#the impossible task

[thewhumpcaretaker]

No because if Chad Stahelski doesn't drop the Impossible Task, I will write it myself and it'll be WickedSaint. I even have ideas, so Chad... gimme, but I'll still write my version bc yes. I need desperate Santino, I just need Santino feeling proud bc John Wick asked HIM for help (crush asked him out, date idea was killing ppl <3). Imagine, Santino was trying to prove himself to his father, who always had higher expectations, and apparently nothing was good enough, but then JOHN WICK THE BOOGEYMAN asked specifically Santino for help. His father must be rolling in his grave but fuck him, Santino was suffering. And the trust between Santino and John, you could see in the movie how much they trusted each other (until that trust got unfortunately broken). So something definitely happened, John doesn't just trust people. Yes, the marker and all that but still there was some level of respect. (And kissing).

I yapped a lot but I wanted to hear your thoughts on the Impossible Task AHAH

Soooooo I learned a little bit about how to write a film treatment (a kind of outline written before the script) and I went ahead and wrote one for The Impossible Task! I tried to make this completely canon-compliant and something that Chad Stahelski could actually make without breaking his franchise (even if he won't T_T). So, it's short and action-packed, and isn't exactly how I'd like to think things happened, but it fits better with the John Wick movies somewhat than what I usually write for wickedsaint. I have a lot of conflicted feelings about it, especially with how it compares Helen and Santino, but I did my best. This was fun to make!!

P.S. it also relies on some of the plot points from @mrssimply's story, because I'm not that good at coming up with what the impossible task was actually all about. I think she wrote that it was about killing all the crime lords in the area at once, and I reused that idea.

♥♥ The Impossible Task ♥♥

Log Line: John Wick asks his former lover to help him one last time in escaping the business, resulting in a nostalgic, heartbreaking postmortem on their doomed love affair.

TW: canon-typical violence, alcohol, homophobia from Santino's father, what could be interpreted as suicidal ideation from Santino but it's not overt

We open on a dreamy sequence, similar to the opening of John Wick Chapter One. It's cutting between a young John Wick in the Tarkovsky Theater, reading The Little Mermaid (the sad, Hans Christian Anderson version), and a young Santino reading the same book. Santino is dressed in all black, and so is John. Eventually we see that Santino is hiding from everyone at his mother's funeral. He is called away from his book to talk to important people. He refuses, but is dragged offscreen anyway. John is also called away, by The Director, who is scolding him that he should be practicing. He quickly hides the book and runs offscreen too. But we see both boys look back towards the places where the two books are hidden.

We cut to some five years before the events of the John Wick movies. We see John raise his head from under bloody bathwater. Helen is bathing him. She begs him to quit his work and come to her world. He agrees, and kisses her. 

Next, we see John coming to Viggo, requesting to leave. He’s “dressed for a resignation.” Viggo thinks, and says that in return, he must kill every other crime lord in the New York tristate area. John protests that it would have to be done all at once, or they would warn each other and flee. Viggo shrugs and says that is the impossible task. 

Realizing he can’t do this alone, John sneaks into the D’Antonio estate in Rome. It’s a reversal of the similar scene from John Wick 2. Gianna sees him and tells him that he shouldn’t be here, and to stay away from her little brother before he gets them both killed. John protests that it would be his own funeral, not Santino’s. Gianna says he knows better, implying how violent Giovanni (Santino's father) is, but Santino walks in at that moment. 

John and Santino talk, with John explaining that he needs someone who the New York crime lords trust to gather them all in one place. It’s tense. We get the sense that Santino dumped John at some point, but we don’t know why. John doesn’t seem to know why either. John says that he remembers what Santino told him, to come back if he ever seriously needed help. Now he does. He wants Santino to gather everyone in one place, which he is trusted enough to do. Santino asks for his oath in blood.

The next thing we see is the two of them exchanging the marker back in New York, with Winston as their witness. The scene is intercut with flashbacks to a sex scene in a Continental hotel room (it’s fairly PG, but there are some very intense kisses and Santino begging and moaning). Santino’s dirty talk includes asking John to swear that he’ll always serve him when he’s needed. John swears, with “the devil” as his witness. Back in the present day, the two of them conclude the marker ceremony and return to their respective hotel rooms alone.

The two of them suit up for the day. It’s a classic “John Wick getting dressed” scene, except that we’re seeing the same thing for Santino as well. In addition to getting suited up, John buys weapons, including bombs, while Santino starts making phone calls inviting everyone to a boat party that will take place on the New York bay that night. We can see that the plan is to place bombs on the boat, and that Santino will not be onboard once the bombs detonate. He will leave via life raft. We also see that Santino can’t persuad everyone - John has two people to kill who declined the invitation. So he won’t be around while the boat party is happening.

While John is planting the bombs on the boat an hour or two later, we see that Helen is watching from a car nearby, with a medical kit in the vehicle. She is tailing John, presumably to protect him. She looks scared but determined. He doesn’t see her. Meanwhile, Santino shows up at the boat. John scolds him for being there - it’s important that it look like Santino had no involvement in the plot and that this is risky. But Santino just jokes around and hovers over John, seemingly wanting to take this last chance to be close to him. He says he is coming with John on the first kill, “for old time’s sake,” and he’s not bringing his bodyguards. John will be his bodyguard for now. There will be plenty of time to get back to the boat, he says. John reluctantly agrees. He looks painfully nostalgic - we can see that he misses Santino on some level. Finally, we see Helen watching them together, but we don’t see her face. Is she jealous, or no?

They attack the first target early in the day, around noon. The target works in a high end fashion design business as a front, and the store is full of wedding dresses (yes, we’re going full camp.) Things get complicated when the target’s guards get involved, chasing them throughout the building. John takes a lot of trouble to ensure that Santino’s suit is not damaged for the party later. There are lots of antics with the wedding dresses - white dresses covered in blood, white heels used as weapons, etc. Santino is getting increasingly manic throughout all of this as he contemplates John getting married to someone else and eventually ends up with a wedding veil over his head somehow, trying to joke about a situation that hurts him deeply. The fight scene ends. They’re both severely wounded but John has managed not to get much blood on Santino.

Helen comes in and reveals herself to give John medical supplies. John is very upset that she’s there, as he says it’s too risky. Santino seems to take this personally - it’s too dangerous for Helen, but it’s fine if he risks himself? Of course, that’s different because he has training with weapons and she doesn’t, but it doesn’t feel that way for him at the moment. Also, he and Helen are in the same room and it’s awkward. It’s clear that Santino feels threatened and insecure but Helen does not. She thanks Santino for helping to set her future husband free. Santino looks miserable and says something snappy. John gets mad at him - no one treats Helen like that. And it was Santino’s choice to give up on their love. Pretty rich of him to be jealous now. Frustrated, Santino leaves to get back to the boat. There’s not much time left. 

John heads to the second target. He doesn’t bother to send Helen away this time - she’s coming no matter what, and it will be better if he can keep an eye on her. They double-team the second fight, which takes place in a butcher shop. Helen stays at a distance but she’s still very helpful. We see the contrast between John and Santino fighting together versus John and Helen fighting together. In both cases, John is protecting the other person and it’s distracting. But in Helen’s case, she seems to be protecting John in return. Instead of egging him on, she tries to minimize collateral damage. She brings an element of innocence to what’s happening and even apologizes to him that he had to do that. To Santino, John’s killing is a beautiful thing, a marriage of their skills as crime lord and assassin. To Helen, it’s butchering, it’s carnage, and she wants to save him. They are both drenched in blood at the end and he kisses her and thanks her for taking him away from all of this. She says she’s sorry his ex still has to be caught in that world. John says regretfully that it’s what he chose. 

Then, John gets a call from Gianna. She says she did something stupid: she told Giovanni that Santino is planning something with him. Giovanni is being rash. He has sent people to kill Santino. John and Helen get back in the car and start rushing to the boat to protect him. 

Santino gets back to the boat. He looks nervous as hell while greeting the other guests. He’s shaking, etc., but he’s doing his best to hide it. He has already started drinking before the other guests arrived. He’s ignoring his messages from John. We see a suspicious looking group of people board the boat just before it can launch. 

John kisses Helen goodbye and leaves her on the shore - he insists she can’t come this time because the whole boat is rigged to blow up and anyway, he’ll be right back. Helen tells him to live for her, and that he can’t die with the old world. He has a new world in front of him. John steals a speedboat and chases the party boat out into the bay.

With the boat out at the center of the bay and detonation coming soon, Santino prepares to board the life raft. But the people sent by Giovanni corner him and prevent him from leaving. (They don't know about the bombs on the boat or exactly what Santino is planning.) It’s interspersed with flashbacks in which we see Santino being beaten by Giovanni after his relationship with John was discovered. This is the first time the audience knows for sure that that’s why he left John.

John climbs up the side of the boat and starts killing, just killing everyone. He ends up killing everyone who would have died to the bomb anyway as he tries to get to Santino. There are boat related fight scene antics (there’s a seafood table and he stabs someone with a crab claw, etc.). Eventually John reaches Santino, but he is so distraught that he refuses to go to the life raft. 

There are only seconds left until detonation. John throws Santino overboard and drags him to shore while the boat explodes. Onshore, Santino breaks down. John tries to cheer him up, referencing The Little Mermaid rescuing the prince, and saying he will always save his prince, even if they’re from different worlds now. Santino says that he wanted to be John’s prince but he’s always been the monster, the sea witch, and whether he grants John access to a better life or not, his own life is damned. He tells John the truth about why he left him - to protect him from Giovanni. John cries with him, mourning their relationship and the way that the High Table tore them apart. He says that the real Impossible Task is to walk away from Santino after knowing all of this. He asks Santino to leave, and find love in the ordinary world. To find his “soul” (another little mermaid reference). He says he wants Santino to have a good life like he has with Helen. Santino says he can’t. He will wait for John to come back to HIS world instead. John walks away with Helen while the sun sets.

[thewolfwarriors]

Wolf Warriors - the Impossible Task

Chapter 1 - Part 3

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THUGGORY, special guest star. The Meatheads owe the Dreadful Drone but it was vice versa since they sheltered them so long. Mewgull and Thuggory are siblings in each other minds. The whole clan accepts him as one of their own. He will show up a lot in the lore.

Background music

Yes, this chapter is titled like a Panic! At the Disco/Fall Out Boy song and Im gonna keep doing it. Whatre you gonna do about it

[entomolog-t]

New Years Resolutions is to make a dent in my drafts/askbox🫠

[godunlap]

no because you can't convince me that c.ate / l.uke didn't act a certain way in public to manipulate the general perception of their relationship !!! to the untrained eye they would seem like a typical (𝚌𝚊𝚖𝚙𝚞𝚜 𝚙𝚘𝚠𝚎𝚛 𝚌𝚘𝚞𝚙𝚕𝚎) with nothing but shallow ideals to tie them together. but anyone who really knows them could see that there was a genuine, solid foundation that held them. having cut virtually all communication with her own family, cate's god u group is all she has. & the loss of luke makes her feel like she's failing them. but bonds like that are so easily exploited, it becomes second nature to play - down how she feels about those closest to her. at least out in the open.

[outromoony]

Reading actual books when fanfiction exists is one of the hardest things in the world—how am I supposed to enjoy something that doesn't have Remus Lupin in it?

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[noecoded]

heartbreaking:the worst people you know just started an emo band

[hyunpic]

cant keep my hands to myself… i mean i could but why would i want to 😼 <- skz when they see hyunjin

[strqyr]

redid an old vacuo design for ruby that i never actually finished ✌

not so sure about the color scheme of this one but it is what it is, i fought with it enough as is lol

[withclawandvine]

yes, there are more than enough barbarian!bakugou drabbles on this website. no, i do not care !! have another!!!

your father already has his heir and a spare, and therefore, has no real use for you. at least, until an advisor reminded him of the mournful tunes the bards have been singing since you came of age — a tragic face, they claimed. men have waged wars for less sweet a temptation.

soon after the announcement of your eligibility is made, the dining hall bloats with suitors and their emissaries, boasting and bargaining over their chances with wine-sour breath night after night, waiting for your father to make his decision. 

behind closed doors, members of his cabinet pitch the merits of this prince or that noble scion. there is talk of naval dominance and deep treasuries. but from where you listen — with your ear pressed to the door of a forgotten servant’s corridor at the back of the council chamber — nobody mentions that one of them is old enough to be your grandfather, or that one young king has already been widowed twice, under suspicious circumstances.

the contest was your idea, presented during a quiet meal with your father, in such a manner that made him believe it was his plan all along. of course these men should prove themselves. how else can he know which kingdom reared the strongest warrior? which ally would prove the wisest or most cunning? 

as your father expected, there are many challengers. and as time goes on, it becomes less about the honor of your hand than the glory of victory. consequently, the tasks become more and more improbable: piercing steel armor with delicate arrows made of blown glass, navigating rapids with neither sails nor oars, hunting down the fabled great horned beast of the northern mountains. 

as you hoped, months pass without a champion.

but the men chasing honor and acclaim bring riches and secrets, feeding your father’s treasury and arming his spies. you can almost taste the freedom of again being unuseful to him, sweet as the honeyed pear speared on your fork.

the fork falls from your hand when the massive doors to the great hall swing open and an imposing shadow comes into view. backlit by the setting sun, it is impossible to discern its features — beyond its size and the massive horns, curved and sharp as twin sickles. 

the stranger’s approach is slow and measured, and as he gets closer, the shadow becomes more corporeal. turns into a man. although, the ochre glow behind him makes him appear almost as a god. nobody in the hall dares to breathe.

only when he stops at the dias can you make out garnet eyes of a barbarian, peering at you through holes gouged in the pelt cloaking his entire form. he’s wearing the face of a beast you had never truly believed existed like a hood.

wordlessly, he closes a fist around the skin draped over his shoulder, whisking it off and tossing it unceremoniously at your feet. the horns hitting the stone floors crack like thunder, echoing off the cavernous ceiling.

he wears necklaces strung with teeth, but no armor. his bare chest should make him seem vulnerable. instead, it puts every scar and whirl of ink denoting his battlefield victories and royal blood on display.

you have no idea how word of the contests made it all the way into the formidable northern mountains, or why it would entice a chieftain’s son to try at winning your hand.

all you know is that he just did.

[cookiesonfire]

telling him to count how many hickies i give him then shoving my fingers into his mouth, playing with his tongue. when he's unable to count, teasing him with "aww am i making you feel so good and stupid that you forgot how to count? such a cute thing unable to do something so easy" shoving my fingers even deeper into his mouth bc his muffled sounds are music to my ears. using my other hand to pull his head back so i can give even more hickies and mark him as mine and only mine.

[jamesheathridge]

sigh....

[crystallizsch]

This is Halloween, this is Halloween Pumpkins scream in the dead of night

PASSES AWAY. i am blaming this post by @anbaisai 😔💪 i am simply not immune to dancing prompts

[poorly-drawn-mdzs]

A-Qing, the little fox.

[cent-scratchnsniff]

my lovely angel

[bedknees]

"It's impossible for a piece of media to have a perfect, thematically flawless ending."

Arcane: