#the hero is making him worse

[girasolen]

Teaser from my upcoming fic, Ergo Sum, a character study + AU where the hero joins up with Volo.

'So you're the sky-faller,' he says, voice low and smooth beneath the bustle. 'I've heard quite a bit about you.'

He tilts his head up, and his eyes where they're not hidden by his hair are silver- not grey, but moonstone, chatoyant, matching his cat's smile.

'Volo, I assume?' I glance at Akari, but she's been drawn back into the feeding frenzy of the crowd, haggling for the stone. He's dressed in the Ginkgo colours and heavy clothes, but there's a different air to him, a fluid assurance.

'That would be me.' He bows slightly. 'Volo of the Ginkgo Guild, the go-to choice for any of your mercantile needs here in Hisui!'

It's there again, in the practiced roll of words on his tongue, a self-possessed confidence in his sell. Satisfaction, bright as the sun. He holds out his hand.

Akari's warning rings in my head, he could sell you water while you're drowning. Maybe it's morbid curiosity, or a deathless daring Hisui hasn't yet taken from me that makes me take what he's offering, wanting to see just how silver his tongue is.

[brother-emperors]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[puppetmaster13u]

Prompt 92

Clockwork is done. 

Screw the observants’ rules, screw the ‘you can’t enter the mortal realms’ demand they try. He is going to have words with the speedsters about timelines and travelling through timestreams. He is not missing his ghostling’s highschool graduation and if there’s even a chance of that horrible thing happening he will make it everyone else’s problem!

[sotiredmostnights]

i know everyone likes to put tharja in the "yandere goth girl" category but tbh i feel like pigeonholing her into one specific archetype does a huge disservice to her character. is she obsessed with curses and robin? yes. is she constantly shoved into a fanservice role by intsys? absolutely.

but i think a lot of people forget just how impactful a lot of her supports are...there's something about tharja that makes nearly everyone who interacts with her divulge their deepest secrets and points of anxiety with her. we see this with libra, who tells her of the abandonment he endured at the hands of his parents. we see it with nowi, whose cheerful demeanor slips off as she tells tharja of her missing parents. and although tharja is not the only one lon'qu confides in regarding ke'ri, their support is notably the only one in which lon'qu divulges that there was romantic involvement between he and his childhood friend.

and despite her antisocial exterior, she always listens mindfully and offers to help! she even goes out of her way to discreetly help the shepherds (getting virion to do odd jobs that benefit civilians, interrogating henry to make sure he bears no ill will towards ylisse, etc).

a big thing about tharja is that she IS kind. she IS considerate. she just also has a reputation to uphold as a dark mage and that (paired with her overall awkwardness ofc) makes her true nature hard to see at first glance

[extremely-judgemental]

Can we talk about Tamlin again? His story is infinitely sad.

During his younger years, he hides his true nature for the fear of his father and brothers. He has no interest in being a High Lord and is completely satisfied working with his brothers-in-arms and protecting his court. Ultimately his powers come through and he's hated by his brothers. He obeys every command from his father so that he isn't assumed to be a rebel and ends up betraying his mentor. Since then he lives in fear of Rhysand and resists him little whenever insulted because of his guilt.

With his father's murder he becomes the one thing he didn't want to be. He has to leave the life he loved to become someone his people need. Despite the lack of proper training with the court matters, he accepts the one job he always hated.

He offers home to Lucien making an enemy out of Autumn, his neighbouring court which no one would do for a complete stranger who isn't much of a benefit to his court in any way. Lucien becomes his only friend, confidant and family.

I think no one talks about this part as much as they should. When Amarantha establishes her rule, he's the only High Lord allowed to walk out freely. She gives him fifty years to break the curse. Not only is his court condemned all the same, he can't blame failing to save Prythian on his imprisonment like the other HLs could. Knowing Tamlin is warrior at heart, it's heartbreaking that he has to willingly send his 'brothers' to their death. What isn't addressed (enough or at all) is the resentment others UtM or in Prythian develop towards him for not undoing the curse already or trying enough when he stopped sending his sentries out to die. Every time Amarantha does anything remotely cruel, Tamlin would be blamed too for turning his back on entire fae population. Somehow this is glossed over as if fifty years of captivity wouldn't affect the way others see Tamlin.

He finally finds someone who loves him and could potentially break the curse. He ensures her family is taken care of when he didn't have to, long before they fall in love with each other. But he sends her away for her safety damning himself to more blame and hatred. He accepts his fate as Amarantha's toy when the woman he loves returns only to be treated like a circus animal and tortured and abused. He watches as the entirety of fae population bets against her life, watch Feyre almost get killed twice and truly killed once.

Once they are free, he has to build his court back up and also protect Feyre and his people. Even after all those years, he doesn't trust himself qualified to be a HL and takes advice from anyone including Ianthe who manipulates and betrays him, who he believed to be his friend.

We know how it goes from here. Feyre leaves with the one who abused her UtM. Rhysand gloats whenever he can. Tamlin makes a deal with someone crueler than Amarantha. He believes Feyre finally is safe from Rhysand only to realise she's played him. He loses Lucien. He loses the trust of the very people he cared about so much. He cares about the realm enough to spy for the other courts though no one believes him or even likes him. He helps Feyre and her sister. He helps bring the one man he hates so much back to life for her sake. Even after everything his court still suffers from what Feyre and the war did. For a soldier to watch his land wither away, it must be one of the worst nightmares.

There's one scene that always gets me. The one in ACOMAF where Tamlin is with his sentries, talking and laughing with his people during some gathering. That was supposed to be his life, he almost had it if he had the chance to heal. But all of it was stripped away because he loved Feyre and tried over and over again to protect her, blindly sacrificing everything for her. Then I remember Tamlin in his manor, empty and in ruins, with no one around.

To come to think of it, he has received hate almost all his life. Sometimes, rightfully so. But mostly for none of his fault. Maybe he deserves a break after all.

[wisebeth]

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

[flumet]

Like I know someone has probably already talked about this, but why. tf. did they put Best Jeanist's initials there? On the belt buckle right in front of his mouth???

Seriously? I guess it might be a joke but- As if it wasn't bad enough already that they stuffed him into a jeans body suit and everything. On top of that, he's wearing a belt in front of his mouth saying "Blow Job".

I- I just- What?

My poor boy.

[bluerosefox]

Misunderstandings and Miscommunications

Back at it again with some

✨️ Shenanigans ✨️

Brain rot.

Here goes.

So Danny finally tells his parents the truth (Phantom Planet not happening in this AU) and due to his anxiety and fear takes their disbelief and horror and yelling (not mad or angry but like worried yelling) as rejecting him.

They had rejected Vlad a few weeks ago when he had been caught as Plasmius but they only rejected him because they had found out he had been trying to kill Jack in order to get to Maddie and had been hurting Danny behind their backs while also trying to get him to denounce Jack as his dad, it had nothing to do with him being part ghost.

They do love Danny and are just horrified their invention had killed their baby boy and that they had been trying to hurt him for a last few years because they didn't know he was Phantom (but the clues, oh the clues were staring at them in the face now, how blind they were to it oh.)

Due to Danny's panic he runs off into the Infinite Realms in order to hide with one of his ghost friends but.... he runs into some trouble (Skulker? Walker? idk pick any) and gets tossed in a random portal that had opened up.

And finds himself in the DC verse.

Danny accidentally falls into a huge battle as well and when he spots the heroes trying to protect the city he fell into from some huge evil villain he helps out despite his own emotions (it helps distract him from what he 'thinks' happened between him and his parents)

And once he's done helping he books it cause he need to process everything and doesn't stop when the hero he helped out called out to him, and phases out and turns invisible if the hero tries to stop him to talk. It isn't long until Danny is in a new city and finds some more people to help from villains and evil, and he starts using it to distract himself.

Basically Danny aimlessly wanders around and starts helping anyone to keep his mind off the thought of never being able to go home again.

Meanwhile his parents are PANICKING about not being to find Danny after he runs. They try calling his friends, but the moment they hear the Fenton's say they know about him being Phantom they too jump the gun and think Danny was rejected. They both yell, not letting the Fenton's say anything, and let slip Danny most likely is hiding in the Infinite Realms (aka the Zone) if hes not in Amity.

Tucker and Sam immediately hang up and call Jazz, whose at college, before the Fenton parents could and tell her what happened. And Jazz isn't happy.

Despite being so smart and willing to give their parents so many chances to change their views on Ghosts, she's not a child anymore and isn't going to let them hurt Danny (they don't want to). She starts making her way home to give her parents a piece of her mind.

But by the time she gets there, driving all night, her parents are missing and she finds a video message on the computer from Tucker explaining they had snuck into the house to go into the portal to try to find Danny only to see the Fenton parents suiting up and going into the zone with the Specter Speeder and Boo-o-rang keyed to Danny. "No doubt they're going to hunt Danny down, we're going to try to slow them down and find Danny before they do Jazz! We left an extra Boo-o-rang behind keyed on Danny's signature come help us when you get this message! Take Danny's Specter Bike I made sure the keylock is off!" (Let's pretend Tucker tinkered with the design of the Specter Speeder and made some bike versions, with Danny and funnily enough Johnny 13's help, it was fun bonding thing they all did)

Jazz is even more livid after that. Takes a few things and heads to the portal as well, hopefully to find Danny first before her parents.

By the time Jazz finds the portal that opens to the DC verse she's in Gotham, runs into Red Hood (and helps take down some gang goons but in the process her Boo-o-rang gets busted in the scuffle) and basically they talk. She asks if he's seen any runaway blue eyed black haired young teens around and Jason jokingly says "Nope but we better find him before the Big Bad Bat takes him and turns him into a Robin."

Jazz is very confused.

MEANWHILE

The Fenton parents are of course making a menace of themselves... They're driving around (which is a warning enough if Jack is behind the wheel) trying to find Danny to explain that they do love him and to come back home, and when they do find Danny he freaks out and starts booking it again (right as he actually stopped to talk enough with a hero too). The heroes of the DC verse whose meet Danny and those that heard about some young 'meta' teen whose been helping out and is very powerful, take note how scared and panicked he looked when facing the two and things get worse when they take note how... careless they are going after him (cause we know the Fenton's get a little extreme) and add the fact they look like mad scientists too (they haven't been sleeping well since Danny ran off)

So the DC heroes start assuming the worse for the young teen hero...

It gets even much WORSE when Tucker and Sam, who are hot on the Fenton's heels as well, show up and eventfully tell them what happened (or what they think happened) when they gain their trust.

Basically, a lot of miscommunication happens.

Danny thinks he needs to be on the run from his parents and is helping out in the DC verse to keep his mind off his own breaking heart from the rejection (if you wanna make it serious maybe have his actual core in danger from the rejection or something). And is nearly adopted by every hero who see's this sad ghost kid.

His parents are labeled mad scientists (kinda are) who are hunting Phantom down to end him or experiment on him but they actually DO love him and just want their son come back home. (due to being Fenton's they do kinda accidentally cause a lot of mayhem in their wake)

Tucker and Sam are trying to be amazing friends and stopping the Fenton's from hurting their best friend but much like Danny they are a bit too caught up in their emotions to realize the truth of what happened and may or may not alerted the JL and JLD why Danny is on the run in the first place. (when they had down time to find out where they were they found out about the meta protection laws and is kinda using that to get Danny help)

Jazz is in Gotham, has no way to track Danny down at the moment, is talking with Red Hood (coughAngerManagementcough) about finding her brother and saving him from her parents before they do anything to hurt him. Cue Red Hood (and maybe with the help of the Outlaws) helping Jazz go find her brother.

This can be serious but I mostly see it being silly with nothing but shenanigans and a lot of miscommunication.

[galgali]

stories where the main character is a hopeful, optimistic pacifist in a bleak world usually takes one of two routes: one, everything works out for them. the world shifts to their kindness and they’re allowed easy routes on account of their morality. two, they’re torn apart by the story for being naive. their hope is something to mock and beat out of them and they can only grow once they abandon it.

then there is trigun.

trigun says that hope will hurt you. you will let people into your life that you shouldn’t have and they will leave you with scars. your obsession with trying to minimize the necessary conflict right in front of you will cause more damage than if you had just fought that battle. you can’t run from your past and all the times you’ve tried to be kind and failed. you can’t avoid hurting other people and you will have to live with that for the rest of your life.

but—

trigun says that there is so much kindness in all of us, and we are more likely to act on love than hate. no matter how many dark nights you’ve cried through, there are brighter tomorrows worth living for. if you want to be good, you can be good. love is what connects us and connection is how we save ourselves. we have to believe in each other. you are made of love. love is all we have.

[xxivletxx]

he could easily be fixed if one were to trap him in a room full of 10,000 bees and Breakcore looping at full volume in the background

[a-literal-toaster-wtf]

anyone ever think about how collectively the aces ultimate goal is to die because . boy do i

[caninemotiff]

Please reblog! This is my first poll 👉👈

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[creativesplat]

Have a Dimitri because juggling hyper fixations is almost all I do now.

[zeb-z]

missa, after his self resentment and lamenting about how he doesn’t feel worthy or like he should be accepted, after telling himself and the capybaras that he doesn’t have a home, not really - after all is said and done, he returns to phil & missa, leaving his mini mi in the house on the wall. as if he’d consider anywhere other than the house he shared with phil safe enough. seeking out safety and home brought him right back where he started.

something about how despite his internal conflicts and issues about what he thinks he deserves, he’ll still come back. and for all he worries that he is not enough to be loved in return, his name is still on the warp stone.