she starts getting threats, she gets kidnapped, stalked by the media, bullied at school and targeted by a literal terrorist organisation in ellie's name, and ellie never revokes the portman deal bc she wants her own precious freedom. maturing is realising jamie was right, and lottie deserved to have a proper childhood, and ellie was also right, that she and her family were the problem that took away lottie AND jamie's childhoods.
lottie is honestly such a toxic character; she has never really wanted anything that hasn't been imposed on her by others or by what she thinks other people want. she worked her ass off to get into rosewood bc she thinks that's the one thing her mother wanted. she became ellie's portman to save ellie from the pressures of being a princess. she becomes so entrenched in her role as ellie's portman that she literally can't fathom her identity outside of her job. this is shown in pah a bit but i feel like ppl forget. being a portman is NOT good for lottie. like at all. from the first book, she's already losing sleep, receiving threats, borderline sexually assaulted, kidnapped and targeted by a terrorist group all bc she was acting as ellie. ollie was RIGHT when he said the job was too much for her. lottie looks at ellie and feels that she needs to protect ellie, and for some reason feels beholden to her, even tho by all rights lottie is the one w the worse lot in their relationship. her mother died of cancer, and her father left her and gambled away all of their money, marrying a woman not much older than lottie herself, she was raised by a stepmother that didn't care that much abt her and grew up pretty impoverished compared to the rest of the rosewood students and worked super hard to get into her dream school, but we're supposed to feel sorry for ellie bc she can't go out and party. like, i get it, ellie is isolated and caged bc of her role. it's true, but lottie has had it a LOT worse, and still she feels like she needs to shoulder ellie's burdens too. and she also deludes herself into thinking she enjoys them. i feel like these issues rlly aren't talked abt enough.
jamie was never treated right by anyone in his entire life ever; literally name a single character that ever treated jamie right. ellie, his childhood BEST FRIEND, was never grateful for him, got him in trouble all the time and chose lottie over him every time. lottie, his first love, used him as a bargaining chip in order to get information from their enemy, and literally allowed him to be manipulated, gaslit and literally groomed (i AM using this word bc no one can convince me this isn't what happened between jamie and haru) to receive scraps and clues in return. the royal family, who he devoted his life to serving, lied to him his whole life about his identity, and made him a servant when he should've been a prince. haru, the guy he trusted despite everything, spent all of their relationship manipulating and gaslighting him and literally grooming him. yes it was grooming. haru was 20 and jamie was 16 when they first met and it was pretty clear from the beginning that haru had romantic intentions towards him. and even in pah when he was like "i want to be closer to you" he was literally 21 and jamie was 17. and ykw it makes sense that jamie would trust and devote himself to haru and lottie like he did. it was literally a trauma response from being treated like a weapon and not a human his entire life. the royal family saw him as a servant and a weapon and his childhood best friend saw him as ammunition to use against her parents. ofc he fell in love with the only two people in his life who treated him like a human being. and of COURSE he joined leviathan after finding out he was LIED TO his entire life abt who he was and after finding out lottie sold him out after he devoted himself to protecting her. and the way everyone treated him like a villain in pea like...bro everyone lied to him. for some reason no one told him haru was leviathan even tho it was most prevalent to him. even tho he was responsible for protecting them, they didn't inform him at all. bro of course he joined leviathan, he was literally betrayed by the all the people he loved???? and not sayuri treating him like the villain and a betrayer in pea when she was the one who kept haru a secret from him. and the way lottie, ellie, binah, ani and saskia knew haru's identity and just allowed jamie to be used and manipulated by him is CRAZY. and no one even spoke up for him except saskia. and once. and then ellie forced him into that vow literally for no other reason than "if i can't have her no one can" bc bsfr jamie was never any harm to lottie, it was always ellie and her family. I DIGRESS.
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An overly passionate post about Hank Pym and Jan Van Dyne
I’d like to preface this by saying Hank Pym is my favorite Ant-man and that I don’t think he deserves all the hate and controversy he gets, however I’ve noticed a lot of his fans tend to villainize Jan Van Dyne for reasons that I think are personally sort of stupid. A lot of Hank’s fans try to defend him by painting Wasp as a creep who took advantage of him during a psychotic break/the time when he was in that fugue state as Yellowjacket by marrying him during that time- but that’s not how it went down! She married him out during that time out of fear of what he’d do to her (he tried to force harsh kisses on her and sexually harassed her etc) and out of genuine concern! Jan clearly loved Hank and would constantly try and build up his nonexistent self-esteem but didn’t know how- She would try and prop up his ego but kept accidentally feeding into Hank’s weird complexes instead. I will say that Jan flirted with other men a lot but that wasn’t her being unloyal so much as her natural personality- but when you cross that with her being more successful and younger than him and he took that as a sign she wasn’t loyal/thinking she only liked him out of pity or to make herself look better.
She wasn’t manipulating him for her own ends, she wanted to help and have a healthy relationship with him. Still, she didn’t know how to handle the situation properly- Hank needed a therapist, not a girlfriend who thought maybe if she complimented him enough, maybe if she propped him up enough they could be good together- she comes off as a person who had no prior experience with mental illness like this- no frame of reference, no idea what to do, and she didn’t seem to understand what was going on- so she accidentally enabled him and made things worse but she didn’t manipulate him. It’s pretty relatable- If you’ve ever had a mentally ill friend or whatever but had no prior knowledge of mental illness, you tend to mishandle things- you become insensitive/mean without meaning to, or you end up enabling bad behavior- it’s scary and Jan’s case she was in actual physical danger!
I’d also like to say that Hank while not at all stable had some lucidity when he hit Jan, and prior to him hitting Jan he was already displaying emotionally abusive behaviors (Destroying her costume, practically interrogating her) so no you can’t blame it his mental illness- he still had enough awareness of what he was doing (That being said who in there right mind let Hank rejoin the Avengers after he had a severe disassociative episode-I would have demanded he’d go to therapy or be institutionalized if he refused)
I do like Hank, he’s a complex/interesting character. He has an inferiority complex so deep he’s tried to kill himself, he’s made preemptive strikes to prove his worth to others, he gave himself health issues from becoming Giant-man and it’s again tied to his insecurities. Outside of his suicidal tendencies, he’s got anger management issues, suffers paranoid delusions, disassociates, etc. He’s also incredibly self-sacrificing and is a strong believer in second chances- redemption is what he wanted for himself- what he tries to convince others he can have- so he hopes he can give to others too. Also, he’s a badass mad scientist (Literally that’s what sold me on him as a character) but the point still stands he was a domestic abuser, he refused to get help for a long time until it reached a breaking point and his reputation both in-universe and out can’t ever make a full recovery- like I said he’s complicated, so you can’t just paint him as a wife-beater or say absolved of his misdeeds because of his insanity or someone else egging him on, Jan was a victim plain and simple even if you point out some of her enabling behaviors
But my ultimate hot take? EMH’s Hank and Jan are the most annoying couple- separately I loved them but whenever I saw Janet whine or Hank moan about the other all I could think was- “Please, the love of God just break up!”- I was like kid preteen btw and still found that drama annoying
#hank pym#janet van dyne#earths mightiest heroes#avengers academy#the avengers#marvel comics#Wow I practically wrote an essay#Sorry about that#Oh well#Also no grammar#Also sorry about that#If you want a less prettied up depiction of mental illness I do recommend Hank he's a good character#If you can stomach some potentially triggering stuff
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