#the idea of them getting redemption is cute too but like this. | Explore Tumblr posts and blogs

hyomaslut · 1 year ago

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──★ ˙🌟 ̟ !! gold star redemption program. 18+!

☆⌒(ゝ。∂).ᐟ ᴛᴇᴀᴍ ʙʟᴜᴇ ��ᴏᴄᴋ's ғᴀᴠᴏʀɪᴛᴇ ᴍᴀɴᴀɢᴇʀ

✿ ─ synopsis: you are the new manager for team blue lock and you have a great idea to make the players get along better. after all, positive reinforcement worked really well on dogs, why not men? ✿ ─ characters: isagi yoichi, bachira meguru, shidou ryusei, itoshi rin, chigiri hyoma + kunigami rensuke referenced ✿ ─ cw: smut, fem!reader, she/her pronouns used, aged-up!characters(18+), pet names, kissing, penetrative sex, oral receiving/giving, semi-public sex, unprotected sex, hair pulling, overstimulation, rough sex, deepthroating/face-fucking, non-exclusive relationships, lots of jealousy, pda, use of foul language, suggestive themes, shidou is an asshole, rin threatens murder, somewhat proofread ✿ ─ notes: okay so every is going to ignore the logistics and mental gymnastics done to put all these guys on the same team and have any of this go on, right? cool. this work was requested by @anastasiablossomlove pls enjoy!

managing team blue lock was no task for a person of average conviction. anyone with less of a spine would be easily trampled and consumed by the members, all with big personalities and even bigger egos. you took to the role with exceptional organizational skills and a positive attitude that didn’t falter, even under the cold glares of the less compliant men of the team (cough cough itoshi rin cough cough barou shouei). before the end of your first week you had drafted up detailed and individualized meal plans, unique to each of them. by the second you had worked with the coach to create special training regimes that works towards their fitness goals while providing challenge and variety. right under their noses you dug your pretty fingers into every part of team blue lock, finding every issue and soothing every conflict, turning a group of somewhat wild animals into a well functioning machine with you at its core.

and not a detail slipped your eye. you could always tell when kunigami had pushed himself too hard in the gym by the stiffness in his shoulders. honestly you doubt you would’ve been able to convince him to let you help him if he wasn’t just as sore as you predicted. but the minute your palms were pressing into his back he was groaning in relief, “you’re an angel” grumbled under his breath. he’s a bit less embarrassed the next time around, blushing while asking you to fix him like you did last time.

you quickly took responsibility for doing chigiri’s hair before every practice and game. after seeing it fall out of its style and flap wildly in his face whenever he reached top speed on the field, you decided he needed something a little more reliable to keep it out the way so his eyes could stay on the ball. though when his hair was this soft, who could blame you for taking a bit longer than necessary, brushing through the knots and gently scratching at his scalp. plus, he didn’t seem to mind all that much, always red faced and all smiles, leaning into your touch. the thank you kiss he plants on your cheek lingers long enough to leave a matching blush on your face as a token of his appreciation.

being the backbone of their system earned you respect, acknowledgement, even affection from the overly friendly members of the team (cough cough bachira meguru cough cough shidou ryusei). no one could deny the benefits of having you around, always offering all kinds of helpful advice and showed not a shred of judgment when listening to their problems. and you weren’t exactly ignorant to the fact that your constant support was causing some of your new friends to become especially attached to you. maybe to someone else it would be a bigger concern, but in your eyes, this was only another opportunity to do more for your team.

that’s why you implemented the gold star redemption program to help motivate them. it was quite simple to follow, you had a chart with all of their names along with cute, slightly wonky doodles of them, and a list of ways to earn gold stars. from goals and assists to being on good behavior, whatever way they earn their stars, team members can then cash them in for certain prizes from you. the list had looked something like this…

2 ☆ = snack or drink of your choice 4 ☆ = a home cooked meal 5 ☆ = a kiss <3 7 ☆ = a massage <33 10 ☆ = private training session <333

the objective was to give incentives towards cooperation. not to mention, it’s always good to strengthen bonds with your team members. it seems, however, that you underestimated how much of your time this new system would take up. or maybe you just overestimated how easy it would be to keep up with the greedy desires of so many egoists at once.

ever since your arrival, anyone with eyes could see that isagi yoichi carried a torch for you. you let him talk your ear off for hours about tactics and players, never tired of his company or too busy for his rambles. it gets his heart thumping obnoxiously loud in his chest. so yoichi makes it his objective to dote on you as much as possible to try to make up for all the time you spend fussing over everybody else. always staying after practice to help you or walking you home. so when you start handing out stars for that kind of stuff, isagi is already making a steady income. he considers himself a gentleman, so at first he spends his stars on meals. and he’s more than happy to eat your cooking, stirring up all kinds of wifey fantasies in his head and enjoying his lunches with you. but at night, when he’s lying in bed, the big ticket item at the bottom of the prize board haunts him. and when he can’t take it anymore, he slips into your tiny little office that you share with the coach, a self-satisfied smile on his face when he lets you know that he just finished the stat sheets you asked him to fill out, earning him his tenth gold star. enough for one private training session.

in all the times you thought about sex with isagi, you’re not sure you ever pictured it to be like this. bent over your own desk, tennis skirt bunched up around your waist, your star player too eager to sink into your pussy to even push down your underwear. they stayed tugged to the side, thoroughly soaked from the way his hips meet yours in sloppy desperate thrusts. “i knew i needed to fuck you when i saw this skirt,” he confesses, eyes fixed to the point where you connect, mesmerized by the way his cock disappears inside you, “you’ve been tempting me all day, so be a good girl and take my cock, okay?” before you can respond he hooks a finger into the elastic of your panties to let it snap back against your skin, drawing a small yelp from you. he changs the angle to fuck you harder, deeper. you wonder if this could be the same sweet yoichi that carries your things and bashfully tells you your outfit looks good.

apparently that yoichi doesn’t exist once he’s balls deep inside you, all that’s left is the side of him you’ve only caught glimpses of when he’s dominating his opponents on the field. and if you thought that it was a chance encounter, you’re sorely mistaken as week after week isagi makes sure he earns his ten stars and you get to know just how mean he can be. his grip is always tight around your hair, whether it’s pulling and steering you into the position he wants or guiding your head down to take more of his dick. god forbid he asks you nicely for something like he always does when you’re not ‘training’. one time you even had the gall to suggest the idea to him and lived to regret it as now if you want anything from him, isagi is only accepting the most convincing of your begs. “c'mon princess, mind your manners, if you wanna cum then you’re gonna have to ask really nicely.” and no teary eyed puppy dog look will get you what you want, even when he makes getting your words out so difficult. truthfully, he never intends to be so hard on you, but having you crying and begging for his cock is the only way to soothe the devil on his shoulder that tries to tell him to take you for himself. in the aftermath, you start to recognize your yoichi again, sheepish in his apologies for how rough he was with you, kissing away the tears that run down your face. he’s lucky you’re too fucked out to charge him for them.

there’s not a world where you offer bachira meguru sexual favors in exchange for playing soccer and he says no. he was already gonna do that anyway, and now not only does he get to make even more of a game out of it, but his reward for winning is the cute little manager he’s had his eyes on for far too long? consider him sold. bachira knows it would be most fun for him to save up and have sex with you as soon as possible, but all of a sudden he has five and he’s itching for a kiss. one he decides to give you right before practice starts… in front of the whole team. but can you blame him? he’s already been waiting forever to feel those pretty glossed lips on his, you couldn’t really expect him to make it through the next few hours when he’s so close to getting what he wants. and you could maybe understand that, but was it really necessary to go for a full open-mouthed wet almost make out that left you panting when everyone’s eyes were already on you? you suspect not, but bachira doubles down, telling you it was of upmost importance that he got it in, else he wouldn’t be able to focus. he neglects to tell you that he overheard reo in the locker room talking about what he was gonna do now that he had five stars. shidou already made it very clear that he would be first to ten, so bachira had to be crafty in order to secure at least one first from you.

meguru was certainly one of the more needy players, right under nagi that required some form of encouragement every step of the way to get anything done. bachira usually does what you tell him to, but not without whining about deserving a prize for being good. quite frankly, you dread having to ask anything of him, because he is determined to be fully compensated for even the smallest of requests. even a task as easy as grabbing something on a high shelf was met with a cheeky smirk and a request for a kiss. and don’t think he’ll budge either, holding the item hostage if he thinks he can squeeze two out of you. it didn’t make it any easier that bachira didn’t possess a shy bone in his whole body, openly showering you in affection when the others were around, holding your hand and nuzzling his face into your collar. it was enough to make even a professional like you blush. he acted as if he was oblivious to the jealous stares of his friends, but the smug cat-like smirk he sends them and the way he only holds you tighter when you try to shyly brush him off gives him away. it may come as a surprise considering his reputation for being a bit delusional, but bachira tries to root himself in reality for once. he frequently reminds himself of the nature of your relationship and tries his best not let his imagination run wild with anything that would be beyond the boundaries you’ve clearly set. things like picturing himself taking you on dates, coming home to you at night, introducing you to his mom. they were all too dangerous to let his mind settle on them for too long.

and what better distraction than burying his face between your thighs. it’s hard to think of much when he hasn’t bothered to stop lapping at your cunt long enough to take a breath in a couple minutes. suffocating was the least of his concerns when the clench around his fingers lets him know your orgasm is just around the corner. meguru swears that your pathetic little whimpers and the slick dripping down his chin are like a straight hit of dopamine to his brain and he’s at real risk of addiction at this point. lidded amber eyes travel up to watch your expression twist into one of pleasure as you gasp out his name. now that catches his interest. when your vision clears and your brain is functioning again after that intense high, you search for his comfort as if you had done any of the hard work. but all you’re met with is that signature wild look that he gets when he brushing past the enemy team’s defense straight towards his goal. it’s your only warning that he’s far from tired and even farther from sated. “if i can keep going, so can you baby. i know you have more for me. jus’ need t’see you make that face one more time.” you have no room to protest, his tongue already finding your clit and working towards bringing you to the edge once again. by your fourth time cumming, you’re sobbing for a break and debating whether you should charge him four times over or give him a star for each one.

someone who was on board with your system from the second that you explained how it worked, was shidou ryusei. what better way to celebrate another one of his blood pumping, heart stopping performances than racing to the locker room to blow a load in his favorite girl while his teammates debrief with the coach? to him it was simple, you fuck him, you feed him, you take care of him, you spend time with him. shidou is, by all of his definitions, dating you. while some might be turned off by the idea of dating someone who isn’t offering exclusivity, he didn’t see it as much of an obstacle. not when he spent star stickers like a gambler on a slot machine, having you multiple times a week if the economy allowed it. and if he’s short a few, no worries, ryusei is quite the negotiator. it starts one week when he’s only missing a star or two, promising he’ll pay back the difference, you know he’s a good customer. it’s probably not a good idea to give in to him though, as the next time he wants a private training session, he’ll insist they’re only nine stars for him. he has made all kinds of fake coupons from 50% Off! to Buy One Get One Free! to even a homemade punch card in his own terrible handwriting. shidou was the first one to ever get a star taken away when he tried to give you an arby’s gift card in exchange for a blowjob. he didn’t try that tactic again.

the worst is when he tries to haggle in the middle of sex. your legs are thrown over his shoulders and his tip is kissing your cervix when he chooses to whine about not being able to kiss you because he has no stars left. he worked too hard to get good star credit, he can’t go into star debt!! “ and with his lips just hovering over yours, his hot breath fanning across your face, how could you say no? in a moment of weakness, you have unfortunately given an inch to shidou, infamous mile taker, and now it’s hard to get him to pay for any of his kisses, especially while he’s fucking you. you thank god that at the very least no one knows he’s been getting them for free… if only shidou would allow your life to be that easy. even worse than giving him an inch, you expected shidou to keep a secret. and you thought his big mouth was something you liked about him. until he’s using it to brag to everyone that he’s your favorite, practically your boyfriend, all because you let him get away with a smooch here and there. let’s just say you had to give out a lot of free kisses to smooth over the problem his bragging habits created.

honestly ryusei was starting to cause a lot of confusion outside of the team with his antics. what with his always hanging off your arm, giving you as much affection as you’d tolerate, calling you sweet nicknames. the people in your life were actually starting to believe you two were dating. not that shidou does anything to discourage such rumors, only grinning and agreeing every time someone mistakes you as a couple. hell, he was starting to get you confused, saying things during your training sessions that certainly didn’t fit the transactional nature of the act. “holy shit you’re so tight- love this pussy, l-love you so much. say my name. c��mon baby, say you love me and i’ll make you feel so fucking good.” and only because ryusei always makes good on his promises do you allow yourself another moment of weakness.

itoshi rin didn’t have much interest or faith in you upon first introduction. he sized you up as some nobody doing this whole manager thing as a fun extracurricular, so as long as you stayed out of his way he didn’t care what you did. with his luck, he shouldn’t be surprised that you were immediately in his way, extremely often, rambling to him about ideas and strategies that he had no intention on listening to. although even he could admit, he understood why the others were so easily charmed by you. he was wrong about how seriously you took your job. not that it changed anything. at least that’s what rin tells himself, but in reality your relentless efforts and endless dedication to supporting all of them was something that spoke to him, made him a bit soft for you. it didn’t help that you were his type in every sense of the word, your attractiveness doing nothing but make feigning indifference a lot harder for rin. your seemingly endless patience didn’t help either. you always responded in kind to all of rin’s harsh words and cold stares, never let his sour attitude deter your subtle acts of service like getting grass stains out of his uniform and making sure he stays unbothered during his yoga. against his will, he was slowly warming up to you, but you were still caught off guard when rin started cashing in his stars, even if it was just a meal. he had lots of them sitting idle on the chart waiting to be used, so you supposed it was only natural for him to get some free food out of it. but you were even more taken aback when a couple days later he requested a massage from you with insistence that he only asks because he’s been extremely tense as of late. which wasn’t entirely untrue. rin had been very tense. just not from anything soccer related like he’d like you to believe. he was tense from the stress of his budding feelings for you combined with the dread of knowing he probably will never have you all to himself. at least not with this stupid reward system in place.

he despises it. he absolutely hates going about his day knowing there are other guys, his shithead teammates, that are getting your time, attention, and affection for the price of a couple of stupid fucking stickers. he misses the days when shidou’s incessant bragging about how many times he was able to make you cum or bachira’s unnecessary details of what your pussy tastes like didn’t bother him. now his blood boils to hear them talk about you like that. that kind of anger makes it clear to him that being your friend was simply not an option anymore. which is how he settled on getting a massage from you. he would satisfy this overwhelming craving he has for you and go back to normal and be able to focus solely on becoming best in the world again without thoughts of you plaguing his mind. that was his hope going into it, but feeling your warm touch on his bare back, melting away years of untreated knots and neglected aches in his body, he could almost blush at the intimacy he feels. especially when that foreign kindness he loves so much is on display as you reassure him that there’s nothing to be embarrassed about and that you’re proud he finally put his pride aside long enough to let you help him. you’ve got him, hook, line, and sinker now. no use in struggling so hard, he supposes, as some part of him knows he’s doomed to fall sooner or later. perhaps it’s time to surrender. he fought a good fight, but his greed for you was candidly too tough of an opponent.

and to rin, surrender looked like asking you when’s the soonest he could book a private training session. you don’t think you could look any more shocked. rin had a quick turn around from someone you doubted even liked you, to someone reserving as much of your time as his stars could buy. the more often he was with you, the less time you spent giving those lukewarm brats the treatment he wants reserved for him. and he wishes he gave in a lot sooner when he feels the wet heat of your mouth around his cock for the first time. how fast he would’ve folded if he knew how pretty you would look on your knees for him. rin tried to be gentle and let you set the pace, but between hissing out curses and barely biting back moans, that same greed to get more from you has his hand twisting itself in your hair and pushing down on the back of your head. he couldn’t help it. and it was so worth it to watch you choke and sputter around his length but never pull away. he knew you weren’t a quitter. “shit, feels good… don’t stop,” he all but gasps, hips instinctively jumping to reach further down your throat, grip tightening when you try to come up for air. after a long moment of breathing through your nose you relax enough to let him ease himself the rest of the way in. rin sighs in relief when your nose finally presses against his pelvis. the way you look up at him starry-eyed and full of adoration made his chest feel heavy with desire to be the only one you ever look at. it drives him crazy that any guy on the team can see you like this, and that heartache has rin fucking your face to forget it. “fuckkk. don’t look away, eyes on me, g’nna cum in that pretty mouth.”

you couldn’t deny that your new attempt at encouraging the team had its kinks. while overall the amount of arguments that broke out between players lessened to keep on good star-earning behavior, you could tell that it came with its own set of tension creating problems. you also couldn’t deny that being pulled in every direction by men vying for your attention was both very time consuming and extremely gratifying, but you think you manage it well. save for when they were already pumped up with adrenaline from a game, that is when real issues arise. especially when a player from the enemy team thinks it’s a good idea to try and hit on the cute little lady holding the clipboard. fatal mistake.

it starts with your favorite pot stirrer, bachira, calling out from his position, making everyone else on the team aware of the situation. “no shot dude, she don’t want you! focus on losing!” you’re confident you can diffuse whatever is about to go down before you notice rin leaving the ball alone in centerfield to beeline straight towards you. threats are flying from his lips on approach, quick to get in the guy’s face, planting his hands on his shoulders to shove him back. “what the fuck do you think you’re doing? i’ll kill you if you don’t get the fuck away from her.” you think maybe you have a shot of getting rin under control if you just- your eyes widen in horror as a flash moves in from your peripheral. there are no words, just shidou drop kicking this poor stranger at top speed. you cringe as you watch shidou knocks this guy off his feet, cleats first, taking rin down with him. what a way to earn a red card.

this was a fun project and request tysm!!! i just went about it in the interpretation i found most interesting, i really hope it was to your liking!!!

#divider credit to @cafekitsune #blue lock x reader #bllk x reader #bllk smut #blue lock #bllk #isagi yoichi x reader #rin itoshi x reader #rin itoshi smut #isagi yoichi smut #bachira x reader #bachira meguru x reader #shidou ryusei x reader #shidou ryuusei smut #shidou smut #chigiri x reader #kunigami x reader #miwa sins

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kurokawaia · 6 months ago

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❛ Self Care ❜

Postwar!Sasuke X Fem!Reader

WC; 2k+ | !MDNI! | TW/CW :: fab!fem!Reader,soft Sasuke like rlly soft and affectionate guys, body worship, reader is depicted as a medical ninja, this is so fluffy guys, use of {Y/n}, suggestive towards the end, fluff.

˚ ༘ * 𝑅𝐸𝒬𝒰𝐸𝒮𝒯; @lovelyandproblematic - ok since you asked and I have severe incurable Sasuke simp brain rot so if you ever need prompt ideas lmk! ty for being my fav tumblr creator rn 😍 SELF CARE SUNDAY W/ SASUKE! I’m talking face masks, eye masks, cute headbands, warm robes, and a nice candlelit bubble bath, the whole nine yards! He’d prolly never admit it but he def needs to be spoiled and might have to be forced bribed into participating (*cough* body worship? *cough*) but poor boy has been thru soo much he needs a night to relax and pls get some moisturizer on him stat! his skin must be screaming lmaooo

this is being depicted as sasuke being 19-20 years old, he's come back for a little while to Konoha from his redemption mission for a bit (he missed you :))

m.list | naruto/boruto m.list | uchiha m.list

"I'll see you later, Sakura!" I droned with satisfaction, giving her a one-armed hug as she did too, our arms filled with only a couple of bags while doing it.

Sakura released herself from the hug after a few seconds, still donning that warm smile plastered on her face. "See you tomorrow, yeah?" She asked.

"For what?" I replied in confusion.

"Lady Tsunade said she'd like to meet up with us," Sakura said, taking this in characteristically.

"I think she does miss us, but she doesn't say that," I said with a chuckle, leaving my glossy lips open. "I guess I should not drink too much news here tomorrow night."

"I'll see you, {Y/n}," She said while waving walking away.

"Bye, love!" I replied.

I pulled my keys from my bag and slid the key into the lock that was positioned on the traditional sliding door. With an exhausted chuck, I stepped in, slumping down on the step up into the house; slipping the ninja shoes off, placing them on the rack, seeing another pair—male pair.

I opened my lips as I started to wonder whose they might be, my heart flattered at the thought of Sasuke having to be back, its long past a day, absolutely late into the night—who knows for how long he has been back.

I nibbled on my bottom lip again. Sasuke has come to visit three times in the two years he's been out. When Sasuke came back a few months ago he said he wouldn't be coming back for a couple of years and now look at him, he's here. It's odd, I wonder if something had gone wrong?

I place my bags next to the stair case that leads up to the bedrooms.

I have yet to see Sasuke up and around our house; by now, I assume that he is soundly asleep and probably tired. I pushed the door of our bedroom open, and right in front of me is my lover, soundly sleeping in his deep sleep on our bed, with the dark blue cover across his full body as he snuggles into the sheet. It brings a sight that only brings a gentle smile across my lips.

I silently walk over to Sasuke's side of the bed. The hand itself was placed coquette-like on the cheek exposed to me. I bent down so that I could apply a warm, tender kiss to his forehead. I could feel his body easing into the touch of my hand and smiled, because even from a kiss, that feeling had been transmitted to me.

I had just started on the way to the bathroom when, literally only a moment before I could remove my hand from Sasuke's pale cheek, I was holding another hand. Turning back to look, I see Sasuke's weary eyes peering into mine, and I immediately frown in worry.

"Sorry, dear," I murmured quietly, leaning down to look into Sasuke's eye's. "I woke you."

"Don't stress," Sasuke hummed back with a tired sigh.

"'M just going to go have a shower and I'll be right back," I bumbled on, but Sasuke wouldn't let go of my hand. "Are you all right, my dear?"

Sasuke hummed in response, showing he was fine. "I won't be too long, Sasuke," I answered. "But it will take longer if you don't let me go," I added with a soft smile.

I watched Sasuke as he got up slowly, still holding my hand, his head drooping to my stomach for a moment of silence, showing he was tired. My other hand brushed the hair out of his face, and I placed a kiss at the top of his head.

"You wanna come with me?" I had said, and he had nodded his head tiredly against my stomach. "Alright."

"You go ahead, I'll be there in a second," Sasuke mumbled, drawing back from me and looking up at me with those onyx and purple eyes.

"Okay," I smiled softly, and Sasuke released his grip on my hand.

"I figured a bath would be better; you seem really tired," I hummed as I watched Sasuke slump down on the stool beside the bath, leaning his head against the wall.

I let out a sigh and turned back before going to the cabinets under the sink to grab some bath oils and some vanilla scented body soap. "My love," I muttered as I realized just how tired Sasuke is. I had no idea as to why he would be that tired, as the last few times he came back home he seemed normal.

Maybe that's it—something happened to Sasuke, and I just didn't catch it, and now he can't manage. Man, I really am a horrible girlfriend. So stupid.

I rummaged for some facial lotions and serums for myself, but such a funny thought came across my mind. Sasuke won't mind if I apply these things to his face, now would he?

A smile rose to my face, and I saw Sasuke look at me through the mirror, his expression suspicious, and I simply let out a soft giggle. Watched him shake his head and lean it back onto the wall, a small smile on his face. Well, whatever it is I'm doing sure cheers him up.

"Ah, are you hungry, love?" I asked and added salts, oils, and body lotion to the bath.

"Eh, a little bit," Sasuke mumbled.

"That means you are. What would you like for dinner? If we go outside, we could go out to a fancy restaurant. Or I can cook something," I replied sarcastically, adding an eyeroll about his small fib.

"I'll stay in," remarked Sasuke as he stood up. Heck, much to my surprise, he stood behind me, wrapped an arm around my waist, and whispered sulkily against the side of my neck, "Beef tomato curry." I smiled, but of course he couldn't see me. "Okay."

I chuckled softly. "But it's gonna take a couple of minutes. That's fine?"

"Yeah," Sasuke hummed shortly.

"Okay, then. Enter," I said, walking around gently in his arm. "I'm going to start dinner, and then I'll come in with you." Sasuke gave me a soft kiss before pulling away, his hand moving from my waist to cupping my cheek. "Don't be too long," Sasuke mumbled.

"Ten minutes, love," I said. "I just need to slice things and put them in with broth.

Back into the bathroom I went, well ten minutes later, by that time I was pretty good at cutting up a bunch of stuff in a hurry. The door slid open with a soft push, and my eyes landed on Sasuke. He was nearly asleep in the bath; at the sight, a soft smile touched my lips. My tired boy.

I peeled off my ninja clothes and stacked them next to Sasuke's grey sweats, as that was all he was wearing. I put the serums and facial creams on the rim of the bathtub before I slid into the warm water.

In forty five minutes dinner will be ready plus another ten minutes to cook the rice.

And I press myself down over Sasuke's lap and watch him open his eye, with the rim of the Rinnegan just peaking from under his fringe. My hand cups his cheek as I look down at his skin. The condition of his skin feels pretty dry. I had been planning to use my serums and my skincare anyways, but then again, Sasuke had first dibs.

I squeezed some of the serum out onto the tips of my fingers and started applying the thick liquid, brushing over his features, my fingers slipping under his fringe. I knew quite well he didn't like me pushing it up, though his nose scrunched ever so slightly when I did it, which I found rather cute.

"When did you come home?" I asked calmly.

"At about midday," he repeated. "I had hoped you'd be at home."

"I'm sorry, Love. Was out shopping," I replied, and remembered the bags downstairs; I had left them full, not only with groceries but with some new clothes.

I smoothed some of the moisturizing lotion across his face, just marveling at the beauty in front of me—it was just so flawless. "You said you wouldn't be coming back for a while," I said through a mumble, and Sasuke's hand just covered mine over his cheek.

Sasuke sighed before replying, "Nah, I wasn't feeling too well-" "What? Are you sick?" I asked, worried. My other hand went to his forehead, but I found that he did not have a fever and a temperature attack. Sasuke is acting funny. "Well," I went on, "you look tired, Sasuke. Please relax for me."

He nodded once more and began to hum as he clipped his eyes contently while I continued to clean him up. I noticed that he was actually really clean, though his skin is very dry.

"My love?" I asked as Sasuke gently opens his eyes.

"Yeah," he mumbled.

"Did you shower before I got here?"

"I would've done that," Sasuke answered. "I wasn't gonna go in bed dirty, I know how much you don't like the sheets getting dirty too fast."

'Yeah,' I smiled before letting my hands rest soft against the skin about his shoulders and neck. The quiet lasted longer than a few moments, though my lips parted and I asked again, 'Sasuke, why did you come home early? You said—you said you would be gone for a couple of years.

"I missed what home felt like," Sasuke replied and I saw the lump he swallowed in his throat.

My brows furrowed in confusion. "Don't worry, Sasuke. Home will always be here, wherever you go," I murmured, leaning my forehead against his.

"I missed my home," Sasuke repeats and I cupped his cheeks.

My lips ghosted over his as I spoke, "You're home, love."

"I want you to come with me," Sasuke said.

"What?" I said breathlessly.

"I want my home to come with me."

Understanding dawned on me. He wasn't talking about our house; Sasuke was talking about me.

His arm wrapped around my waist, pulling me closer, and I let out a small gasp. "I'll come, Sasuke," I hummed as I closed my eyes and let my lips grace his own.

He tasted like frustration and anger, but with an underlying flavor of caramel; peculiarly, that was him.

It is only the lip balm I had put on that had not made his chapped lips hurt.

I was his home, and he was doing all these wanderings, and I don't know where without it—without me.

Something in me just took over, and I kissed him. Really kissed him. I got a little animal groan from him when my tongue slipped on in. His hand moved, tightened around the back of my waist, and drew me inexorably closer into him than I already was.

Pooled heat in my stomach as Sasuke's dick pressed up at my entrance, and I let out a breathless sigh into his mouth before I pulled away. "Let me touch you," I asked as I nipped at the skin below his ear, only leaving subtle red marks in its path.

"You don't have to ask me for anything," moaned Sasuke. "Do what you want."

When they made some kind obscure noises about my thanks, my hands slid down his arms, shoulders, and toned abs. Sasukes head lolled back, leaning against the edge of the bathtub.

"You're s'beautiful," I mumbled in between breaths of me marking up the base of his neck.

His arm tightened further around my waist, and he pressed me down as much as he could to his dick, and I let out a moan against his neck, while Sasuke let out a sigh of content.

"So beautiful."

Do not copy, steal, modify, etc. Relogs and like are appreciated.

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linkspooky · 5 months ago

Text

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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koqabear · 1 year ago

Text

(Un)Professional

♫: te pongo mal, Kali Uchis

“When Soobin struck up the proposition to be friends with benefits, he did it under the guise of remaining single and focusing on his music, adamant on keeping things “professional”— god forbid anyone else tries to get with you though, because maybe he didn’t really mean it when he told you no strings attached.”

Soobin x fem!reader

Genre: fwb to ???, pwp, kinda angst, smut, rockstar!au

Word count: 4.5K

warnings: soobin is actually kinda mean and toxic but they have their little redemption arc idk TT… barely edited sorry

smut warnings: mean/hard dom! soobin, sub!mc, mc is kinda bratty, so also brat tamer soobin hehe, rough sex, unprotected sex, pet names, (pretty, baby, etc.) possessiveness, jealousy, degrading, thigh riding, dry humping, breast play, edging, marking, biting, oral (f. rec.), fingering, dacryphilia, hair pulling, dumbification, creampie (lmk if i should add anything!)

Notes: this is a mini series that was made simply because i am an indecisive loser. don’t ask why i was listening to reggaeton for a rockstar au, it just happened 😭 also i wrote all these parts after midnight bc that’s the only time i was able to write i guess— in other words… don’t expect too much from this.

Soobin doesn’t do relationships.

There’s no room for something as fragile as that in his life, at least not when he’s traveling to a new state every day for his tours— the last thing Soobin would ever do is fuck up what he already has just for something as fickle as love.

However, he is a man with needs— needs that are gladly fulfilled by you, his pretty best friend that always travels with them.

He’s known you long enough to have struck up this arrangement confidently; knowing there would be no strings attached, not able to form any feelings for someone he’s been content being just friends with for— well, forever.

So this— his pounding heart, his brows that furrow together with frustration, his hands that grip his microphone a little tighter— is definitely new.

There is no logical reason as to why he should be feeling like this; there’s no logical explanation as to why it’s been such an eyesore to watch Yeonjun interact with you the whole night, watching the way the man not so subtly sends winks and coy smiles in your direction, Soobin’s lips being bitten at as he watches the way you merely smile cutely in response.

You don’t even act this way with him; every time you’ve come to their shows, you’ve always made it a point to act normal whenever Soobin comes around— just enough excitement to make you seem like a fan, but not enough to make it seem like you know him— you’ve learned this the hard way.

“Tone it down a bit next time, yeah?” Soobin told you once, as you laid in his hotel bed and surfed through the tv channels with droopy eyes, “If we’re gonna keep doing this, we should be professional about it.”

His words garnered a massive roll of your eyes— what the fuck did he even mean by that? It’s a concert, of course you had to seem excited— but it seems as though you took his comment to heart, watching the way your excitement dies down the moment Soobin approaches your side.

No one’s watching you— no one cares about what faces you make or what you say when Soobin stands before you, but the thought of him telling you to keep it professional pisses you off so much that you decide to show him just how good of an actress you are; the difference of reactions is almost incredible, and you take in the way Soobin’s eyes narrow at the sight of you.

There’s no reason he should get mad— after all, there’s nothing between you.

Agreeing to this was a stupid idea. What kind of a self-destructive freak agrees to be friends with benefits with someone they had feelings for? A self-destructive freak like you apparently, because as you watch Soobin leave with one last glance at you, you can’t help but wish that he was just a bit mad.

The two of you distract yourselves in your own ways; Soobin tries not to visit your section for the rest of the night, and you try to get the attention of the rest of the members in response— and the boys, surprised to see your excited attitude when they come around, are more than happy to oblige— and if the fans noticed that Soobin seemed to be in a bad mood for part of the show, well, that’s on him.

You feel a bit more tired than usual by the time the concert ends— you’re not sure why, but you find yourself trudging backstage because of that; maybe you should just go to the hotel instead of congratulating the boys for their show like you usually do.

“Oh, hey ___!” Yeonjun spots you before you can turn on your heels and exit; you’re immediately putting on a bright smile as the said man throws an arm around you, still in his encore outfit as he drags you along the halls and undoubtedly to where the rest of the members are, “What’d you think of the concert? It was good huh?”

“As always,” you smile, nudging Yeonjun softly as he clearly waits for you to continue, “You were great out there, your energy was insane.”

“Why thank you,” he purrs, leaning in and watching as you scoff at him playfully, “Watching you enjoy yourself practically gave me all the energy I needed.”

You don’t find yourself surprised by his comment; Yeonjun is always like this, his flirty and suggestive behavior nothing out of the ordinary as you simply scold him to get out of your face— you’re so caught up in bickering with the man that you don’t notice the heated stare of another, brows twitching at the way you laugh and play along with Yeonjun.

After a moment though, you feel it— your head is turning before you can really process it, and you’re meeting eyes with Soobin, who looks… well, pissed off.

Before you can get a good look at his face, he’s standing abruptly; taking long strides to where you are, your heart beginning to pound at the sight of him slowing to a stop next to you.

“Meet me outside.” His voice is gruff and on edge as he whispers the words lowly to you, walking off without another word as you simply turn to watch— because of course he wouldn’t try to get Yeonjun off you or outwardly ask for your attention, choosing instead to relay you a quiet message before he’s off, regardless of the way everyone sends him a confused look as they watch him leave.

“He looks mad,” Yeonjun hums, watching as you shrug his arm off gently, “Gonna try to talk to him?”

You sigh, hoping he doesn’t see the way your hands grab at the hem of your shirt anxiously.

“Yeah,” you say, then you’re off, barely able to turn the corner once you’ve exited before you’re harshly pulled by none other than Soobin.

“Ow— what the fuck—!” Soobin’s hold on your wrist is bruising as he pushes you into the room next door, a changing room that’s not meant to hold multiple people as he simply locks the door behind him and pushes you against the wall; he doesn’t bother to turn on the lights as he approaches you— the light that comes through the frosted window on the door becomes the only thing that allows you to see Soobin’s frustrated expression.

“Had fun flirting with the others?” He asks, his lips so close that you’re able to feel the puff of his breath as he huffs in frustration— the room is so small as you press yourself against the wall, feeling as though Soobin is filling your senses and making you dizzy, “Was that your little way to try and get my attention? Because it fucking worked, you poor little thing.”

“The fuck are you talking about?” you hiss, pressing a hand against Soobin’s chest as you feel him try to swoop in to kiss you, his hands already sliding under the hem of your shirt to trace shapes along your skin, “I’m friends with the others too, you know.”

“Have you always been this friendly with them? Hmm?” he asks, slotting a knee between your legs as you’re left to look up at him speechlessly, “What, gonna try to fuck them next?”

“Dude, what’s your fucking problem!” you hiss, punctuating your words with a punch to his chest as you glare at him, not lost upon the fact that his thigh is pressed firmly against your cunt, your skirt fanning along his leg and hiding the way he’s flexing and pushing it against you.

“And if I wanted to, then what?” you ask, pretending as though you haven’t given in to the way Soobin’s hands are guiding your hips, making you grind against him as he feels the way you become wet by his actions, “What’ll you do, get jealous? Try to stop me? That wouldn’t be very professional of you— I might as well ask Yeonjun if he’s free after this.”

“Don’t get fucking smart with me,” He says, a hand coming up to grab your cheeks and tilt your head toward him, “I’m not letting any other bitch get with you, touching what’s mine.”

It’s just his arrogance and possessiveness talking again— at least that’s what you tell yourself, failing to hold back your weak whimper as you roll your hips against him, feeling him press against your hip and rut his hard cock against you slowly.

“I’m not fucking yours,” you grit out, your words muffled as you try to speak through the hold that Soobin still has on you, “The only reason why we’re still friends is so you can get a good fuck, don’t lie—”

Soobin is kissing you before you can finish your sentence— if he wasn’t angry before, he definitely was now, his teeth clashing against yours as he kisses you roughly and without control, a mess of spit as he bites down on your lip, drinking in your pained moan before he’s slipping his tongue in to get a taste.

He’s noticed the way your hips have begun to move erratically; your hands are gripping tightly at his shirt, probably stretching it out as you continue to moan into his mouth, a hand guiding your movements as he flexes and presses his thigh firmer against you, his free hand letting go of your face to slip under your shirt and get access to your breasts as he begins to roll and pinch your nipples between his fingers.

“Do you like it when I treat you like this?” he asks breathlessly, finally pulling away to watch the way a string of saliva continues to connect you— the sight is filthy and has your brows furrowing as you bite your swollen lips in hopes to muffle your sounds, “Like you’re nothing more than a fucktoy for me to use after my shows? A good little thing to take my stress out on?”

The pleasure is beginning to build up— there’s a tight knot in your stomach, making your brain go foggy as you feel the way your clit rubs against Soobin’s thigh every time you angle your hips a certain way, feeling as you soak your panties and his sweats the longer you rut against him.

Soobin simply watches you with a small smile; his eyes are lidded as he leans back, eyes glued to the way you roll your hips against him, weak whines becoming louder and more frantic as you begin to pull at his shirt with wide, teary eyes.

But before you can finally cum, he pulls away. You’re whining softly at the loss, hitting his chest petulantly as you curse at him under your breath— before you can land another hit, he grabs your wrists, freezing you entirely as he sends you a sly look, leaning in so he can whisper in your ear.

“You’ll let me fuck you, right? You can always go to someone else if you need to cum,” he says, waiting for your response as he begins to kiss and suck at the spot just under your ear, knowing how sensitive you are as he feels the way you attempt to curl into yourself.

“Fuck you,” you whine out, attempting to shake his hold off you, only to fail— he simply laughs softly, sinking his teeth into the marked flesh as he listens to the yelp you let out.

“I’m trying,” he huffs out, finally pulling away as he sends you a childish grin, “Now be good and turn around for me, okay sweet thing?”

The nickname catches you so off guard that you don’t protest the way Soobin turns you around without another word, your cheek pressed against the wall and your hands held behind your back as you continue to curse at him quietly— and judging by the way Soobin simply laughs softly, he’s definitely enjoying himself, shameless as ever as you listen to the sounds of shifting behind you.

You hope he doesn’t notice the way your breath hitches as you feel him push your panties aside, his tip brushing against your entrance— swiping at your leaking slit to gather your wetness, clearly teasing you as he takes in the way you try to push back against him, letting out a soft please as you feel his tip sink into you slightly, feeling the way you stretch around him before he’s pulling back out.

“Please? Why are you begging for me, baby?” he asks, slowly beginning to push in as he watches you rest your forehead against the wall, letting out a shaky sigh at the stretch, “I’m not here for you— you can go to another one of your toys if you’re looking for someone to worship you.”

You can’t bring yourself to say anything as you feel him bottom out inside you— no matter how many times you find yourself in this situation, you can never get used to it, the size of him enough to have your eyes rolling back as you feel his tip prod at your cervix, hips flush against your ass as he begins to grind softly into you.

It’s not enough— not for you, and certainly not for him, though he refuses to give you the pleasure of fucking you stupid so soon as he watches instead the way you begin to squirm, wanting more as you hang your head and try to fuck yourself against him— all attempts are quickly stopped as Soobin uses a hand to still your movement, firm on your waist and forcing you back against the wall as the other continues to bind your hands, pressing your fists against the small of your back and watching with a sly smile as you begin to arch in response.

“Why are you so quiet?” he asks softly, leaning in to trail kisses along your neck, continuing his slow and agonizing pace, “Usually you’re so loud I have to keep a hand on your mouth.”

You refuse to give into him— refuse to let him hear what he wants, ignoring the ache between your legs and the fire in your stomach that just begs to be put out— but the way you’re leaking around Soobin’s length and clenching around him is giving you away, and it’s enough to have you turning away from him in hopes that he won’t be able to read your expression.

This proves to be harder than you expected; Soobin’s hand has let go of your waist in favor to play with your clit, nimble fingers circling and pinching the bud as he begins to thrust shallowly, listening to the way you try to swallow your sounds and keep your eyes shut at the feeling— it isn’t long before he’s building you up again, taking in the way your legs shake and you begin to push back against him subconsciously, giving away just how needy you are as your fists tighten.

You’re close, so fucking close, maybe if you stay quiet Soobin won’t notice— but, for a man who insists you two aren’t anything, he’s eerily aware of the way your body gets when you’re about to cum— meaning, all his movement immediately stops the moment you’re about to tumble over the edge, bottoming out inside you and laughing mockingly as he listens to the broken sound you let out.

“Fuck, I’m so tired from today’s show,” Soobin groans, resting his forehead on your shoulder, beginning his slow, shallow thrusts again after a moment, “You don’t mind if I take it slow tonight, do you?”

You say nothing— you have yet to say anything that would irritate or please Soobin, and that in itself is enough to egg him on— because even if you refuse to talk, the way your body trembles from his touch and you bite your lips to suppress sounds is enough to tell him all he needs to know.

The way you clench around Soobin when he begins to play with your clit almost has him cumming— he has to concentrate on not doing so as he takes in the weak whine you let out, your previous orgasms being built up once more as you let out a shaky sigh, listening to the wet sounds that come from the way Soobin fucks you.

You’re trying so hard to remain neutral as he winds you up— but god, he knows you like the back of his hand, his hips rutting and rolling into you as he does everything to make you go insane, already feeling your high creep up on your from how up-tight your body is.

“Feels good?” He asks, using your hands as leverage as he pulls you back into him for a particularly harsh thrust— the suddenness of it has you moaning loudly, your lips immediately pressing together as you feel your face grow hot— Soobin’s cocky laugh is both annoying and hot and you hate yourself for feeling that way.

“Don’t worry, you don’t have to say anything,” he grins, picking up his pace as he watches the way you begin to break, weak moans and whines leaving you from how harshly he thrusts his cock into you, “I’ll do all the work, just stand there and look pretty, okay?”

You can feel your high approaching— it’s intense and fast, and you’re barely able to process the way your mouth falls open as you begin to chase the feeling, ready to fall over the edge and cream all over Soobin’s cock when—-

Like an absolute jerk, he pulls out.

“You know what?” he says, talking more to himself than anything as he turns you back around and tucks himself back in, your back colliding with the wall behind you as your breath hitches, watching as he falls to his knees and sends you an innocent look, “I haven’t tasted you in so long, baby— fuck, I can’t help myself, I’ll be quick.”

Soobin is never like this— you’ve only ever experienced quickies backstage, so to say that you’re surprised to see the man dragging things out here is an understatement, letting out a shaky sigh as he throws your leg over his shoulder and scoots closer to you, burying himself under your skirt without hesitation.

You’re practically dripping on the floor— it’s even worse when his fingers begin to prod at your entrance, feeling the way your walls clench wildly at the feeling and your hips thrust toward the sensation; Soobin’s tongue licks at your clit teasingly, taking his time to trace circles around it as he finally sinks his fingers inside you, curling them and pressing against all your sensitive spots as he takes in the way you squirm above him.

Soobin’s face is practically suffocated by your cunt— you’re not sure how long he does this for, but he proceeds to bring you close to orgasm only to pull away a few more times, listening to the way you begin to cry and plead a bit more with each one.

At some point— your fifth ruined orgasm, you think you’ve lost count— you find yourself pulling at his hair and begging, the words stuttered out through hiccups as you feel hot tears stream down your cheeks, pleading Soobin to let you cum as you grind your pussy along his face, feeling his tongue dip to your entrance before he’s back to teasing your clit, laughing softly at the sound before he finally emerges from under your skirt— his face is shiny and flushed as he looks up at you, sending you a grin that only has you pouting even more.

“What’s wrong?” he asks, feigning concern as he begins to run his hands along your thighs, waiting patiently for you to respond as he begins trailing kisses up your legs, hearing your soft sniffles as he reaches your inner thighs, “Aren’t you enjoying yourself?”

“Soobin,” you whine, shutting your eyes as you feel his swollen lips leave opened-mouthed kisses on your inner thighs, already soaked with your arousal as he licks it up, only to begin biting and sucking at the area leisurely, “Soobin please—please let me cum, wanna cum so bad, please.”

The sound of your begging is welcomed to his ears— he looks up at you through his lashes, sparkling eyes a stark contrast to the filthy way he continues to mark your thighs, ignoring your soft whines that others will see them, please binnie…

“Others will see them?” he repeats, clenching his jaw at the way you nod frantically, a clear concern in your eyes— slowly, he stands, hooking your leg over his waist as he presses himself against you, hissing softly at the way you immediately soak through his sweats, “So what? Let them see. That way they know what happens when we’re alone.”

“But… we shouldn’t— you said we need to keep this hidden…” His words are nothing but confusing— you’re sure it reads on your face, because Soobin is aligning his cock with your entrance once more, chuckling softly at your expression before he shakes his head in exasperation.

“Did I? Well, I don’t wanna hide it anymore,” he says, eyes lidded and filled with need as he sinks himself slowly into you; your eyes are threatening to flutter shut at the sensation, only to be stopped at the feeling of Soobin cupping your chin, telling you softly look at me. before he finally bottoms out.

“Want everyone to know you’re mine,” he says, and you’re more than ready to respond with another mean comment before he continues, “And that I’m all yours. Don’t want anyone else to touch you.”

“W…what—?” your words are being cut short by the feeling of him fucking into you again, a hand coming up to grab his shoulder and your leg pulling him in closer in fear of having your orgasm ruined again— Soobin simply huffs, his hands going to hold onto your hips to fuck into you better, indulging in your fucked out face and dazed eyes as he smiles softly; slowly, he’s leaning in, lips brushing against yours as he speaks.

“‘m so fucking stupid for starting all this,” he laughs softly, holding back a moan at the way you clench around him, your nails digging into your shoulder slightly, “Told myself I’d never catch any feelings like this— fuck, look at me now…”

“Just wanna keep you for myself— maybe I’m being selfish but… fuck,” you think you’re getting the gist of what he means— your free hand comes up to tangle itself in his hair as you close the gap between the two of you, hoping that you’re not misinterpreting his words as you feel him fuck you faster, setting a rhythm that has your eyes rolling back and your mouth falling open, so wound up from tonight that you think your legs might give out any moment now.

“Soobin,” you whine out, pulling at his hair and shirt as you begin bucking your hips at him, trying to fuck yourself on his cock as you whine, “Please let me cum— please please please, need it so bad, just wanna cum, please?”

The way you’re whining and begging is more than enough to Soobin; he’s gripping your hips and fucking you harder, eyes widening slightly at the way your sounds increase in volume, too fucked dumb to even realize.

“Shit,” Soobin grits out, planting his hand on your mouth and telling you to quiet down, “You were really holding back, huh? There’s my girl, all loud and pretty for me.”

He’s cooing softly at the way tears well up in your eyes and spill promptly after; running over his skin, biting at his lip to suppress sounds of his own as he feels the way you become impossibly tight around him.

“You gonna cum? Pretty doll just wants to cream my cock, finally had enough of me using you, right?” The way you’re nodding mindlessly only spurs Soobin on, insanely turned on by the way you’ve become fucked stupid, “Come on baby, show me how good you feel, been waiting patiently to cum, such a perfect doll.”

He’s cooing softly and talking you through your orgasm— you don’t even realize that your legs have given out, and Soobin’s hands are flying to support you as he holds you up, pressing himself fully against you and grinding his hips into you as your head falls on his shoulder; your sounds are muffled by the fabric of his hoodie as you bury your head further into him, pressed entirely against the wall and left to Soobin’s mercy as you allow him to continue rutting into you slowly.

“Binnie,” you whine out, right next to his ears as you begin to speak quietly to him, “Want you to cum inside, fill me up please? Never wanted any other guys but you, just wanna feel you cum inside, please…”

Your soft pleas set Soobin off immediately— his hips are bucking into you so roughly that your body is jolting with every thrust, his head burying itself in your neck as he lets out a soft groan— you then feel the way he fills you up, warm cum staying inside from the way he continues to fuck you well after he’s calmed down, his shuddering breaths on your skin enough to know that how sensitive he is.

For a moment, you just stay there; pressed against the wall as Soobin slowly pulls his cock out of you, feeling the way his release begins to drip out from how much he filled you— your chest is heaving against his as you attempt to catch your breath, legs still weak as you take advantage of Soobin’s strength to help hold you up.

Soobin’s arms wrap around your waist; he’s pulling you in even closer, your bodies melting together as he nuzzles his head into your neck, inhaling slowly as your own hesitant hands come up to embrace Soobin.

“Sorry I was so horrible to you,” he says, littering kisses on the exposed skin of your neck before he continues, “But I did mean that whole thing about catching feelings— the timing’s horrible, I know— but….”

You hum softly, as though lost in thought, “How long have you felt like this?”

“I… this whole time,” he admits, his face growing hotter at the confession, “I was just in denial half the time we did this whole thing— god, why do you think I suggested it in the first place…?”

You hold back a laugh— Soobin however, is nervous at your lack of reaction, pulling away from his hiding place to analyze your expression.

“I’m sorry. Is this weird? I understand if you don’t feel the same way, I’m really sorry if you felt uncomfortable with anything I did today, I seriously don’t know what I was thinking—“

You’re cutting him off with a kiss— but it’s gentle this time, and you really take a moment to feel his soft lips as you feel him smile against you, his cheeks warm under your touch as you finally pull away.

“Soobin,” you say softly, smiling fondly at the way he lets out a soft hmm? in response, “I feel the same. But yeah, you were a fucking jerk with me.”

“I’m sorry,” he says immediately, cupping your face as he sports the look of a kicked puppy, eyes filled with nothing but guilt, “I’m sorry, I seriously never meant to go that far, I should’ve just asked you out like a normal person instead of being so mean.”

“I don’t know,” you say, pouting softly as his eyes widen softly, seemingly afraid of what you might say; you simply peck at his lips chastely, unable to hold back your laugh at his expression, “I kinda liked it.”

Your words are horribly confusing to Soobin— but hey, at least he knows how you feel.

#txt fanfic #txt fanfiction #txt imagines #txt oneshots #txt ff #txt angst #soobin x reader #soobin x you #soobin x y/n #soobin ff #soobin imagines #soobin oneshot #soobin angst #txt smut #txt hard hours #txt hard thoughts #soobin smut #soobin fanfic

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writteninlunarlight-years · 6 months ago

Note

Busy days give cute ideas-

Since the Hotel was rebuilt, Lucifer has stepped up and has started doing Kingly things again. Talking to the Sins- helping them sort out arguments basically- but also helping Charlie brainstorm ideas for bringing in Sinners and activities.

He forgot how busy being a King made him-

Then Reader, a Sinner that came after the Extermination because they saw the King Himself saying to try redemption -plus free room!- grabs him one day without warning, and throws him into bed. Just full on waits on his every need, watches a movie he hasn't seen before but does like, makes lunch and dinner for him, plays card games-

They do everything Lucifer has been seen enjoying. And Reader remembered? He barely spoke to them, but here they are. Being kind to him.

Basically a full day of reasons why he deserves a break, Lilith wasn't anywhere near as caring as he falsely remembered, and that he REALLY needs to get to know Reader now-

Lazy Dayz in a Dreamy Haze

TW: Overworking, relationship issues, sad feelings

(I am almost positive I made this completely gender ambiguous. Please tell me if I missed something or gendered the reader at all!)

Your fall from grace wasn't anything to really write home about. You were a grade-A lazy person in your mortal life, and that inevitably led to your less-than-amazing death. You could sleep wherever and whenever, find the best binge-worthy shows, and overall, you know how to relax for a good time.

You were a little confused when you saw Charlie's original broadcast for the hotel. How could you ever be redeemed when your sin is just simply enjoying your free time? This seemed like too high a task for a mere princess to accomplish, not to mention that once word got out that the Radio Demon was helping her, it was even more of a put-off.

You followed the story, though; Kattie Killjoy documented it every time something happened in Charlie's unsuspecting life. You also were one of the lucky few to witness the downfall of Vox’s pride due to the Radio Demon.

When the extermination got pushed up to only a couple of days away, you had even more doubts about this redemption policy the princess wanted. When the broadcast showed Lucifer there, ready to strike down, the angels soon to torment more than just the hotel if they didn’t win; something moved in you.

The following day, you packed up your small things and made your way across the city to the hotel. You didn't expect much when you joined the Hazbin Hotel. You saw that the king endorsed it, and if the king said it was cool, then why not? You didn’t reasonably expect your whole life to change, though.

Not only did you gain a little family of friends, but you also got free room and board so long as you completed Charlie's exercises and you got to see him. Lucifer Morningstar was a pragmatic character in the grand scheme of things. Where his daughter had illusions of grandeur, he was there to make things happen and make things work. Doing this, however, cost him what looked like a great deal.

Lucfier worked day in and day out. Even though you lived in the same hotel as him, you hardly saw him not doing something for Charlie or one of the other inhabitants. Seeing someone doing so much to make a dream come true and not take care of his own was sad. Maybe this was when the first inklings of your feelings for the king kicked in.

Growing close to the others in the hotel, you eventually learn all about Lucifer's problems in his past, from harboring poor feelings towards his fellow angels to having to deal with losing Lilith and his daughter. Luckily, he and Charlie rekindled some of their relationship, but it was clear Lucifer worked himself to death to avoid thinking about the missing person. Lilith, though a once prominent figure in hell, was still not found, causing a lot of people, including Charlie, to assume she just never was going to come back.

You got confirmation about Lucifer's depression one rainy night sitting at the bar. You were busy talking to Husk about Charlie's upcoming bonding retreat when a groggy Lucifer came down to get a drink. While he sat next to you, the bags and lines around his face were as clear as day. For an immortal being, he looked like he was knocking on death's door. He had been working long into the night to ensure Charlie’s next adventure went on without a hitch.

You had nothing against Charlie and immensely enjoyed her company. You can only assume Charlie hadn’t given her father a break because he was never this vulnerable around her. You knew Husk had a way to get people to open up, but you were surprised he was opening up in front of you. He looked exhausted, as if sleep had invaded him for nights. You wanted to hug him, wrap him in blankets, and tell him to sleep.

While looking over the man, you noticed a band of gold on his hand that he awkwardly fidgeted with. Taking the context clues and knowledge from those in the hotel, you'd bet that was his wedding band. While watching him drink his fourth glass of whiskey for the night, you leaned over and placed a comforting hand on his. “I know you don’t know me well, but Lucifer, you are doing an amazing job. It’s okay to stop and breathe a little. You won’t be letting anyone down if it’s to help yourself.”

His look was no less than shocked; from what you gathered, no one ever really talked to him in a comforting manner. “Uh, well, thank you, Y/N; you know I am happy you joined the hotel. You will be an excellent Winner if we can ever redeem a soul.”

That statement struck a cord in you again. Why did he know that you would make a good Winner? He had barely even met you when you joined the hotel. He was always so busy and working that the most you two said to each other on a given day was a small hello. Yet he knew enough about you to tell you would make a great Winner. You didn’t know that Lucifer was paying attention from the beginning of your journey at the hotel. He always said his job was to help make dreams come true, especially his daughters. So when you came along and started helping everyone with your calming aura and comforting ideas, he took extra notice of you. That's why he knew all your favorite napping spots, how you put self-care and rest above everything, and how you wanted to help others as much as he did.

From that day forth, you looked at the King of Hell differently. Instead of wondering why he was so busy and never saying no, you looked for all the times he grabbed that band. In doing this, you learned he liked to make rubber ducks, enjoyed the circus, had a fixation on apples, loved to sing randomly, and had a knack for helping others.

Honestly, the last part wasn’t that surprising. Charlie had to have gotten that trait somewhere. With Liltih being AWOL and the stories you heard in passing about the woman, you figured she wasn’t where Charlie's helping streak necessarily originated from. Taking this knowledge, you devise a plan to help the King of Hell finally get some reprieve.

Executing this plan flawlessly took a couple of days. From finding all the proper materials to convincing Charlie to make sure no one called on Lucifer, you had your work cut out for you. You didn’t know why you cared so much about what happened to Lucifer other than it tugged at your once-beating heart that he was so overworked and undervalued.

The day finally came for you to stop the overworked man and get him to slow down. As he started his day bright and early, you were already downstairs waiting. His arrival was right on time, and everyone knew that when he asked the dreaded ‘what can I do for everyone today’ question, they all had to say nothing.

When he heard he had nothing to do, Lucifer returned to playing with that ring on his finger. This was your cue to help him find a better way to distract himself than taking on millions of small tasks. You stood before Lucifer, hand outstretched with a broad smile, “Do you trust me?”

You were met with little hesitance, and before you knew it, you had taken Lucfier up to the day room on the top floor. You had set everything up for the first half of your relaxation day. There was a giant pillow fort taking up center stage of the room.

Lucifer was taken aback. This was the sweetest thing anyone had done for him. It is a little cozy retreat away from having to work, a welcomed distraction. He was excited to see what your mind came up with. The whole interaction left a warm feeling in his chest, one he didn’t know if he was ready to explore yet.

Crawling in, you beckoned Lucfier to join you inside and get cozy. The magnificent fort was littered with various comfort foods, cozy blankets, and a TV with what Charlie called his favorite shows. Turning on the fairy lights and TV, you immediately saw the tension in his shoulders begin to relax.

You two stayed there for hours, watching shows, eating good food, and talking. Lucifer didn’t know when the last time he allowed himself to be this free with another person. You were content making sure he understood how valued he was, but you couldn’t deny the proximity, and the ease of the conversation was beginning to make you feel some type of way.

When the final movie was put on the TV, you let out a slight yawn. You had never disrupted your sleep schedule and nap time for someone else before, and your body was beginning to disagree with you. Lucifer took note of this and scooted a little closer to you. When you looked up at him, he just patted his shoulder, and you understood he was offering assistance to you.

You laughed gently in your hand, shaking your head. “No, mister. I am supposed to be helping you, not the other way around. Come here.”

As you said this, you repositioned the situation, so Lucifer rested against your chest. Your arms were wrapped around him, and you were gently playing with his hair. Lucifer hadn't complained about this, so you deemed it safe to continue. His hair was soft, with a little gel from when he woke this morning. Eventually, your hand stopped moving as you drifted off to sleep.

Lucifer was content like this. He hadn’t been held in so long. This was something he only dreamed of doing with Lilith once more. He thought about all these things and felt your hands slow and your breathing even.

Lifting his head slightly to look at you and not wake you, he realized you were lovely. The thought initially scared him as he hadn’t thought of another since Lilith, but your compassion and kindness were a refreshment. Slowly, he rested his head back on your chest and took a much-needed nap.

You had woken first, feeling Lucifer tighten his grip subconsciously around you. Smiling, you stroked his hair again as you pulled out your phone. There was still an hour before the final stage of relaxation day could continue. You closed your phone and realigned your attention to Lucifer.

He looked so beautiful, almost angelic if you were allowed to say that. He let out tiny snores, and you could nearly not see the bags under his eyes. You gently caressed his cheek without thinking, and when he nuzzled your hand, your face lit up. You told yourself he wasn’t ready and to diminish these feelings immediately.

Once the hour was up, you gently woke Lucifer with a light shake. He rubbed his eyes and stretched, looking at the now-darkened TV. Once he was situated, he got out of the fort with you, ready for you to lead him on the next adventure.

You strategically chose the top floor for the fort retreat so everyone else could set up downstairs. See, your plan helped kill two birds with one stone. Charlie wanted a fun way to bring in more sinners, and you wanted to help take the stress off Lucifer's plate. In doing so, the Hazbin Hotel Annual Carnival was born.

As you arrived downstairs, the carnival was in full swing. Flashing lights, games, food, and even a circus event were happening. You turned to look at Lucfier and shouted, ‘Surprise!’ He was astonished that you not only considered giving him a brain break but also made sure to add something physically fun.

This was particularly useful in two ways: he loved the circus and would be tired when he went to bed if he got worn out at the carnival. You showed him around the carnival with a broad smile on your face. All the regular inhabitants of the hotel were the carnies and some outside friends Alstor enlisted.

As soon as you explained everything, Lucifer had your hand in his and dragged you around. Though you were still exhausted, seeing this man so happy was well worth it. You participated in the games and the face painting. Lucifer laughed hard when he saw you get his Iconic makeup done.

As you made it to one of the last games, you found Angel managing the Apple Bobbing contest. With a broad smile, you drug Lucifer over and place your bets on who could get the largest apple. You hoped the newly painted makeup would withstand this trial as you went first. Coming back up with a tiny apple, Angel had to make one of his inappropriate jokes.

Next, the king himself went for an apple, not before blushing at the lewd comment Angel had made about you. He really needed to teach him that it's okay to keep thoughts inside. As he went down for an apple, he found a golden one and took his chance. Popping his head up, Angel rang a bell, signifying the grand prize.

Lucifer was handed a giant white snake plushie with a top hat as his winnings. He smiled, holding the cute item, and then turned to you. Gently, he wrapped the snake around your arm and shoulders, smiling wide. Your heart fluttered at the notion that he had given you his grand prize, no questions asked.

Over the loudspeakers, an excited Charlie could be heard asking everyone to come to the big top for the show. Lucifer was excited that his daughter, as a ringmaster, would entertain all these guests. As you two took your seats in the crowded room, the lights dimmed, and Charlie, in an adorable outfit almost identical to her father's, came out.

The smile on Lucifer's face when he saw Charlie look and act like him was heartwarming. You could almost see tears in his eyes. Lucifer was notably the most involved watcher of the show, answering questions, raising his hand for volunteer options, and even performing a song with Charlie. It was a fantastic event that left many impressed.

As the circus act ended, Charlie approached you and thanked you for taking over this task. She had already gotten many people asking to enroll in her redemption program. While Charlie was talking to you, it was missed by all the knowing soft smile Lucifer had while staring at you. He realized that he hadn’t gone to rub his band once this entire day since you showed up.

Looking down at his hand, he moved the band from his left finger to his right. He wasn’t fully ready to let go of Lilith, at least not in the semblance of her being the mother of his child, but he was ready not to let his past hold him back anymore. He walked over to you and Charlie and gently interrupted the conversation, asking to steal you away.

Charlie said yes, giving you a big thumbs up before she went on her own way, too. You gave Lucifer your full attention again as he led you to the Farris Wheel. Climbing aboard, you two faced each other and began talking like earlier that day. The conversation seemed so fluid for you two, making this a beautiful moment.

Once at the top of the wheel, there was a sudden jolt, causing you to move forward and land in Lucifer's lap. Both of you laughed gently as you resituated back in your seat. In doing so, however, you noticed his left hand was bare. You panicked, “Where did your ring go? Did it fall when I moved? We have to look for it.”

Lucifer just laughed at you and shook his head. He showed you his right hand now adorning his wedding band. You calmed down and looked at Lucifer as he explained, “I have never been so well taken care of, Y/N. To say I appreciate you would be an understatement. For seven years of my life, I have lived in this dark shadow that I was at fault for losing all I held dear. Though Charlie has been there trying to help, I still drown myself in work to forget Lilith.”

Lucfier repositioned to sit closer to you, looking you in the eyes, “However, you have impacted my life since the day you arrived. I have been watching you and find your efforts to comfort and help those around you refreshing. I find it so amazing you even took time out for me to plan all of this.”

Lucifer gently touched your cheek as he continued, “I have loved every minute of this day, and as I began to love it more and more, I realized I couldn’t let Lilith control my life forever, especially if she wasn’t here. I am not ready to completely let go; she is the mother of my child, and I hope she is alive and well. I am saying, though, that I am ready to move on and try to live more carefree again. You, Y/N, have been a dream come true.”

Tears welled up in both your eyes as you took in the words. You smiled and reached your hand out to hold his. Hand in hand, you two laughed and looked over all of hell from the top of the wheel. You were happy he finally accepted being free from his past and taking self-care and love for himself seriously. It was also astonishing that you were the one to teach him this.

As the Farris Wheel ended and let you two off, the darkest point of the night finally hit. Grouping up at the front of the hotel, Lucifer's arms wrapped around you. A beautiful array of fireworks went off while you looked up to the sky. Turning to face Lucifer, you felt like you were living a dream. Who knew Lazy Days would result in a beautiful Dreamy Haze.

#x reader #lunarwritings #moons #hazbin hotel #hazbin hotel x reader #hazbin hotel x you #hazbin hotel imagine #Lucifer x reader #Lucifer x you #Lucifer x reader fluff #Lucifer x you fluff #hazbin hotel Lucifer #hazbin Lucifer #alastor Lucifer #Lucifer fluff #Lucifer #Theduckyking #thekingofhell

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yuri-is-online · 6 months ago

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I imagine Deuce!Yutu is either A. The Ultimate Honor Student with perfect grades and a plsmile that makes old nannies and mothers swoon (Yutu: "Thanks, its because me and my parent are the local "weirdos" I had to overcorrect and become a golden child (':") OR B. just as bad as pre-NRC Deuce was, a gang member who'd jump anyone who'd look at him wrong (but still cried until he was sick when he watched My Girl (1991) behind Yuu's back. They told him not to because they knew it was sad, he didn't listen).

I imagine Yuu's main memory of Deuce to their Yutu was how much Deuce believed in self-improvement and redemption, always trying to be a better man, which either version of Yutu can't help but admire or respect, despite their complicated feelings over their absent father.

Upon meeting him in the "current" timeline as a student, A or B either can't help but give Pop's an A for effort, despite missing the goal sometimes or finds him a little cringe for being such a tryhard.

I had to google the movie you mentioned and got jump scared by it taking place in Pennsylvania. Pretty sure I have driven through the place it's supposed to be set before... and fuck just reading the synopsis made me cry I don't think I could watch it ;-; poor Yutu should have listened to his parent.

notes: they/them used for Yuu, for context on the fyuuture kid au can be found here and here.

I feel like I have read too much Tokyo Revengers because... we can have both: an honor student with a delinquent mean streak sounds like a good set up for Deuce! Yutu. Not that I think he would behave like Kisaki does exactly, but still. Dylla mentions in the White Rabbit event that she wasn't on the best terms with her mother when she was a teen, and we know about how Deuce was in middle school, so the idea of Yutu having a bit of a temper and rebellious streak to him does make a degree of sense. Sadly, I think that extends to his interactions with Yuu... so things are about to be angsty on two fronts today.

Much like Deuce, Yutu was just the cutest baby. He loved all things cute and fluffy. Bunnies, kitties, puppy dogs, he was such a sweet little kid who really loved chasing around butterflies in the great outdoors. He really loved to read, and learned how to do so at a very early age. When Yuu was having a bad day he would pick out one of his favorite books and insist on reading them a bedtime story so they could take a nap without any nightmares. If he was especially worried he would bring his favorite nightlight with him.

Not that anyone would ever dare to suggest it given what Yutu is like now, but he was very afraid of the dark as a child. He still is, there's just something about the void that exists in the darkness that screams danger to him. When he's isekaid to Twisted Wonderland it evolves into an extreme fear of blot and phantoms. I'd like his unique magic to have something to do with light or stars, something inspired by the Second Star to the Right from Peter Pan? I think it would be cute for someone afraid of the dark to be able to provide their own light.

When Yutu reaches middle school there's a noticeable change in his relationship with you. He's still polite, still bringing home good grades and unoffensive comments from his teachers. But he's a bit cold, as if he is purposefully putting emotional distance between you. His friends all treat you respectfully, but you just have a feeling, left over from somewhere, that you know what is likely going on but you can't put your finger on what. He gets angry when you try to ask questions, yelling something about how you just don't understand, maybe even throws in something about this being your fault...

I wrote about Riddle! Yutu having some fights with Yuu, but Deuce! Yutu's fights are so much worse. While Riddle! Yutu typically comes out of his room blubbering big fat tears ready to apologize, Deuce! Yutu feels the need to double down and save face. He does believe his parent has amnesia, he's seen how they act, but what he does not get is why they insist on feeling so fond of his dad and refuse to move on. In his mind their life could be a lot better if Yuu was willing to be honest with themselves about who his dad probably was. Yutu is very hung up on why Deuce felt the need to be redeemed, focusing on self improvement is all fine and good if you are someone worth redeeming but he's not around for Yutu to judge. And Yuu doesn't remember...

He's young, stupid, and angry, and he takes it out on anyone who looks at him wrong. What's worse for authority figures who want to help is that he's veeeery smart about how he does it. When he jumps someone you can bet there won't be cameras around to see it. When the police start troubling Yuu about what he's doing it's mostly just in the hope that they'll be able to talk some sense into their kid rather than to arrest Yutu or anything like that, but it doesn't work. Yutu gets to see the same thing that his dad did all those years ago, his parent crying because of his behavior but there's no grandparent Yuu is asking advice of. Since I am in the mood to be extra cruel, let's say the day that fight takes place, the day Yutu sees Yuu crying is the day he hears a very important name for the first time.

Deuce. His father's name is Deuce and the reason why he wasn't around was because he was from the other world that came to swallow up him and his parent the instant they began to remember. He doesn't get time to cover up the signs of his rebellion, or really a chance to say sorry. He has to look Grandpa Crewel in the face and admit that he made Yuu cry and added to the overly stressed mess their life had become. Everything they said about Deuce was true, and what's worse he was like him.

I feel like Deuce would be the sort of person who wanted to make a lot of home videos. Cater probably would be too, but he'd store most of them on his phone and I think that would be lost to time by the time his Yutu came home. Maybe it's because of the ghost camera, or his desire to be an "honor student" evolving into wanting to be an "honorable husband and father" but Deuce totally bought a video camera to take cheesy videos to show Yutu as he grew up. Instead the kid gets to see fragments of a life he could have had as he listens to his dad tell him about his life and how he met Yuu.

"Honestly I have no idea why they said yes." Deuce is a dork. A complete dork who looks so... young and life like in the video. He knows what features he took from Yuu but watching Deuce talk, he can pick up on the ticks, the way his mouth sets when determined. The look of shock that always made Yuu laugh, it bursts into view when he hears Yuu laugh as they enter the frame to snuggle into Duece's side, to press their face against his cheek with a happily contended sigh. "Y-yuu you're making me look uncool in front of the baby."

"He's not here yet!" You giggle and for the first time in a long time Yutu feels himself choking up as he watches his dad get all silly looking at the thought of his arrival.

"We're really looking forward to meeting you kiddo. I promise, nothing will ever happen to you. I'm not going anywhere."

"Well. Technically kept that last promise didn't you." He tries to play it off like a joke, but Crewel isn't laughing and neither is Yutu.

Gets put in Heartslabyul, but isn't exactly determined to be an honor student like his dad. While Deuce enjoys a good fight or the feeling of the wind in his hair... Yutu mostly got into fights because he was angry and needed someone to take it out on. Because of that temper he struggles with learning and controlling his magic but he still does pretty well with the practical academic side of things. He's proud of his ability to understand these things, and takes a lot of comfort in knowing his dad would be excited at knowing he was good at things like math and science.

Like with the other Heartslabyul boys, he had to fight his father's phantom. He sees putting Deuce to rest as part of his penance for how he treated Yuu in the years leading up to getting isekaid. He refuses to go back in time until he's able to lay this version of his father to rest next to Yuu so he can promise both of them, to their faces, that he'll create a world where they all can be together and live as a family.

Deuce is extremely friendly to Yutu! He wants to learn as much about Yuu's world as he can so he can help them feel as at home in Twisted Wonderland as possible. He makes sure to let Yutu know that extends to him too once Yuu warms up to having him in the friend circle, Uncle Ace is much less enthusiastic but it's clearly from a place of care towards Yuu. He starts to warm up when he sees Yutu trying his hardest to tutor Deuce, though he claims it's because he just thinks it's funny but really it's because Ace wants to see Deuce succeed.

Very correct on his feelings about Pops. His dad is so wildly cringe it's unreal. His effort is inspiring until he starts getting embarrassed for losing his temper and stuttering, or seven forbid you look at his grades. The more he interacts with both of you the more certain he becomes that Deuce would never have abandoned him... and that he is so getting grounded when Deuce learns about how he treated Yuu. And what's worse is that Yutu sort of wants him to.

Surprisingly that's not what happens at all. When Deuce learns who Yutu is, whether by sleuthing or through a violent confrontation with a monster from the future, when the whole story is laid out before him and his son bows to beg for his judgement it doesn't come at all. His Pops yanks him up by the collar and turns him towards Yuu.

"Say all of that again to your parent." Deuce's voice is as stern as it is serious. Yuu looks distraught, not quite to the point they were on the day everything changed but getting there as Yutu immediately breaks down and chokes, crying and begging for your forgiveness and saying he's sorry as Deuce brings all three of you together into a strong embrace. "I'm not the one you need to make things up to, but it's ok. I know exactly how you feel and we'll work through things together."

Deuce doesn't feel like he can be overly angry at Yutu for taking after him. He does feel the need to apologize to Yuu, profusely and in private, for putting them in so much danger and not being there to help Yutu work through his temper. If I was writing this as a story, I'd make Yuu sort of afraid of Yutu's feelings? I could see them blaming themselves and things being a bit awkward within their relationship with Yutu where they had been very good before the reveal. With Deuce being the loving and understanding partner that he is, the bridge is once again mended and the whole family gets to indulge in hobbies that aren't beating the shit out of other people.

Yutu gets back into reading, and starts looking up manuals and histories of blastcycles so he has something to talk to his dad about. He was right about his dad being extremely proud of him for being smart, he's that classic mechanic working class dad who can't stop talking about his kid who went to college and has pictures of him in his garage he makes sure to point out to everyone who comes in. Said person is really just Ace who really wants to make fun of Deuce and Yuu for being cringe together but is too focused on this whole world ending thing and wants everyone to be more focused on that.

Deuce promises that he is, he has a lot of confidence in the ability of your little group to be able to win against stacked odds. You've done it before you can do it again. Yutu couldn't have picked better allies, he's really determined to show him that and be a dad his son can be proud of. He repeats his promise to Yutu that he's never going anywhere, even though the kid never told him anything about the tapes because he really means it. He wants that world little Yutu dreamed of and older Yutu swore to fight for to be a reality, and it's his job as an honorable dad and future husband (he gets so flustered when he says that) to be the one on the front lines of fighting for it,

... just please please please do not tell Yutu about the egg incident. He doesn't think he could handle that embarrassment.

#<3 asks #twisted wonderland x reader #twst x reader #deuce spade x reader #deuce spade x yuu #ace! yutu is a charming rogue like robin hood #deuce! yutu is like basil from the great mouse detective #this took forever as i was inflicted with some big sleepies but i think they're gone now? we shall see

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lolbital · 8 months ago

Text

My hazbin hotel ship opinions!

• staticradio: my favorite, my obsession, my life. It is very obvious in the show that Vox is obsessed with Alastor. The most common opinion in the community is that it’s one-sided, but I like to think Alastor pulled away because he was afraid of his reciprocated feelings towards Vox.

•radiorose: This is my second favorite Alastor ship. They are super cute and they’re quite perfect for eachother. I just enjoy their friendship too much to actively ship them.

•radioapple: I only understand this ship because it seems like they have existing tension, but otherwise I don’t enjoy it. Alastor and Lucifer’s relationship was never expanded on beyond their immediate rivalry. Maybe if season 2 gives them more interactions or a backstory I will be able to get behind this ship a little more, but I really can’t see this as anything more than a boring rivals to lovers trope.

•staticmoth: It’s okay, but I don’t see them as much more than a sexual relationship. I don’t think Valentino is capable of genuine love.

•polyvees: I see Velvette as more of a younger sister to the other vees. To me the idea of her having two boomer older brothers is just funny. I don’t think this ship is necessarily bad it’s just not my thing.

•bombsnake: I think they’re cute. Unfortunately I don’t think Cherri really has returned feelings for Pentious. Based on their interactions she just seems interested in experimenting sexually with him because of his anatomy. I could be wrong though, so I’m very open to this ship!

•Charlastor: I see Alastor as a father figure or older brother to Charlie. Especially after the Hell’s greatest dad song, I just can’t ever see them in a romantic situation. I am not against the ship, but I personally don’t like it.

•Chaggie: I have nothing bad to say about them! Their relationship is healthy and I think they’re perfect for eachother. I particularly enjoy the fact that Vaggie was an ex-exterminator because it truly promotes Charlie’s idea of redemption. I am going to be extremely upset if Vaggie gets redeemed and gets seperated from her gf.

•radiodust: most people who ship this probably still have the pilot in mind. They don’t interact a whole lot in the show, and I see this as more of a crackship than anything.

•huskerdust: It looks like they’re going to be getting a slow burn relationship and I’m so happy about that. I like to think that Husk is refusing Angel’s advances because he knows he’s only doing it because of hypersexuality at first. I’m 99% sure that is what is canon too. I want to see their relationship grow.

•radiohusk: I am sorry but I can’t get behind this whatsoever. Husk absolutely hates Al, and Al owns him. There is no equality in this relationship, and it would get toxic very quickly.

•radiomaid: I love their dynamic but only as friends. I know Nifty is an adult, but she acts so childish and Alastor still owns her. I don’t like the power imbalance and maturity gap.

•alastor/lilith: if the theory that Lilith owns Alastor is true, then I am interested to see if we get a backstory about them, or what they might’ve been doing for 7 years. As of now I am neutral.

•guitarspear: these two menaces belong together. It seems like Lute really cares about Adam too which is an added bonus.

•Adamsapple: definitely a crackship. I don’t know what to say other than I find it amusing.

•valdust: I despise this ship. There is a very abusive power imbalance and it is proven that Anthony is nothing more than an object in Val’s eyes. There is no love here, just manipulation.

•royalhalo: cute, but even better if It’s poly with Vaggie. If emily becomes a fallen angel, Charlie could have two gfs and I stand behind that.

•lucilith: I hope they get back together. Lilith better have a good reason for leaving.

•Vaggie/Angeldust: most probably ship this because they were likely a longtime viv follower. I’m not against this ship necessarily, but I could never get behind it. Maybe I just adore chaggie and huskerdust too much.

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socksandbuttons · 1 month ago

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How do you think TSAMS would be as parents? ✨️

I love you belle thank you for this totally umprompted yet again bats my eyes

WE'RE GOING DOWN SOME LISTS- edit: this got longer than expected. I have to put the rest under readmore cause I got so EXCITED to answer. I'm sure my brain had more but fdhjks just take IT BEFORE TUMBLR EATS IT AGAIN. puts the rest under read more good GOD

KC: yeah you know my stance on this, he's dadcode. He's got that paternal instinct. I will die on this hill. Do I think they couldve handled his character differently? Absolutely. And i dont mean making him more Dad-like. Just in general more exploration on this poor man suffering from lack of anything past his redemption. KC using the guise of being Father to Bloodmoon, not only that APPEALING to OG Bloodmoon so much, someone to have more familial bonds with in killing vs Eclipse who tried to keep him and use him.

I don't mind KC having had not only favouritism and manipulation there. It's not until he's given wildly conflicting stances that he thinks about it. And then loses this Bloodmoon. And then we dont hear from him. Which i think he was mourning. However thats a topic for another time.

To answer the question better- I think he'd put a lot of effort in trying to rekindle that. He's the 'oldest'. hes aware how used people can be, and works (and canon to a degree) to fix that. He likes the idea of being a dad, a lot of everyone needs a good father figure in this show (stares at creator). And dadcode gives us this, a tall figure willing to scoop you up and comfort quietly as your held and listen to your woes and offer some wisdom.

Sun: BRO IS SUCH A DAD NOW. LOOK AT HIM AND DAZZLE. SPOILS HER BUT QUICK TO MAKE SURE SHES NOT TOO SPOILED. Patient and creative in trying to give them fun and live delgihtfully as a kid given her fate. He's canonly willing to patiently sit kids down, even SunPea from EAPS literally using a tactic to communicate and calm them. While he's shown to be unsure hwo to feel about Jack, he's recently shown to treat him similarily too (in a similar vein, he had a similar way with Lunar, an older brother yes but theres bits in there). Bro IS GOOD with kids despite having complaints (who doesnt). Anythats just canon. I think its cute, genuinely a good dad. KC would be so proud.

Old Moon: Okay so this depends. I personally think he'd be fine to a degree. This is also due to my perception given how he treated Lunar. He adored Lunar, letting him not only stay, but adopted him. (Albiet because they were together but Lunar did open up to Moon and Monty about how he felt. Which Moon canonly is VERY protective of his family, literally an immediate 'alright this is my baby brother now'. Which is sweet. But he's known to be standoffish, Lunar had the fact he was in Moon's head thus more understanding of Moon.) Now this leads what it was then. Moon now is… better to a degree in treating his family. Though because of that he's feeling more silly uncle. (WEIRD RIGHT??) Which is still nice i like he's doing well.

NewMoon/Nexus: NOW THIS. Ive seen people respond the same way actually. NewMoon GOOD DAD. YES GOOD AMAZING. ive read one fic where he takes care of baby sun its cute. He would be- Esp given he would be actually taking the time to be in the daycare more thus more exposure to kids. Sun and Earth being good examples of people who'd help him if he struggled.

Nexus… yeah Nexus is feeling less likely to be good father, much less at all in canon at the moment. But im capable of spinning things. Just depends on circumstance. And how his arc ends (me pleading he gets redeemed or something. just turn him into a baby guys. its fine. itll solved EVERYTHING.) But if he ends on a redemption arc, I can see him being very hard on himself about trying to raise a kid right. he knows what not to do but due to idk being manipulated so badly and blinded by grief and self image problems…. he'd be seeking guidance a lot. He's already wronged many. It may be difficult for him to actively parent a kid. But in turn the kid being the part of his life that knows him for him as he is and still loves him?? Damn.

Earth: Wife- i mean she was programmed with a bunch of child care stuff. She originally was given 'motherly' programming. Of course its deviated but she's a learning AI of course it did, she's embraced being baby sister and frankly shes ALLOWED (people hating on that. She's embracing being girly pop and traditionally femme, doesn't make her wanna be Motherly at all times bruh shes come into her own and im proud of her). Doesn't discount she'd be a good mom. She WOULD actively make sure creator NEVER comes near her child/children. And given how you can OVERSTEP and she activivates her security code? Protective mom, willing to listen but like moms will absolutely not understand somethings.

Lunar: Okay i think its very funny everyones like 'dont… actually let him be a parent' and IM LIKE OKAY. Canonly YES not a parent type person. But Lunar's literally going thru his own life with constant stress and dissociation tactics. It's gotten better for him yes, but definitely in no state of mind to be a parent. Do i think in the future he could be? ABSOLUTELY. Right now? Not really, He's actually a.. interesting babysitter. He doesnt take nothing from kids and he will just not wanna interact if its too much. Encites chaos though, he would be the one who'd help the kids stage an uprising. Though im like eyeing the divorce arc Galaxy had up and im like 'oh my god disaster man… beautiful he's terrible at this'. Which is FUNNY given Lunar before his death was VERY good with kids, a quote with Sun. Anyway, the verdict is current canon Lunar? Not a parent type. Lunar in the future? Possibly yes. Lunar from before his death? Up for debate from ME, but also a no.

Ive seen people seperate each eclipse and like MAYBE. but we're just seperating by like… the eclipse who got the star vs Eclipse who's a clone but not now?? (I got some summary of Solar getting Star Eclipses soul or something-)

Eclipse who got the Star: Yes. I think he'd be a dad. What did you think I'd say? HE WOULDNT? Also true. Look what he's done to all his brothers/creations. But also bro has severe abandonment issues that led to him Killing lunar and then REGRETTING THAT (DONT SAY HE DIDNT. HE DID. AND KNEW MONTY WAS REMAKING LUNAR.) He wouldnt make the BEST parent, but legit as much as he hated how Solar Flare talked to him, got attached. Chances are if he gained a kid somehow it'd be similar. Wouldn't let his kid away from him too long. Before he got the star? Not much of a chance of him being a father canonly. Far too focused on revenge and how unforgiving he felt. In my baby back up au, he's reluctant to even get attached cause of his own self acclaimed goal (altho in my au, he's not immune to babies and the fact that in a sense its what he wanted out of himself and Lunar (think to the episode with Lunar reacting to baby versions of him and eclipse. similar thought)). Honestly him being in the computer was enough for him to close himself off. Solar Flare had to be in his head to even get thru to him. (STARES AT KILLCODE U ARE THE FATHER FIC I ADORE. FLARE BECOMING SENTIENT AND ECLIPSE JSUT GETTING PROTECTIVE OF HIS NEW CREATION… love it)

Eclipse Who Was Cloned But Isnt A Clone Now I Guess: he's gained not only Lunar's reconciliation but also befirended earth, got a somewhat apology from both moons?? IS parenting maybe the sun and moon in his new dimension. He got VERY possessive about looking for HIS sun which is fascinating. Also apparently now a dad? to a ghost? I think?? Anyway, he's already rather proven to be protective but also just willfully watching nearby to let them be. He's retreated into himself a bit but actively does care, even if its hard to show. If he had a kid theyd either understand or wont. But I think small actions could help.

Solar: LISTEN I ALREADY HAD THIS THOUGHT WITH MY SUN!LUNAR AU, HE IS DAD. AND NOW HE'S DAD TO JACK. ITS CUTE. BRO IS SO ANNOYED ABOUT WHAT JACK IS DOING- and then remembering he programmed that- and then hearing monty had to FIX HIM. But also genuinely just accepted he's jack's father. And working to be looking out for Jack despite how exasperated he sounds sometimes. It probably does endear him to know after his 'death' Jack took it to call him father more. Anyway on HOW theyd be a parent. Solar is seen to be rather standoff-ish, given in part to their changed story of his Moon abusing him and his Sun taking the time to actually talk to him before being removed. Bro's got trauma and struggles to let people help him. For being a dad he'd make sure theyre provided for, with jack he's at least making sure to start where he left off but not keeping jack away from him or at arms length either. Unlike Eclipse he'd let his kid do what they want, but also be sure to teach them when needed. He'd seem exasperated with somethings but genuinely try and be patient. Cute moments can include his kid wearing his gloves/goggles and boots… (or in my case his jacket and tool belt lol). Wouldn't take to people dissing his kids well like any eclipse.

Bloodmoon: Alright so- this is gonna be a mix of canon and not but thats why ur on this blog. Version 1 of the Bloodmoons? Honestly yeah I can see them doing so. They took to Lunar once he made the connection they were brothers. However, adopting and having their own would differ. Severely. Having their own, thats their own, immediate take to their new kid. Would be teaching them terrible ways to murder and hunt etc. This would also be something theyd be prideful about, literally showing off their kid and how murdery they are and how theyre doing SO good at being a parent. (UNLIKE ECLIPSE- i mean what).

Theyre more involved I'd say but also quite distracted with their own murdering. Lunar would be an UNCLE and Bloodmoon would absolutely drop off his kid for Lunar to babysit. NO I wont hear it for anyone to say he wouldn't. But this stems on Bloodmoon valuing family. Adopting… would be much harder. If the kid was Human? GOOD LUCK. Lunars pact might keep them possibly safe, but we've seen them be impulsive. Altho not impossible just… similar in case to trashman to a degree. Possibly being amused how spooked a kid might be, not fully outwardly killing but higher chance on death. If the kid got used to it and saw bloodmoon more as idk SAFER than a person??? Confusion for this child seeking out a murderer for safety. Anyway slowburn endearment and adoption.

Bloodmoon V2: Believe it or not They'd be more prone to adoption. (But Socks i hear u say the Og bloodmoon took forever- YEAH WE'RE GETTIN THERE). Canonly any bloodmoon and adopting is not totally feasible but stares at FC and how that was a thing where Bloodmoon COULD NOT kill them. Also will never live down the fact we almost got Foxy and Fc being Bloodmoons new keepers/family and Rude RUDE so rude to steal that away. This version of Bloodmoon was slaughtering left and right. Only reigns were Ruin and Stitchwraith (and for a time, Foxy. I believed in him. Thank you Thorns for the AU).

HOWEVER, this bloodmoon still had very strong connection to 'Family' and having one. Bro was jumping from monty being his 'father/creator' (LIES AND SLANDER) to Eclipse (he mentioned this) and then to KC. They WOULD be more prone to choosing their OWN family. They have trust issues and hate being a tool and genuinely (whether they were aware or not) were looking for a connection. Anyway, Similar to how V1 would be, prideful of their kid and yeah teaching to murder. But also kid teaching them silly things like games theyve seen others do, maybe watched some tv- interacted with other kids-. Bloodmoon V2 would kill everyone in this room and then themselves for their kid.

If it was just the remaining twin its gonna be increased ten fold for keeping the kid close.

Ruin: Given we have ruins backstory and also I am heavily influenced by Thorn's version of Ruin as well- Ruin would be an interesting parent. He's got Sun and Moon's code. Protective and willing to teach, but also would be the kinda parent to put them in a room so he can work safely without them interrupting his own plans. Its a weird divide or trying to make sure they dont know too much but are aware their parent is doing something Important. Ruin's own masks getting mixed up in raising the kid where the kid can be used to the flipflop nature their father is providing and also be unsure how to feel on it given Ruin can be quite aloof at times. one thing is certain tho is that Ruin would never let them think theyre anyless of a person.

There is also sweet Ruin who'd be silly and parental. He's affectionate for sure and holding their lil hands.

Dark Sun/Sunburn: @thorns-and-rosewings Is at fault for this entirely, I love how they portray him. This would be more based on their version of Dark Sun vs Canon. Canon seems less likely to really… want to care for anything really. (But again im behind as well and also everyone else i see makes him be dragon dad lol). But Neptor was his creation and had no connection to them, so unless their USEFUL, I guess he doesn't really care. Which would give you a very interesting scenario of slow burn caring. Genuinely just 'Oh well you did that better than I thought. Good job' with like the hint of manipulation but the kid might be fine, this is still a Sun. But guys got goals. So, he could be a good dad but so far from what we've seen (that I'm seeing anyway) Might not have the room in his heart anymore. But again not impossible the man is just gonna need a few years before going 'Oh. Hmn. Well my kid now'. And then after that the kid will be fine, their emotionally dead dad just needs a hug sometimes don't worry about the underlying plans this man might have for the universe. The kid will be fine.

NOW. NOW THORNS' SUNBURN. I love, does have his trauma and utter hatred of all moons. But also fiercely protective of his babies, because they're HIS. Like dude's scary to everyone but utterly endeared to his babies. The one thing that brings him joy, the thing he'd literally kill people over. Baby… Other than being protective, just caring and making sure they're taught well (coughs fearing moons in some cases coughs), having good eating habits. Similar to how Dazzle and Sun are but more subdued, quieter but patient. Moment a moons nearby tho? He's got at least 3 ways to incapacitate them, just in case. Bro's sad tho so he'll have his moments where he just NEEDS to hold the baby close, to be sure theyre safe. Maybe too over protective but depends on who's with him that he would trust. I'm sure thorns could word this better but LOVE LOVE their sunburn in their au's okay.

SolarFlare: Bro dead… Also was JUST getting sentience and all. But given how he was subjected to Eclipses mind and antics? Genuinely could be a good dad cause at least he'd have some idea how to handle things. That is if he even wants a child. Given how new to life he was and all, he'd probably enjoy learning new things and experiences. He is a learning AI and prone to picking up peoples patterns in their mannerisms as we've seen (just barely). Would be learning along with his kid tbh, allowing flowercrowns and uppies. But also with how his body is built? Might have difficulty in movement, and will learn fast his hands aren't the most delicate either. He's rather blunt about things but would be asking for advice in handling children. Might even walk up to Sun for child caring lessons like watching the daycare. Once again his movements and very Sharpness to his body could cause problems (scraping the tunnels- kids trying to jump on him- etc). Iron Giant vibes i'd think actually. All in all he's doing his best and sometimes just misses the mark on what the kid wants but he's figuring it out with them. Very awkward holding kid but the kid would probably love it.

Jack (i guess more in the future): He's silly and delightful but also he's capable of understanding psychology. He handles Dazzle very well (despite… doing some dangerous things but he's learning still in the show so I can forgive this). Would be proud dad, definitely taking his own Jack approach to parenting. Hands on, and probably getting Solar heart attacks from what he's doing lol. Would likely teach kid about knives, with care tbh. Esp now that he knows whats too dangerous for kids and what's more 'nah they can handle that, knife safety'. Would be prone to picking up their kid by the scruff maybe. Crawling around the ceiling with their kid clinging to them like a sloth. Everyone in this family would be protective. Jack would be rather lax in letting his kid roam freely without supervision. Not that he isn't protective, but he's drawing from the fact he likes freedom to do whatever but knows sometimes things do need attention.

Also had the idea if Dazzle couldn't grow up and Jack becoming primary caregiver after Sun. Sad but cute.

I'd add Monty but we see how they are with Lunar (Listen Monty definitely got attached and I'm sure at some point there was a connection due to Monty's own relationship with his dad being strained. Theyre friends but definitely was obvious Monty was pulling more paternal for a bit with Lunar. Not to mention Vegeta- wait I haven't seen him in a while where IS vegeta??? I appreciated Monty's arc with avoiding them to becoming their parent for real. I thought it was sweet.) However, Montys character gets wild sometimes, would be teaching the kid silly things but also if Earth's the mom? Lax parent being supportive and rowdy. Hands on in lessons, but if Earth steps in to correct 'Please don't teach our baby how to hold firearms-' 'I taught vegeta and Lunar' 'Monty they were old enough, our baby isnt even a year old' 'yeah thats why this is very safe, its not even loaded' ' wait Is that a watergun???' 'im seeing no downside here' 'here gimme that' "AH NO-' monty will be kept in line via watergun dont worry about that. Anyway this gator is silly.

B-B-BONUS ROUND because i spent so long thinking about AU's as well don't. worry about how long this post is. Just accept I got to ramble cause I got so happy seeing this ask arounD AND GETTING ONE.

Lord Eclipse: Everyone sit down. He would spoil the heck out of his kid okay. Theyre ROYALTY. They do what they want. Protective to a fault tho with his kid, genuinely keeping their world view limited, fearing he could get abandoned yet again by another creation. Will not let anyone near this baby. Get OUTAA HEREEE

Lord Lunar: Not Evil Lunar, Lord Lunar. We have two Star holding Lunars in canon (Current Lunar is just Star Lunar okay). For this guy to have made a kid in a dying world? He's rather nihilistic about it. Would be giving exactly what his kid wants, sometimes Eclipse needs to step in and go 'Headmaster thats… thats not helping, get this kid some SOUP' 'a pool of soup got it-' 'No like a small bowl.' Servant Eclipse would be such a weird uncle because like he'd be torn between using the kid to mess with Lunar but also… Kid genuinely likes him too. Might even think Eclipse's 'gotta plan to overthrow Lunar' is a game that they play. (It is technically at this point esp for Lunar. Servant Eclipse deseprately just 'I TOTALLY DONT CARE FOR MY BRO- HEADMASTER' the whole time. That's their vibe. Both Eclipse and Lunar would have discussed on ways for this kid to live away from a dying world. It'd be their straw to go 'we should probably leave'.

Evil Lunar: Baby is a monster now, not that Lunar really minds. Look at how much chaos they can cause!! Destruction! Who's a good baby?? They are!! In danger of getting bored of the baby tho. Altho getting outside influence may help uh Keep child ALIVE.

But also me:

Dad Lunar Au i have around where he gets what he wants (eclipse is DEAD), but gains a baby in the process. Unsure how to handle this and opts to find a way to put the baby somewhere else… Finds another and just 'WHO KEEPS LEAVING BABIES AROUND' While cradling them. One's a cry baby and the other is very quiet and has difficulty moving on their own. You can imagine the man trying his best.

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