#the emotional arc isn't there

[ohrackham]

what was the point of lila thinking home was a feeling she didn't deserve and could never earn until she found diego. what was the point of them finding deep, meaningful love in each other. what was the point of lila opening her heart and confessing that all she really wanted was a family with him.

what was the point of developing diego and lila over two seasons, creating such a beautiful, chaotic bond, just to destroy it for no reason.

[ygodmyy20]

Once your vessel has been shattered.... this is what remains?

I have been trying to draw this scene since the day I saw this episode. And ever time I tried, it never felt right, it never flowed, it never did what I wanted it to do. I think this is my 4th or 5th attempt.

I think I finally figured it out.

Timelapse below the cut.

[kindalikerackham]

okayyyyy fine (I say to the maybe 3 people interested) I'll talk about Dr. Tanaka, and the show's (Bones 2005) response to them

[disclaimer: my perspective is someone late 20s, white, & nonbinary, as well as biased to see the good in this show. I may not have the same perspective on these examples as someone else]

[also I wrote this for fun! so it's not like an airtight argument or anything]

so.. I wasn't surprised by the team's reaction to a person who doesn't conform to gendered standards (obsession with figuring out if they were really a man or a woman, culminating in a hug just to feel their chest), for 2 main reasons:

I. Bones is a show about awkward (usually contextually privileged) people with good hearts, and it expresses this core sentiment over and over again using microaggressions:

The little person from the State Department (Alex Radziwill) is called a midget, and Bones ignorantly accosts him about how he approaches his job. It's done in the context of Booth and Bones reacting weirdly to him. By her saying ignorant things that force Booth to confront his own weirdness, they eventually reach an equilibrium with Radziwill, where they treat him like a normal contentious coworker. It's really uncomfortable, and Radziwill has to sit through them getting over themselves.

The He in The She. Do I even have to mention more than the episode title? It takes forever for the cast to wrap their heads around Pastor Patricia Stephenson, a woman whose bones suggest a male, but whose anatomy suggests a female!! Oh no! Booth struggles with using her correct pronouns, and many characters flip flops between, often settling on the masculine pronouns. And yet, the show itself gives credence to how Patricia lived the last parts of her life. It finds the beauty and honesty in how she lived, and we get to see that honored. But not necessarily through the characters, especially the main squint squad.

Arastoo Vaziri. This poor man is just a Muslim who works in the lab. Bones expresses disdain for him being visibly religious. Hodgins straight up discriminates against him, tells him to his face that he doesn't like Vaziri because he's Muslim. Vaziri has to actively attempt to bond with Hodgins to overcome this bias. Cam barely steps in here, and ultimately Vaziri has to suffer the ignorance of those around him. He has to push back about his people being associated with bombs, because white people are terrorists too! He brings out a list!

And these are just main plot points. There are definitely other examples of how these characters awkwardly microaggress their peers and civilians.

II. The interpersonal logic of Bones is predicated on gendered relationships

I cannot count the amount of times a character on Bones said "It's a woman thing," or "It's a guy thing," or "Alpha-male." The more socially adept a character is (Booth, Angela, Cam, Hodgins), the more they lean on these constructs for explaining personal relationships and the more they use gendered constructs for what's permissible in their relationships. Brennan, Zach, and other squints are often actively taught what's okay to do based on gendered rules. "She's a woman," Angela says to Zach, who doesn't understand why a girl isn't calling him back. "It's a guy thing," Angela says to Brennan, confused about something Booth is doing. "It's a guy-hug," Booth says, manipulating Bones into accepting comfort by explaining a gendered rule that he's making up.

In an environment so saturated with these rules, the characters have no idea what to do with the interpersonal reactions they have to Dr. Tanaka (as Clark has established, the characters are constantly using their interpersonal lens at work). So, this mystery makes Dr. Tanaka into a site of intrigue. I'd say both Hodgins and Angela interpret this intrigue as attraction, based both on their desire for/interpretation of Dr. Tanaka as a woman or a man, respectively. The surprise/rethinking that occurs after feeling up Dr. Tanaka's chest is consistent with this mystery/intrigue/psychosexual anxiety of not knowing a gender. (To digress a bit, it's reactions in this vein that created the Trans Panic Defense for murdering trans people).

I'm also unsurprised at Sweets. From his defense of Dr. Tanaka presenting as they want to him standing alongside the hug onlookers out of curiosity, he's the part of the show that's looking forward. He's the planted seed for this episode: that people who don't want to share their gender, it's not your business, even if it's hard to resist the part of you that thinks that.

And honestly, I think that's kind of the core to it.

Bones is a show about privileged professional folks who are often ignorant, but it attempts to plant seeds in their moderate liberal audience about cultures and subcultures. It planted the seed that Radziwill (a little person) was just a coworker using his own advantages, and it's important to treat him like you would another coworker. It planted the seed that Patricia (a trans woman) was right to transition and live her fullest life. It planted the seed that Arastoo (a Muslim) is just a coworker, one who has his own religious life, and Hodgins was the one acting irrationally.

Finally, it planted the seed that Dr. Tanaka is just living their life, and the awkward must-know-their-gender drive didn't really mean anything in the end, except for the team feeling weird about it.

[kindaorangey]

recently i've been thinking about rowan omondi in terms of the "supportive black best friend" trope. i've had this idea for a while that it would be interesting to see a story that deals specifically with the psychological effects of being the designated "support friend", especially in cases where that character addressing/expressing their own emotions and advocating for themself would be stigmatised because of their race... and obviously, rowan fits into this neatly, actively repressing and refusing to talk about his feelings because he isn't usually given this sort of support by his friends, it's usually him who's supporting them. and i guess on a metatextual level, once he begins to address his own emotional repression and step down from that support role, you could view it as him becoming cognisant of his own role as the "supportive black best friend".

[aadmelioraa]

Eärien and Valandil parallels Rings of Power Season 1

[markantonys]

reddit:

literally every other WOT viewer in the world:

[shaylogic]

Poor Crystal literally getting yanked around by these guys. . .

[wynsnerdyrambles]

One of the adaptational changes I liked most in the anime version of Swordsmith Village's finale was showing Tanjiro basically having a panic attack when trying to shield Nezuko from the sun, while also being aware that Hantengu is still rampaging. The way they showcase this is hyperventilation.

In a series where control of breath is equal to control of the situation at hand, showing Tanjiro, a master of Total Concentration Constant hyperventilating is a cue. He has cracked, he has lost control of the situation, and this is what has broken him.

[ibrokeeverything]

I will never get over Gintoki giving Lake Toya to Shinpachi in the Beam Saber arc 😭😭😭

[eebie]

potentially controversial personal opinion I think arcane s2 would be getting a lot more flack if it wasn't for all the shipping fodder and shiny objects packed in there. convinced you could spoon-feed toddler upchuck to half of the population as long as you go Brrrr here comes the yaoi airplane

[ship-garbage-pile]

Moment they confirmed that Mystique and Destiny had a baby together, giving birth to Kurt. There have been a strange subset of people who go, "what about Azael??" the demon guy, you want kurts dad to be a niche devil character? instead of the far more compelling parentage that stems from Mystique and Destiny? you gotta be kidding me.

[leofrith]

sorry but the way i'm still sick about this. 😵‍💫

[amischiefofmuses]

.

[cloudbellsv3]

My most unpopular Stony opinion is that I generally loved CACW and think it's absolutely necessary for Steve and Tony's relationship and individual character development that it happened the way it did.

[whogirl42]

Okay but the reveal that not only were Ravonna and Mobius BOTH once hunters, but that they were partners????? Adds so so much depth to their relationship makes so much sense why a judge and an analyst would be so close. And that Mobius couldn't kill the child that would grow up to kill thousands so Ravonna made the hard call and did it in his place??? God that adds so much weight to earlier in the season where Ravonna spoke about how she's always made the tough choices so Mobius didn't have to😭

Truly EONS of friendship, being partners trusting each other having each other's backs cleaning up each others messes. A bond that lasted hundreds of years later even after they were professionally separated and Ravonna was promoted to judge and Mobius transferred to analysis. I just. NO FUCKING WONDER Ravonna felt so gd betrayed when Mobius got a new bestie and chose him over her. And no wonder even after Ravonna literally pruned Mobius in S1 he still wanted to try and work things out and mend bridges cause they've been through tough shit together before and after all this time they're basically each other's FAMILY and-

[thevegetablewhichnoonedaresname]

I'm starting Mission to Zyxx Season 5 now, and I have feelings about that.

First, it generally scares me when people hype anything up at all because there is no guarantee that anyone values the exact same thing I do to the same degree. Even if I trust the creators of a thing to value something and try to do right by it, that doesn't always necessarily mean it will be successful, especially if that involves doing something wildly different than what made it good in the first place (I have been burned this way before). I guess I'm just hoping they continue the format of goofy improv shenanigans for the majority of it with something more planned and emotional in the finale if they want, like they've been doing all along. I'd think they would, and I've heard nothing bad about the ending, but I guess it still makes me nervous because I'm so close to the end and I want it so badly to stick the landing. I'm setting my expectations on the floor so I can be surprised instead of disappointed, but honestly, I don't need it to be better, I just need it to be on par with the rest.

Second, and more briefly, I'm happy it's (hopefully) ending before it has a chance to decline. I am so on board with that philosophy. But on the other hand, finishing a thing that I really, really like and knowing there's not another one out there gives me a special kind of heartache. Like, I know there will be other good media, and stuff that's good and unique in other ways, but I know for a fact that there are no other podcasts out there that have the same mix of a balance of off-the-wall improv and structured narrative, quality comedy, fantastical sci-fi setting and loveable characters, and high quality production. There are other things out there with many of those qualities, but nothing that checks every one of those boxes. It's a lightning-in-a-bottle thing that very much feels like the right people had to be in the right place at the right time to do it. Attempts to do it again would feel hollow because it had to be born out of necessity and passion and the talents of the people involved, so if you switch out the people it loses the reasons it's great, and if the same people tried to do it again it'd feel tired. That makes me so, so grateful it exists, but also so, so sad that it doesn't, and I'm 80% of the way done. When it's over, it's over.

Anyway. Now that that's all out there, I'm just gonna finish listening and have fun. Wish me luck.