#the exorcist believer 2023

[anyataylorjoys]

THE EXORCIST (1973) THE EXORCIST BELIEVER (2023)

[james-stark-the-writer]

well, congratulations David Gordon Green, you did bring everybody together in realizing just how much of a fucking hack you are, how vapid your storytelling instincts are, and how nobody should ever allow you within 10,000,000,000 feet of another franchise ever again. somehow 10 times worse than i imagined it would be, and i was already expecting rock bottom. all the shallow ideas and awful execution of Halloween (2018), combined with a dull cast, and an awful script which is largely just a shitty repetition of the beats of Friedkin's original, rushed through to get to a climax that is even more repulsive to experience than it sounds — a combination of a poor understanding of the themes and ideas of the original, with an inert climax out of the worst Blumhouse possession movie you've seen. had me begging for it to be over, almost considered DNFing it, and you have no idea the toll it took on my soul to get through this. made me experience the same kind of despair and crisis of faith in art watching it as i did watching The Rise of Skywalker. yes, it is THAT bad. feels calculated to spit on the original more than it tries to build off anything it was doing. worst Exorcist movie and it is not even remotely close. not only has no respect for its source material, doesn't even have any respect for its audience. i honestly don't think Green liked the original at all, or even that he likes movies and stories. even The Beginning was doing something more fun and interesting and actually trying to engage with the audience. i cannot wait until the reins to this franchise are in Mike Flanagan's hands and i can forget this movie ever existed.

My ½★ review of The Exorcist: Believer on Letterboxd

[fanofspooky]

Horror movies of 2023

[agentnico]

Top 10 WORST Movies of 2023

For every good movie there’s always a dozen stinkers, and 2023 brought out a lot of turkeys, and I’m not referring to all the poor birds that ended up in our bellies this Christmas season. It’s become a tradition for me every year to do a top 10 best and worst movies of the year list, and I tend to leave the top 10 best list till later as I catch up will the awards potentials, however with the bad list I get right on into it. There are of course many bad movies this year I didn’t see, as I don’t actively seek out to watch the bad ones, but I have heard that these following haven’t been the best: Aquaman and the Lost Kingdom, The Marvels, Indiana Jones 5, Shazam: Fury of the Gods, Expend4bles, Children of the Corn, Winnie-the-Pooh: Blood and Honey…… damn, a lot of films got a bad rep this year. Yet I have 10 other ones that I’ve seen that I thought were crap. Don’t worry if a film you loved ends up on this list, it will simply mean your opinion is wrong and your have to live with that. With that in mind, here’s my humble list of the shit-fest Hollywood had to offer in 2023…

10) ANT-MAN & THE WASP: QUANTUMANIA - Everything that is wrong with the current state of Marvel is exhibited on full display here. Lacking a sense of direction and exploiting the idea of the multiverse just for the sake of it, the movie is a dud. It feels like whilst trying to focus on going bigger and bolder, the movie lost the sense of fun that elevated the earlier instalments in the tiny hero’s franchise. Paul Rudd is still as charming and likeable as ever, however the introduction of Kang as the next MCU Big Bad is pointless seeing as this big baddie can be defeated by a bunch of ants. Don’t make no difference now anyway with Jonathan Majors losing the court case, but who in the first place thought “oh yeah, Kang is a badass who killed many Avengers, but a giant head of Corey Stoll should weaken him no problem”. Look, there’s no sugarcoating it - this movie is bad. Also, Bill Murray appears in this because…?

9) THE BEANIE BUBBLE - Zack Galifianakis without any facial hair is truly a sight to behold, but that’s not enough to make this fluffy yet bland behind-the-scenes look at the famous Beanie Babies toys even remotely interesting. It’s as if this film can’t bear (thank you) to show the creepier side of these toys, as this should have been a more darker and messed up tale, especially with the lightly implied institutional sexism. Oh well, that’s that then.

8) WE HAVE A GHOST - If ever there was a movie that fit more to the phrase “Netflix & Chill” then this is it, as you will be too busy banging your partner or your sock than caring about a silent speechless David Harbour creeping about Casper-like and being all quiet and mysterious. To be fair he’s the only redeemable quality as the rest of the movie is a mishmash hodgepodge of genres that is neither funny, nor effective in its family drama dynamic. At least seeing Jennifer Coolidge jump out a window was mildly amusing. Mildly. Anyway, where’s that sock?

7) THE OLD WAY - It is truly fascinating that after starring in over 100 films, this is Nicolas Cage’s first ever western. Aside from that mind boggling revelation, this movie comes out with less than a bang. I don’t know, I was hoping for something a bit more mad, especially with Cage’s involvement. Heck, in the movie’s opening sequence Nicolas Cage is introduced with a sprawling Poirot-like moustache, and immediately I assumed that I am in for something ridiculous. However following that scene the movie cuts to 20 years later, and with that both the moustache and the hope for something exciting or weird is diminished to singular unseen atoms.

6) FOOL’S PARADISE - The directorial debut from It’s Always Sunny in Philadelphia star Charlie Day (who also writes and stars), misfiring Hollywood satire Fool’s Paradise wastes a strong ensemble cast that also includes Adrien Brody, Jason Sudeikis, Jason Bateman, Kate Beckinsale, Ken Jeong, Common, John Malkovich and the late Ray Liotta. Look, in a way I feel bad about including this film on this list, as you can tell this is a true passion project for Day and one that has good intentions by attempting to go back to the old-school slapstick Charlie Chaplin-era of comedy, with a lighthearted satire on the way the film industry works. In this case the result is neither sweet nor funny enough, and as such it’s an unfortunate misfire, but easily the most disappointing inclusion on this list.

5) GHOSTED - Adrien Brody’s crappy French accent in this movie I could have forgiven, if only I have not seen John Wick: Chapter 4 a couple of weeks prior where I experienced the most delightful Parisian mouthing of Bill Skarsgard’s villain, so now Brody’s French-ish slur sticks out like a sore thumb. What else sticks out is that Ghosted feels like a film from the early 2000s, featuring every cliche of the genre and with a romantic pairing of Chris Evans and Ana de Armas whom share zero chemistry. Their kissing scenes reminded me of that Andrew Garfield/Emma Stone SNL sketch where they don’t know how to kiss on camera, only in this case it’s unintentional. Also featuring a slew of pointless cameos, and I do mean pointless, this is a throwaway campy spy-action flick that is destined to be forgotten.

4) THE EXORCIST: BELIEVER - Billed as the true sequel to William Friedkin’s original horror masterpiece, it really shouldn’t have strived for that. Ellen Burstyn’s return is a waste. For those excited to see her, she’s only in 3 or 4 scenes total, and the creative choices made with her character are such a disservice to the original movie. Without spoiling, it’s a choice that seems to be inspired by the modern woke culture, with Burstyn’s Chris having being studying the art of exorcism ever since the events that transpired with her daughter, and then when questioned about why she herself did not partake in her daughter’s exorcism she blames the patriarchy. The choice of bringing her into this narrative and then what happens to her…it’s basically taking a classic character and making them dumb. I must say though that the only actual shocking moment in the movie comes in a scene involving her character, and though that moment itself is memorable, the build up towards it is so stupid. Also, with the return of Burstyn it comes as no surprise within the movie when a certain other character pops in for a cameo. Does it add anything to the movie’s story? No, it’s just there for cheap fan service. As for the movie itself, the horror hardly works. It’s not scary at all and you really shouldn’t believe in this one.

3) THE SUPER MARIO BROS. MOVIE - Yeah, I know, my inclusion of this film on the list will rattle some feathers, but I don’t care, as for any of you pricks out there thinking that stupid “Peaches” song deserves an Academy Award nomination, you guys are stupid and must be high on some very powerful shrooms. If so, I hope you’re having a great trip, but the fact stands that this movie is bad. Simply doing fan service for the sake of fan service don’t make for a good narrative. Me and my friend were bored throughout, as this movie is 100% for kids. There are nostalgic elements to it all, but I do believe that Illumination and Nintendo should have followed more in The Lego Movie’s footsteps and targeted the film for audiences of all ages, due to the fact that many who grew up with Mario are now adults themselves.

2) LEAVE THE WORLD BEHIND - So much wasted potential. A long drawn-out slow shuffle to Nowheresville. A movie that offers so many ideas, plot points, and thread lines that are never answered or go anywhere. In Leave the World Behind things are truly happening under the motto “just because” and “why the hell not” and it makes the viewing experience immensely frustrating. Especially when the movie is nearly 2 and a half hours long and the anticlimactic abrupt ending is a slap to your face for wasting your time. Oh, and if I weren’t a fan of the Friends show before, now more so than ever.

1) 65 - Right ladies and gentlemen, I’d like to ask you all so kindly to rise up from your seats and give a humongous round of applause to 65 - the 2023 film to exhibit qualities of a top contender of the worst movie of this year. Look, I’m disappointed as you are. Adam Driver fighting dino-dinos’?! You’d be a madman to not want to see that! However here’s 65′s first mistake: there actually aren’t that many dinosaurs, let alone fights with them. I know right, I can sense the resounding aura of you, my kind audience, in unison thinking “what the f***?”. Exactly, what the fudge indeed. No, instead what we get is a couple of somewhat thrilling dinosaurs interactions, but overall the movie is just Adam Driver and this little girl walking. Just walking. Walking and whistling. Bunch of jackasses.

That’s it - we did it! Now I can happily forget I ever watched any of these and mentally prepare for what wonders of stupidity 2024 will bring to the big screen. As for my Best Movies of 2023 list, don’t worry, it’s a-coming. Still need to watch The Boy and the Heron and Poor Things and then all will be revealed…

[slashericons]

The Exorcist: Believer (2023)

[haveyouseenthishorrormovie]

SUMMARY: When two girls disappear into the woods and return three days later with no memory of what happened to them, the father of one girl seeks out Chris MacNeil, who’s been forever altered by what happened to her daughter fifty years ago.

mod Z saw it in the theatre and found it to be pretty underwhelming for an Exorcist movie (he says this only having seen the original beforehand)

[abs0luteb4stard]

W A T C H I N G

Not as bad as so many people have told me.

And Willam Friedkin was a nut to criticize this movie the way he did. It's no worse than the previous films in the franchise.

It's a decent sequel. It's got the trappings of all sequels too.

I think I'll be excited for Mike Flanagan to take over the next installment. He's a fun horror maker.

[esqueletosgays]

THE EXORCIST: BELIEVER (2023)

Director: David Gordon Green Cinematography: Michael Simmonds

[stevebuscemieyes]

[classicfilmblog]

The Exorcist: Believer

[james-stark-the-writer]

sigh. finally made it through David Gordon Green's The Exorcist: Believer. it's The Rise of Skywalker of Exorcist movies. i'm not joking, it's like every way Halloween (2018) was trash compounded 10 times, minimum. it is so much worse than i could have possibly imagined, practically creatively and artistically bankrupt. genuinely soul-draining. Mike Flanagan, please i need your Exorcist movie to release so bad so i can forget this existed.

[spookiest-little-guy]

This movie was just mid honestly.

I think the actors did a pretty good job, especially the two young girls. I loved the exorcism scene! I also like that they brought in multiple faiths to do the exorcism. I thought that was an interesting and unique idea.

Unfortunately, those were the only things I really like about the film. Random "scary" images would pop up on screen like a carnival ride. Character logic was all over the place, like Angela's dad going from skeptic to total believer in two seconds. The ending didn't resolve anything.

And what was with the anti-abortion theme in this film?

[diavolaangelica]

The Exorcist: Believer | Official Trailer 2 omg... I want to go watch this.. but unfortunately, I can’t. My mother, who lives with me, is on immunosuppressant biologics that lowers her immunity.. so large crowds where I could pick something up, and pass it to her, is a no go for me. It’s not worth it.  

[faniacmag]

The Exorcist: Believer

[myhahnestopinion]

THE AARONS 2023 - Worst Film

It’s a marvel this category isn’t filled up with superhero films after the year they’ve had. Here are The Aarons for Worst Film:

#10. 65

A Quiet Place screenwriters Scott Beck and Bryan Woods don’t knock it out of the (Jurassic) park with their subsequent Spielberg homage. 65 will have viewers counting down the seconds until they can go home. The science-fiction tale strands stars Adam Driver and Ariana Greenblatt in a B-movie bereft of a reason to see it. The fusion of futuristic tech and ferocious animals should have been easy fodder for frivolous entertainment. Instead, the sluggish pace of the film’s imminent extinction event suggests it wasn’t a meteor or da ice age that killed the dinosaurs; it was extreme boredom. 

#9. Rebel Moon - Part One: A Child of Fire

Director Zack Snyder likes to paint himself as a rebel against a restrictive studio system while being constantly given new opportunities without cause. His latest big-budget misfire is a childish mash-up of Star Wars and Seven Samurai. Par for the course, the prosaic director copies his inspirations while completely misunderstanding their objectives. Already, the film’s awkward and abruptly-ended parade of thinly-sketched characters is being billed as another incomplete vision, requiring not just two parts but two cuts of each part to truly fulfill Snyder’s intentions. Maybe his hardcore fans will be pleased at the end of the prolonged journey; everyone else will be over the Moon long before then.

#8. The Exorcist: Believer

From the beginning, the involvement of David Gordon Green inspired little faith in Believer. Sure enough, the director of Halloween kills interest in his proposed trilogy one film sooner than his last. It’s unclear what exactly led the studio to release a sequel fifty years later that’s tamer than a TV edit of the original. It surely couldn’t have been the return of Ellen Burstyn in her Oscar-nominated role of Chris MacNeil given how quickly the film disfigures and discards the character. That said, it may be for the best that she could excise herself from the proceedings before its embarrassing ending. The franchise is no stranger to desecration but, even at its worst, it was never before this uncompelling.

#7. Five Nights At Freddy’s

Topping the box-office may have demonstrated audiences’ appetite for the haunted pizzeria franchise but, make no mistake, the film adaptation of Freddy’s is as run-down as its central establishment. The animatronic mascots at center stage only manage the most pedestrian of jump-scares; they’re far from the only ones just going through the motions. The script, written in part by franchise creator Scott Cawthon, stretches out its thin premise with banal characters and a bizarre child-custody B-plot. It might have been entertaining if it had been any more cheesy. Instead, Freddy’s only serves up an interminable runtime; five nights has never felt so long.

#6. Hypnotic

Hypnotic is aptly named; the thriller from Spy Kids director Robert Rodriguez certainly commands one’s attention. The plot, which revolves around Ben Affleck sleepwalking through a conspiracy involving dueling factions of psychics, is simply too inane to ignore. Rodriguez wrote his initial script back in 2002 but was clearly susceptible to outside influences; the film rips off several works that were released before and since, including the dream-like architecture of Inception. Although the director may pride himself on his low-budget prowess, even he can’t make those knock-off sequences look good (though they’re not the silliest instance of replicating elaborate scenery on a miniscule budget here). The film fulfills its intentions on one front: once it’s all over, audiences will have a hard time believing any of it was real.

#5. Children of the Corn

The latest offspring of the rotten franchise at least had a kernel of a good idea: the remake roots its characters’ motivations in righteous fury at environmental recklessness rather than strictly religious fervor. However, Children never develops this into any kind of sustenance. The horror here is as, ahem, corny as can be, particularly its stale translation of demonic entity He Who Walks Behind the Rows. Director Kurt Wimmer shows no growth as a director since his last film in 2006, the infamous Ultraviolet; the wooden child actors at least have their youth as an excuse. Sadly though, if ranked within the rest of the series, this one would still land in the middle of the row.

#4. Haunted Mansion

2023 was home to many failures for The Walt Disney Company, but none quite as ghastly as the new Haunted Mansion. It’s baffling how a film this overstuffed with actors (including Rosario Dawson, Owen Wilson, and Danny DeVito among many others) could end up this vacant. Indeed, the biggest throughline of the theme-park adaptation is not its attempted reflection on grief but its pervasive and perverse product placement (One character’s tearful monologue about his dead wife comes complete with a prominent Baskin Robbins namedrop). It’s definitely haunting, just not in the way they hoped for.

#3. My Big Fat Greek Wedding 3

The Big Fat franchise became even more bloated last year with a picture that can most charitably be described as ‘an all-expenses paid trip to Greece for its cast’. There’s certainly no storytelling reason why audiences are still following the adventures of this extended family, which haphazardly include a last-minute wedding of two very minor characters to justify its title. Nia Vardalos finally receives the director’s chair in addition to her regular writing work just in time for there to be no fresh direction to take things in. If she tries to reunite everyone for a fourth go-round, they would be wise to divorce themselves from it as quickly as possible.

#2. Pet Sematary: Bloodlines

Bloodlines resurrects the series last seen in 2019; if this was how it was going to come back, it should have stayed buried. While Stephen King is an imaginative writer, trying to stretch a single chapter of any novel into a feature-length film is like getting blood from a stone. The zombie prequel stumbles its way from scene to scene in search of life, but Bloodlines has nothing for audiences to relate to. Even screen icons like David Duchovny and Pam Grier can’t rouse any interest. Exploiting known franchises may be easy, but, sometimes, making anything else instead is better.

AND THE WORST FILM OF 2023 IS…

#1. Winnie the Pooh: Blood and Honey 

Disney slowly losing their stranglehold on intellectual property is a bit bittersweet; Honey is bad enough to sour anyone on the idea of a public domain. The shoddy slasher film, which blustered its way onto the marketplace as soon as the filmmakers could profit from it, is barely recognizable as Pooh but unmistakable as crap. Making the lovable animal into a feral murderer may be legal now, but writer/director Rhys Frake-Waterfield didn’t think, think, think up any other ideas beyond just stirring the pot. Winnie is hoping to prey on one’s curiosity with its premise alone. Word of advice? Don’t bother.

NEXT UP: THE 2023 AARON FOR BEST DIRECTOR!