#the dark universe

[thenightling]

Someone finally asked me the golden question. How would I have handled Universal's Dark Universe.

Disclaimer: If someone sees this and likes my ideas, you may use them for free. No consultation or acknowledgement required. Just do justice to my boo boys.

Well, I would stop so blatantly trying to make it the MCU. It's not the MCU. And don't be afraid of a little camp. These are the classic monsters after all.

Time period. Start in the past and then WORK your way to the present. Don't force all of it to be set in the present from the get go. Let the audience feel and understand these are immortal beings. You can even make it a surreal, timeless, fairy tale-like setting that just resembles the nineteenth century. Most people use generic medieval for fantasy settings but Gaslamp fantasy is a thing.

2. Start with the most well-known of the monsters. Do Dracula. It can be a book faithful adaptation, or something along the lines of Bela Lugosi or Frank Langella. I think general audiences like Dracula to be fierce and predatory but also somewhat romantic, that's why the Mina / Dracula romance has endured even though it deviates heavily from the novel. So let Dracula be romantic but do something unexpected and fresh with it.

Honestly I'd love an adaptation of Fred Saberhagen's The Dracula Tape (Dracula retold from Dracula's point of view). But I know they'd want to stick with the public domain version.

Let Dracula have his literary powers to take wolf, bat, and mist form, and conjure storms. Let him be able to walk by day but not able to shapeshift by day. Bela Lugosi's version didn't actually burn in the sun until the sequels anyway and that was only from mimicking Nosferatu (1922).

Either leave out the reincarnated wife concept all together or let the reincarnation be someone other than Mina. Dr. Van Helsing (a male or female version) or even Jonathan Harker could make for an interesting twist. Lots of depictions of Dracula are bisexual now and this would be something fresh for the universal version.

3. When doing Frankenstein stop trying to recreate the Karloff version "for modern audiences." Let's try the literary version for a change. Long black hair, no neck-bolts or green skin, let him be articulate. And don't go for "steampunk action figure. " (I'm looking at you, Van Helsing.)

Let each classic monster have their own setting and time period. Dracula gets 1891 since that's when his novel takes place, unless you do a fifteenth century origin or fifteenth century flashbacks in the nineteenth century. Frankenstein is late eighteenth century or very early nineteenth century.

You can get more free with the concept if you do a Frankenstein sequel. Think 1985's The Bride but the male creature is intelligent and articulate too.

4. With Wolfman go old school. Practical effects in the style of Rick Baker. Get Guerrero del Toro involved with these somehow. That man knows how to handle classic monsters. Remember the rules, and acknowledge that he's mostly immortal and can regenerate. Everyone forgets this.

5. Have Danny Elfman do the music. I know he's already doing the Dark Universe park music but let him do ALL the music. Trust the man. Have you heard his score to Sleepy Hollow? Just let him do his thing.

6. Don't treat each film like a commercial for the next or hinted team up. Just let the films be able to stand on their own at first. That's how the Uniersal Monster movies started originally. You can let one or two characters turn up in multiple films but don't be ham fisted about it like with some of what was in 2017's The Mummy.

7. When you finally do allow the team up go watch the Asylum's Monster Mash (2024) first.

I'm serious. Hell, buy the movie from The Asylum to do a high budget remake but add about twenty minutes to it so The Creature from the Black Lagoon can be added too. It's cheesy but its fun. Let them be dysfunctional would-be heroes. Let have What we do in the Shadows-like moments without being too cynical and insulting and mocking the very idea.

By this point you already made the monsters scary but with some potential for redemption, compassion, and tenderness. Let them organically evolve from brooding villains and anti-heroes to surprisingly competent heroes but let it happen organically.

You can even get organic diversity. The mummy is from Egypt (North Africa), the witch is Roma (and possibly a previous lover of Dracula's daughter), The Creature from the Black Lagoon is from South America, etc. Again, get Guillermo del Toro involved. The Shape of Water was pretty much Creature from the Black Lagoon with a happy ending for The Creature anyway. An Abe Sapien-esque version of The Creature from the Black Lagoon would be great.

I forgot to say who the main antagonist would be in my version of The Dark Universe. Possibly a mad scientist like Doctor Moreau, Doctor Pretorius, or a faction of vampires who want to dethrone Dracula from his self-appointed title as king of the vampires. There's nothing in Stoker's novel or the Universal movies that claim he's the first vampire but he's commonly depicted as king of the vampires simply because no one had thought to unite and lead all of them until him.

[therealfelicia]

The "two coins" meme, but it's about podcasts where two hosts tell you stories from works of media that doesn't exist, be they movies continuing the Dark Universe franchise (after Universal gave up on it) or imaginary comic books based on a real card game.

(and both got me really invested in their characters)

[scaredofthedarkuniverse]

Exciting developments

I just queried two of my books with an indie publisher. I am going to go throw up now.

[blvvdk3ep]

I love you people going into "useless" fields I love you classics majors I love you cultural studies majors I love you comparative literature majors I love you film studies majors I love you near eastern religions majors I love you Greek, Latin, and Hebrew majors I love you ethnic studies I love you people going into any and all small field that isn't considered lucrative in our rotting capitalist society please never stop keeping the sacred flame of knowledge for the sake of knowledge and understanding humanity and not merely for the sake of money alive

[mindfulstudyquest]

gentle reminder you can rise up from everything. you can recreate yourself. nothing is permanent. you are not stuck. you have choices. you can think new thoughts. you can learn something new. you can create new habits. all that matters is that you decide today and never look back.

[academic-vampire]

𝔱𝔥𝔢 𝔪𝔞𝔰𝔱𝔢𝔯 𝔬𝔣 𝔫𝔬𝔳𝔢𝔪𝔟𝔢𝔯 𝔟𝔲𝔯𝔫𝔬𝔲𝔱

[shisasan]

Anaïs Nin, Henry and June [originally published 1986]

[i-dont-trust-butterflies]

Please, don't stress about it so much

One day we'll all forget about it, remember?

[thedeadpoets-blog]

late night studying in october 🍂☕️🎃📚

[juliaxyn]

You’re never too old to learn something new. Never stop studying. 

[assassin1513]

💙🌟⚜️🌟Golden Stars🌟⚜️🌟💙

[study-diaries]

I will succeed. Not immediately. But definitely.

[themortaldraw]

keep forgetting to post this one

[blackbatss]

Batman rebirth #61

[starry-eon]

poem excerpt by me | a uquiz i'm unable to find | Jodi Picoult, My Sister's Keeper | Natalie Diaz, A Brother Named Gethsemane | tiktok | tumblr | Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz | The Bible

[literarydesire]

Life of a Classics student

Edit

Since I see a lot of people reblogging this with “it’s not like this” I would just like to remind you that this is based on my own experience as a classics student, so idk if y’all just don’t have lectures, drink coffee or go to the stacks at the library for assignment research? Like, I’m not trying to make a big deal out of it but I’m genuinely baffled as to how so many people have such a strong reaction to a moodboard, which is quite accurate to my own experience??