#the guy we meet in season one is so so so much sadder and is suffering so much more
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leupagus · 2 years ago
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Ted Lasso, the character, is one of the only representations of 'sometimes getting better with your mental health issues means that you are less visibly happy, and that is okay, because you are not required to be happy in order to be loved' out there and I am really discouraged that so much of the audience is angry at that.
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simptasia · 2 years ago
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ages of LOST characters when we first meet them vs the ages of the actors when they first started playing them. reminder that the starting point of LOST is september 22nd 2004. if a character’s age seems one less than sounds right to you its because their birthday is coming up. if a character is missing from this it’s because we don’t know their age in canon (looking at you, desmond)
jack shephard: 34 matthew fox: 38
kate austen: 27 evangeline lilly: 25
hugo “hurley” reyes: 25 jorge garcia: 31
james “sawyer” ford: 35 josh holloway: 35
sawyer says he’s 35. but lostpedia only has sawyer’s birthyear, 1968, making him 36. however an easy explanation for this is that sawyer has a birthday coming up in the post september to december range (like many other characters here) thus making the birthyear and what sawyer said still right
john locke: 48 terry o’quinn: 52
sayid jarrah: 36 naveen andrews: 35
jin-soo kwon: 29 daniel dae kim: 36
sun-hwa kwon: 24 yunjin kim: 31
claire littleton: 21 emilie de ravin: 23
charlie pace: 27 dominic monaghan: 27
okay so an odd thing happened here. we don’t actually know charlie’s age in canon, except that based on a statement from liam that he’s absolutely less than 30. and basically what happened is there was big debate on lostpedia, the general gist being he’s 25 to 28, until everybody just gave up and they slapped dom’s birthday on charlie’s page. and it’s still there to this day
walt lloyd: 10 malcolm david kelley: 12
walt’s actor was gonna age outta the role anyways due to the nature of lost’s timeline but their first mistake was casting a 12 year old. like, hello, puberty?
shannon rutherford: 20 maggie grace: 21
boone carlyle: 23 ian somerhalder: 26
danielle rousseau: 44 mira furlan: 49
ethan rom: 27 william mapother: 39
the consequences of season 5 are starting to hit
bernard nadler: 56 or 57 sam anderson: 58
ana lucia cortez: 29 michelle rodriguez: 27
eko tunde: 35 adewale akinnuoye-agbaje: 38
alexandra “alex” rousseau/linus: 16 tania raymonde: 17
benjamin “ben” linus: 39 michael emerson: 51
this isn’t even due to later timeline decisions, they just decided to do this
miles straume: 27 ken leung: 38
daniel faraday: 26 jeremy davies: 39
charlotte lewis: 33 rebecca mader: 31
and theeere’s the season 5 whammy. for those who don’t know (you must be new to my blog) dan and miles ages differ so much from their actors because when our guys are in 1977, it suited the story and characters better for miles to be a baby and dan to be an embryo (and char to be 6) at the same time. the writers were set on 1977 being the year everybody got stuck in and that’s how we get daniel faraday being an oxford professor at fucking 18
it’s something that gets funnier and sadder the longer you think about it
anyways. thank you for your time!
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questforgalas · 2 years ago
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Something that just hit me like a brick while falling asleep
When we meet TBB in clone wars, there’s a very obvious effort to make Crosshair’s disdain for regs (other then Cody and then eventually Rex) clear. It’s black and white that he hates regs and his batch are his people and the only ones he needs. Connecting this now to TBB, both seasons so far, makes my heart hurt for Crosshair. That pointed effort of his loyalty to the batch makes him staying with the empire even more fishy (if you know my blog you know I’m in the “Crosshair is a good guy he’s just the grumpy asshole sibling” camp), and for me, it makes Ep 3 of season 2 that much sadder. He’s miserable, he’s in pain mentally and physically, he misses his brothers. As a sibling myself, I’m willing to bet Cross wants to leave but is too scared of how his brothers will receive him because any rejection by them will hurt more than anything the empire throws at him
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vegangirldiaries · 9 months ago
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I Miss Him
The first time I met John, he was sticking up for me in high school. Being the quiet goth girl that I was, of course, I was teased often in school. John had this sort of 'metal-head' aesthetic about him so I guess he found me somewhat relatable? He was a tall dude, and kinda chubby, so no one would be brave enough to go up against him in any way. In my English class, he stood up for me when one of the guys stole my treasured book I had been reading (LOTR). After John was through with him, not only did he return my book and apologize, he actually looked like he was going to cry. Despite this, John wasn't ever a mean person, he was more like a gentle giant. This big and tall guy that almost became like my body guard. I loved darkwave music but the only punk band I loved was the misfits. He was a HUGE fan of Glenn Danzig, so we got along just fine and shared earbuds in class. What we had was platonic, almost a brotherly/sisterly love and respect for one another.
After High school, we both got REALLY into game of thrones. after season 3's 'red wedding' episode, he swore he'd read all the books so he'd no longer be surprised with heartache. We worked on a podcast together called 'game of thrones re-watch' he was so much fun to work with! I would've had him on every episode, only we never finished a full season because of scheduling issues. There were too many things in our way, so we stopped. I still have one episode recording I fondly listen to when I miss him.
In 2019, when the final season of GOT aired, John wouldn't be able to finish watching the show. In April of that year, he was hospitalized with a bad cold. It became pneumonia and he succumbed to it on April 6th, 2019. This past Saturday was the 5th anniversary of his death. It was so strange to know someone my age die at 31. It felt so unfair.
In 2018, I found out a childhood friend of mine had committed suicide. A year later, I get this news. and in 2020, I had to suffer through watching my mother pass away while in hospice. It was a strange time for me to have to grieve for three years in a row.
My husband had the pleasure of meeting John a few times. We used to host Game of Thrones watch parties at our apartment, which John was always invited to. My husband got that gentle giant vibe from him same as I had so many years prior to that.
We both shared the same thought when we got the news he passed... 'he was too nice a guy to deserve death at so young an age... if anyone had ever deserved to die... it was definitely not him. We've never met anyone as genuinely nice as him'
So, now whenever I get the chance to, I visit his grave and sit and read to him. Whatever game of thrones related book I have on hand. Since I'm always readding GRR Martin, it isn't too difficult a task for me. He never got to see the ending of GOT, which is another sad though. and as a reader, he'll never get to finish the books.... an even sadder thought. I think he would've liked the ending. I think he would've been angry at first, but in the end, the very first house he rooted for ended up with the win. and he definitely would've liked that.
RIP John, we miss you, buddy
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quillandrapier · 2 years ago
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One of my top episodes from the first season.
1x05 - Moonah Stone by Martha Howe-Douglas and Laurence Rickard
We meet the neighbours! The Beg-Chetwynde immediately knocks it out of the park as the slimey poshos. They are so loathsome but so charming you love to hate them. Again this is both a credit to the writing and they way they are played.
There is something quite interesting in seeing the selfishness and disrespect on all sides. Alison doesn't actually respect the ghosts space and cultures beyond what doesn't annoy her and the Ghost don't respect hers at all. Here this ends up causing a lack of communication and conflict meaning Robin doesn't get his ritual and Alison doesn't get her proper dinner party. So seeing how the relationship between Alison and the Ghosts develops throughout the show is quite lovely, and the first real time we see the Ghosts and Alison doing something truly lovely and family like is at the end of the episode with the brilliant stargazing scene.
Its also quite interesting that even Pat is quite selfish here but does further the plot and Jim really delivers some great gags, it's very interesting to see Pat, the nice guy, make quite selfish choices until the end scene with the couch outside. I think its a great bit and reveals so much about how a ghost would think, being unattached from society for decades. It goes to show how much all the ghosts and Alison have to grow as the show goes on.
Robin here is the star (pun intended). This story is his and really questions the existetinal horror of being a ghost: Everyone moves on, everyone leaves except you. How do you cope? What do you hold on to.The one thing that does stay the same is Robin and the moon. Robin is the heart that elevates this episode. This with the ending of Gone Gone really makes you fall in love with Robin and understand the sadder parts of his story more.
This is a fun episode which takes a simple and familiar premise of the dinner party and does it well while adding the great element of Robin's story and his relationship to time. While again, it's not my favourite episode but has some amazing gags throughout and still, earns its sweet ending. A great way to see a common sitcom trope done well but with a very silly ghost twist.
7.5/10
( Prev: 1x04 | Next: 4x05 )
Masterlist of reviews
Made a random ghosts episode generator here.
If you use this app you can toggle on and off slices you may not want to use.
Anyway see the reblogs to follow my random rewatch ready for Friday and I'll be reviewing each episode. (Thanks to @baynton and @gethisshithumptyfuckingdumptied for the idea.)
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chatonnoir · 3 years ago
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How does the French dub differ from how the eng dub tones down the affection between ladynoir?
lol I actually had a few examples of this in my notes already bc I was switching between Eng and French while rewatching the earlier seasons to compare the script
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In Stormy Weather/Climatika, after Chat Noir was sent flying and Ladybug helped him up and said “I thought cats always landed on their feet.” (the iconic hand kiss scene):
In English he says "Thanks, Miladybug, but I had it covered." [Kisses her hand]
In French he says "It was on purpose, my Lady, for the pleasure of meeting you again." [Kisses her hand]
Bro the second one is so much cuter like there’s no comparison
(Another minor thing from this ep is when Climatika says there’s going to be an endless Winter, in English Chat Noir says “but I look so good in a swimsuit” while in French he says “but I look super hot in a swimsuit” Lmao the english dub just really likes to censor our boy)
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In Dark Cupid/Dislocoeur, when Chat Noir throws the akumatized pin to Ladybug:
In English he says “Happy Valentine’s Day”
In French he says “Happy Valentine’s Day, beautiful”
(He actually calls her the term of endearment “ma belle” which literally means “my beautiful.” I know it’s not as common to say “my beautiful” in English so it could also be taken as just “beautiful” or “gorgeous” etc.)
The way he says “Joyeuse Saint-Valentin, ma belle” is literally so much cuter than the English dub version of the line
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This isn't necessarily related to flirting/affection, but in Copycat/L'Imposteur, when Chat Noir is leaving the art studio at the very end:
In English he says "Better help the fellow out. His crush just got crushed!" [walks away from Ladybug] "...That makes two of us."
In French it goes "You better help him. You just broke his heart after all!" [Walks away from Ladybug] "...Not just his, by the way."
dude I really couldn't take the English version that seriously but the French version sounded so much sadder & carried more weight
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In Puppeteer/La Marionnettiste, after Chat Noir says “Don’t let her turn me in to a puppet!”:
In English he says “You know I like to be in command~”
In French he says “Only your wishes are my commands~″
smh this simp erasure
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In Guitar Villain, when Ladybug is riding the dragon:
In English Chat Noir says "Nice job."
In French he says smth that doesn’t translate directly but was basically like "You're awesome..."
The delivery of the French version of the line just has him sounding so much softer & unabashedly in awe of his Lady
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In Prime Queen/Audimatrix when Chat Noir says “I know how we can prove our feelings” and tries to go in for the kiss:
In English Ladybug says “Not a chance, kitty.” and when he tries again in the freezer she says “Still not a chance, Cat Noir.”
In French Ladybug says “Now is not the time, my kitty.” and when he tries again in the freezer she says “it’s still not the right time, my kitty.”
Smh why would you even change this?? Like it completely changes the meaning and just feeds in to the false idea that Chat Noir is “pushy”/harassing Ladybug against her wishes when her ACTUAL annoyance with him was that he’d flirt at the “wrong time” i.e. literally in the middle of a battle. Also it’s just soooo much sweeter whenever she calls him “mon Chaton” compared to just “kitty” in English
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In Frighteningale/Rossignoble, when they’re speaking in rhymes and Ladybug asks Chat Noir for a “dance”:
In English Chat Noir calls Ladybug “Miladybug”
In French for the same line Chat Noir calls Ladybug “Lady of my heart”
Bro????? “Lady de mon coeur” is so fucking sweet there’s literally no contest here
tl;dr: imo the French dub is more romantic, not bc of the stereotype of the language itself being romantic but because their lines are actually blatantly more affectionate/emotional, imo the French version makes Chat Noir sound more unabashedly affectionate whereas the English dub slightly tries to keep him sounding like a Cool Guy(TM)/tones down their flirting/also generally makes the script a lot more "childish" to really push that whole “this show is for 7 yr olds” vibe (lmao @ "darken their heart" vs "evilize them" and "I free you from evil!" vs. "tIMe tO dE-EviLIzE")
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itgirlification · 4 years ago
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supermodel | jjk
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the last three months have been hell for you, but Jungkook seemed to be living his best life.
pairing: ex-bf!jk x thick!reader
warnings: explicit mentions of body image and insecurities, infidelity, anal sex, oral (male receive), foul language (kinda), etc.
now playing: supermodel by sza
part two part three
Exactly three months ago, your and Jungkook’s 2 years relationship officially ended. Unofficially, it ended about 5 months ago. And for about one month now, Jungkook’s been seeing someone else.
Your heart and mind told you not to do it but you couldn’t help calculating. Three months ago, you were still dating, two months later, he started dating someone else. That must mean he’s known her for a while. Did he cheat on you with her? Well, it’s not like it matters now anyway, does it?
Her name was Yuki, an undeniable Japanese beauty. You were still in college, studying music and she was a famous model who appeared in internationally known magazines. You assumed she met Jungkook during a photoshoot since he was a professional photographer who often worked for companies like Vogue and Playboy. You couldn’t help but compare yourself to her.
It wasn’t the fact that he moved on so quickly that hurt you the most. It was the fact that he knew all about your low self-esteem and how you lack confidence. Especially about your body. And he still went and dated a model, of all professions in the world. He was definitely over you.
If you didn’t know any better, you’d think he did it on purpose. But thankfully, you knew better, he looked too happy for that to be even considered. He forgot about you.
You’re making yourself sadder by remembering all the times he assured you you were beautiful and your body was nothing to be ashamed of. The times he let his fingertips run over the lines of your stretch marks, whispering in your ear how much he loved them and how they reminded him of Tiger stripes. The times he caressed your jiggly thighs and told you how sexy he thought they were.
Then your mind would drift back to the phone in your hand, the Instagram page of Yuki Sakurai opened, careful not to accidentally like anything and expose yourself. Not that she’d notice anyway, she had 3.7 million followers, while you had a private one with 500 followers and no posts, and she gets around 300 to 700 thousand likes on each post, depending on whether she posts random photos or pretty pictures of herself. Or newly, your ex-boyfriend, Jungkook. Oh, how crazy everybody goes whenever she posts him. People love them together. You couldn’t blame them. Two attractive people? Of course, they’re gonna look great together.
Fucking great.
That the end of your relationship with Jungkook would look like this was semi-predictable from the beginning. He did admit to you that he never thought he’d date someone that looked like you when you first dated. And your heart broke a little. But he also made up for it in those two years, it was a beautiful relationship nonetheless.
While you weren’t exactly his ‘ideal’ type, he was definitely yours. You always heard from other women ‘when in a relationship, the man always has to love the woman more than she loves him. Otherwise, it won’t work.’ You never really got the saying until your breakup with Jungkook happened. It was the fact that you clearly loved Jungkook more than he loved you that lead to this.
“Oh my goodness!”, your roommate, Jane, dramatically exclaimed. “Will you stop feeling bad for yourself and do something? That’s not what hot girls do, sis.”
Jane was a lovely girl with a not so lovely temper. She always means well and you got along perfectly as soon as you met. Which was around 3 and a half years ago.
She looked over your shoulder to see what you were looking at. You obviously didn’t want her to see you snooping around your ex-boyfriend’s current girlfriend’s Instagram but it was too late.
“Seriously, yn?”, she took your phone in her hand and threw it on the bed. “Let’s go somewhere, you can’t do this to yourself anymore. I’m not letting you.”
Jane was clearly worried about you at this point. The only thing you did these last few weeks was eating, shower, cry, sleep and miss a whole bunch of classes. This wasn’t good at all.
“Where?”, your question was short.
“To the mall? Or the nail studio? Anything that’ll get you out of this fucking dormitory.”, Jane sighed, pulling the blanket off of you, making you whine a little. “C’mon, go put on some cute outfit and we’ll go.”
You felt bad since she was trying hard to make you feel better. But it didn’t really work.
You nodded, standing up from the bed, nonetheless. You picked out a cute two-piece dress, that brought back blurred memories of the time you went on a date with Jungkook, wearing the same two-piece. Bet Yuki would look cuter in this...
‘Shut your petty ass up, yn. It’s embarrassing, the way you’re stuck on a taken guy who wants nothing to do with you’
You wish you could change the way you think, even if it’s just for an hour or two. You wish you would stop imagining Jungkook judging you when he saw you naked or when you told him that you wished you could cut off some of your fat with a pair of scissors.
You were beyond ashamed of yourself. Why wasn’t it easy for you to just stay by yourself? why were you so desperately in need of Jungkook by your side to the point where you’d lock yourself in your room for a month just because he isn’t there?
You needed Jungkook. You became so attached to him in those two years, because you always saw him as a permanent, a forever. Not just a temporary, not just a distant memory. You already saw him as the father of your children, as the man you’re gonna marry.
You were so blinded by the fact that you had him, that you forgot you could lose him anytime.
“I’m done, let’s go.”, unenthusiastically, you announced to Jane, who was already waiting for you.
“Let’s get the fuck outta here!”, In contrast to your spirit, hers seemed to be all roses and daisies. “Lord knows you need it...”
__________
“Look at this cute ass skirt, girl”, Jane pointed at a chic, wine mini skirt she was holding. “You know, when I saw it back there I wanted to have it, but it’d look so much better on you”
You took a few seconds to admire Jane’s beauty. She was about 3 cm taller than you, had a great posture, and almond, dark brown eyes that suited her dark skin tone perfectly. Her body leaned more towards the slimmer side.
“Shut up! No, it would not”, you let out a small giggle. “It would look gorgeous on you, buy it.”
She smiled a little at your laughs. She was happy to see you at least a little cheerful again. “Yeah, but I think it’d look better on you. I’m entitled to my own opinion, am I not?”
You knew this debate was gonna go back and forth, because of her stubbornness. “Let’s both buy the skirt.”
You ended up doing so, added by a bunch of bags full of clothing. This may’ve turned into your new coping mechanism. Who needed therapy when you can go on a shopping spree?
Two hours were spent in boutiques and clothing stores and Jane decided she was tired, wanting to visit the local spa.
“No, seriously, these Riverdale seasons just keep on getting worse and worse. Netflix needs to step up their game ASAP”, Jane ranted, making you laugh at how serious she takes it. “It’s getting embarrassing. I’m being for real.”
The two of you were sitting in the whirlpool at the spa, relaxing your whole bodies a little.
“Yeah, yeah, whatever, I don’t watch these new Netflix shows anyways. Been stuck on the vampire diaries for the last 7 years”, you chuckled, knowing you hated trying new things. “Can you pass me one of those magazines?”
Jane nodded, grabbing a random one from the table next to her and handed it to you, without looking at it.
The cover of it caught your eyes immediately. How could it not, when your ex’s new girl looks absolutely dazzling on the front page of it.
‘Supermodel Yuki Sakurai talks summer fashion tips, struggle with self-love and most importantly, her hot, new boyfriend the media is going crazy over’ was the headline of the Harper’s Bazaar Magazine cover.
You felt your stomach getting sick and your breath getting heavier, but you still flipped the pages until you found the one with her interview. You began reading it, skipping the boring parts.
‘Int: so, we see you have a new boyfriend. Tell us, how did you guys meet?
Yuki: Yeah, he’s an amazing guy. We actually met about six or five months ago at one of my photoshoots, since he’s a photographer and we exchanged numbers and stuff, and then we made it official mid last month.’
About six or five months ago? You were with him back then, but her answer was too unclear to find out if he cheated or not.
“Woah, yn, you okay?”
You entirely forgot about the fact that you were with Jane, let alone somewhere other than your bed.
Before you could react, Jane snatched the magazine out of your hand.
“You really can’t escape them, huh?”, She sighs, taking you in her arm. “It’s gonna be okay, baby. In a few months, you’re gonna look back to this and think wow I really was stuck on a guy who’s scared of microwaves and cried like a bitch when Iron Man died.”
You laughed, punching her arm playfully. “You know, I actually love these things about him. Shows his sensitivity and the way he perceives things.”
Jane looked at you as if she didn’t believe you were actually saying that stuff. “Girl, you’re overanalyzing this. Let’s just throw this shit in the trash, okay?”
She put the magazine aside.
“I just don't know what I did wrong.”, You murmured. “I know we weren't the best, but we didn't even fight that much. We could’ve talked it through.”
Jane pursed her lips and cooed. “You know, relationships are complicated sometimes. The reason why he broke up, to begin with, is probably not your fault.”
“Well, what if it is? I mean what if I was too fat or too ugly for him?”, you asked. “If he wanted a skinny girl so bad, I could’ve lost weight for him, I don’t get it.”
Jane looked at you like you lost your mind entirely. “I can’t believe you just said that! Even if that was the reason, which it wasn’t, you shouldn’t make yourself suffer because of it. That’s his loss. You’re beyond gorgeous and you have an amazing body.”
“You’re just saying that.”, tears slowly started coming up in your eyes. “But the thing is Jungkook knows all about my insecurities. Why would he do that to me? I know he knows that I’m still not over him.”
You usually didn’t like crying in front of other people, but you didn’t really care at the moment, besides that was Jane. You trusted her with your life.
“Girl, men are trash, I can’t believe you’re crying over one right now, seriously.”, she wiped your tears and held your face between her hands. “You know, honestly, I’ve read so many articles about how models actually hate themselves and have like the lowest self-esteem so in conclusion, no matter how miserable you are, his new girl is even more miserable.”
You knew Jane didn’t mean it in a harmful way, but it sounded harsher than needed. “I don’t hate her, she probably doesn’t even know about me. I’m just really insecure. He upgraded from me. He’s dating a whole model now.”
The situation just felt like a deja vu of these last few weeks laying in your bed, even though you were at the spa with your friend. You were supposed to have fun, yet you didn’t feel like having any.
“Why would you feel insecure when all you’ve seen of her are Instagram posts and red carpet pictures? She’s supposed to look beautiful, it’s her job.”
To a certain extent, Jane was right, but that didn’t really help your situation, you still felt bad about yourself. You stayed silent.
“C’mon, this isn’t fun anymore. Let’s leave.”, Jane mumbled.
_______
it’s been two days since the incident at the spa and you felt a little bit better now.
Those days were spent reading the same three book series you’ve read your entire life, overthinking, hot Cheetos, Indian takeout, and Netflix. It really wasn’t as miserable as it sounded.
You were just taking a little rest before term break ends and you have to go back to the shithole college again.
Jane was using the time until college starts again, but in different ways than you were. She was planning on going to some frat party in an hour and forget about the world’ for a minute. Or till 4 in the morning, where she will most likely drunk call you and ask you for a ride back to the dorms, because the friends she went to the party with were shit-faced as well and were in no way capable of driving anywhere without the cops stopping them.
Going out partying on a Friday night was a Jane tradition. In the past, you’d sometimes go with her, but you mostly spent your time out with Jungkook doing something more fun than partying could ever be. Now you can’t do that anymore, but laying in bed is more ideal than a party for you at the moment.
“How do I look?”, Jane twirled around to show off her black cocktail dress. She looked beautiful.
“You look beautiful.”, you responded to her question. “Are you leaving now?”
“Hm”, she said, to which you nodded. “You sure you don’t wanna come with me? It’s gonna be really fun.”
You shook your head no.
“Alright”, she shrugged, making her way out of your bedroom. “But I told you, it’s gonna be fun.”
You chuckled, rolling your eyes. “I’ll stay here, I have shit to do.”
“Yeah, right, like binge-watching the vampire diaries and taking 5-hour naps”, she said in a sarcastic tone. “Anyway, bye-bye, Vic’s already waiting for me in the car.”
Victoria was perhaps one of the most obnoxious people you know, yet she was too much of a nice person for you to talk shit about her. The voice of your intrusive thoughts couldn’t help but to, though.
“Alright, bye, take care and say hi to Vic from me.”
After Jane left, an hour went by like it was just a couple of minutes. You were starting to get real bored and decided to watch some regular tv in hopes to find something you enjoy. You ended up not finding anything fun, but you still watched it, because you didn’t have anything else to do.
A few moments later, the doorbell rang and you were suddenly worried. Either this is a serial killer or Jane forgot something.
But to your surprise, it was neither, but it was none other than
“Jungkook?”, truly, those were the only words you were able to mutter out at your shocked state. “What are you do-“
At the speed of light, you were interrupted by your ex-boyfriend pressing his lips to yours. He didn’t say a word.
You weren’t expecting him. Not knowing how you were supposed to feel at the moment, you just let it happen. You were sure your mental state couldn’t get any worse than that, no matter how this will affect you in the end.
“Is Jane home?”, for the first time in 3 months, you’re hearing his silky voice again.
Jungkook knew Jane always had some type of special hatred for him with her killing stares and her bitter comments. You didn’t notice either though.
He also knew she must hate him even more after your breakup. Or maybe she liked him more now since she was able to get rid of him without killing anyone.
“No”, your answer was short and it made a weight fall from Jungkook’s shoulders before he continued kissing you.
It wasn’t anything you haven’t done before, yet it felt like it’s been ages since it last happened. Your mind drifted to the thought of Jungkook and his model girlfriend. You were asking yourself what their sex life was like, if she was tighter than you or if she had stretch marks and scars.
Jungkook’s lips were moving south, giving your neck wet kisses, while you were wondering why he broke up with his model girlfriend. Or if he even did. You felt selfish for not caring.
Removing your clothes one by one, you were left in your underwear, while Jungkook only had his boxers on.
This body was yours. You knew it inside out. Where he liked to get touched and where he preferred not to. You knew him better than anyone else. You were sure.
You already moved to your bedroom, since Jungkook effortlessly carried you there. You were sat on his lap, facing him and your hands were in his messy hair. His hands were around your waist, he was slightly smiling into the kiss, as you started grinding on him. He loved how easy it was for him to turn you on. You were still his.
Cutting off the kiss, he looked you in the eyes, while his hand was on your cheek. “Say aah.”, he said.
You widened your mouth obediently, which was followed by him collecting as much saliva as he could in his mouth and spitting it into your mouth.
“Swallow.”, demanding, he spit on your face, his eyes become darker with every passing moment. You did as he said.
You looked at him with big eyes. He knew you loved it. You’ve always had a thing for him degrading and humiliating you during sex.
He started grinding on you almost desperately. You knew exactly what he wanted.
Getting out of his grip, you dropped to your knees and freed his hard dick from his drawers. You reached for it and started pumping it, and licking it. Your spit was leaking down his dick as you used it for lubrication. Then you started sucking on it, just the way you used to.
Jungkook’s groans and satisfied sighs were enough to make you even wetter than before. You enjoyed giving more than receiving.
Your mouth was wet and warm around him, giving him a feeling of familiarity. You lick over the tip a few times, then proceed to fully take him into your mouth.
The bulge in your throat could be seen and the way your eyes were tearing up a little wasn’t bothering you at all. You loved giving.
Jungkook started thrusting in and out of your warm, welcoming mouth, his tip hitting the back of your throat multiple times.
“Fuck”, a throaty moan left Jungkook’s mouth, giving you hints that he was about to cum. And he did, releasing in your mouth before you swallowed it. “Shit, baby, that was so good.”
You felt your face heat up and a sheepish smile made its way to your face. Your throat was sore.
The two of you were on the bed again. To you, it felt like it was the times before your breakup again, when you’d purposely start an argument just for the makeup sex because Jungkook wasn’t giving you any anymore. It was like sex was the only thing to look forward to.
You felt attached to Jungkook to a point where it was dangerous. You weren’t okay when he wasn’t around. He affected every part of your life and God knew it wasn’t always a positive thing. Maybe it was the fact that he took your virginity. Maybe because he was your first boyfriend, the first guy that made you believe you were worthy of love and that someone was actually capable of loving you. One thing you knew was Jungkook had an expansive influence on your life.
While you were practically drowning in your own thoughts, Jungkook was busy taking off your underwear.
“You okay?”, Jungkook calmly asked you, looking at your riddled face.
“Huh? Yeah, I’m okay.”, you sounded distracted, Jungkook wasn’t sure about asking you what it is though. He didn’t feel like getting personal.
So he shrugged it off and started kissing you again, his dick was unsurprisingly hard again as he played with your tits. He drew lines over the stretch marks of your thighs and kissed them.
“Can I fuck your ass?”, Jungkook’s raspy, tired-sounding voice casually asked, to which you quickly nodded, knowing that Jungkook’s favorite position had always been anal. He was massaging and gripping your ass firmly.
“This is gonna hurt at first, but I promise it gets better.”, He warned calmly into your ear, while putting some lube on his dick and just went right into your ass, slowly thrusting so you don’t feel as much pain.
He was right, it did hurt a lot when he first put it in, but the pain just changed into pleasure in a matter of time and his slow-paced thrusts helped with the adjustment.
“Fuck, I missed this ass”, he practically growled into your ear, as he kept on thrusting in and out, steadily gripping your wide hips with his big, veiny hands. “It just doesn’t feel right when I’m inside her ass.”
You knew your confidence shouldn’t rely on Jungkook bringing his girlfriend down, but you couldn’t help but feel good about your body when he said that. It’s been a while since you felt even a tiny spark of confidence. You weren’t so fond of him mentioning her while he was inside of you.
Your soft moans rang through the whole room like sirens, while he watched your ass jiggle against his pelvis, thrusting in and out faster every second. He missed this.
You had always thought you were indecisive, but you knew exactly what you wanted. You just couldn’t have that, so you’d eventually have to settle for less.
Jungkook wasn’t to blame for it, you just couldn’t concede your shortcomings. The movie’s villain wasn’t always the real villain.
Your hands traveled to your pussy to make sure you’d orgasm as well, when you heard Jungkook’s breathing getting heavier and his thrusts getting gentler than before, indicating that he was gonna cum soon. You were certain he could make you cum with just anal, but you wanted to cum with him.
With furrowed eyebrows and drops of sweat dripping down his body, Jungkook looked down at your arched back. The whole scene was sticky, especially when Jungkook presses his upper body to your back, whispering sweet nothings into your ear and kissing the spot.
It was kinda odd, having sex with your ex-boyfriend you were crying over just a day ago. There was a certain intensity to it though. Like your long-lasting nostalgia was finally fulfilled.
You’ve realized you couldn’t imagine yourself being intimate with anybody else. Jungkook already knew your body, how it looked without the material protecting it, the strawberry skin, the slightly sagging breasts you swore you’d surgically remove once you had the chance to but didn’t. He knew where you liked being touched, he was the first one to even touch you in those places.
You were unsure what you’d do with yourself when he leaves.
Jungkook’s thrusts slowly started stopping and you too felt the familiar sensation in your stomach.
Suddenly, you two were nothing but desire, fear, and pleasure. And faster than you could process, you came together.
For minutes after your orgasm, you were just laying on the bed, thoughtless. Maybe a little regretful. Not you, but him.
You weren’t facing each other, but you could hear each other’s breathing. Your stomach was filled with something you’d describe as post-sex melancholia.
All of a sudden, Jungkook stood up from the bed, startling your resting self a little, but you decided to keep quiet, wanting to see what he was going to do.
He made his way to the door to leave what he thought was your sleeping body laying there. You couldn’t keep quiet anymore.
“Where are you going?”, your soft voice suddenly rang in his ears. “Don’t you wanna stay?”
He didn’t know how exactly to tell you. You’ve always been a gullible little girl, you were the type of girl to think fucking equals love. Little did you know that wasn’t the case at all.
“Yn.... you know I can’t”, Jungkook responded, you knew it wasn’t gonna be good when he said your name like that. “I got a girl at home and I don’t wanna mess shit up with her.”
There it was. Your suspicion was corroborated. He was still going out with the model and you were a certified home wrecker. Great.
You physically felt your heart breaking. “Bu- but why are you here then?”
You were incapable of being mad at him at the moment. It was your fault for letting him in, again. After breaking your trust and your heart.
“This was a mistake”, he declared, not looking into your eyes. “I’m sorry, yn...”
He’s moved past your room now, already at the exit of your dormitory. He was about to leave.
“You already ruined shit with her when you came here and fucked me.”, your voice was small, but your words were heard.
Without looking back, he left.
And you went back to your room, standing in the middle of it for a minute in silence before your brain fully processed what had happened and your tears started pouring.
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lazy-drawn · 3 years ago
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Young Justice 04x08: Good Episode Ending, Sad Character Implications
Wow this was a very good and emotional episode. Seeing Jon not really understanding what it means about Conner being dead and having it be explained to him was sad. Part of me thinks it really hasn’t sunk into him what death mean. Obliviously I know he’ll understand more of what it means as he gets older.
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However with that being the case I had a thought and a question come to mind. Especially with LOA being so prominent in this episode. And don’t hate me for this but am I the only one wondering if Damian is gonna die in Young Justice? Right now he’s a toddler and won’t be fighting crime until later seasons. However Wally, Conner and Jason (even though we didn’t see it) and bunch of other characters all have died in the show just like they did in the comics. Sure Young Justice has put their own twist on their death but they still die. (The only exception being Lian and hoping that one really doesn’t happen.) Which makes me wonder if they’re gonna do the same with Damian.
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Dick has already had his best friends and brother killed on the show what’s to say the writers also won’t do that again. Hell this time we might actually see it happen instead of it being a flashback or not being seen at all like Jason’s death was. Damian’s comic death really effected Dick you know since he was there.
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Another thing is since we saw Jon learn about death this episode it got me curios if Jon will know Damian when he dies. I say this because a lot of people are speculating about Nightwing’s Arc coming this season and we all think Jason is going to be involved. So since this episode left Cheshire in Infinity Island where Jason and Damian are staying with Artemis promising check up on her this might be how the Batfamily will find out about the boys.
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Now if this does happen this can go one of two ways. One they only find about Jason and want to take him home never finding out about Damian leaving the boy to raised by Talia and later seasons go to the Batfamily when he’s older. Or two they find out about Damian and do end up taking him with them. Which would mean Damian being involved in the superhero community early on and meeting other heroes along with their kids. Therefore meeting Jon early to. Which will only make it that much sadder if Damian does die because this time he’d known Batfamily and his best friend longer. There also the fact of how apocalypse played a big part in Damian’s resurrection.
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Again Young Justice could do it’s own twist on it. What do you guys think? Will this happen or not? Young Justice does it own thing so who knows. Give me your thoughts.
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savethedots · 3 years ago
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Gender identity in s7 of DRUCK
I tried to compile all moments that could belong either to the gender identity or the body dysphoria storyline of Isi’s season. Hearing that the s7 main is non-binary (or could be) brought me back to watching live. Which I stopped doing after s4 of Druck. And yeah… it was frustrating this time around.
I started this list shortly after the final episode and it took a while (yeah, i know). I hope I got everything. I’m sorry if something is missing. This got very long…
Episode 1:
1. Isi meets Lou in the toilets. Two gnc people seeing each other for the first time. Is it a mixed toilet? Maybe, but I kinda doubt it. So, one of them is challenging the binary toilet system in the school. Maybe…
2. “Hi Lou, I’m Isi.” - an introduction with gender neutral names. Both of them never use the other’s birth name and therefore respect their choices.
3. “Is this your brother or your sister?” - a teammate of Umut thinks it’s alright to comment on Isi’s appearance and make assumptions, representing society in a nutshell with this. At first it seems like Isi doesn’t really care but then Umut makes it clear that he is effected, which gets to Isi.
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Episode 3:
4. The threesome scare. I’m not sure if this belongs here but Isi’s reaction could be caused by body dysphoria. It also could very well be, because Isi doesn’t want to get sexual with Lou, or Constantin or with both of them together. We don’t know and this is a problem, as it was NEVER MENTIONED AGAIN!!! What was the reason for it? Getting some outrage?
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Episode 4:
5. Isi removes the nail polish after Constantin wore it in an insta post to “fuck with stereotypes” - it’s probably performativ on Consti’s part (and he gets applauded by Lou), but for Isi it goes much deeper than that.
6. “Let’s try to introduce a part for men.” “Not so much hip movement.” “Like dudes in the club.” “Put your hands on my hips like I’m your date.” - the girls say all of this without realizing that Isi is uncomfortable the whole time bc they seemingly don’t identify with any of these stereotypes.
7. Isi is watching the YouTube video about gender identity. It is nice. It’s a nod to how the mains always google stuff. But again it’s a shallow treatment of this topic. It’s only one short scene that is later overshadowed by family trouble. It could‘ve been the start of something but -like a lot of other things- was never really picked up again.
8. Sascha calls their get together ‘girl‘s night’ and Isi is okay with it. Isi feels comfortable with the girls and with Sascha calling it girl’s night. They know Sascha isn’t mocking them.
9. Consti assumes that Isi only likes guys because of the way she dresses/presents. Consti has no idea that there is so much more to it and I think he doesn’t care enough to learn more about it. Again presenting society in a nutshell.
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Episode 5:
10. “You know exactly who you are?” - “Don‘t you?” - “I‘m always different.” - “I like that about you.” - “You can be everything you want.” - important convo for Isi to hear, after Isi didn’t know how to dress and and style himself and was so overwhelmed that he covered up the mirror. Isi kinda relates to Lou and her saying this and making them feel better is so important.
11. “I nearly didn‘t recognize you.“ - Isi tries to fit in by dressing like ‘one of the boys’. She does this for her brother, even tho you can see how uncomfortable she is. This is really sad. Even sadder that Umut is still mad (even if it is understandable, he is a very impressionable young teenager). In the end no one is happy with this.
12. “You don’t have to adept for anyone.” - “How would you know? I have to adept every day. Whatever I do. I don’t fit in. They want one or the other.” - honestly one of the best scenes. Sascha is like the audience that finally gets to hear how Isi feels and listens intently. Sascha/the audience cannot make it easier for Isi but it’s important that Isi knows someone is in their corner to catch them if they need it. Finally some insight! Finally some feelings! (They still do not really continue this throughoutly)
13. “Boys right. Girls left.“ - with Isi being unsure where to go but eventually deciding to ‘fit in’ with the boys and society norms before Lou ‘saves’ them and gives them an excuse to get out of the situation.
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Episode 6:
14. Mailin and Isi talk about Umut ignoring Isi. And Mailin asks about Isi playing and quitting football. Isi says that it was too “football-ish” and Mailin agrees and says she, too, had a hard time when she started training the boys. I think it is heavily implied that gender roles/expectations played a big part in both their stories.
15. Isi goes to the queer youth center with Sascha. They meet David, by chance. Isi talks to him and David mentions body dysphoria. I still don’t know why they didn’t dig deeper after this. They had a good set up. Wasn’t the show supposed to educate about important topics? They really dropped the ball with this one. This could’ve been a catalyst.
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Episode 7:
16. “Hey Umut. Your sister is here.” - the teammate at it again. And he chuckles. He thinks he’s funny. Isi makes Umut listen to him. They talk about it beautifully, touching topics of what being ‘normal’ even means, pretending to be someone you’re not and losing yourself over it. It was way too short but heartfelt and very important.
17. “Just because you think I kiss men anyway. Or whatever you made up in your head.” - “no worries. I know now how you are. You made out with Lou.” - The talk from the garage never really got solved and it is kinda picked up here. Isi still is mad at Consti’s assumptions, rightfully tho. And Consti doesn’t even listen and continues to assume stuff about Isi without ever asking. Consti still mistakes gnc clothing, gender identity and sexual orientation. He doesn’t care. He is hurt and doesn’t try to understand, not even for his friend’s sake.
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Episode 9:
18. Mr. Önder is harassing Isi and Umut by stopping them and telling Isi that he disapproves of who Isi is and how Isi presents. Again, nobody asked but this is sadly pretty accurate, nosy neighbours and all. I love (!) how Isi is very angry, at first, but then looks at Umut and sees that he is afraid. Isi changes her behaviour on the spot and exposes Mr. Önder’s double standards in a really mature way.
19. Umut and Isi talk about Zeki Müren and this may be the sweetest talk they have. Isi tells Umut about the singer and Umut compares Isi to him. It’s a beautiful end to their storyline where Umut just excepts Isi and encourages them.
20. HOLY RAINBOW NIGHT: the culmination of Isi’s journey (if you can call it that). We have Billie who is very good at creating a calming environment. Billie also shows Isi that it is okay to have no pronouns by simply showing the name tag.
21. Then we have David who introduces the idea behind the name tag: no awkwardness just enjoy the night without feeling wrong. And he, too, creates an atmosphere that feels save. At first Isi goes along like always and just bends herself for society norms. But then they look around and recognise a safe space. Unlike ep 5, where Lou came to the ‘rescue’, Isi now stands up for himself and chooses a name and pronouns that feel right. But this is all new and Isi is still unsure about it. Then David steps in: “just try it out.” Reassuring Isi again, that she is save here (that’s when I cried).
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Episode 10:
22. At the Christmas dinner we have the family discuss Mr. Önder because he came around to complain. When Isi’s parents hear the whole story, they immediately start reassuring Isi about herself and telling her, that they are proud. Then Baba Inci plays best of Zeki Müren. And all of them dance and celebrate the music (and Isi).
23. Since body dysphoria is also part of Isi story, at least in some scenes, I wanna mention Isi and Sascha’s Christmas night clip. I think it’s refreshing that the one being a bit insecure seems to be Sascha, not Isi. Isi feels save and therefore is confident in the physical part which is heartwarming. They found someone who takes them as they are. Isi CAN just be who they are. Kinda leaving body dysphoria and struggling with their gender identity as problems for the outside world, while they create this permanent safe haven, which is really beautiful.
24. As they’re preparing for the their dance performance Isi tells his friends that they only want to use Isi as a name from now on. Isi still seems precarious and tries to give their friends (and themself) an out, if they don’t take it well. But both, Kieu My and Nora, make sure that Isi knows that it isn’t an effort for them and that they will adapt for Isi, no questions asked. With this, another safe space is created. This also spilled over to Insta where Isi and their close friends now have their pronouns in their bios. This should’ve been a Clip, tho.
25. The last clip is Isi just embracing herself and enjoying it. First Isi sits in front of her mirror again. While they struggle to use the right lipstick, in the end Isi is satisfied with how they look. Later at the dance performance she is confident and you don’t see any of the struggles she had at the beginning. The new year begins for Isi surrounded by friends, finally having the strength to embrace herself.
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In conclusion:
The build-up in Isi’s journey isn’t always super clear and should’ve been a center piece of their story but it did linger there throughout the whole season. They could’ve (or should’ve!!!) done better. Still, some scenes/clips are amazing and have a special place in my heart. I’m proud of and happy for Isi, this fictional character, who struggled with their identity and got to a good place in the end. It’s what Isi deserves and what everyone else deserves, who’s struggling because society is harsh, if you don’t fit in.
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gellavonhamster · 3 years ago
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la casa de papel s5 part 2
spoilers under read more
Turns out I predicted many things right, such as, most importantly, that no one else is going to die :) The writers of the show seem to be very concerned about subverting expectations (like many show writers these days, often to the detriment of the writing), and letting all main characters make it to the finale actually is unexpected after making it clear that no one is safe by killing the narrator. I kinda started suspecting that Matías Pamplona might be the one to die after he was given the code name - thought that they’re making him a more important character so that the audience feels sadder when he dies - but I am glad to have been wrong. Also called it that Arturito is going to survive as well - he’s the Thénardier of this story, the despicable character who gets to live and thrive while good people die because Life Just Ain’t Fair sometimes
I was also right about Rafael and Tatiana playing some role in the plan (otherwise their flashbacks would’ve been completely pointless), but I expected either him or her or both of them to help the Professor, not steal from him. It’s kinda more interesting this way, though, because otherwise it would’ve been too deus ex machina. However, I do think that Sergio managing to persuade Rafael to return most of the gold was one of the weakest, most improbable moments of this half-season. Of course, the Professor is grabbing at straws at this point, but Rafael agreeing to do this (without even meeting him, just based on a note) out of respect for “family tradition” when the family in question is the uncle he met once and the father he betrayed... let’s just say the Professor got very, very lucky.
Oh, and Tatiana has a little more agency now, but still little to no personality. A pity. Not so much pity about Rafael because I couldn’t care less about him, but I really hoped that I would grow to like her.
Very disappointed by the absence of Nairobi in the fish party flashback :( I get that it was probably not worth bringing back Alba Flores, who probably already has a lot of other work, to do just one small scene (I guess the scenes of her in class were filmed during previous seasons), but I still really wished we got to see more of her. She’s still one of the best parts of this show for me.
Also I wish Helsinki had more scenes, but okay, at least he’s alive. What’s up with his leg, though? When the entire gang leaves the hangar in the season finale, he walks just fine, but wasn’t it highly likely that even after the operation he was going to lose his leg? But alright, I’m willing to close my eyes at that, because I’m happy for him
Most of the romance stuff was extremely annoying. The Manila/Denver/Stockholm love triangle? I couldn’t wait for it to end. Tatiana leaving Berlin for Rafael? Do I look like I could care about these flashbacks when there’s a life or death situation in the present?? Denver and Stockholm having sex in the vault? Wow, guys, do you really think it’s the right time to do that??? I enjoyed Stockholm’s little striptease as a reference to that time Denver danced for her in the Mint - one dance in the beginning of their relationship, and another for its fresh new start - and the Serquel proposal was really sweet, but otherwise - ugh. Big ugh. Maybe if I shipped literally anything in this show, it would have helped
I fucking love Alicia Sierra. She was great as a villain, and she is great as a villain-who-reluctantly-joins-the-heroes too. Her friendship with Sergio seemed a little rushed, but then again, she’s lost everything, her superiors screwed her over, she’s alone against the world with a newborn baby on her hands. If I was her and the only person who cared about me and made me dinner was my enemy, I would probably get attached quickly too
The fact that the entire gang is going to remain in the memory of the general public as fallen heroes except for Denver who is going to be remembered as a traitor and a collaborator though :(
The fact that Benjamin is referred to as Logroño in the end credits while he didn’t even officially have a code name, it’s just what Alicia called him, and then everyone just rolled with it... love it
I know I’m basically just repeating what I already said in the tags, but the pump theft/meeting Bogotá flashback is gotta be one of the funniest scenes in the entire show. Marseille tolerating Berlin’s singing in the helicopter, Berlin’s stupid coat, Bogotá being like “You come here wearing your mom’s coat”. The whole fucking exchange about rough/soft hands. Palermo “interpreting” for Berlin while he’s telling to the manager’s face in Spanish that they’re gonna steal from him. Berlin, who hates children, nodding politely as Bogotá tells him about his seven (7) children. It’s hilarious
Overall I am satisfied with how it ended. In my opinion, seasons 3-5 can’t hold a candle to seasons 1-2, but it was gripping enough for me, and I love the characters, so seeing them get a happy ending made me happy.
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evakuality · 3 years ago
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Matteo - episode two
Social media - I feel like the social media doesn’t always work for me just because I often sleep at the wrong times of day for Germany and so when or why things happened sometimes feels difficult for me to judge.  For example, I feel like the Sara and Leonie and messing around with David at PE feels somehow out of place.  They didn’t seem to know each other much on Friday when Sara interrupted Matteo and David and yet here they are hanging out and playing together like long time friends on social media not long after.  It’s a lovely set up for Matteo finding out more about David as he reluctantly follows Sara’s social media, but the connection from one moment to the other is difficult to follow.  More than ever I wish we had more of a sense of David and what he was up to behind the scenes so to speak.  Also, Sara’s desperation around Matteo when she’s talking to Leonie is so painful.  By the end of this episode Leonie is all ‘you need to get over this asshole’ but Sara is still super invested in this thing she’s built up in her head.  She wants this to be real so much that she’s ignoring all the red flags.  It doesn’t help that Matteo is actively curating his social media presence to fit in - so he does a lot of stuff with Sara for her Instagram.  That it’s all the same sort of stuff he does with his friends seems to go over her head - he doesn’t see her the way she wants to be seen, but then he also does things like knee-jerk into an invite to his home when he sees David hugging Leonie.  What he does and why makes sense (we’ll get to that in the actual clip) but it doesn’t make it any easier for Sara.  Though, really, she should listen to Leonie who is the only one in this scenario who has her back and can clearly see what is happening.
clip one - I really like seeing characters peacefully chilling in their own space and just being relaxed.  Matteo’s not exactly happy, of course, but he seems content in this scene.  He has his game, he has his little stalker moment on David and there are no expectations on him.  But then of course Hans comes along.  Hans, bless him, doesn’t mean to be forcing expectations on Matteo, but unfortunately he’s hitting some sore spots for Matteo.  Matteo knows he’s into guys, is fairly obvious about his attractions, but there’s this very painful understanding that the guys he likes can’t or don’t see him the same way.  David is still something exciting at this point - they made a connection and while Matteo doesn’t know if he likes guys too, he also knows they have some kinship on some issues.  So his gut reaction is to hide the picture he’s been looking at despite it being on his girlfriend’s Instagram, because it feels incriminating to him.  Here he is fantasising over yet another guy who is probably straight and probably has a thing with Leonie (he is extrapolating HARD from the small bits of info he has and from Sara’s reactions).  It’s sweet that Hans literally comes to Matteo to get advice on his choices of guys, but it feels threatening to Matteo both in a ‘I can’t let on that I’m gay’ way and because it feels like someone expecting something of him which he isn’t capable of giving - it’s very obvious that the guys Hans is choosing from and the type of guy Matteo likes are poles apart and so he literally doesn’t know which of the guys Hans wants is best.  They really aren’t his type at all.  
I also have to say that Sara’s demands for instant answers is exhausting.  Why do we have this expectation?  She’s decided that he’s not being good to her because he’s not instantly responding, but it shouldn’t be such a norm that we reply right away.  In Matteo’s case, he’s trying to chill and relax and we have both Hans and Sara intruding on that space with expectations of him.  My introverted self shudders at this and I feel for Matteo.
clip two - this of course leads into clip two when Sara confronts Matteo again.  She is once again, the one trying to use words and communicate properly.  This is exactly what we tell people to do when trying to work with relationships but she’s not really forceful enough as yet and she chooses to do it in front of his friends which doesn’t really work.  For her, she thinks this will legitimise it and has perhaps subconsciously picked up that he’s far more willing to play along if he has an audience and so this works for her.  But for him, it’s even more awkward than usual because she’s showing up his lack of attention in front of his friends.  So while she probably thinks she got some sort of positive sign out of this, for him this was very uncomfortable and he’s really starting to find it difficult to keep this up.  The discussion of relationships and communication in relationships is also very interesting.  Abdi, who seems to be really off the wall and stupid here, is the one who actually hits on the reality of the situation.  We see how attempted communication works in relationships alongside Matteo and Sara, but we also hear about Carlos and his frustrations with Kiki and a lot is being set up for the future.  We’re already getting set up for Matteo feeling really shit when David won’t contact him, when he feels played and on and off, hot and cold.  This thing with Sara here comes back to bite him later when he’s on the receiving end and it allows him to find his moment of kinship with Sara later on.  Once he knows how this feels, he realises how shitty he was being here.  
The ‘when they don’t talk to you, they want to sleep with you’ stuff is fascinating because a) that’s definitely not what’s happening with Matteo - he absolutely doesn’t want to sleep with Sara, but b) also it kind of IS what happens with David later.  He wants things to progress with Matteo but doing that means he has to come out and so he has to retreat.  Totally different reasons, but the idea is the same.  ‘You have a lot to learn’ the boys tell Matteo, and they’re right even if not in the way they mean.  Most of what Matteo needs to learn and figure out in relationships is actually touched on in this clip.  Of course, to really ram this point home, we get the deeply awkward Matteo and David meeting by the lockers.  David appears to be invested as well - coming up to Matteo, making the first contact here in a way.  It’s awkward for sure, but in a very different way to Sara and Matteo.  Here, they both want to actually connect but are still feeling out how to approach each other.  Of course, they are again interrupted before this can develop better, and again Matteo’s response to a romantic advice question is ‘I don’t know’ - it’s his way to slide out of having to be committed to something, but also both questions (Hans’ and Leonie’s) veer quite close to things he doesn’t want to be open about - interest in guys on the one hand and specifically David’s relationship status on the other.  So he hides behind these words and in both cases the person fills in their own gaps and assumes he’s helped them.
The bit with Amira and the weed is so close to the original that there’s not a lot to say, except that I do like that she gets to make her own defence with Matteo as a back up more than the one speaking for her the whole time as Isak does.  I’m also highly amused that they never attempt to make this exchange again and the weed just gets used by the girls.  Neither Matteo nor Abdi seems worried about it after this point.  For Matteo that makes sense - David starts to become much more important, but for Abdi it’s just funny.  Maybe he got some more weed somewhere and just decides it’s not worth pursuing anymore.
clip three - this clip is just sad all around.  Matteo clearly does care about Sara and he’d make a good friend for her but she has these expectations of him that don’t work for either of them but in totally different ways and they talk at cross purposes throughout the whole thing.  We find out later everything that’s going on with Sara here and why she wants distracting, but she’s chosen the wrong person or at least the wrong way.  And this whole idea that she can force sex on him when he’s very very clearly not ready is so uncomfortable.  Even if this was a very normal relationship in which both parties genuinely had feelings for each other, him pulling back and not being ready isn’t a bad thing and should be respected.  That Sara uses this as evidence later that he’s a shitty boyfriend is unfair.  He is a shitty boyfriend in many many ways but this isn’t one of them.  @sun-undone made a wonderful series of videos on this season and mentioned how awkward and uncomfortable the extreme close ups are in this scene (and many of the others between these two).  It works to make a claustrophobic and trapped feeling for Matteo.  We’re so tight on his face that he has no way to escape and what’s really interesting about it is that often when Sara is in reverse shot to these close ups the camera is further away allowing her to feel more comfortable.  Which sums up visually everything about this relationship really.
I want to touch briefly on the food thing - in this scene Matteo brings food for Sara, and food is usually used to show nurturing and caring etc etc.  And then he places it as far from her as he can.  Contrast this with how he uses food with David, making it playful and literally bringing him into its production and they eat together.  It’s very clear that while he cares about Sara and wants to connect with her, he’s not willing to properly nurture her in any of the ways she needs.  He also makes it very clear that it’s from her mother and not him.
clip four - in this context, clip four is very sad.  It’s just a short moment where Matteo watches David and sees him smile at Leonie and hug her.  It immediately makes him sad (sadder than usual, which is fairly sad at this point) and we just saw how little interest Matteo has in sex, but that sight and all the things it brings up for him (which have been set up through the previous episode) results in him deciding to just get it over with and try to sleep with Sara.  Of course, for her this means a whole different thing to him.  The emojis etc that he uses are really playful and happy but the Matteo we see on screen as he does that is so far from that it’s super painful to watch.  More examples of how his social media presence does not reflect his genuine lived experience.  She sees this as a final acceptance of what’s happening between them and how he now wants to be with her.  For him, it’s a final desperate attempt to stop being so invested in these guys who don’t want him and to focus on someone he knows actually does.  But it doesn’t make him happy, and he in fact looks much sadder at the end than he does at the start.
clip five - A continuation of the previous one really.  He’s decided this has to happen, has actively set up the date for the end of the week and is now trying to find a way to make it work for him.  But he looks SO depressed and out of sorts when he does so, made more so when the responses he reads are things like ‘why would you want to sleep with someone if you’re not into her’ which is a question he has no good answer to.  Of course we also get the moment when he finds David’s Instagram and the picture he’s posted and the way he responds to that is much more genuine and authentic than anything he’s done with Sara.  I do like how often we get subtle moments of comparison between how Matteo reacts to Sara vs how he reacts to David.  Once again the social media is nice in this part.  Hans and Linn and their conversations and the way Matteo is then drawn in and included.  I like that they chose to document such a small and insignificant moment, eating food together, in such a way.  It makes the ‘big’ stuff that’s scattered through feel more authentic when it’s mixed in with such normal social media behaviour.  
clip six - The cross dressing in this clip makes me feel really awkward, partly because cross dressing in general feels weird (just... dress however you like whenever you like, you know?) but obviously also because of David.  How horrible this must feel for him (and as an aside, the school must have known why he changed to them so late and how traumatic it has been for him - why did they approve the topic????), but consequently how good it must be for him that Matteo doesn’t engage with the dressing up.  On another note, Sara talking over Matteo is again a great representation of the whole way their relationship works (and how she thinks one should work maybe?)  She speaks for him and makes assumptions about what he wants in many of their interactions and it’s no different here.  I guess she’s so desperate for this to be something real that she can’t let anyone speak who may ruin that - up to and including her supposed boyfriend.  He looks so checked out and irritated with this whole situation when she’s talking for him and it doesn’t get any better after she leaves and the boys go right back to sex talk.  This whole episode is a good representation of how little presence Matteo has in his own life, particularly when he’s outside his own space and/or with other people.  The one person who sparks any sort of difference is David.  In this whole clip, Matteo doesn’t speak a word (he tries to but Sara leaps right in as if she owns his home, which.... hmmmmm) which is a huge contrast with the final clip:
clip seven - this is such a great clip and it’s fascinating that it’s so long compared to the rest given that not a lot actually happens in it.  But that’s part of its charm - this is Matteo’s and our chance to meet and get to know David properly which is allowed time to breathe and relax into it.  And over the course of the nine or so minutes, the two of them do get more and more relaxed and easy with each other.  Also, here’s to the random ticket collector who facilitated the start of this.  If he hadn’t come along and David hadn’t decided to step in to save Matteo from the consequences of his own actions, they’d probably still be staring awkwardly at each other to this day.  But also, Matteo’s flirting when he genuinely wants to do it appears to be ‘hey do you want to smoke?’ and despite David clearly not being all that into it, it works presumably because David is also besotted already and happy to go along with literally anything Matteo might suggest (like some terrible sandwich toppings).  
But honestly, the heart of this clip is literally this developing bond between the two boys and I was trying to work out why the montage ‘getting to know you’ sequence works better here than it does for Mia and Alex and I think in the end it comes down to baggage and also timing.  David is not dragging baggage behind him; we don’t have the same sense of ‘why does s/he fall for him?’ with David that we do with Alex.  In Alex’s case, Mia had been very open about how much she hated Alex and how he was treating Kiki and also just how awful she felt about being bribed into going on a date with him.  Given how important that was, we needed to see more of their bonding so we too could see Alex’s personality.  Instead we’re told that Mia starts to like him without being shown any real proof.  Whereas with David, we don’t know him just like Matteo doesn’t know him, so having some conversation filled with compliments and small moments of bonding and developing trust interspersed with the montage actually works.  We have a real sense of the sorts of things they’re talking about and the way they’re talking and we’re shown in montage that there’s more happening behind that.  In this case it works to show the development where for me it fell flat with Mia because of how long we were told and shown Alex was an asshole for.  
The upshot of this is that they have both shown vulnerability on screen by the end of the episode and have both shown themselves to be careful and considerate of the boundaries around those vulnerabilities (Matteo respects David’s wish to keep certain pages of his art book private and David doesn’t mock or scorn Matteo’s fears about not knowing what he wants to do after school).  It means that when David tells Matteo what his favourite movie is, Matteo is able to admit that he doesn’t know it.  There’s a long pause before he says it, almost like he’s weighing it up whether he wants to admit that or not.  But in the end he does say it, allows himself to show more vulnerability.  Unlike Isak, who tries to bluster his way through knowing what Even finds interesting, Matteo is willing to be real and genuine with David.  
Basically, this clip serves as a nice contrast to the rest of the episode, where people speak over Matteo and don’t allow him the space tp be himself.  Both boys here are able to be open and show themselves in a way that we repeatedly see Matteo at least unable to do so far.  So it’s not surprise that when reminded that Sara is coming he tries to remove himself from that situation.  The long look he gives David while Sara’s message is on screen really shows just how different these two people feel to him and honestly, she needed to take Leonie’s advice after this.  Matteo has made it very clear that Sara’s needs are not at the front of his mind and she really really should take that hint.  
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supercantaloupe · 4 years ago
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on Aelwyn Abernant, the Reformed Villain Squad, and redeeming teenage antagonists
an analysis on antagonist character development in Fantasy High. spoilers through sophomore year and (mildly so) the most recent roll20 oneshot. essay under the cut bc i am very long winded
the turnaround with Aelwyn in s2 is handled so well  i cant get over it. she was such a major antagonist in the first season and just. despicable. she had no pathos. we hated this bitchy older sister who tried to kill Adaine and her friends and raise an evil dragon, and when she gets knocked on her ass and thrown in jail, we cheer.
and then s2 fucking starts saying “hey she’s in jail still if you’d like to look into that” and pursuing that thread ends up being almost as comedic an idea as it is a reluctant one; it’s also quickly shunted to the background as soon as more pressing leads present themselves, to the point where we almost forget about her until Adaine is kidnapped and then the first time you see her it’s just. viscerally upsetting.
she’s bad. she did evil. she got what she deserved.
but she already got what she deserved. last season.
she got her ass handed to her by a bunch of 14 year olds including her little sister (how embarrassing!). her plans were thwarted. she got punched in the face and made fun of. she already got her punishment.
it just……immediately registers as over-the-top Wrong to be told “hey, remember that antagonist you beat last season? she’s still being punished for that, except it’s way worse than just going to mumple.”
and there’s that reminder that like…this is a teenager. a child. who has been manipulated and abused. which is a really fascinating look at this character we used to see pretty much unilaterally as a one dimensional bitchy villain.
i mean we got a more in depth look at Penelope’s and Biz’s motivations in s1 (Penelope being the popular rich girl sorceress obviously hungry for power and the alllure of the high school clout that is being prom queen, but also we know that her having to turn on her best friend Sam Nightingale as part of the scheme was something she was reluctant and not happy to do; and Biz being that predatory incel creeper type dude besides just a nerd with computers and a lack of social graces). and they were as much willingly active in the plot as Aelwyn was. yet in s1 they really never do bother to explore Aelwyn’s motivations. i remember after watching s1 but before s2 that was one of my biggest lingering questions: why tf was Aelwyn involved?
well. she was manipulated and abused. her terrible parents raised her in an awful environment that conditioned her to Listen and Obey and Behave and Be Perfect, and then Kalina helped cinch the noose around her neck with threats and coersion into the KVS Kaper and the NMK crown debacle. she doesn’t freely choose any of it; she’s coerced, manipulated, abused.
and she already got justifiably punished for her bad actions in s1. the torture is almost literal overkill. it’s just……there’s this immediate turnaround in sympathy and view of the character. on first watch, it’s viscerally upsetting to see her getting so brutally punished for actions she already faced consequences for, and on rewatch, it makes your skin crawl to know she’s being tortured for terrible things she had little choice in carrying out. and tortured by some of the very same people who coerced her to behave terribly in the first place, to add insult to injury.
and it’s still fucking frustrating when they rescue her and her memory gets reset and she goes back to her parents because it’s like “well shit, she’s evil again, and we just wasted all that effort for nothing” but it’s also sad cause we know she’s running back to her abusers and she isn’t happy about it but doesn’t feel like she has a choice. and it’s sadder still that what eventually inevitably gets her to turn to good for good (i.e. away from her parents) is just. a full dissociative mental breakdown.
(but then she survives and it’s gonna be good!!! until Adaine dies in her fucking arms. which is. almost funny. she’s been through so much shit and that isn’t something that Brennan would have just. preplanned. like a written in plot point. no, that was just an unpredictable consequence of the battle. what a juicy fucking moment. she’s been through All That Shit™️ and has finally turned to fight for good and her sister just fully dies in front of her. yeowch)
and she turns out okay in the end. she comes out the other side alive and whole and supported by her sister and her friends, with the hope of a future and recovery. there is an acknowledgement that A) she can and will grow from her mistakes and damage, B) it’s going to be really hard, and C) the post-s2 one shots both prove that she’s doing okay now. hell, she has a whole squad now of other former-teenage-villains-turned-good-guys. she has friends now, Ragh and Zayn, with common ground, and a secret handshake and everything. they’ve all grown from the mistakes of their past into better, happier, healthier people
and about Zayn and Ragh. we’ve seen a lot of characters, protagonist and antagonist, teenage and adult, PC and NPC do some really fucked up shit and get punished for it. but why do they get happy endings? why are Aelwyn, Ragh, and Zayn the only members of the RVS and not someone else like Biz or Penelope or Dayne? 
well, the latter two are dead by then; but then again, Biz and Ragh were also killed by the Bad Kids in s1, and subsequently resurrected. (Zayn died too, but was neither killed nor revived at the Bad Kids’ hands, so i’ll get to him in a sec.) and there are plenty of adult antagonists the Bad Kids face who are killed and left that way by the Bad Kids without second thought: Johnny Spells, Coach Daybreak, Captain Wicklaw, the Abernant parents (presuming Arianwen doesn’t survive in the forest for very long, which i doubt). why do some characters get second chances while others don’t?
in the case of Zayn, his death was pretty much out of the Bad Kids’ hands, and they later found out he was manipulated by Daybreak into being bad anyway because of his sad living situation. he was a pretty minor antagonist in the scheme of things, and when we re-meet him as a ghost in the s1 epilogue, he’s pretty obviously remorseful for his actions. and dying seems like a steep enough punishment to me for the shit he did to contribute to the KVX caper; returning as a ghost, free from the trappings of his unfortunate living life, he now has the room and freedom to grow into a better person.
in the cases of Daybreak, Spells, Wicklaw, and the Abernant parents: these are bad people who should know better. these are fully grown adults who actively choose to do evil. whether they think it’s the right thing to do or not (in Daybreak’s case), whether they think it will benefit them and don’t care about anyone else (in the Abernants’ case), or whether they don’t care much at all and are just doing shit because they feel like it (in the cases of Spells and Wicklaw), these are all adults who consciously make the decision to do terrible things and hurt other people. of course Johnny Spells, who is generally a punk thief and thug, is not on the same level of bad as Angwyn, who kidnaps and tortures his own daughters for political gain, but the point remains. these fuckers should know better. they’re grown ups. they had their chances to be good and they chose not to heed them. their minds are set on bad actions and they are a continued danger to other people as long as they are alive. when they die, the Bad Kids do their damndest to make sure it stays that way.
now, in the cases of Penelope and Dayne: these are teenagers who actively chose to participate in an evil plot. Penelope, Dayne, and Biz were all fully cognizant of what they were doing trying to raise KVX back to his former power. why? well, to some extent, we can only speculate. i suspect Penelope was just one of those Regina George bitches who is rich and popular and powerful and obsessed with power and popularity within high school as if that’s the end-all-be-all of existence (which, like, when you’re currently in high school, is a somewhat understandable worldview i think). Dayne being her boyfriend and a musclehead jock probably falls into a similar line of thinking. they are actively and willingly trying to cause harm, and teenager or not, must be stopped. they’re killed, anyway, during the Climactic Battle™️ anyhow; it’s not like the Bad Kids were going to gain anything at that point by keeping them alive.
now, Biz: Biz is the creepy Nice Guy incel type, sees woman as a prize he deserves to win, yadda yadda. he does, like Penelope and Dayne, actively choose to help KVX. there might be something to be said about his motivation the Bad Kids discover after the arcade battle by detecting his thoughts (that being to upload the captured maidens from the palimpsests to “call the shots” himself) is an altered memory; whether this was his original motivation from the start or not, i’m not sure. but the Bad Kids do kill him – and then resurrect him for important, time-sensitive information. and they beat it out of him – he gets two of his fucking fingers blown off. and Riz reattaches them once they have their info, and they realize his memory is altered. of course, the Bad Kids don’t know at this point that the altered memory was something he, Penelope, and Aelwyn had planned and agreed on and done to themselves, but this points to something important in my opinion: the Bad Kids, and the narrative/show as a whole by extension, acknowledge that external manipulation affects how guilty someone is in a crime.
which brings us to Ragh. Ragh, introduced from episode 1 as the meathead jock. Ragh the archetypical one-dimensional high school bully. Ragh who works with the harvestmen in effort to (ostensibly) end the world/provoke international war. Ragh, whose low intelligence but high loyalty and internalized homophobia led him to be fully swayed and blindly led by his coach and captain, who have actively chosen to do evil. Ragh who is killed in combat by the Bad Kids and resurrected for information, not Daybreak. Ragh, who the Bad Kids realize was probably not aware of exactly what he was being made to do and how bad it really was. Ragh, who by their kindness in sparing his life and directing him on a better path, becomes a well-rounded character and an active ally to the Bad Kids during and after prom, an invaluable companion during their quest in sophomore year, and overall a really good friend and person. 
(it might also be worth considering the case of Jawbone here, too, who started out a very minor antagonist in a fight but ended up becoming a major NPC because the Bad Kids talked to him, found out he came from an unfortunate situation and set of circumstances, and showed him kindness in offering the school guidance counselor position, a kindness that isn’t really owed but given anyway and ends up changing his entire life for good.)
and then, Aelwyn, whose case is already discussed above. so, why is the RVS what it is, why them but not others?
if you’re familiar with Avatar: the Last Airbender, you’re probably familiar with Zuko’s character arc, and how it’s often lauded as a masterful example of developing a villain into a hero over the course of a narrative. what makes Zuko’s arc so well done and exceptional is that he starts out as a kid in a bad situation under the influence of bad adults seeking to do bad deeds, but he later realizes the error of those ways, actively removes himself from that situation despite the difficulty and danger in doing so, goes through a lot of shit and reflects on his past mistakes and learns from them, and then actively chooses to fight for good in the end with the help of close, trusted friends, found family. 
this, i believe, is the same in the case of Fantasy High and its treatment of the RVS. its members, like Zuko, are all teenagers who came from shitty situations and were manipulated by evil adults to do bad. they are punished for their bad actions, and they learn from their errors and mistakes. with the kindness and help of good people, friends and chosen family, they are able to escape their abusers and bad situations and grow into their own people. and they actively choose to improve themselves with that help and fight for good.
Fantasy High, through the arcs of Jawbone, Zayn, Ragh, and especially Aelwyn, asserts that it is not your fault if you come from a bad situation and are forced to behave badly as a result. it does not pretend that you are absolved of any responsibility for those actions; quite the opposite, as even though they were externally manipulated into their evil actions, all of those mentioned characters face tangible consequences for their actions and later express remorse for their mistakes. but Fantasy High also asserts that even if you have made great mistakes in your past, even if you came from a bad situation beyond your control, even if you were manipulated and abused, with care and love and support and a hell of a lot of work and effort, you can improve your situation and find good, happiness, peace, you can thrive. evil adults who should know better don’t get redeemed. teenagers who aren’t coerced but actively choose evil don’t get redeemed. but abused kids deserve another shot at happiness. with enough work, and some love and help along the way, they can get there, even from the lowest imaginable point, from rock fucking buttom. it’s possible. 
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that-house · 4 years ago
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Viego Rant (villainy and character design and tragedy and all that jazz)
Introduction The more I think about Viego, League of Legends’ newest character, the more enamored I am with him as a villain (unrelated to his general sexiness, though that does tie in with what makes him such a good villain).
I’ve seen a lot of complaints about his design. The Ruined King, one of the greatest threats in Runeterra, the progenitor of the Shadow Isles, the lord of the undead, is finally released as a playable champion and he looks like this:
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People were expecting another Mordekaiser (who is similarly an undead king with a ghost army), a lich-tyrant clad in iron, decayed flesh peeling from an aged face. What we got was an angsty anime prettyboy, and it was infinitely better than the alternatives. 
Lore Viego isn’t a conquering king. While his combat abilities are indeed badass, his personality is far from it. He’s a whiny brat and that’s incredible. He isn’t bent on world domination. His character arc revolves around just how human, how fallible he really is. For those unfamiliar with his lore, I’ll paraphrase it here:
Viego was the second son of a great king. Overshadowed by his brother and with no expectations upon him and near-limitless wealth, he wandered around being an idiot fuckboy for the vast majority of his formative years. Disaster struck when his brother died in an accident, and Viego took the throne with no training, no experience, and no desire to be king. He was a shitty king. The worst king. Just all-around apathetic. Gave zero shits. Can you blame him? It’s a lot of responsibility to be thrust upon someone who isn’t much more than a child, and with no preparation. He didn’t care about anything, that is, until he met Isolde. She was a poor seamstress, but he fell in love with her upon their first meeting. Together they ruled the country but it was really just them staring longingly into each others’ eyes. His allies were kinda fucking pissed about that, and one day an assassin came from Viego. The assassin fucked up and stabbed Isolde instead, and the poison on the blade made her fall gravely ill. As she lay in her bed, slowly dying, Viego went mad seeking a cure. He ravaged the land seeking any knowledge that might help, pouring all of his money into finding an antidote. He failed. As a last resort, he brought Isolde’s body to the Blessed Isles, a place rumored to be able to resurrect the dead. It worked, to an extent. Isolde’s wraith, confused, afraid, and angry at being ripped from the peace of death, unthinkingly stabbed Viego in the chest with his own magic sword, creating basically a magic nuke that turned the Blessed Isles into the domain of the undead. Viego resurrected as the king of the Shadow Isles some time later, having totally forgotten that Isolde killed him. He controls a big-ass ghost army, could probably beat up any living thing in a fight, and has evil ghost magic. Now this stupid simp wants his wife back and if he has to kill every living thing on Runeterra, well, anything for his queen. He’s even a tier 3 sub to her Twitch.
Music His musical theme isn’t some heavy metal anthem or intense cinematic piece (unlike the Pentakill song named after his sword, Blade of the Ruined King). It’s mostly sad and slow, almost sinister, with a piano and a music box. It has its loud moments featuring violins and choral bits like any villainous music, but the song is mostly subtle. It is a banger though.
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In the comments section of this video, someone pointed out that the music reflects his story from beginning to end:
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Everything about this champion is so well done. Riot Games really outdid themselves on this one. Bravo, encore please.
Motivation While the Mordekaiser circlejerkers on r/LeagueofLegends won’t shut the fuck up about how powerful Mordekaiser is, Viego is the better villain. Mordekaiser may be a bigger threat to all life on Runeterra, but Viego is a better character. (There’s a guy on my League discord server who won’t shut up about Mordekaiser so forgive me for being pissed at Morde stans).
Mordekaiser is motivated by a desire for control, to rule the world. Viego is motivated by obsession and misplaced love. There aren’t a lot of Mordekaisers on Earth. Supervillains are rare in real life. But Viego’s motivations are a lot closer to home. People in positions of power that they don’t deserve can do a lot of harm (for example: Trump).
He’s a grieving husband who was never prepared to deal with anything more difficult than choosing what wine to drink with dinner, who is trying to get his wife back because the world had always complied to his every whim. He’s a funky mix between a truly hopeless romantic and a spoiled brat throwing a temper tantrum.
Obsession is scary. It’s a real-world emotional state that’s been the cause of a lot of murders over mankind’s history. In contrast, Mordekaiser’s cartoonish Genghis Khan XXL schtick isn’t something that we encounter often. Of course a superpowered ultradictator would be worse for the world, but if you give ultimate power to a random person, you’re more likely to get someone like Tighten from Megamind. Or, more relevantly, Viego.
Design His design is sexy and stupid, just like him. He wears an open shirt into battle and wields his sword like an idiot (I’ve seen all the rants about how that’s not how that sword is meant to be used) because he was never really a warrior. Even at his most violent, right before the end of his mortal life, he didn’t do much combat himself, leaving his military endeavors to his underlings. Even now that he’s essentially a god, he still has a colossal wraith army that causes far more devastation than he ever could personally.
Despite his slim build (by League of Legends standards), he easily wields his colossal sword because of the strength of his state of undeath. Like his political power when he was alive, his posthumous magical and physical powers were never something he sought out, they were just given to him by circumstance.
The big cool-ass triangle hole in his chest where Isolde stabbed him is the source of the Black Mist, which is evil ghost mist that ebbs and flows from the Shadow Isles, bringing with it hordes of the undead. The sadder Viego is, the more Mist he creates. Poetically, his invasion of the world is inspired by his sorrow at his wife’s death and enabled by his wife’s reluctance to return to him. His story is perfectly reflected by his design.
Isolde Isolde’s spirit took up residence inside a young Senna (who’s another League champion, not particularly important here). This led to some Black Mist-related shenanigans and at least for the time being, Senna uses Isolde’s power to fight off the servants of Viego which threaten all life on Runeterra.
It seems pretty clear that whatever love Isolde felt for Viego is gone by now. Whether or not she ever loved him or was just unable to say no to the king is up for debate, but I’d like to believe there was something there. In my opinion, Viego’s story hits harder if they really were a great couple at first, torn apart by circumstance and obsession.
Much like the Maiden of the Woods in that one comic that circulates around here, to whom the knight gave his heart and she was like “yo what the fuck i literally never asked you to do this,” Viego went a little too far in trying to save her. They may have once been happy, but the Ruined King ruined his own life, too.
Unless Isolde is a lot less morally decent than we’ve been led to believe, I doubt she can forgive all the massacring that her husband’s been doing lately. In the recent cinematic, she was shown to be pretty anti-Viego. Maybe she’ll get a bastardization arc, but it certainly seems unlikely.
All of Season 2021 is based around Viego, Isolde, and the Shadow Isles, so we’ll just have to see what comes next. It’s possible that we’ll get Isolde as a playable champion, which should clear a lot of things up.
Final Thoughts Unlike so many villains, he’s not fueled by rage or hatred, but rather by sorrow. He’s stuck in his past, unable to move on. He regrets the actions of his life but is set on his course now. The sunk-cost fallacy comes into play here; he’s put so much time and effort and blood into bringing back Isolde, that turning away from it would feel to him like an insult, not only to her but to the innocent lives he’s taken in her name.
His tale is a tragedy, a love story gone horrifically wrong. Viego has suffered throughout his thousand-year life. Despite this, he’s undoubtedly the villain. His permanent death would be a net positive for the world. In has rage and grief he’s destroyed multiple civilizations, and will burn down the world to get Isolde back.
His heart may be in the wrong place, but it’s in a very human place. I don’t think he’ll get the ending he’s looking for, but I hope he finds some closure in the end.
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bananaofswifts · 4 years ago
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Taylor Swift appears to be waging war over the serial resale of her old master recordings on two fronts. She recently confirmed that she is already underway in the process of re-recording the six albums she made for the Big Machine label, in order to steer her fans (and sync licensing execs) toward the coming alternate versions she’ll control. But now that she’s followed the surprise release of “Folklore” with the very, very surprise release of “Evermore�� less than five months later, the thought may occur: If she keeps up this pace, she may have more new albums out on the Republic label than she ever did on Big Machine in a quarter of the time. Flooding the zone to further crowd out the oldies is unlikely to be Swift’s real motivation for giving the world a full-blown “Folklore” sequel this instantaneously: As motivations for prolific activity go, relieving and sublimating quarantine pressure is probably even better than revenge. Anyway, this is not a gift horse to be looked in the mouth. “Evermore,” like its mid-pandemic predecessor, feels like something that’s been labored over — in the best possible way — for years, not something that was written and recorded beginning in August, with the bow said to be put on it only about a week ago. Albums don’t get graded on a curve for how hastily they came together, or shouldn’t be, but this one doesn’t need the handicap. It’d be a jewel even if it’d been in progress forevermore and a day.The closest analog for the relation the new album bears to its predecessor might be one that’d seem ancient to much of Swift’s audience: U2 following “Achtung Baby” with “Zooropa” while still touring behind the previous album. It’s hard to remember now that a whole year and a half separated those two related projects; In that very different era, it seemed like a ridiculously fast follow-up. But the real comparison lies in how U2, having been rewarded for making a pretty gutsy change of pace with “Achtung,” seemed to say: You’re okay with a little experimentation? Let’s see how you like it when we really boil things down to our least commercial impulses, then — while we’ve still got you in the mood.Swift isn’t going avant-garde with “Evermore.” If anything, she’s just stripping things down to even more of an acoustic core, so that the new album often sounds like the folk record that the title of the previous one promised — albeit with nearly subliminal layers of Mellotrons, flutes, French horns and cellos that are so well embedded beneath the profuse finger-picking, you probably won’t notice them till you scour the credits. But it’s taking the risk of “Folklore” one step further by not even offering such an obvious banger (irony intended) as “Cardigan.” Aaron Dessner of the National produced or co-produced about two-thirds of the last record, but he’s on 14 out of 15 tracks here (Jack Antonoff gets the remaining spot), and so the new album is even more all of a piece with his arpeggiated chamber-pop impulses, Warmth amid iciness is a recurring lyrical motif here, and kind of a musical one, too, as Swift’s still increasingly agile vocal acting breathes heat into arrangements that might otherwise seem pretty controlled. At one point Swift sings, “Hey, December, I’m feeling unmoored,” like a woman who might even know she’s going to put her album out a couple of weeks before Christmas. It’s a wintry record — suitable for double-cardigan wearing! — and if you’re among the 99% who have been feeling unmoored, too, then perhaps you are Ready For It. Swift said in announcing the album that she was moving further into fiction songwriting after finding out it was a good fit on much of “Folklore,” a probably inevitable move for someone who’s turning 31 in a few days and appears to have a fairly settled personal life. Which is not to say that there aren’t scores to settle, and a few intriguing tracks whose real-life associations will be speculated upon. But just as the “Betty”/”August” love triangle of mid-year established that modern pop’s most celebrated confessional writer can just make shit up, too, so, here, do we get the narrator of “Dorothea,” a honey in Tupelo who is telling a childhood friend who moved away and became famous that she’s always welcome back in her hometown. (Swift may be doing a bit of empathic wondering in a couple of tracks here how it feels to be at the other end of the telescope.) One time the album takes a turn away from rumination into a pure spirit of fun — while getting dark anyway — is “No Body, No Crime,” a spirited double-murder ballad that may have more than a little inspiration in “Goodbye, Earl.” Since Swift already used the Dixie Chicks for background vocals two albums ago, for this one she brings in two of the sisters from Haim, Danielle and Este, and even uses the latter’s name for one of the characters. Yes, the rock band Haim’s featured appearance is on the only really country-sounding song on the record… there’s one you didn’t see coming, in the 16 hours you had to wonder about it. Yet there are also a handful of songs that clearly represent a Swiftian state of mind. At least, it’s easy to suppose that the love songs that opens the album, “Willow,” is a cousin to the previous record’s “Invisible String” and “Peace,” even if it doesn’t offer quite as many clearly corroborating details about her current relationship as those did. On the sadder side, Swift is apparently determined to run through her entire family tree for heartrending material. On “Lover,” she sang for her stricken mother; on “Folklore,” for her grandfather in wartime. In that tradition the new album offers “Marjorie,” about the beloved grandmother she lost in 2003, when she was 13. (The lyric videos that are being offered online mostly offer static visual loops, but the one for “Marjorie” is an exception, reviving a wealth of stills and home-movie footage of Grandma, who was quite a looker in a miniskirt in her day.) Rue is not something Swift is afraid of here anymore than anywhere else, as she sings, “I should’ve asked you questions / I should’ve asked you how to be / Asked you to write it down for me / Should’ve kept every grocery store receipt / ‘Cause every scrap of you would be taken from me,” lines that will leave a dry eye only in houses that have never known death. The piece de resistance in its poignance is Swift actually resurrecting faint audio clips of Marjorie, who was an opera singer back in the day. It’s almost like ELO’s “Rockaria,” played for weeping instead of a laugh. Swift has not given up, thank God, on the medium that brought her to the dance — the breakup song — but most of them here have more to do with dimming memories and the search for forgiveness, however slowly and incompletely achieved, than feist. But doesn’t Swift know that we like her when she’s angry? She does, and so she delves deep into something like venom just once, but it’s a good one. The ire in “Closure,” a pulsating song about an unwelcome “we can still be friends, right?” letter from an ex, seems so fresh and close to the surface that it would be reasonable to speculate that it is not about a romantic relationship at all, but a professional one she has no intention of ever recalling in a sweet light. Or maybe she does harbor that a disdain for an actual former love with that machinelike a level of intensity. What “Evermore” is full of is narratives that, like the music that accompanies them, really come into focus on second or third listen, usually because of a detail or two that turns her sometimes impressionistic modes completely vivid. “Champagne Problems” is a superb example of her abilities as a storyteller who doesn’t always tell all: She’s playing the role of a woman who quickly ruins a relationship by balking at a marriage proposal the guy had assumed was an easy enough yes that he’d tipped off his nearby family. “Sometimes you just don’t know the answer ‘ Til someone’s on their knees and asks you / ‘She would’ve made such a lovely bride / What a shame she’s fucked in the head’ / They said / But you’ll find the real thing instead / She’ll patch up your tapestry that I shred.” (Swift has doubled the F-bomb quotient this time around, among other expletives, for anyone who may be wondering whether there’s rough wordplay amid Dessner’s delicacy — that would an effing yes.) “‘Tis the Damn Season,” representing a gentler expletive, gives us a character who is willing to settle, or at least share a Christmas-time bed with an ex back in the hometown, till something better comes along. The pleasures here are shared, though not many more fellow artists have broken into her quarantine bubble this time around. Besides Haim’s cameo, Marcus Mumford offers a lovely harmony vocal on “Cowboy Like Me,” which might count as the other country song on the album, and even throws in something Swift never much favored in her Nashville days, a bit of lap steel. Its tale of male and female grifters meeting and maybe — maybe — falling in love is really more determinedly Western than C&W, per se, though. The National itself, as a group, finally gets featured billing on “Coney Island,” with Matt Berninger taking a duet vocal on a track that recalls the previous album’s celebrated Bon Iver collaboration “Exile,” with ex-lovers taking quiet turns deciding who was to blame. (Swift saves the rare laugh line for herself: “We were like the mall before the internet / It was the one place to be.) Don’t worry, legions of new Bon Iver fans: Dessner has not kicked Justin Vernon out of his inner circle just to make room for Berninger. The Bon Iver frontman whose appearance on “Folklore” came as a bit of a shock to some of his fan base actually makes several appearances on this album, and the one that gets him elevated to featured status again, as a duet, the closing “Evermore,” is different from “Exile” in two key ways. Vernon gets to sing in his high register… and he gets the girl. As it turned out, the year 2020 did not involve any such waiting for Swift fans; it’s an embarrassment of stunning albums-ending-in-“ore” that she’s mined out of a locked-down muse.
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thelazyhermits · 4 years ago
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Touching Hearts
As I mentioned in this post, I’ve finally started watching season 4 of the anime, and because of that, I’m remembering things I had forgotten about since it’s been a while since I last read about those arcs in the manga.
One such thing I forgot about was how beat up Todoroki and Bakugou get from their provisional license training, which is mentioned at the beginning of the Overhaul arc, so I decided to write a scene focused on that which takes place directly after chapter 38 of TABF.
I hope y’all enjoy it! ^-^
After you convince Yagi to meet with Nighteye, the retired hero nervously calls his former sidekick in hopes to arrange a meeting with him. Much to his surprise, Nighteye quickly agrees and says you both can come by tomorrow afternoon.
Of course, you aren’t nearly as surprised as Yagi is. After all, there’s no way a diehard All Might fan like Nighteye could ever turn down a request from the former number one hero himself. Plus, you’re sure that he was happy to hear that Yagi wanted to speak with him, even though you bet he’s wondering what the reason behind the visit is since Yagi didn’t go into details.
Once that meeting has been set up and you’ve properly cleaned your tear-stained face, you and Yagi make arrangements to set up a meeting with Nedzu and Aizawa to let them know about the current situation at hand.
As expected, neither Nedzu or Aizawa are thrilled when they hear the news of Nighteye’s impending death, and the latter especially dislikes the thought of you trying to prevent it because of your drawback. 
Thankfully, in the end, you and Yagi manage to convince him to allow you both to meet with Nighteye tomorrow since you can’t just ignore your vision. You have to do something.
However, it takes a while to do that, so by the time you finally start heading back to the dorm, you’re completely exhausted, emotionally because of that horrific vision you had about Nighteye, mentally because of that meeting with Aizawa, and physically since you had training with Shinsou after that meeting finally concluded. 
That’s why you have every intention to go to bed early tonight, so you’ll be well-rested for tomorrow’s meeting with Nighteye. And you’re honestly just too tired to do anything besides cook dinner at this point, well anything except for giving Midoriya a big hug, of course, since you know he had an equally rough day and you will never be too tired to shower him with the affection and support he deserves. Plus, hugging him always makes you feel better, so it’s only natural that you take every opportunity to do so, especially on a day like today.
While you follow through with your plan to hug Midoriya once you return to the dorm, your plans to turn in early tonight end up changing when dinner comes and goes without you seeing Bakugou or Todoroki. Apparently, since it’s Sunday, today’s provisional license training is an all day affair.
Aizawa had told you as much earlier today, but you didn’t think he literally meant all day, considering how early the boys left this morning. Naturally, that just makes you wonder what kind of training they are going through that lasts from sunrise to sunset, obviously the really intense kind.
No doubt Todoroki and Bakugou will be exhausted by the time they return to the dorm. You just hope they won’t be too battered and beaten since you heard from the other UA teachers that Ganga Orca is a tough instructor.
Since you’re worried about your students, you can’t bring yourself to go to bed until they safely return to the dorm. That’s why, when everyone else turns in for the night, you remain in the living room and wait for the boys.
Fortunately, you don’t have to wait long since Bakugou and Todoroki both arrive shortly after their classmates turn in for the night. When they do, you discover that your wish for them to not be too battered and beaten was in vain.
With a gasp, you hurry over to the surprised boys, so you can get a better look at their injuries. “Are you two alright?! I heard Ganga Orca was a tough instructor, but I didn’t think you two would come back looking this beat up!”
Todoroki blinks, “We’re alright. None of our injuries are serious.”
He tilts his head. “What are you doing still up, Sensei? I thought everyone would be asleep by now.”
Frowning, you gently cup his injured cheek as you examine the damage done to his handsome face. “I didn’t want to go to bed before you two got home, and I’m glad I didn’t since you both need to get these injuries treated before you go to bed.”
Bakugou huffs, “You’re overreacting. These are just scratches. They’re nothing to make a big deal about.”
“Even so, we can’t ignore them.” You reply as you pull your hand away from Todoroki’s face. “So, after you two have eaten dinner, I’ll help you take care of them.”
Just as you turn to head for the kitchen, a question comes to mind, making you pause. “Or do you guys need to take a shower first?”
Todoroki shakes his head. “They had shower stalls at the building where our training was held, so we took showers after we changed out of our hero costumes.”
“Good.” You resume heading toward the kitchen. “In that case, just take a seat at the dining table, and I’ll bring out the food I set aside for you two.”
Rather than oblige, Bakugou drops the briefcase carrying his hero costume and follows after you. “I can carry my own fucking food. You don’t need to bring it to me.”
After Todoroki copies his classmate’s actions, he adds, “I can carry mine too. You don’t have to go out of your way for our sake, Sensei.”
Obviously, these two aren’t as exhausted as you first thought if they have enough energy to argue with you. You suppose you should take that as a good sign.
“Alright.” You huff, “I’ll show you what all I set aside for you in the fridge, and then, I’ll take care of getting some drinks for us.”
Not long after that, the three of you find yourselves at the dining table. While your students eat their food, you just drink from the water bottle you grabbed for yourself.
Rather than try talking to your students, you just watch them devour the food you prepared for them since they’re obviously more interesting in eating than chatting. You had expected they would have strong appetites after the long day they had, and you were right. It’s a good thing you made sure to prepare ample portions for them.
Once he has gotten through half of his meal, Shouto finally takes notice of what Bakugou is eating and tilts his head curiously. “I didn’t notice this earlier, but Bakugou and I are eating completely different meals. Why is that? Shouldn’t these just be leftovers from tonight’s dinner?”
Apparently, Bakugou didn’t notice that either, judging from the way he pauses his eating to examine his and his classmate’s dinner. When the blond later turns to raise an eyebrow at you, you chuckle, “Those aren’t leftovers from tonight’s dinner. Those are dishes I made after dinner.”
A grin forms on your lips. “I wanted to make you each your favorite foods once I realized what a long day you would be having since I wanted to make sure your day ended on a good note. After all, nothing’s better than eating food that you love after a long day, right?”
The corners of Todoroki’s lips tilt slightly upwards. “That’s true. My day definitely improved thanks to your delicious soba. Thank you, Sensei.”
As you return the ice user’s smile, Bakugou returns his attention to his food. “Your spicy food still isn’t anywhere near the level of spiciness my cooking has, but it’s not bad.”
An amused huff escapes you. “Thanks, and I’ll be sure to keep the spice level in mind the next time I make something spicy for you.”
Once that conversion concludes, the boys resume eating. Since it shouldn’t be long until they finish, you leave the table to collect the first aid kit that’s kept in the kitchen, so you can be ready to treat their injuries once they finish eating.
Fortunately, even though you know Bakugou finds your mothering to be annoying, he doesn’t try to make a break for it as soon as he and Todoroki finish eating. Instead, the blond takes care of cleaning his dishes and throws away his trash like his classmate does before returning to the dining table.
When you give him an approving smile after he takes a seat at the table, Bakugou scowls at you in return, but thankfully, he doesn’t do anything else. Still, you know he’ll be far from a model patient, so you decide to save him for last since you know Todoroki won’t give you any trouble.
Just as you expected, Todoroki just quietly sits at the table as you begin treating all of his injuries, only speaking whenever you ask him if he’s in any pain. Each time you ask him if your actions are hurting him, he assures you that he’s fine much to your relief.
That relief quickly turns tino frustration when you begin treating the scrapes on Todoroki’s face. “Honestly, what was Ganga Orca thinking, allowing such a handsome face to get injured like this? If the ladies of Japan saw you looking like this, they would all cry!”
Todoroki’s eyes widen slightly. “Really? How come?”
While Bakugou rolls his eyes, you answer, “Because nothing is sadder to a girl than seeing a handsome guy’s face get ruined! Looks like yours should be treasured, not treated like this! Doesn’t Ganga Orca realize a face like yours will eventually become one of Japan’s greatest treasures?!”
He continues to stare at you in amazement. “I didn’t realize my face was so important.”
Bakugou scoffs, “It’s not. Sensei’s just exaggerating. The only thing that stands out about your face is how fucking annoying it is.”
Just as you’re about to scold the hothead for his words, an idea comes to mind, making you grin. “Aw, Bakugou, is that jealousy I hear? Are you upset that I'm complimenting Todoroki’s face and not yours?”
His face reddens. “Hah?! Don’t be stupid! Like I give a fuck about that!”
Your grin grows. “I dunno. You sure sounded jealous to me.”
“There’s no need to be jealous, Bakugou.” Todoroki calmly says, “You have a nice face too.”
While you snort at Todoroki’s innocent compliment, Bakugou glowers at him. “Are you trying to pick a fight with me, Half-and-Half?! I’ll kill you!”
Confused, Todoroki tilts his head. “No? Why would you think that?”
Before Bakugou can retort, you intervene. “Todoroki is right, though. You do have a handsome face just like he does, Bakugou.”
With a grin, you add, “Although, I’m worried about it going to waste, considering how much you’re always scowling. You know, if you keep making faces like that, your face might get stuck like that forever.”
Todoroki frowns, “That wouldn’t be good. You should be careful, Bakugou, so that won’t happen.”
As you fight the urge to laugh at the stoic boy’s show of genuine concern, Bakugou’s scowl deepens. “It won’t! So, fuck off! Nobody asked for either of your opinions!”
Chuckling, you finish up bandaging the rest of Todoroki’s injuries. “Just giving you a friendly warning. After all, you want to surpass All Might, don’t you?”
Bakugou raises an eyebrow at you. “What the fuck does that have to do with anything?”
Once you’ve taken care of Todoroki, you begin tending to the blond’s injuries, taking full advantage of his distraction caused by your earlier comment. “In order to fully surpass All Might, you have to beat him in all aspects, right? Well, that obviously means you’ll have to have a smile that can outshine his, don’t you think?”
“That makes sense.” Todoroki agrees, “After all, when anyone thinks of All Might, one of the first things that come to mind is his smile since it’s so iconic.”
You give him a wink. “Exactly! If anyone ever hopes to beat All Might, then they better have a smile that can rival his. Otherwise, he’ll always remain number one in that category.”
When you return your focus to Bakugou, you see him frowning, wearing a contemplative expression. Obviously, he’s taking your words into serious consideration. 
Smiling, you finish bandaging one of his scrapes before ruffling his hair, making him scowl. “You’re amazing, Bakugou. There’s no question about that. You’re strong, smart, and talented among many other things.”
“However,” You raise a finger. “there is one important ability you and Todoroki both need to master before either of you can become the kind of pro hero who can surpass All Might.”
While Bakugou raises an eyebrow at you, Todoroki curiously asks, “And what ability is that?” 
Your earlier smile returns as you turn to point at his and Bakugou’s chests. “The ability to capture people’s hearts by touching their hearts and making your own hearts more apparent to the people you’re trying to protect.”
Noticing their twin looks of confusion, you elaborate, “The reason All Might was such an amazing hero wasn’t just because he was strong and talented. It was because he was amazing at touching people’s hearts by showing them his own.”
You rest a hand over your heart. “All Might gave people hope because they knew that no matter what he would always protect them, not just because he was the strongest but because he genuinely cared about everyone. Everyone could tell that he would always go beyond Plus Ultra to protect them because he considered them all equally important.”
Your expression softens. “That’s how I felt whenever I watched him on TV and in my visions. I could see how much he cared about others and how nothing was more important to him than maintaining the peace and giving others hope.”
When you lift your gaze to look at your students, you see them watching you intently, wearing contemplative expressions, proving that they’re deeply considering your words.
“Real heroes have the ability to not only save people’s lives but also their hearts,” You softly say, “and to some people, the latter is the most important ability a hero can have.”
“And that includes you?” Bakugou solemnly asks as he holds your gaze.
The corners of your lips curve upwards. “It does, because I wouldn’t have made it this far if it weren’t for heroes that could save people’s hearts. That’s why I hope that you promising heroes-to-be will one day master that ability too.”
“I use the term ‘master’ because I’ve already experienced firsthand you both using such an ability. Although, I’m sure it wasn’t really intentional on either of your parts.” You add, earning some surprised looks from your students.
As you’re speaking, you think back to the I-Island incident and how Todoroki refused to leave your side and was determined to get you the medical attention you needed. Then, your memories drift toward the villain attack at the summer camp and how Bakugou refused to abandon you, even though it meant putting himself at risk.
Your smile softens. “One day, you both will able to intentionally touch people’s hearts in the same way you did mine. I have complete confidence in both of you since I know there’s nothing you two can’t do if you put your minds to it, so I have no doubt that you’ll both become amazing heroes that can outshine even All Might.”
For several seconds, your students just stare at you with slightly widened eyes, and then, Bakugou smirks, “Of course, I fucking will! I’m the guy who’s gonna be the next number one hero who surpasses All Might in every shape and form! I’ll master every fucking aspect of being a hero there is, so I’ll be the unequivocal number one!”
Todoroki nods, “I’ll work hard too, Sensei, to become a hero who can save lives and hearts. I won’t let you down.”
Grinning, you reach over to ruffle their hair. “I know. You two are always meeting and surpassing my expectations. This time won’t be any different.”
Both boys’ eyes gain a pleased gleam at your words, but Bakugou tries to hide it by averting his gaze. Rather than tease him about it, you just resume taking care of the rest of his injuries. 
As you’re doing this, Todoroki asks, “Do you think our training for our provisional licenses will help us get a better understanding of touching people’s hearts, or is that something we’re supposed to learn during our lessons here at UA?”
You hum thoughtfully. “I’m not sure what all the training for your provisional licenses entails, so I can’t say for sure about that. But as far as your school lessons are concerned, I’m sure you’ll eventually get lessons focused on that aspect of heroics. Although, I would think heroes-in-training would mostly get those kinds of lessons when they’re out in the field.”
Bakugou tilts his head. “Because it means interacting with actual civilians?”
Nodding, you give him an approving smile. “Exactly. The best way for heroes to touch people’s hearts is by learning how to understand the people they’re protecting, which happens by getting closer to them. Doing this helps both parties come to learn more about each other, which leads to trust building between them.”
After you finish tending to the last of Bakugou’s injuries, you begin putting up everything that you took out of the first aid kit. “Trust is key to touching people’s hearts. It’s important that you both become the kind of hero that people know they can trust and rely on no matter what happens.”
Once everything has been put away, you turn to face your students and smile, “You both have already proven to me that you’re strong and capable heroes that I can rely on and trust. Now, you just have to figure out how to do that with everyone else. It won’t be easy since social interactions aren’t really either of your forte, but I know you both can do it.”
While Todoroki gives you a determined nod, Bakugou just averts his gaze with a huff. “Obviously.”
Getting an idea, you cheerfully clap your hands together. “However, as your teacher, I shouldn’t make you do all that hard work without, at least, first imparting a little helpful advice.”
Once you have their undivided attention, you continue, “Obviously, as I mentioned before, one of the main things you both need to do is develop your own hero smile, so by the time you guys graduate, you must have a smile that can put everyone’s hearts at ease.”
As expected, Bakugou makes a face at your words while Todoroki just gives you another nod. Obviously, that one task in itself is going to be difficult for them due their personalities and typical demeanors, but you know smiling isn’t impossible for them. It’s just not something they choose to often do.
There’s nothing wrong with that, of course, as far as their daily lives are concerned. It’s only when they’re on the field, working as pro heroes, that they need to be able to implement what you consider to be one of a hero’s most important assets.
Once you’ve reaffirmed the importance of that ability, you decide to share the idea you came up with earlier. “Another important thing you two should work on is communicating with the people you’re supposed to protect in a way that will assure them that everything will be alright now that you’re there for them.”
With a grin, you wink, “And you should also make good use of those good looks you both have while you’re at it to win their hearts over even more.”
While Bakugou raises an eyebrow at you, Todoroki gives you a curious look. “How do we do that?”
Your grin grows. “I’ll show you! Just pretend you’re a civilian who got caught up in a villain attack, alright?”
Once you get a nod from him, you grab Todoroki’s hands and hold them in between yours. As he stares at you with a mixture of surprise and confusion, you hold his gaze and give him the most reassuring smile you can muster. “It’ll be alright. You’re safe now. I’m here, so you don’t need to worry anymore. I’ll protect you no matter what. I won’t let anyone lay a single finger on you.”’
You give his hands a reassuring squeeze as your smile softens. “So, don’t be scared. A look like that doesn’t suit your handsome face. The world would be much better off if you were smiling instead since a smile like yours can make even the darkest of days seem bright. That’s why I’ll fight with everything I have to protect that precious smile; I won’t let anyone ever take it away, I promise.”
While Bakugou gapes at you, Todoroki stares at you with slightly widened eyes. Obviously, you caught them both completely off guard with your performance.
When a few seconds pass without a response, you release Todoroki’s hands and grin, “So, what do you think, Todoroki? Did I make your heart skip a beat just now?”
He rests a hand over his heart. “There weren’t any irregularities with my heartbeat, but…”
“But?” You parrot, tilting your head curiously.
“My chest feels very warm now, all of a sudden.” Todoroki replies, “How strange.”
Giggling, you ruffle his hair. “That’s what it means to touch people’s hearts, Todoroki. That’s the kind of reaction you should be aiming for when you interact with the people you’re trying to protect.”
His expression appears thoughtful. “Come to think of it, I remember feeling similarly whenever I watched All Might on TV when I was a child. So, this is what it means to touch people’s hearts.”
Todoroki lifts his gaze to meet yours and gives you a small smile. “Thank you for showing me that, Sensei. I promise I’ll make good use of your example and your advice.”
“I have no doubt that you will.” You pat his head. “I have high hopes for you, Todoroki.”
When you later pull your hand away from his head, Todoroki adds, “I promise I’ll also take better care of my face in the future since I don’t want you or any of the other ladies of Japan to cry.”
A laugh escapes you. “Good to hear! You gotta take good care of that face of yours since it’s gonna be one of your greatest assets when you’re a pro hero.”
Bakugou, who has been quiet all this time, finally breaks his silence with a scoff. “Only if he ever learns how to stop being so fucking annoying all the time.”
While you give him an exasperated look, Bakugou rises to his feet and asks, “Are we done here, Sensei?”
With a sigh, you nod, “Yeah, I’m done treating both of your injuries, so you two are free to go. Sorry for keeping you both up when I’m sure you’re both beyond exhausted.”
Todoroki shakes his head. “You don’t need to apologize. If anything, we should be thanking you for staying up late for our sake. Right, Bakugou?”
The blond clicks his tongue. “Whatever.”
While the boys move to collect their briefcases containing their hero costumes, you quickly return the first aid kit to the kitchen before rejoining them in the living room. As you all begin heading for the elevators, you ask, “So, what did you think of the example I provided for Todoroki, Bakugou? Do you think that’s something you can do?”
“Of course, I can!” Bakugou huffs, “There’s nothing I can’t do, so I won’t have any issue doing something like that.”
Even though he says that, you have a feeling accomplishing such a task will be more difficult than he thinks once he finally tries it out, considering his less than ideal social skills. While you have full faith in him, there’s no doubt in your mind that he’ll struggle with this aspect of heroics for at least a little while since it’s completely foreign territory to him.
“I’m not as confident as Bakuguou since I’m not used to doing something like that, but I’m going to work hard.” Todoroki comments, “Hopefully, by the time we get our provisional licenses, I’ll be ready to try touching people’s hearts.”
“It might take you a little while, but you’ll definitely get there, Todoroki.” You assure him. “Until then, just keep working hard and doing your best like you always do.”
Around that time, the three of you come to a stop in front of the elevators. Just as you’re about to hit the button for the elevator you’ll be taking, you suddenly realize you had almost forgotten something very important. “I almost forgot!”
Both Todoroki and Bakugou, who were about to enter the elevator which will take them to the boys’ side of the dorm, pause at your exclamation. 
Before either of them can question you, you reach over to pat their heads, smiling all the while. “Welcome home, Bakugou, Todoroki. Good work today. I’m proud of you both.”
The two stare at you with surprise for a brief moment, and then, their features relax.
A slight smile rises to Todoroki’s lips. “I’m home, Sensei. Also, thank you for dinner and for taking care of my injuries.”
Bakugou averts his gaze. “I’m home.”
After a brief pause, he then mutters, “And thanks.”
Immediately, after those two words passes his lips, Bakugou hurries into the elevator before you can say anything else. Not wanting to be left behind, Todoroki quickly follows after him. 
Chuckling, you give them a parting wave. “Good night, you two. See you in the morning.”
Just before the elevator door closes, Todoroki returns the parting. You don’t hear anything from Bakugou, but you figure that’s to be expected. 
With a smile, you turn to enter the elevator that will take you to the girls’ side of the dorm. As you’re riding the elevator, you think back to the discussion you had with Todoroki and Bakugou.
Those two definitely both have the potential to become the kinds of heroes that can save people’s hearts. It won’t be easy, but I have full faith that they can overcome any obstacles that come their way.
Just as you think that, your Quirk activates, showing you a vision of your students in the midst of their provisional license training.
Feeling a mixture of amused and surprised, you watch as Ganga Orca declares that Bakugou, Todoroki, Inasa, and the girl Toga impersonated, Utsushimi  Camie, all have to participate in a special training where they have to win the hearts of a bunch of primary schoolers since he says what the heroes-in-training need is “heart”.
Seems like Ganga Orca and I were on the same page. What are the chances?
Looks like Todoroki will be getting a lesson on touching people’s hearts during his provisional license training after all. Unfortunately for him, it won’t be an easy lesson, considering how those primary schoolers have no interest in listening to anyone, not even the teacher they came with.
Of course, you still believe that your students can accomplish such a lofty task. You just have no idea how since you hadn’t considered giving them lessons on how to talk to small children.
That’s why you’re very eager to see what happens next in this vision since you want to see what your students will do. Just how will they win these children’s hearts?
Unfortunately, you don’t get all the details you were hoping for since a time skip occurs in your vision, preventing you from seeing how Todoroki and Bakugou will react to the crazy situation Ganga Orca has put them in.
Your disappointment doesn’t last long, however, when, after the time skip, you see all the children happily playing with the four students in charge of winning them over. 
All you can do is smile when you see all the smiling primary schoolers playing on large ice slides that were obviously made by Todoroki. Those are some great smiles you put on their faces, Todoroki. Good job. I knew you could do it.
Your smile grows when you see Bakugou telling a kid that he won’t be able to recognize his own weaknesses if he’s always looking down on others. Well said, Bakugou. I’m so proud of how far you’ve come.
Around that time, your vision comes to an end, just as the elevator doors open. As you move to exit the elevator, an immense rush of pride washes over you, making you beam.
You’re amazing, Todoroki, Bakugou. You two really can do anything when you set your minds to it. Looks like you’re gonna soon be one step closer to becoming the heroes you’re both striving to become.
And you couldn’t be more proud.
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carewyncromwell · 4 years ago
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Hi guys! I thought I’d start this HPHM AU Ships Challenge, just for funsies! Feel free to steal and pass it along, if thou dost wish!
Tagging @dat-silvers-girl, @annabelle-tanaka-official, @angellazull, @lifeofkaze, @samshogwarts, @drinkyoursoupbitch, @kc-needs-coffee, @cursed-ice-spirits​, @thatravenpuffwitch​, @cursebreaker-lilith​, @cursebreakerfarrier​, and @cursebreakerelmswood​! 💖💛💙💚
What HPHM characters (or MCs) could you see your MC dating, in an AU? What would their relationship be like? Why did you ultimately decide not to go with that ship, or do you still hold a torch for it?
My answers for my girl Carewyn are under the cut!!
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(Sorry, I couldn’t resist starting with a recycled doodle of my canon ship, the HMS Carion. 🥰)
Andre Egwu
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Alright, right off the bat, we should discuss Carewyn’s canon ex, Andre. Carewyn and Andre attended the Celestial Ball and dated until their fifth year, breaking up right after the All-Wizard tournament. Fortunately despite their break-up, they’ve stayed on good terms and still greatly respect each other -- but truthfully, I never intended for them to be a long-term match in any universe. If you’d like to read more about why Carewyn/Andre didn’t work out, you can consult this analysis, but to put it very simply, Andre was someone Carewyn admired deeply, but couldn’t ever be completely herself around. And from a personal perspective, my parents are one of those rare couples who remained friends even after divorcing, and I’ve always found their relationship really fascinating, as no one can deny they do still sincerely love and admire each other, even if it’s no longer romantically. Carewyn and Andre know each other in a way no one else does, so it gives their friendship a depth that it didn’t have before -- so unlike with a lot of relationships, their bond actually strengthened after they broke up, rather than falling apart. 
Bill Weasley 
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In Carewyn’s canon, Bill ends up becoming Carewyn’s best friend. Although at the start, their relationship had much more of a surrogate big brother/little sister dynamic, over time the two ended up on much more equal terms, both as Cursebreaker partners and as unofficial “parents” for the rest of their friend group. Bill is Carewyn’s right-hand man both while dealing with the Cursed Vaults and while leading the Circle of Khanna, and even though Carewyn wants nothing to do with Cursebreaking after dealing with the Vaults, she’ll still drop everything to help Bill with his work, should he need her. Bill is the one who came up with the nickname “Carey” for Carewyn, and he’s also arguably the friend who understands Carewyn best after the death of Rowan, given the similarities in their personalities and how long they’ve known each other. I actually did write out a post guessing what a romantic relationship between these two might’ve been like if they’d become a thing, but honestly, I’ve never really shipped these two. Carewyn may not be entirely based on me (she’s got elements of my mum too), but one aspect of the wish fulfilment for me early on was that my girl could have a ride-or-die best friend like Ron was for Harry in the original Potter books. In the end, that friend ended up being Bill, Ron’s eldest brother and a character I loved when I first read the books and only became fonder of through the game. And honestly, we could really use more sincerely loving, but completely platonic male-female friendships that never bump up against romance!!
Talbott Winger
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Talbott and Carewyn are truly “birds of a feather,” though one would never know it based on their respective masks. Talbott is the sort to put a gruff facade on to hide his more sensitive feelings, while Carewyn is the sort to put on a pretty face to hide her angrier and sadder feelings. Underneath, though, they both are stubborn, intelligent, and distrustful people with a strong desire to fight evil and a creative spirit. After becoming an Animagus, Carewyn would frequently fly around the school grounds with Talbott in robin form, singing songs for both herself and Talbott, and even though Talbott teased her about it, he did sincerely enjoy it. Carewyn loves reading Talbott’s poetry, and Talbott is also one of the few people who can get Carewyn to laugh a lot, since their senses of humor line up really well. Last but not least, they become a lawyer and an Auror post-Hogwarts, so they end up working together A LOT, especially post-War. I did write a prompt once about what a Talbott/Carewyn romance would be like, and I admit, I could see them being a relatively good couple, particularly since I headcanon both of them as being on the ace spectrum. That being said, though, I ultimately didn’t go with Talbott for Carewyn for two reasons. One, I thought they’d be too similar in a lot of ways (most notably, they’re way too friggin’ serious -- give each of these two some sunshine, will you??) -- and two, on a much more superficial note, Talbott was so popular that I kind of hesitated before having Carewyn ask him out. (Plus come on, for that date, how much of a b*tch would you have to be to break Andre’s heart and then snatch up an outfit he made for you to wear on a date with his dormmate?! Just -- COME ON.)
Chiara Lobosca
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When I first started playing HPHM, I strongly considered shipping my girl with Chiara, once she broke up with Andre. From the moment Chiara and Carewyn met, Carewyn just knew she had to know Chiara better, and that ended up being because -- thanks to her latent Legilimency potential -- she could subconsciously sense that Chiara and she were similar in a lot of ways. Most importantly, Chiara was very lonely and desperately longed for a friend, which reminded Carewyn of how lonely her pre-Hogwarts life was, especially after Jacob disappeared. Once Carewyn earned Chiara’s trust, Carewyn proved herself to be a very loyal friend, even learning how to become a robin Animagus so she could keep Chiara company and cheer her up with twittered songs during full moons. Both Carewyn and Chiara are sensitive “Healer” type personalities (though Chiara is a bit more literal of one) who fight against their own crippling self-loathing to try to nurture others. This, in the end, though, is why I hesitated on making them official and why I’m ultimately glad I didn’t. Like Talbott, Chiara in some ways is too similar to Carewyn, and I think in a romantic relationship, they wouldn’t grow as much as people through their interactions. I did come up with quite a few ideas about what their relationship might be like -- but ultimately I couldn’t help but feel that Carewyn’s happy ending couldn’t just be about peace, but about finding someone who could challenge and contrast her.
Diego Caplan
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This  started off as a crack ship for me before actually gaining some legs and becoming Chiara/Carewyn’s main opponent, when it came to my debate with myself regarding Carewyn’s romantic future. In contrast to Chiara, Diego is pretty much Carewyn’s complete opposite. Carewyn is a planner. Diego is spontaneous. Carewyn is meticulous. Diego is flirtatious. Carewyn is serious. Diego is anything but. Carewyn is ace. Diego I headcanon as pan. And yet they both have their romantic and creative sides and are both seasoned fighters and loyal friends. Diego would definitely be able to bring some levity to Carewyn’s life, while Carewyn could bring some grounding to Diego’s. Diego even has a cute little nickname for Carewyn from their time in the Circle of Khanna: “general!” In short, these two would be perfect leads in a rom-com chick flick. But this, ultimately, ended up being why I hesitated on making them official and why I’m ultimately glad I didn’t. Diego/Carewyn is a ship that could really only bloom and blossom under fair conditions, and I had trouble seeing Diego being equipped to deal with Carewyn’s darker emotions or even her more intellectual bent. Just like with Chiara, I came up with plenty of ideas about how these two could be as a couple -- but I really felt as though Carewyn needed more than just “fun” as a happy ending. And ultimately, this conflict between peace VS fun ended up coming to an end when I discovered Carewyn/Orion, as Orion could provide Carewyn with both.
Jae Kim
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Okay, honestly? When I first encountered Jae as a character, I didn’t think he and Carewyn would have anything in common, but in a weird way, they sort of subvert their respective house’s stereotype by exhibiting values from the other’s house! Gryffindors are seen as these rash, reckless, show-off hero types, but Jae showcases a lot of Slytherin-worthy cleverness, resourcefulness, and disregard for rules and what others think of him. Slytherins are seen as these cold, cruel, ambitious villain types, but Carewyn showcases a lot of Gryffindor-worthy courage, nobility, and selflessness. And so even though Jae is generally a rulebreaker and Carewyn is generally a rule-follower, when circumstances made it ideal for them to be on good business terms (namely, working in detention together and Carewyn needing an ally who knows Knockturn Alley and Jae needed an ally who was a Prefect), they soon found a lot of common ground. Add to that how much Carewyn encourages Jae’s cooking talent while respecting his privacy, and it’s little wonder that post-Hogwarts, when Jae opens up his own pub on the border of Diagon Alley and Knockturn Alley, the two still meet up very frequently to swap news from their respective corners of the world. I admittedly don’t know how well Carewyn’s job as a magical lawyer would be conducive to her being anything other than friends with Jae, and I don’t think they’d ultimately have many interests in common, so I do much prefer them as friends, but their dynamic is full of fun contrasts! 
Ben Copper
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Hahaha, oh god. So. Obviously Ben in-game is still very polarizing, but in my canon, Ben and Carewyn’s relationship is really complex and honestly one of my absolute favorite friendships for my girl. Ben was one of Carewyn’s very first friends, so he -- like Rowan, Bill, and Penny -- knows Carewyn in a way few others do. He befriended her before she became known as the poised, perfect Slytherin “Mama Bear,” but unlike her other friends, he was a bit disappointed by her abrupt transformation between her third and fourth years. While those like Bill, Penny, and Andre saw it as Carewyn coming into her own, Ben noticed how much Carewyn put herself “over” the rest of her friends, becoming their protector more than their equal, and Ben lamented it, disliking how he felt like a responsibility to Carewyn more than her friend. But Ben kept those feelings inside, not knowing how to properly express them when he did still cherish Carewyn’s friendship. After the events in the Portrait Vault, Ben went through his own dramatic change, and Carewyn sure enough didn’t end up liking it any better than Ben had liked hers. But ultimately the two had a heart-to-heart and realized that they both had become very different people than the kids who’d befriended each other in first year. After Rowan’s death and the formation of the Circle of Khanna, the two reforged their friendship on more equal terms. I did actually write out an AU roleplay where Ben and Carewyn’s confrontation in Jacob’s room ended up hinting Ben/Carewyn, but I ultimately think that the people they ultimately become are way too different to be a great romantic match. It makes their friendship fascinating, as it makes you wonder how such a tall, suspicious, reckless Gryffindor ever befriended such a poised, methodical, lady-like Slytherin...but even if they do feel a lot of deep platonic love for each other and I personally headcanon Ben being on the ace spectrum like Carewyn, I ultimately think they’d have very different dreams in mind for their future and would each need something different in a romantic partner. 
Barnaby Lee
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Barnababy!! 💚 Yeah, Barnaby Lee is my personal favorite HPHM character, and yet I have never really shipped him seriously with Carewyn, even though I love their relationship and could see potential chemistry. Barnaby and Carewyn are both amazingly sensitive, loyal, and modest Slytherins with a love of magical creatures and a strong sense of honor, but they also contrast each other in some fun ways too. Carewyn may put on a happy face a lot, but she’s actually rather pessimistic. Barnaby’s unblinkingly optimistic and he wouldn’t even dream of putting on a mask to hide his feelings. Then of course there’s the fact that Carey-Bear is this tiny and rather physically weak thing, while Barnaby is a perfectly dashing tank. 😂 Barnaby and Carewyn are both protective of each other, as seen by Barnaby throwing himself in front of Carewyn to shield her from an Imperiused Rowan’s spell and Carewyn verbally tearing into Ismelda when she learned she planned to use a Love Potion on him. Barnaby was the one who really taught Carewyn about how deceiving appearances can be, and Carewyn was the one who really taught Barnaby about how generous and selfless friendship could be, so they both respect each other a lot. For all that respect, though, there’s a significant slant to their relationship. Carewyn supports Barnaby emotionally infinitely more than she would ever let him support her, so their dynamic comes across as very “mother/son”-like rather than complete equals. Plus, honestly, I think Barnaby and Carewyn’s dreams for their respective futures -- namely, to be a magizoologist traveling the world and to be a magical lawyer for the Ministry of Magic -- don’t match up in the least bit. I could also see Barnaby wanting a large family, and Carewyn has no interest in bearing children herself and would prefer a quieter home life. 
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