#the chorus in that song is just

[corkinavoid]

For @astermagnolia, to 'Navigating' by Twenty One Pilots,

DPxDC Everybody Leaves

Damian always knew he was there.

From the very moment his eyes dimmed and his body went limp under Damian's hands, he knew that, in reality, he never went anywhere. He stayed, always in the corner of his eye, on the tip of his fingertips, on the brink of his dreams, looking back at him through the reflection in the mirror.

Always just out of reach.

And yet, when Damian missteps, when a bright blast of a laser is only inches away from his chest, when his eyes widen and he knows he won't make it out this time, he is still genuinely surprised to suddenly find another person in between him and his death.

The blast hits Danyal square in the chest, but the boy doesn't sway in the slightest. Damian would have been impressed; he would, really, if he didn't know his brother was dead. If the sight of him, standing in front of Damian, didn't cause his mind to come to a whirring stop.

"You can't take him," Danyal speaks, or maybe growls, the words coming from somewhere deep in his chest, "He can't leave."

And there's something off in his voice - not in the low, menacing way he speaks but in the frenzied panic that's seeping through every word. Damian, against his better judgment, reaches forward, trying to touch his brother's shoulder, but even before he does, the boy snaps his head to him.

And, oh, Damian sees what's wrong.

His brother's eyes are wide, toxic green and glowing, and full of fear, the one you see in a cornered animal. When one wrong move can turn all that scared, anxious tension into a sharp, angry lunge full of fury.

"You can't leave," Danyal repeats quieter this time, but his whisper is almost pleading, "Everyone leaves, I know they do, but not you, you can't-" and then, the frantic mess of words is cut off like someone flipped a switch, and Danyal's face smoothes out in less than a moment.

The cold, calculated ice fills his eyes, and the boy straightens up. His hair, dark like Damian's own, somehow glitches like a bad video recording, going between black and white but settling on white after a moment.

"I won't let you," he says, and there's no more fear or pleading in his voice. Instead, it's calm and eerie, offhanded even, like the boy is merely stating a fact.

Damian blinks, the words stuck in his throat.

He has a whole family of vigilantes around him, he grew up in the League, he is a part of a superhero team. He knows there are people who would throw themselves in danger for the sake of his life without a second thought, and he knows he would do the same, even if he is never going to admit to it out loud.

But not a single one of them ever made it feel like a promise, an unbreakable vow.

Danyal turns away from him, facing the battlefield.

He takes a deep breath.

And screams.

~•~•~•~

Okay, so the idea was that Danny (reincarnated or just dropped off in the DC universe somehow to become Damian's twin) had died at the hands of Damian long ago, but never left his side even in death. I was coming from the Ultimate Enemy bad ending, which means Danny is literally slipping into insanity over losing his loved ones.

Hence, Danny going into a feral protective rage over Damian because he is a traumatized, two times dead boy who just wants his family to stay with him.

And now I'm tryin' to hold onto you 'cause everybody leaves — ['Navigating' lyrics]

P.S. I really wanted to include the line 'pardon my delay' into this, but it didn't quite work with the way I was heading

[kbsd]

bucky egan // "free" by florence + the machine

the feeling comes so fast and i cannot control it i'm on fire, but i'm trying not to show it

[secriden]

I'm sorry, ya'll, but I fully cannot move on from this. What the fuck. The simple joy in Fadel's face here. The way he's just fixated on Style -- who is not even doing anything but catching his breath, eyes closed, attention not even on Fadel in this moment -- but just the fact that he's here, the fact that Fadel gets to be beside him like this, that there's no secrets between them and Fadel doesn't have to hide behind a mask of indifference or pretend to be disinterested anymore.

The way there's something anticipatory in Fadel's expression, like he just can't wait for Style to turn towards him, like he's learned to expect good things from Style when their eyes meet, the way it suggests he's become comfortable with finding happiness and an answer to his affection in Style's eyes.

(I think this scene is really standing out to me so much because Joong has been intentionally keeping Fadel a bit of a mystery in THK. And I do think it's been intentional because as Kluen in SIMM, Joong was very good at always letting the audience know what Kluen was feeling even if the other characters (Dao, especially) didn't seem to catch on. But for Fadel, it felt like we aren't supposed to be privy to Fadel's true thoughts and emotions beyond hints and glimpses.

So to suddenly get this kind of open fondness and unfiltered delight; to get such a clear communication of unspoken yet apparent affection from Fadel is SO FUCKING AMAZING?? Like I don't think Fadel's reached this level of blatant fondness yet in the series -- not in Episode 6 when they were in their honeymoon phase, and still not even now, at the end of episode 9, because the way Fadel's affection is being expressed still feels fragile and tender and new.

But these clips from the My Fuel MV feel like they come after they've had time to settle and BE together. Fadel is so open because he has learned that there is nothing to fear in his adoration of Style, like Style is the physical embodiment of Fadel's ability to experience true joy, and by GOD that makes me so fucking happy!!)

[riiserrie]

quick beato bc i forgot her bday was coming up....... happy bday queen 😙

[namelessprince]

bunch of random jrwi sketches :3

reminder my commissions are open :D

[isamovingon]

like that ah! like that ooh! 'POSE' — LIGHTSUM (2024)

[mxgichour]

this trend of 2 minute songs HAS to end. the fuck you mean not a SINGLE song on txt's new album is over 3 minutes?

[pocketgalaxies]

cold inside is so FUCKING cute

[nebulaeyedfish]

P-P-P-Poker Face

Loving Doc's poker table project at the moment!

Tags: @imflyingfish @raise-me-up-take-me-up @swanofstorie

See pinned for commissions

[gojosbf]

[sirensea14]

Mayhem as Holly or Holly as Mayhem⁉️⁉️⁉️

Volume warning cuz idk how loud this is to your ears

Audio & hands movement inspo (this iz awesome guyz, listen to it)👇🏻

[melit0n]

"Let the tides carry you back to me." has always been among one of my favourite lines in Telomeres, and so, having listened to it again recently, a little idea popped into my head. Let me explain:

While ocean tides/currents is a very common metaphor, there's an underlying meaning to it. The ocean is a beautiful, but somewhat cruel place: tides can leave you stranded on a sandbank, or sweap you away before you even know it.

To put it in short, no object or creature that goes into the ocean comes out the same. For the tides to carry something back to you, something you've lost, it will be and always will be changed: eroded.

The cliffside will fall, the cave will crumble, etc etc.

With this in mind, we're yet again greeted with another example of Vessel asking for something he can't truly have. The person he wants will not be the same as they were before; they "collapse" into him, breaking apart, but still, to him, it's "the start of something."

His memory is warped, they are warped, and it'll stay that way.

However, what I would like to add is that, in DYWTYLM, it's theorised that instead of Vessel speaking to a second person, he's instead talking to himself.

Of course, this makes the song itself much more emotional (to me). Finding love for yourself is one of the hardest things you can do, but it has to be done to find love in others.

With that idea (stay with me here), the lyrics "Do you roll with the waves? Or do you duck into deep blue safety?" match up (generally) with Telomeres, which is mostly interpretated as being towards someone else.

So, what if some lines in Telemores are directed to himself as well?

Keep in mind, the tides don't just erode and carry objects (sediment), they also reflect. The Atlantic is one big mirror, and Vessel is staring into it's "deep blue safety" wondering what, or, rather, who, he was before he was Vessel.

Overall, the album name, "This Place Will Become Your Tomb", either being directed at Vessel or Vessel to Sleep (and being a Halo quote lmao), is more metaphorical than literal.

Who he was before Vessel sits in that coffin, not his physical body.

[wrenderart]

Some roughs for a BillFord animatic I'm working on at the moment!!!

[empty-dream]

Knowing it all, am I destined to fall? Like once you did for me ↳ Vortex - Bai Sha Jaws

[chipjrwibignaturals]

lost in the waves - kooman & dimond | the hole in the sea - jrwi

[qwakque]

short scarabia animation because why not LOL

song is lovegod by sarah kingsley