#the flower of buffoonery

[reijixia13]

SOOOO I have the urge to make fanfics for my wattpad books that I'll be trying to update within 2-3 week prior

I have 5 drafts waiting for my KnY lovers🥰

My new book has 2 parts already but I'm making Chapter 2 currently

My lovies that loves Ouran High School Host Club like muah I have 1 draft for y'all 🤌✨

My sweets that have been waiting for our Pucca!Reader for the next adventure!

And finally

Another various, I may make 2 parts cause there's manhwa made from 2 years ago

I screenshotted this first thing in the morning before going to the market🥲

[anotherrandompersonsstuff]

Human nature, as bitter and cynical as it is, always holds some light in its genuinity

The way it's written, the duality between writer and character, shines a light on the conflict between the desire for meaning and greatness and life feeling trivial and awkward

[gstoabn]

i made this for a literary magazine, do you like it ?

[anne-bsd-bibliophile]

- Dazai Osamu, The Flowers of Buffoonery

[kryptonian-in-winterfell]

Dazai’s Ability might be named after No Longer Human, but his entire character is based off The Flowers of Buffoonery

It’s in the way the book is a comedy despite being about suicide.

In the way the main character (Yozo Oba) and his friends are constantly joking around despite Yozo being a sanatorium for a failed double suicide with a beautiful woman.

In the way the author is constantly cutting in with funny commentary and lying to the audience at almost every step.

In the way I’m lulled into a false sense of everything being alright, into believing Yozo is actually okay, despite knowing that there’s something wrong.

There’s even a story about crabs.

If you want to understand BSD Dazai, read The Flowers of Buffoonery. It’s very insightful.

[marsssss]

whoops seems like i've lost my mind

[doctorforks]

blessed a random soul today and recommended them crime and punishment + no longer human

[therealrichardpapen]

The Flowers of Buffoonery—narratological analysis

Note: Taking a trip down memory lane, I had an assignment in uni where we had to pick a topic and present it. Of course, my first choice was picking The Flower of Buffoonery (due to my rapidly increasing passion with Dazai's novels). And then I instantly regretted that choice 💀

But IGNORING the obnoxious amount of research I had to do on both literary theory concepts and also on Dazai's bio and biblio, I can wholeheartedly say it was fun! (in a masochistic way. Pls just end me; send help; I am done with this uni life).

So, without any further ado, I hope you'll enjoy this!

The aim of my project was to analyse the importance of the narrator and its impact on the reader while creating metatextuality. I focused on investigating how the narrator's role influences the reader’s experience, using Iser’s reader-response theory and Genette’s taxonomy of narrators. Iser’s insights into the interaction between text and reader illuminate how the narrative invites and challenges interpretation, while Genette’s typology highlights the narrator’s positional and functional dynamics.

This text seeks to establish how the reader’s imagination is being challenged intentionally by the aspect of a metafictional author, bestowing the reader with a significant role as an active agent in creating the meaning of the text. My findings revealed that the narrator oscillates between omniscient and intradiegetic roles, creating a layered metafictional experience that destabilises reader expectations and fosters active engagement. In a nutshell, Dazai’s narrative choices serve to emphasise the artificiality of storytelling, prompting readers to reflect on their role in "meaning-making."

჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻

Before going further (hoping I didn't bore you with a sort of abstract), let me explain how those theories work.

Iser's reader-response theory emphasises the role of ambiguous "gaps" in fiction. I applied his concept of active reader participation to fill in narrative gaps, engaging the reader's imagination and analytical abilities. This interaction constitutes the core of metafiction's dynamic, with the reader's role being both rational and aesthetic. Simply explained, Iser focused on reception in literature and how the reader gives/creates meaning.

According to Genette, metalepsis is a narrative transgression where the boundaries between different levels of a story are blurred or violated. It happens when a narrator or character crosses from one narrative level to another, disrupting the usual separation between the world of the story and the act of narration itself. Theoretically speaking, these could happen in the following instances:

a. The character becomes aware of the narrator (or speaks directly to the reader)

b. The narrator does a lil self-insert in the fictional world

c. A narrator shifting unexpectedly between diegetic levels, such as influencing events in the story.

These are just some examples, but for our case, in The Flowers of Buffonery, we just have a simple case of a digressive narrator (I chose to interpret this novella as narrator ≠ author, since in my own view, narrator = a character in the story. This is purely my interpretation).

︵‿୨ APPLYING THE THEORY ୧‿︵

Now, with all these terms and theories explained, let's apply them.

Dazai employs a self-conscious narrator who directly addresses the reader, thereby disrupting traditional narrative boundaries. This technique is Iser's "implied reader" theory, where the text forecasts an active reader to fill in interpretive gaps. By engaging the reader in this manner, Dazai encourages a participatory reading experience, prompting readers to question narrative reliability.

Here are some quotes that could help you understand better what I explained:

This is on reliability:

"Time to face the facts. This pattern of inserting myself as the narrator between scenes, so that I can burden you with endless rants that no one needs to hear, has an ulterior motive. I’ve been exploiting my narrative position to hoodwink readers… So you see, I can’t be trusted. Don’t believe a single word I say."

This is on allowing the reader to construct meaning:

"Trust me, dear reader, if I were to present you with a real-life artist, you would puke before you made it through but three lines of description, guaranteed. If you don’t believe me, why not try writing a novelistic portrait of an artist for yourself?"

This is on engaging with the reader's perception:

"What’s that you say? Beautiful feelings make bad literature? Bullshit. Never have I heard so treacherous a phrase. Without transcendence, who could write a novel to completion? Every word and every sentence would assail the heart with a dozen possible meanings, until you had no choice but to snap your pen in half and toss it in the trash."​

AND THIS is the collaborative meaning construction. Basically putting the weight on the reader's shoulders:

"You don’t need me. You can draw your own conclusions, things the author never could imagine. Then you’ll tell it from the mountain why this novel is a classic, crying out for all to hear."

჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻

Now that I showed you how that reader-response theory works, let's move on to Genette's metalepsis. The narrative structure employed by Dazai is one where the boundaries between narrative levels are transgressed. All those self-referential comments from the narrator and direct engagement with the reader create a metafictional layer. These things make the reader question the nature of storytelling.

Another set of quotes✨

The narrator acknowledging his role and undermining the fictionality of the text:

"I wanted this novel to be an atmospheric romance. Starting with the churning maelstrom of the first few pages. My hope was to tease out and unravel all the different strands. As much as I might call attention to my clumsiness, I somehow got us this far — but now it’s all going to pieces." (reflection on storytelling choices, breaking the illusion of a self-contained narrative)

A key feature of metalepsis is making the reader question the credibility of the narrator:

"So you see, I can’t be trusted. Don’t believe a single word I say."

The narrator trying to influence our opinion on the text with this cute lil digression:

Surely by now, dear reader, you're disgusted with these young men for the carefree way in which they pass the time, as if one among them had not just killed another human being, though I suspect this new development will elicit shouts of joy.

჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻

Dazai's novella exemplifies (in a stunning way, in my opinion) a layered narrative strategy, innovatively combining structural sophistication and reader interaction, contributing to the expansion of metafiction as a medium for both artistic expression and existential philosophical contemplation. Now, I can't know for sure if this was planned or just happened mid-writing, but he did great <3

჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻჻

P.S. What you read here is a watered-down version of my paper, written in a more accessible way for you (I spared you from all the bs ass in-text citations and the high academic style, at least as much as I could). I wanted to share my literary analysis mostly and shed more light on other Dazai books besides the big famous ones. This was a STRICTLY LITERARY analysis, but I am sure I could maybe create an entire analysis on how much Dazai self-inserted himself in this book. Sadly, this could easily end up being a highly speculative point of view based entirely on fragments of biographical facts, so I may not do that. (Or I could try the good old Ouija board trick—). Just kidding.

P.S.S. Yes, I will express my grievances and complain like a little bitch! The teacher didn't really appreciate my example. She ignored the theory and then jumped at me with, "Ohh, how do you know what the narrator really wanted to do? Did you ask him?" This hag pissed me off hard af.

[s0lace-1n-s0l1tude]

Probably visible but I've read them all

I think The Setting Sun might be my favorite of these four

And I also really liked Self-Portraits because I always like to learn about the authors

As for No Longer Human,I've already posted some sort of review

Anyways,all of them are great

And idk,I just like Dazai's little interventions in Flowers of Buffoonery

Like,hell yeah bro,yap to me,I am reading allat

10/10 will read again

[caralovesstars]

What is your current favourite book/manga

Currently i absolutely love: ‘the flowers of buffoonary by osamu dazai’

Totally recommend it- i may do a more in depth review

:D

Have a great day/evening

[moonofiron]

“But in my softness I find peace, however fleeting.”

- Osamu Dazai, The Flowers of Buffoonery

[reijixia13]

The Flower of Buffoonery

Made by reiji13

-༻✦༺-༻✧༺-༻✦༺- -in which a girl with incredible power, ambitious brother and a goal for a peaceful death without suffering joins a heroic class with trouble magnets on their toes. -༻✦༺-༻✧༺-༻✦༺- "Oh wonderful belladona! Join me!" "The fuck?" "Fuck is a Vulgar word, but enough for a peaceful death!" -༻✦༺-༻✧༺-༻✦༺- such a scenery to see, a suicidal sister of a suicidal maniac and a detective mind with full of soon to be heroes. BNHA×BSD!reader

≿━━━━༺❀༻━━━━≾

P r o l o g u e

Mission

≿━━━━༺❀༻━━━━≾

A boy with silver hair had been kneeling down near a river, a grumble as he felt hungry.

Atsushi didn't want this.

He doesn't even have a clue why he was suddenly kicked out of his home, an orphanage he grew into. He wasn't ready for this, he wasn't ready to die.

From person to person that passed by he wanted to go after to ask for help, he didn't have the guts, so witnessing a person who was floating upside down was really concerining for him.  With 50/50 choice, he dive in and save this mysterious person.

"Damn"

?!

"I saved you and all you say is 'Damn'?!"

After a talk with crazy guy Atsushi, he introduced himselt as Dazai Osamu, he happens to feel hungry and offer the boy a meal with him using someone 'Kunikida-kun' person's money, Atsushi didn't really care aslong as he can eat to his content.

"Oi! Dazai!"

Off to the other side stood a blonde guy, beside him was another female waving excitedly at them.

"Onii-San!! Did you die yet?"

Judging by the way she called Dazai, and how they similarly look alike, they're sibling. And even with how they interact, just how crazy are these two?!

≿━━━━༺❀༻━━━━≾

Such thoughts.

I guess that's just how things are.

With (Y/N) things can be weird, but it's even weirder if she's with her brother. But sometimes, behind those dark shade of brown eyes, those pair are hiding something darker, maybe a past, something that should've been forgotten, something that should stay hidden.

≿━━━━༺❀༻━━━━≾

"Oh wonderful belladona! Join me!"

"The fuck?"

"Fuck is a Vulgar word, but enough for a peaceful death!"

≿━━━━༺❀༻━━━━≾

"A mission?" A questionable mark as the female tilts her head, her hair falling to the side slightly as she looks at her boss.

"Yes, I think you're better fit for these, cases in Musutafu having some kind of conflicts with some underground organization. I need you to find out what's the cause of these." The older male nodded along as he explained the situation, he had handed her a folder having the files needed inside for the case.

"Yare, yare~! Maybe dying in Musutafu could be a thought!" The girl devilishly thought, thinking of many ways to die without suffering the consequences.

"You are not gonna die there, you still need to return-" The older male was cut off, by yet another male exactly how the female looks.

"Dear sister of mine, my donna to my bella don't die without me..!" The male said so, even if it doesn't make sense at all, do they even have to if they have the same braincells? Absolutely not.

Oh my 👹 why are these two such a pain?

Could be the thought of the boss, but really it's just Kunikida and Atsushi's thoughts.

≿━━━━༺❀༻━━━━≾

Talking about dying peacefully, a thought can be deceived, but hanging upside down with a cloth wrapped around you is absolutely annoying to do so.

"You're too young, and how could we trust you?"

I mean look at Ranpo is also young but his already smart, and everyone trust him (Not really -Police in Yokohama)

"We'll you can believe or not, but can you please struggle me with these beautiful clothes?"

"..."

"..?!"

"No-"

"🥺🙏"

"Child-"

≿━━━━༺❀༻━━━━≾

Yeah things are hectic.

But it's more hectic with having to stay at a school with a suicidal maniac, with boys having head over heels like boys with a 'step on me please' sign.

But such adventure, worth exploring.

Maybe finding out more of the Hero and Villain things more so finding more about this girl's purpose in life.

Such belladona, with a Beauty enchanting like the berry, but deadly as it is called, a plan torn.

Just as they said, A flower of Buffoonery, can make you laugh, but maybe these laugh are the one's that makes this flower amusing, maybe she was ment to be silly person in their serious life. That's what makes the girl intriguing, a magnet of trouble but someone who can solve a murder case in minutes.

Nothing can hurt when you're a little amusing.

≿━━━━༺❀༻━━━━≾

"If only you could understand the sadness of the ones who grow the delicate flowers of buffoonery, protecting them from but the slightest gust of wind and always on the verge of despair!"

"Something beautiful happens when a human being surrenders."

-Dazai Osamu ; The Flower of Buffoonery

≿━━━━༺❀༻━━━━≾

Welcome to an enchanting but poisonous love of a Flower, a Flower of Buffoonery, amusing as it sounds, the adventure can take to path. A love, an angst and the blooming anticipation of characters intrigued by an ability user, a detective with high intelligence but have the goal of dying peacefully with where can get a partner to double-sucide with her.

A master's piece, had run away from perfection to take an imperfect life.

A mere, Buffoonery.

≿━━━━༺❀༻━━━━≾

"Things really are amusing.., aren't they so?"

—༻✦༺—༻✧༺—༻

[godzilla-reads]

🌺 The Flowers of Buffoonery by Osamu Dazai (trans. Sam Bett)

Rating: ⭐️⭐️⭐️/5

A prequel of sorts, this book follows the narrator of Dazai’s other book, “No Longer Human”- Yozo Oba- as he is admitted into a seaside sanitarium after a failed suicide attempt. Dazai has been praised for delving into the darkest corners of human consciousness while simultaneously poking fun at these emotions of youth, love, self-hatred, and depression.

I really enjoyed reading “No Longer Human”, but this novella felt lacking. It was written comically and lightly, so it didn’t have that much of an effect on me. I thought it could’ve been better if it wasn’t so self-deprecating.

[whitered-rose1]

𝐌𝐎𝐒𝐓 𝐑𝐄𝐋𝐀𝐓𝐀𝐁𝐋𝐄 𝐃𝐀𝐙𝐀𝐈 𝐐𝐔𝐎𝐓𝐄𝐒 ༘

"𝘕𝘰𝘸 𝘐 𝘩𝘢𝘷𝘦 𝘯𝘦𝘪𝘵𝘩𝘦𝘳 𝘩𝘢𝘱𝘱𝘪𝘯𝘦𝘴𝘴 𝘯𝘰𝘳 𝘶𝘯𝘩𝘢𝘱𝘱𝘪𝘯𝘦𝘴𝘴. 𝘌𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘱𝘢𝘴𝘴𝘦𝘴."

___

"T𝘩𝘰𝘶𝘨𝘩𝘵𝘴. 𝘐 𝘢𝘮 𝘸𝘪𝘵𝘩𝘰𝘶𝘵 𝘵𝘩𝘰𝘶𝘨𝘩𝘵𝘴. 𝘐 𝘩𝘢𝘷𝘦 𝘯𝘦𝘷𝘦𝘳, 𝘯𝘰𝘵 𝘦𝘷𝘦𝘯 𝘰𝘯𝘤𝘦, 𝘢𝘤𝘵𝘦𝘥 𝘰𝘯 𝘵𝘩𝘦 𝘣𝘢𝘴𝘪𝘴 𝘰𝘧 𝘢𝘯𝘺 𝘥𝘰𝘤𝘵𝘳𝘪𝘯𝘦 𝘰𝘳 𝘱𝘩𝘪𝘭𝘰𝘴𝘰𝘱𝘩𝘺. 𝘐 𝘢𝘮 𝘤𝘰𝘯𝘷𝘪𝘯𝘤𝘦𝘥 𝘵𝘩𝘢𝘵 𝘵𝘩𝘰𝘴𝘦 𝘱𝘦𝘰𝘱𝘭𝘦 𝘸𝘩𝘰𝘮 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘤𝘰𝘯𝘴𝘪𝘥𝘦𝘳𝘴 𝘨𝘰𝘰𝘥 𝘢𝘯𝘥 𝘳𝘦𝘴𝘱𝘦𝘤𝘵𝘴 𝘢𝘳𝘦 𝘢𝘭𝘭 𝘭𝘪𝘢𝘳𝘴 𝘢𝘯𝘥 𝘧𝘢𝘬𝘦𝘴. 𝘐 𝘥𝘰 𝘯𝘰𝘵"

___

"𝘐 𝘭𝘪𝘬𝘦 𝘳𝘰𝘴𝘦𝘴 𝘣𝘦𝘴𝘵. 𝘉𝘶𝘵 𝘵𝘩𝘦𝘺 𝘣𝘭𝘰𝘰𝘮 𝘪𝘯 𝘢𝘭𝘭 𝘧𝘰𝘶𝘳 𝘴𝘦𝘢𝘴𝘰𝘯𝘴. 𝘐 𝘸𝘰𝘯𝘥𝘦𝘳 𝘪𝘧 𝘱𝘦𝘰𝘱𝘭𝘦 𝘸𝘩𝘰 𝘭𝘪𝘬𝘦 𝘳𝘰𝘴𝘦𝘴 𝘣𝘦𝘴𝘵 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘥𝘪𝘦 𝘧𝘰𝘶𝘳 𝘵𝘪𝘮𝘦𝘴 𝘰𝘷𝘦𝘳 𝘢𝘨𝘢𝘪𝘯."

___

"𝘈𝘴 𝘭𝘰𝘯𝘨 𝘢𝘴 𝘐 𝘤𝘢𝘯 𝘮𝘢𝘬𝘦 𝘵𝘩𝘦𝘮 𝘭𝘢𝘶𝘨𝘩, 𝘪𝘵 𝘥𝘰𝘦𝘴𝘯’𝘵 𝘮𝘢𝘵𝘵𝘦𝘳 𝘩𝘰𝘸, 𝘐’𝘭𝘭 𝘣𝘦 𝘢𝘭𝘳𝘪𝘨𝘩𝘵. 𝘐𝘧 𝘐 𝘴𝘶𝘤𝘤𝘦𝘦𝘥 𝘪𝘯 𝘵𝘩𝘢𝘵, 𝘵𝘩𝘦 𝘩𝘶𝘮𝘢𝘯 𝘣𝘦𝘪𝘯𝘨𝘴 𝘱𝘳𝘰𝘣𝘢𝘣𝘭𝘺 𝘸𝘰𝘯’𝘵 𝘮𝘪𝘯𝘥 𝘪𝘵 𝘵𝘰𝘰 𝘮𝘶𝘤𝘩 𝘪𝘧 𝘐 𝘳𝘦𝘮𝘢𝘪𝘯 𝘰𝘶𝘵𝘴𝘪𝘥𝘦 𝘵𝘩𝘦𝘪𝘳 𝘭𝘪𝘷𝘦𝘴. 𝘛𝘩𝘦 𝘰𝘯𝘦 𝘵𝘩𝘪𝘯𝘨 𝘐 𝘮𝘶𝘴𝘵 𝘢𝘷𝘰𝘪𝘥 𝘪𝘴 𝘣𝘦𝘤𝘰𝘮𝘪𝘯𝘨 𝘰𝘧𝘧𝘦𝘯𝘴𝘪𝘷𝘦 𝘪𝘯 𝘵𝘩𝘦𝘪𝘳 𝘦𝘺𝘦𝘴: 𝘐 𝘴𝘩𝘢𝘭𝘭 𝘣𝘦 𝘯𝘰𝘵𝘩𝘪𝘯𝘨, 𝘵𝘩𝘦 𝘸𝘪𝘯𝘥, 𝘵𝘩𝘦 𝘴𝘬𝘺."

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"𝘐𝘵 𝘸𝘰𝘶𝘭𝘥 𝘴𝘦𝘦𝘮 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘪𝘳𝘳𝘦𝘴𝘱𝘰𝘯𝘴𝘪𝘣𝘭𝘦 𝘢𝘯𝘥 𝘤𝘳𝘢𝘧𝘵𝘺 𝘰𝘯𝘦 𝘪𝘴, 𝘵𝘩𝘦 𝘮𝘰𝘳𝘦 𝘭𝘪𝘬𝘦𝘭𝘺 𝘰𝘯𝘦 𝘪𝘴 𝘵𝘰 𝘩𝘢𝘷𝘦 𝘢 𝘵𝘢𝘭𝘦𝘯𝘵 𝘧𝘰𝘳 𝘴𝘵𝘰𝘳𝘺𝘵𝘦𝘭𝘭𝘪𝘯𝘨."

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"𝘞𝘩𝘦𝘯𝘦𝘷𝘦𝘳 𝘐 𝘸𝘢𝘴 𝘢𝘴𝘬𝘦𝘥 𝘸𝘩𝘢𝘵 𝘐 𝘸𝘢𝘯𝘵𝘦𝘥 𝘮𝘺 𝘧𝘪𝘳𝘴𝘵 𝘪𝘮𝘱𝘶𝘭𝘴𝘦 𝘸𝘢𝘴 𝘵𝘰 𝘢𝘯𝘴𝘸𝘦𝘳 “𝘕𝘰𝘵𝘩𝘪𝘯𝘨.” 𝘛𝘩𝘦 𝘵𝘩𝘰𝘶𝘨𝘩𝘵 𝘸𝘦𝘯𝘵 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘮𝘺 𝘮𝘪𝘯𝘥 𝘵𝘩𝘢𝘵 𝘪𝘵 𝘥𝘪𝘥𝘯’𝘵 𝘮𝘢𝘬𝘦 𝘢𝘯𝘺 𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘤𝘦, 𝘵𝘩𝘢𝘵 𝘯𝘰𝘵𝘩𝘪𝘯𝘨 𝘸𝘢𝘴 𝘨𝘰𝘪𝘯𝘨 𝘵𝘰 𝘮𝘢𝘬𝘦 𝘮𝘦 𝘩𝘢𝘱𝘱𝘺."

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"𝘐 𝘬𝘯𝘰𝘸 𝘵𝘩𝘢𝘵 𝘐 𝘢𝘮 𝘭𝘪𝘬𝘦𝘥 𝘣𝘺 𝘰𝘵𝘩𝘦𝘳 𝘱𝘦𝘰𝘱𝘭𝘦, 𝘣𝘶𝘵 𝘐 𝘴𝘦𝘦𝘮 𝘥𝘦𝘧𝘪𝘤𝘪𝘦𝘯𝘵 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘢𝘤𝘶𝘭𝘵𝘺 𝘵𝘰 𝘭𝘰𝘷𝘦 𝘰𝘵𝘩𝘦𝘳𝘴"

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"𝘝𝘪𝘳𝘵𝘶𝘦 𝘢𝘯𝘥 𝘷𝘪𝘤𝘦 𝘢𝘳𝘦 𝘤𝘰𝘯𝘤𝘦𝘱𝘵𝘴 𝘪𝘯𝘷𝘦𝘯𝘵𝘦𝘥 𝘣𝘺 𝘩𝘶𝘮𝘢𝘯 𝘣𝘦𝘪𝘯𝘨𝘴, 𝘸𝘰𝘳𝘥𝘴 𝘧𝘰𝘳 𝘢 𝘮𝘰𝘳𝘢𝘭𝘪𝘵𝘺 𝘸𝘩𝘪𝘤𝘩 𝘩𝘶𝘮𝘢𝘯 𝘣𝘦𝘪𝘯𝘨𝘴 𝘢𝘳𝘣𝘪𝘵𝘳𝘢𝘳𝘪𝘭𝘺 𝘥𝘦𝘷𝘪𝘴𝘦𝘥."

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"𝘞𝘩𝘦𝘯 𝘐 𝘢𝘤𝘵𝘦𝘥 𝘭𝘪𝘬𝘦 𝘢 𝘭𝘪𝘢𝘳, 𝘵𝘩𝘦𝘺 𝘤𝘢𝘭𝘭𝘦𝘥 𝘮𝘦 𝘢 𝘭𝘪𝘢𝘳. 𝘞𝘩𝘦𝘯 𝘐 𝘢𝘤𝘵𝘦𝘥 𝘭𝘪𝘬𝘦 𝘢 𝘳𝘪𝘤𝘩 𝘮𝘢𝘯, 𝘵𝘩𝘦𝘺 𝘴𝘵𝘢𝘳𝘵𝘦𝘥 𝘵𝘩𝘦 𝘳𝘶𝘮𝘰𝘳 𝘐 𝘸𝘢𝘴 𝘳𝘪𝘤𝘩. 𝘞𝘩𝘦𝘯 𝘐 𝘧𝘦𝘪𝘨𝘯𝘦𝘥 𝘪𝘯𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘤𝘦, 𝘵𝘩𝘦𝘺 𝘤𝘭𝘢𝘴𝘴𝘦𝘥 𝘮𝘦 𝘢𝘴 𝘵𝘩𝘦 𝘪𝘯𝘥𝘪𝘧𝘧𝘦𝘳𝘦𝘯𝘵 𝘵𝘺𝘱𝘦. 𝘉𝘶𝘵 𝘸𝘩𝘦𝘯 𝘐 𝘪𝘯𝘢𝘥𝘷𝘦𝘳𝘵𝘦𝘯𝘵𝘭𝘺 𝘨𝘳𝘰𝘢𝘯𝘦𝘥 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘐 𝘸𝘢𝘴 𝘳𝘦𝘢𝘭𝘭𝘺 𝘪𝘯 𝘱𝘢𝘪𝘯, 𝘵𝘩𝘦𝘺 𝘴𝘵𝘢𝘳𝘵𝘦𝘥 𝘵𝘩𝘦 𝘳𝘶𝘮𝘰𝘳 𝘵𝘩𝘢𝘵 𝘐 𝘸𝘢𝘴 𝘧𝘢𝘬𝘪𝘯𝘨 𝘴𝘶𝘧𝘧𝘦𝘳𝘪𝘯𝘨. 𝘛𝘩𝘦 𝘸𝘰𝘳𝘭𝘥 𝘪𝘴 𝘰𝘶𝘵 𝘰𝘧 𝘫𝘰𝘪𝘯𝘵."

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"𝘐 𝘴𝘮𝘪𝘭𝘦𝘥 𝘪𝘯 𝘮𝘺 𝘸𝘦𝘢𝘬𝘯𝘦𝘴𝘴."

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"𝘐𝘵 𝘮𝘢𝘥𝘦 𝘮𝘦 𝘮𝘪𝘴𝘦𝘳𝘢𝘣𝘭𝘦 𝘵𝘩𝘢𝘵 𝘐 𝘸𝘢𝘴 𝘳𝘢𝘱𝘪𝘥𝘭𝘺 𝘣𝘦𝘤𝘰𝘮𝘪𝘯𝘨 𝘢𝘯 𝘢𝘥𝘶𝘭𝘵 𝘢𝘯𝘥 𝘵𝘩𝘢𝘵 𝘐 𝘸𝘢𝘴 𝘶𝘯𝘢𝘣𝘭𝘦 𝘵𝘰 𝘥𝘰 𝘢𝘯𝘺𝘵𝘩𝘪𝘯𝘨 𝘢𝘣𝘰𝘶𝘵 𝘪𝘵."

[elizais]

people who have read no longer human HAVE to read the flowers of buffoonery, even if u weren't really a fan of nlh pleaseeee read fob i think it is so good !!!!!!!!!!!!!!!!!!!!!

[thomthinks]

Flowers of Buffoonery

Honestly, what a mood. 👌