#the good thing is the little people that still keeps this fandom
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angelltheninth · 3 days ago
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Can you do cockwarming with Batman please? I picture the scenario where you’re at the batcave and he’s sitting looking at all of his cameras and monitors, doing his detective stuff and you’re there sitting on his cock. Reader is starting to get fidgety, wanting stimulation but he stops you, reminding you that you said you’d be good. Batman has great self discipline but he’s not immune to you either… :)
Absolutely, he would be so good at getting others to do what he wants.
Pairing: Bruce Wayne x Fem!Reader
Tags: nsfw, smut, cockwarming, pussy slapping, edging, bratty Reader, dominant Bruce Wayne
Ko-Fi | Rules | Fandoms and Characters | Commissions
A/N: This man is so fine in every form he's in, it's not his fault people are constantly thirsting for him.
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He was really hoping to get some work done that night so he couldn't afford any distractions
You cockwarming him was more comfortable than it was distracting
It worked out perfectly for him
Bruce could focus on his tasks, keep an eye out for danger and keep his cock hard at the same time, there was no better feeling in the world
Unless he were to ask you about how you felt, which wasn't as great
Having his cock inside of you for over an hour now and doing nothing with it was driving you nuts
At first it was fun, you would squeeze your walls around him, get a grunt at first and then an amused sigh before he would start working again
Now when you did it Bruce would reach his hand to your front and slap it against your pussy, which only made you clench around him more
Honestly he could make you come just like this, without even thrusting
But he didn't want to reward such bratty behavior from his girlfriend
What you needed was to learn how to behave, and he will make you listen to him, he will make you hold still
Bruce types away on his keyboard with one hand while the other pulls your shirt up and fondles your breast
His arm is firm, keeping you from moving too much while he does it
When you keep making noises and begging for more he pushes his fingers into your mouth, giving you something to do other than constantly demand things of him
Like a spoiled brat you want more, you squirm in his lap, hands braced against his strong thighs, tongue licking up, down and around his fingers until his gloves are soaked
Bruce huffs against your neck drops his fingers from your mouth to your nipple, abusing the stiff peak by pressing and rolling it between his fingers
Just a little more, be good for him for just a while longer
He knows you can do that, because if you can't then you're not gonna get to come at all
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nightsky-05 · 2 days ago
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how it feels when you are in a dying fandom
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hootyhoowoo · 2 months ago
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A little 15 min doodle but first post of the year has to be Bingqiu!
#ok its time to get mushy in the tags because I doubt anyone would read them too closely#I’ve had severe art block for YEARS before I got into danmei in 2024#and it wasn’t that my skill was gone it’s just that I thought nothing I did was good enough#I started reading danmei around the summer of last year and I got SO INSPIRED#I dived into the fandom side of things (I haven’t been in a live fandom in years) and was so excited about all the art people were making#and writing! and music! and animatics!#everything was so bright and colorful and beautiful#and everyone had such cool designs for these book characters that I’d grown to love#so I took a chance and doodled a little Luo Binghe and posted him on here#and I was so taken aback by how welcoming and sweet the fandom was#it made me wanna keep taking chances and posting my art— because I think that’s one of the hardest things I’ve come to accept#that even if it’s not good enough for me#someone else may enjoy it#and ain’t it crazy that ive come to enjoy drawing again too#sure the interaction has been fun but it’s been even more fun experimenting with my style and experimenting with colors and rendering#and grayscale and angles#and composition and expressions#ahh!! art is so fun!! I forgot how fun it was!!#I had forgotten how much I loved to draw!!#and the fandom— so many ideas are exchanged and I’ve met some of the loveliest people thru the sv fandom!#tgcf too but they’re a little less chill lmao#anyways#I’ve set up a little spot in the fandom and I plan to keep at it here it’s very nice and cozy and funny and warm#huge thanks to everyone for being so kind and welcoming#and an even bigger thanks to anyone who’s interacted with my art#I still can’t wrap my head around the fact that someone took the time out of their day to like/repost these silly little doodles I post#incredible. ok bye for now :)#svsss#bingqiu#hoot art
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kit-screams-into-the-future · 3 months ago
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drawing your favorite guys being silly is very effective at keeping The Horrors at bay
bonus doc from a different canvas:
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#back to the future#bttf#bttf fanart#marty mcfly#doc brown#emmett brown#kit does an art#yeah i have ten million other things i should probably be drawing instead (rip askbox left to dry...) but#sometimes you just need to draw your favorite guys giving each other physical affection. actual health benefits from this. would recommend#was feeling The Horror beforehand and then i drew them hugging and suddenly The Horror was gone! scientifically proven [citation needed]#the one where doc picks him up and spins him around makes me unreasonably happy i love being an artist!!!!#some of the other little doodles were just bc i still had the doodle bug but didn't want to commit to another big drawing haha#when in doubt give them the dotdotdot expression#the first drawing is based off of this gifset i saw of mjf jumping into other people's arms#good gifset. will need to look for it again. that man can jump#it's also a redraw! i drew the same thing when i first fell into this fandom hole#but that was before i knew how to draw them 100% so i never posted it haha#i love their stupid antennae. especially docs. he can go ! and ? and sometimes <3 it's so funny to me i love that thing#the one where he's sending radio waves to marty is soo stupid i keep laughing when i look at it#'marty. do not listen to that guy call you a chicken. stay calm' 'shit the signal's weak he didn't get my message'#tag as ship and a plague of locusts will be upon ye.#and yes. they are invasive and WILL wreak havoc on your local native wildlife
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suffarustuffaru · 2 years ago
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🛒
What are some common things you incorporate in your fics? Themes, feels, scenes, imagery, etc.
MY BAD it has taken me a little while to get to every fic writer question ive been asked pfft but i appreciate all of them and theyre really fun to answer :o and alright ok common things—character psychology is a big thing in all of my work :o aa every time i write a characters pov i try to do at least some research into their personality, backstory, etc etc bc my writing is almost always like?? character study type things?? i Really like delving deep into how characters think!!! :o so a lot of my works are like. you Will hear almost every thought in their head HAH. ive been told i have a very recognizable writing style widndnd but i do try to switch up internal dialogue at least a little bit depending on the pov character. i dont know how effective i am at that but i try HAH plus i think its fun trying to capture how someone thinks in the same way that youd try to capture how they speak in their dialogue. i think the most obvious example is probably my recent reinhard stuff—i tried to sound more formal with him? even with little kid reinhard i wrote his internal dialogue kind of formally because i figured that Might be able to create that bit of Dissonance that reinhard has as a character, you know? hes uncanny.
and uh because i focus on internal dialogue a lot, by the nature of things i kind of Have To slap the unreliable narrator tag on the vast majority of my fics HAH but unreliable narrators are fun and i love playing with them!! and i think its realistic in the sense that even a character thats very fair and just and honest may still have the wrong information at times or have emotion cloud their judgment or be a little unreliable for those reasons. that and i tend to pick the mentally fucked characters (which is pretty easy with the rezero cast HAH) whenever i write Very detailed internal dialogue so!!! unreliable narration and spirals into madness it is!!! i just really like exploring like. the humanity behind each character and all their nuances <3 and i Love having to squint at internal dialogue and add that up with a characters thoughts and actions and figure out who this person Actually Truly Is Like?? its like a puzzle :o !!
as for themes. i went into this a lot in another fic writer ask thingy but Definitely like. when characters change as a result of shit hitting their fan and/or their own choices and now theyre Different from the person they used to be. they came back wrong so now what are they going to do? how are the people around them going to treat them now? how will they treat the people around them? i just really like going into like. identity crisis… and um…. suffering that triggers massive self searching bc. the character changed in some way in order to survive through it physically and/or mentally. like seeing characters change for the worse and seeing them either try to crawl their way out or they. keep going down. it can be hopeful or very tragic!!! (bc i love hurt/comfort and tragedy a lot ajdnd) and complicated relationships are a huge favorite of mine to tackle. fascinating multi-layered stuff that i want to study under a microscope!!! i like when multiple contradictions exist within a dynamic or like. a character and their journey. the complexity feels very real to me and i find it intriguing :o
i also love queer themes but due to um. some of the toxicity in this fandom i do hesitate to do stuff with that in this fandom but i DO love queer themes its just not in most of my work atm but thatll change eventually 👍 ill at least slip in a little bit every chance i get 👍👍 (i have exactly one fic with queer themes atm wjdnd)
motifs/random imagery i use a lot also!!!! mostly bc i find them cool and fun but. yes theyre there for a reason. in my first pride otto fic i used second person pov and avoided using his name at points to emphasize that hes 1. being dehumanized and 2. hes dehumanizing himself too as a result. i uhh have also used star related things for subaru a lot bc Of Course. butterflies and moths for emisuba things…. economics themed titles for my pride otto multichap…. bugs for general pride if things…. comparing the knights uniform to bird wings in my reinhard and heinkel fic… i like to describe outfits in general too (pride otto vs main ottos outfits, also felix not wearing blue in the 2 seconds of screentime he has in my pride if fics atm wkdndn) etc etc :o
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johnmalevolent · 1 year ago
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i watched tate no yuusha back in 2019 when it still aired and i remember not liking the fact raphtalia turned into a grown woman in a short time. so the other day i was like hm years have passed and maybe my sense of judgment has changed and maybe i'll get the point of raphtalia's development better. but no. i hate it more now
#krispeaks#im giving tate no yuusha the biggest benefit of doubt ever like. maybe its bcs i avoid isekai animanga so im not familiar with the tropes#(← screaming in denial)#I DONT GEEEEEET WHY MAKING RAPHTALIA A LOVE INTEREST. OR MAKING HER GROW UP QUICKLY.#it doesnt happen with her friends (although theres the 'raphtalia grows faster bcs of her level + the yuusha's influence' but that-#-still doesnt sound good. like either make her a love interest (& risk naofumi picking her to be sketchier after the accusations from myne)#or keep her a child or at most a teenager. since this thing is so full of loli bait anyway#you dont even know how much i clinged to naofumi calling raphtalia his daughter back then cos i rly dont want them to end up together#its weird to me. its weird to me!!!! like idc if people ship them but personally i cant. its the fact that raphtalia rly wants naofumi to-#-see her as a grown woman and not a child anymore. she's not shoyo she just grew up too fast like. raphtalia saying stuff like-#-how she's jealous of naofumi pampering filo-brushing her hair. petting her. just treating filo like a normal girl#and raphtalia denying that she doesnt want that anymo-with the kids meal and the toys too. saying shes a big girl and not a kid anymo now#girl lost her childhood twice. parents killed. friends kidnapped. slaved and tortured. got saved by a yuusha who saw her as his daughter#and yet she had so little time to enjoy being a child bcs thats just how being raised by a yuusha impacts non-humans#which is just. god. tate no yuusha did my girl so wrong. wdym being around specific types of people makes you mature faster.#if that doesnt sound weird to you idk what is.#i was so excited about the found family aspect so i kept watching#because it couldve been so good. it could've been game changing. it could've been my gintama#but it seems to good to be true i guess#anyways i rewatched it bcs there was no info for a long time that i assumed it was discontinued which was weird bcs it had quite the fandom#and the other day i found shield hero season 3 2023 and it was like *hoh cat face* so i rewatched it last night to regain my memories#before finally watching the other two seasons. wish me luck etc#should i give this a personal tag...#nyaofumi#not a slander at naofumi btw i believe my guy. i wanna ramble ab his characterization but personally i have no beef towards him nor raph#its the story and the writers that make me rage
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svnnykokoro · 1 year ago
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I'm sorry the tags are so long and so many lmao
cats is a great example of a show that doesn't work as a movie because all of the magic of it is in the live performance (the costumes, the dance numbers, the absurdity of it all) and dear evan hansen is a great example of a show that doesn't work as a movie because the show sucks
#I'm rewriting deh and i kinda switched alana and evan's personalities and made the show not a feel good sewer slide awareness thing#Like really it just doesn't work as a type of feel good thing ya know#The way Evan got dragged into the lie and KEPT IT GOING with Zoe being part of the reason he couldn't tell the truth#All strikes some sort of red flags in me you know#And the movie made it worse like what the hell#This isn't gonna JUST be feel good because you will be found exists#It's all based on a lie that Evan knew Connor and kept it going because it saves lives or whatever#And the movie paints Evan as the good guy like he's the hero and guess what HES NOT#And this was even relevant that he's a terrible person but also a good one in the original and it adds to the plot that Evan is both the#Protagonist and the villain him being a bad person is why deh so meaningful to people#And NO CHOREOGRAPHY??? NOT EVEN IN FOR FOREVER???? WHERE THE IDEAL MV IS WHAT THEY'RE DESCRIBING IN THE SONG????#what is wrong with them oh my god#A deh movie could work but not in THAT way#The book portrayed this better where it shows connor's pov it would've been better if the movie was an adaption of the book#Rewriting deh felt like beating content out of the deh fandom with a stick cuz I needed more material to work with and make everything have#A purpose because at some points I had gotten too self indulgent and I think I made it pretty edgy and I was into milgram while rewriting i#So I may have made Evan too similar to amane BUT IT'S STILL BETTER THEN THE SHOW ITSELF#(And there's so little content of the off Broadway version so trying to keep true to the original without knowing what the off Broadway#Version was like was like making a Connor project of my own)
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pencil-n-pen · 1 month ago
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TONGUES AND TEETH
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₊˚ʚ 🌲₊˚✧ . °🍂 ೃ࿔*
jackson! joel miller x fem! loner! reader
masterlist | ko-fi
summary: Joel refuses to acknowledge the part of him that aches to be a protector. That is, until you come crashing into his life.
cw: canon-typical violence, reader had a rough go of things before Joel, nightmares, medical inaccuracies (oh the horror!) uhhh reader has a broken nose and it gets set, unspecified age gap, daddy issues but we all saw that coming and it’s vague, as an ellie lover and defender until the day i die, it pains me to say no ellie-au IM SORRY I COULDN’T MAKE IT WORK bella ramsey as ellie they could never make me hate you
tags/tropes: hurt/comfort as always, age gap, nightmare comfort, honestly just two messed up people loving each other
a/n: proof that i will find a way to write an eldest daughter fic for any fandom/universe
not officially writing for him !! just had this idea
another long(ish) fic. if you're here from my masterlist, now would be a good time to go pee, get some water, and maybe a snack or two :) same things for those of you scrolling. i see u
title taken from tongues and teeth by the crane wives (GO LISTEN TO THE CRANE WIVES !!)
✧˚ ༘ ⋆。˚🦴⋆。°✩
Jackson living isn’t all Joel thought it would be cracked up to be.
Don’t get him wrong- objectively, it’s great. Running water, electricity, a clinic- three hallmarks Joel was sure he’d never see again. Not since the outbreak.
So by all means, he should be content. He goes out for hunting parties and patrols. Has his own house. Has a permanent place to keep his boots and his knives and guns and a bookshelf to make his way through. He has a bed. He has his brother.
But he’s restless.
Joel spent a long time walking. Searching. Surviving. You don’t quite slip back into easy civilian life just like that, no matter how perfect the conditions are.
At first, he solves this problem but going on more hunting parties, more patrols. He stays up late doing guard rotations and helps out his brother with projects when he can.
It doesn’t solve the itch, though. That sharp little thrumming, just beneath his skin: the need to protect. To have a job. To have something or someone to look after.
He denies this part of himself as much as he can, because he’s not that man anymore. Not after Sarah. He’s not. You don’t stay somebody dying to help and protect when you kill people. Because they’re still people, under the fungus. Under the parasite. Their brain’s still work. They still feel pain and anguish and fear.
He’s heard them cry before. Hunched over a corpse, body acting with somebody else at the reins, faces covered in blood and gore crying “I’m sorry, I’m sorry, I’m sorry.”
So Joel isn’t a protective guy anymore. Had to take out those parts. Replace them with solitary and meanness and a distinct lack of sympathy.
It’s turned him into an angry thing. Like a gaurd dog; snarling, circling an empty pedestal it refuses to acknowledge is there.
He knows Tommy see’s it. Try’s to involve him in things whenever he can, invites him over to dinner. Hangs out at his house. Makes sure Joel isn’t alone-alone.
So Joel really, really should’ve seen it coming when he and the scouting party find you in the woods.
You’re just as surprised to see them as they are to see you. They thought they were tracking a deer— although some of the tracks and patterns of disturbance in the underbrush didn’t add up.
They’d entered a clearing, guns poised, just to see you, handgun leveled at them, perched in a tree. Way higher up than Joel would’ve dared.
“Stay the fuck away from me.” You’d hissed, voice carrying on the wind and rattling just like the leaves on the tree you’re in. How you managed to scale a tree that high in a busted pair of Doc Martens and lugging a backpack clearly full of supplies is beyond him.
But he doesn’t need medical credentials to know you’ve clearly had a rough go of things.
You’re young. Not young-young, but young. Dressed in clothes clearly pilfered, you’re wearing a thick brown jacket that probably would’ve belonged to a construction worker or something like that. It’s a few sizes too big, and the cuffs are frayed and there’s a hastily sewn patch on the elbow he can see. Your face and hair is littered with tree and other plant debris- though if this is a new addition from your tree climbing escapade, he’s not sure. Your nose has dried blood crusted under it, your lip is split, and there’s a cut above your eyebrow. Your knuckles and hands are equally torn and split, old and new scars and scrapes littering your skin.
In short: you look rough. And feral, in that way that cats that live outside a little too long and a little too far away from people end up looking.
“I said stay back!”
He remembers, abruptly, that you’re probably scared out of your mind and the rest of the scouting team is still pointing their weapons at you.
He makes the motion for them to lower their weapons, and he lowers his own, raising both hands in the universal “we come in peace” gesture.
You don’t lower yours, but your grip on it is looser.
“We’re from the Jackson settlement,” He shouts, hoping you don’t hear the gruff anger in his voice that Tommy always complains he needs to work on. “There’s running water and electricity.”
“I’ve heard that one before,” Your hands have begun to shake on the gun, ever so slightly. “So what’s your guys prerogative, huh? Cannablism? Religion? You planning on burning me at the stake? Or did you have something else in mind? I am a woman.”
Joel takes a step forward but stops when a bullet hits the ground right where his foot was about to be.
“If you take one more step you’re gonna find out exactly why I’ve survived alone this long.”
“Look,” He says, dropping his hands to his hips. “You can shoot us, and one of us will shoot you, and it’ll all be fine and dandy—“
There’s a chorus of whispers behind him.
“Or you can stay in that tree and not shoot us, and we won’t shoot you, and that’ll also be fine and dandy.”
He turns, jamming a finger in the direction of the settlement. “Jackson’s that way. Go or don’t go. I don’t really give a shit, but you look like you could use a bandaid.”
He jerks his head, and the rest of the party follows his lead, leaving the clearing ��and you— behind.
A few hours after he returns, somewhere in the late evening when twilight is starting to set in and the crickets are chirping, Tommy knocks on his door.
“There’s a girl here for you.”
He raises an eyebrow. “Someone asked for me?”
“Well, not so much as for you. Her words exactly were “that gruff, mean looking asshole,” but I got the picture.”
He sighs, deep in his bones. A small part of him —the part that’s still connected to that dog, still circling— had hoped you would show up. However, it’s hopelessly overshadowed by the sheer exasperation of it all.
He’s silent save for non-committal grunts and hmm’s the way over to the front gates where the evening rotation’s guards have you standing between them.
You’re slightly worse for wear since the last time he saw you in that tree. Your jacket as a new rip in it, and your nose is sluggishly bleeding again. Up close, he notices it’s a bit crooked.
Gonna hurt like a bitch to set, He thinks absentmindedly.
He slows as he approaches you, hands in his pockets and shoulders back.
“See?” He huffs, gesturing with one hand behind him. “Not cannibals. Or whatever else you’re worried about.”
Your face is hard set as you look around. “That remains to be seen.”
“Hello!”
Joel looks back to see a pregnant Maria waddling over, a concerned Tommy at her side.
“I told you I’d handle it—“
“And I told you I’m fine. Now,” She props her hands on her hips. “Who’s this young lady now?”
You (hesitantly) stick out a hand to shake and introduce yourself.
She shakes your hand with a smile. Leave it to Maria to be able to read people with such ease. “I’m Maria Miller. I’m one of the settlement councilors. The golden retriever fussing next to me is my husband, Tommy, and the angry looking bear next to him is his brother, Joel. I understand a scouting party found you?”
You nod, eyes flicking this way and that, cataloguing the area.
“I’ve been on my own for… awhile. I don’t have any supplies to offer, but I’m smart and strong. I’m willing to work in exchange for a place to stay.”
Maria hums, assessing. “I’m sure we can work something out. You’ll need to come with me to speak to the rest of the council, for our safety and yours.”
You tighten your grip on your backpack but follow Maria and Tommy, only sparing one backward glance at Joel.
He spends the rest of the evening trying to forget the look in your eyes.
He fails spectacularly.
This doesn’t mean, however, that he’s anywhere near pleased when his nightly reading-as-a-poor-attempt-at-normalcy routine is interrupted by a knock on the door. One that sounds suspiciously like Tommy’s type of knock.
Only he hears two voices as he walks up to the door, and the other one isn’t Maria.
Joel opens the door with a glare already fixed on his face.
“There have to be other places.”
Tommy rolls his eyes. “It’s only temporary. The council agreed to let her stay so long as she’s watched by a trusted Jackson member, and well. You vouched for her.”
“And when exactly did I do that?”
“In the woods, when you met. You told her where you were from and how to get there. Honestly, Joel, you’re getting off light here. Some of the council members were not happy you told a random loner —no offense— where to find us. Kind of defeats the whole point.”
You huff a quiet “None taken.”
He can’t help the way his body tenses. “So this is a punishment?”
“Yes and no.”
“I don’t—“
“Look,” you interject, clearly fed up with the conversation. “It’s not the end of the world. I’m not going to murder you in your sleep and I don’t leave dirty clothes lying around. It’s only for three weeks. Get over it.”
Another sigh threatens to release itself, but he stamps it down, figuring he’s hit his sigh quota for the day.
“Fine. But take her down to medical first. I don’t want her blood all over my house.”
Tommy shrugs. “No-can-do. Maria needs me back at the house. You know where medical is. I’m sure you’ll manage.”
And with that, Tommy leaves, abandoning Joel and you at the doorstep.
Joel scrubs a hand down his face. “Wait there. I’ll grab a jacket.”
The walk to the clinic is awkward and silent, and just when Joel thinks it can’t get any worse, one of the staff tells him that since he’s your assigned supervisor/watcher/whatever, he has to accompany you. To everything.
To your credit, you don’t look very happy about the arrangement either.
Still, you bear through all the exams, a grimace fixed firmly on your face. Apparently (and not surprisingly) you’re malnourished, dehydrated, running a small fever, deficient in several vitamins, have two cracked ribs (most likely, no x-ray machine) and some run of the mill scraps and bruises.
You’re cagey enough on the details of the cracked ribs and nose that the doctor eventually moves on to the fixing you stage of things.
It takes awhile. There are a lot of injuries to cover.
When it comes to resetting your nose, the second the woman pulls out a needle and syringe, you go rigid.
“No.”
The doctor blinks. “This is just lidocaine, it’ll numb the area so—“
“No.”
“You wanna feel all that?” Joel asks, the first time he’s spoken during your entire exam, “It ain’t gonna feel great. Crooked nose like that won’t set with one go.”
“No needles. No numbing.”
Joel rolls his eyes. “What, you got a pain thing or something?”
Your hands go white-knuckled on the exam table. “Fuck. Off.”
You’re shaking, he notes.
Ah, He says to himself. Not a pain thing.
Fear.
The doctor shrugs. “Not like I won’t take the chance to save what we have. You’ll want something to bite down on. Or squeeze.”
You wrap your fingers around your own hand, a pathetic attempt at self-soothing.
He decides annoyance is the emotion he feels at your small movement. Nothing else.
He rolls his eyes as he grabs your hand, maneuvering it in place of your own.
“Good luck breaking it.”
You don’t respond. He wasn’t really expecting you to.
He knows without looking the exact moment the doctor starts resetting things because your grip on his hand quickly turns from barely there to crushing. You make no sound.
The doctor, to her credit, works fairly quickly, though by the time she’s finished a single tear has carved a path through the blood and grime on your face.
He thinks about how someone learns to cry without sound.
The doctor moves on quickly, cleaning and bandaging the wounds that need it and telling you detailed instructions for how to take care of your nose and cracked ribs and what things you should be eating to avoid staying vitamin deficient. It’s all a lot of words Joel is glad he doesn’t have to memorize.
They stick in his head anyway.
You don’t let go of his hand. You’re no longer squeezing the life out of it, but you’re not holding its gently either. When you do finally let go (after the doctor’s left and you can leave) you practically tear your hand away, as if burned. Like you’d left your hand on a stove as it was heating up only you just now noticed it was hot.
He doesn't say anything about it. He figures you're liable to literally bite his head off, or some other violent action close to that.
Besides. This is all awkward enough.
The walk back to the house is just as silent and strained as the walk to the clinic. Only now your breath is just a little more labored. Steps a little shakier. Your hand's twitch at your sides like they're reaching for something, and you don't quite manage to hide the way you look around every now and then, a restless, nervous action.
He knows what you're doing. He was you, back when he first got to Jackson. Granted, he wasn't as twitchy as you are. He kept his distance, stayed mean and scary (as possible.)
He holds the door open for you when you arrive back to the house, because his mom raised him to be a gentleman no matter the circumstances.
You toss him a look of confusion and annoyance but step into the house, looking around the modest living room with something almost like wonder.
He toes off his shoes, sets them by the door, and takes off his jacket, hanging it on the hook. "Shower before you touch anything. You're filthy. And don't think I'm giving up my bed."
"I wouldn't have taken it even if you had," You sneer. "Where's the--"
"Down the hall on the left. You got clean clothes?"
"...I have less dirty ones."
He pinches the bridge of his nose. "Wait here."
He grumbles all the way upstairs, all the way through picking out clothes that'll fit you well enough until you either wash what you have or find something else.
He silently glowers as he comes down the stairs, thrusting the clothes out to you and turning on his heel when you take them.
"I'm going to bed. Don't wake me up."
When he lies in bed that night, he can't even pretend he's not thinking about you. In his defense, it's less about you and more about the new, strange, stand-offish person he's just supposed to live with for the foreseeable future. All because he had the bad luck of feeling bad for the battered, flighty, loner girl sitting in a tree.
He stares at his ceiling, internal clock (yes, he's old, he has an internal clock. Sue him) letting him know it is decidedly an hour he should be asleep. He refuses to go downstairs, on principle alone. He could get up and go find one of his books, but he knows that if you're anything like him, coming off of however long you spent alone, you're a light sleeper. You're probably awake now, listening to him toss and turn and being unnerved by the unusual silence of Jackson and the particular brand of night-noise it produces. That's what the first two weeks of Joel's life in Jackson consisted of, before he moved in here.
Maria had decided that Joel would stay with the two of them until he integrated in Jackson society. Perks of your brother marrying a council member, he guesses.
So he's not going downstairs. Not going to walk down there just to see a person, an entire person in his house looking like, looking like--
Fuck.
He throws his blankets off and angrily (but not loudly) marches downstairs to get himself a glass of water and the book he knows he left on the table by the couch when he was so rudely interrupted by you. This is his house, dammit, he refuses to be put out by a random girl.
Woman, his brain corrects.
The living room is completely dark when he makes his way down the stairs and he truly, honestly wishes he was surprised when there's a whoosh of air to his right and a knife embeds itself in the wall about a half inch away from the side of his face.
The living room is still and silent.
"I thought they took your weapons when you got here."
"I lied about what I had."
He scrubs a hand down his face, yanks the knife out of the wall, and tosses it back. If you can throw it, you can dodge it.
He doesn't hear any screams, yelps, or grunts of pain, so he assumes you caught it fine. Or at least dodged it.
He makes his way over to the kitchen, grabs the teapot, and takes down two mugs.
"You know they can kick you out for harboring weapons during your probationary stay."
He hears a rustle of blankets behind him. The sound of you stashing your knife, no doubt.
"Are you going to tell them?"
He snorts, filling up the teapot. "No. There's been a knife in my boot since the day I got here."
He hears more rustling, and decides against turning around. He's not quite sure what you've been doing down here all night since it's clear that you weren't sleeping.
He doesn't hear any footsteps, but when does turn around to set the mugs on the table, you're sitting at it, knees pulled up and head resting atop them, your cheek smushed. Now that his eye's have adjusted to the darkness of the living room, he can almost make out your features. They're easier to discern, now that you're not covered in blood and grime. You look... softer. Haloed in the glow of moonlight shining through the gaps in the curtains.
Your face isn't the only thing glowing. The tell-tale glint of a knife --a different, smaller knife than the one you'd thrown at him-- shines from it's spot, resting oh-so innocently on the table.
Joel just huffs.
"No weapons on the table."
He blinks, and it's gone.
He doesn't ask why you're still awake or what you've been doing instead of sleeping. You don't ask why he's down in the kitchen at all.
"What are you making?"
"Tea."
He gently places a teabag in each mug. He isn't really sure why he's doing this for you. You've done nothing but hiss and spit since he's met you.
But tonight, right now, blanketed in the not-quite calm of the night and the apparent unease you both drown in--
It's tolerable. You're tolerable.
So he takes the kettle off the stove and pours the water and places the steaming mug on the table in front of you.
To which you ignore, and snatch the mug out of his hands instead.
"Did you think I put that one," He points to the mug in front of you, "There for giggles?"
You cradle the mug in your hands, seemingly entranced with the warmth and steam. "You might've poisoned mine."
"Maybe I poisoned both."
You take a sip, then grimace when the too-hot liquid hits your tongue.
"You don't look like the kind of person to have built an immunity to poison."
"You also watched me make both beverages."
"So? It's dark. You could've slipped something in. Or maybe it was already in the teabags."
"What use would I even have for you dead?"
You shrug. "I don't know. You tell me."
“You’re a deeply mistrusting person.”
“And you’re not?”
Touché.
Joel remains in the kitchen, leaned against a cabinet sipping your tea, while you stay hunched at the table, sipping yours.
If he removes the irritability and the uncomfortable-ness of everything that involves you living with him, the moment is almost… companionable. Pleasant, even.
It… soothes that nervous part of him. Not the sad nervous. The angry nervous. That built up crack of anger.
There’s another person in his home that is neither attempting to perceive his problems nor actively attempting to kill him. Your belief that he might poison you aside, you still accepted the tea.
He firmly believes that Tommy isn’t right about the loneliness thing though. His brother being right is just a world Joel can’t live in.
Besides. It’s too early to tell anything anyway.
Unfortunately, the following few days do not go… terribly.
That isn’t to say they go well, though. Since he’s looking after you (read: making sure you’re not an axe-murderer or something) he’s not allowed to go out on scouting or hunting trips. Or solo guard rotations he’s come to covet.
It’s boring, and having you around is strange.
It’s interesting, when he gets bored enough, because if he focuses hard enough he can guess what events happened to you based on your reactions to certain things. He’s pretty sure you were drugged at some point based on your reaction to the doctor with the lidocaine. You’re general skittish and flighty nature can be easily attributed to the conditions in which everyone in the world is living in, but your particular brand of distrust and aggression says that humans, not the infected, have been the ones to hurt you the most. Your general unease in open areas or areas with not easily accessible exits leads him to believe that there have been several extremely close calls in several points of your survival.
He knows you’ve been shot before, but that one was an accident. He’d come downstairs, rubbing bleary sleep from his eyes and accidentally stumbled across you changing. Well, finishing changing. He’d quickly closed his eyes and turned around, and thankfully you hadn’t startled, but he had caught a glimpse of the stretch of skin not covered by the long sleeve undershirt you favored. On the left side, just above your hip and a few inches towards your bellybutton, there’s a jagged, raised, circular scar. Still pink.
He knows you have a very slight, very subtle limp. He’s not sure what causes it, but he knows you have one. It tends to act up when you do a lot of strenuous exercise for an extended period of time. Some days you wake up and it’s worse. On those days, you’re a little more mean, and a little more skittish.
He’s yet to see you actually, legitimately sleep.
He’s starting to think you haven’t, since arriving.
Which is insane, because it’s been four days.
The bags under your eyes are horrific, even to him. You’ve gotten clumsier and clumsier, your attention span and memory are terrible, and he thinks you might’ve started hallucinating, if the times he’s seen you staring off into space with concerned, fearful, or twisted expressions on your face and mumbled rambles he can’t make out are anything to go by.
On day five, when Joel comes downstairs in the morning and the knife you throw at him bounces harmlessly off the wall and clatters to the ground and you just stare at it, eyes foggy and unseeing, he decides to talk to Maria.
“I don’t really care,” He says, because he has a reputation to uphold dammit, “But I’m not sure how much longer she’s gonna last, and what she’s gonna do when she wakes up.”
“Mmm,” Maria hums, hands clasped on the table and staring at Joel with her best ‘I don’t believe you don’t care’ look. She’s really perfected it, “Well the truth is, she can’t go forever. It’s fear keeping her up now. Happens a lot with the loners that come in. Especially the women. She’s afraid that no one’s there to watch her back and terrified she won’t be strong enough to fend off any attackers.”
Maria looks at her hands. “The fear is exacerbated by the fact that the council took most of her weapons.”
“You knew—“
“She was lying? Of course I did. So did several of the other members, I’m sure. But she’s not a threat. She’s scared.”
He thumbs the thin scar on his cheek from the knife came just a little too close to hitting the mark when he sneezed in the kitchen. “She’s got a funny way of being scared.”
“Fight or flight, Joel. She knows flight isn’t an option.”
“Why are you lobbying so hard in her defense?”
“I’m not. I’m explaining her actions. Also,” She gives a knowing smile, “You’ve started to care. Otherwise you wouldn’t be coming to me about this.”
“Yeah, yeah,” He grouses. “So what am I supposed to do? Just wait for her to pass out?”
“You could. It’ll happen eventually. She very clearly doesn’t have that many hours left in her. That’s probably freaking her out more. Or, you could subtly show her that she can sleep around you. She needs to know that she’s safe from whatever it is she’s running from.”
Joel keeps his eyes locked on the kitchen table, tracing the grain in the wood with an absent-minded finger.
“I know you pushed for her to stay with me.”
“The council wanted a punishment that fit the crime.”
“Look, I appreciate the thought—“
Maria’s expression flattens. “Joel. Do not sit at my table and lie about how you don’t need anyone and you’re fine on your own. You need this.“
“I don’t need this,” He scoffs, “She’s practically half-feral. No one needs that.”
Maria stands, shrugging. “Then I guess you’ll have to file for a name change, No-One Miller. Until then, make sure she’s not alone when she wakes up.”
He did leave you alone for the duration of his conversation with Maria, because fuck if he was bringing you to that, and he figured you both could use some time away from each other. He knows he can.
He’s not very surprised to hear the familar whoosh of a small, sharp object sailing through the air that tends to accompany his arrival into rooms you’re occupying (he’s pretty sure it stopped being a fear response after the first two times and now you’re just messing with him) but he is suprised to see that this time, the knife doesn’t even make it head height. Or to the wall.
It clatters uselessly to the ground near his feet. He stares at the metal between his boots and then up at you—
“Why are you sitting on the kitchen counter?”
“I don’t remember.”
He leaves the knife on the ground and makes his way over to you, watching with mock disinterest at the several-seconds-delayed flinch you make when he stands in front of you.
You look up at him, eyes glassy and unfocused and you just look so, so tired.
There’s a curl of protectiveness in his chest that keeps trying to spread, keeps trying to grow. Here, in the kitchen, your legs dangling over the edge of the counter, bathed in the glow of the mid-day sun, it takes root. Right in the center.
He looks down at your feet. “What happened to your other shoe?”
You scrunch up your face. “I don’t… I was getting in bed, I think. But it wasn’t my bed. I forgot that things aren’t—“
That things aren’t the same anymore.
He crouches down, untying the laces of your boot and shucking it aside somewhere.
“Alright, come on.”
You slide off the counter, clumsy and uncoordinated. He takes your hand in his, leads you up to the bedroom.
The stairs are difficult for your tired, barely working brain. He has to stop multiple times to physically lift your legs or stop you from falling over and cracking your head open.
You finally make it up there, though, and he realizes that you probably won’t want to sleep in your everyday clothes.
“One last step.”
He can’t help but notice how intimate the moment is. Not intimate-intimate, but. He instructs you softly to lift your arms so he can tug your shirt over your head and replaces it with a soft shirt of his own.
Staring into your eyes is too charged and allowing his eyes to wander is bad for obvious reasons, so he keeps his gaze firmly fixed on the junction of where your neck meets your shoulder.
He keeps his eyes there as he helps you out of your pants and into a pair of flannel pajama pants. The same ones he’d given you the first night you came. You’ve never slept and he’s never seen you go to any of the places he knows have extra clothes, so he’s almost positive you don’t have any pajamas at all.
His fingers work quickly to tie the drawstring on the pants, and even then, they hang low on your hips.
He doesn’t let his eyes linger.
“Come on,” He says taking your arm and tugging you toward the bed. “Time for sleep.”
“It’s the middle of the day,” You mumble, standing in place. “And I can’t, what if they—“
“I’ll be here the whole time. I’ll keep watch.”
You mull his words over in your head for a few moments before stumbling the final few steps into the bed. You practically collapse into it, shuffling for a just few seconds before your breath evens out.
You’re asleep.
He reaches over, adjusting the blankets a bit, before grabbing the book he’d left on the bedside table and settling down in the chair by the bed.
The hours tick by quietly, accompanied only by the quiet rustling of pages turning and your soft snores.
For the first time in awhile, he doesn’t feel restless.
You sleep for a full eighteen hours straight before you stir.
He’s a good portion of the way through his book before he see’s your body tense in the corner of his eye. Your breathes are still even and deep, so if he couldn’t see you, he probably wouldn’t notice you’re awake.
“You’ve been asleep for eighteen hours,” He says, voice rough and scratchy with disuse, “You got in bed voluntarily.”
“You changed my clothes.”
“You didn’t seem all that capable of doing so yourself and I didn’t think you wanted to sleep in jeans. You mind?”
“…No.”
“Good. Go back to sleep.”
“I can’t just—“
“You didn’t sleep for five days. If we’re going by the eight hours a night average needed or whatever, that’s forty hours. You’ve still got twenty-two left to catch up on.”
You roll over to face him with a grumble. “I don’t like how good you are at mental math.”
“Get better, then.”
You shimmy out from under the blankets, tossing him an “I have to pee,” as you make your way out of the room.
It’s early morning now, weak sunlight behind to strain its way through the curtains. He figures it’s a good enough time to make some food (and coffee) if you’re going to be going to back sleep, so he meanders down to the kitchen and throws together a small breakfast.
“Did you make us breakfast?”
He never really gets used to how quietly you move through rooms.
“Jesus— yes. Here.”
He hands you a bowl with oatmeal and a small plate with a slice of toast— toasted in a pan, because electricity aside, he doesn’t own a toaster. Why waste time scavenging for an appliance when something else works just as fine?
He sets a jar of jam on the counter that he’d picked up awhile ago in exchange for fixing the hinge on somebody’s door.
“You got any allergies?”
“None that matter.”
He nods to the table. “Go eat. Then get back in bed.”
“You’re so bossy.”
“And you’re annoying. Eat.”
You eat quickly and quietly, then wordlessly follow him back upstairs, climbing back into bed.
“Joel?” You whisper.
“Hm?”
“Thank you.”
He tucks the blanket up over your shoulder. “Go to sleep.”
You obey easily.
Things between the two of you… soften after that. He slowly sees more pieces of your personality than the wild thing he met that day in the woods.
He learns that you love peanut butter and jelly sandwiches, but miss peanut butter and nutella sandwiches more than anything. He learns that on good days, you like drinking coffee straight black, but on bad days, you like it with milk and sugar.
He learns that your limp is the result of one careless mistake you’d made when you first surviving on your own.
“I thought the house was abandoned. It wasn’t,” You’d rolled up your pant leg to show horrific, deep, jagged scars circling your ankle, “Guy had set out a bear trap to slow down some of the clickers in the area. It was dark. Didn’t notice it until too late.”
He learns that you, despite your snide remarks and sarcastic comments, like having him around. He feels a bit like earning the trust of a stray cat.
You begin to grow more comfortable with life in Jackson, though not by much. He’s sure you weren’t a people person before the outbreak, much less so now that he knows some of the horrors you’ve been through before you got here.
He’s even started getting used to how quietly you move.
It’s easy to fall into a rhythm, from there.
He wakes up, goes downstairs. Sometime’s there’s a knife thrown at him, sometimes there isn’t. You’re usually sprawled on the couch, drool coming out of your mouth and grumbling incoherently about “old men and their stupid early mornings.”
It’s almost endearing.
Since Joel spends a lot of time helping Maria and Tommy get ready for their baby, you, in turn, get to know the both of them by being stuck with Joel. Maria set you on edge at first, Tommy slightly less so, but through continuous interactions your prickly nature smoothed.
One night, you were all seated on their couch after enjoying a dinner together —not the first and definitely not the last— having quiet conversation. You’re totally passed out on Joel’s shoulder, dead-asleep and quite content to use him as a human teddy bear.
Maria smiles over her mug of tea. “She’s grown on you.”
Joel rolls his eyes. “Yeah, yeah. She’s not all bad.”
“High praise coming from Joel Miller.”
You have grown on him. And in turn, your relationship has started to grow into… something else. Sometimes his eyes linger just a little too long, and the looks you share feel just a little too charged.
Tommy sends him a look full of words only true siblings can understand.
“No, Tommy.”
“Oh come on Joel! You both clearly—“
“We are not having this conversation right now.”
“Why not?”
“Because—“
You fling an arm out wildly, smacking him in the side of his face and grasping around until your pointer finger finally finds his lips.
“Shhhh. M’ sleeping.”
He wraps his hand around your wrist, prying your fingers off his face. “You know that’s what bed’s are for. Or couches. Or any number of surfaces I’ve found you sleeping on.”
“You’re a surface I’m sleeping on.”
“I shouldn’t be.”
“Why not?”
“Because I’m not a bed. Come on, up and at em’.”
You whine at the loss of warmth when he stands, scowling as you haul yourself to your feet. As he’s putting on his boots by the door, he hears you thanking Maria and Tommy for their hospitality, and he can’t help the little smile that twitches on his face. Seems like his parents weren’t the only ones who made sure he had manners.
You meet him at the door, hopping in place to put your boots on and getting frustrated when they don’t slide on immediately.
“You know, it would help if you untied the laces—“
“Fuck off.”
He blinks. That seems a little more mean than you usually say nowadays.
So Joel takes a step back. Watch’s your legs and your shoes and your hands—
There.
Your hands shake as you fumble with the laces, unable to get a good grip on the thin cords to untie and re-tie your shoes.
He shoos your hands away from the singular boot you haven’t managed to get on.
“Sit.”
He’s thankful that he built the shoe bench for Maria a few weeks after he got to Jackson. It serves Maria well for not having to stand while she attempts to put her shoes on while heavily pregnant, a feat she bemoaned a few times, and now it’s serving you.
You plop down on the bench with a huff, crossing your arms as Joel crouches, undoing the laces of your boot and sliding it on.
“I can do it.”
“I know you can.”
“Why’re you doing it?”
“Because.”
“That’s not an answer.”
He secures the tie on one boot and moves on to the next. “It is tonight.”
Once both shoes are on, you both bid Tommy and Maria good night, and make your way home.
If your hand find’s Joel’s, then that’s not anyone’s business.
He notices things after that.
You’ve started snapping at him more often. You’re not sleeping as much. You’ve started flat out refusing to go with him on daily chores as tasks, which either leads to an argument or the both of you staying at home all day.
It all comes to a head when you wake up screaming.
He thunders down the stairs, ducking on instinct for a knife that doesn’t come. You’re not on the couch. He whips his head around, the screaming stopped he can’t find you—
A thud. A panicked gasp.
He moves on slow, apprehensive feet towards the kitchen, crouching down to see you huddled under the table, knife clenched in your hand and pointed toward him.
“Hey, hey, what’s going on?”
Your eyes are wide and shining with tears.
“You died.”
“I didn’t. I’m right here.”
You shake your head, breaths coming short and shallow.
He settles on the floor, crossing his legs. “Here, take my hand. Come on.”
He extends his hand into the space between you two. Achingly slowly, you put down the knife, and take his hand in yours.
“See? I’m still here.”
Eventually, your breathing slows, and the fear begins to leave your eyes. You drop his hand.
“I’m sorry.”
“Nothing to be sorry for.”
“No, no it’s just—“ You break off with a strangled noise.
He waits. Lets a few minutes tick by.
“Does this have anything to do with the fact you’ve been avoidin’ me?”
You look down. “You noticed?”
“I do have eyes, sweetheart.”
You grab the knife again, twisting it this way and that in your hands.
“I’m scared.”
“Of what?”
“Of you.”
He tilts his head. “How come?”
You’re silent for a little while again.
“I feel… okay with you.”
“And that’s scary?”
“Yes,” You breathe, “You could leave, or die, and it scares me that I’m already attached to you. That having nightmare’s of you dying affects me so much. That they happen at all.”
He hums. “Seem’s were at an impasse.”
He taps a finger on his knee.
“It’s not all bad. To care.”
“Who are you and what have you done with Joel Miller?”
He huffs, shaking his head. “You know, against my better judgment, I’ve come to tolerate having you around.”
“Tolerate?”
“Mhm.”
“Nothing else?”
“No.”
“So you’ve never thought about kissing me?”
Heat rushes to his face. “Is that really a question you want to be asking right now?”
“Yes.”
“Mm,” He stands, “Well I don’t answer that kind of question at this hour. Come on.”
He reaches under the table and pulls you out.
You clamber to your feet, still a little shaky after your nightmare.
You turn to go back to the couch, but stops when he tugs on your arm.
“Mm-mm. No couch tonight.”
You look up at him, a question in your eyes he doesn’t know how to answer with words.
He steps forward, rough hands coming up to your face, thumb swiping the crest of your cheek.
“Tell me to stop.”
“I won’t.”
He leans down, capturing your lips in a kiss, soft and slow.
He pulls away after a few moments, searching your face for any sign of negativity or displeasure or disgust or, or—
You surge up, kissing him again, all the same fiery passion he saw the day you met.
“I suppose that answers my question.”
He chuckles. “You think?”
“I hope so.”
His hands slide down to your waist. and he can’t resist the little squeeze he gives the skin there.
“Alright. Back to bed, let’s go.”
“I forgot how tired old men get.”
“Please don’t call me an old man right after we kiss.”
He can hear your quiet snorting laughter as you climb the stairs, socked feet silent as always.
You climb into bed first, shoving yourself into the side by the wall and then making grabby motions for Joel.
“Am I just a pillow to you?”
“Yes. Come be a pillow.”
He rolls his eyes but slips into bed next to you and quietly relishes in the pleased hum you let out as you wrap your arms around his waist, practically smashing your face into his chest.
“You comfortable there?”
“Mhm.”
He curls one arm around you, his other hand coming up to cup the back of your neck. This close, he feels the shudder run through your body at the motion, and curious, he gives your nape a little squeeze.
Your reaction is instantaneous. You go limp- completely boneless.
“I got you, I got you. Go to sleep, now.”
It doesn’t take you long. And with you asleep so soundly in his arms, he follows right behind you.
☆⋆。𖦹°‧★
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stoopidpigeonxx · 4 months ago
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⋆˚。⋆୨✧୧˚ 𝑶 𝑪𝒂𝒑𝒕𝒂𝒊𝒏, 𝑴𝒚 𝑪𝒂𝒑𝒕𝒂𝒊𝒏. ˚୨✧୧⋆。˚⋆
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CAPTAIN CURLY SMUT HEADCANNONS !! NSFW under the cut. MDNI.
(These are all completely random, not tied to any prompt. I just want more stuff about this guy cuz I love him) Fandom/characters: Mouthwashing, Captain Curly, other characters briefly mentioned.
Content warning: Smut (obviously), p in v, curlys packing, title kink, thigh-riding, face-sitting, size difference, manhandling, reader is AFAB, creampie, multiple rounds, riding, cursing, J*mmy.
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-He's a grower, not a shower.
I firmly believe Curly is a distinguished gentleman, unlike J*mmy who would most likely brag about how big he is and end up only being like, 5 or 6 inches. Curly, however, will not mention his size until you see it for yourself. And when he sees your face, he panics. "Oh-shit, uh- i-is it gonna be too big for you? It's okay if it is, I should've warned you.."
He's four inches soft, uncut. I think he keeps himself decently groomed. He's not completely bare, but it isn't a forest. He's got a little v-line that's only visible when he wears sweatpants that you go absolutely feral over. When he gets hard, whoo boy. 9 inches, throbbing. He's got a cute little vein near his tip that you like to attack when you're sucking him off because it makes his thighs shake. He's got a little bit of a mushroom tip, maybe more rounded. Perfect for hitting all those good spots inside you. In short, he's big. (he tucks it, that's why he doesn't have a bulge in his sprites. Also I'm sorry trans-Curly headcannon people ;-;)
-"Need a seat? I'll volunteer."
VEEEEEERRRYYY into face-sitting. Very. Like, the first thing he wants when you guys get freaky is for you to sit on his face. He's not exactly sure why he likes it, to be honest, he just loves the feeling of you absolutely lose yourself on his tongue. He isn't worried about suffocating or anything, since he's a lot bigger than you, so don't be afraid to ride his face! he can handle it! But seriously, use this guy as a seat. He'd give you a few licks up your slit at first to warm you up (again, gentleman) before going for your clit. And when he gets it, he sucks. Hard. He'd also probably sneak a finger or two inside you to add extra stimulation, because he really wants you to come on his face. He desperately yearns for the sound of you screaming his name as your juices cover his face and tongue, letting you ride your orgasm out before lifting you off his face and setting you down. "Alright, sweet-stuff, my turn. On your knees, please."
-Save a Polle, ride his big ass thighs.
So... we've all seen his sprite. He's thick as fuck. He's got a booty and bigger tits than me. But he also has deliciously large thighs.. so use that to your advantage, because he's totally down with it. He likes using it as foreplay to get you wet enough to take him, and he just likes the feeling. He'll probably give himself a hand while you're doing it, or he'll just watch and leave the touching to you.
He isn't much for public sex, but if you're really horny, he'll let you get high on his thigh over his uniform and gently praise you when you come. It gives him a little buzz to be doing something like that in a risky situation, like while he's in the cockpit sitting at the control panel, or even in the commons of the ship with Daisuke in a few rooms away. When you do come, which isn't that long after, he'll kiss you all over your face and head and twirl your hair in his fingers, using his other hand to rub your ass or back.
"There you go, sweetheart, that's a good girl. Good job."
-Sir yes sir.
I know, I know. He gets called 'Captain' and 'Sir' for his job. But if its coming from you when he's balls deep in you.. It's an entirely different reaction.
"D-did.. you just call me- mgh..- Captain?"
It makes him ferociously horny to hear that title slip from your lips, so pray you'll still walk tomorrow. "Ooh, fuck, yeahhh. Call me that again, baby. Call me that again.. Uh-huh. Captain takin' care of this pretty lil' pussy, huh.."
He doesn't dirty talk that explicitly, but you calling him captain gets his creative juices flowing. Oh, also his come. Yeah..
Its also perfect teasing material. You two couldn't even be getting it on, you'd just sneak up behind him and kiss him on the cheek and say "Morning, Captain!" In that tone you know drives him wild. Boom, hard. Poor guy.
-Yeehaw!
favorite position? Cowgirl. For many reasons. One, he loves looking at your face while you ride his cock. The noises, the facial expressions you make, the way your tits bounce up and down with your hips.. He wishes it was a renaissance painting to look at every morning. He also just likes being able to hold you easily. When you're on his lap, its easier for him to snake a hand up and hold your hair out of your face, or to give your ass gentle love taps (he would never spank you, unless asked to). He's a very hands-on guy and wants to touch you, everywhere he can.
Of course, he doesn't mind the occasional doggy, or missionary, or hell, even a Full Nelson, because you KNOW he's able to hold you like that. Manhandling comes naturally with Curly. Gently, of course. He would never hurt you.
-Gets a little messy.
Curly's no one pump chump. He'll go for hours. Even if he's came inside you at least five times, he'll keep going. He's got hella impressive stamina. His motivation? Seeing your cunt leaking his seed when he pulls out. He wants you to still find it in your underwear 3 days later. No hole goes unfilled. He's not exactly a breeder, per-say, though he definitely wouldn't complain about getting you pregnant, he just likes seeing you in a state. He thinks of it as artwork, leaving you so stuffed to the brim. The next day, he'd pull you aside and give you a quick finger-orgasm, just to see if his come's still in there. When it leaks onto his fingers along with your own, he's a very happy man. "Ahh, look at that. Still got it in ya. Should fill you up even more later, hm?"
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oof. my hands hurt. ;-;
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remxedmoon · 3 months ago
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so all you need to do right now is disappear.
HHHHAPPY ISATVERSARY EVERYONE. here’s redraws for every single battle cg in the game. 36 drawings this time around, with 11 of those being custom (though admittedly a good portion of those are edits). combined with the portrait redraws i made back in september, i’ve made 114 redraws for this project! jesus christ! just like those redraws, these are completely free to use!! as long as i’m credited and it’s not for commercial purposes, go wild!! do whatever you want!!!
no i didn’t make these for isat’s 1 year anniversary this is just wildly good timing.
i genuinely can’t fit all of these cgs in one post even with the 30 image limit on browser, but i’ll still try to fit Most of them below the cut (without making this post horrifically long), along with some notes that might be important 👍
okay! once again, i labeled all of the custom art as such in the drive(UPDATE. NNOT TRUE ANYMORE. reformatted file names to be easier to mod in auau. apologies!), but if you want a full list, the customs are hatless siffrin jackpot, bonnie jackpot, bonnie special attack, bigfrin attack, and a bunch of alts which are definitely not related to any projects i’ve been thinking about don’t worry about it. and out of those customs, only like. 3 of them are actually completely from scratch.
while i did my absolute best to keep the aspect ratios completely the same as the originals, there’s 3 exceptions that i just couldn’t get to work.
isabeau’s hair in his special attack cg wouldn’t fit in frame if i kept things completely accurate to the og, so i moved his cg down a bit. it shouldn’t cause any issues with modding or anything, it’ll just appear slightly lower than it does in game. alas…
isabeau’s sleeve and mirabelle’s hair made their jackpot sprites a little larger than the originals? i’m hoping this doesn’t have too much of an effect (since the jackpot sprites have inconsistent sizes) but i can’t test this myself unfortunately. aaa feel free to let me know on discord if any problems arise!!
i managed to fix these, so they aren’t going to cause problems now, but my original drawings for mirabelle and siffrin in the final attack scene were a pain in the ass to fix. mirabelle’s sprite was slightly too talk to fit in frame and siffrin’s hat whacked bonnie in the face while i was editing everyone together. i’m only mentioning this because it took like an hour and a half to fix them and finish the scene.
all that aside, these were a fucking BLAST to work on. apparently this ended up taking 57 hours over exactly 10 days. which is a little worrying if you do the math on that but somehow i have not burnt myself out. i will be doing enemies at some point!!! but probably not for a little bit. i think my friends will actually kill me if i don’t take a break.
once again, happy birthday isat. you’ve ruined my life and i wouldn’t have it any other way (silly).
also, on an actual serious note, this little timeloop game has genuinely changed my life for the better? you guys are probably sick of hearing it at this point (or maybe not, i don’t talk about myself That Much. i hope), but i was practically a ghost for about 2 years before joining this fandom. it’s a little surreal to suddenly have friends (plural!!!) and people who Care about me, or even know i exist, honestly. it’s weird!! in a good way!!!
i don’t think i would’ve ever come back to social media if this community wasn’t so welcoming. i’ve met a lot of really great people through this game!!! so, uh, thank you isat, i guess. here’s to another year.
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joycrispy · 2 years ago
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I wanna talk about The Angel Who Would Be Crowley.
Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."
Looking around at GO fandom, I'm not alone in this. So let's talk about it.
Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.
Something like this:
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We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--
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--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.
But it turns out he was this:
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!!!
With his curly little--!!
And his neat white--!!
IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:
"You used to jump on me back, little monkey in a waistcoat..."
(The use of a diminutive there, 'little'...oh, that fascinates me.)
In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.
In sum...an innocent.
(Perhaps innocent to a troubling degree.
We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.
Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)
So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--
*checks notes*
--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.
...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.
All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?
He WAS a powerful and high-ranking angel.
That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...
...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'
What does that tell us about who he was? Is?
Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.
Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."
And what reason does he give?
("I know you."
"You do not know me."
"I know the angel you were.")
What does that tell us about who he was? Is?
("The angel you knew is not me."
But how is Aziraphale supposed to believe that, when he can see him all the time?)
tl;dr --yes, this is better. I love the tragedy of it.
'Innocence died screaming' and all that.
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daincrediblegg · 11 months ago
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no you know what I'm going to scream about the stuff I talked about in the tags of this post publicly
I'm tired of the well-meaning "don't feel bad if your work only gets 20 notes your genius is what counts and do it for you!" bullshit. I've had a good handful of friends who have straight up DEACTIVATED in recent months because their work was not getting reblogged AT ALL. No, it wasn't from lack of not being well-liked, no it wasn't from lack of trying to make sure it was getting out there to the people they knew would engage with it. It was because no matter how much they were praised privately for their work, when push came to shove, absolutely NOBODY reblogged it and gave it the audience that it was due, and I'm tired of people shoving the "unsung genius" narrative as an excuse for it. Nothing excuses that. And the boop event really proved that.
because I know given the opportunity, indiscriminately pressing a button (sometimes 10 thousand times, as I did) is not beyond this website's capability. y'all loved doing that. and look at what it wrought. nothing but love and affection and happiness. just from a couple of quick clicks of a little paw button. sure. nobody knew who you booped but the other person (which is how likes used to work on this website, btw). there was an element of anonymity to it. but that is kind of the core of this website that no other social media platform still has: the ability to be anonymous. and hyper-curating a blog on here like you might on twitter or instagram to project an image is simply not viable. and hey. you wanna know a secret: literally nobody cares what you post or whether it goes with the "theme" of your blog or not. yeah. I know. CRAZY concept in this day and age. but literally. I myself have reblogged things that have had nothing to do with whatever I am currently fixated by and you know what happened to my follower count? not a damn thing. in fact, I actively try to reblog things specifically BECAUSE it's my friends who made them (even though I'm not always good at KEEPING UP WITH HOW MUCH THEY POST @prismatica-the-strange will NEVER GO UNRECOGNIZED by me).
And you know what fucking sucks? I have to deal with this too. surprise right? you ever wonder why I reblog fics or art I post like 20 times the day that I post them? do you ever wonder why I ask about tag lists and beg for asks all the time? IT'S BECAUSE EVEN I GET LIKE. 5 LIKES ON THE THINGS I POST. AND THE REST OF THE REBLOGS ARE MINE SO I CAN MAKE SURE THAT PEOPLE WHO WANT TO SEE WHAT I MAKE GET TO SEE IT. and I say that knowing that I'm certainly not an unpopular blog, or an unpopular writer. I know that people love the stories that I create. Hell, half of the people that I've talked to about lady terror have told me that they consider her to be canon (AND EVEN SOME!! THOUGHT SHE WAS!!! WITHOUT EVEN HAVING WATCHED THE SHOW! WHICH IS STILL SO SO WILD TO ME!!!) But especially in the last 4 years (which really dates this phenomenon), my posts, no matter how well received they've been amongst people I've talked to about them directly, I still go into the notes and at least half (often more than half) are MY reblogs to make sure people saw what I posted. and it happens every single time, and I can't tell you how much it crushes me considering that it used to be that I would be able to post it only once, and people would reblog it sometimes even HUNDREDS of times.
It's not about popularity. it never has been. it's not about anxiety. or shifting website cultures. even if you lurk, the simple fact is, that if you want people to keep making what you love. you have to reblog. your theme won't suffer because you reblogged a fanfiction that you really admire. your posting won't be ruined because you reblogged some fanart from someone in a different fandom. really. I promise. and if people do unfollow you for that? who needs em. followers come and go but you should NEVER have to cater to them. on this website it has ALWAYS been the other way around. lean into it. make it yours. put stuff you ACTUALLY WANT to be seen and that you love and appreciate on your blog. no matter how old it is, how new it is, no matter how niche or off-theme it is.
so please. if you really want to show your appreciation for someone's work? you reblog. it's really as easy as that. check the tags. add some when you reblog if you like. but please for the love of god reblog. it's as easy as booping and even more rewarding for the people who you reblog from. if you want to let someone know that their work is genius and appreciate it? show it. reblog. then DM them if you're too nervous to say what you want to say but not in a public forum. but for christ's sake. REBLOG.
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maidenvault · 7 months ago
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During my last rewatch of the prequels I was actually shocked by how much I've misremembered or decontextualized certain moments in my mind because of how they're often talked about in fandom as showing the Jedi as too arrogant, too bureaucratic, generally just burying their heads in the sand while everything goes bad etc. So I'm gonna try to address every individual scene that typically gets brought up to argue that this is an actual theme in Lucas's portrayal of the Order.
The Council doesn't take Qui-Gon's account of meeting a Sith seriously.
Mace and Ki Adi Mundi do both express doubt this guy could be a Sith. (Understandably! Historically they've never known Sith to be able to hide their existence, and for them to have survived totally in secret for a thousand years is a pretty wild thing for Qui-Gon to be so sure of.)
BUT Yoda admits that the dark side is hard to see, and Mace assures Qui-Gon they'll do everything to find out the identity of the attacker. Later he's ordered to go back to Naboo and try to draw out Maul to discover more. Qui-Gon accepts this and doesn't ask for backup. Why should he? He held his own against Maul before, and Maul's probably not gonna show himself again to face a ton of Jedi. They end up missing the chance to learn who trained Maul because of how things go down, but Qui-Gon's death isn't the result of the Council mishandling the situation.
At the funeral, Yoda says the presence of one Sith means there's another out there. They know they've got to be on guard now and will be, but they've got no more leads for now.
2. Qui-Gon's not here to free slaves.
There's this idea that slavery existing on Tatooine shows the Order is apparently too tied up doing shady things for self-interested politicians (footage not found) to help the people who really need it. But Padme's shocked to know the Skywalkers are slaves for a reason. The truth is there isn't a lot of slavery in the galaxy at this time because the Jedi have helped keep it that way for centuries only by working with the Republic. In TCW we see that Zygerrian slavers have a particular hatred of Jedi because they're literally The Anti Slavery People and did so much of the work to crack down on their trade. But Tatooine is controlled by the Hutts and they simply don't have the resources to start a war with them.
(And honestly, it's crazy how people talk like Qui-Gon's a monster for honestly and apologetically telling Anakin no, that's not why he's here. This is a child he's already indebted to and who has a hero-worshipping idea of Jedi, it would be fucked up for him not to be clear about how he can't help him and his mom.)
3. They doubt Dooku could be behind the assassination attempt.
This I understand shows the Jedi to be a little naive. But they knew Dooku as a good man, and at this point he and his followers are still putting on a show of wanting to secede for idealistic reasons (and a few of them, manipulated by Dooku, actually do have good intentions). Only later do the Jedi learn they're illegally building an army before they've even officially left the Republic and clearly have no interest in the peaceful resolution Padme's been advocating for. And they only find this out because they have Obi-Wan investigate the assassin and this very quickly leads him to Dooku.
4. "Arrogance, yes. A trait more and more common among Jedi. Even the older, more experienced ones."
In context, this line from Yoda is clearly not meant to be taken so seriously. Obi-Wan says he fears Anakin is too arrogant, and this is Yoda's light-hearted way of telling him not to be so hard on him. Part of training a Padawan is learning to trust them so they can grow, and Obi-Wan perhaps needs the reminder that he isn't done learning himself.
Of course Yoda saying this could be partly motivated by them having been caught off guard before by the existence of Darth Maul and the dark side clouding their awareness, as we're told repeatedly throughout the PT they know is a problem. But it's kind of contradictory to take this as confirmation that this is a serious fatal flaw of theirs. If someone acknowledges their own arrogance then they're aware of their ability to be wrong, which means they can't actually be that arrogant. If truly meant in a general sense and not just as a gentle reproof of Obi-Wan, it's a pretty self-deprecating comment coming from Yoda.
5. "If an item does not appear in our records, it does not exist."
Chief Librarian Jocasta Nu gives this haughty response to Obi-Wan looking for Kamino, a system that's not in the Jedi Archives. So being so overly confident in the infallible knowledge of the Jedi, he takes her word for it and totally drops this lead.
Except no, he goes to someone older and wiser to figure out what this actually means. And he and Yoda are forced to conclude that the unthinkable - a trusted person among them somehow had reason to erase information from the archive - must nonetheless be what happened. This is honestly an exception that proves the rule: Kamino, and we can assume only Kamino, is missing from the archive only because it was removed, which is so suspicious it just shows he must be on the right track to discovering something. Jocasta is kind of snooty about it but theirs obviously is supposed to be one of the most accurate and complete databases in the galaxy.
6. Obi-Wan doesn't believe what Dooku tells him about the Senate.
For one thing, in this conversation Dooku's lying about basically everything but this. And I can't ever stress enough that Palpatine is a threat unlike anything the Jedi have ever dealt with before, who's already taken control of so much before they even know they're fighting anything, so the idea that a Sith is controlling the Senate would be really hard for anyone to believe.
Still, we know Obi-Wan reports this to the Council anyway. But it's a vague statement and they still don't have any information to act on. Palpatine soon has them very busy putting out fires in the war, and naturally fighting the Separatists who are led by Sith seems the best way for them to get to the bottom of what exactly is going on with the dark side. And they do finally turn their attention to how power-hungry Palpatine is getting once the war is nearly over and they've got the bandwidth for it, and think about what they might have to do if he's the threat to their democracy they fear, but of course he's too many steps ahead of them all the time.
---
So basically, what we see the Jedi being so guilty of in these examples are thought crimes. When confronted with the crazy explanation that happens to be true, their instinctive reaction is "No, I don't think that's possible." And then they do their due diligence to uncover as much of the truth as they can anyway. And Yoda, the Grand Master of them all, is often the first to admit that their first assumptions could be wrong. But Palpatine wouldn't be a good villain if his moves were predictable and he couldn't get an advantage over the good guys - that's just how storytelling works sometimes and it's not that deep.
It honestly felt stupid typing so much of this out because it's 90% just describing what actually happens in these scenes. But I guess it's a lot to ask that people actually carefully watch the films they discuss. 😒
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mantisgodsdomain · 2 years ago
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Got new news from an old fandom today. We... remembered just why we left. Might've given a bit of insight into our current modes of writing, too. It's still a shitshow over there, but it's shone a light on things.
What we like in fiction is... nuance. Cohesion. When the pieces fit together, when we can dig deeper and find a bigger picture, when it's art that we can look at from a multitude of angles and gain new insight from that. We try and work at ever-so-slightly new takes on characters, but we still have to put the work in to avoid drifting, to avoid flanderization, to avoid losing the plot.
And we aren't sure we could do that with a live, multi-chapter work. And we're even less certain we could handle it with the potential of having to readjust course partway through a fic. We are not a fast author, for the most part. We sit and we plot and we plan, and it takes a lot of revisions to hit the final draft. We could not uphold a solid schedule unless everything was already written.
We want to avoid our art running into the pitfalls we've already seen in action, and so we try and work to make things that won't fall into those pitfalls.
#tbh we do worry about rev a bit if only because like. the pieces for something similar are there#we worry about being so close to the creator. we worry about it being so easy to affect things.#a bit of healthy distance is perhaps best when it comes to works#for context the fandom in question is riddled with problems we cant quite complain about without sounding like a middle-aged republican#and has a VERY consistent problem with the author being harassed every time they do something too “problematic” in their work#examples including “a relationship has communication issues” and “people think a characters hair isnt ethnic enough”#which. sure it isnt the same but there are a lot of the same ingredients around and we fear itll reach a boil similarly#we fear we might be one of the pebbles in the landslide if we arent careful and we dont want that because we've SEEN how it turns out#and worrying wont do us any good but we still worry if only because there's little else to do#its all... we dont know#we're going to go and shore up our character knowledge soon. make sure we aren't falling victim to the same problems#if an author cant keep their own characters consistent it grows harder and harder to trust theyre working the right way#and if an author audibly doesnt care for a character then it grows harder and harder to trust that what theyre doing Works#and we dont want to fall victim to being the sort of author who does either of these things esp. when we're watching the fallout of both#we speak#negative chatter
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subjectsix · 3 months ago
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KIP'S BIG POST OF THINGS TO MAKE THE INTERNET & TECHNOLOGY SUCK A LITTLE LESS
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Post last updated November 23, 2024. Will continue to update!
Here are my favorite things to use to navigate technology my own way:
A refurbished iPod loaded with Rockbox OS (Rockbox is free, iPods range in price. I linked the site I got mine from. Note that iPods get finicky about syncing and the kind of cord it has— it may still charge but might not recognize the device to sync. Getting an original Apple cord sometimes helps). Rockbox has ports for other MP3 players as well.
This Windows debloater program (there are viable alternatives out there, this one works for me). It has a powershell script that give you a little UI and buttons to press, which I appreciate, as I'm still a bit shy with tech.
Firefox with the following extensions: - Consent-O-Matic (set your responses to ALL privacy/cookie pop-ups in the extension, and it will answer all pop-ups for you. I can see reasons to not use it, but I appreciate it) - Facebook Container ("contains" Meta on Facebook and Instagram pages to keep it from tracking you or getting third party cookies, since Meta is fairly egregious about it) - Redirect Amp to HTML (AMP is designed for mobile phones, this forces pages to go to their HTML version) - A WebP/AVIF image converter - uBlock Origin and uBlacklist, with the AI blacklist loaded in to kill any generative AI results from appearing in search engines or anywhere.
Handbrake for ripping DVDs— I haven’t used this in awhile as I haven’t been making video edits. I used this back when I had a Mac OS
VLC Media Player (ol’ reliable)
Unsplash & Pexels for free-to-use images
A password manager (these often are paid. I use Dashlane. There are many options, feel free to search around and ask for recs!). There is a lot that goes into cybersecurity— find the option you feel is best for you.
Things I suggest:
Understanding Royalty Free and the Creative Commons licenses
Familiarity with boolean operators for searching
Investing in a backup drive and external drive
A few good USBs, including one that has a backup of your OS on it
Adapter cables
Avoiding Fandom “wikias” (as in the brand “Fandom”) and supporting other, fan-run or supported wikis. Consider contributing if its something you find yourself passionate or joyful about.
Finding Forums for the things you like, or creating your own*
Create an email specifically for ads/shopping— use it to receive all promotional emails to keep your inbox clean. Upkeep it.
Stop putting so much of your personal information online— be willing to separate your personal online identity from your “online identity”. You don’t owe people your name, location, pronouns, diagnoses, or any of that. It’s your choice, but be discerning in what you give and why. I recommend avoiding providing your phone number to sites as much as possible.
Be intentional
Ask questions
Talk to people
Remember that you can lurk all you want
Things that are fun to check out:
BBSes-- here's a portal to access them.
Neocities
*Forums-- find some to join, or maybe host your own? The system I was most familiar with was vbulletin.
MMM.page
Things that have worked well for me but might work for you, YMMV:
Limit your app usage time on your smartphone if you’re prone to going back to them— this is a tangible way to “practice mindfulness”, a term I find frustratingly vague ansjdbdj
Things I’m looking into:
The “Pi Hole”— a raspberry pi set up to block all ads on a specific internet connection
VPNs-- this is one that was recommended to me.
How to use computers (I mean it): Resources on how to understand your machine and what you’re doing, even if your skill and knowledge level is currently 0:
This section I'll come back an add to. I know that messing with computers can be intimidating, especially if you feel out of your depth. HTML and regedits and especially things like dualbooting or linux feel impossible. So I want to put things here that explain exactly how the internet and your computer functions, and how you can learn and work with that. Yippee!
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aegis-noctua · 2 months ago
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Allow me to finally break and enter this fandom with my humble offering!
I just wanted to do something with them all being good friends. Love, love, love their group dynamic! Also I have like 20+ pages worth of silly little dialogs that I want to turn into equally silly little comics, so hopefully I'll be sticking around.
Aaand a lot of rambling under the cut.
I'm an avid reader, you see. I generally don't watch things (sometimes not in literal years), it's just not something I do. So when at the beginning of fall tumblr exploded with outrage over the Dead Boy Detectives cancellation, my first thought genuinely was "what a stupid f*cking name" and then immediately "people are overreacting, it's just a series, nothing is worth that much of a fuss". But after observing for some time from a safe distance I eventually grew curious. I thought I knew what I was getting into.
(I had no bloody idea)
Well. Here I am now, almost four months of obsession later, eating my words with shards of glass and no sign of reaching the bottom of this cursed rabbit hole. I've been drawing more than ever and for the first time seriously thinking about honing my artistic skills. I have some drafts for at least two stories, and even though I'm a little hesitant to write (not being a native and all), I'm pretty determined to give it a go anyway. I tend to avoid social media and digital public spaces in general, but #SaveDeadBoyDetectives campaign changed that as well. To my great regret, there is not much I can do or participate in, so I settled for trying to be supportive of all the lovely people who created probably the safest and most comfortable online space I've ever encountered. I'm not as good as Charles at keeping spirits up, but damn I wanna try.
It honestly feels like if I had something like dbda growing up, I'd turn out at least 40% less traumatized as a person. It grew to mean so much so quickly. It's like some moments were plucked right out of my life and then embedded in the show. I felt (and still feel) so seen, and understood, and reassured, and safe, and hopeful, and accepted when watching (pretty much everybody's but especially) Edwin's side of the story. It's so much more than "just a series", and these Dead Boys deserve every good word that's being said about them.
Okay, I'm wrapping it up now, and the only thing left to say is thank you to all the people who put their effort into keeping this wonderful story alive and making the fandom so friendly and welcoming.
(right now I'm working on a big Christmas comic that I definitely won't be able to finish in time, but it will appear here at some point)
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