#the entire thing was fantastic

[raccoonspooky]

Just watched the movie Scare Package because I was just randomly scrolling through shudder looking for movies to watch and genuinely i have not enjoyed a movie so much in such a long time this movie was BIG STUPID and so funny.

I had to ramble my fav parts but I put it under a readmore just in case ur averse to spoilers

There was an ENTIRE scene about a final girl like desperately trying to kill her slasher man and just like dismantling him in exceedingly gory fashions so he would stop getting tf up but then she took off his mask and he was hot and she was conflicted. Girl same???

I think like four people’s heads just full exploded just randomly.

The final boy’s name is Michael Myers and he was SO much.

“Jeez dude! You are deceptively strong!” a guy says while being gently hugged to death and then his guts just kinda plop to the ground.

The movie also KEPT emphasizing dude's asses. Like just zooming in and making you look at dudes asses.

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[coffinwoodx]

couple of screenshots of kim’s wikipedia page that i felt so deeply in my soul

[thevulturesquadron]

small details in X-Men '97 that rip my heart and serve it on a plate:

this gesture here - Magneto being the one in the party to acknowledge Morph's trauma and what a big ask it is to revisit their past. He knows. He's been there before. And wants Morph to know he's not alone.

[mosstrades]

been rewatching a pretty good series

[group-dynamic]

Bartender: Hey, man, how's it going?

Me: Yeah, you know, it's good. Just thinking about how Gil Galad's kingship was haunted by Elrond. Like his first great failure after being crowned when he'd barely come of age was showing up too late to stop the destruction of Sirion. How he probably felt a deep personal responsibility to find Elwing's missing boys at least but couldn't even do that. Like, I know he probably got redirected by Cirdan toward all those refugees and stuff, but he probably really wanted a win, especially because he was kinda orphaned by then himself and knew how cruel fate was to the sons of greater destiny. Like all his family who'd been king before him died, like, horrifically? And then when Elrond returns all fine and he comes to Lindon and he's chosen the fate of the elves, Gil Galad's physically haunted by him again. See, but this time he chooses to be haunted by Elrond. Because I think he wants to fix what he sees as his first great failure by restoring a bright future for this kid which was robbed from him when Sirion fell--and it's probably like he wants better for him than what he got, too, because he got this kingship in exile thrust upon him when all he was doing was hanging out with Cirdan making ships or something with the other non-combatants and refugees like he and his mother who were fleeing war and violence and he was like fourth in line to the throne so he probably found out in one fell swoop that all his family's dead and oh, you're king and your destiny's out of your hands. So he's like, I'll make Elrond herald and give him all the experience and guidance on this leadership stuff I never got while also giving him better control of what kind of future he has. Then--get this--he never even marries or has kids and when his reign is coming to an end. . . Which, by the way, he probably foresaw his own death which is fucked-- because he gives Elrond his ring before the war of the last alliance, metaphorically making him his heir and also giving him the opportunity to shape his future. . .Yeah, yeah, cause Elrond wouldn't have been considered suitable to be a lord or a king or anything after he was raised by wolves the sons of Feanor. So when Gil made him herald it was like helping him gain political experience and any status he lost. So anyway, then Gil Galad dies, but in some ways he's spent a greater part of his life dedicated to the act of restoring Elrond to the path he should have been on in an alternate reality where he was raised as Earendil and Elwing's son and like correcting that first failure--but also changing Elrond's fate because Elrond has the ring, like, he literally has Gil Galad's legacy and power in his hands, something he wouldn't have had (or needed?) before. But he decides he won't be king. He'll use that power to guard the place that fulfills the legacies of both him and Gil Galad. He's rebuilt the home he lost, something Gil Galad was trying to give him, and then he makes it a place for all the orphans and the wounded and the refugees--like he even fosters a bunch of future orphan kings and like--

Bartender: Like the ending of Hamilton?

Me: *mumbling into my empty glass* Yeah, exactly like the ending of Hamilton.

[chipper-smol]

people who go onto art blogs and reblog ocs with really nice tags are the best. theres like 0.001% of you guys in the entire userbase of tumblr but your impact on my desire to create is 500% more effective than the people who just come for the memes

[gingermintpepper]

Sometimes I am so overwhelmed by my fondness for Phoebus Apollo.

Re-reading the Iliad is always such a treat for me because I just love seeing Apollo's arc parallel Achilles' so entirely. There are a ton of examples I can pull from but I'm mostly thinking of that very first argument between Achilles and Agamemnon about returning Chryseis and how Achilles accosting Agamemnon quickly gets derailed when Agamemnon threatens to take Achilles' own prize from him (which prompts Achilles to say that his hard work isn't being respected, that he's earned this, that the men themselves agreed to let him have Briseis and Agamemnon doesn't have the right to overturn their communal decision, that he'll take his men and leave if Agamemnon refuses to respect him and the men out there dying on Menelaus' behalf of a plague propagated by his unworthy brother of all people) and how that comes around in Book 21 when Poseidon levies a challenge at Apollo's feet for more or less the same reasons but Apollo flat out refuses to lose sight of his purpose in the war. Even after Artemis herself calls Apollo's pride into question and tells him that if he chickens out of the duel, he better never boast again, Apollo refuses to fight against Poseidon, very staunchly citing that, to the gods, to him, the war is a job, that it is mortals who are emotionally invested in the outcome of this battle and that their squabble is not worth disrespecting his uncle over.

And I love that so much because if any of the gods had a reason to be as petty as possible about this war, it was Apollo. Disregarding how much he adored the royal family, disregarding how much he adored Hector specifically, two of his beloved sons were brutalised by Achilles, the premiere Greek fighter, his temples had been sacked and defiled, his image was being completely disrespected and yet, despite everything, the one line he refused to cross was taking out any of the frustration he was feeling on his family - even if it was the uncle that was openly and frequently disparaging him and antagonising him.

And I just think that's so so neat.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[ekat-fandom-blog]

does anyone have any fic recs for the "Spider-Man is treated like a criminal by fellow heroes" trope? I read quite a few years ago but I can't find them anymore.

[six-demon-bag]

FANTASTIC FUNGI (2019) dir. Louie Schwartzberg

[shamblz]

Astounded by the reality of cat boy Alan Wake

[velvetwyrme]

If you’re up to sharing I would love to know more about this cowboy au fic!!!!

HIIIII JULY!! Thank you for asking!! I have. so many thoughts abt these dumbasses.

The fic itself, sitting sadly in my drafts is mostly some good ol smut in the desert in which the Sheriff has finally caught up to Papyrus, ties him up and is getting ready to bring him in when he convinces them of one last rodeo (smth smth, save a horse, ride a cowboy). The reader accepts and they fuck but get sorta angsty about it and reminisce a lot, because as it turns out, they have history ✨

Pap proceeds to untie himself while the reader is sufficiently uhhh distracted, and ties THEM up. This is when Sans shows up to "rescue" his brother, and they go riding off into the sunset while the reader curses them out LOLOL

Anyway, the Backstory is that once upon a time the reader and Papyrus were set to be married at one point- they never got to go through with the ceremony, and the reader left town for a few years to try their hand at making a fortune to support Paps, who had been training to become the deputy of their town.

In the time the reader was gone, the town got bought over, and became a company town which was then mostly abandoned. So when the reader finally returned with a modest fortune, the brothers had both disappeared and were presumed dead.

The reader then goes off and becomes a lawman, intending to find out what happened to their beloved, and in the process becomes pretty well known. Eventually, they come across a pair of trainrobbers that nobody's been able to catch before and well... that's where the reader finds out that Papyrus is alive and well, and has known that they're alive and well but hasn't contacted them.

Cue drama! Cue longwinded chases which culminate in the dramatic showdown mentioned at the beginning lmao. Also, in the background is Sans annoying a short, grumpy rancher.

If you want more, I have a couple of posts on my less sfw blog: Fic snippet and Sans and his beau ;))

[infizero]

i think one of the things that makes toby fox's writing so great is his ability to tell a compelling narrative AND metanarrative at the same time. undertale isn't JUST about how people play games and the need for completionism, and it isn't JUST the main story that you play through. it's both! and both are equally important.

and i think the same will be true for deltarune. some people tend to think of it as black and white when theorizing, either focusing too much on the meta aspects without taking the actual plot and character arcs into account, or doing the opposite and saying that the meta aspects aren't important and won't end up being relevant to the story. it's both! it's always been both!!!

[airenyah]

Hey so do you know where I could find this acting manifesto of yours?

I usually try and avoid publicly expressing my opinion on things like this but I recently saw some people commenting negatively on his acting again and I’m starting to doubt my own judgement.

I’ve truly never had a huge problem with his acting but I keep seeing people using really harsh words to describe his prior and current work. I genuinely think he’s doing a good job in THK but these comments sometimes make me think I’m missing something.

That conflicts with the fact I know at least three people he worked with on THK specifically had positive things to say about his acting too and I trust people who do this for a living to know what they’re talking about for the most part.

I guess I’m just looking for your post to have a more detailed perspective of the opposite viewpoint to “he’s a terrible actor” to help affirm some of my thinking so I’m more confident in my positive opinion of his acting.

Overall though I’m enjoying everyone in this show but for me I’m specifically enjoying the four mains the most. Kudos to them honestly.

(Disclaimer: Obviously everyone is entitled to their opinion but the harshness of some of the opinions took me off guard a little.)

fuck these people. they don't know shit.

(mind you. this manifesto was written based on his performance in just star in my mind and hidden agenda. his 2024 shows weren't even out at that point. in fact, thk hadn't even been publicly announced yet. you can see from the start there is talent in this boy if you actually know what to look out for)

bonus: i rant some more in the last reblog

[welcometoteyvat]

freminet and yoimiya need to meet asap

pyro cryo, big sister little brother, similar perspectives on fantasy, dreams, and fairytales, imaginations bigger than the world that holds them

please on my knees begging they would be so good together