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mostlysignssomeportents · 16 days ago

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Predicting the present

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/09/radicalized/#deny-defend-depose

Back in 2018, around the time I emailed my immigration lawyer about applying for US citizenship, I started work on a short story called "Radicalized," which eventually became the title story of a collection that came out in 2019:

https://us.macmillan.com/books/9781250228598/radicalized/

"Radicalized" is a story about America, and about guns, and about health care, and about violence. I live in Burbank, which is ranks second in gun-stores-per-capita in the USA, a dubious honor that represents a kind of regulatory arbitrage with our neighboring goliath, the City of Los Angeles, where gun store licensing is extremely tight. If you're an Angeleno in search of a firearm, you're almost certainly coming to Burbank to buy it.

Walking, cycling and driving past more gun stores than I'd ever seen in my Canadian life got me thinking about Americans and guns, a subject that many Canadians have passed comment upon. Americans kill each other, and especially themselves, at rates that baffle everyone else in the world, and they do it with guns. When we moved here, my UK born-and-raised daughter came home from her first elementary school lockdown drill perplexed and worried. Knowing what I did about US gun violence, I understood that while school shootings and other spree killings happened with dismal and terrifying regularity, they only accounted for a small percentage of the gun deaths here. If you die with a bullet in you, the chances are that the finger on the trigger was your own. The next most likely suspect is someone you know. After that, a cop. Getting shot by a stranger out of uniform is something of a rarity here – albeit a spectacular one that captures our imaginations in ways that deliberate or accidental self-slayings and related-party shootings do not.

So I told her, "Look, you can basically ignore everything they tell you during those lockdown drills, because they almost certainly have nothing to do with your future. But if a friend ever says to you, 'Hey, wanna see my dad's gun?' I want you to turn around and leave and get in touch with me right away, that instant."

Guns turn the murderous impulse – which, let's be honest, we've all felt at some time or another – into a murderous act. Same goes for suicide, which explains the high levels of non-accidental self-shootings in the USA: when you've got a gun, the distance between suicidal ideation and your death is the ten feet from the sofa to the gun in the closet.

Americans get angry at people and then, if they have a gun to hand, sometimes they shoot them. In a thread /r/Burbank about how people at our local cinemas are rude and use their phones in which someone posted, "Well, you should just ask them to stop." The reply: "That's a great way to get shot." No one chimed in to say, "Don't be ridiculous, no one would shoot you for asking them to put away their phone during a movie." Same goes for "road rage."

And while Americans shoot people they've only just gotten angry at, they also sometimes plan shooting sprees and kill a bunch of people because they're just generically angry. Being angry about the state of the world is a completely relatable emotion, of course, but the targets of these shootings are arbitrary. Sure sometimes these killings have clear, bigoted targets – mass shootings at Black supermarkets or mosques or synagogues or gay bars – more often the people who get sprayed with bullets (at country and western concerts or elementary schools or movie theaters) are almost certainly not the people the gunman (almost always a man) is angry at.

This line of thought kept surfacing as I went through the immigration process, but not just when I was dealing with immigration paperwork. I was also spending an incredible amount of time dealing with our health insurer, Cigna, who kept refusing treatments my pain doctor – one of the most-cited pain researchers in the country – thought I would benefit from. I've had chronic pain since I was a teenager, and it's only ever gotten worse. I've had decades of pain care in Canada and the UK, and while the treatments never worked for very long, it was never compounded by the kinds of bureaucratic stuff I went through with my US insurer.

The multi-hour phone calls with Cigna that went nowhere would often have me seeing red – literally, a red tinge closing in around my vision – and usually my hands would be shaking by the time I got off the call.

And I had it easy! I wasn't terminally ill, and I certainly wasn't calling in on behalf of a child or a spouse or parent who was seriously ill or dying, whose care was being denied by their insurer. Bernie's 2016 Medicare For All campaign promise had filled the air with statistics (Americans pay more for care and get worse outcomes than anyone else in the rich world), and stories. So many stories – stories that just tore your heart out, about parents who literally had to watch their children die because the insurance they paid for refused to treat their kids. As a dad, I literally couldn't imagine how I'd cope in that situation. Just thinking about it filled me with rage.

One day, as I was swimming in the community pool across the street – a critical part of my pain management strategy – I was struck with a thought: "Why don't these people murder health insurance executives?" Not that I wanted them to. I don't want anyone to kill anyone. But why do American men who murder their wives and the people who cut them off in traffic and random classrooms full of children leave the health insurance industry alone? This is an industry that is practically designed to fill the people who interact with it with uncontrollable rage. I mean, if you're watching your wife or your kid die before your eyes because some millionaire CEO decided to aim for a $10 billion stock buyback this year instead of his customary $9 billion target, wouldn't you feel that kind of murderous rage?

Around this time, my parents came out for a visit from Canada. It was a great trip, until one night, my mom woke me up after midnight: "We have to take your father to the ER. He's really sick." He was: shaking, nauseated, feverish. We raced down the street to the local hospital, part of a gigantic chain that has swallowed nearly all the doctors' practices, labs and hospitals within an hour's drive of here.

Dad had kidney stones, and they'd gone septic. When the ER docs removed the stones, all the septic gunk in his kidneys was flushed into his bloodstream, and he crashed. If he hadn't been in an ER recovery room at the time, he would have died. As it was, he was in a coma for three days and it was touch and go. My brother flew down from Toronto, not sure if this was his last chance to see our dad alive. The nurses and doctors took great care of my dad, though, and three days later, he emerged from his coma, and today, he's better than ever.

But on day two, when we thought he was probably at the end of his life, as my mother sat at his side, holding the hand of her husband of fifty years, someone from the hospital billing department came to her side and said, "Mrs Doctorow, I know this is a difficult time, but I'd like to discuss the matter of your husband's bill with you."

The bill was $176,000. Thankfully, the travel medical insurance plan offered by the Ontario Teachers' Union pension covered it all (I don't suppose anyone gets very angry with them).

How do people tolerate this? Again, not in the sense of "people should commit violent acts in the face of these provocations," but rather, "How is it that in a country filled with both assault rifles and unimaginable acts of murderous cruelty committed by fantastically wealthy corporations, people don't leap from their murderous impulses to their murderous weapons to commit murderous acts?

For me, writing fiction is an accretive process. I can tell that a story is brewing when thoughts start rattling around in my mind, resurfacing at odd times. I think of them as stray atoms, seeking molecules with available docking sites to glom onto. I process all my emotions – but especially my negative ones – through this process, by writing stories and novels. I could tell that something was cooking, but it was missing an ingredient.

Then I found it: an interview with the woman who coined the term "incel." It was on the Reply All podcast, and Alana, a queer Canadian woman explained that she had struggled all her life to find romantic and sexual partnership, and jokingly started referring to herself as "involuntarily celibate," and then, as an "incel":

https://gimletmedia.com/shows/reply-all/76h59o

Alana started a message board where other "incels" could offer each other support, and it was remarkably successful. The incels on Alana's message board helped each other work through the problems that stood between them and love, and when they did, they drifted away from the board to pursue a happier life.

That was the problem, Alana explained. If you're in a support group for people with a drinking problem, the group elders, the ones who've been around forever, are the people who've figured it out and gotten sober. When life seems impossible, those elders step in to tell you, I know it's terrible right now, but it'll get better. I was where you are and I got through it. You will, too. I'm here for you. We all are.

But on Alana's incel board, the old timers were the people who couldn't figure it out. They were the ones for whom mutual support and advice didn't help them figure out what they needed to do in order to find the love they sought. The longer the message board ran, the more it became dominated by people who were convinced that it was hopeless, that love was impossible for the likes of them. When newbies posted in rage and despair, these Great Old Ones were there to feed it: You're right. It will never get better. It only gets worse. There is no hope.

That was the missing piece. My short story Radicalized was born. It's a story about men on a message board called Fuck Cancer Right In the Fucking Face (FCKRFF, or "Fuckriff"), who are watching the people they love the most in the world be murdered by their insurance companies, who egg each other on to spectacular acts of mass violence against health insurance company employees, hospital billing offices, and other targets of their rage. As of today, anyone can read this story for free, courtesy of my publishers at Macmillan, who gave permission for the good folks at The American Prospect to post it:

https://prospect.org/culture/books/2024-12-09-radicalized-cory-doctorow-story-health-care/

I often hear from people about this story, even before an unknown (at the time of writing) man assassinated Brian Thompson, CEO of Unitedhealthcare, the murderous health insurance monopoly that is the largest medical insurer in the USA. Since then, hundreds of people have gotten in touch with me to ask me how I feel about this turn of events, how it feels to have "predicted" this.

I've been thinking about it for a few days now, and I gotta tell you, I have complicated feelings.

You've doubtless seen the outpourings of sarcastic graveyard humor about Thompson's murder. People hate Unitedhealthcare, for good reason, because he personally decided – or approved – countless policies that killed people by cheating them until they died.

Nurses and doctors hate Thompson and United. United kills people, for money. During the most acute phase of the pandemic, the company charged the US government $11,000 for each $8 covid test:

https://pluralistic.net/2020/09/06/137300-pct-markup/#137300-pct-markup

UHC leads the nation in claims denials, with a denial rate of 32% (!!). If you want to understand how the US can spend 20% of its GDP and get the worst health outcomes in the world, just connect the dots between those two facts: the largest health insurer in human history charges the government a 183,300% markup on covid tests and also denies a third of its claims.

UHC is a vertically integrated, murdering health profiteer. They bought Optum, the largest pharmacy benefit manager ("A spreadsheet with political power" -Matt Stoller) in the country. Then they starved Optum of IT investment in order to give more money to their shareholders. Then Optum was hacked by ransomware gang and no one could get their prescriptions for weeks. This killed people:

https://www.economicliberties.us/press-release/malicious-threat-actor-accesses-unitedhealth-groups-monopolistic-data-exchange-harming-patients-and-pharmacists/#

The irony is, Optum is terrible even when it's not hacked. The purpose of Optum is to make you pay more for pharmaceuticals. If that's more than you can afford, you die. Optum – that is, UHC – kills people:

https://pluralistic.net/2024/09/23/shield-of-boringness/#some-men-rob-you-with-a-fountain-pen

Optum isn't the only murderous UHC division. Take Navihealth, an algorithm that United uses to kick people out of their hospital beds even if they're so frail, sick or injured they can't stand or walk. Doctors and nurses routinely watch their gravely ill patients get thrown out of their hospitals. Many die. UHC kills them, for money:

https://prospect.org/health/2024-08-16-steward-bankruptcy-physicians-private-equity/

The patients murdered by Navihealth are on Medicare Advantage. Medicare is the public health care system the USA extends to old people. Medicare Advantage is a privatized system you can swap your Medicare coverage for, and UHC leads the country in Medicare Advantage, blitzing seniors with deceptive ads that trick them into signing up for UHC Medicare Advantage. Seniors who do this lose access to their doctors and specialists, have to pay hundreds or thousands of dollars for their medication, and get hit with $400 surprise bills to use the "free" ambulance service:

https://prospect.org/health/2024-12-05-manhattan-medicare-murder-mystery/

No wonder the public spends 22% more subsidizing Medicare Advantage than they spend on the care for seniors who stick with actual Medicare:

https://theconversation.com/taxpayers-spend-22-more-per-patient-to-support-medicare-advantage-the-private-alternative-to-medicare-that-promised-to-cost-less-241997

It's not just the elderly, it's also the addicted and mentally ill. UHC illegally denies coverage for mental health and substance abuse treatment. Imagine watching a family member spiral out of control, ODing, or ending up on the streets with hallucinations, and knowing that the health insurance company that takes thousands of dollars out of your paycheck refused to treat them:

https://www.startribune.com/unitedhealthcare-will-pay-15-7m-in-settlement-of-denial-of-care-charges/600087607

Unsurprising, the internal culture at UHC is callous beyond belief. How could it not be? How could you go to work at UHC and know you were killing people and not dehumanize those victims? A lawsuit by chronically ill patient whom UHC had denied care for surfaced recorded phone calls in which UHC employees laughed long and hard about the denied claims, dismissing the patient's desperate, tearful pleas as "tantrums" :

https://www.propublica.org/article/unitedhealth-healthcare-insurance-denial-ulcerative-colitis

Those UHC workers are just trying to get by, of course, and the callouses they develop so they can bear to go to work were ripped off by last week's murder. UHC's executive team knows this, and has gone on a rampage to stop employees from leaking their own horror stories, or even mentioning that the internal company announcement of Thompson's death was seen by 16,000 employees, of whom only 28 left a comment:

https://www.kenklippenstein.com/p/unitedhealthcare-tells-employees

Doctors and nurses hate UHC on behalf of their patients, but it's also personal. UHC screws doctor's practices by refusing to pay them, making them chase payments for months or even years, and then it offers them a payday lending service that helps them keep the lights on while they wait to get paid:

https://www.youtube.com/watch?v=frr4wuvAB6U

Is it any surprise that Reddit's nursing forums are full of nurses making grim, satisfied jokes about the assassination of the $10m/year CEO who ran the $400b/year corporation that does all this?

https://www.thedailybeast.com/leading-medical-subreddit-deletes-thread-on-unitedhealthcare-ceos-murder-after-users-slam-his-record/

We're not supposed to experience – much less express – schadenfreude when someone is murdered in the street, no matter who they are. We're meant to express horror at the idea of political violence, even when that violence only claims a single life, a fraction of the body count UCH produced under Thompson's direction. As Malcolm Harris put it, "'Every life is precious' stuff about a healthcare CEO whose company is noted for denying coverage is pretty silly":

https://twitter.com/BigMeanInternet/status/1864471932386623753

As Woody Guthrie wrote, "Some will rob you with a six-gun/And some with a fountain pen." The weapon is lethal when it's a pistol and when it's an insurance company. The insurance company merely serves as an accountability sink, a layer of indirection that lets a murder happen without any person being the technical murderer:

https://profilebooks.com/work/the-unaccountability-machine/

I don't want people to kill insurance executives, and I don't want insurance executives to kill people. But I am unsurprised that this happened. Indeed, I'm surprised that it took so long. It should not be controversial to note that if you run an institution that makes people furious, they will eventually become furious with you. This is the entire pitch of Thomas Piketty's Capital in the 21st Century: that wealth concentration leads to corruption, which is destabilizing, and in the long run it's cheaper to run a fair society than it is to pay for the guards you'll need to keep the guillotines off your lawn:

https://memex.craphound.com/2014/06/24/thomas-pikettys-capital-in-the-21st-century/

But we've spent the past 40 years running in the other direction, maximizing monopolies, inequality and corruption, and gaslighting the public when they insist that this is monstrous and unfair. Back in 2022, when UHC was buying Change Healthcare – the dominant payment network for hospitals, which would allow UHC to surveil all its competitors' payments – the DOJ sued to block the merger. The Trump-appointed judge in the case, Carl Nichols – who owned tens of thousands of dollars in UHC bonds – ruled against the DOJ, saying that it would all be fine thanks to United's "culture of trust and integrity":

https://www.thebignewsletter.com/p/the-antitrust-shooting-war-has-started

We don't know much about Thompson's killer yet, but he's already becoming a folk hero, with lookalike contests in NYC:

https://twitter.com/CollinRugg/status/1865472577478553976

And gigantic graffiti murals praising him and reproducing the words he wrote on the shell casings of the bullets he used to kill Thompson, "delay, deny, depose":

https://www.tumblr.com/radicalgraff/769193188403675136/killin-fuckin-ceos-freight-graff-in-the-bay

I get why this is distasteful. Thompson is said to have been a "family man" who loved his kids, and I have no reason to disbelieve this. I can only imagine that his wife and kids are shattered by this. Every living person is the apex of a massive project involving dozens, hundreds of people who personally worked to raise, nurture and love them. I wrote about this in my novel Walkaway, as the characters consider whether to execute a mercenary sent to kill them, whom they have taken hostage:

She had parents. People who loved her. Every human was a hyper-dense node of intense emotional and material investment. Speaking meant someone had spent thousands of hours cooing to you. Those lean muscles, the ringing tone of command — their inputs were from all over the world, carefully administered. The merc was more than a person: like a spaceship launch, her existence implied thousands of skilled people, generations of experts, wars, treaties, scholarship and supply-chain management. Every one of them was all that.

But so often, the formula for "folk hero" is "killing + time." The person who terrorizes the people who terrorize you is your hero, and eventually we sanitize the deaths, and just remember them as fighters for justice. If you doubt it, consider the legend of Robin Hood:

https://twitter.com/mcmansionhell/status/1865554985842352501

The health industry is trying to put a lid on this, palpably afraid that – as in my story "Radicalized" – this one murderer will become a folk hero who inspires others to acts of spectacular violence. They're insisting that it's unseemly to gloat about Thompson's death. They're right, but this is an obvious loser strategy. The health industry is full of people whose deaths would be deplorable, but not unsurprising. As Clarence Darrow had it:

I’ve never wished a man dead, but I have read some obituaries with great pleasure.

Murder is never the answer. Murder is not a healthy response to corruption. But it is healthy for people to fear that if they kill people for greed, they will be unsafe. On December 5 – the day after Thompson's killing – the health insurer Anthem announced that it would not pay for anesthesia for medical procedures that ran long. The next day, they retracted the policy, citing "outrage":

https://www.cnn.com/2024/12/05/health/anthem-blue-cross-blue-shield-anesthesia-claim-limits/index.html

Sure, maybe it was their fear of reputation damage that got them to decide to reverse this inhumane, disgusting, murderous policy. But maybe it was also someone in the C-suite thinking about what share of the profits from this policy would have to be spent on additional bodyguards for every Anthem exec if it went into effect, and decided that it was a money-loser after all.

Think about hospital exec Ralph de la Torre, who cheerfully testified to Congress that he'd killed patients in pursuit of profit. De la Torre clearly doesn't fear any kind of consequences for his actions. He owns hospitals that are filled with tens of thousands of bats (he stiffed the exterminators), where none of the elevators work (he stiffed the repair techs), where there's no medicine or blood (he stiffed the suppliers) and where the doctors and nurses can't make rent (he stiffed them too). De La Torre doesn't just own hospitals – he also owns a pair of superyachts:

https://pluralistic.net/2024/02/28/5000-bats/#charnel-house

It is a miracle that so many people have lost their mothers, sons, wives and husbands so Ralph de la Torre could buy himself another superyacht, and that those people live in a country where you can buy an assault rifle, and that Ralph de la Torre isn't forced to live in a bunker and travel in a tank.

It's a rather beautiful sort of miracle, to be honest. I like to think that it comes from a widespread belief by the people of this country I have since become a citizen of, that we should solve our problems politically, rather than with bullets.

But the assassination of Brian Thompson is a wake-up call, a warning that if we don't solve this problem politically, we may not have a choice about whether it's solved with violence. As a character in "Radicalized" says, "They say violence never solves anything, but to quote The Onion: that's only true so long as you ignore all of human history":

https://prospect.org/culture/books/2024-12-09-radicalized-cory-doctorow-story-health-care/

#pluralistic #unitedhealthcare #assassination #execution #violence #murder #science fiction #radicalized #health insurance #m4a #medicare for all #Brian Thompson #guns #cancer #corruption #usausausa #torment nexus

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inthedayswhenlandswerefew · 8 months ago

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1968 [Chapter 6: Athena, Goddess Of Wisdom]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 5.2k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

Here at the midway point in our journey—like Dante stumbling upon the gates of the Inferno—would it be the right moment to review what’s at stake? Let’s begin.

It’s the end of August. The delegates of the Democratic National Convention in Chicago officially vote to name Aemond the party’s presidential candidate. His ascension is aided by 10,000 antiwar demonstrators who flood into the city and threaten to set it ablaze if Hubert Humphrey is chosen instead. At the end—in his death rattle—Humphrey begs to be Aemond’s running mate, one last humiliation he cannot resist. Humphrey is denied. Eugene McCarthy, dignity intact, boards a commercial flight to his home state of Minnesota without looking back.

Aemond selects U.S. Ambassador to France, Sargent Shriver, to be his vice president. Shriver is a Kennedy by marriage—his wife, JFK’s younger sister Eunice, just founded the Special Olympics—and has previously headed the Office of Economic Opportunity, the Peace Corps, and the Chicago Board of Education. He also served as the architect of the president’s “War on Poverty” before distancing himself from the imploding Johnson administration. Shriver is not a concession to fence-sitting moderates or Southern Dixiecrats, but an embodiment of Aemond’s commitment to unapologetic progressivism. Richard Nixon spends the weekend campaigning in his native California, a gold vein of votes like the mines settlers rushed to in 1848. George Wallace announces that he will run as an Independent. Racists everywhere rejoice.

Phase III of the Tet Offensive is underway in Vietnam; 700 American soldiers have been killed this month alone. Riots break out in military prisons where the U.S. Army is keeping their deserters. The North Vietnamese refuse to allow Pope Paul VI to visit Hanoi on a peace mission. President Johnson calls both Aemond and Nixon to personally inform them of this latest evidence of the communists’ unwillingness to negotiate in good faith. Daeron and John McCain remain in Hỏa Lò Prison. The draft swallows men like the titan Cronus devoured his own children.

In Eastern Europe, the Russians are crushing pro-democracy protests in the largest military operation since World War II as half a million troops roll into Czechoslovakia. In Caswell County, North Carolina, the last remaining segregated school district in the nation is ordered by a federal judge to integrate after years of stalling. On the Fangataufa Atoll in the South Pacific, France becomes the fifth nation to successfully explode a hydrogen bomb. In Mexico City, 300,000 students gather to protest the authoritarian regime of President Diaz Ordaz. In Guatemala, American ambassador John Gordon Mein is murdered by a Marxist guerilla organization called the Rebel Armed Forces. In Columbus, Ohio, nine guards are held hostage during a prison riot; after 30 hours, they’re rescued by a SWAT team.

The latest issue of Life magazine brings worldwide attention to catastrophic industrial pollution in the Great Lakes. The first successful multiorgan transplant is carried out at Houston Methodist Hospital. The Beatles release Hey Jude, the best-selling single of 1968 in the U.S., U.K., Australia, and Canada. NASA’s Apollo lunar landing program plans to launch a crewed shuttle next year, just in time to fulfill John F. Kennedy’s 1962 promise to put a man on the moon “before the end of the decade.” If this is successful, the United States will win the Space Race and prove the superiority of capitalism. If it fails, the martyred astronauts will join all the other ghosts of this apocalyptic age, an epoch born under bad stars.

The night sky glows with the ancient debris of the Aurigid meteor shower. From down here on Earth, Jupiter is a radiant white gleam, visible with the naked eye and admired since humans were making cave paintings and Stonehenge. But Io is a mystery. With a telescope, she becomes a dust mote entrapped by Jupiter’s gravity; to the casual observer, she doesn’t exist at all.

~~~~~~~~~~

What was it like, that very first time? It’s strange to remember. You’re both different people now.

It’s May, 1966. You and Aemond are engaged, due to be married in three short weeks, and if you get pregnant then it’s no harm, no foul. In reality, it will end up taking you over a year to conceive, but no one knows that yet; you are living in the liminal space between what you imagine your life will be and the cold blade of the truth. Aemond has brought you to Asteria for the weekend, an increasingly common occurrence. The Targaryens—minus one, that holdout prodigal son, always glowering from behind swigs of rum and clouds of smoke—have already begun to treat you like a member of the family. The flock of Alopekis yap excitedly and lick your shins. Eudoxia learns your favorite snacks so she can have them ready when you arrive.

One night Aemond takes your hand and leads you to Helaena’s garden, darkness turned to twilight in the artificial luminance of the main house. You can hear distant voices, chatter and laughter, and the Beatles’ Rubber Soul spinning on the record player in the living room like a black hole, gravity that not even light can escape when it is wrenched over the event horizon.

You’re giggling as Aemond pulls you along, faster and faster, weaving through pathways lined with roses and sunflowers and butterfly bushes. Your high heels sink into soft, fertile earth; the air in your lungs is cool and infinite. “Where are we going?”

And Aemond grins back at you as he replies: “To Olympus.”

In the circle of hedges guarded by thirteen gods of stone, Aemond unzips your modest pink sundress and slips your heels off your feet, kneeling like he’s proposing to you again. When you are bare and secretless, he draws you down onto the grass and opens you, claims you, fills you to the brim as the crystalline water of the fountain patters and Zeus hurls his lightning bolts, an eternal storm, unending war. It’s intense in a way it never was with your first boyfriend, a sweet polite boy who talked about feminist theory and followed his enlightened conscience all the way to Vietnam. This isn’t just a pleasant way to pass a Friday night, something to look forward to between differential equations textbooks and calculus proofs. With Aemond it’s a ritual; it’s something so overpowering it almost scares you.

“Aphrodite,” Aemond murmurs against your throat, and when you try to get on top he stops you, pins you to the ground, thrusts hard and deep, and you try not to moan too loudly as you surrender, his weight on you like a prophesy. This is how he wants you. This is where you belong.

Has someone ever stitched you to their side, pushing the needle through your skin again and again as the fabric latticework takes shape, until their blood spills into your veins and your antibodies can no longer tell the difference? He makes you think you’ve forgotten who you were before. He makes you want to believe in things the world taught you were myths.

But that was over two years ago. Now Aemond is not your spellbinding almost-stranger of a fiancé—shrouded in just the right amount of mystery—but your husband, the father of your dead child, the presidential candidate. You miss when he was a mirage. You miss what it felt like to get high on the idea of him, each taste a hit, each touch a rush of toxins to the bloodstream.

Seven weeks after your emergency c-section, you are healing. Your belly no longer aches, your bleeding stops, you can rejoin the living in this last gasp of summer. Ludwika takes you shopping and you pick out new swimsuits; you’ve gone up a size since the baby, and it shows no signs of vanishing. In the fitting room, Ludwika chain-smokes Camel cigarettes and claps when you show her each outfit, ordering you to spin around, telling you that there’s nothing like Oleg Cassini back in Poland. You plan to buy three swimsuits. Ludwika insists you get five. She pays with Otto’s American Express.

That afternoon at home in your blue bedroom, you get changed to join the rest of the family down by the pool, your first swim since Ari was born. You choose Ludwika’s favorite: a dreamy turquoise two-piece with flowing transparent fabric that drapes your midsection. You can still see the dark vertical line of where the doctors stitched you closed. Now you and Aemond match; he got his scar on the floor of the Breakers Hotel in Palm Beach, you earned yours at Mount Sinai Hospital in Manhattan. There are gold chains on your wrist and looped around your neck. Warm sunlight and ocean wind pours in through the open windows.

Aemond appears in the doorway and you turn to show him, proud of how you’ve pulled yourself together, how this past year hasn’t put you in an asylum. His right eye catches on your scar and stays there for a long time. Then at last he says: “You don’t have something else to wear?”

~~~~~~~~~~

It’s Labor Day, and Asteria has been descended upon by guests invited to celebrate Aemond’s nomination. The dining room table is overflowing with champagne, Agiorgitiko wine, platters of mini spanakopitas, lamb gyros, pita bread with hummus and tzatziki, feta cheese and cured meats, grilled octopus, baklava, and kourabiethes. Eudoxia is rushing around sweeping up crumbs and shooing tipsy visitors away from antique vases shipped here from Greece. Aemond’s celebrity endorsers include Sammy Davis Jr., Sonny and Cher, Andy Williams, Bobby Darin, Warren Beatty, Shirley MacLaine, Claudine Longet, and a number of politicians; but the most notable attendee is President Lyndon Baines Johnson, shadowed by Secret Service agents. He won’t be making any surprise appearances on the campaign trail for Aemond—in the present political climate, he would be more of a liability than an asset—but he has travelled to Long Beach Island tonight to offer his well-wishes. From the record player thrums Jimi Hendrix’s All Along The Watchtower.

When you finish getting ready and arrive downstairs, you spot Aegon: slouching in a velvet chair over a century old, hair shagging in his eyes, sipping something out of a chipped mug he clasps with both hands, flirting with a bubbly early-twenties campaign staffer. Aegon smiles and waves when he sees you. You wave back. And you think: When did he become the person I look for when I walk into a room?

Now Aemond is beside you in a blue suit—beaming, confident, his glass eye in place, a hand resting on your waist—and Aegon isn’t smiling anymore. He takes a gulp of what is almost certainly straight rum from his mug and returns his attention to the campaign staffer, his lady of the hour. You picture him undressing her on his shag carpet and feel disorienting, violent envy like a bullet.

Viserys is already fast asleep upstairs, but the rest of the family is out en masse to charm the invitees and pose for photographs. Alicent, Helaena, and Mimi—trying very hard to act sober, blinking too often—are chit-chatting with the other political wives. Otto is complaining about something to Criston; Criston is pretending to listen as he stares at Alicent. Ludwika is smoking her Camels and talking to several young journalists who are ogling her, enraptured. Fosco and Sargent Shriver are entertaining a group of guests with a boisterous, lighthearted debate on the merits of Italian versus French cuisine, though they agree that both are superior to Greek. The nannies have brought the eight children to be paraded around before bedtime. All Cosmo wants to do is clutch your hand and “help” you navigate around the living room, warning you not to step on the small, weaving Alopekis. When Mimi attempts to steal her youngest son away, he ignores her, and as she begins to make a scene you rebuke her with a harsh glare. Mimi retreats meekly. She has never argued with you, not once in over two years. You speak for Aemond, and Aemond is a god.

As the children are herded off to their beds by the nannies, Bobby Kennedy—presently serving as a New York senator despite residing primarily on his family’s compound in Massachusetts—approaches to congratulate Aemond. His wife Ethel is a tiny, nasally, scrappy but not terribly bright woman, five months pregnant with her eleventh child, and you have to get away from her like a hand pulled from a hot stove.

“You know, I was considering running,” Bobby says to Aemond, chuckling, good-natured. “But when I saw you get in the race, I thought better of it! Maybe I’ll give it a go in ’76, huh?”

“Hey, kid, what a tough year you’ve had,” Ethel tells you, patting your forearm. You can’t tear your eyes from her small belly. She has ten living children already. I couldn’t keep one. What kind of sense does that make? “We’re real sorry for your trouble, aren’t we, Bobby?”

Now he is nodding somberly. “We are. We sure are. We’ve been praying for you both.”

Aemond is thanking them, sounding touched but entirely collected. You manage some hurried response and then excuse yourself. Your hands are shaking as you cross the room, not really seeing it. You walk right into Lady Bird Johnson. She takes pity on you; she seems to perceive how rattled you are. “Oh Lyndon, look, it’s just who we were hoping to speak to! The next first lady of the United States. And how beautiful you are, just radiant. How do you keep your hair so perfect? That glamorous updo. You never have a single strand out of place.” Lady Bird lays a palm tenderly on your bare shoulder. She has an unusual, angular face, but a wise sort of compassion that only comes from suffering. Her husband is an unrepentant serial cheater. “I’ll make you a list of everything you need to know about the White House. All the quirks of the property, and the hidden gems too!”

“You’re so kind. We’ll see what happens in November…”

“Good evening, ma’am,” President Johnson says, smiling warmly. He’s an ugly man, but there’s something hypnotic that lives inside him and shines through his eyes like the blaze of a lighthouse. He pulls you in through the dark, through the storm; he promises you answers to questions you haven’t thought of yet. LBJ is 6’4 and known for bullying his political adversaries with the so-called “Johnson Treatment”; he leans in and makes rapid-fire demands until they forget he’s not allowed to hit them. “I have to tell you frankly, I don’t envy anyone who inherits that den of rattlesnakes in Washington D.C.”

“Lyndon, don’t frighten her,” Lady Bird scolds fondly.

“Everyone thinks they know what to do about Vietnam,” LBJ plods onwards. “But it’s a damned if you do, damned if you don’t clusterfuck. If you keep fighting, they call you a murderer. But if you pull the troops out and South Vietnam falls to the communists, every single man lost was for nothing, and you think the families will stand for that? Their kid in a body bag, or his legs blown off, or his brain scrambled? There’s no easy answer. It’s a goddamn bitch of a quagmire.”

Lady Bird offers you a sympathetic smirk. Sorry about all this unpleasantness, she means. When he gets himself worked up, I can’t stop him. But you find yourself feeling sorry for President Johnson. It will be difficult for him to learn how to fade into disgraced obscurity after once being so omnipotent, so beloved. Reinvention hurts like hell: fevers raging, bones mending, healing flesh that itches so ferociously you want to claw it off.

LBJ gives Lady Bird a look, quick but meaningful. She acquiesces. This has happened a thousand times before. “It was so nice talking to you, dear,” she tells you, then crosses the living room to pay her respects to Alicent.

The president steps closer, looming, towering. The Johnson Treatment?? you think, but no; he isn’t trying to intimidate you. He’s just curious.

“Do you know what Aemond’s plan is for ‘Nam?” LBJ asks, eyes urgent, voice low. “I’m sure he has one. He’s sworn to end the draft as soon as he gets into office, but how is he going to make sure the South Vietnamese can fend off the North themselves? We’re trying to train the bastards, but if we left they’d fold in months. It would be the first war the U.S. ever lost. Does he understand that?”

“He doesn’t really discuss it with me.” That’s true; you know his policies, but only because they are a constant subject of conversation within the family, something you all breathe like oxygen.

“We can’t let Nixon win,” LBJ continues. “It’s mass suicide to leave the country in his hands. The man can’t hold his liquor anymore, getting robbed by Kennedy in ’60 broke something in him. He gets sloshed and shoves his aids around, makes up conspiracies in his head. He’s a paranoid little prick. He’ll surveille the American people. He’ll launch a nuke at Moscow.”

You honestly don’t know what he expects you to say. “I’ll pass the message along to Aemond.”

“People love you, Mrs. Targaryen.” LBJ watching you closely. “Believe it or not, they used to love me too. But I still remember how to play the game. You’re the only reason Aemond is leading the polls in Florida. You can get him other states too. Jack needed Jackie. Aemond needs you. And you’ve had tragedies, and that’s a damn shame. But don’t you miss an opportunity. You take every disappointment, every fucked up cruelty of life and find a way to make it work for you. You pin it to your chest like a goddamn medal. Every single scar makes you look more mortal to those people going to the ballot box in November. You want them to be able to see themselves in you. It helps the mansions and the millions go down smoother.”

“President Johnson!” Aegon says as he saunters over, huge mocking grin. He thumps a closed fist against the Texan’s broad chest; the Secret Service agents standing ten feet away observe this sternly. “How thoughtful of you to be here, taking time out of your busy schedule, squeezing us in between war crimes.”

“The mayor of Trenton,” LBJ jabs.

“The butcher of Saigon.”

Now the president is no longer amused. “You’ve never accomplished anything in your whole damn life, son. Your obituary will be the size of a postage stamp. I’m looking forward to reading it someday soon.” He leaves, rejoining Lady Bird at the opposite end of the room.

You frown at Aegon, disapproving. You’re dressed in a sparkling, royal blue gown that Aemond chose. “That was unnecessary.”

Aegon is wearing an ill-fitting green shirt—half the buttons undone—khaki pants, and tan moccasins. “I just did you a favor.”

“What happened to your new girlfriend? Shouldn’t she be getting railed in your basement right now? Did she have a prior commitment? Did she have a spelling test to study for? Those can be tricky, such complex words. Juvenile. Inappropriate. Infidelity.”

“You know what he brags about?” Aegon says, meaning LBJ. “That he’s fucked more women by accident than John F. Kennedy ever did on purpose.”

“That sounds…logistically challenging.”

“He’s a lech. He’s a freak. He tells everyone on Capitol Hill how big his cock is. He takes it out and swings it around during meetings.”

“And that’s all far less than admirable, but he’s not going to do something like that around me.”

“How do you know?”

“Because he’s not an idiot,” you say impatiently. “He was perfectly civil. And I was getting interesting advice.”

Aegon rolls his eyes, exasperated. “Yeah, okay, I’m sorry I crashed your cute little pep talk with Lyndon Johnson, the most hated man on the planet.”

“I guess you can’t stop Aemond from touching me, so you have to terrorize LBJ instead.”

“Shut the fuck up,” Aegon hisses, and his venom stuns you. And now you’re both trapped: you loosed the arrow, he proved you hit the mark. He’s flushing a deep, mortified red. Your guts are twisting with remorse.

“Aegon, wait, I didn’t mean—”

He whirls and storms off, shoving his way through the crowd. People glare at him as they clutch their glasses and plates, sighing in that What else do you expect from the worthless son? sort of way. You’re still gaping blankly at the place where Aegon stood when Aemond finds you, snakes a hand around the back of your neck, and whispers through the painstakingly-arranged wisps of hair that fall around your ear: “Follow me.”

It’s not a question. It’s a command. You trail him through the living room, into the foyer, and through the front door, not knowing what he wants. Outside the moon is a sliver; the light from the main house makes the stars hard to see. “Aemond, you’ll never believe the conversation I just had with LBJ. He really unloaded, I think the stress is driving him insane. I have to tell you what he said about—”

“Later.” And this is jarring; Aemond doesn’t put anything before strategy. He grabs your hand as he turns into Helaena’s garden, and only then do you understand what he wants. Instinctively, your legs lock up and your feet stop moving. Aemond tugs you onward. He wants it to be like the very first time. He intends to start over with you, the dawning of a new age in the dead of night.

Hidden in the circle of hedges, he takes your face roughly in his hands and kisses you, drinks you down like a vampire, consumes you like wildfire. But your skull echoes with panic. I don’t want him touching me. I don’t want another child with him. “Aemond…”

He doesn’t hear you, or acts like he doesn’t, or mistakes it for a murmur of desire, or chooses to believe it is. He has you down on the grass under the vengeful gaze of Zeus, the fountain splashing, the sounds of the house a low foreign drone. He yanks off your panties, but he doesn’t want you naked like he always did before. He pushes the hem of your shimmering cobalt gown up to your hips and unbuckles his trousers. And you realize as he’s touching you, as he’s easing himself into you: He doesn’t want to have to look at my scar.

You can’t ignore him, you can’t pretend it’s not happening. He’s too big for that. It’s a biting fullness that demands to be felt. So you kiss him back, and knot your fingers in his short hair like you used to, and try to remember the things you always said to him before. And when Aemond is too absorbed to notice, you look away from him, from the statue of Zeus, and peer up into the stone face of Athena instead: the goddess who never married and who knows the answer to every question.

“I love you,” Aemond says when it’s over, marveling at the slopes of your face in the dim ethereal light. “Everything will be right again soon. Everything will be perfect.”

You conjure up a smile and nod like you believe him.

“What did LBJ say?”

“Can I tell you later tonight? After the party, maybe? I just need a few minutes.”

“Of course.” And now Aemond pretends to be patient. He buckles his belt and returns to the main house, his blood coursing with the possibilities only you can make real, his skin damp with your sweat.

For a while—ten minutes, twenty minutes—you lie there on the cool grass wondering what it was like for all those mortals and nymphs, being pinned down by Zeus and then having Hera try to kill them afterwards, raising ill-fated reviled bastards they couldn’t help but love. What is heaven if the realm of the immortals is so cruel? Why does the god of justice seem so immune to it?

When at last you rise and walk back towards the house, you find Mimi at the edge of the garden. She’s on her knees and retching into a rose bush; she’s cut her face on the thorns, but she hasn’t noticed yet. She’s groaning; she seems lost.

You reach for her, gripping her bony shoulders. “Mimi, here, let’s get you upstairs…”

“No,” she blubbers, tears streaming down her scratched cheeks. “Just go away. Leave me.”

“Mimi—”

“No!” she roars, a mournful hemorrhage as she slaps your hands until you release her.

“You don’t have to be this way,” you tell her, distraught. “You can give up drinking. We’ll help you, me and Fosco and Ludwika. You can start over. You can be healthy and present again, you can live a real life.”

Mimi stares up at you, her grey eyes glassy and bloodshot but with a vicious, piercing honesty. “My husband hates me. My kids don’t know I exist. What the hell do I have to be sober for?”

You weren’t expecting this. You don’t know what to say. “We can help make the world better.”

“The world would be better without me in it.”

Then Mimi curls up on the grass under the rose bush, and stays there until you return with Fosco to drag her upstairs to her empty bed.

~~~~~~~~~~

The next afternoon, you’re lying on a lounge chair by the pool. Tomorrow the family will leave Asteria and embark upon a vigorous campaign schedule that will continue, with very few breaks, until Election Day on Tuesday, November 5th. The children are splashing and shrieking in the pool with Fosco, but you aren’t looking at them. You’re staring across the sun-drenched emerald lawn at the Atlantic Ocean. You’re envisioning all the bones and splinters of sunken ships that must litter the silt of the abyss; you’re thinking that it’s a graveyard with no headstones, no memory. Your swimsuit is a red one-piece. Your eyes are shielded by large black Ray Bans aviator sunglasses. Your gaze flicks up to the cloudless blue sky, where all the stars and planets are invisible.

Jupiter has nearly a hundred moons; the largest four were discovered by Galileo in 1610. Europa is a smooth white cosmic marble with a crust of ice, beautiful, immaculate. Ganymede, the largest moon in our solar system and the only satellite with its own magnetic field, is rumored to have a vast underground saltwater ocean that may contain life. Callisto is dark and indomitable, riddled with impact craters; because of her dynamic atmosphere and location beyond Jupiter’s radiation belts, she is considered the best location for possible future crewed missions to the Jovian system. But Io is a wasteland. She has no water and no oxygen. Her only children are 400 active volcanoes, sulfur plumes and lava flows, mountains of silicate rock higher than Mount Everest, cataclysmic earthquakes as her crust slips around on a mantle of magma. Her daily radiation levels are 36 times the lethal limit for humans. If Hades had a home in our corner of the galaxy, it would be Io. She glows ruby and gold with barren apocalyptic fury. You can feel yourself turning poisonous like she is. You can feel your skin splitting open as the lava spills out.

Aegon trots out of the house—red swim trunks, cheap red plastic sunglasses, no shirt, a beach towel slung around his neck, flip flops—and kicks your chair. “Get up. We’re going sailing.”

“I don’t want to talk to anybody.”

“Great, because I’m not asking you to talk. I’m telling you to get in my boat.”

You don’t reply. You don’t think you can without your voice cracking. Aegon crouches down beside your chair and pushes your sunglasses up into your Brigitte Bardot-inspired hair so he can see your face. Your eyes are pink, wet, desperately sad. Deep troubled grooves appear in his forehead as he studies you. Gently, wordlessly, he pats your cheek twice and lowers your sunglasses back over your eyes. Then he stands up again and offers you his hand.

“Let’s go,” Aegon says, softly this time. You take his hand and follow him down to the boathouse.

Five vessels are currently kept there. Aegon’s sailboat is a 25-foot Wianno Senior sloop, just roomy enough for a few passengers. He’s had it since long before you married into the Targaryen family. It is white with hand-painted gold accents; the name Sunfyre adorns the stern. He unmoors the boat, pushes it out into the open water, and raises the sails.

You glide eastbound over the glittering crests of waves, slowly at first, then faster as the sails catch the wind. Aegon has one hand on the rudder, the other grasping the ropes. And the farther you get from shore, the smaller Asteria seems, and the Targaryen family, and the presidential election, and the United States itself. Now all that exists is this boat: you, Aegon, the squawking gulls, the school of mackerel, the ocean. The sun beats down; the breeze rips strands of your hair free. The battery-powered record player is blasting White Room by Cream. When you are far enough from land that no journalists would be able to get a photo, Aegon takes two joints and his Zippo out of the pocket of his swim trunks. He puts both joints between his lips, lights them, and passes you one. Then he stretches out beside you on the deck, gazing up at the September sky.

You ask as your muscles unravel and your thoughts turn light and easy to share: “Why did you bring me out here?”

“So you can drown yourself,” Aegon says, and you both laugh. “Nah. I used to go sailing all the time when I was a teenager. It always made me feel better. It was the only place where I could really be alone.”

You consider the math. “Wow. You haven’t been a teenager since before I was in kindergarten.”

“It’s weird to think about. You don’t seem that young.”

“Thanks, I guess. You don’t seem that old.”

“Maybe we’re meeting in the middle.” He inhales deeply and then exhales in a rush of smoke. “What do you think, should I get an earring?”

“Yeah.”

“Why?”

“It might shock Otto so bad it kills him.”

“I’ll get two.” And then Aegon says: “It’s not cool for you to mock me.”

You are dismayed; you didn’t mean to hurt him. “I wasn’t.”

“Yes, you were. You were mocking me. You mocked me about the receipt under my ashtray, and then you mocked me again last night. I’m up for a lot of things, but I can’t handle that. Okay?”

“Okay.” You turn your head so you can see him: shaggy blonde hair, stubble, perpetual sunburn, the softness of his belly and his chest, flesh you long to vanish into like rain through parched earth. “Aegon?”

He looks over at you. “Io?”

“I don’t want Aemond to touch me either.”

He’s surprised; not by what you feel, but because you’ve said it aloud, a treason like Prometheus giving mankind the gift of fire. “What are we gonna do about it?”

If you were the goddess of wisdom, maybe you’d know.

#aegon ii targaryen #aegon targaryen #aegon targaryen ii #aegon ii #aegon targaryen x reader #aegon x reader #aegon ii x y/n #aegon ii x you #aegon ii targaryen x reader #aegon ii x reader #aegon ii fanfic #aegon ii fic

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mimi-0007 · 9 months ago

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FATHER & SON: James Earl Jones with his Father Robert Earl Jones on Stage in the 1962 Production "Moon on a Rainbow Shawl."

Robert Earl Jones (February 3, 1910 – September 7, 2006), sometimes credited as Earl Jones, was an American actor and professional boxer. One of the first prominent Black film stars, Jones was a living link with the Harlem Renaissance of the 1920s and 1930s, having worked with Langston Hughes early in his career.

Jones was best known for his leading roles in films such as Lying Lips (1939) and later in his career for supporting roles in films such as The Sting (1973), Trading Places (1983), The Cotton Club (1984), and Witness (1985).

Jones was born in northwestern Mississippi; the specific location is unclear as some sources indicate Senatobia, while others suggest nearby Coldwater. He left school at an early age to work as a sharecropper to help his family. He later became a prizefighter. Under the name "Battling Bill Stovall", he was a sparring partner of Joe Louis.

Jones became interested in theater after he moved to Chicago, as one of the thousands leaving the South in the Great Migration. He moved on to New York by the 1930s. He worked with young people in the Works Progress Administration, the largest New Deal agency, through which he met Langston Hughes, a young poet and playwright. Hughes cast him in his 1938 play, Don't You Want to Be Free?.

Jones also entered the film business, appearing in more than twenty films. His film career started with the leading role of a detective in the 1939 race film Lying Lips, written and directed by Oscar Micheaux, and Jones made his next screen appearance in Micheaux's The Notorious Elinor Lee (1940). Jones acted mostly in crime movies and dramas after that, with such highlights as Wild River (1960) and One Potato, Two Potato (1964). In the Oscar-winning 1973 film The Sting, he played Luther Coleman, an aging grifter whose con is requited with murder leading to the eponymous "sting". In the later 20th century, Jones appeared in several other noted films: Trading Places (1983) and Witness (1985).

Toward the end of his life, Jones was noted for his stage portrayal of Creon in The Gospel at Colonus (1988), a black musical version of the Oedipus legend. He also appeared in episodes of the long-running TV shows Lou Grant and Kojak. One of his last stage roles was in a 1991 Broadway production of Mule Bone by Hughes and Zora Neale Hurston, another important writer of the Harlem Renaissance. His last film was Rain Without Thunder (1993).

Although blacklisted by the House Un-American Activities Committee in the 1950s due to involvement with leftist groups, Jones was ultimately honored with a lifetime achievement award by the U.S. National Black Theatre Festival.

Jones was married three times. As a young man, he married Ruth Connolly (died 1986) in 1929; they had a son, James Earl Jones. Jones and Connolly separated before James was born in 1931, and the couple divorced in 1933. Jones did not come to know his son until the mid-1950s. He adopted a second son, Matthew Earl Jones. Jones died on September 7, 2006, in Englewood, New Jersey, from natural causes at age 96.

THEATRE

1945 The Hasty Heart (Blossom) Hudson Theatre, Broadway

1945 Strange Fruit (Henry) McIntosh NY theater production

1948 Volpone (Commendatori) City Center

1948 Set My People Free (Ned Bennett) Hudson Theatre, Broadway

1949 Caesar and Cleopatra (Nubian Slave) National Theatre, Broadway

1952 Fancy Meeting You Again (Second Nubian) Royale Theatre, Broadway

1956 Mister Johnson (Moma) Martin Beck Theater, Broadway

1962 Infidel Caesar (Soldier) Music Box Theater, Broadway

1962 The Moon Besieged (Shields Green) Lyceum Theatre, Broadway

1962 Moon on a Rainbow Shawl (Charlie Adams) East 11th Street Theatre, New York

1968 More Stately Mansions (Cato) Broadhurst Theatre, Broadway

1975 All God's Chillun Got Wings (Street Person) Circle in the Square Theatre, Broadway

1975 Death of a Salesman (Charley)

1977 Unexpected Guests (Man) Little Theatre, Broadway

1988 The Gospel at Colonus (Creon) Lunt-Fontanne Theatre, Broadway

1991 Mule Bone (Willie Lewis) Ethel Barrymore Theatre, Broadway

FILMS

1939 Lying Lips (Detective Wenzer )

1940 The Notorious Elinor Lee (Benny Blue)

1959 Odds Against Tomorrow (Club Employee uncredited)

1960 Wild River (Sam Johnson uncredited)

1960 The Secret of the Purple Reef (Tobias)

1964 Terror in the City (Farmer)

1964 One Potato, Two Potato (William Richards)

1968 Hang 'Em High

1971 Mississippi Summer (Performer)

1973 The Sting (Luther Coleman)

1974 Cockfighter (Buford)

1977 Proof of the Man (Wilshire Hayward )

1982 Cold River (The Trapper)

1983 Trading Places (Attendant)

1983 Sleepaway Camp (Ben)

1984 The Cotton Club (Stage Door Joe)

1984 Billions for Boris (Grandaddy)

1985 Witness (Custodian)

1988 Starlight: A Musical Movie (Joe)

1990 Maniac Cop 2 (Harry)

1993 Rain Without Thunder (Old Lawyer)

TELEVISION

1964 The Defenders (Joe Dean) Episode: The Brother Killers

1976 Kojak (Judge) Episode: Where to Go if you Have Nowhere to Go?

1977 The Displaced Person (Astor) Television movie

1978 Lou Grant (Earl Humphrey) Episode: Renewal

1979 Jennifer's Journey (Reuven )Television movie

1980 Oye Ollie (Performer) Television series

1981 The Sophisticated Gents (Big Ralph Joplin) 3 episodes

1982 One Life to Live

1985 Great Performances (Creon) Episode: The Gospel at Colonus

1990 True Blue (Performer) Episode: Blue Monday

#james earl jones #black tumblr #black literature #black community #black excellence #blackexcellence365 #actor #robert earl jones #stage actor

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sayruq · 1 year ago

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The Death Rattle of American Domination

In spite of their confidence, the Biden administration and "Israel" have miscalculated the impenetrability of their public relations campaign, which clothes itself in doublespeak and chilling euphemisms for mass slaughter. The invocation of the meekness of "Israel" and its "right to self-defense" had all but stifled any reference to Palestinian self-determination—but now, Gaza has become a siren call for the global rank and file, who continue to disrupt and bring cities to a standstill. And on their lips is not just Gaza but "Palestine". The administrative pomp and circumstance masking "Israel's" obscene occupation is crumbling. Palestinians are agents of history in "Israel's" war of attrition, and they are refusing to abide by their occupier's terms; instead, they are consciously aware that history will absolve them and their Resistance. The United States' colonial outpost cannot hold, nor can it continue the slow genocide of the Palestinians without a price. Editorial sympathy for the Israeli worldview is being challenged by a new generation which will not abide by the Zionist adage that "the old will die and the young will forget". For every Qana, there is a Bint Jbeil; for every Jabalia, there is a Beit Hanoun. For every death, new life will emerge, more resolute than the last. Despite what has unfolded, Gaza still stands. The "Middle East" of the American imagination—of domination, fealty, and Arab humiliation—has fallen, and a new, more defiant region has risen in its place. Long live the new world.

Great article. I urge you all to read it.

#yemen #jerusalem #tel aviv #current events #palestine #free palestine #gaza #free gaza #news on gaza #palestine news #news update #war news #war on gaza #liberation #palestinian resistance

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cavalierzee · 10 months ago

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"Our Enemies Kill Themselves"

“I Will No Longer Be Complicit In Genocide!”

“If a time comes when Palestinians regain control of their land, and if the people native to the land would be open to the possibility, I would love for my ashes to be scattered in a free Palestine.”

“FREE PALESTINE!”

(Last words of Aaron Bushnell)

America’s only and greatest ally is disrespecting and calling a dead US soldier their enemy and mocking him by stating:

“Our Enemies Kill Themselves!”

When will the American government wake up???

Hamas have paid more respect to a fallen US soldier than American Zionists:

“We in the Islamic Resistance Movement (Hamas) express our deepest condolences and our full solidarity with the family and friends of the American pilot Aaron Bushnell, whose name has been immortalized as a defender of human values and the oppression of the Palestinian people who are suffering because of the American administration and its unjust policies, as well as the American activist Rachel Corrie, who was crushed by a Zionist bulldozer in Rafah in In 2003, it is the same city that Bushnell paid with his life for putting pressure on his country’s government to prevent the criminal Zionist army from attacking it and committing massacres and violations there.

The administration of US President Biden bears full responsibility for the death of US Army pilot Aaron Bushnell due to its policy that supported the Nazi Zionist entity in its war of extermination against our Palestinian people, as he gave his life in order to shed light on the Zionist massacres and ethnic cleansing against our people in the Gaza Strip.

The heroic pilot, Aaron Bushnell, will remain immortal in the memory of our Palestinian people and the free people of the world, and a symbol of the spirit of global human solidarity with our people and their just cause.

The tragic accident that cost Pilot Bushnell his life is an expression of the growing state of anger among the American people who reject their country’s policy that contributes to the killing and extermination of our people, and who reject their government’s violation of universal human values, by providing cover to ensure the impunity of the entity and its Nazi leaders from punishment and accountability.”

Aaron Bushnell will NEVER BE FORGOTTEN!

Salute to this great man!

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mrcavill88 · 1 year ago

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A twist in time

Pairing: Captain America Chris Evans x Male Reader x Superman Henry Cavill

Summary: A sudden ravaging force made its rampage through space and time, causing an unwanted rupture within the greater omniverse. The citizens of earth are left broken, sorrowful, and desperate as it seems all hope is lost. The only faith left in humanity stands within two veteran superheroes, both from different timelines. They two are on the verge of giving up as Earth is expected to reach its end, but a certain someone might be the last thing keeping them going

Word count: 3.3k+

Warnings: 18+, Heavy angst, mentions of family loss, mass poverty, hunger, depression, slight dirty thoughts, kissing, mugging, mentions of sexual assault, fluff, death, crying

A/N: Hey everyone! Back with another fic. I decided to try something different, this one is definitely more emotional and heavy than my other fics. Please let me know, in the comments, if you guys like this style! Thanks!

*FLASHBACK 6 months prior to the tragedy*

"Three, two, one- Happy birthday dad!" you exclaimed as the people around you cheered and hollered in celebration of your wonderful father's 55th birthday. The atmosphere was ebullient and blissful. You were surrounded by all your friends and loved ones, what could possibly go wrong?

Your life was quite typical, nothing eccentric ever happened, you just lived a normal American life.

A bright smile emerged onto your father's face as he blew the candles out on his cake, such a campy, traditional method of celebrating a birthday. "Oh thank you everyone! You guys have truly made this such a memorable day for me! God bless you a-" your dad couldn't even finish his last word before the ground beneath you violently flipped and the world around you collapsed in mere seconds.

A boisterous cacophony filled the air as a great, morose darkness consumed the world as you knew it. An immense dizziness poisoned your head as you arose from the coarse ground. A feeling of deep disparity and confusion puzzled your brain as your eyes slowly became crystal pools.

How quickly the atmosphere changed

The most beloved people in your lives were all happy in one place, celebrating a great event; the next thing you know, those same people lay beside you, their bodies lifeless, clothed in debris. You tried to stand up but a stinting pain penetrated your skin, right below you kneecaps. You could only crawl your way through the endless amount of rubble and bodies that surrounded you. You made your way out the door of the party venue to see the most intriguing, yet absolutely horrifying landscape you've ever seen in your life.

Absolutely pandemonium

Skyscrapers crumbling into the ground, children frenetically running around - trying desperately to find their parents - , the sounds of screams and cries scattered across the city as fear consumed everybody's souls. The wind brushed your face as you watched the city you grew up in, fall to ruins in an instant.

"What the hell happened?" you thought to yourself, witnessing absolute global destruction.

"What exactly caused this? A natural disaster? Terrorist attacks?"

None. What happened was beyond any human's comprehension. A force of mass hatred, destruction, and hunger powered through space and time. A pan-dimensional entity, fueled by enmity, was on a quest to consume the infinite cosmos, and it has just reached Earth.

But in the midst of all this chaos, two blue figurines caught your eye as they blazed through all the commotion and falling buildings. A sudden ray of light in the ever-growing darkness, a spark of hope in an infinite pit of sorrow. You tried to make out who the two beings were, they were moving so fast, they looked, inhuman. You limped over to a stop sign, trying to make out what it was.

A more clear sight of the heroes stunned you as you could finally make out the two images: what looked to be, Captain America and Superman of all people.

But it couldn't be, right? They only existed in fiction and were just a simple idea of mankind. But it was real, it was so real. They were humanity's last hope, their only hope.

*FLASHFORWARD to present day*

You finally woke up from your everlasting slumber. After everyone you loved was gone, taking your life seemed to be the best option to end the endless cycle of pain and loss you felt. The shelter you stayed at wasn't amazing either; all the citizens of your city crammed into one facility, trying to make ends meet.

And this morning was no different from any other, the unpleasant smell of expired food painted a sour expression on your face.

You slouched off the bed, dragging your limbs to the door of your bunk. A tear staining your cheek as you reminisced the days where you were happy, when you had people you could turn to; all that down the drain, and now, you had no one.

It's been days since you left your bunk. You practically trapped yourself here, never wanting to interact with another human ever again. But your body was calling out to you: you were so fucking hungry.

Even though you grew extremely distant from the world, something fueled you to keep going, almost like, a fire igniting deep inside you. You opened the door, greeted by the cold, smoky air; something everyone was quite used to at this point.

You walked over to the bathrooms, the stench that grew on you starting to really bemuse you. The door opened and, there he was. The ever-so-infamous Captain America.

You stared into his cold blue eyes, his blond hair elegantly quaffed.

"Can I help you?" he asked, staring down at your much smaller figure.

You were completely taken aback by his daunting appearance. He was tall, around 6'2", stacked with muscle and chiseled to the bone. His eyebrow raised as he waited for your response, crossing his arms, showing off his biceps that were accented by his white tank top.

"Chris Evans?" you said, still suspicious of who the man really was.

"Who? I'm not really sure who that is. I'm surprised you don't know me" he said, questioning what you just said.

"Steve Rogers, Captain America, some might say, pleasure to meet you" holding his hand out for you to shake it.

You hesitantly shook his hand, still not completely sure what was going on.

"Pleasure to meet y-you too. H-how exactly are you, real?" you asked, staring into his eyes.

"Haha yeah I know this whole get up seems funny, but I'm 100% real. I know the muscles and the good looks are a lot, but I'm just a kid from Brooklyn, a really, really lucky kid from Brooklyn" he chuckled.

You didn't exactly know how to feel. You felt like you were in some kind of virtual reality, what else could it be? You were talking to Captain America of all people! But little did you know that reality was nothing but a concept, a toy for a greater entity to play with.

Besides the fact that you were talking to a literal superhero, something else was puzzling your brain. A feeling that coursed through your brain, the feeling of, love. You just met this man, but you wanted him, you absolutely needed him.

"Uhm, it was nice meeting you. It's great to talk to someone else that isn't Superman, oh that selfless log. But uhm, yeah, I'll see you soon. And what was your name again? I don't remember if you told me?" he said, putting on a tight muscle shirt.

"Y/N" you said, cheeks flustered bright pink.

"Y/N, I like that name. Well, see you soon, Y/N"

You watched as the man walked into the facility base, completely awestruck by his charm. If only you knew that those same feelings were rumbling inside his stomach.

You washed up, put on a new pair of clothes, and made your way to the dining hall. You were so beyond hungry, a simple bowl of cereal could fulfill your needs. You got in line at the kitchen as the lunch ladies put some gray porridge onto your plate.

The fresh look on your small face disappeared at the sight of maggots and flies crawling around your "breakfast". You sat down as you forced the muddy slop into your mouth; you felt your tastebuds begin to suffer and cry as you continued eating it.

That's when you felt a strong hand grab your shoulder, its grip tight and sturdy.

"Hey Y/N! It's me again, haha. I'd like to introduce you to my friend. This is Clark, I'm sure you know all about him, but the people in this world are pretty different from mine."

"Hey there Y/N, Clark Kent, you probably know me as Superman"

"Hi! Huge fan. But, I'm confused. I know things are pretty crazy, but how exactly did you, come to life? I mean on this Earth, I don't know about your earth, Captain America and Superman are just fictional characters" you said, still completely puzzled by the two heroes' existences

They both looked at each with great confusion and ambivalence.

"Listen, Y/N. We're just as confused as you are, nothing really makes sense right now. We've lost so many lives, lots of good people, but there's no solid explanation. From what we know, there's something, out there. We're not quite sure what it is but it's slowly destroying reality as we know it. I guess this thing caused a rift in the space time continuum, that's why we're on this planet. Everything is so, unfamiliar" Clark said, his voice a little raspy and shaken.

"We're trying everything we can to save the world but, nothing's working" Steve said, his hand rubbing his chin.

"Well I think it's best for you two to stay strong! Come on! The world's Earth's defenders can defend Earth! I believe in you guys" you said, full of optimism. You farewelled the two men before leaving the dining room. Clark's eyes immediately scanned your ass, his x-ray vision seeping through your pants.

"Oh someone's got a little crush" Steve giggled, cleaning up some of the tables.

"H-hey! That's not true! I'm loyal!" Clark yelled, sounding furious.

"Loyal to someone who's dead? Yeah that doesn't exist anymore"

All Clark saw was red, he grabbed Steve's neck, gripping it tightly as he looked Steve deep in the eye.

"You wanna repeat that Captain?" he said, his eyes starting to glow a scarlet red.

"H-hey hey! Easy man, I was just playing, don't take it personally"

Clark let go of Steve's neck, still a little irritated by Steve's ignorant comment.

"Sorry, it's just Lois' death, I can't live without her" Clark said, his eye sockets beginning to fill with tears.

Clark never talked about his feelings, he was Superman, after all. Steve was the only person who knew of Clark's depression after Lois' death.

"Hey, you have a lot to live for! You're Superman! You're my best bud, I lost my family, my best friend, my colleagues, and I still stay with my head up. And besides, Y/N is mine" Steve said, with slight sarcasm in his voice.

"Yeah right. He'd choose me in a fucking heartbeat. Like you said, I'm Superman"

"Oh please! Y/N has known me for longer and don't forget, I'm Captain America!"

"Fuck you" Clark murmured under his breath.

"In your dreams"

*FLASHFORWARD 30 minutes later*

You decided to take some time outside of the facility, take a trip down memory lane, if you will. You walked out of the gates and into the city, tears filled your eyes as you saw the city you loved, smashed to pieces.

You walked on the sidewalk, the same sidewalk you took on the way to school, the memories bringing an immense bittersweet feeling.

You lived in the heart of NYC, the city was bustling with people everyday. Now the city has become a dour ruin, nothing more than debris, rubble, and smoke.

You turned the corner of a run-down building and crossed a dark alleyway. But the sight of the alleyway left you completely frozen in fear and anxiety.

Seven cloaked men were huddling up when they noticed you, their eyes went from bloodshot with drugs to lustful.

"Oh look who it is? A beautiful little doe? What're you doing in these parts?" the tallest man said, his large figure terrifying you.

You instantly ran out of the alleyway and started running back to the facility. Your adrenaline kicked in as the men chased you, getting closer and closer with each step.

You turned the corner of an abandoned hospital and just your luck: a dead end.

The men cornered you, rubbing their hands together, prepared to do horrible things to you.

"Oh what a beautiful thing you are!" the tallest man said as the men grabbed you and pinned you against the wall. Their cold, grimy hands removing your pants from your body. Slapping and fondling with your cheeks, ready to remove your last layer of protection.

The big man's hand groped your thigh as he stuck his hand down your underwear, tears streaming down your cheeks.

"P-please, hel-" you yelped out before a seeming gust of wind whipped past your face; and in an instant, the men were gone.

The daunting nightmare you were living in all disappeared.

"W-what was that?" you thought to yourself before a tall blue figure slowly descended to the ground.

"You really shouldn't be here, Y/N. There's dangerous people that might hurt you" Clark said, the slightest bit of sarcasm in his voice.

You rolled your eyes as the man nonchalantly stood there.

"Oh not even a thank you, Y/N? Come on!" he scoffed, crossing his arms.

"Thank you, Clark" you said, trying to walk out of the alleyway before a large hand strongly gripped your waist.

"I think I deserve a bigger apology, Y/N. I saved your life you know?" he whispered, his face practically inches away from yours now.

"W-what do you want from me? Are you gonna mug me too?" You tried to squirm out of his grip, your efforts completely useless against his otherworldly strength.

Your crystal blue eyes sunk into his before he connected his smooth pink lips onto yours. The atmosphere around you completely changed as the warm and tender feeling of absolute love filled the air.

He softly grabbed the back of your neck, stroking your hair as he caressed your soft, black hair. You were so in love. Delicate butterflies swarmed your stomach as the most powerful being on Earth, was passionately kissing you.

Minutes passed by, seemingly hours, nothing could ever separate you two. He pulled out, making you whine, desperate to feel the man again.

"Let's go home, baby" he kindly gestured, grabbing your waist before flying back to the city, you, completely safe and secure in his grip.

But little did you know that you and Clark had a small audience present at your love filled show. Steve

Absolute anger and envy consumed his body as he stood there, hidden behind a mailbox. Tears jerked from his eyes as his new best friend was kissing the love of his life.

"Damn it! DAMN IT!" he yelled out, kicking a trash can next to him, completely enraged. But not even Steve was alone, the city was filled with poverty; the people who ended up trapped in the city were left hopeless. Unfortunately their guardian angel never showed up.

Steve was a mess. A pit of sorrow planted in his stomach as he walked back to the facility. But a certain woman ran out from the corner, her clothes ragged and dirty.

"P-please help us! I-if you can't take me, please take my baby! I beg you!" she cried, holding up a crying baby to Steve's face.

"Get away from me! You dirty hag!" he screamed, pushing the woman.

Steve's sudden change in attitude left a toll on him; the new Steve wasn't interested in saving people, he just wanted to be with you, forever.

*FLASHFORWARD 30 minutes*

You sat in your bed, still jovial about your little moment with Clark, you really loved him.

*knock*

"Who could it be?" you thought, opening the door.

It was Steve. His angry eyebrows and tall figure scaring you as he walked into your bunk, locking the door.

"Do you know why I'm here, Y/N?"

You gulped, sweat accumulated on your forehead as you stared at the man.

"N-no"

"Why you little-" he scoffed, grabbing your collar, pulling you toward him.

"Listen, you little slut. I know what you and Clark did. Don't think he loves you, Y/N. You really think he does? He just needs a filler because Lois is gone. Don't be stupid, Y/N. You're mine! Alright?" he said, his breath hot and heavy.

Your eyes became pools as the man you trusted, respected, loved, called you a slut. You ran out of your room, your feelings hurt and betrayed. At this point, who could you turn to?

"W-wait! Y/N! Oh Fuck! What have I become?" Steve cried, his hands holding face as the love of his life just ran away from him.

You ran into Clark's bunk, knowing he was the only person you could trust right now, and hugged him.

"Y/N? W-what's wrong baby? I hate to see you cry" he said, caressing your hair.

"I-it's nothing. Steve, he's, upset. I think he saw what we did."

"Steve? Oh you're kidding!" he laughed out.

"I knew he liked you! But I didn't know he liked you, that much. Don't be sad, Y/N. Steve is just, very emotional. His emotions take over his actions and I guess he was just not feeling it. I'm sure he'll apologize, take my word for it" Clark said, hugging you tightly.

Coincidentally, Steve walked into Clark's bunk, a pile of dead flowers in his hand.

"H-hey, Y/N. Sorry about earlier. I, I don't know what came over me, I was just, really, really jealous. If you two are happy together, I shouldn't come in the way of that. I want you to be happy. Please forgive me" he kindly apologized, awkwardly giving you the flowers.

"Aw, thanks Steve. Don't stress it, I guess why you would want me" you giggled, holding the withering flowers.

"Thank you, Y/N" he said, tears falling down his cheeks as he hugged you, his grip firm and tender.

Clark watched as you two made up, a warm smile drawn on his face as happiness filled the air.

*FLASHFORWARD 2 weeks*

Things couldn't have been better between you three. You weren't necessarily dating but, you were hopelessly in love with the two men.

"Hey, Y/N! You wanna come help me serve dinner?" Steve said, gesturing his hand to you.

You walked over to the kitchen, the food quality definitely improved from back then. Everything was perfect. Even if the majority of the Earth was in ruins, you were in love.

Then it happened.

The ground flipped beneath you and Steve, the walls of the facility crumbling down, debris falling from above.

"Y/N! Y/N! Are you okay?" Steve cried out, searching for you in the midst of all the concrete.

"S-steve! I n-need help!" you groaned, as your skinny body was trapped beneath a large refrigerator.

Steve rushed to your aid, effortlessly prying the fridge off of you, scooping you up before you two ran out of the facility.

The horrors you faced outside were like none before. Whatever ruined the Earth before, was back, and it was back for more.

Everything was being sucked in. All the last remnants of Earth being eaten by this demonic force.

Steve tightly held onto you, not wanting to be separated. Your screams broke his heart as the world was nearing an end.

"Y/N!" Clark yelled, flying down from the sky, holding onto you and Steve.

"Y/N! We can't hold on much longer! We have to help the other people! We, we love you, Y/N!" they cried, before letting go of you. However safe you felt earlier, was all gone as they let go of you.

"Clark! Steve! Where are you guys! Please! Answer me!" you yelled, trying to find the two men, running around the destroyed facility.

You've been through plenty of trauma; you already witnessed the first end of the Earth but nothing was quite like this.

Your eyes looked up as the ambiguous image of the sky filled your eyes.

That's when you saw it

It was Clark and Steve. Their bodies were being hopelessly sucked into the primordial force, their efforts to fight back, completely useless.

"Y/N! We, we love you!" they yelled, before their bodies were sucked into the abyss.

"Why should I live?"

"What did I do to deserve this?"

Thoughts that filled your head as you fell to your knees. Your heart shattered into countless pieces as you just witnessed the death of the only two people you loved.

Love is bittersweet. It's good while it lasts, but, when it's gone, it hurts.

You hurt

THE END

#fanfic #gay #captain america #superman #captain america x you #captain america x male reader #captain america x y/n #chris evans x male reader #chris evans x y/n #superman x reader #superman x male reader #superman x y/n #henry cavil x y/n #henry cavill x male reader #angst #fluff

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specialagentartemis · 2 years ago

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Black Women writing SFF

The post about Octavia Butler also made me think about the injustice we do both Butler, SFF readers, and Black women SFF writers by holding her up as the one Black Woman Writing Sci-Fi. She occupies an important place in the genre, for her creativity, the beauty and impact of her writing, and her prolific work... but she's still just one writer, and no one writer works for everybody.

So whether you liked Octavia Butler's books or didn't, here are some of the (many!!! this list is just the authors I've read and liked, or been recommended and been wanting to read) other Black women writing speculative fiction aimed at adults, who might be writing something within your interest:

N. K. Jemisin - a prolific powerhouse of modern sff. Will probably have something you'll like. Won three Hugo awards in a row for her Broken Earth trilogy. I’ve only read her book of short stories, How Long ‘Til Black Future Month? and it is absolutely story after story of bangers. Creative, chilling, beautifully written, make you think. They’re so good and I highly recommend the collection. Several of her novels have spun out of premises she first explored through these short stories, most recently “The City Born Great” giving rise to her novel The City We Became. Leans more fantasy than sci-fi, but has a lot of both, in various permutations.

Nisi Shawl - EDIT: I have been informed that Nisi Shawl identifies as genderfluid, not as a woman. They primarily write short stories that lean literary. Their one novel that I’ve read, Everfair, is an alternate-history 19th century that asks, what if the Congo had fought off European colonization and became a free and independent African state? Told in vignettes spanning decades of political organization, political movements, war tactics, and social development, among an ensemble of local African people, Black Americans coming to the new country, white and mixed-race Brits, and Chinese immigrants who came as British laborers.

Nnedi Okorafor - American-Nigerian writer of Africanfuturism, sci-fi stories emphasizing life in present, future, and alternate-magical Africa. She has range! From Binti, a trilogy of novellas about a teenage girl in Namibia encountering aliens and balancing her newfound connection to space with expectations of her family; to Akata Witch, a middle-grade series about a Nigerian-American girl moving to Nigeria and learning to use magic powers she didn’t know she had; to Who Fears Death, a brutal depiction of magical-realism in a futuristic, post-war Sudan; to short stories like "Africanfuturism 419", about that poor Nigerian prince who’s desperately sending out those emails looking for help (but with a sci-fi twist), and "Mother of Invention" about a smart house taking care of its human and her baby… she’s done a little bit of everything, but always emphasizes the future, the science, and the magic of (usually western) Africa.

Karen Lord - an Afro-Caribbean author. I actually didn’t particularly like the one novel by her I’ve read, The Best of All Possible Worlds, but Martha Wells did, so. Lord has more novels set in this world—a Star Trek-esque multicultural, multispecies spacefuture set on a planet that has welcomed immigrants and refugees for a long time, and become a vibrant multicultural planet. I find her stories rooted in near-future Caribbean socio-climatic concerns like "Haven" and "Cities of the Sun" and her folktale-fantasy style Redemption in Indigo more compelling. And more short stories here.

Bethany C. Morrow - only has one novella (short novel?) for adults, Mem, but it was creative and fascinating and good and I’d be remiss not to shout it out. In an alternate-history 1920s Toronto, scientists have discovered how to extract specific memories from a person—but then those memories are embodied as physical, cloned manifestations of the person at the moment the memory was made. The main character is one such “Mem,” struggling to determine who she is if she was created from and defined by one single traumatic memory that her original-self wanted to remove. It’s mostly quiet, contemplative, and very interesting. (Morrow has some YA novels too. I read one of them and thought it was okay.)

Rebecca Roanhorse - Afro-Indigenous, Black and "Spanish Indian" and married into Diné (Navajo). I’ve read her ongoing post-apocalyptic fantasy series starting with Trail of Lightning, and am liking it a lot; after a climate catastrophe, the spirits and magic of the Diné awakened to protect Dinetah (the Navajo Nation) from the onslaught; and now magic and monsters are part of life in this fundamentally changed world. Coyote is there and he is only sometimes helpful. She also has a more traditional second-world epic high fantasy, Black Sun, an elaborate fantasy world with quests and prophecies and seafaring adventure that draws inspiration from Indigenous cultures of the US and Mexico rather than Europe. She also has bitingly satirical and very incisive short stories like “Welcome to Your Authentic Indian Experience” about virtual reality and cultural tourism, and the fantasy-horror "Harvest."

Micaiah Johnson - her multiverse-hopping novel The Space Between Worlds plays with alternate universes and alternate selves in a continuously creative and interesting way! The setup doesn’t take the easy premise that one universe is our own recognizable one that opens up onto strange alternate universes—even the main character’s home universe is wildly different in speculative ways, with the MC coming from a Mad Max-esque desert community abandoned to the elements, while working for the universe-travel company within the climate-controlled walled city where the rich and well-connected live and work. Also, it’s unabashedly gay.

And if you like audiobooks and audio fiction (I listened to The Space Between Worlds as an audiobook, it’s good), then Jordan Cobb is someone you should check out. She does sci-fi/horror/thriller audio drama. Her works include Janus Descending, a lyrical and eerie sci-fi horror about a small research expedition to a distant planet and how it went so, so wrong; and Descendants, the sequel about its aftermath. She also has Primordial Deep, about a research expedition to the deep undersea, to investigate the apparent re-emergence of a lot of extinct prehistoric sea creatures. She’s a writer/producer I like, and always follow her new releases. Her detailed prose, minimal casts (especially in Janus Descending), good audio quality, and full-series supercuts make these welcoming to audiobook fans.

Nalo Hopkinson - a writer who should be considered nearly as foundational as Octavia Butler, honestly. A novelist and short story writer with a wide variety of sci-fi, dystopian futures, fairy-tale horror, gods and epics, and space Carnival, drawing heavily from her Caribbean experiences and aesthetics.

Tananarive Due - fantastical/horror. Immortals, vampires, curses, altered reality, unnerving mystery. Also has written a lot of books.

Andrea Hairston - creative and otherworldly, weird and bisexual, with mindscapes and magic and aliens.

Helen Oyeyemi - I haven’t read her work but she comes highly recommended by a friend. A novelist and short story writer, most of her work leans fairytale fantastical-horror. What Is Not Yours Is Not Yours is a collection of short fiction and recc’ed to me as her best work. White is for Witching is a well-regarded haunted house novel.

Ashia Monet - indie author, writer of The Black Veins, pitched as “the no-love-interest, found family adventure you’ve been searching for.” Magic road trip! Possibly YA? I’m not positive.

This also doesn’t include Black non-binary sff authors I’ve read and liked like An Owomoyela, C. L. Polk, and Rivers Solomon. And this is specifically about adult sff books, so I didn’t include Black women YA sff authors like Kalynn Bayron, Tomi Adeyemi, Tracy Deonn, Justina Ireland, or Alechia Dow, though they’re writing fantasy and sci-fi in the YA world too.

And a lot of short stories are out there in the online magazine world, where so many up and coming authors get their start, and established ones explore offbeat and new ideas. Pick up an issue (or a subscription!) of FIYAH magazine for the most current Black speculative writing.

#books #book recs #science fiction

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