#the circle begins

[loudlittleecho]

I never wanted to be a specific character, but I did want to be in their world.

I wanted to be part of the Animorphs, to visit Redwall Abbey, attend the Winding Circle Temple, be an Avian in Wyvern's Court, be discovered as a child of the red king at Bloor’s Academy, or go to school at Ulysses F. Olsen High.

— and those are just the series that really stuck with me.

[macdenlover]

I GRADUATE TOMORROW!!!

[sherbet-requiem]

[darlingshane]

Deb mirroring Jon.

[moodysnowflake]

Right back at ya, Meryl.

She roped him to capture.

He roped her to save.

- and being like "Meryl, I love you and your chaotic gremling energy, but NO."

[nillustre]

facial features headcanons ~

[poorly-drawn-mdzs]

MDZS x Warrior Cats AU (part 1): That boy can meow!

Names and a huge inspiration credits to @clintbeefwoods!

(part 2)

[buckevantommy]

you're telling me the episode titled Buck, Actually includes a happily married old gay couple and a montage of their many years together (with music reminiscent of Queen) ?????? and Buck comforts the widow ?????? he doesn't say anything just lets the guy talk about his love then offer sincere condolences ?????? then says: I GUESS I CAN ONLY HOPE TO FIND SOMETHING THAT GOOD ????? and then he let them be together while he gathered the scattered photographs of their life ?????? and then Buck tries desperately to save the widow's life ????? AND THE WIDOW'S NAME IS FUCKING THOMAS ?!?!?!!!!

[novaricewrites]

If Magic Chooses-

So we know the magic in Prythian ties the land, Courts, and the High Lords and can be vaguely sentient (as with the Cauldron).

It's unclear how it chooses the High Lords but the magic seems to be deliberate and adheres faithfully to whoever it chooses. Even Amarantha couldn't fully access it despite all that she did - she could only prevent the Lords from using it against her.

So imagine if this was explored.

E.g: The time when Feyre and the IC stole the Book of Breathings from the Summer Court as guests - literally committing a crime worthy of a magical death sentence. This then left the Summer Court open to Hybern's invasion, further enabled by what Feyre did in the Spring Court.

This didn't just harm the High Lords. It harmed the Courts in a major way. The very land and the people living in there were devastated by it. And it must have caused mass turmoil that even the magic sensed.

So imagine because of this intricate connection to the land, the people and the High Lords - it caused Feyre's bond to the Spring and Summer magic to become hard to control or even the magic rejecting her.

The kernels of magic are technically still the High Lords'. They're not Feyre's magic but were gifted like handing her a scale off their essence. And it would make sense if the magic reacted to the state of the High Lords (and deeper the courts themselves) if they experienced deep, visceral emotions & damage thanks to Feyre.

Magic being fickle about who wields it would sort of suit the capriciousness of Faeries. It would also require Feyre to use her wits and sense to navigate situations instead of resorting to the Feysand tactics of Lie, Steal and Justify.

It would give actual consequences and gravity to her actions, and add depth to why her being a Made Fae is a big deal. She is now attached via these kernels of magic to the land in a way that she can't run from. Just as High Lords (even those reluctant like Tamlin are).

Just the plot potential and character development. And the internal conflict over actions that we never got.

[feyrescourt]

No, I really don’t mess with the Lucien stans in general because this is the man that’s got y’all jumping up and down screaming about how Feyre and Rhys are such terrible people? The one who excused the abuse she suffered at the hands of someone because he was his friend? The one who tried to kidnap her and bring her BACK to her abuser when she strictly said she didn’t want to return? The one who tried to guilt trip her into essentially accepting a life of being manipulated and controlled because she was brought back to life by the high lords and the girl he loved wasn’t?

Mind you Feyre was a 19 year old human girl who had no business being in prythian until Tamlin kidnapped her and forced her into this position to break his curse.

Everything that happens after the death of her human self should be done on HER TERMS. Not theirs.

This series (especially the trilogy) is HER story, and I will not let stans of a side character try to craft any other narrative that doesn’t center her experiences.

[corviiids]

phantom thieves have realisations

[various-stormsnsaints]

Rust Cohle:

Ole Munch:

I wanna see a debate between these two

[hugevanserrass]

I've also seen people argue that nesta was a danger to Velaris which is why rhysand was so adamant that she be moved to the house of wind, so she could learn to control herself and her powers. but like...? the plot of acosf doesn't even address her silver fire powers? she literally just appears in HOFAS able to wield them. feyre and rhys wanted her to learn how to control her "drinking problem"

[schwarznummer1]

Star-crossed lovers of Kinloch Hold...

[trustlife2day]

“Love you, bitch.” 😭

Reservation Dogs 1:1 premier and 3:10 finale.

[riverssongs13]

First, let's just get this out of the way for I'm still seething about the storytelling mess that was Familiar By Thy Side (and parts of Darkest Hour). I want to appreciate the fact that this masterpiece of an episode is more than 10 minutes shorter than the previous one, which had so many unnecessary parts; this half hour of an emotional roller coaster ride has done so much more to progress the ENTIRE show's plot. We finally pieced the puzzle of Lilia's kookiness and her "jumps". We got so much more Teen lore from this than the Teen episode itself. We now have resolution to all the (previous) trials, Alice's… state, Rio's real identity, Jen's importance… We even dealt with the damned Salem Seven as a bonus. So many things happened but it was not overwhelming at all. If this were a suit I'd say it's bespoke indeed.

Now, what I truly loved about this episode is how it was able to paint a non-linear narrative with so much finesse, with each twist and turn taking us to different parts of a single timeline, without making it nauseating, all while pulling the threads to secure the stitches in place and make sure the seams are tight without it puckering. Like embroidery that adds patterns on different areas, we finally sew it all up to see the final tapestry.

The whole fandom has definitely theorised all about how Lilia's weird "inserts" are connected, each episode giving us more pieces to make sense of. But of course it feels infinitely better seeing it ourselves, and how they make up a whole linear timeline in Lilia's mind-POV, while Agatha and the gang are left confused with the breadcrumbs of phrases left for them at different intervals. I absolutely loved how this time discrepancy was used. No more boring-ass unnecessary flashbacks filled with drivel. This time, the past is completely enmeshed with the present, and is used to decide on what's needed to be done to get the desirable future outcome.

This "time is non-linear, it exists simultaneously at all points" phenomenon has certainly been used in countless other media (Fringe and its Observers come to mind), but I love how actively Lilia used it. Her being in that tea-leaf reading lesson held so much significance to her as a Trial Subject, as a Coven Member, and as an Individual Witch. Her time in the gazebo reminds me of The Time Traveller's Wife; existing in all the times, getting sent and pulled back and sent again.

That gazebo was both her prison and her escape. Being stuck in that place made her think her life is a rigid series of unfortunate events, and she can't do anything but be helpless in the face of tragedies that befall everyone she ever cares about. Having had the power to see the future yet be unable to prevent her original coven's death perpetuated her self-depreciation, thus she spent 450-ish years giving in to the usual witchy tropes and misconceptions (the palm reading and tarot tents and the minor scams here and there, but a girl's got bills, ya know), even if it hurts her in the process.

So then, prison AND escape, right? Being tethered to that specific point in time, with her mentor guiding her path to self-rediscovery, was crucial to Lilia's ability to escape her shackles, because she needed to realise she put the shackles on herself. Having a powerful but dangerous gift and being actively afraid of it is quite the self-fulfilling prophecy of doom. You're scared so you stop using it altogether but then you can't control it so all that suppression does more harm than good (looking at you, Charles. What you did to Jean was cowardice. Also, hello? Elsa??). Lilia exclaiming "I was bad at tea leaves" at her literal first day of training might just have been the reason why she spent her life believing she's bad at it. She planted the very idea in her brain (Inception? lol).

This whole forward and back travel from the Road to the Gazebo is instrumental to Lilia coming to terms with the idea that time for her does not move in a straight line. Her confession to Jen, paired with her mentor's wise words, makes her admit that she does, in fact, have a problem. First step to recovery and all that. This then leads to her unravelling the next layer of her issues, which is death to all she holds dear. Granted, she has seen so much death within her lifetime. 450 years of life would do that to you. Something she cannot possibly control.

But that's the thing, isn't it? She was never supposed to control anything. Her job as a Trial Subject, a Coven Member, and an Individual Witch is to SEE. See the trial with the eyes of 450 years simultaneously happening, the heart of someone who wants to protect her coven, and the power of a witch who can walk through the threads of time's tapestry. Once she sees that, and once she accepts that Death is not a Bad Thing, and once she lets go of control, the pieces started to fall into place.

Which then makes her SEE that she's the Traveller. This tarot reading is about her, and she has been sprinkling the answers throughout her timeline, waiting to be plucked by the Awakened Calderu of Now. Give credence to who she is, and her power that Must Not Be Feared. Recognition that she needs her Coven in order to succeed. Acceptance for what she has lost along the way. Welcoming the path ahead no matter where it leads her. Embracing heartbreak, sorrow, and grief. Undertaking miraculous transformation. And finally, the beginning of the end, the end of the beginning.

How fitting is it that we see the start and realise it was actually the end? The fall, initially thought as something dangerous, was in fact just part of the journey. Death, once feared, now embraced like an old friend. Something that perpetuates the cycle. The past, shrouded in darkness, now illuminating the path ahead.

So now we see, she wasn't actually falling. If you ask me, she was flying. Flying to that gazebo in a garden somewhere in Sicily, 450 years ago, about to start her very first lesson in reading tea leaves. Her mentor saying, "Let us begin", and her ultimately saying, "I loved being a witch".