#the conflict with this person is family but they are also crossing to many lines and seeing how seth will respond to that is interesting

[curryshesus]

bts fics that give me life in a drought

(aka my favorite fics of all time) pt. 2

didn't expect to make a part 2 so soon but seeing how much recognition the first one got, here we are! some of these contain a hearty amount of angst, and oh they're just simply divine :( once again, please make sure to show your love and support to these lovely authors if you enjoyed any of these reads as much as i did!

➺ knife’s edge - by @readyplayerhobi

| jungkook x reader, jimin x reader | 141.8k

mafia au, fluff, angst, smut, violence, series

>> summary: "the jeon clan is family, built on blood and loyalty. it’s been an unspoken fact that one day you will marry the heir to the clan, jeon jungkook. you would be a fool to deny that you love him, but what happens when you meet a blue haired man who offers you a chance at normality?"

this fic absolutely BROKE ME. i was so conflicted all throughout and deadass went through all the 50 stages of grief. the angst was unparalleled. the fluff had me giggling like a madman cuz jk is an absolute sweetheart :( jimin is too :(( y/n is dumb and so is her situation :((( i cherish this fic sm

➺ novocaine - by @kinktae

| jimin x reader |

1990s au, exes au, angst, eventual smut, series

>> summary: "going home was hard – painful even. but falling back in love with jimin, the boy you left behind? downright gut-wrenching."

➺ ghostin him- by @adonis-koo

| namjoon x reader (taehyung x reader) | 26k

angst, angst, as well as angst. comfort too dw, one-shot

>> summary: "life is nothing more than dull colors for you, your world shattered and laying in the shards of what once was rather than focusing on what is. that is until you meet kim namjoon, who is immediately taken by you without realizing you’re a girl with a whole lot of baggage, through tears and many sleepless nights you’re faced with a choice of hanging on with bleeding hands, or accepting what is, and letting go."

ohmygod the writing hello? the amount of soul, depth, and sheer utter beauty in missy's words are beyond me. had me sobbing every other line and my heart aching all throughout and boy was it worth it.

➺ take five - by @jiminrings

| yoongi x reader | 10k

angst, fluff, unrequited love, pinning

summary: "dr. min yoongi's a board-certified dermatologist; skilled, renowned, and in-demand - oh and also, he's divorced."

➺ page turner - by @gukslut

| taehyung x reader | 13.6k

teacher!tae/ librarian!reader, fluff, smut, minor angst

summary: "corny romance and a zillion cheesy Romeo and Juliet quotes and references."

my tainted hopeless romantic heart ugh. they're so cute.

➺ bloom- by @hobidreams

| namjoon x reader | 20.7k

assassin!reader x florist!namjoon, smut, angst, action, sprinkles of fluff

>> summary: "family is who you kill for. who you die for. in this society, you and your kin are shadows, clinging to the darkness to obey orders absolute. but when such orders command you to abandon what little honor remains for wealth and notoriety, you find yourself lost in lonely uncertainty about the only vocation you’ve ever known. that is, until you meet a man with gentle hands, a poet’s heart, and a love for coaxing the world into bloom."

➺ counterfeit culture - by @ggukcangetit

| seokjin x reader | 29k

modern day au loosely based on jane austen’s pride & prejudice, e2l, fluff, smut, comedy

>>summary: “for as long as you can remember, you’ve always known right from wrong, good from bad, and woke from entitled/ignorant. but when you continue to cross paths with Kim Seokjin - the apparent antithesis of everything you believe in - certain walls begin to crumble. and over time, you come to realise that the world isn’t black and white, first impressions can be misleading, and that you are just as guilty as each person you’ve judged so harshly. realisation brings acceptance, and maybe, just maybe, acceptance can bring something more.”

➺ if i told you - by @gukyi

| jungkook x reader | 22k

friends to lovers!au, college!au, fluff, comedy, angst

>> summary: "in order to pay for university, jeon jungkook decides to market his most valuable asset to the wealthy socialites of campus: himself. donning a suit and tie, tousled hair, and glasses (to look smarter), he becomes every rich daughter’s dream: the perfect boyfriend to bring to balls, dinners, and business gatherings. all while you watch from the sidelines, only able to dream of having that much money to buy yourself what you really want: him."

➺ to hold a dragon's heart - by @softlyjiminie

| taehyung x reader | 19.1k

dragon prince!kim taehyung x warrior princess!reader, smut, angst, fluff, forbidden romance, dragon shifter!au, royalty!au, enemies to lovers!au

>> summary: "two kingdoms, two hearts and the world between them. your whole life has been a challenge, never an easy moment on your road to becoming queen but will one decision, one encounter with the man you were destined to hate, change the fate of your worlds, forever?"

[thegreatcaptainusopp]

The Water 7 Fight: An Analysis

So. Water 7. There’s a lot to be said about the Usopp vs Luffy fight, their motivations, and the right vs wrong of it all…it’s a complex situation, and so I wanted to share some thoughts:

The Set Up

The growing tension and activity that led to the fight between Luffy and Usopp is so so well explored in the scenes right before it happened. Of course, events are kicked off by Usopp’s abduction by the Franky Family, and his subsequent beating and losing the money. This, on top of the many many clues sprinkled throughout the early bits of the arc and earlier arcs regarding his own feelings of inadequacy as well as his connection to the Merry, is the straw that breaks the camel’s back for Usopp in my opinion. This was one of his deepest fears, finally realized: he felt that he had finally crossed the line into more than just useless but an active liability to the crew. He admits as much to Nami when he sees her: he’s ashamed more than anything else. He can’t face the others.

Nami’s reaction in this moment is also really interesting. She sees Usopp at possibly one of his most vulnerable moments ever, and she reacts so kindly: she tells him it’s not his fault, that it’s going to be okay, that she’ll get him some help. It’s such a mature and responsible response and out of everyone here I think she reacted most rationally to this whole situation. I think if she had been a little more confident she could’ve engaged in some really good conflict resolution practices with everyone.

At the same time, everyone slowly gets the bad news about the Merry, and their differing reactions are interesting: they’re all upset, and openly discuss that. Sanji even notes that Usopp is going to be particularly upset to hear this, so they’re all already aware that this is going to be quite bad. What’s interesting, though, is Luffy’s reaction: he goes through a similar emotional journey that Usopp does when getting the news, but their ultimate destination is what differs greatly here. I think the difference here is probably down to two factors: 1. Luffy does not have the same particular insecurities that Usopp does and 2. Luffy is the ultimate authority in the decisions here, Usopp is not.

Then, Usopp picks himself back up, badly wounded, to return to the Franky family to try to get the money back. This is a big moment too, because it showcases that he is the type of person to fight even when he knows he isn’t going to win, which is what ends up happening here. Even the moment where he burst in really felt paralleled to the moment he stares down Luffy in a fight later: it’s a really good set up.

And then he gets injured even more, and chopper has to check if he’s even alive when they find him, which is important to note because his physical condition is just dire right now.

I found the reactions of Luffy, Zoro, Sanji, and Chopper interesting too because they get super angry, obviously, partly because of the money but more because of how Usopp is hurt. In one sense it’s funny that they just left him there while they took revenge for him, but on another it’s a little tragic because that wasn’t what he needed in that moment. I don’t think he ever finds out about it either if my memory served me correctly. There’s another layer of irony in the way they all leap to fight to save their crewmate but we’ll get to that later.

I also think it’s notable that Luffy locks in his decision to get a new ship here, right after they destroy the Franky family’s hideout. I think he felt a sense of responsibility for what happened, maybe believing that if he’d been more decisive in his leadership, then Usopp wouldn’t have been this badly hurt. Which is also just oof. Extremely ironic.

So they take Usopp back and it takes him a while to even wake up, and when he does he’s all apologies. The physical framing of it is interesting too, because he’s on his knees and hugging Zoro’s legs and stuff. He’s not outwardly expressing his shame like he did with Nami earlier but it’s close. He’s not really standing up at all.

And everything seems to be going ok, and Usopp is asking about next steps and then…and then Luffy drops the bomb. And that changes everything.

The Confrontation

Usopp starts the whole argument in full denial. It’s a pretty classic gamut of emotions here: he goes full tilt into the cycles of grief, starting with just straight up denying that Luffy would do this, to bargaining by asking if he was at fault in this situation and trying to convince the others to let him continue fixing the ship. He’s clearly feeling a lot of guilt here: he believes he is directly responsible for the Merry’s “death” as it were and is scrambling trying to take responsibility for fixing her. I think everyone else was taken aback by the level that this guilt went and were wholly unprepared to deal with it. Luffy yelling that he isn’t a carpenter I think was him trying to talk him down but ultimately had the exact opposite effect: all Usopp heard was he had no expertise in this and was useless, and may have even harmed Merry further or out her in this situation to begin with.

This snaps Usopp into the anger stage, and this is where it really starts to get ugly. It’s notable to me that he’s the one that escalated by grabbing at Luffy’s shirt and yelling at him that he excepted better, which were intended to hurt I think. Luffy though gives as good as he gets, and is the one that actually turns the confrontation violent: knocking a grave injured Usopp down. In short: he doesn’t descalate or calm the situation, but instead adds to it. The way his temper is so hair trigger in this scene is extremely interesting to me.

Nobody else intervenes either (at least not yet). All of them try on occasion to tell them to calm down or stop fighting but not more than that. Not even Zoro steps in at this stage, which I found super interesting. Nami tries to tell Usopp at one point that Luffy had a similar emotional reaction ti him about this choice, but Luffy stops her. Funnily enough I think if he hadn’t she may have been able to calm things down a bit here.

It’s not until Luffy is right about to tell Usopp to leave, it’s practically already left his mouth, that someone actually steps in here. And it’s SANJI. Sanji, who knows very well how it feels to be told you don’t belong somewhere anymore. Sanji physically knocks Luffy back and he does it with FORCE, and it’s him who desperately tries to wrangle some control back of the situation. And the thing is: it almost works! Everyone listens to him, nobody objects to his methods, and Luffy actually starts to reign himself back and apologizes!

But it’s a bell that can’t be unrung at this point. Usopp has heard what he heard and has made his decision. What’s interesting here though, and what I realized upon rereading it, was how self aware Usopp was at this stage about the whole thing? Like he was fully aware that he was substituting himself in for the Merry and straight up tells the crew that he thinks he’s useless and that they should get rid of him in the same way that the did the ship. Like…he’s not subtle at ALL about this, and about the reasons why he’s behaving the way he does. He knows exactly why! And he tells them! I honestly credit him for that in a way…he’s spiraling here but he’s aware of it, and he’s aware of exactly what he’s feeling and why. The way this fight is remembered and discussed in fandom I feel is he’s characterized as throwing a tantrum about it but this really isn’t what happened here at all.

Nobody really pulls him back on his statements: I think they were too shocked here to really know what to do. Chopper is falling apart emotionally, Nami is trying to get him to hang back and wait, Sanji even starts yelling at Usopp to come back. Zoro…Zoro says nothing, which interested me a lot too. He does however have a flashback to him being the one to invite Usopp on board, which I have a LOT of thoughts about. From Alabasta, Zoro has been privy to a lot of Usopp moments that were important turning points for him: carrying dalton up the mountain, expressing doubt after long ring long land, etc. I think he’s thinking of those things here too. I think he’s feeling a sense of responsibility here that he doesn’t know what to do with.

Luffy says nothing too. He looks angry, which I think is a cover for upset, but his silence is fascinating. He’s letting things play out here because I think he’s still in fight mode but also because I think he’s letting Usopp make his own choices here, as he should. I think he’s trying to be captainlike here. But…also not quite. He’s spiraling just as bad as Usopp here, imho.

And then, Usopp issues his duel request. There’s a few interesting bits in between where Nami is trying convince Luffy to not go through with it, but he’s very dedicated to doing so anyway. She’s telling LUFFY to apologize which is interesting thinking of the fandom recollection of this fight. She’s trying conflict resolution here but it’s a bit too late for that.

I also like that Sanji and Zoro are fighting about this too, blaming each other for what happened. I think it’s a form of tension release for the two of them, and Nami stopping them shows it’s still a bit of a sensitive time for it anyway. Which leads to:

The Fight

This fight is one of my favorites in OP, insofar as actual fighting techniques/approaches go. It’s unique to the series and so emotional and just hits different. Luffy’s later fight against Sanji hits similar notes but this one stands out specifically because it’s Usopp, who is very much not a fighter in the same way Sanji is.

For one, Usopp’s a ranged fighter, and he’s fighting Luffy at close quarters. He’s already at a MASSIVE disadvantage and he knows this, Luffy knows this, the straw hats know this. It’s his fight to lose, and he picks it anyway. And I think this is what’s so key to this entire conflict, from start to finish: Usopp KNEW he was going to lose. He knew it from the start. He knew Merry was doomed. He knew that from the start too. But he did all of that anyway. Why? I think the why is so incredibly nuanced, from loyalty to pride to fear of rejection to abandonment issues. But it also highlights his tendency to bullheadedly get things done if he thinks he’s the only one left who hasn’t given up on something. And I think that’s so important to him as a character, and it’s this realization and this specific fight that made Usopp into my favorite character. It’s also why I don’t think there’s a black and white wrong and right side to this conflict. From one end, Luffy’s the boss so they need to follow his instructions without question. From another, I like it better when Luffy’s challenged by his crew for both story and character purposes for all involved. I think Luffy needed this to happen, not because he needed to assert his authority as captain, but because he needed to fuck up as a leader and learn from that.

For another, Usopp is also on the brink of collapse this entire time. The fight ends when Luffy gets a single hit in, which means Usopp was on his last legs and he still went through with it. That is super admirable to me and a testament to his super tanking abilities and determination when it counts. He had the deck stacked against him here and he still went for it.

Now: fight techniques. Usopp took this fight seriously, like for real seriously. He pulled every weapon out of his arsenal and went for it, from lying to caltrops to dials and actual honest to god explosions. It was interesting to see the crew be so surprised at him doing so well at the start. He even uses Luffy’s care for his injuries against him which was a notable part of it for me. The impact dial bit is one of my favorites: it’s such a powerful moment to me.

And then he loses, and is probably actively dying as a result lol. Everyone’s absolute devastation, expressed in different ways, was really fascinating to watch. Chopper just trying to run over and fix things and Nami unable to watch hit hard. Zoro being super composed on the outside and holding Luffy together but…yeah he’s not pleased about this. Sanji telling chopper not to go because Usopp doesn’t need pity. Luffy crying…which always is very emotional. Them giving Usopp the ship and moving on to demonstrate that they took all his words seriously but also to acknowledge his dedication to the Merry. Ooof.

Anyway this arc physically hurts. 10/10 experience. Destroys me every time.

[kismetconstellations]

There are so many ways that Voltron: Legendary Defender failed its characters. From the unfathomably idiotic decision to kill Allura off in the finale, to putting Coran through the pain of losing his family twice over, to all of the "jokes" at the expense of Hunk's anxiety, weight, and stomach problems.

But, to me, the most egregious example of this will forever be the numerous ways that Shiro was mistreated, even though I fully believe that most of them were unintentional and the fault of incompetence, rather than maliciousness.

I never expected a show with a TV-Y7 rating that was made to sell toys to children to address this character's extensive trauma in any meaningful way. And, perhaps there was a push behind the scenes to sideline him in order to bring Keith to the forefront, due to Keith being the head of Voltron in previous incarnations, and Shiro essentially being a Canon Foreigner created exclusively for this series.

But, when you have: - A poorly executed attempt to recreate Shiro's fight with Zarkon in the Astral Plane, void of the stunning visuals, impressively fluid fight choreography, and emotional and narrative stakes.

(Shiro fighting the show's main villain and his predecessor hand-to-hand for control of one of the most powerful weapons in the universe, vs the Paladins fighting shadowy, faceless foes that none of them- aside from Allura- have any personal connections to or conflict with, even once their identities are revealed, with long-range weapons, inside of Honerva's head.)

- Shiro, the previously "undefeated" Champion of Zarkon's gladiatorial arena and a highly trained and skilled martial artist, being slapped across the bridge of his own ship.

-Shiro's personal abuser telling him that the arm that was forcibly grafted onto his body in an attempt to turn him into a weapon for the Galra Empire is "the strongest part" of him,

Slav, an ally, echoing the sentiment and arguing that Shiro would be "even stronger with two robotic arms", and the first half of Season Seven confirming as much by depicting Shiro standing, often completely mute, on the sidelines

until he's outfitted with a new prosthetic arm. Only then is he actively allowed to participate in combat, again, and promoted to Captain of the Atlas.

-Shiro winning an intergalactic arm wrestling tournament to prove that he isn't a washed-up retiree (at the ripe old age of twenty-six), with that prosthetic.

-Said prosthetic being a mirror of his abuser's.

-No acknowledgement of Shiro's essence being transferred into the body of his clone that is down an arm. Or, how he's coping with not only not having a right arm at all, but also having been dead for a huge chunk of time, trapped inside the consciousness of the Black Lion and watching on helplessly as someone wearing his face tried to kill everyone he loves, and then resurrected to be suddenly "retired" through no choice of his own.

-Aside, of course, from an all-too lighthearted and chipper comment on routine helping him get through "being in the infinite void of the Black Lion", and a throwaway quip about how "having my consciousness transplanted from the infinity of Voltron's inner quintessence into the dead body of an evil clone of myself" has left him "a little out of sorts".

-And, Shiro not getting to kill his abuser, or even best him in combat.

Instead, he lies beaten and helpless, once again, as Keith, his replacement, takes Sendak out.

It crosses the line from clumsy writing to infuriating negligence and ineptitude.

The repeated violations of Shiro's autonomy, and what seems by all rights to be unintended ableism, even though it borders on outright disrespectful, went above and beyond any terrible writing and direction that I anticipated gritting my teeth and slogging through when I decided to finally bite the bullet and watch this show. It's utterly baffling to me that no one seemed to stop and realize that, "Hey, maybe introducing and then reinforcing the sentiment that a disabled man's prosthetic is the 'strongest part' of him, and he's effectively weak and useless without it, is a bad idea", at any point in the creative process before these episodes made it to air.

I wholeheartedly believe that as much as other characters were wronged, Voltron: Legendary Defender and its notoriously hellish fanbase that was more concerned with who these characters were having sex with than the actual plot, did not deserve Takashi Shirogane.

Shiro; a gay man, ace pilot, ambitious space explorer, and scarred trauma survivor who was abducted and forced to kill for the entertainment of his captors, subjected to unimaginable torture, and had his body modified without his knowledge or consent twice, yet never let any of his experiences, no matter how grueling or dehumanizing, stop him from being gentle, compassionate, noble, brave, self-sacrificing, and everything that epitomizes a True Hero, right to the bitter end.

[marvel-starwarsfangirl]

Why Crosshair Will Live

(aka an essay by a Crosshair girlie who loves her clone husband too much)

So, I've been thinking long and hard about the final season and how it could end. Obviously, it's gonna be an emotional rollercoaster and all that. However, there's always going to be discourse about who's gonna bite it, especially since our main characters don't have plot armor and this show is allowed to go way darker than Rebels. Crosshair is my favorite character and I don't hide that at all. He's all over my page. But looking at his character, there's a part of me that believes he actually might make it out in one piece. Let's get started!

"Redemption Equals Death"- Out of all the tropes, this is the one Crosshair embodies the most. He was the villain for a season, but now he's changing his ways. In past seasons, I would've said this is how his story ends. His brothers find him and Omega on Tantiss and he goes out protecting them, proving he deep down he still loved them. But after season 3, I don't think that's the case anymore. I think he's passed the point. Crosshair in season 3 is actively redeeming himself through his actions and words with his family and the other clones. We don't need to see him go out in some big self-sacrifice because we already see the person he truly is inside. More importantly, his family sees the person he's become. He's already proven it in so many ways. Crosshair openly admitted his mistakes, saved Hunter from the wyrm, is very protective of Omega, and saved his brothers, Omega, and Rex + Howzer from CX-2. At this point, Crosshair has passed the "redemption equals death" marker. His redemption is playing out and the people around him are seeing the changes.

His Character Arc- Crosshair's character arc has always been about loyalty and identity. Go all the way back to season 1 with the infamous "this is who I am" line and his whole spiel about the Batch not being loyal to him. "Aftermath" shows us this poor man already beginning to struggle. In season 2, Crosshair is going through every hurt no comfort fic trope in the book. This man was pushed to the brink, with every sense of his being questioned. And he almost didn't make it. Crosshair in "The Outpost" was so close to dying after trekking through the blizzard and shooting Nolan. He's suffered through so much already from being severely burnt to freezing, and now almost drowning. Pretty much half way through season 3 and Crosshair's trials aren't over. His hand is still bothering him and he's still trying to find himself.

Although Crosshair has made peace with his family, I believe he still needs to make peace with himself. He's been humbled sure, but there's more to go. Who is he if he isn't a soldier or sharpshooter? Crosshair's arc will probably finish with him realizing being a soldier isn't entirely who he is. His hand tremor still could be related to his internal conflict, we don't know. So far, he's doing a great job. We've seen Crosshair begin to find peace on Pabu and comfort with Omega. It would be so satisfying to see him make it out of this mess alive. My best BB ending would be him (and his brothers) alongside Omega retired somewhere. They have each other and that is enough.

His Poster and Theme- Crosshair is the only character as of right now in the Batch who has a separate poster for season 3. Not even Omega has a separate one (although I can see her getting one later). In fact, Omega shares her with Crosshair. Both are wearing their prison outfits, showing their shared situation and stand against a white/grey backdrop. We also see Cross gripping his right hand, referring to the issue he's having with it. However, he also has one of himself in the same golden lighting as his brothers. Crosshair stares at his helmet with a calm look on his face and appears to be contemplating. That has to mean something. From my POV, I get the sense he's wondering about who he is. Wouldn't it be a great ending if Cross finds himself and lives to see that self be happy?

He is also the only member of the Batch (Omega aside) to have his own theme/leitmotif. He has two actually: his Imperial one and his heroic one. His heroic theme aka the "Mayday" theme is stunning and highlights his struggle perfectly. You can actually hear it in season 1 fun fact but it's faint. The fact that he does have a separate poster and theme from the others does give me hope that he will make it. Not to say that the others aren't important, but something about Crosshair and his journey is very meaningful to have warranted this. You can argue that he shares the title of "heart of the show" to some degree because his arc is the most dynamic of all the Batch. His struggles and fight back towards the light truly raise this show to greatness.

Crosshair is also season 3's "Batcher of Year" award and so far, they're doing everything we wanted and more. For two whole seasons, his character has been building and building towards this season. And they better give us a great payoff. Crosshair's character going to continue to soar as the season progresses. I can definitely see him making it through to the end because of the focus on him.

Omega- how can we forget about the kid who never gave up on our grumpy sniper? Omega (and we can argue Cross to a lesser degree) is the heart of the show. She gives the Batch a new outlook on life and it is through her that they grow and change. Omega brings out the paternal and softer side in each of her brothers. Crosshair, however, takes a bit longer to get there. He's the only character whose main development happens away from Omega. When he finally gets home, he becomes Crossdad. But Omega is still a kid, despite her capabilities. If the other Batchers die, who will take care of her? Omega being on her own just doesn't feel right. We also know going off with Rex wouldn't feel satisfying either even though he would take really good care of her.

Now that Crosshair is back, it feels like the show is propping him up to take over Hunter's role. Hunter parented for 2 whole seasons. As the mentor figure, he might bite it. But wait! Crosshair is still here. There is no way the writers would just let Omega finish alone or get killed off. She will have someone with her. Crosshair, having spent the majority of the show away, will probably be the best candidate narratively speaking. As mentioned above, he gets two posters showing just how integral he is this season. He's also been getting a lot of screen time with Omega. So, I can definitely see the show ending with just the two of them left. It would be bittersweet, but still satisfying.

Disney- let's ask the question: would Disney kill off an entire family aside from their child? My best guess is no (this isn't a Disney movie with a prince to save the day). Tying into my last point, I can't see this family-friendly company letting a literal child lose her entire family and end up all alone in the end. We all saw Rogue One and we know that this is a plausible option. However, I'm beginning to think that they aren't gonna do that because again, Omega is a child. She's gonna hopefully have one, if not all, her brothers alongside her. And I swear, if they give her to someone else not named Crosshair, Hunter, Wrecker, or Echo, I will blow a gasket. She needs her family. Disney and Star Wars is all about hope and it's not very hopeful to me if all of the BB but Omega dies.

Rebuttal- let's get this out of the way: if Cross dies, it will be with his brothers, protecting Omega, and defeating Hemlock. There is literally no other way he could go out that would be satisfying. He's redeemed and fought the Ghost of Crosshair's Future (aka CX-2). Backpedaling on his character arc would suck. If he dies, it will be as a Bad Batcher, a loving brother, and the best sniper the galaxy has ever seen.

But I don't think that will happen. I do genuinely think Crosshair has a chance to survive. But what do you guys think? Obviously, I'll still be nervous about the whole thing, but I'm trying here.

[ann7av]

Idk about you but an issue I have with IF is that Violet doesn’t really think that hard about any criticism directed at her family.

Cat asks if Violet wants to talk about the heinous atrocities her family committed after Vi accuses her of being a shallow Pick Me, but this is never really explored. She posts a list of every flier Mira killed and it’s mentioned in such an offhand flippant way, it makes me wonder if Violet actually cares about her sister being a war criminal. I was hoping she’d have a talk with Brennan about his feelings on being “sacrificed” for basically nothing because it’s a sentiment I’ve seen some veterans express irl but they never actually talk on screen and it’s so frustrating.

What are your thoughts on this?

Oh my friend I'm so happy you asked because I have a lot to say about this.

(This is a list of scattered thoughts, please let me know if it makes sense and please know this is a critique of RY's writing and not Violet's moral compass as a character, I love my girl very much)

I had this issue from way back in FW when Lilith pushed Violet into the riders, It would be natural for a child to try and understand why their parent suddenly decided to risk their life in a war college but alas she never thinks about it and we are left with this gigantic "this makes no sense" feeling that progressively gets worse as the story goes.

Then there's rain when she crosses Parapet and yet... no thought on it, Vi? Your mother controls storms? Why aren't you thinking about this?

Lilith asking about her father's research while Aetos asks if Andarna could be used as a study subject and Vi doesn't stop to think WHY would they need it and HOW does it fit with her mother's previous actions?

The GODDAM NOTE inside the book of fables? That later on is revealed to be true? Brennan says he doesn't believe their father knew about Navarre's corruption and Violet never thinks about it or considers it? HOW?

My girl just found out her mother executed a bunch of people who were trying to help another kingdom and she doesn't feel conflicted about it? I was waiting for them to have a screaming match after Athebyne

Cat puts up a list of the fliers Mira killed and I was expecting a line like "It's not like my sister knew she was fighting for the wrong side at the time, she was doing what she was trained to do" but NO.

What also throws me off about this is that, up until this point, Violet is shown being a very empathetic person who really cares about people in general, but she doesn't stop to consider those were Cat's people who died, it was the flier's school that fell and it is their kingdom being attacked (maybe she got desensitized but that feels an easy way out of developing the story)

I could be happy with Violet trying to justify her family's actions to herself because at least it would feel like a natural reaction to have but you're right, the lack of reaction feels like she doesn't care.

She also never stops to have an actual conversation with Mira about any of this for some reason (she barely talks to her sister at all actually), and besides that one talk with Brennan at the beginning of IF there's nothing else that stands out enough for me to remember, which wouldn't be a problem if she had some inner dialogue every now and then, not only about her family and the war crimes but how she feels bout them too.

There are many times when we (the readers) ask questions to try and understand these characters and how they interact with each other, so when those very natural questions like "how do you feel about this?" or "but why would they do that?" are not answered, the entire thing just feels off, and that's not an issue only with the Sorrengails but with most of Violet's relationships.

In FW that's not as big a problem, she has her issues with Dain and is getting to know her squad (Liam specifically) but in IF I was questioning if Xaden dying was that bad of a thing if it meant she would think about literally anything else

To summarize: Violet's family drama could've been a Keeping Up with the Sorrengails level of drama if RY actually did the work to flesh out the dynamic but she didn't bother and chose to rewrite the same Xaden/Violet argument five times

[therentyoupay]

Hiiii I need help

I’m having trouble writing a fight scene between two characters in a relationship. I don’t want it to be a break up sort of fight, just a healthy spat between lovers that will make their relationship all the stronger after they resolve it. But I’m not really well versed in “healthy conflict” so I was hoping you’d have some questions to keep in mind/tips experience you could share because you’re an amazing writer 🙏🏻

HELLO MY DARLING

first, thank you so much for your sweet words. 😭😭😭😭😭😭🙏 second, i have been pondering your question for a day and a half!

i have been really thinking about it and i have some initial thoughts… but i am sure that this post will just be the start of an ongoing conversation. i think the word i have been chewing on is “healthy.” on the one hand, there are certain things that most people might universally agree as “healthy conflict” in a relationship (or nearly universally), and then there are things that are very culture-dependent (and i do not mean this necessarily in the essentialist sense, i.e., nation-state-as-culture, but also in terms of ‘doing culture’ according to family, friends, region, socioeconomic status, social rank, behaviors, etc.). and then there are things in each relationship that may be less healthy than the ideal but still healthy in the long run, in the sense that it provides space for growth; couples have horribles fights that nearly tear them apart but, for whatever reason, don’t. in my experience, both in life and in fiction, sometimes i think these can often be the hardest, toughest fights, because they have the lowest lows but the highest potential for hope/resolution/something better.

if i am thinking on what it is about these fights that make them so painful and exhausting and “i just want to find a way to fix this but i can’t see the way forward and i am going to stay because i love them but i don’t have the tools right now to get out of this hole,” here’s what comes to mind:

both people are in pain

somehow, trust has been lost to some degree

one or both people do not currently feel safe, either from judgment or abandonment… maybe both… maybe something else too

a disagreement may turn “ugly” so quickly when things that are shared in confidence are thrown back in someone’s face, or some vulnerable sticking point that is supposed to be protected is being used against them in the heat of the argument because things begin to escalate so quickly

at what point can one person step in and find a space to pause/timeout; table the conversation; de-escalate? if neither can, the fight gets worse. if at least one can… that could be the turning point for a softer resolution, even if the other person needs additional coaxing or convincing to join them in the de-escalation. can both suddenly or eventually pause and de-escalate? through humor? through a release of emotion at the core under the anger, like tears and sadness?

at some point during these fights, or perhaps after, one or both might start to feel shame… for their behaviors, their reactions, their words… how can one person bridge the gap that was created when one or both crossed a line? (or many lines?) sometimes all it can take is a hug to lessen the divide, and sometimes apologies are necessary, and plans for changing behaviors, and explanations, or any combination. so how does one (or both) handle their apology? are they both good at taking accountability and learning at this stage in their relationship? do they make good on their promises to change, or at least try? (we are human after all!)

does the resolution match the degree of the fight? if something was weaponized, has it been dismantled by the end, or is it left hanging in the air, even after the apology or de-escalation?

definitely lots to think about! i think the degree of “healthy” is going to depend on a lot of factors, and will inevitably also be influenced by your readers’ personal experiences and what they bring to their interpretations! but definitely things to potentially keep in mind: who is in pain and why? what tools do they have to resolve the pain? are they scared to solve it or not solve it (or both)? how well can they solve it at this moment in time—or later?

thank you for the ask!!!! 💕💕💕💕 good luck and keep me posted!!! i hope these are helpful. 🙏🙏🙏🙏

also, others: please feel free to add additional thoughts and considerations!!! 🙏🙏🙏🙏

[stirringwinds]

i know people talk a lot about the us and UK special relationship but it kind of fell after the Suez and France kind of sneakily stole it didn't he? I mean did the same before the wars

thanks for the ask! ngl, as a londoner, i've always personally felt the representation of the "Special Relationship" as this mega-close and affectionate dynamic is kind of...an un-holistic understanding of the UK or England, as well as of the United States. don't get me wrong, it's one of their most important relationships and there's a lot of deep history there—my issue is mostly with rose-tinted interpretations underpinning it and what biases they showcase. these were heavily biased by Churchill's (imperialist) gaze of envisioning Anglo-American affinity and leadership on the world stage. this interpretation quite significantly downplayed the rivalry, power struggles, conflicts and differences that historians existed between the US and the British Empire, or how US presidents tended to see it in far less majestic terms. like, Churchill rather downplays FDR's vehement disagreements with him over the issue of Indian independence lol or decolonisation (because the US was eyeing the world as a chessboard, re: new markets and also whether or not support for the old colonial power would be a bulwark against or risk soviet or other communist influence).

so, while you're right that Suez was a pretty low moment in US-Britain relations due to the US being pissed at Britain and France jeopardising its ostensible goal of swaying Egypt away from the Soviet sphere of influence (sidenote: Egypt itself was trying to navigate the mess of the Cold War rivalry to secure its interests), i don't really see it as "falling" after Suez or stolen by France simply because that dynamic Churchill painted a picture of never really existed in that way. plus, Europe (France included) and the ex-colonies of the British Empire (like the dominions and India) weighed heavily on British foreign policy/its national outlook too; i tend to find an overemphasis on a rose-tinted view of the "Special Relationship" leads to a lot of US-centrism that shuts out this understanding. to me, Arthur and Alfred's relationship is most interesting when we situate them properly amidst all these other imperial and geopolitical cross-currents. of which Francis is an important one, from the time he helped Alfred during the Revolutionary War, to the Entente Cordial, WWI and the post-WWII world of NATO, the EU and so on.

in hetalia-verse, it's one of the reasons I personally headcanon Arthur and Alfred as father and son. their bond is lasting, forged by the blood, steel and saltwater of empire, and all the familial, deep and troubling implications that implies. they are "stuck" with each other in some ways, because post 1945, it's a familial dynamic of the old king and the young, ambitious crown prince who thinks his father is out of time—and out of line. francis never really "steals" anything because he and arthur's relationship is on a very different axes: francis is the neighbour who has been by arthur's side as his enemy, friend, lover, rival in imperial douchebaggery, ally (for better and also for worse, like in suez...)—and everything in between. whereas arthur and alfred have some real patricidal/regicidal, titanomachy-level father-son power struggles going on, mixed in with this dysfunctional level of understanding and them also colluding together shadily (you are different from him in many ways, there are many things he'll never understand about you—but you are your father's son, alfred; to be powerful is to be tainted).

so in conclusion, i see alfred-arthur and arthur-francis as both very important foundational dynamics crucial to arthur's character, but conceptualised differently from that understanding of the "special relationship" because they're two different kinds of relationships, even if there is the overlapping dynamic of power, rivalry and empire. ✌🏼

[gatheringbones]

[“One author of the Clinical Psychology Review article was Shira Maguen, a researcher who began to think about the moral burdens of warfare while counseling veterans at a PTSD clinic in Boston.

Like most Veterans Affairs psychologists, Maguen had been trained to focus on the aftershocks of fear-based trauma—IED blasts that ripped through soldiers’ Humvees, skirmishes that killed members of their unit. The link between PTSD and such “life-threat” events was firmly established. Yet in many of the cases she observed, the source of distress seemed to lie elsewhere: not in attacks by the enemy that veterans had survived, but in acts they had observed or carried out that crossed their own ethical lines.

Soldiers were not, of course, the only people who risked committing such transgressions. All of the counselors I interviewed at the Dade Correctional Institution struggled with inner conflicts related to horrifying things they’d witnessed but failed to prevent. What kind of person was she? Lovita Richardson wondered after seeing a prisoner bound to a chair get bludgeoned and not intervening to help him. “Why didn’t I do more?” Harriet Krzykowski asked herself after learning about the “shower treatment.” Many of the prison guards I’d interviewed had alluded to incidents where they’d done things they knew they shouldn’t, as when Bill Curtis slammed a man to the ground, nearly fracturing his skull. Moral injuries were an occupational hazard for anyone whose job involved “perpetrating, failing to prevent, or bearing witness to acts that transgress deeply held moral beliefs.” For most dirty workers, that is.

Among the veterans she counseled, Maguen grew particularly interested in the emotional toll of killing, which was sanctioned in the military but not when defenseless civilians were involved. “I was hearing about experiences where people killed and they thought they were making the right decision,” she told me, “and then they found out there was a family in the car.” To find out how heavy the burden of killing was, Maguen began combing through the databases in which veterans of conflicts dating back to the Vietnam War were asked if they had killed someone while in uniform. In some cases, veterans were also asked whom they killed—combatants, prisoners of war, civilians. Maguen wanted to see if there might be a relationship between taking another life and debilitating consequences like alcohol abuse, relationship problems, outbursts of violence, PTSD. The results were striking: even when controlling for different experiences in combat, she found, killing was a “significant, independent predictor of multiple mental health symptoms” and of social dysfunction.

Later, when she started directing a mental health clinic at a VA hospital in San Francisco, Maguen convened groups where veterans came together and talked about the killing they had done. In the VA no less than in the military, this was a taboo subject, so much so that clinicians often referred to it euphemistically, if at all. To ease the tension, a scene from a documentary was shown at the beginning of each session in which a veteran said, “Out there, it’s either kill or be killed. Nothing can really prepare you for war.” Afterward, Maguen would ask the veterans in the room a series of questions about how killing had impacted their lives. Some reacted angrily. Others fell silent. But many seized the opportunity to talk about experiences they later told Maguen they had never spoken about with anyone, not even their spouses and family members, for fear of being judged.

The veterans in Maguen’s groups didn’t talk a lot about fear and hyperarousal, emotions linked to PTSD. Mostly, they expressed self-condemnation and guilt. “You feel ashamed of what you did,” one said. Others described feeling unworthy of forgiveness and love. The passage of time did little to diminish the depth of these feelings, Maguen found. Geographic distance didn’t lessen them much either. Maguen recounted the story of a pilot who was haunted by the bombs he had dropped on victims far below. What troubled him was, in fact, precisely his distance from them—that instead of squaring off against the enemy in a fair fight, he had killed in a way that lacked valor. Obviously not all pilots felt this way. But the story underscored the significance of something Maguen had come to regard as more important than proximity or distance in shaping moral injury—namely, how veterans made sense of what they had done. “How you conceptualize what you did and what happened makes such a big difference,” she said. “It makes all the difference.”

Unlike PTSD, moral injury was not a medical diagnosis. It was an attempt to capture what could happen to a person’s identity and soul in the crucible of war, which is why it struck a chord among veterans who did not feel their wounds could be reduced to a medical disorder. “PTSD as a diagnosis has a tendency to depoliticize a veteran’s disquietude and turn it into a mental disorder,” observed Tyler Boudreau, a marine officer who served in Iraq and came back haunted by doubts about the war’s morality. “What’s most useful about the term ‘moral injury’ is that it takes the problem out of the hands of the mental health profession and the military and attempts to place it where it belongs—in society, in the community, and in the family—precisely where moral questions should be posed and wrangled with. It transforms ‘patients’ back into citizens and ‘diagnoses’ into dialogue.”]

eyal press, from dirty work: essential labor and the hidden toll of inequality in america, 2021

[seasaltmemories]

The Question of Dark Aono's Role

I don't want to make any definitive statements towards Dark Aono's role in the story on either a literal or metaphorical level. It feels like there is still a lot Shiina is holding back about him; however, I feel like for all the terrible horrors he could represent, at this it is pretty clear Dark Aono is not just a simple abuse allegory

Like I get why it might appear that way early in the story, we don't actually know Aono that well, and neither does Yuri, and stories of men turning "into completely different ppl" once locked into a relationship do exist, what Aono does with his limited agency speaks in direct opposition to that. When he feels he crossed a line, he isolates himself from Yuri and tries to stay away from her. In the cannibalism dream sequence he begs Yuri to run away from him even when she is determined to feed herself. Much of his greatest conflict is about being stuck in this monstrous role and trying to self-sabotage himself.

And like perhaps this could be a seen as a messy representation of the honeymoon phase of abuse, where apologies are made and the abuser is extra affectionate to make up for it, but I lean away from that bc we have much better representations of that in the familial stages. Midori and Hitomi both tend to follow up the worst of their wrong-doings with explicit apologies and excess affection, sometimes immediately after the incident. The Aono to Dark Aono cycling doesn't hit nearly the same beats, even when taking into account the supernatural elements.

While I don't want to lock myself into one interpretation before the story is finished, I always come back to the stairwell incident. Where Dark Aono is shocked in Aono when Yuri informs him he sounds like Midori for saying exactly what his Mother used to tell him. I think of how when he regains control, it is usually followed by shame and self-loathing, sometimes simply saying that his behavior was "weird' or outright calling himself a conman.

It is such a tricky situation bc to me Dark Aono has distinctive quirks and differences from our Aono in attitude/speech/everything, even when both characters try and manipulate others, they do it in very different ways. Yet for as drastic as the switch can be, he is never so clearly an alternate personality or entity taking over. Aono has stated outright that the further in the story he goes, the more aware he grows during this shifts, and many take place specifically due to Aono's emotional state rather than any outside taboo breaking. Dark Aono is both something alien, something intrusive, yet also a painfully familiar thing that clearly originates in himself

In the end I am reminded much more of how the aftereffects of abuse haunt even relationships formed years after escaping the situation. Aono was taught love is choosing one ultimate idol and doesn't realize how fucked up that is until he finds himself parroting the same words back to Yuri. Aono reverts to a child-like state and tries to prove both to others and to himself he is worthy of love when he realized he fucked up in some way. He excuses all his self-destructive self isolating coping mechanisms as necessary even while calling out those same traits in others

But as man-painy and gross the premise of "guy keeps hurting his gf even though he doesn;t want to bc mommy issues and that makes him sad" could be, what makes Shiina's writing compelling is she makes it clear that the one suffering the most here in the present is Yuri. Having sympathy for Aono doesn't make her situation any less worse, and from where volume 10 ends off, there are things Aono needs to answer for that can't be explained away by spooky occult shenanigans. I feel like Aono's ultimate role as either ally or antagonist will be determined by his choices in the end, no matter how many or few he has. There haven't been any easy answers in the story and so I don't except to suddenly discover them this late in the game. But regardless of how it plays out I can't help but already praise her for putting such an interesting and unpredictable spin on "dark alter egos" in a genre that can be overstuffed with them.

[firewalkzwit]

runt // jonathan crane x reader. (1)

Chapter 1. Prelude

cross-posted on AO3

masterlist

Meticulous analysis of her own motivations had driven Y/N to come to the conclusion that her hatred was justified. Nothing was done without something profoundly belonging to one's own unresolved conflicts being involved in the decisions and paths of choice. Such was the case of the Batman, she'd concluded. Whoever he was behind that mask, he was not pursuing his role as a masked 'protector of Gotham' without a great degree of personal motive beyond selfless devotion to the wellbeing of the city. Long had she studied this concept meticulously, as to do introspection on her own reasons behind her new objectives. The Batman and herself found congruence in the belief that violence was an indispensable tool to maintain order, humanity after all was nothing but an attempt to break a deeply embedded bond with primitive, animal instincts, such as sin. However it was this particular ethic that took from Y/N the only person who stood by her side since the day she was born.

Her brother, like a forbidden fenix, had found in the drug business what was ethically questionable, but an opportunity to a new life at last. Poverty had reigned in as many generations as their family registered for, which were not many, but enough to bring a loss of hope at ever escaping the circumstances. The drug business was dangerous, but her brother was sly and grown to be a street-smart individual, he knew where he could mess and where he couldn't. Finding also a strike of luck in the fact that where they lived -a little apartment above a Chinese-owned laundry shop, was a precarious condominium where a low-ranked pawn from Carmine Falcone also had his home. This kid had befriended Y/N's brother and recommended him with Falcone, being the crucial connection to begin working for the druglord.

While unable to approve of his line of work, Y/N couldn't find it in her morality to refuse his dirty money. Like Tony Montana he'd return home with the fruit of his criminality and she'd accept it like a gift, one with a catch, but her brother always managed to sound reassuring enough to make the odds of something happening to him seem lower than they were. Oh, was it such a crime to be gullible and young, and believe your older brother? Y/N had once tried to believe that she simply didn't have what it took to stop him, or that it wasn't her place in his story, fate had planted it's seed on him and his demise was only meant to happen the second he agreed to dance with the Devil.

Despite her brother's rapidly increasing earnings, she felt it a moral obligation to maintain her job as a janitor in Gotham University. She was no Will Hunting, but she did find a particular itch of interest in the fields of sociology and psychology; studies of human condition. The job allowed her to ocasionally lean besides the auditoriums to listen to the lectures of intellectual professors. Her mind was like a sponge, and her curiosity drove her to absorve every drop of information she'd hear, and study it later in her free time.

It was one of those days where she spent some hours off the clock on campus, long done with her cleaning duties yet attentively listening to the lesson behind the door. Had she left on time maybe the butterfly effect that spiraled into the end of her brother's life could have somehow been different. Had she left later, perhaps, something in the trail of events could have flipped a switch to prevent what happened to him. But she didn't, she stayed and listened to a seminar on social conducts and masses, while somewhere in Gotham her brother received punch after punch from the Batman as God's punishment for his temptation and greed.

If the Bat had intended to kill him or not was not of her concern, as intentions didn't free the vigilante from having her brother's blood on his hands. It was while checking the stock of a recently dropped off container in the portion of the port Falcone had used his filthy money to buy that Batman had striked. Her brother tried -in a naive act of loyalty, to defend the property of his employer. Poor boy, forgotten as another dog of the drug world, but to Y/N a victim of his circumstances trying to make the best out of the little life had to offer for them. Died in the hospital as he awaited for interrogation, his insides mashed into a gorey pureé of organs that spat their own blood and failed to survive the brutality of their wounds.

Sure, the Batman may have saved damsels in distress from having their purses snatched by low life thieves, or prevented a hypothetical drug addict from getting another taste of their self-indulgence, but was he really saving people? Doing something worthwhile? For all she knew, all his masked activism was of no use if they had no effect in the long-term and the masses, and in the process took the lives and resources of hard-working low income people. She was no fool, Y/N had obviously assessed the possibility that maybe what happened to her brother was, again, a matter of fate, a divine punishment for succumbing to the desire for easy money. But then again, his motivations were only honest, and he was looking out for his and his family's best interest. What more does a man have to do to be noble and worth of living without being punished for collateral misdoings that are only human?

Falcone had presented his distant condolences in the shape of a young man knocking at her door, offering the drug lord's words of comfort and a pitiful offer for a job in his headquarters at The Penguin's Iceberg Lounge. "A pretty face like yours could be pretty popular." spoke the raspy voice of The Penguin as his grotesquely large fingers held her chin. The Iceberg Lounge didn't belong to Falcone, but his connections allowed him to offer Y/N a job as a waitress in the place. Had she any choice? Not really, with her brother now dead, the income as a janitor was not nearly as much as the inviting sum of tips that sweetened her ear with the same voice of temptation that once spoke to her brother. Besides, she did need the money, and building links -even if they were mostly symbolic, with the Bat's enemies could grant her a closer look to the new channel of all her hatred.

It was once that Y/N begun to work for The Penguin that she fully committed in the sinful night-life. Her entire scheme and survival now relied on crime, sin and immorality. She had now signed her own contract, and indulged fully into the world of darkness and depravity, one that was once unknown to her and was now tied to her identity. She fed off of other's lust and crime, making her a criminal herself. But she no longer felt the fear or rejection for the underworld her brother's job had once made her feel, she now embraced it as her own for the sake of greater motivations. Like a legacy she had chosen to carry on, taking the job got her to quickly see first-hand the very embodiment of hedonism and sheer self-indulgence. The energy in the club was heavy, dark and evil, but Y/N resisted her days through it and engaged in her friendlies as a standard procedure for the night, meeting interesting people in the process.

[bellestarot]

Harry Styles' Reading

December 01, 2024

Right Now

He seems to have problems with alcohol or illicit substances to the point where he crossed a line, and now he's facing some consequences related to inappropriate actions. He's experiencing a lot of anxiety and feels trapped in his own mind. He doesn't want to talk to anyone right now. At the moment, he's very cold and doesn't want contact with others.

He might sometimes display somewhat egotistical behavior regarding the power he holds.

Love Life

He cares a lot about his public image, but there’s a masculine-energy person he has some sort of relationship with. However, it doesn’t seem exclusive to this person. It looks like he’s involved with multiple people, so it’s not a typical two-person relationship. This person also has a friendship with him.

He is quite reluctant about relationships because he had one in the past that he hasn’t gotten over yet. He still hopes that the person from his past might return.

Career

I don’t think he wants to get back into it right now because certain things have happened—or are happening—in his career that are still deeply affecting him. There were many conflicts between him and people he worked with, and now only a few remain whom he trusts. He has had honest conversations with them about how he wants to proceed with future projects.

There’s a woman who seems genuinely supportive and present in his life, but he’s not particularly eager to return to his musical career at the moment. It seems like he wants to explore new things and travel to different places; he’s not focused on that right now.

Family

He misses how things used to be with some family members.

There’s someone whose relationship with him used to be more joyful and fun in the past. He’s very sad about something related to his father, which has hurt him deeply and made him feel betrayed. He feels like things aren’t fair for his family right now.

Lately, he’s spent a lot of time with his mother and other family members, traveling with them and being close to a maternal figure.

Friendships

He has many people he can count on, most of them male friends. There’s a younger friend he hasn’t talked to much lately and an older friend with a fire sign who has recently isolated himself.

He feels like he hasn’t been able to connect much with his friends because he’s too focused on work or personal matters, so he doesn’t reach out like he used to. He also has a friend, younger than him, whose friendship seems to have recently ended, which has upset him a lot.

Future

He will mature in certain aspects and come to understand what’s best for him. I see him receiving opportunities but declining some because he believes they won’t be worth it. He will take time to rest, something he feels has been missing in his life. This will allow him to figure out how he truly wants to move forward.

I foresee something very bad happening in his father’s life, which will cause him great concern.

I also see him entering a genuine relationship in the future, with someone he’ll be deeply in love with, and this has the potential to lead to marriage.

Advice

"Use the talent you have. The forest would be quieter if only the best bird sang."

— Henry Van Dyke

[maximumwobblerbanditdonut]

Rebus – BBC picks up new series

BY IAN MCARDELL FILED UNDER NEWS

Richard Rankin takes on the role of the famous Scottish detective

The BBC acquired the Scottish crime drama Rebus. Made by Eleventh Hour Films for Viaplay, and based on Ian Rankin’s novels, the series stars Richard Rankin (no relation) in the title role.

The detective has been previously played, as an Inspector, by both John Hannah and Ken Stott.

Rebus

The six-part series has been adapted for the screen by Gregory Burke who reimagines the character earlier in his career. Detective Sergeant John Rebus is drawn into a violent criminal conflict that turns personal when his brother Michael, a former soldier, crosses the line into criminality. Rebus finds himself torn between protecting his brother and enforcing the law to bring Michael to justice.

Gregory Burke To Adapt Ian Rankin’s Rebus Series as Eleventh Hour Drama Black Watch. Both adaptations, have Richard Rankin’s participation. Based on interviews with former soldiers, it tells the story of troops from the then Black Watch regiment serving in Iraq. The play toured around the world and went on to win four Olivier Awards.

Richard Rankin as John Rebus (Image: Mark Mainz/Eleventh Hour Films)

The series promises to explore family, morality and class in an emotionally charged story, set against the Scottish landmarks that Rankin’s readers know so well.

Joining Richard Rankin (Outlander), the series also stars Lucie Shorthouse (Bulletproof), Brian Ferguson (The Ipcress File) and Amy Manson (The Nevers). Plus, Neshla Caplan, Noof Ousellam, Stuart Bowman, Caroline Lee Johnson, Sean Buchanan, Thoren Ferguson and Michelle Duncan.

Filming took place in Glasgow and Edinburgh last year.

Author Ian Rankin says:

“I’m thrilled that Rebus is coming to the BBC. A great cast and a compelling story – I really can’t wait for viewers to see it.”

This is the first time the BBC has adapted Sir Ian Rankin's detective novels. 📸 Getty Images

Actor Richard Rankin adds:

“I am thrilled that Rebus will premiere on the BBC. It’s been an honour taking on the role of Ian Rankin’s renowned John Rebus. A character enjoyed by so many in such a fresh and original adaptation.”

The six-part series is directed by Niall MacCormick (Wallander) and Fiona Walton (Shetland) and is produced by Angela Murray. Paula Cuddy, Jill Green, Eve Gutierrez, Tomas Axelsson, Isabelle Hultén, Niall MacCormick, Gregory Burke and Ian Rankin are the Executive Producers.

Rebus will air on BBC Scotland, BBC One and BBC iPlayer later this spring.

I'm waiting and watching 🍿

#Rebus #BBCScotland #BBCOne # BBCiPlayer #JohnRebus #DetectiveSergeant #Ian Rankin #novel #RichardRankin #EleventhHourFilms #Viaplay

[lloydfrontera]

If og lloyd returns to his body after suho crosses the reincarnation gate what do you think will the frontera family and javier feel? Would they be glad for og lloyd's return? Particularly julian and javier?

so uhm. tumblr ate a similar ask i received before this one. like. the same premise so. i'm gonna assume it was by the same person. hopefully. sorry. anyway.

this is an evil scenario. i kinda dig it.

if lloyd crossed the gate and og lloyd returned to his body at that moment,,, there would be many, many conflicting emotions.

i'm gonna take the premise of the other ask and say the og lloyd that returns is the one from right before he got kicked out of his body. this is an og lloyd that didn't see lloyd save the estate countless times, didn't see the effect he had on everyone around him, that never had any reason to regret everything he'd done.

for arcos and marbella i think it would be an extremely bittersweet situation. they would be overjoyed about having their son again, they were absolutely devastated when they realized they'd lost him so i have no doubt they would be so, so happy if he came back. but at the same,,, it would be dampened by their grief over losing lloyd. they came to love him just as much as they loved their biological children, so they would mourn him just as much as they mourned og lloyd. and they would have to be very careful about how they express that grief lest og lloyd take offense to it and believe they'd rather have lloyd with them than him.

plus. well. og lloyd is,,, an asshole. and would presumably resume his terrible habits and attitude immediately, which would be jarring for everyone, but especially for arcos and marbella who deeply love their son and whose grief over suddenly losing him would probably made them romanticize his memory a little bit. it's a natural thing to do, everyone is a saint once they're dead, and while i don't think they completely forgot how terrible og lloyd was, it's a different thing to remember it while you're grieving and missing them than to see it in person again.

i think they would try their best to repair their relationship with him, grateful for the second chance they got with him, but i don't think they would get very far. the problem never was that they didn't care for og lloyd or didn't make an effort with him, it was that og lloyd wasn't interested in reciprocating those efforts. and it's really hard to make a relationship work when only one party is invested on it.

as for julian,,, it's hard to say because we never get to see how he feels about lloyd replacing his brother in the first place, which i think it's a shame cause he's one of the people who by all means has the most extreme response to lloyd in the entire novel. i think his perspective would've been really interesting to have but alas.

but,,, i don't think he would be happy at all. not even a little bit. maybe a part of him would be relieved his brother isn't dead, but that would be it. assuming this is in line with canon where julian has no idea his brother had been replaced, he'd first have to grapple with the fact that the person he came to love and admire was someone completely different than the one he thought.

that the brother that physically and verbally harassed him his entire life never changed. that the person he forgave and made peace with is not the one that hurt him in the first place. that the one that should've apologized and made amends with him is still the same and has no interest in changing.

that would alone would fuck anyone up, but then he has to also grieve the brother he'd come to love and really admire while having to watch the brother who he hated with a passion walk around like nothing happened.

julian hated og lloyd. he had an extreme hatred for him. and he was completely in his right to do it. so add to it the mess of betrayed feelings he would have plus the grief for lloyd plus a healthy dose of resentment and misattirbutted blame towards og lloyd for being alive when lloyd isn't anymore and,,, yeah. i don't think julian would have any positive feelings in this situation.

i think he would stay just long enough in the estate to be with his parents while the worst of the grief passed and then leave, with no plans of coming back unless his parents needed him to.

also i like to think that at one point julian snapped at og lloyd for one reason or another and when og lloyd went to hit him like usual not only did julian not flinch like he used but also sheherazade went absolutely ballistic on his ass. straight up trying to cut off his arm for it. javier was quick to stop her but like. it was a close thing even considering he's a grandmaster at that point.

after that og lloyd just avoids julian like the plague which suits all of them just fine. sheherazade especially. scary wife privilege <3

as for javier. god javier.

if arcos and marbella were happy about og lloyd coming back and julian was upset about it, javier would fall somewhere in the middle and also create a metric of his own.

just,, imagine the devastation he felt when lloyd crossed the gate on his own, his despair at not being able to protect the person he swore he would die for, then the bright spot of hope and relief when he sees him open his eyes and wake up, thinking that maybe, just maybe, fate was kind to them this time, maybe they get to have this one miracle, maybe they both get to life and be together like they wanted to... only for the slow and terrible realization that this isn't the lloyd he was hoping for. it's not his lloyd.

i think for one brief moment of grief induced insanity javier would genuinely consider throwing og lloyd into the reincarnation gate and see if that would bring back his lloyd. he doesn't of course, he immediately shakes himself out of it, but... the thought would've definitely crossed his mind.

because the thing is, while i've talked before about how javier wasn't glad about og lloyd being replaced and genuinely felt guilty for not being able to help him and for choosing lloyd over him, that's not,,, really because of og lloyd himself. like. it sounds harsh but javier kind of really hated the guy's guts. he cared for him as a member of the frontera family and would've genuinely tried to protect him had there been any need, but it would've been strictly professional and out of duty and loyalty towards arcos, not to og lloyd. which i don't really blame him for tbh! you reap what you sow and og lloyd earned himself nothing but javier's disdain with his actions and words.

but the point is! javier's interest in og lloyd is directly related to him putting his loyalty to arcos above all things. in the hell railroad arc that's his main reason to feel so conflicted about who to choose.

but at this point in the novel javier's loyalties have shifted. he's still extremely loyal to arcos, he still loves the frontera family, he still would protect them with all his being but... now his heart's loyalty belongs to lloyd.

I want to protect him. Lloyd is my true master in my heart.

and i think that, for one split second at least, the part of javier who would do anything for the people he cares about and is loyal to, would genuinely contemplate throwing og lloyd back into the reincarnation gate if there was even the slightest chance it would bring his lloyd back.

but he would quickly snap out of it. he is still very loyal to arcos and marbella, and this is their son, he's still a part of the frontera family and javier cannot, will not, risk his life on the small possibility it will save someone else. not even lloyd.

he would even feel guilty for having considered it in the first place, for letting himself be swept by his emotions, for being so selfish as to think about trading the frontera's son for the chance to get lloyd back. for knowing that even though he didn't do it, a small, grieving and half mad part of him still thinks it would be worth it.

i also think he would have a very hard time being around og lloyd but even a worse one trying to stay away from him. being in the same room as him would be bitter, disappointing and painful, but not being there would be maddening, every instinct telling him to go back, to see if he's alright, to be at the side of the person he'd spent the last few years protecting with everything he had. the one he'd been planning on staying with the rest of his life.

i think it was hard for him to come to love someone wearing the face of a person he hated. but it would be excruciating to see someone he hates wear the face of the person he came to love.

all in all. not a good time for anyone! which i think fucks i love this scenario it really woke up the brain worms <3

[gegegegegesworld]

Apology to the fandom

Hello everyone, I am Panda (Potaxiepower formerly known as Kimetsunozushi69) and I want to write this post in order to own my mistakes and to apologise to the ones involved in this situation.

First of all, I am aware of my humour, which has crossed the line many times. I want to seriously apologise for the disgusting jokes that I did without any consideration of people's feelings. I want to clarify that I am not racist, I have no intention of discrimination against anyone.

I will never cross the lines ever again, and I will face the consequences of my actions which harmed many people in this fandom.

I do not expect people to forgive me, because what I said was truly unforgivable, but from now on, I will mature and I will become better.

In regards of others aspects, I want to talk about the way I treated the members involved in this situation, I am sure you all know this, but I was accused of being abusive to some members of this fandom, which I will admit that my behaviour was unacceptable, and my personal struggles and my own problems do not justify the actions that I committed against the people involved.

I admit that I was a very toxic friend, and I never knew how far my actions were until I realised that my harm to them was scarring and traumatising. I admit that my behaviour towards them is irredeemable and that not an apology can fix the consequences of my actions.

None of them truly hurt me, I was the one who was in a bad mental state and because of that I started to wrongly accuse them of things that they were not, and also badmouthing them and manipulating the situation to favour me, which after months of reflection, I realised that that was truly despicable behaviour.

I admit that I did all of this based on my own envy over them being better artists, academically brighter and better writers than me, which made me have an inferiority complex against them and because of that I was acting toxic towards them. 

Even when they supported me in my hard times, I was ungrateful and despite them showing emotional and financial support, I was not willing to recognise their efforts to be my friends, because of my ego.

I understand why this situation is happening, because I cannot escape from my actions, I do not expect the fandom to ever forgive, and I understand that, I will face the consequences of what has happened this summer time.

I am sorry for ghosting the victims of the situation after doing enough harm and not apologising genuinely because I was a coward who did not want to accept my mistakes, and I understand why the situation escalated to worse after months.

I also understand why everyone in this fandom is currently furious over this, because I escaped and deleted everything without any explanation, this time, I will face the fandom and listen to your complains, I also will leave the fandom after this in order to start a new phase of my life where in the future I will not commit the same mistakes again.

I also want to clarify that none of my old followers or friends stalked any of the members, I was not aware of them facing harassment online, I am not lying when I say that I had everyone blocked which made me not interact with their posts or be interested in what they were posting, because I didn't want to see what they were doing (because I was ghosting) and I admit that I was talking bad about them behind their backs despite me promising to them that I would not talk about them, but I did not send hate because all the frustration that I had was thrown towards my close friends who were not interested in creating conflicts.

I recently found out that they were receiving some hate regarding the call-out, I did not send anyone. I promise everyone that I was inactive online and was scared of looking at what was happening, and I was with family members and real life friends these past two days.

MeitoMela and Meerudraws are innocent, they never had any vile intentions nor any interest in engaging in discourse, and them being friends and mutuals with me does not mean that they are on my side, nor do they agree with my actions nor are they interested in engaging in this.

Thank you very much for reading this letter, and I hope that the victims of this will find peace and help, and I wish everyone the best and happy holidays.

@irithnova

@tianshiisdead

@miyuecakes

[conundrumscience]

DC StephCass [QuickWiki]

Hey, Bat-Fans! Today, we're going to talk about a dynamic duo that has captured the hearts and imaginations of many comic book fans:

Cassandra Cain and Stephanie Brown

the Batgirls of Gotham City. While they have had their own unique journeys as crimefighters, not a lot of casual comic fans have read much about them! So, who are they?

"If you came looking for a monster, you're on the wrong trail. Go away."

Cassandra Cain, also known as Batgirl or Orphan is the daughter of the notorious assassin David Cain. She was trained from a young age to be a lethal weapon, however, she broke free from her father's control and chose to use her skills for good, becoming a highly skilled martial artist and one of the most capable crimefighters in the DC Universe. Cassis known for her stoic and silent demeanor, but she has a deep sense of justice and a strong moral compass.

"Everything doesn't have to be about fear. There's room in our line of work for hope, too."

Stephanie Brown, also known as Batgirl, Spoiler, or as a Robin is known for her witty and upbeat personality, often injecting humor into her crime-fighting endeavors. She's an experienced acrobat and skilled in hand-to-hand combat, and has proven herself as a capable hero despite facing challenges and setbacks. Stephanie is also known for her determination, intelligence, and her desire to make a difference in Gotham City.

The relationship between Cassandra Cain and Stephanie Brown in the DC Comics universe is a complex mix of camaraderie, conflict, and mutual respect. Cass and Steph have crossed paths as crime-fighting heroines in Gotham City, teaming up to take down criminals and working together as members of the Bat-Family. However, they have also clashed over their differing methods and ideologies. Despite this, most recent content showcases their strong allyship (alongside Barbara Gordon, a fellow Batgirl)

In recent years, Cassandra and Stephanie have been featured in the Batgirls comic series by Michael Conrad and Becky Cloonan, which explores their partnership in more depth. The series delves into their individual struggles, interactions, and dynamics as crime-fighting partners, and has teased many a reader to interpret their relationship as romantically inclined (stephcass is real in our hearts) Fans continue to be intrigued by their complex relationship and eagerly follow their adventures in the world of Gotham City!

Batgirls Reading List Cassandra Cain's Wiki Stephanie Brown's Wiki

Let me know if I should make more posts like this! Send in comic characters or groups you'd like to see in this style of post. Might make some of this stuff for other fandoms as well!

[scoffingatgravity]

Orm for the ask game bc I’m curious 👀

It’s been a minute since I’ve read the New 52 run & Mera: Queen Of Atlantis, but I’ll endeavor to answer for New 52!Orm & DCEU!Orm.

sexuality headcanon: As with the majority of my faves (unless canonically stated otherwise), I headcanon Orm as bi - especially DCEU!Orm.

otp: I am an OrmErin lover. I understand some people like the idea of Orm being forever bound by Orvax’s ideas of duties to Atlantis, but I personally believe in Orm finding happiness and getting to grow as a person. I don’t really ship DCEU!Orm with anyone, but I was hoping to see Orm bump into Erin at that pier. 👀

brotp: DCEU!Orm is easy. I love the aquabros and wish we would’ve had another movie to develop the family dynamic further. I also wanted to see him and Mera become close again. I’m honestly drawing a blank as to anyone that stood by Orm in the New 52 run, but I read Murk broke him out of prison, so probably him.

notp: Any and all incest ships involving Orm. I might not ship some others, but none of them inspire the disgust response as when seeing how many people ship Orm with his brother.

first headcanon that pops into my head: There’s no way he’s neurotypical.

favorite line from this character: As much as I hate what comes after, it really tugs on my heart when New 52!Orm’s response to saving Arthur from a Trench creature is that Arthur’s his king now, too. A favorite DCEU!Orm line is probably his whole speech against the pollution from the surface. Patrick Wilson knows how to work a monologue.

one way in which I relate to this character: I, too, am conflicted (emotionally) and am the baby of my family. I’d also give myself impressive stats compared to my sibling.

thing that gives me second hand embarrassment about this character: It’s not embarrassment exactly, but I groaned when they had Orm double cross Mera and get locked up again. However, that’s on the writers at DC. They refuse to let him be happy. DCEU!Orm’s earlier attempts at running were more cute than embarrassing, so…

cinnamon roll or problematic fave?: problematic fave, but he also did nothing wrong (okay, maybe DCEU!Orm a little bit) 🤷🏻‍♂️