Listening to Danger Days in public is dangerous bc I have to fight the urge to writhe around on the floor to the outrageous noises Gerard is making, like I fully will start a full on dance routine to the moans in destroya.
Anyone that is a Danger Days hater genuinely confuses me. Like how can you not feel your soul leaving your body during the ending “go now” in planetary (go!) or the opening of vampire money?!? Or the motherfucker in save yourself I’ll hold them back?!?! Baffling to me honestly
Tim Drake: Arguing from the throne behind his kit that he’s always been the same kind of musician because The Piano Forte is technically a percussion instrument. <-willing to die on this hill.
Kon: Giving him a dead eyed stare <-won’t give up on account of the fact that there’s a pretty Big Difference between a PIANIST and a DRUMMER, Tim!
Cassie: Ignoring them, tuning. <-thinks Tim’s right, but won’t speak up until this starts to cut into practice time.
Bart: Looking up really bad pictures of people holding guitars wrong and trying to convince the rest of the band to let him do that in official photo shoots. <-decided they were both right immediately, forgot to actually express the opinion.
Bart’s Phone:
This argument ends when Kon finds out what Bart’s doing. Bart’s gonna hold out his phone and Kon will say “Poor Baby” out loud.<- talking to the guitar
April 1960: John and Paul record a band practice on a Grundig reel-to-reel recorder at the McCartney home. Contributors are in dispute but are thought to include at least Stuart Sutcliffe on bass. The tape of this practice ends up in Astrid Kirchherr's possession and may have been a practice tape for Stuart as he was learning bass. It’s later released as part of a bootleg, The Braun-Kirchherr Tapes.
So I feel like the bus situation in @infamous-if is one of those things that will get worse before it gets better. and oh nooo how terrible what a shame too bad there's this great song that fits it perfectly ahh shucks dangit fuck.
I just have this vision in my mind of Eddie at a corroded coffin gig, half way through the set. His hair is tied but barely contained after the first half of the performance. He stops for a second to check in with the rest of the band, Gareth giving him a thumbs up to keep going. And so eddie walks slow and at ease up to the microphone and yells ‘ALL ABOARD’ with this massive grin on his face as he laughs into the mic. The music starts the opening notes to crazy train by ozzy Osborn. Eddie is looking out over the crowd, obnoxiously chewing gum and does that open mouth smile where you are chewing and widening your eyes, playing up the manic expression as he makes eye contact with Robin and Steve. And then his focus is back on his guitar as he plays out the riff with his heavily ringed fingers and throws his head back. God he loves this.