#the characters will start to show more personality and take charge of their own stories

[katerinaaqu]

Finished Chapter 14 of The Song of Achilles and like you I already found one change that gets on my nerves. Why is Odysseus now the Prince of Ithaca? When he was already King by the events of the original poem? What was Madeline Miller’s purpose in demoting him from King to Prince?

This better have a payoff or else… without Odysseus being King I feel his 20 year absence from Ithaca has less serious consequences. I think without him being King of Ithaca, his wife’s suitors wouldn’t be so eager to replace him.

Well I will start with what me and other classics readers say, that Miller is extremely biased with certain characters and that shows in her writing (true she writes in a very beautiful way and has great expression but still...) so certain characters are depicted positively and others negatively (no surprise or news there) and she writes in a feministic way so certain characters in the background are bound to be disregarded or worse changed. However most people have come to know that her writing of characters is really inaccurate or that it comes straight from her imagination (see for example how in order to get her romcom aura we must see a "homophobic character" aka Thetis who acts almost as a villain, we see the stereotype of star-crossed lovers like Achilles and Patroclus (which is a trope she uses by combining elements from the original but ignoring the character development of others in order to fortify her message) etc.

That being said, Miller's style seems to me like she uses SOME elements of the original, blasts them out of proportions, altering it to be more simplified to fit a romcom setting and re-writes the rest to fit the characters. I am not 100% famliar with her books given how I haven't read them in the full but I have seen stuff around and read some passages so take this hypothesis with a grain of salt but this seems to be the case to me. So in this case it is clear that Miller doesn't see Odysseus in a very positive light (given what she goes with to her other novels as well) so yeah her trying to lesser his importance or the status in the story seems more than just a possibility to me.

So here goes my reply, sorry if this is long:

In this case she seems to take advantage of the fact that in translations there is no distinct difference in the text between the word "prince" or "king" in the homeric text (both are being stated by the term άναξ (anax->wanax, from mycenean greek as well) and is being used to speak on the ruler that has under his command the ships and the army. That is to be said some of the commanders of the greek army had living parents back home and Odysseus was included among them. It seems like Laertes was in a way retired since indeed Odysseus seemed to be a king in his own right, in fact Penelope even insinuates he had been so for a long time, given how she tells Antinous the story of his father who arrived to the palace begging Odysseus for his own life, possibly implying that Odysseus was a ruler of his own right more than 20 years prior, possibly before Antinous's birth or during Antinous's childhood or infantry. On the other hand some people seem to separate his father from Odysseus by naming Laertes "King of Cephallenians" and Odysseus "King of Ithaca" aka that technically Laertes is the king of the entirety of the kingdom (Ithaca, Cephallonia, Acarnania etc) and Odysseus's juristiction is Ithaca. Personally I do not fully support that last one given how Odysseus is the only one who seems to be in charge even if Laertes is still alive. It seems that the tradition in Ithaca was a bit more family-like in terms of ruling and the king retired from his duty because of age, letting the younger and more capable son to rule (potentially Laertes is an exception and gave the authority to Odysseus because he thought he was more capable ruler than himself. Odysseus possibly proved his worth during the internal conflicts with the Taphian pirates or in conflict in Messinia [when he received his bow in his youth as a gift])

It also seems to be backed up by how by n large they got married within the kingdom (Eurylochus is from the same kingdom, from the small island of Same and marries Odysseus's sister Ctimene, the suitors of Penelope all come from within the kingdom from different principates and regions). Laertes and Odysseus seem to be exceptions to the rule since Laertes marries Anticlea, daughter to the great thief Autolycus who lived in Parnassus and Odysseus who married Penelope from Sparta) So it seems that the kingdom is more like a "family business" than actually some kingdom with expansive or military construction (unlike Mycenae or Sparta) so it doesn't seem impossible that there is either a tradition for the old ruler to quit and pass the throne to the next generation rather than wait for his death to pass authority or that if one did it wouldn't seem impossible. It also seems that other kingdoms are not necessarily the same as modern kingdoms either. Icarius is still alive when the events of the Odyssey take place. We don't know if Tyndareus also is alive or not, from what I remember, in Homer's writing so it is not clear what kind of rules exist to that realm. Could it be also that the ruler is not only of age (able to grow a beard aka around the final 20s or early 30s) but also marriage that gets them ready to rule? Like Menelaus is a ruler of Sparta by marriage, Odysseus rules as a sovereign ruler because of his marriage? It could be although again the suitors of Helen were often called "kings" in literature, it doesn't seem to be the case given how most of her suitors are either young (Ajax, Menelaus, Antilochus was also mentioned or even Diomedes in some sources even if the two of them would be literal children at that time) or sons of existent rulers let's say Odysseus. So it is possible that marriage AND coming of age play their part in succession. It gets a bit confusing as well since Odysseus leaves order to Penelope that she has to wait till her son is of age (when his beard grows) to pass him the throne, if he hasn't returned till then. Does Odysseus imply that his son would rule if he was of age, regardless of his death or is he implying that they first have to confirm he is dead before Telemachus takes over? It is indeed an enigma but then again the case of Odysseus is complicated; he goes to a war that he doesn't know if he is gonna return from and according to some readings and traditions, he was repared to be off for a long time as well from an omen he heard so his case with Telemachus seems to be an exception rather than the rule given the extreme conditions they deal with.

Either way yeah it doesn't seem that Odysseus is not a ruler in his own right in any shape or form in the Iliad or the Odyssey despite the fact that Laertes was still alive throughout the entire process. Either because it was a consistent tradition or because Laertes made an exception, it seems that Laertes was not an active ruler by the time Odysseus left for Troy and as I said it seems that Penelope implies Odysseus was already a ruler capable of giving pardon to someone (Antinous's father) or command armies (Taphian pirate incident, Messina, Troy) so yeah it doesn't seem that Odysseus is considred "a Prince" like for instance his brother-in-law Eurylochus or the Suitors and their families but he seems to be a king in his own right; he is the one who has the duty to send away the suitors; he is the one to command the army and he is the one to call the counter-attack in the Odyssey against the retalliation of the families after the murder of the suitors and not Laertes.

So to close this already long answer yes among the many changes Miller imposes in her book to fit her narrative, it seems that she takes advantage of modern day perspectives of rule and succession (aka the sovereign ruler's death before the other takes over) plus the fact that there is no distinct word between king and prince in the ancient texts to call Odysseus "a Prince" possibly to decrease his status (similar to how ancient writers mentioned Odysseus not being legitimate son of Laertes but a bastard son by Sisyphus) so yeah it does seem like it as you said given how Miller doesn't seem to be fond of Odysseus as a character. But that would be my hypothesis. Either that or Miller simply doesn't want to consider a different rule of succession than the modern one she and her readers are familiar with aka a king becomes king only after his father's death. Which is ironic though given how many people mention Odysseus "a king" even if they know or possibly because they forget Laertes is still alive.

Hope this helps

[barfygutcheck]

Hi Beck! First off, I'm so glad you made an account and started writing - I love Sawyer and Jackie already and I'm excited to read about Cass and Willow too. In the meantime, can you tell us a little more about what each of your OCs looks like, and one thing that makes them laugh and one thing that makes them cry?

Thank you!

hey lis! thank you very much for the kind words and right back at you, been obsessed with your ocs for quite a while now, especially noa and logan 🤚 let's get to your ask :]

starting off with sawyer! i dont have any like face claims yet, however i can tell you she's got slightly curly hair, green eyes, and dimples. she's 6'1" and she has a physique that shows she works out but also enjoys a good meal -- think soft abs courtesy of a little tummy and muscled arms and legs. basically think of any of the good butches in media or ab/by an/der/son. also, she's white. one thing that makes them laugh: well, sawyer really enjoys san/dler movies, but the person that most makes her laugh is definitely cass. they poke fun at anything/anyone, with good-natured intentions. what makes her cry is anything related to her family issues.

jackie is a lot shorter standing at 5'3". she's got tanned skin, brown eyes and brown hair, which is straight and usually in a ponytail. jackie has very sharp edges, so think of a greek nose and a strong jawline. it's very hard to make jackie laugh, but sawyer can do that just fine, maybe just by poking jackie or tickling her, or saying something very dumb on purpose. other than that, jackie doesn't understand most people's humor or jokes. but if making her laugh is hard, making her cry is harder. she hardly breaks. perhaps seeing someone like sawyer in pain can really get her to crack.

cass has shoulder-length black hair, hazel eyes, and thick brows. she's almost as tall as sawyer but not as muscular; her shoulders and back are broader than most girls', but she's not overly beefy. one thing that makes her laugh: impossible to choose, she finds most situations funny and it's hard for her to take something seriously. in fact, she laughs even when it's inappropriate, kind of as a coping mechanism. however, with crying it's the opposite. like jackie, it's very hard to move cass to tears. she hasn't cried in years because nothing really gets to her like that.

willow is an average height of 5'6", with a round face, strawberry blonde hair, and brown eyes. she's slightly plump. she's also white. willow is someone who's very in touch with her feelings so getting her to either cry or laugh is relatively easy, but she's definitely my biggest crier because she'd cry at a refrigerator commercial if it was slightly deep or featured a family being happy. she also laughs at the dumber stuff, though really crass jokes usually fall flat on her.

[pomefioredove]

so, I could request jamil, leona, vil, rook, azul, jade, rollo, malleus and lillia with a heroic fantasy lover reader (well, not so much fantasy, since it's basically a fantasy world. i mean, jaskaja, malleus is a freaking fairy prince). a reader who wakes up reading, watching series or movies in the genre, who makes his own maps of his worlds in the back of his notebooks in class, who in potions class takes notes for his own inventions, who starts inventing recipes in the kitchen and when he's supposed to be studying he's actually writing his fantasy stories or novels, maybe he's not even yuu, he's from another dimension! just another x student who is a bookworm. but that his sleep schedule starts to be affected by these habits when midterms come and at the same time he wins a major writing contest, and that between the hobby and the studies he sleeps, eats and rests less.

thanks and good day 💗💗!

of course! this is actually quite cute

*ੈ✩‧₊˚ fantasy writer reader

type of post: headcanons characters: leona, azul, jade, jamil, rook, vil, lilia, malleus, rollo additional info: romantic or platonic, reader is gender neutral, reader is yuu

well, well, well

for all his teasing, and there has been a lot, Leona actually starts to like you

damn it...

you were just another wide-eyed, naive herbivore to him

and a little bookworm, too

and now...

strangely, he finds himself missing you

thinking about the stories you'd told him...

...even wanting you to ask him about his magic

which he did find annoying, but now, it's kind of endearing...

you do strange things to this man

*ੈ✩‧₊˚

Azul will admit that he was... a little wrong about you

after all, when you first met, he took you as a rather naive person

so... curious

asking him about magic, the sea, potions and spells and...

well, he read that as innocence

for weeks, he answered all your questions, even showed you a few simple spells, all free of charge

...hoping that you'd come to trust him

then, you vanish

he later reads a fantasy story published in the school newspaper

...about him

you were just using him for fantasy character inspiration all along!?

...

...actually... that's quite flattering

he'll let you get away with this one

*ੈ✩‧₊˚

Jade is drawn to you

and by that, I mean he finds you before you find him

so curious...

he can tell you've adapted to life at Night Raven College much quicker than most would

quicker than he did, even

and he's actually from Twisted Wonderland

magic doesn't surprise you, nor does the politics or history of this world...

how... interesting

he'll follow you around, asking question, reading your stories, never too far away from you

he's never met anyone so strange, really

*ੈ✩‧₊˚

Jamil can't imagine being from a world without magic

...and, apparently, neither can you

disregarding your... ahem... heroic interests, you fit right in at NRC

seriously, a few months here and you're already ahead of Kalim

...he could learn a thing or two from you...

it starts making sense when you tell Jamil that books from your world are full of magic

where you lack experience, you make up for in knowledge

he... respects that, actually

you're more well-read than most of his peers!

now, if only he could do something about that terrible sleep schedule of yours...

*ੈ✩‧₊˚

Rook thinks you have such a beautiful eye for detail

and a creative soul

of course, he knows a writer when he sees one

and you catch his eye right away

he just can't help it! such imagination, such talent... you inspire him just by being!

...okay, maybe he's a little overexcited

being a poet himself, it's not often he meets someone who understands the beauty of life like a fellow writer

he will eagerly read everything you give him

every story you write, every map you draw, even your own notes and potion recipes

...and he'll give you detailed praises on each one

*ੈ✩‧₊˚

Vil is already used to writer shenanigans

...too used to them, maybe

the last thing he wants is another Rook waxing poetically about a bug you saw on the north stairwell

at least you seem quiet

what really captivates him, though, is your interest in potionology

you're already at such an advanced level that you're making your own recipes

even if it's just for your stories, that takes some skill

you'll have to forgive him for fussing over your health and wellbeing

he can sense your potential

goodness, at this rate, you could replace him as housewarden by the end of the year

*ੈ✩‧₊˚

there's nothing Lilia likes more than a good story

after all, he's got lots of his own

so, to him, writers are the greatest thing since... whatever the hell he eats

and he can be a little... pushy

leering over your shoulder, pestering you to show him what you're working on...

he can't help it!

he's just so curious!

the one thing he's good for, though, is details

you ask him if this language, or outfit, or invention, is appropriate for the time period, and he'll be able to answer

*ੈ✩‧₊˚

Malleus is always flattered by your curiosity

one might think that a human from a magicless world would be frightened by his appearance and his title

but you...

you're just curious

he likes answering your questions

you seem so interested in magic, he can't help but show off a little

he's already promised to show you around Briar Valley

and, of course, he loves hearing your stories

the ones you write, the ones you remember from home...

you're just a fascinating little human

and he always feels special when he's the first to read something you've written

*ੈ✩‧₊˚

now...

Rollo doesn't quite understand you

no, actually-

he's jealous

not that he'd ever admit it...

but the thought of a world that is so devoid of magic that its people make fantasy of it is so very enticing...

...he's willing to excuse your childish interest

and indulge you in your maps and your potions and your stories

you don't know any better

but to him, your world is the fantastical one, not his

[stellas-and-tonitruses]

Everything we know about Project Apple (and, by extension, Anya's past) thus far

thought i'd compile all of that now while endo's on break Just In Case the next chapter happens to start anya's backstory (i don't Think it will but endo likes surprising us LSDFKLFS)

important disclaimer that project apple and the organization in charge of anya's experiments have not been confirmed to be related! there's evidence that they have things in common, in particular employees, but that's our only real connection between the two thus far. still! worth looking into

more under the cut!

so, starting very strongly with the very first mention of anything related to the project: anya's introduction in chapter 1

despite her being a main character, we know very little about her past at the moment, and this little blurb at the beginning makes up a very big portion of what we know.

things to note here:

as an experiment, her name was "Test Subject 007". important to note that the notation differs between her and bond: she was Test Subject 007, bond was Subject 8, no zeroes in there;

she had been made thus by accident, the phrasing itself implying quite heavily that she was just a normal child before said accident (but this is the translation! i don't know japanese so i can't cross-reference with the raws to clarify if the phrasing changes anything, but the fanbook uses the word "gained" to describe her powers too);

because her mind-reading is an unintended consequence, that means the scientists were presumably not, at least initially, trying to achieve cognitive enhancements in humans, and were instead trying to achieve something else, whatever that might've been;

she escaped from the facility and then moved from institution to institution, looking for a family.

so, crucially, through this little introduction we learn that there is an organization, government-funded or otherwise, that is or was conducting human experiments for unknown purposes. we also learn that whatever family anya had prior to being involved in the experiments is more than likely unreachable, at least as far as she knows, and so she has settled for finding a new family to take care of her instead.

in terms of the facility itself, here we see they clearly drilled it into her that she can't ever reveal her secret (and the darn plush is there too -- in the anime it's even more emphasized, as you can see in the gif i made)

through her reminiscing though, we get our very first look at the scientists that were in charge of her! they're in the gif above but here they are in the manga too. it's so interesting that the anime actually shows their eyes behind the glasses though, fascinating choice.

the insistence on world peace is important, as it explains her own personal obsession with it and shows that it's not just because of twilight's own focus on preserving the peace. i also don't think twilight ever really talks about "world peace," only about "preserving the current peace between westalis and ostania" -- anya seems to be the only one talking about WORLD peace (even in the very first scene where either of them mention it in proximity to each other in ch 1, loid says "understanding the other party is the first step towards peace" and anya's interpretation is "understanding me makes world peace?") but take this with a grain of salt because i might be wrong! going through every single mention of peace in the story just to fact check this one little trivia fact is a bit much i think so i'm not doing it JSDFKLSD

but yes

remember mr hair strand and baldy, we'll see them again. not her though, ig she wasn't in charge of bond

now, fast-forwarding to chapter 19, we finally get a name and a premise for the experiments:

"but oana," you might say, "this is talking about animals only! how do we know it's the same project as anya's, which involved human experimentation?"

i don't think it is, is the thing! i think it's related to the experiments anya was a part of, which is evidenced by the same scientists being featured in project apple too, but there's more going on that we don't know about. there wouldn't be such adamancy on keeping the two separate in every official mention of them if they were just the same thing, imo!

back to the evidence, we learn that the project, conducted and funded by the previous ostanian regime (meaning donovan's related to it one way or another, since he was prime minister), was marked by franticness and desperation -- a prime place for accidents like anya's telepathy and bond's future vision.

we also learn that the project was sacked by the new administration and that the former test subjects ended up on the black market.

(this makes it very important, imo, to learn when anya escaped the facility vs. when the project was sacked. it's clearly no longer in function, but while we've heard nothing from them thus far, i'm willing to bet the shady dealings around the desmond group are NOT related to the war, as W.I.S.E. has been led to believe, but rather to reignite project apple. that is speculation however so i'm going to refrain from theorising much on why the desmond group is focused on acquiring pharmaceutical companies!!)

ok speculation tangent over, back on track

so, that's already a decent amount of info! but moving to chapter 22, when bond is finally home, and we finally see some familiar faces

behold! baldy and mr hair strand!

and 2 other guys we don't know but will see again in another bond flashback!

that's 2 out of the 3 scientists we've seen thus far from anya's own time as subject 007, confirming that there IS a connection between anya and bond's experiments, regardless of whatever the project anya was a part of might've been named.

this is also the chapter in which we learn that bond himself was subject 8 (or, if we take it from the fanbook, subject #8. still, diff notation from anya!)

in chapter 31, we learn an interesting tiny piece of trivia. we don't get any further info on it, but it IS mentioned as something that is known by W.I.S.E.:

ostania is rumoured to have done human experimentation! and W.I.S.E., and by extension loid, are aware of that.

do i know how them knowing may be important later? not really!

the next droplet of info we get is in chapter 40. we see that project apple had collaborators that are still functioning unhindered.

of course, born industries is only rumoured to have been involved with project apple, but regardless of whether or not they actually were, the rumour itself implies that the project likely pulled scientists from various other companies' R&D departments.

(this makes the desmond group's acquisition of glooman pharmaceuticals shadier, but anyway)

as a side note, twilight is emoting so much at just his wrong assumption that bond is seeking revenge against the scientists. imagine how he's going to react when he finds out about anya JKSDFKLFSD

and now aaaaall the way in chapter 58, we see the bald guy who anya also knows, the two scientists from bond's previous flashback, and one whole new guy!

and thus ends our current knowledge of it all!

the only other thing worth discussing is anya's knowledge of classical language

but plenty people have already discussed these scenes, especially recently, so here are some links: 1 | 2 | 3

the only thing i can add is that i'm fairly certain that classical language is a lot more likely to be latin than old english, because it's a very common language to learn in school (in europe at least, and ostania is based on east germany so it makes sense to me. i learned mandatory latin in school for a few good years too, even if i wasn't that good at it lol) and because one of the most common modern usages of latin are in medicine and science, it would make sense that she'd be better at it due to exposure.

a possibility is also that the scientists would think in latin to conceal their thoughts from her, and that's how she ended up learning so much. she's not fluent in latin, she's just well acquainted and that cicumstance would explain the how.

BUT THAT'S SPECULATIONNN

also i don't think "ANIA" is an acronym, nor do i think anya's been misspelling her own name out of lack of knowledge. "ania" is a polish diminutive of anna and an alternate transcription of Аня, so i think it's far more likely that anya isn't ostanian or westalian than it is that her name comes from an acronym.

now,

TL;DR!

what we know about project apple (and the "mysterious organization"):

project apple was funded and conducted by what appears to have been donovan's regime and, from what W.I.S.E. knows, aimed to create highly intelligent animals for military purposes;

W.I.S.E. is aware that ostania is at the very least rumoured to have dabbled in human experimentation;

the project is presumably no longer on-going, though it is likely there are efforts behind the scenes to revive it;

it is rumoured but not confirmed that project apple had collaborating companies that are still functioning perfectly fine;

the same scientists who were in charge of bond were also in charge of anya, signalling that there is a very significant connection between project apple and the "mysterious organization;"

based on what they were telling anya, they were/are very focused on "world peace";

their experimentation methods include but likely aren't limited to electrocution.

and what we (vaguely) know about anya that relates to this:

she is at the youngest, 4 years old, and at the oldest, 5 nearing 6. we don't know her real age, all we know is she definitely lied about being 6;

she is very fixated on specifically world peace while twilight is focused on peace between ostania and westalis. the scientists are the very first we see talking about this, so it's likely their fault;

she is unreasonably well acquainted with classical language;

she has escaped the facility at LEAST 1 year ago;

and, one tidbit from the fanbook (page 29): "Anya has been reading minds for as long as she can remember," implying that her memory of a life before the lab is muddy at best and absent at worst.

that's all we know that i know of!!

if you got this far, thank you for reading :D hope any of this was interesting or sparked any theories >:] have a good day!

[joydoesathing]

what would happen if anatolii knew about this. What was Nacho thinking just running away was he that different compared to now

*cracks knuckles*

hoooooo boy, get ready cuz i got a whole character arc below

(again this is just my take on the story, so it's highly headcanonned)

"I'm sorry for running away. I'll make sure to make it up to you and your mother..."

nacho was more reckless back in his former years when he was first having a fling with frances. but when he did get her pregnant, he realized that he messed big time. realized that not only he's got a child on the way but has no means to provide for them both and isn't personally ready for big commitments like being a father or even getting married. why would he be? he was barely even 20. he never really thought that far ahead.

he didn't want to ask his parents for help. they'd definitely kill him if they figured out he got this girl they never met pregnant. he didn't also have the guts to tell frances the bad news.

his buddies at the time, who were just as reckless and short-sighted as he was, recommended that he could just... leave all that complicated and deep mess with frances behind him. just run away.

i mean he could do it. like him, frances probably wouldn't turn and complain to her parents first for help (for the same reason nacho wouldn't turn to his own parents for help) . his parents doesn't even know they had a fling together. even if she will become desperate enough to find them and try to turn to them for help, would they even accept her? let alone believe her?

"you wouldn't get in trouble. there's no one else that knows about it than you two."

" i mean, i'm sure she'll figure out something. she should know at least the basics."

that's what his buddies kept on assuring him. but even he could see that just up and deserting frances like that is just straight up cruel.

but was he in any room to still complain? it's not as if he had the resources nor the strong will to commit and face the heavy consequences of his actions.

and with that, he ran off but wracked with the small feeling of guilt.

while he tried having his new start, that feeling of guilt just grew bigger and bigger and started eating away at his conscience. he kept on trying to deny and delude himself with the words of his buddies, but it did nothing to stop that guilt completely.

it made him finally see that he's nothing more than a dirty dog running with its tail between its legs. a jerk and a coward. he had a feeling that he was going to have his comeuppance and it wasn't going to be pretty.

and so it did, a year and a half after he ran. his partner, depressed and completely driven to madness , tracked him down and almost murdered him in a psychotic rage.

he was forced to see the result of his cowardice and neglect. he didn't blame frances for doing that. who wouldn't go mad if they've been abandoned by someone who thought they could trust?

after she was stopped, he decided not to press charges on frances , although that didn't stop her from still getting institutionalized. being incapable to care for her child, nacho finally decided to man up and take his and frances' child up as his own and take raise him.

he knew that it's such a scummy thing to do. to just NOW take up the responsibility when everything was blown out of proportion. but he decided to not run away now, just because of that. his son needed a parent more than anything else now.

as he went on raising anatolii, he felt that he had absolutely nothing to be praised for. unknowing people says: "you're such a strong man, raising a son all by yourself."

he just did what he should have done from the start. right now, he takes care of his son wholeheartedly as an act of repentance, for both frances and anatolii. to show that he's truly sorry for being the coward he is.

for now, nacho is keeping the truth the whole mess between him and frances well-kept from anatolii. the only thing that anatolii does know about his mom is that she's alive but never drops by to visit due to some "personal problems and conflicts". but nacho always assures him that his mother loves him no matter what.

[blueteller]

....pls, youre the only one i can rely on, was there a clear progressive difference for Alberu Crossman's characterization between earlier chapter and after the war with white star? thank u;v;

Hm, good question! Alberu's characterization is tricky, because it's very subtle. I consider it a steady slope, with several "critical" moments worth noticing.

The moment when Cale gave him Dragon's dead mana was obviously one of those points. Others could be the time Alberu personally fought the White Star, or that time he used Taerang to create light with the Sun God's power. Out of them all, the most important moment would obviously be the time he took Cale underneath the royal library to show him the rock with the "curse of the Crossman Family".

Why do I think it;s the most important, aside from being a major plot-relevant reveal? (Also the importance of the development for Cale and Alberu's friendship, but that's a whole other topic so I won't dive into that too much.) Well, it shows that throughout the whole series, despite the show of confidence he was putting, Albreru was filled with doubt. I'm not 100% sure he knew about the "curse" since the start of the novel (I'm using quotation marks because I don't believe it was a real thing, or not in the sense the Crossman family believed it; I think the Angelina was simply keeping an eye on them and wrote that thing to scare them off from being bad kings, when the rock was really just a "package" with a secret weapon inside). Alberu could have been told about it sometime in the middle of the story, after he cemented his position a the heir. But that's beside the point; Alberu had this whole act where he acted like he was totally confident he would and should become the ruler. But that was all a front.

He wished to become the king because he wanted to help people; the Dark Elves most of all. Did he believe himself worthy of it? Maybe a bit, he does have a bit of an ego haha. ...But definitely not completely. His insecurities become clear once we take a closer look.

He did not have flattering thoughts about his own race – he knew his people were considered "dirty" in the eyes of others. He was worried he wouldn't be able to have relationships because of his secrets (remember how he kept Choi Han at arm's length in the "Birth of a Hero" the whole time). Most of all, he was scared that he was not actually worthy of the throne. The moment he showed that vulnerability to Cale shows his growth the most, because I'm convinced that the Crown Prince at the beginning would NEVER have done that. And once Cale validates him and tells him upfront that he should be the king, Alberu sheds that doubt and allows himself to "step in".

Notice how most of the moments where Alberu personally takes action happened after that point. The fight with the White Star, the Earth 2 arc when Alberu was in charge of the army in Cale's absence, the Puzzle City battle. While not completely free just yet – I don't believe that will happen until his identity as a quarter Dark Elf gets revealed and the whole nation accepts him as their ruler despite his status – I had the feeling that Alberu "broke the final chains" that were holding him back mentally. He finally felt like he could take action and "become one of the main characters", you know?

Now, after all that, back to your original question. "Was there a clear progressive difference for Alberu Crossman's characterization between earlier chapters and after the war with the White Star?" I think the main thing is the confidence. Second would be how much support Alberu got, but I don't think that really counts as "characterization" and more of a "situation".

As for his "relationships with other characters"; we see that Alberu befriended more than just Cale. After Cale fainted in the Empire when the White Star showed up for the first time, we see that Alberu took care of things while he was unconscious. He was casually hanging out in Cale's room (Adin's room but whatever lol) in his true form where Cale's allies could walk in at any time. Which shows how much he trusted them; either not to do so or that it would not matter if they did. (Of course Raon and Eruhaben don't really count because they're Dragons and I'm sure Alberu knew he could not hide his identity from them, but the point still stands.) Alberu begun trusting Cale's people after trusting Cale himself, and that allowed him to make real friends outside his previously tight circle of family members from his mother's side. After that scene, Alberu really starts having a lot more fun scenes with other characters, such as giving cookies to the kids or hanging out with Choi Han. Remember that one time he jokingly asked him if "he would like to die with him"? There was definitely a big difference in how much he opened up.

So sum it all up: the confidence, the trust, and the degree Alberu was taking charge and his experience as a leader, all those things steadily grew throughout the series. There were other things of course, like Alberu personally growing stronger, or him getting more casual and snarky with Cale, but most of that happened pretty early on. ...Oh and the frequency of headaches and stress levels because of Cale's shenanigans, we can't forget those 😂. And in Part 2 (no major spoilers don't worry) Alberu continues his growth in a slow but steady pace, the degree of his involvement increasing in later arcs. ...As well as his personal hobbies lol. It IS subtle, but the character development is definitely there.

...I'm not sure if that answered your question to your satisfaction, but I hope it helps! 💖

[marvel-starwarsfangirl]

Crosshair's Character in TBB: A Study

“Loyalty means everything to the clones,”- Anakin Skywalker

I wanted to start my study with this quote because it basically personifies who Crosshair is as a person. Over the course of three seasons (plus CW), there is no doubt that Crosshair is arguably the most well-written and developed member of the Bad Batch. His journey and inner conflict isn’t neatly wrapped up in a little box and tied with a cute bow in only one season. No, his journey spans the entire show. It is very compelling, filled with a deep inner conflict, broken relationships, and the struggle to find one’s self again. In this study, I wanted to look at the major themes of his character and how his relationship to them has changed. 

Loyalty

Crosshair’s strongest and best quality is loyalty. It is everything to him and it’s why he reacts so strongly when the Batch leaves him in “Aftermath.” However, misplaced loyalty is dangerous, especially when it’s blinding. The core struggle of his character, specifically in season 1 and 2, is discovering who is worth his loyalty. Crosshair isn’t the type of person to just save his own skin when things get bad; S3 disputes that multiple times. As rude and off-putting as he can be, Crosshair cares deeply for others. Unfortunately, it’s the choices he makes and where he invests his loyalty that conflict arises. 

The Worth of Loyalty

A part of understanding Crosshair is understanding how far he will go for those he’s loyal to. 

“Do you know why they put me in charge? It’s because I’m willing to do what needs to be done.”

This line is stone-cold, but remove the context and apply it to Crosshair in general. It speaks volumes. Crosshair isn’t driven by some moral compass like Echo or Omega are. He’s not loyal to some grand cause. He’s loyal to people who’ve earned his respect. He’s loyal to those who value his skills as a sniper. Crosshair will not hesitate to go to extreme lengths for others. He killed Tawi Ames because he is a soldier of the Empire. He dragged a half-dead Mayday back to base because Mayday saved his life and showed him compassion. He went back to Tantiss for Omega because she saved him and he loves her. Crosshair’s journey is about him discovering who is worth that kind of loyalty. Who is worth dragging someone through sheer hell even though the optimal solution would be to just leave them? As Crosshair learns, it’s not the Empire.

The question remains, who is worth his loyalty? The answer is simple: Omega, his brothers, and other kind people such as Mayday and Cody. But Crosshair’s loyalty is severely misguided at first. There are a multitude of reasons as to why. One of the most obvious reasons is due to his fractured relationship with his brothers. By the time the entire Batch reunites in “Return to Kamino,” Crosshair can’t help but voice his pain and anger.

“They don’t leave their own behind… most of the time.” “You weren’t loyal to me.”

Due to the chip, Crosshair doesn’t understand why they left him. Did years of loyalty from Crosshair mean nothing to them? Did their relationship as brothers mean nothing? At that point in the story, he hasn’t realized how damaging the Empire is to him. So, he turns his anger to the group of people who meant more to him than anything else in the entire galaxy. And his anger isn’t completely unjustified. He was deeply hurt and he didn’t know why. Unfortunately, his beliefs about the Empire and struggle with identity push the Batch away. But as Crosshair’s feelings were continually challenged by others and his environment, he started realizing just how deep of a hole he’d gotten himself into. Crosshair’s brand of loyalty is something the chip absolutely would take advantage of. It’s fixating and fierce, hard to break. Only something severe such as removal or damage can break it. 

In S3, we get an exchange between Rampart and Crosshair. Rampart comments that Crosshair used to believe good soldiers followed orders. Crosshair responds that it depends on who’s giving them. This statement is absolutely true. Rampart doubts that Crosshair has changed, but it is Rampart who hasn’t changed. Both were betrayed by the Empire, but only one recognized where he went wrong. Crosshair now understands that his deep and fierce loyalty belongs to those who won’t hurt him or others he cares about. Loyalty is reciprocal and not to be taken for granted. This is a sentiment he shares with Howzer.

“Loyalty meant something to me. But with the Empire it didn’t go both ways.”

But Rampart can’t understand that because he’s only loyal to himself. And when you’re only loyal to yourself, you don’t care who around you falls. 

The Empire: An Environment of Shame

Why doesn’t Crosshair see just how bad the Empire is? That’s an argument I see often, but I think it’s important to understand just how manipulative and demonizing the Empire really is. Crosshair deeply internalizes his identity as a soldier. His value comes from his skills and if he can’t do his job properly, he will be discarded. The Empire is an echo chamber of that insecurity. 

“There are other ways of producing loyal soldiers”- Rampart

Rampart, Tarkin, Nolan… the faces of many imperials who remind Crosshair of what happens if his loyalty falters. He will be discarded. All around him, Crosshair hears the imperials speak about replacing the clones. They speak about the value of loyalty. It pushes him to keep proving his loyalty to the Empire. Crosshair is a sensitive soul despite appearances and he internalizes what others say around him. 

“Not the ones that matter.”- Cross to Hunter about the Empire phasing out clones

If Crosshair can continue fulfilling his purpose, then he will be spared, or at least that’s what he tells himself. We see this in real life too. Social media can influence others by feeding into their egos, only to rip them apart should they step out of line. It’s the same scenario with Crosshair. Rampart mocks Cody’s absence and talks about clone loyalty not being what it was advertised. Crosshair tenses up at his words, clearly bothered, until Rampart asks if he has a problem and then dismisses the issue without a care. The Empire makes Crosshair feel so alone. But he’s a soldier, right? This is where he belongs, right?

Compare that environment to the one put forth by Omega and Mayday. Omega is warm and compassionate. She cares deeply for others, even when that person probably doesn’t deserve it. As Crosshair struggles, Omega remains nothing but encouraging. She believed in him from the very beginning. 

“You’re still more capable than most.”- Omega

Omega’s constant display of loyalty and affection towards him eventually wins Crosshair over. He finds himself in an environment where his fierce devotion is not only reciprocated but goes above and beyond. Mayday shows compassion to Crosshair even though he barely knows him. He also shares Crosshair’s unspoken frustration. The Empire didn’t care about the clones despite them being good soldiers who followed orders. When danger strikes, Mayday doesn’t hesitate to protect Crosshair. Once again, it’s this reciprocated loyalty that shows Crosshair the truth behind the curtain. The Empire is all take and no give. Omega and Mayday display the opposite; they give Crosshair their all and don’t expect him to grovel on his knees for their praise or friendship.

Identity

But loyalty is only one major aspect of his character. Crosshair’s willingness to stay with the Empire also stems from his struggle with his identity. Clones are taught to be loyal and the behavioral modification chip only reinforces that notion. For Crosshair, it’s not so easy to just throw away something he grew up his entire life hearing. Thus, he finds himself in conflict between his loyalty to his brothers, loyalty as a clone, and identity as a loyal soldier. It’s so heartbreaking to see him when the chip partially activates. The chip makes him so fixated on Order 66 and yet, he can’t help but still stay by his brothers’ side. It is only when the chip is enhanced that he attacks his brothers. 

The Soldier and the Clone

The moment they are born, the clones are raised to be soldiers. They have no say in their fates, only that they have one purpose in life. Crosshair is no ordinary clone though; he’s labeled as defective for looking and sounding different. However, he has exceptionally sharp vision. One of the first things established about the Bad Batch is that they use unorthodox methods and they’re very showy. They also have a 100% success rate. As a result, Crosshair views himself and his squad as “superior.” As a soldier in the Empire, he expects to get the same recognition. The Empire is fueled by individuals who love feeling powerful. For Crosshair, to get special treatment because he’s a “superior” clone definitely would feed his ego. Unfortunately, the Empire also will pull the plug on anyone at any time. On Kamino, being defective is a death sentence. But Crosshair’s enhancement makes him useful; it’s why he was kept around. Interestingly, the more isolated Crosshair became in his time with the Empire, the more he began to seek companionship with the regs. S2 sees Crosshair shed his views that he’s a “superior” clone. He slowly begins to accept the fact that he and the other clones aren’t actually that different. We see this change in many ways: he tries to sit with the regs, he enjoys going on a mission with Cody, and he quickly gets attached to Mayday. 

Crosshair’s journey of accepting himself as a clone and finding companionship with others outside his squad humbles him and makes him an overall kinder person. It is integral in how he becomes disillusioned with the Empire. The Empire makes him feel so alone. Look at his room in “The Solitary Clone;” it’s no better than his cell on Tantiss. “Nat-borns” don’t understand what it is like to be a clone and his squad isn’t there anymore, so Crosshair turns to “regs.” He starts realizing that their experiences under the Empire aren’t much different from his. It’s Mayday and the mission on Barton IV that really pushes him over the edge. Mayday, a reg, understands him more than he’d like to admit. He’s lonely and feels like his efforts aren’t enough. 

Crosshair has let the Empire mistreat and abuse him for months, but eventually he snaps. He can’t do this anymore. He’s a person. Mayday is a person. Has his and Maydy’s loyalty meant nothing? Has the loyalty of the clones in general meant nothing? 

A clone’s identity is intrinsically tied to being a soldier. Why did Crosshair stay with the Empire? A simple answer is it gave him a purpose. Crosshair deeply internalizes his role as both a sniper and a soldier. He can’t see himself in another role as it is all he has known. What will happen when that’s taken away from him? Crosshair struggles with that exact dilemma. As I said early, being defective and unable to fulfill being a soldier means decommissioning and being discarded. I’ll bet this is why Crosshair struggles breaking away from his soldier mindset. He was taught to be loyal and there is no place for him if he can’t fulfill his purpose. Let’s take a look at his role as a sniper. Crosshair’s role is to wait on the outskirts and observe for danger. He’s supposed to keep his team safe from afar and spot trouble before it strikes. He’s a protector. That role gets shaken when his tremor starts. What happens to Crosshair if he can’t shoot? What happens to his brothers? 

S3 introduces the arc of Crosshair learning to accept help from others and becoming more than a soldier. A sniper is supposed to be distant, a loner, and always on the lookout. Once that role is challenged, suddenly, Crosshair realizes he can’t do this alone. He initially tries via brushing it off or shaking his hand. But it’s not enough. Both Hunter and Omega grow concerned. Omega takes the initiative and gently encourages Crosshair to try meditation with her. Even if it doesn’t work, the fact that he tries already speaks volumes. Throughout the season, Crosshair tries multiple times to do things alone. However, Hunter declines that proposal and says they should work together. The most glaring example is the climax of "The Cavalry Has Arrived." Crosshair is missing his dominant hand, weakened from his injury, and on top of that, it’s pouring rain and Hemlock has handcuffed himself to Omega. It is only through the help of his siblings that Crosshair makes the shot. He did it with the support of his family. 

In relying on his family, Crosshair becomes more than a sniper. He becomes more than a soldier. Even if he had his hand, Crosshair still would’ve had to overcome the huge barrier of making a steady shot. Either way, Crosshair overcomes by accepting the love and help from his family. Looking back, I’m really glad that this was a part of his arc. Crosshair has spent so much of the show alone, having to rely on himself and his skill to survive. But as time passes, he learns that it’s ok to have help. As people, we’re not meant to carry all our burdens alone. Crosshair learns he doesn’t have to remain distant all the time to protect others; sometimes, our greatest strength comes from each other.

The Beauty of Self-Worth

“Omega, don’t risk anything for me. I belong in here.” (This line is one of the most heartbreaking lines in the entire show). “So, I’m doing this alone. It’s what I deserve.”

A smaller, but just as important arc, is Crosshair’s journey of forgiveness. By “Tipping Point,” Crosshair has largely tackled his inner conflict. He knows who deserves his loyalty and who doesn’t. He realizes that he isn’t so different from the other clones. However, the guilt from his actions still lingers. Although he gets his message out, everything else fails. Tech dies, Omega is captured, and he doesn’t know what happened to the others. Crosshair suffers for a long 5 months due to Hemlock’s conditioning. His days are filled with the same mundane (and painful) routine and there is no sign of hope… that is, except for Omega. No matter what happened in the past, Omega undying love for him never yields. 

“None of us belong in here.”- Omega 

Omega’s words are reassuring and they hit Crosshair in a way he doesn’t expect. How can he, who has done these terrible things and has been forgotten by the world, be worth kindness? For all the times he said/did something cruel to Omega, she still came back for him. It’s Omega’s compassion that helps push Crosshair to finding his own self-worth. She loves him when nothing seems to be working for him. She encourages him to talk to his brothers. Crosshair wants to be accepted and belong again with his brothers. But up until that point in the narrative, everything around him seems to tell him the opposite. 

As much as I would’ve liked more from Hunter, I’m still glad he and Crosshair are able to have a conversation. In “The Return,” Crosshair admits how wrong he was. To come to terms with the darker parts of one’s self is important in forgiveness and the courage to do so is immense. There are things in life we as people can all do better. It’s what makes us human. The last time Crosshair interacted with his brother, it devolved into anger and pain-fueled argument. Crosshair so desperately wanted his brothers back, but it had to be on his terms. As the brothers fight again, Hunter antagonizes him into getting answers. A quick “blink and you’ll miss it” moment is that Cross’ hand trembles when Hunter brings up betrayal. Crosshair initially clamps up before biting back, blaming Hunter for Omega’s capture. But as both brothers learn to realize, both of them need to do better. The past hurts immensely because of that broken bond. Now, they have the opportunity to mend it. 

“I have regrets too, Crosshair. All we can do is keep trying to be better and who knows? There just might be hope for us yet.”- Hunter

Like Omega, Hunter’s words offer reassurance and comfort. Can Crosshair, a person who hurt his family, be worth that forgiveness? Hunter’s words all but confirm that Crosshair is forgiven in his eyes. Crosshair’s struggle to find forgiveness and worth in himself is eased by the people who he cares for the most. Even something simple as a hug from Wrecker catches him off guard, but it’s something that tells him “you’re loved and wanted.” As the vulture leaves the outpost, Crosshair slowly learns to forgive himself for what happened. 

It all culminates in the hug he gets from Omega in “The Cavalry Has Arrived.” Crosshair believed he deserved to die in order to atone. After everything he’s done and been through, does he still deserve a happy ending when it’s all over? Omega’s hug says yes. Tantiss is the heart of his pain and agony. In another world, Crosshair would never have set foot there if he chose differently. Perhaps Omega wouldn’t have suffered there. Perhaps Tech would still be alive… Without any hesitation, Omega wraps her arms around Crosshair and he is shocked. She reaches over to pull Hunter in and Hunter wraps his other arm around Crosshair, holding him close. And without any words, Crosshair leans in and closes his eyes. As the trio begin to head back to the shuttle, it’s Crosshair who reaches out and places his stump on Omega’s shoulder. In doing something as simple as leaning into the embrace, Crosshair accepts the love he is given. He lets himself be loved and understands that he is worthy of that love. 

This isn’t the end of Crosshair’s journey, of course. Crosshair has a very long and difficult road ahead of him. No, his PTSD wasn’t stored in his hand. Cutting off his hand isn’t a magical “cure” for it. Crosshair still has to work through a lot and he will. The big difference is that he knows he doesn’t have to work through it alone. With the help of his family, Crosshair can continue that journey of healing he began in “Bad Territory.” He’s so loved because he’s Crosshair, a brother, a protector, with fierce loyalty that could never be truly broken. 

Anyways, we’ve reached the end of my character study. Thank you all for reading. Crosshair is a very complex character and one who faces many trials. But no matter how many times he falls, he always finds a way to pick himself back up. At the end, he makes it. Crosshair has learned a lot, but I’m grateful that TBB team chose a long and complex route for him. Because guess what? Healing and growing as a person isn’t a “one size fits all” scenario. It’s a messy and difficult process. When all is said and done, Crosshair has one of the best realized redemption arcs in all of Star Wars and I couldn’t be more thrilled with how it played out.

[pagannatural]

2.16 Roadkill

- this episode starts off from the victim character’s perspective, Molly, so we see the brothers through her eyes much of the episode. She notices the brothers communicating with their eyes a lot, the camera focuses on their shared looks and reactions to her. It shows how well they know each other to communicate nonverbally like that.

- Molly says she and her husband “only ever really argued when we were stuck in the car” and Sam can relate because he and his husband also get on each others’ nerves being stuck in the car together.

Dean glares at him because he doesn’t like his personal life being shared with strangers or ghosts.

- Sam and Dean are aggressively giving married vibes. When Sam introduces himself, he doesn’t say “and this is my brother Dean” like he normally would. I’m pretty sure that throughout the episode Sam and Dean’s relationship is never clarified to Molly and they are heavily couple-coded:

Sam is the softer one, reassuring Molly it’ll be okay, Dean is more frank and takes charge. They speak using the royal we, work together as a team, and have little moments of influencing each other’s behavior the way couples do. For example, Dean telling her they’re hunting ghosts and Sam exasperatedly saying “don’t sugarcoat it for her.” She’s incredulous about ghosts and Dean says “crazier things have happened, huh?” hitting Sam’s arm and smirking playfully. It comes across as a warm, intimate little interaction, not like siblings bickering. Later, Sam insists on burying the bones they find because it’s important to him. Dean doesn’t want to at first, but of course he can’t say no to his wife. Sam is the one with the emotional influence who seems to have the last say, even though he appears to be gentler, filling the archetypal role of the feminine in the relationship. I would be surprised if she thought they were anything other than a couple.

- Sam is the one who looks after Molly and shows her more kindness. He has so much empathy for this ghost who can’t move on from her lost love, her husband. Sam is also the one who feels so uncomfortable with keeping from her that she can’t be with her husband.

It seems to really get to him, this woman pining for her impossible love. Like he knows what that’s like, pining for someone he can’t have. There is no romantic relationship this could really be for Sam, which makes me think it’s Dean. In reality, Molly’s husband moved on from her with a new family just like Sam thinks Dean should and will move on from him. He knows at this point that’s the truth of her story.

Sam can also relate to the fact that many ghosts “weren’t evil people. A lot of them were good, just something happened to them” as he grapples with his own fate. I wonder if on some level he sees Dean as what happened to him to make him feel like a monster.

- Molly says “she didn’t want to live without him” (her love) when they find a skeleton and Dean glances at her like this hits him.

He has proven and expressed that he does not want to live without Sam. He can relate to her too, he just tries to act tough.

- Sam tells Dean about an old country custom of planting a tree to mark a grave and Dean tells him “you’re like a walking encyclopedia of weirdness” and Sam says “yeah, I know,” like he’s genuinely hurt. Dean seems aware of Sam’s feelings for him, which adds another layer to this kind of interaction between them.

- episode theme is about blindness to the truth and inability to accept reality. Sam and Dean continue to struggle with accepting their reality too in terms of Sam’s future, but the other (stronger) parallel is the brothers’ relationship in comparison to Molly and her husband’s. She can’t accept a devastating truth about herself and the man that she loves, and throughout the episode Sam and Dean act just like a married couple. Their relationship is steeped in angst and tension because of their love for each other, because Dean won’t kill Sam no matter what he becomes. There are truths about themselves and their relationship that are too painful to accept.

[buckybarnesisdaddy]

Summer Lovin’ pt 1

Summary: Getting into the villa took more work than expected. What didn’t surprise you though was the drama that would ensue, you just didn’t think it would all involve you.

Pairing: those are surprises at the moment! 🤭 Everly(reader) X ???, Bucky Barnes, Steve Rogers, Sam Wilson, Jake Jensen, Natasha Romanoff, Wanda Maximoff, Peggy Carter, Colin Shea, brief mention of Brock Rumlow. Also original characters.

Rating: Mature!

Warnings: talks of sex, making out, lap dances, petting, PTSD talks. Talks of war, trauma, bombs, war time violence. Graphic talk of injuries.

A/N: there is so much I want to give a heads up for, not bad just some choices I made. So I’ll do that at the end. 😉

Masterlist

You take a deep breath as you climb out of the car. Your bags disappear as a production assistant ushers you down the walk way. “So you will stand here and we are gonna ask you a few questions, okay?” The camera man in front of you has a blank stare as he zooms in closer, the production assistant gives you a look from behind the camera, she motions for you to smile.

“I’m sorry, are we starting now? Like right now?” You ask as you look around, trying to take in the view for just a second. The assistant taps the camera man’s shoulder and motions for him to back up.

“Yes, we are starting now. But we can give you a minute if you need it.” She assures you, thanking her with a smile. “How about while we wait, you tell me about yourself. I actually don’t know anything about you, so leave nothing out.” The assistant chirps happily. You nod and smooth out your sun dress, your fingers fidgeting with the wrinkles.

“Oh, um okay. I thought everyone would know every nitty gritty detail of our lives before we got on set.”

“Villa,” the assistant corrects you. “It will make it feel more like home.” She smiles. You nod as you look around.

“Right, Villa. The Love Island Villa.” You say quietly as you turn around and look at the looming mansion behind you. The assistant motions to the camera man to start rolling again, but this time he backs up and makes sure to not be seen. The cobblestone driveway clicks beneath your heels as you shuffle around in place. Gazing up at the two story mansion before you, modern but still home like. The black and gray color that make up the exterior contrasts all the bright pink, orange, and yellow that make up the furnishings, and decor. The windows reflect the sun brightly and the greenery perfectly placed along the balconies and tresses are lush and full of life, and quietly under all the excess noise coming from the camera crew and the production team, you can hear the roar and crash of the ocean waves. You take a deep breath and turn back to the production assistant. “I’m sorry, I didn’t catch your name before.” You ask, extending your hand for a shake. She smiles and reaches her hand out to yours.

“Annie” She offers. You nod and shake her hand.

“It’s nice to meet you Annie, I’m Everly.”

“Nice to meet you, Everly. Now how about you tell us about yourself.”

🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩

You spend the next hour making an intro video that will be played on TV. After that Annie sits you down and explains the rules of the show. “Okay, No leaving the villa before the end of filming, unless of course you are voted off. Have physical altercations of you will be removed from the villa by police and charges may potentially be filed. You can’t have your own personal phone or communication device of any kind. We will provide you with one while you are here and it is solely for the purpose of texting between production and the participants. You must adhere and pass all drug and STD testing while you are here or else you will be removed from the island. And lastly, have fun!” You hear everything Annie is saying and you just nod.

“Do people really fail their STD screenings when coming in?” You ask and Annie laughs.

“You’re be surprised! It also depends on what it is. If it’s easily treatable then we may keep you and just quarantine you.” You lightly laugh.

“Well I don’t plan on getting one.” Annie laughs.

“No one plans on getting and STD, Everly.” She guides you back to the car. “Alright, now that we’ve got you checked in and set up, we wait!” You scrunch your eyebrows.

“Wait?? I thought-“ you point to the villa.

“Oh don’t worry, you are on the island.” You take a breath at Annie’s reassurance, you’re not sure why, you didn’t even sign up for this stupid love show, your friends did it for you. “But production of reviewing all your information and the other girls information as we can decide what order to introduce you to each other.” Annie smiles and then whispers, “But you have nothing to worry about, you’re total bombshell material.” And with that Annie is gone.

**** 1 month ago****

“Nooooo!!” You drunkenly whine. “Sarah why?!” Sarah, your best friend since childhood laughs.

“Because! The last man you let touch you was that pathetic excuse of a boyfriend you had! You need love, Evie!” Sarah says sweetly as you pout and pour another glass of wine.

“I don’t Need anything.” You correct her and she raises her hands in surrender.

“Okay true, you don’t need a man or love. But it couldn’t hurt to let yourself have it. Just because you don’t need it doesn’t mean it isn’t nice to have.” You grumble, knowing Sarah is right. “This is a fun and easy way to get back into the dating world, and to meet a lot of hot guys while you’re at it! After everything with Colin and don’t even get me started on Brock-” You sigh.

“Yeah I guess.” You laugh to yourself. “You know what? You’re right! Why should Colin be the last guy who’s ever touched me?! He doesn’t deserve that title!” You exclaim, the wine finally settling in and carrying you to the loud drunk stage.

“Yes, that’s the spirit! Now, let me tell you all about the island.” Sarah giggles as she explain her favorite guilty pleasure TV show.

“So it’s like the Bachelor but better?”

“Yes!! And babes,” Sarah looks you up and down. “You are bombshell material!!” Sarah hypes you up. “Those eyes and that hair! Those lips and hips! Those boys will be eating out of the palm of your hand and those girls are gonna be Mad!” Sarah laugh and you giggle.

“I don’t want to make enemies!” You laugh nervously.

“To quote the age old, love island proverb, ‘it’s love Island, not friendship island.’” You bust out laughing, the wine finally making you lose your mind and Sarah is right there with you.

****

You smile as you think back to that night. Sarah had helped you with your shopping spree the next day. Bathing suits, dresses, cute outfits. All of it perfectly fitting your style and helping you stay true to who you are. You fidget with your sundress again as you look down at your freshly tanned legs and painted toes. You been sitting for almost an hour with no word from Annie, maybe they looked at all your stuff and changed their minds. Now they are hoping you get the hint and leave. “No, Everly. Don’t think like that. They would have brought your luggage back if that were the case. Stop worrying.” You say to yourself. You think about how your mom reacted when you told her you’d be gone for 8 weeks to be on a dating show. She about blew a gasket and then she laughed and cried and wished you good luck. Your sister promised to keep detailed notes so she could tease you mercilessly once you got back. Your dad and brother promised to not watch a single episode after they googled and realized what all could happen on the show. Your dad said, “I’ll meet whoever wins your heart after the fact. I don’t need to see you swapping spit with him.” You laugh out loud at that memory.

About five minutes later Annie walks back in. “Okay Everly! You ready to get changed? We have this bathing suit for you.” She holds up one from your suitcase.

“Did you go through my stuff?” You ask as you take the swimsuit from her.

“We have to make sure no contraband is snuck in. Don’t worry, we don’t touch any self care items we find.” She winks and your face goes red. You didn’t pack anything like that but you know Sarah and your sister, Lizzy were snooping around your bag before you got picked up. “Oh god, what did they put in there?” You mumble to yourself and Annie laughs having heard you.

“Well if it was your friends that snuck that certain item inside then they want you to have a great time, regardless of finding love of not.” You blush bright red and dart into the changing room.

You slip on your bikini, it’s royal blue and fits you perfectly. The bottom is full around your butt with the slightest bit of a cheeky cut. You adjust them again as you recall telling Sarah ‘none of those boys have earned seeing any more of my ass.’ As you look at yourself in the mirror you stand by your decision. The top perfectly supports your breast and honestly makes them look irresistible. You slip on your sandals and walk out to meet Annie. “Oh perfect! Although, are you sure you don’t want these heels?” She holds up a pair you brought from home.

“I’m sure, I want to keep the sandals for now.” Annie nods and then takes you folded up clothes.

“Okay, these will be placed in the bedroom with your suitcase,” she holds up your clothes. “Now we are going to film your entrance and then you walking into the villa. After that, you’re on your own until we check in with you. Okay?”

“Okay.” You take a breath and wait for them to say action.

You push open the main door and are immediately greeted with a giant neon sign that says ‘Love’. You smile and start to feel a little excited. You hear some others moving around upstairs so you make your way up. Passing by the living room, decorated ceiling to floor with pink, orange, yellow, and green and the kitchen with neon lights along the kitchen island and another neon sign that says ‘snacks’, you find the stairwell rather plain. But it open up to a giant room filled with 4 large beds. The floor is marble and there is a nice sized carpet in the middle of the room. The four beds face each other, two on one wall and two on the other, with a grand chandelier in the middle of the ceiling providing the light. At the very back there is an opening into the bathroom. A walk into shower, big enough for 2 and a tub big enough for 4, thankfully there seems to be a separate area for the actual toilets which there are three stalls in a little hallway on the other side of the shower. The shower is nestled in the corner with tiled walls except for the glass door and the tub sits under a large window that looks out over the yard. With further examination you see that there is in fact a door to the bathroom that can be locked, and that sets your mind more at ease.

You take another look at your surroundings and notice no one else is around. “So not the bombshell,” you sigh. “Great.” You explore some more when you hear people moving around again. “Hello?!” You call out, hoping to get an answer.

“Did you hear that?!” Says one girl with a sweet voice. It’s a little deeper and it has a Smokey sound to it, but still inviting.

“Yeah, it sounded like another girl!” The next girl says, her voice is lighter and softer, like velvet. You can’t tell there is the slightest bit of an accent.

“Oh great, the bombshell arrived.” The last girl says is a very proper British accent.

“Cut it out, let go find her and introduce ourselves.” The first girl says. You take a deep breath and prepare for whoever is about to walk out of the closet. First is a shorter woman, she has beautiful hair that is red at the roots and blonde on the ends, she’s obviously let it grow out and she’s absolutely owning it. She walks with grace and poise as she crosses the room to you.

“Hi, I’m Natasha. And you are?”

“Everly! It’s nice to meet you.” You smile at her and her friendly attitude.

“Likewise.” Natasha offers. Two more woman come walking out of the dressing room. One with bright red hair and soulful eyes and the other with brown curls and red lipstick.

“Did I hear your name is Everly?” The other red head asks, you nod. “It’s nice to meet you, I’m Wanda.” She moves in and hugs you, you’re a little taken aback but you don’t mind. The other woman stares at you over Wanda’s shoulder before she smiles and introduces herself.

“I’m Margret, but most people call me Peggy.” Her voice sounds familiar but you think nothing of it, You smile and wave

“Nice to meet you.” looking around and sighing. “So how long have y’all been here?” Natasha settles on the bed behind her.

“Not too long. Enough to get settled and get ready to meet the boys.” She smirks. “But before we do that we need to know more about you! Tell us a little something, Everly!” You laugh and shrug,

“Not much to tell! I am a physical therapist and I work primarily with Veterans who have been through a life changing physical trauma.” Natasha and Wanda beam at you and Peggy just gives a tight smile, you realize she looks familiar too but you can’t place her. “I had a boyfriend of 2 years until I found him in bed with someone else back in December. I dumbed him and have been healing ever since. My friend nominated me for the show and after some soul searching I decided I am ready to give this all a try, hopefully find Love and if not then at least have a good summer.” Natasha looks at Wanda with a smile.

“So you’re here for love too!?” Wanda asks.

“Of course, I mean that’s the name of the game, right?” You joke and she nods.

“I’m ready to settle down.” Wanda says. “Natasha here is on the love hunt too.” Wanda teases and Natasha laughs and rolls her eyes.

“I am open to finding love but if all I have is a summer of fun then so be it. Isn’t that right Peggy?” Natasha turns to the tight lipped, familiar lady standing on the other side of the group.

“Definitely, we are all here for our own agendas and our own lives. Whatever our reasons are, are our own.” Peggy says as she crosses her arms. You look at Natasha’s who gives you a face and you hide your laughter.

“Well said, Peggy.” Natasha answers. “Anyway, Everly what is your type?”

“My type?” You ask.

“Yeah! Like mine is nerdy and sweet.” Wanda offers. “Natasha’s is moody and loyal.”

“You make my type sound like a dog.” Natasha jokes and you three laugh.

“Oh I didn’t mean it like that!” Wanda exclaims. “If anyone’s type is like a dog it’s Peggy’s! Protective but able to take orders?!” The girls laughs and Peggy roles her eyes.

“I would have much appreciated if you had kept my ‘type’ to yourself.” Peggy crosses her arms. Wanda is about to apologize but Natasha stops her.

“Oh calm down Peggy. It’s a type of man, not your bank codes.” At that Peggy does crack a smile. “We are just having some fun, lighten up! It is too early to be making enemies and something tells me Everly is gonna be someone you want to be friends with.” Natasha winks as she looks at you and asks you again. “So Everly, what’s your type?!” You blush and look at your feet and then back at her.

“Well I am a hopeless romantic. The idea of meeting someone in a coffee shop and spending the whole day with them because the conversation and company is just that good? That makes me melt. So my type is the romantic, passionate, sweet type.” Wanda smiles and looks like she’s gonna melt where she is.

“Yes! Someone to sweep you off your feet and then defend you honor all at the same time.” You laugh and nod.

“Yeah, something like that.” Suddenly a phone dinging gets all of your attention.

“It’s my phone!” Wanda excitedly exclaims as she read sit out loud.

*Wanda, the boys are waiting downstairs for you to make your move. #showthemwhatyou’vegot*

Wanda looks up and about squeals from happiness. “I’ll see you all outside!” Wanda hurries down the stairs and outside. Natasha grabs your arm and drags you closer to the window.

“Can you see them?!” Natasha asks.

“No, not a one. But we will see them soon!” You answer back as you try to Crain your neck just enough to catch a glimpse. Natasha’s phone dings.

“Some of us sooner rather than later.” Natasha teases. “See you down there!” She runs down the stairs. You sit in silence with Peggy who looks like she’d rather be anywhere else.

“So what do you do, Peggy?” She looks over at you and politely smiles.

“I am a military contractor.” Peggy says. You nod not having a clue what that means. The awkward silence is broken by your phone dinging.

“Huh,” she smiles up at you, “guess they are saving the best till last.” You don’t even bother to look at her, you just read your phone.

*Everly, it’s time for a bombshell like you to shake things up. Two of the four boys are coupled up but those boys could still step forward and fight for a chance to couple up with you. #Gogetthem #bombshellalert #summerlovin’

🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩

You feel butterflies in your stomach and you take a deep breath. “Okay, Everly. Let’s do this.” You walk downstairs and out to the back doors. You take another breath and decide to give it your best sexy strut. The big white doors open and the sun shines on your face, the warmth sends tingles down your spine. You toss your hair around a little as you start your entrance. Making sure you add a little bounce to your step as you descend the concrete stairs to the grassy yard. You take another deep breath, “hiya boys!” You holler and wave as you get closer. The four men in front of you stand with their eyes locked and jaws dropped. “I heard y’all were ready for some summer Lovin’. I’m Everly, nice to meet you.” You wink and walk even closer. Natasha cat calls you and Wanda cheers. The boys are mesmerized by you and just watches your every move.

“Hi, I’m Steve.” The tall, blonde, chiseled man to your right offers a bright smile as he itches to move closer to you. His eyes are a pretty blue and his smile is bright and infectious.

“Hi Steve.” You bite your lip a little and then smile.

“And I’m Bucky.” Says the tall, brunette, and just as chiseled man to the right of Steve. His eyes are a pale blue and his voice is so smooth, you can already imagine what sweet nothings would sound like coming from that voice. He holds himself proud and strong, you can tell he is a sturdy man. Natasha laughs and nudges his arm. She cocks her eyebrow and Bucky blushes as he looks back at you. You smirk and give a little wave and wink which seem to do the trick.

“Hi Bucky.” The next man is tall and blonde but his hair is shorter and a little spiky. His glasses are round a look absolutely adorable on him. He is a little nerdy looking but in a way that you totally love. He fumbles a little and looks between you and Wanda. Wanda smiles and gives him a nod.

“I’m Jake- and wow! Oh I’m sorry-” He looks at Wanda who nudges him.

“No I agree,” she looks back at you and smiles. “Wow is right.” You notice Steve fidgeting and you can feel Bucky’s eyes admiring your form. You dart your eyes to the side and he knows he was caught. You smile to let him know that you don’t mind it at all before you shift your eyes back to Jake.

“Well, thank you, Jake. That was really sweet.” You coo as sweetly as you can before you walk in front of the last man in line. He is of course, tall, his skin is beautiful and glowing in the sun. His abs are incredible and he stands as though he was military. He smiles and has the smallest gap in his front teeth. It’s kinda cute.

“Hi, I’m Sam.” He says as he stands straighter and looks you up and down.

“Hi Sam.” You offer back with a nice smile. You look at the boys and give them all a contemplative look. You are very interested in all of them but you don’t want to ruffle any feathers, at least not on the first day that is. “Okay, I am going to couple up with-“ You see Natasha elbow Bucky and he jumps forward.

“Now wait, you’re supposed to ask us to step forward if we are into you.” He gives you a shy little smile. You blush and look at Sam and Steve who just shrug. Sam steps forward, Bucky eyes him and steps forward as well. You are caught off guard, of course you want men fighting for your heart, it’s nice to be wanted. But so publicly and at the express of the new friends you’ve made.

“Now boys, hold on-“ you start but are interrupted by Steve.

“Well if we are really doing this,” Steve says as he walks forward. Jake shuffles around and Wanda squeezes his hand.

“Step forward if you want, Jake. It’s okay, it’s the first 30 minutes of knowing each other, no one should be too attached at the moment.” Jake shuffles forward and stands shoulder to shoulder with the other three men. You blush and look at each guy overwhelmed by their interest in you.

“Well, I am very flattered but I don’t want to step on any toes.” You start to explain again when Natasha interrupts you.

“No need to worry, Everly. We just met these guys and we have all summer to woo and win them back if you take them.” She winks and you laugh.

“Well how about you tell me about yourselves.” You say and Sam speaks up first.

“I am a retired airman. Now I work in security. I’ve got a boat I love to work on back home and I’ve got jokes for days.” He smiles and you laugh, teasing him a bit.

“So it takes you days to tell a singular joke? Must not be that funny.” You wink and Sam laughs as he shuffles around.

“Oh we’re gonna have fun.” You shrug and move on to the next.

“Jake? What about you?” Jake smiles and adjusts his glasses.

“Well I’m retired military as well. Actually I’m supposed to be dead.” You gasp and he shrugs. “Anyway, I have a niece I am crazy about and I’m really good with computers and tech.” He smiles proudly and you can’t help but smile back.

“I’m sure your niece is very proud of you.” You assure him and Jake beams back at you. You then turn to Bucky.

“Oh my turn? Right, so I am a retired army Sergeant. I now work as a carpenter, me and my buddy started a construction company a few years back and it’s going pretty well. I also do some freelance security work.” You laugh as you ask.

“What does that mean?”

Bucky smirks at you. “If I told you then I’d have to kill you.” He winks and you blush and promptly look at Steve.

“I am a retired army Captain,” he looks at Bucky as he emphasizes his higher rank, and Bucky lightly laughs and shakes his head. “Funny enough I also work in carpentry and have a business with my buddy. Who I also work in freelance security with on the side.” Everyone looks at each other and then back at Bucky and Steve.

“Wait,” you ask. “You two are friends? And know each other from the outside?” Steve and Bucky laugh and nod.

“Yeah, Buck and I go way back.” Steve answers as he squeezes Steve’s shoulder.

“Childhood friends and all. Someone had to keep him from getting his teeth kicked in.” Bucky says as he puts Steve in a headlock. Sam and Jake are laughing, the girls are all in shock and Steve pushes Bucky off of him with a loud laugh. You look at Natasha and she cocks an eyebrow.

“You’re also all veterans, huh? Everly what was it that you do again?” Natasha taking on the role of best/worst wingman in the world. You clear your throat and wish away the blush rising in your cheeks.

“I’m a physical therapist. I work with Veterans who have experienced life changing physical trauma.” All four boys look at you in awe.

“WOW, that’s amazing.” Sam says.

“Could have used one of those when I got out.” Jake says jokingly.

“I bet you’ve helped a lot of men and women get back a little piece of themselves.” Steve admires.

“I know the work you do, mine changed my life after my accident.” Bucky admits, that’s when you notice the faint, white scarring across the left side of his chest and left arm. Your professional curiosity is about to get the better of you but you quickly snap back to the task at hand.

“I do what I can, I hope I’ve made a difference.” You gently smile at Bucky and he gazes back. Natasha clears her throat.

“So Everly, you gonna steal one of our guys?” You look at Natasha and then back at Bucky and Steve. You smirk and playfully answer back.

“Now Natasha, it wouldn’t be any fun if I stole them, they may choose me on their own.” You wink and Natasha give a playful laugh. Bucky looks like he’s about to melt where he is and Steve looks about ready to jump out of his skin. “Well I don’t want to ruffle feathers and we have all summer, plus this guy looks about as sweet as a golden retriever and I need that energy in my life.” Wanda looks a little worried, thinking you’ve got eyes for Jake. You assure her by flicking your gaze to the man you are choosing. “I want to couple up with Steve.” Steve punches the air and gives you a big hug as you jog over to him. You stand by his side as you wait to Peggy to make her entrance. She comes waltzing down the stairs and you feel Steve shift around a little but then he looks at you with his deep blue eyes and you melt. He takes your hand and give it a reassuring squeeze. You then hear Bucky whisper to Steve, “I thought they usually saved the Bombshell for last? After Everly my head is spinning so much I can’t bring myself to focus.” Steve agrees. You blush and try not to let it go to your head.

“Well, hello boys.” Peggy says sweetly. “Seems most of you are coupled up,” her gaze flicks to Steve, “but we could change that. Step forward if you fancy me.” Sam steps forward and so does Jake. She looks at Steve and then her eyes float to you. You can tell Peggy is gonna cause some trouble in the future. “Hmmm I think I will couple up with this tall, handsome man right here.” She takes Sam’s arm and Jake shuffles back to Wanda who promptly wraps her arms around his. You get a text.

*Islanders, these will be your couples until the next recoupling. Which may be sooner rather than later. Take some time to know your partner and the fellow islanders. #flirtaway #mixitup*

You turn and look at Steve, he smiles down at you and then looks around to find a place to talk. “The daybeds look like a nice quiet place to talk, wanna?” He asks and you nod.

“Lead the way.” You two make you way across the lawn and pass the pool to the little covered patio on the other end of the lawn. The daybeds lay three in a row and face the rest of the yard. Steve sits down first and you crawl on the bed next to him. As you get settled you meet his gaze and his eyes flick from yours to your lips and then back again. Blushing and looking away, Steve lightly laughs, “So, tell me a little about yourself, Everly.” He reclines and rests one arm across his chest and the other behind his head. His smile is warm and he stares at you like you’re the most important person in the world, you feel butterflies erupt in your stomach as you meet his gaze.

“Well, as I said before I am a physical therapist but I also do some writing on the side. Helps take my mind off of work and lets me escape a little.” Steve raises his eyebrows in surprise.

“A writer too? WOW, what kind of stuff do you write?” He asks as he sits forward, even more intrigued.

“Romance of course!” You tease and Steve laughs. “But really, it’s love stories and teeth rotting sweetness. Just something to lighten up my mood after a hard day.” Steve beams at you and reaches out to squeeze your hand. “Humm what else? I have a sister and brother that I adore and my parents have been married for almost 30 years. I’m pretty easygoing, I love to spend time with friends and my loved ones.”

“Do you live near your family?” Steve asks as he rubs his thumb over the back of your hand.

“I do, but not so close that they would drop by unannounced.” Steve laughs and nods.

“I know what you mean. My mom lives across town and I make sure it stays that way. Don’t get me wrong, I adore my mom, but sometimes you need your own space.”

“Yes!” You exclaim. “Sorry,” you apologize for your loudness, looking around to see if anyone was disturbed by the outburst. All you see is Peggy staring at the two of you. “Umm sorry,” you laugh, “But I totally get that. My sister drops by sometimes unannounced and well let’s just say she has seen some things.” You blush and Steve lets out a loud laugh.

“Oh really?! What kinda things?” He smirks and leans a little closer, itching for the juicy details. You blush even more.

“Umm like an afternoon delight in the kitchen.” You cover your face and Steve pulls your hands away.

“Hey, no need to be shy!” He smiles kindly at you. “Would it make you feel better if I told you an embarrassing sex story too?” You laugh.

“Absolutely!” You cross your legs and lean your elbow on your knees and as you gaze up at him. He laughs and starts to blush himself.

“Well I was still enlisted when this happened. We were out on assignment and were waiting for the all clear to move in on our target. We were board and well, one of the M.A.S.H surgeons decided it would be fun to play strip poker. One thing led to another and me and her were in the back of the humvee going all the way.” You interrupt him.

“Steve this just sounds like your bragging about getting laid in a war zone.” You tease and Steve holds a hand up.

“Hold on, I’m not done.” He laughs and looks up at the sky, “Right as we were about to finish, the back door to the humvee opens.” You gasp and Steve nods, “yup, apparently while we were naked they radioed that we had to move out immediately. Everyone was geared up and ready to go but when they opened the door all they saw was my ass-“ Just then You hear Bucky and Natasha walking over, Bucky decides to finish the story for Steve.

“Yup! And that’s why we lovingly called him America’s ass the rest of his enlistment.” Bucky grins and pats Steve’s back. You try not to laugh as you look at a blushing Steve. He just nods and gives you permission, and you can’t hold it in anymore.

“Oh my god, that’s horrible. And kinda funny.” You laugh and Steve smiles, he likes your laugh, it’s sweet and light. He could listen to you laugh all day.

“I’m a big boy, I can handle being laughed at. But can you Bucky? Should I tell Natasha your embarrassing sex story?”

Nat laughs and looks between the two of them. “You two swap sex stories?” You giggle as you look back at Steve.

“Well yeah, don’t you?” He teases Natasha and she nods in agreement. “So Bucky are you gonna tell it or should I?” Bucky shrugs and looks at you with a smirk.

“Go ahead Stevie.”

“Stevie?” You question with a smirk of your own, Steve blushes and nods.

“Something my mom and my overprotective best friend always called me growing up. Now it’s just whipped out in times where he wants to be condescending.” Bucky laughs and agrees.

“Well I like it, Stevie.” You reach out and ruffle his hair and he catches your hand and give sit a kiss. “But back to the topic at hand, Bucky’s embarrassing sex story!” The four of you laugh and Bucky raises his hands.

“I was with a girl and her dad caught us. Walked right in there for a visit and apparently he had a key. And we were taking advantage of the great lighting in the living room of her apartment.” Natasha gasps.

“Wait?! As in like videos?!” Natasha asks, Bucky blushes and you want to see him do it again.

“If I said no would you believe me?” Bucky says to Nat and she laughs out loud.

“What?!? Like only fans???” Natasha asks, not weirded out at all but interested.

“Yes but it wasn’t mine. It was hers and it was a 1 time thing. We met at a bar and we were gonna hook up so she asked if wouldn’t mind being filmed. I said I didn’t care as long as my face and voice weren’t shown. So we set it all up and got to business. Her dad caught us before we could finish. So the video was deleted and that was my short, non-existent only fan’s career.” Your jaw is dropped and Natasha is laughing. Steve can’t breathe he is laughing so hard. “Anyway, it was for the best cause that was my first and only 1 night stand.” Natasha stops laughing.

“Wait really? Not trying to shame you, just wondering why.” Natasha asks as she takes his hand in hers. He smiles at her and then his gaze flicks to you before he answers.

“I’m more of the romantic type. I can flirt the pants off any women in a heartbeat but 99.9% of the time I then promptly ‘put them back on’. I’m kinda old fashioned in that way, I like it to mean something. Actually now that I think about it that story is kinda sad cause I was going through some shit and I was kinda in a spiral.” Bucky looks from you to Steve. He then lightly laughs. “Way to bring the mood down, Buck.”

“No, you didn’t, Bucky.” You assure him, taking his hand and giving it a squeeze. “Thanks for sharing. And I think that’s sweet about wanting it to mean something, I’m like that too, hopeless romantic and all.” Bucky’s eyes light up in a way that only you catch. He nods.

“Thanks, Everly.” He then looks at Natasha. “So, what’s your story?” Before she can answer her phone dings. “Saved by the bell!” She laughs and opened the message as she screams for the other to join.

“I got a text!!” Wanda and Peggy run over, followed by Sam and Jake.

*Islanders, head to the fire pit for a steamy game of Truth or Dare. If the fire isn’t burning by the end then a switch up may be coming your way. #Hotandheavy #getthefirestarted #sparksareflying*

You and Steve look at each other and then back at Natasha and Bucky. “Sounds like if there aren’t sparks flying then that decoupling might happen sooner than we expected.” Bucky says as he looks at you and then back at Natasha. “We should probably head over.” He says as he stands up, you three follow him over to the fire pit. It’s sits right below the deck and has a built in bench that circles around half of the fire. The cushions are soft and brightly colored to match the rest of the house. You sit next to Steve and feel Peggy’s eyes on you. You glance her way and she avoids your gaze. Steve notices your face and gives you a nudge.

“Everything okay?” You meet his gaze and offer a small smile.

“Yeah, just I seem to have already made an enemy without even trying.” Nodding your head in Peggy’s direction as you whisper. Steve hums and takes your hand in his.

“I’m sorry, anything I can do?” He rubs the back of your hand with his thumb and you blush a little.

“Maybe get those sparks flying so we can stay together?” You give a flirty look and Steve bites his lip as he watches you.

“Oh I can definitely do that.” He smirks as he leans in closer, so close his lips graze your temple. “But maybe I should wait for the game to start.” He pulls back and winks and you just melt. You look across the fire pit and see Bucky, his eyes are soft as he watches you and your stomach does a flip. You give a small smile and Bucky has to bite his lip so he doesn’t break out the biggest smile. He clears his throat and looks at Natasha.

“So how do we play?” His phone dings, “Guess I could have waited 1 second and I would have gotten my answer.” He laughs and opens up the message.

*Islanders, each person will get a chance to pick a truth or dare card. Each card is a steamy dare or a sexy truth. Now let’s get the fire started because whoever you have the most chemistry with is who you will go on a date with tonight, and it might not be who you are partnered up with. #isithotinhere #letsgetstarted*

Bucky meets your gaze and you shift around a little. His eyes are so captivating but you can’t get caught gazing at him when Steve needs to be your focus. You turn your gaze to Steve and he smiles down at you. “Okay, who goes first?” Steve asks, his phone dings and he reads the message, “Looks like it’s me.” He smirks as he walks up to the deck of cards on the edge of the fire pit. Drawing the first card and a letting a big smile break across his face. “I got a dare card and it says ‘kiss the hottest girl for at least 15 seconds’. They don’t have to tell me twice.” Steve turns and looks at you, he walks over and pulls you up from your seat, your heartbeats faster and your gaze flicks to his lips as he leans in closer. Soft gentle lips graze yours and at first it’s sweet and tame. Then his arms wrap around your body and pulls you closer as his tongue gently pushes against your bottom lip, you hold back the moan that’s about to escape you when you hear the timer go off. Everyone cheers and claps. Sam whistles and Jake says some joke about it not counting if there wasn’t tongue. You blush as you pull back and open your eyes. Steve has the cutest blush breaking across his cheeks and nose, give him a ‘sun-kissed’ look and it’s so cute you could melt. You sit and pull Steve to sit down with you, holding his hand and trying to hide your blush from everyone else. Natasha meets your gaze and gives you a killer smirk.

“So Everly, sparks?” She asks and you blush even more. Steve lightly laughs and looks down at you.

“I’d say there were sparks flying, huh?” You nod and Steve pats your thigh as you two sit back.

“Okay, my turn!” Jake shoots up and grabs a card, “Truth! ‘Have you ever faked it to get out of a horrible lay?’ Well I feel this would have been a question for one of the ladies, but surprisingly I have.” Jake looks at Wanda and she just laughs.

“Wait, how?!” She asks, you’re genuinely curious too.

“Well, we weren’t naked yet and I felt horrible about doing it but I also didn’t want to sleep with her if I wasn’t into it. So I just kinda-“

“Oh my god,” Sam exclaims. “You faked getting off in your pants to get out of having sex?!” He looks at Jake and Jake hangs his head.

“Yeah, I did.” The boys laugh, Wanda speaks up.

“I mean it’s sweet you didn’t sleep with her when you knew you weren’t into it. But you could have told her the truth too.” Jake nods and agrees.

“I know that now! Then I was 17 and just wanted to get out of there and get home.” Jake explains. Wanda rubs his back and gently smiles at him.

“It’s okay, Jakey.” She assures him and Jake blushes and acts all shy. Bucky laughs and shakes his head. Natasha stands up and grabs a card. Her perfectly sculpted eyebrow cocks as she reads the card. “Huh, I got a dare and it’s says, ‘Sit in a boys lap who isn’t your partner for 2 rounds.’ Sorry Buck.” She smirks as she walks towards Steve. “I hope you don’t mind,” she sits on Steve’s laps and gets herself comfy. “Rules are rules.” She shrugs and you laugh and shrug. Steve looks anything but uncomfortable. You just roll your eyes and laugh. Nat continues to move around a little at a time, knowing exactly what she’s doing. Sam goes and his was a truth. He had to share what a perfect date would look like. “And then we’d end it back at my place,” he looks at Peggy. “What do you think of that?” She shrugs.

“Seems okay.” She focuses back on the others and Sam sighs and looks over at Bucky, who offers him a pat on the shoulder. It’s your turn and as you walk up everyone cheers you on, you do a little dance as you get closer and it has everyone in stitches and cheering even more.

“She’s got the moves!” Bucky yells as he smirks. You look back at him and wink.

“You ain’t seen nothing yet.” You flick your hair and seductively bend down to get a card. You know your ass looks good and you know Steve and Bucky are looking at it. Hell maybe even Sam. “It’s a dare-oh Lordy it’s a spicy one. ‘Make out with someone who isn’t your partner for at least 30 seconds.’ Hmmm decisions, decisions.” You look around at everyone and their hopeful faces. Steve pipes up.

“Come on Everly, take your pick. You should pick me no matter what the cards say.” He winks. You laugh and turn to face him.

“Just for that I should make out with Natasha while she’s still in your lap, just to tease you.”

“Please do that!” Sam almost yells.

“Oh god yes!” Jake exclaims.

“Don’t tease us!” Bucky warns

“I’m game if you are.” Natasha smirks. You giggle at all the reactions.

“I won’t do that, mainly because I am straight but also because I’m sure these boys would explode in their pants, and for real this time, right Jake?” You tease and he blushes while everyone else laughs. You throw him a wink and he smiles. “But I’ll give you this.” You walk over and gently peck Natasha’s lips. It’s over before it begins but it affects the boys all the same.

“Shit,” Steve mumbles and you hear the other boys curse beneath their breaths too.

“Now onto the actual dare.” You turn your attention to Bucky. You walk over and move right between is legs. He is laid back casually as he watches you lean closer and closer. As you start to climb in his lap and straddle him his ‘cool vibrato’ breaks and you see his pupils dilate. His eyes flick from your lips to your eyes and then back to your lips. He moves his hands from the back of the bench and slowly moves them up your back, watching your eyes to see if it’s okay. You gently smirk, “this okay, Buck?” Without answering he crashes his lips to yours as you wrap your arms around his neck. He moves his hands to your head, threading his fingers in your hair. You move your hands around his shoulders and feel his chest rise and fall beneath your fingers as he nudges your lips with his tongue. Without a second thought you let him and he licks into your mouth, both of you completely lost to the moment. When you break apart you are gasping for air and your lips are a little swollen. Bucky’s pupils are blown wide and you can feel his heart pounding beneath your hands. Everyone is cheering and whistling as you two come back to earth, under his breath so no one else can hear him, Bucky says.

“Fireworks, absolute fireworks. You just lit up my world, Everly.” You blush and give his chest the slightest squeeze wanting him to know you feel the same way. You quickly climb off and walk back to Steve. You meet Natasha’s gaze and she gives you a knowing look as she passes by and smiles to reassure you that she would have done the same thing. You find your seat next to Steve and shyly look up at him.

“Hi,” you say and he lightly laughs.

“Hey,” there is the slightest bit of worry in his eyes and you reach out and squeeze his knee. “Wish that had been me.” Steve admits and you smile before you let your gaze fall to the ground and then back at Bucky. You turn back to Steve and whisper.

“There still plenty of time left in the game, I’m sure we will get a chance.” You kiss his cheek and he blushes and nods.

The rest of the game isn’t as exciting. Wanda does a little dance for Jake who absolutely loves it. Natasha shares about her threesome experience. Sam has a dare that makes him get close and personal with Peggy who doesn’t hate it but definitely doesn’t love it. The whole time Peggy has her eyes on you. You Ignored her sighs as you settled next to Steve. Even when Bucky and Steve went again and chose you to carry out their dares with. One was to dance with you and the other was to make direct eye contact with you for a full minute. Bucky’s eyes are incredibly beautiful and you didn’t have any issues. Steve knows just how to move and he got your blood pumping towards the end. The whole time Peggy sat there, tight lipped and looking at you like you had killed her dog. When it’s her turn she stands up and grabs her card. “It’s a dare, ‘Kiss your partner until the other islands say stop.’ Well, I-”she looks at Sam and then back at everyone else. She doesn’t speak she just makes a b-line to Steve grabs his face and plants a big kiss on him. And Steve makes the mistakes of going along, his hands along her body and kissing her back.

“Whoa?!” Yells Sam.

“The card said your partner, Peggy! Steve?!” You exclaim, jumping up from where you are sitting. Natasha and Bucky walks towards the scene right as Peggy steps away. She gives a smug grin to you all.

“I know what my card said. I also know what I wanted. I’m fine with breaking the rules to get what I want.” She saunters back over to Sam who stands up and walks to the other side of the fire pit. Steve stands there shocked, with his hair messed up and red lipstick all over his lips. He looks down at you and sees the hurt in your eyes.

“Everly, I’m sorry. But it’s part of the game.” Before you could speak Natasha is standing up for you.

“No me sitting on your lap or Everly making out with Bucky was a part of the game. You helping Peggy break the rules and obviously enjoying it while doing it, that isn’t a part of the game.” You look at Peggy and her smug look, all you want to do is cry. You don’t know why, you just met Steve and it’s not that deep or special, but it’s something about the way Peggy looks at you and seemed to hate you from the moment you met. A text interrupts your thoughts. Sam speaks up.

“It’s mine.”

*Islanders, the game is over. The dates tonight are as follows.*

“Anyone have a text yet?” Jake asks. His phone dings, “oh I do!” He reads it out. “Jake and Wanda. We got a date!” Wanda smiles and kisses his cheek. Sam’s phone dings.

“Let’s get this over with,” he reads it and his eyebrows raise. “Sam and Natasha.” He looks at Natasha and she gives him a flirty wave and wink. “Well, alright.” Sam’s mood looks like it’s improved quite a bit. Steve’s phone dings.

“Steve and-“ he stops and looks up at you and gives you a sorrowful look. “And Peggy.” Your heart sinks and Peggy jumps up and comes to sit on the other side of Steve. You wait and wait and no text comes. Jake gets another one.

*Islanders, those are all the dates. Please head to the room to get ready. #Dates #loveisintheair

You try not to cry, it shouldn’t hurt but it does. In the shows eyes you didn’t have chemistry enough with anyone not Steve and not even Bucky. You feel sick to your stomach and can’t meet anyone’s gaze. Steve tries to talk to you but you just pull away because you can’t let him see you cry. Right before your voice breaks you croak out a, “go have fun, find me when you get back.” And with a kiss on the cheek you disappear to hide until they are gone. You sit up on the terrace and wait to hear their voices drift away as they all leave through the front door, the cars staring and driving away, leaving behind only the sounds of the ocean and your quiet sobs. Sitting there watching the sun set you remember that 1) you need to eat and 2) you aren’t here alone. So you make your way to the kitchen to whip up dinner and then you go to find Bucky. He’s sitting by the pool with his legs dangling in the water. He hears you walking up and he turns around to look at you before he waves you closer.

“Come join me, Evie.” You smile at the sweet nickname he just gave you.

“Thanks, Buck.” You offer back and he lightly laughs. Leaning back on his hands and watching as you sit next to him.

“Well, no matter what that dumbass game says, I think we had some pretty fire chemistry, don’t you?” He says, trying to lighten the mood. You give a sad smile and nod. Bucky sits up and nudges your shoulder. “Hey, talk to me. What’s going on?” You shake your head, “Look I know Steve can be a dreamy guy,” you laugh and wipe a tear away. “But even he isn’t good enough to have a beautiful girl like yourself crying over him.” You sigh and wipe away more tears.

“It’s not that, I umm-“ you take a deep breath and look at Bucky. You can tell he is trustworthy and kind, the way his eyes dance over you and not in a sexual way but in a protective and caring way. “I had a boyfriend, we broke up back in December because he was cheating on me. I found him with the women in our bed.” You can feel Bucky straighten up next to you, he puts his hands in his lap and you can tell he is squeezing his hands together. The thought of another man hurting you that way makes him angry, and that is incredibly comforting. “I thought I heard something so I stood by the door and waited. I heard a women say, ‘I know and I don’t care.’ Amongst other things. So, I walked in while they were in the throws, I wanted to make sure he saw me as I walked to the bedside table and grabbed my charger and bags before I glanced at her and then just stormed out.” Bucky puts an arm around you and rubs your shoulder before he leans in and kisses your head.

“I’m so sorry, Evie.” Bucky whispers against your skin.

“So Peggy swooping in and stealing Steve and Steve just going along with it,” you look up at Bucky, “well it opened up some old wounds.” You sigh again, “and I know that’s how this show goes and I know we’ve known each other for not even a day but it still hurt, you know?” Bucky nods.

“Yeah, I do.” Bucky looks at your lips and then back at your eyes. “I’m sorry he made you cry and I’m sorry Steve did too.” He leans in closer. “No man should ever make such a sweet, beautiful girl like you, cry.” And right when you think he’s gonna kiss you, he lifts up and kisses your forehead. A sweet and very kind gesture. “Well since we have this place to ourselves, let’s get to know one another, huh? No more tears unless they are from laughing too hard.” Bucky suggests and you agree.

“You’re right! Even if we apparently had the worst chemistry of the entire bunch, we can still have fun!” You laugh and so does Bucky. He shakes his head.

“Nah, we had chemistry, I think they did that for dramatic effect. And it worked. But now we are here, by ourselves for hours.” He smiles and raises his eyebrows and suggestively. “Whatever shall we do?!” You smirk and lean in really close, close enough to almost kiss him but you don’t.

“We should,” you say slowly. And Bucky nods.

“Yeah?” Bucky asks.

“Totally stake claim on the good beds and eat the best ice cream before those losers get a chance.” You giggle and Bucky nods.

“You read my mind!” He laughs and stands up, pulling you up with him. “Let’s go!” Dashing off to the kitchen you eat the dinner you made and talk about your jobs. “I love what I do and it pays well. But there’s just something about building something from scratch- something about creating that is its own kind of therapy, you know?” You agree and just smile and listen as Bucky goes on about the business he has. “So you work with Veterans?” You nod and sit back, pushing away your empty plate.

“Yeah, a lot of men and women who have lost limbs or have gone through some type of trauma that affects their mobility.” You look at Bucky as he nods and finishes his last bite. You bite your lip, trying to decide if you should ask about his injury or not. If working with Vets has taught you anything it’s that you don’t just casually bring up things that could trigger their PTSD. Bucky looks up at you and he can tell what you’re debating in your head. He smiles and sits back.

“You can ask, I can handle it.” You gently smile and sit forward.

“What happened? What was your official injury?” Bucky takes a drink of water and then sits forward to meet you halfway across the table.

“Roadside IED. Humvee hit it while we were making our rounds. It wasn’t there earlier that day but it was that afternoon. I’m a sniper, well was a sniper, so I was sitting in the nest on top on the car. We hit the bomb and I went flying, as did the car. I woke up and my left arm was hanging on by the bone and only the bone. There was also a large part of the Humvee keeping me pinned. I was in and out so I don’t know how long I was there but I know Steve was the one who saved me.”

“Really?” You ask, trying to control the emotion in your voice. Bucky nods.

“He was back at base and when we didn’t check in they sent out the search team. Knowing I was out there Steve demanded to be a part of it.” Bucky laughs. “He found me and damn near tore every muscle in his arms trying to lift that piece of Humvee off me. He saved me and got me back to base. From there we I was stabilized and sent home. It’s only a miracle that they saved my arm.”

“You have full range of motion and sensations?” Bucky smiles and looks down at his empty plate and then back up at you.

“If you’re asking as a professional? Yes, I can move and feel everything and I have my regular check ups to make sure there is no late onset nerve damage.” His tongue darts out quickly wetting his bottom lip, “if you asking as the woman I’m trying to win the heart of? Yes, I can pick you up carry you upstairs and feel every inch of your body if you’d let me.” Your heartbeat quickens and your eyes flicker to his lips and then meet his gaze again. He smirks and then sits back as you quickly regain your composure. You blush and get up to grab the ice cream.

🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩🦩

“You like mint?!?” You exclaim as Bucky takes a bite. He laughs and defends his choice.

“Not exclusively but maybe I’m just wanting to freshen my breath in case you wanna repeat our dare from earlier. Or make me prove that my range of motion and sensations are fully intact!” You giggle and run away from him as he chases you, trying to kiss you. You run to the pool and one thing led to another as you both go crashing in. You emerge gasping for air and laughing so hard as Bucky pulls you closer. Your laughter dies down as you gaze into each others eyes, growing closer and closer as he backs you up against the pool wall, taking your face in his hands and leaning in. Right as your lips are about to meet, your phone dings. Coming back to your senses you climb out and grab your phone reading the text.

*Everly and Bucky, you guessed correctly. You two had the most chemistry out of all 4 couples and we thought you deserved some private time while the others enjoyed their group date. But the privacy is almost over as the other islanders are on their way back. #Sparkswereflying #recouplinganyone?*

You look back at Bucky and he walks closer to you. Taking your face in his hands. “Well now I won’t feel bad about doing this,” he kisses you as his hands dance across your skin and your arms wrap around his neck. He moans into the kiss as your bodies move closer and you gasp as he bites your bottom lip before soothing it with another kiss. When you pull apart you stare into each other’s eyes and know that this summer is only about to get more interesting. Bucky moves back in but you stop him.

“I can’t- I know Steve and I aren’t exclusive but- I chose him, Bucky. I have to try, please understand.” Bucky sighs as he takes your hand.

“He’s on another date as we speak.” Bucky says.

“And technically so am I. How do you think he will feel when he finds out we got a private date, away from prying eyes.” Bucky sighs again and shakes his head.

“Okay, fine but you can’t deny what we have, Everly.” He pulls you closer and brushes your wet hair away from your face. “And I’m not giving up, I’ll be here. Natasha is great and I’d probably fall for her if you weren’t here but I meant what I said after that dare.” Your breath catches, it’s the first day, could you really have found it all on day one? “You lit up my world, Evie. And I’ll go about this however you need it. But I’m not giving up.” You let out a shakey breath and pull him into one last kiss before pulling apart and putting some space between you two just as the front door opens and the three couples come walking inside, loud as ever.

“Hey! What did you two get up to?!” Natasha yells as she motions to your soaking wet clothes. Steve walks closer and eyes you two intensely. You both laugh and play it off pretty well.

“Oh, well we were having a debate over which ice cream was better and it got heated and Bucky chased me and made me fall in the pool. I made him jump in too as pay back for ruining this perfect outfit.” You give Bucky a playful shove and he picks you up and hauls you over his shoulder, ready to throw you in again.

“You wanna go in again?!” He teases and you yell and try to wiggle free. He tickles your sides. “I don’t know, what do you think Steve?!” Steve laughs.

“Okay Buck, put her down. I think you’ve tortured her enough tonight.” Steve walks closer and pulls you into his arms and kisses your forehead. You feel Peggy’s glare bore into your back as Steve ushers you away. You look back and see Bucky watch you walk away with Steve. Nat and Wanda come up to comfort him and usher him towards the kitchen. “So how was your time here?” Steve asks once you get settled on the day beds.

“Good, got to know Bucky a little bit. Can see why you two have been friends for so long.” Steve nods. “He also told me the story about his arm.” Steve sighs and squeezes your hand.

“Yeah that was a scary time. But thanks to people like you,” he kisses your hand. “He is back to his old self.” Steve looks down at you and his eyes flick to your lips. “Man I really want to kiss you right now.” Your heartbeat quickens.

“You do?” You ask, a little unsure. Steve nods and closes the distance between both of you. Your lips crash to his and he slips his hand behind your head. He pulls you closer and you feel your cheeks starting to heat up. He pulls away too soon and rubs his thumb across your cheek.

“Wow, now that was worth the wait.” You blush and curl up next to him as you gaze at the stars.

“So how was your date?” You feel Steve shift and tense up. He clears his throat and you sit up to look at him.

“Well I want to be honest with you,” he hesitates, “Peggy kissed me and I didn’t exactly stop her.” That angers you more than it should and you don’t know why. Especially considering what you and Bucky got up to.

“I really like and care about you but I’d be lying if I said Peggy didn’t turn my head a little.” You sit back and create some distance. “I’m sorry, Everly. I just want to be honest.” You nod and sigh.

“No I appreciate that. And I guess I should be too.” You take a breath. “Bucky and I kissed while everyone was gone. We got to talking and flirting, we had a heart to heart because I was sad after yall left and well we kissed.” You meet Steve’s gaze and he seems a little upset but about as much as you were at his news about Peggy. He then sighs and leans his head back.

“Was your head turned?” Steve asks and musters up the courage to look at you.

“A little, yeah. But I told him that I chose you and I wanted to see where things go- if there is anything here, you know?” You explain and Steve nods.

“Yeah I get that.” He takes your hand. “Thank you for being honest.” You gently smile and kiss his cheek.

“Always,”

“Good to know. So are you gonna tell me why you were upset?” Steve asks as You lean back and stare at the stars.

“Just something earlier today reminded me of my ex who cheated on me. It made me more emotional than it should have. Not sure why though,” you shrug it off. “Anyway, Bucky helped and talked me through it.” You smile at the sky and Steve catches the fondness that washes over your face as you think of Bucky. He wished it didn’t hurt.

“Well I’m glad, Bucky is a great man.” Steve says as he pulls your attention back to him. “So are we all in until a recoupling potentially pulls us apart?” You smile and look at Steve, you see Bucky over his shoulder and he seems to walking your way. He gets there before you could answer Steve.

“Hey! A couple of us are gonna have a late night swim.” His gaze dances over you. “You two wanna join?” You look at Steve and you can tell he’d much rather talk but something in your eyes must have told him differently because he looks a little sad and then answers for the both of you.

“Sure!”

You are getting changed into a bathing suit as you hear two people in the bedroom.

“Did you tell her?!”

“No! Why would I?!”

“Because-“ you accidentally knock over a can of hairspray and it clangs loudly. The people who were talking quickly rush out of the room before you can see who they were. Thinking nothing of it you head down to the pool where the party seems to be in full swing.

“Oh there she is!!” Bucky cheers and whistles.“The party has arrived! Everyone Evie can do an excellent cannonball, saw it myself.” Bucky teases about earlier. You walk over and he knows what’s about to happen and he accepts his fate as you push on his chest and he backflops into the pool. You laugh and jump in after him. Natasha swims over and gives you a look that tells you, she knows everything.

“So a little birdy told me that had we been gone longer then we might have needed to treat this pool.” You blush and shake your head.

“No, nothing like that was gonna happen.”

“But something did.” She smirks. She sees your guilty face. “Oh that face better not be for me, because Bucky is hot, I’ll give you that but I’m not feeling it. So you are not stepping on my toes.” You sigh out of relief.

“I told Steve that my head may have turned.” You admit. Natasha hums.

“And how did he take it?” She asks.

“Pretty well. Said his might have too. But we still wanted to try while we are together.” You say and Natasha nods.

“So where is he?” You look around realizing he isn’t there. “He should be here with you, in the pool, grinding all over each other in the water.” You laugh and look around again.

“I actually don’t know where he is.” You go to climb out. “I’m gonna go see if I can find him.”

You grab a towel and head to the day beds and what you find as you get closer makes your blood boil and your heart breaks. Peggy is straddling Steve and making out with him while she moves his hands over her body. You hear Steve trying to get her to stop, to slow down, telling her that he is with you and that he likes you. “I’m with Everly, I like her-“ but she’s not listening, not respecting his wishes. You are speechless and then you hear her say it, “I know, and I don’t care. Touch me.”

It all comes back to you, standing in the hallway of your own apartment as Colin fucks some girl in the bed you share. “You know this will never go anywhere. I love Everly.” Her laugh and response, “I know, and I don’t care. Touch me.” You storm in to grab your stuff and you see her brown curls draped over your pillow and her legs around your boyfriend. Peggy was the women who fucked your boyfriend.

“YOU FUCKING BITCH!!!”

Next

A/N: So I don’t like Peggy is you couldn’t tell 🤭. Also I know Colin is actually a sweetheart but let’s just say this was during his fuck boy phase. 🤷🏼‍♀️.

Taglist: @hisredheadedgoddess28 @cadencejames87 @jessieasher1616 @janineb86 @cjand10 @slytherinqueen4life @theinheriteddutchess @rainydayandmondays @georgiapeach30513 anyone else who wants to be tagged to contact me! 🥰

[physalian]

Another 5 Character Types the World Needs More of (Part 3)

Part 1 Part 2

I did not expect these two posts to continue getting notes. So. Here’s some that didn’t make the cut and a few new ones.

1. Character who is immune to everyone else’s bullshit

This can either be funny or a breath of fresh air. I’m talking your drama cast of 15 all losing their minds over “he said/she said” and fixating on so many ridiculous and arbitrary problems… meanwhile Chuck over here is skinned with teflon and completely immune to tropes like manufactured miscommunication or drama, who’s juuust shy of being genre savvy to Get Shit Done like this is their second time around the block and they are not happy to be back.

The first one to pop into my head is Soundwave from TFP. He has no voice actor for 99% of the show and doesn’t have a face and is only the focus character for like, 2 episodes, but whenever he’s on screen you can just see “I’m surrounded by idiots” playing on repeat in his head. This con is brutally efficient, never messes up, and is never wrong and while everyone else is caught up on ladder-climbing and revenge quests, Soundwave is over here vibing and keeping the whole cause together.

2. The Femme Fatale, but a man

This is not sexy suave abusive asshole hero you’re supposed to root for, who’s a male power fantasy. This is literally the exact same trope, but a man. Meaning, he gets the same revealing uniform, the same “I’m letting you think you’re in charge but really I’m pulling all the strings”. Crucially, he’s straight, because most of them are gay-coded (because the man being in the submissive, ‘girly role’ is horrifying, he must be gay). This dude weaponizes toxic masculinity, making the villains extremely uncomfortable and throwing the villain’s own power fantasy back in their face.

This dude unabashedly flirts with his captors just to get in their heads, removes all concepts of personal space, and makes straight villains seriously question their sexuality. He has social engineering down to a science. I’m sure there’s one that exists, but every one I can think of is already queer-coded and that’s not good enough. So just. Black Widow. But a man.

3. Mary Sue/ Gary Stu who becomes the villain

Since these characters are the product of insecurity and lack of self-awareness… the example for this trope is Titan from Megamind. This character is absolutely the hero of their own story, practically perfect in every way. They think they’re the best at everything without trying, flawless in features and personality, and everybody loves them. And genuinely, they are just that good.

So good, that they live long enough to become the villain. Obviously people who write Mary Sues with full sincerity have no idea that anything’s wrong or problematic, but a genuine Mary Sue whose perfection is their greatest flaw without them even realizing it would be an interesting villain because I’m getting sick and tired of “sympathetic” villains who are really starting to feel like excuses for abusers to be abusive because they were smacked around as a kid.

4. Paragon who is wrong, but also right?

Apparently I’m in a Transformers mood today. There’s an episode where the Autobots’ medic/second in command does the whole “desperate scientist tests their invention on themselves with horrible results” trope and he gains the strength and speed he otherwise hasn’t had in like, eons, and starts kicking ass and taking names (and committing war crimes) to the point where his team is like “uh, buddy, slow down a bit, you’re starting to act like a Decepticon”.

The best part of that episode is where Ratchet (medic) completely unloads on Optimus about how he’s too soft, about how he’s had a million chances to end the war and murder Megatron (which is true) and yet Optimus lets the window pass again and again still hoping for Megatron’s redemption… while in the process, countless Autobots keep dying, collateral keeps happening, all because Optimus is stubborn and won’t just get it over with.

We know Ratchet is right, because throughout the next season, Optimus is a bit more… shall we say, ruthless, in trying to legitimately end the war, Megatron’s redemption be damned. But that episode ends with Ratchet nearly dying when trying to kill Megatron himself, and understanding that the Autobots are Autobots for a reason, because they’re “good,” and sinking to the enemy’s level won’t be a good foundation for a peaceful post-war survival of their species. Point being, sometimes being a Paragon is an incredibly selfish virtue.

5. Parents who know what’s up

So, while I am a firm supporter in the dead parent cliché because parents are super inconvenient sometimes, when it’s not that kind of story and the parents are a big part of the plot… while also being idiots (like Disney and Nickelodeon sitcoms circa 2008), just to make the kids sound smarter, it’s just been done to death. Everything you could think of, your parents probably did when they were your age so having competent parents in the plot as a well-meaning obstacle that continues to surprise the hero is pretty rare in stuff like YA. Usually it’s “I must lie to them to keep them safe” meanwhile Sally Jackson is over here murdering her husband with Medusa’s severed head.

They don’t have to join the hero team, but parents painted as bumbling idiots is a disservice to the mischievous teenagers they used to be. Or just the parent who really does know the kid better than they do, like when kids anxiously come out and the parent is like “honey I knew since you were 3 let’s go get ice cream”. I didn't watch Glee but that one dad who was like "son all you wanted was a pair of sensible shoes, I knew." So yeah. Smart parents. More please.

[writerpey]

Omg wait, you have so many fandoms I love, ok, ok could you make like a list of characters from theses shows and what they’d be? Like regressed, caregiver, ect? (So I can send asks based on that) I’m so excited right now

Arcane, Detroit Become Human, Last airbender, Our flag means death, and Six of crows/shadow and bone

happy 2024! this has been in my inbox forever but looks super fun to do! here’s my take on what characters would be regressors/caregivers for arcane, dbh and atla. I totally wrote way more than I expected to but here u are! <3 I’ll do a separate post for ofmd and soc bc they have so many characters I have opinions on.

Agere Character Headcanons

(Arcane, D:BH, ATLA)

(jinx is me cooking up this thread)

Arcane

Vi: As much as she’d be a wonderful caregiver, she’s absolutely a regressor. Being small reminds her of days spent with her parents and Powder, family trips to the fish markets of the coast and sunny days building sand castles at the beach. She tends to be on the older side, a natural tendency from a life spent as the older sibling, taking care of Powder. Vi’s a very active and vivacious little, playing outdoors and hanging off Caitlyn’s shoulders. Loves physical touch, hugs and high fives are the way to go.

Caitlyn: Caregiver all the way! I think she loves kids in general, and despite her awkward nature and sheltered upbringing, she finds it easy to take charge and step into the role of a protector. Definitely looks after Vi and is oftentimes too concerned about her safety. She loves taking the little out to the playground and to eat at Jericho’s food stall (even if she still refuses to eat a bowl of slop herself).

Jinx: Tiniest, cutest, moodiest little troublemaker there is. Jinx regresses to about four or five years old, and absolutely bounces off the walls at all hours of the day. She’s not the quiet, sweet child she once was as Powder, but rather gets herself into trouble and feigns innocence. She loves to annoy both Silco and Sevika, clambering on the latter’s lap and hiding under Silco’s desk for games of hide and seek. Her mood changes rather drastically as well, as she can go from completely happy to hyperventilating sobbing from anything as simple as scraping a knee to refusing bedtime.

Jayce: He’s a very attentive and high strung caregiver. Looking after Viktor is much easier than Caitlyn, Silco, or Sevika’s jobs, but Jayce always fusses over the little. He’s quick to scoop him up whenever it’s deemed necessary, and goes to Mel for help when he needs another pair of hands. Jayce loves caregiving because it gives him something to focus on other than his responsibility to Piltover, and enjoys simple play with his little like story time and building blocks.

Viktor: Super small and quiet regressor! Viktor can get very young, and has no qualms with depending on Jayce for help when he’s little. He likes to be snuggled up on a couch in a mound of blankets and is also content to sit and watch Mel paint the ships that go by the balcony of her apartment. Viktor is sweet and shy and doesn’t tend to verbalize his needs, but because Jayce is so attentive they mesh well together.

Detroit: Become Human

Kara: Caregiver. Need I expand? It’s in her coding in the first place to protect and nurture. Upon her deviance, Kara realizes that even if she was made for it, she can still reclaim that part of herself for herself. She is quick to console whomever her little may be, and projects the kindest and warmest energy to the person she’s taking care of. Kara enjoys making up her own stories, and loves playing make believe with her regressor.

Connor: One hundred percent a regressor. This little guy was shy and uncertain when he first started regressing, as he didn’t know what ‘normal’ behaviour from a deviant was, let alone how to process all the new emotions he was feeling. Connor loves to spend time at Hank’s house with Sumo, revelling in the feeling of the dog’s fluffy fur and laughing happily when he teaches Sumo all sorts of tricks. Connor is usually happy when regressed, but struggles with anxiety and asking for help. Hank is always there to walk Connor through his big feelings and encourages him to use his words.

Markus: He’s one of the most chaotic caregivers there is. You picked the pacifist route in the game? Doesn’t matter. This guy is unhinged when it comes to caregiving. Spoiling his little at any time possible, letting them stay up hours past their bedtime, giving them candy for breakfast and encouraging colouring on the walls. He spent so many years being exactly who Carl wanted him to be while also tasting freedom through Carl’s art that it brings him so much joy to see a regressor’s eyes sparkle when he says yes to whatever their heart desires. He’s also amazing at comforting a regressor. Big hugs and gentle eyes!

Avatar: The Last Airbender

Katara: Is a caregiver! Incredibly kind yet less patient than one (Sokka) might hope. Katara is quick to caution her little, always on the lookout for anything that they might hurt themselves with or on. But this doesn’t mean she hates fun! She adores the beach and using her bending to splash around, and is always ready to get her little an extra blanket or any snacks they ask for. She’s super sweet and falls into the role of a caregiver like she was made for it. Katara has even sewed a plushie or two as gifts, and has a knack for settling a regressor in front of a crackling fire and braiding their hair before bedtime.

Sokka: Regressor for sure. Even though he’s a big brother he never let go of his goofy side, and it plays into so much of his behaviour when he’s regressed. He’s on the older side, around 6-8, and has so much energy he doesn’t know where to put it all. Queue him running around for hours, laughing at absolutely anything that Aang says and bothering Toph just so she’ll play with him. Sokka doesn’t cry, even when he takes a tumble (which is quite often) but is fussy when he doesn’t get his way. He’s a troublemaker, but his beaming smile lets him get away with plenty.

Aang: Honestly I think he’s a caregiver, but is more like a fun uncle than any other label. His sage airbender wisdom doesn’t come through often, which means he’s all about fun all the time. His childish side matches a little like Sokka’s constant energy, and he seems to vanish into a cloud of smoke when any tears come his way. And how did Sokka and Zuko get chocolate all around their mouths, you ask? Well, there’s no one to ask because Aang’s just taken off on his glider on some very important business.

Zuko: LITTLE! REGRESSOR! TINY! Oh my goodness, he’s the first fictional character that I ever headcanoned as a regressor. There’s no need to delve into his trauma here, but the boy is in such a desperate need of healing his childhood that he regressed long before he even knew what it was. Regresses very young, between 2-5. Before meeting the Gaang he’d hang off of Uncle’s shoulder during Pai Sho tournaments on his ship and would shyly ask the crew members to play songs during music nights. His tough demeanour disappears completely when he’s regressed and he turns into a shy boy that is insistent on doing things himself and is quick to cry when he’s unable to, for example, wrap his robes the way he wants. Zuko has a turtleduck plushie that Katara sewed for him after Aang asked him what his favourite animal was and Sokka caught him cuddling up to Appa at night. Sweetest boy in the whole world.

Toph : Caregiver! Matches more with Aang’s style of caregiving than Katara’s, but still lands somewhere in the middle. Her earthbending gives her the ability to pick up on every tiny emotion that a regressor feels, and it means she’s prepared and in tune with every need, happy or unhappy, that someone needs. She tends to playfully tease Zuko and Sokka, but knows exactly where to draw the line with either boy based on the rhythm of their heart. Toph helps Aang when it comes to letting the boys do something Katara has specifically told them they’re not allowed to, and will always feign innocence when confronted by the eldest caregiver.

[david-talks-sw]

I can’t remember which post it was off the top of my head but you’ve mentioned how George was explicit that nothing in The Clone Wars directly influences Anakin’s fall to the Dark Side, what about indirectly? There’s the obvious one: Anakin finds it easier to give into his anger as the war goes on. But I was also thinking the events of Hardeen and Wrong Jedi arcs weaken Anakin’s trust in the Order that then plays into the circumstances in which his fall to the Dark Side took place. Like that weakened trust meant Anakin distanced himself which gives context for why he refused to go to Obi-Wan when the visions started.

It also fits with his character because one of Anakin’s flaws is that he takes things way to personally, e.g. he was not the only person the Council lied to about Obi-Wan’s fake death. Then when Ahsoka was leaving the Order after the Council let her down, which they did let her down, she had to remind Anakin that it was about her not him.

Of course weakened trust is nowhere near enough to cause someone to commit genocide and Anakin didn’t seem to make any effort to mend those fences either. And of course none of this would have happened without Palpatine manipulating things. Hence my question of how you think The Clone Wars indirectly influenced his journey to the Dark Side even as none of really tied to why Anakin ultimately fell.

I think you summed it up perfectly, actually.

If you're using Lucas' word as the "be-all, end-all", then The Clone Wars is indeed just an asterisk/addendum to the story of the films.

Its purpose? Providing context for the minor changes between Episode II and Episode III, changes that aren't exactly relevant to the story of Anakin's downfall.

"Anakin seems more mature and less whiny, in Episode III, what happened to change that?" He got a Padawan of his own during the Clone War and when you're put in charge of someone, you grow up real quick.

"He and Obi-Wan were constantly bickering in Episode II, now they're best buds, why?" In Episode II, Anakin was in Obi-Wan's care but felt he needed to leave the nest, whereas Obi-Wan was being a helicopter parent. In The Clone Wars, we see that once Anakin gets knighted, their relationship smooths over, now becoming a more brotherly bond than a parent/child one. Obi-Wan will sometimes worry that Anakin will fly off the handle, but he's also able to recognize his former Padawan is now his own man, whereas Anakin takes responsibility more frequently, now, due to now having a Padawan of his own.

"What's the relationship between Anakin and the other Jedi we saw in the background of the movies?" Find out by tuning in to The Clone Wars!

"The clones have names, now? And they're the Jedi's friends, when did all that happen!" You can find out by seeing them fight side-by-side with the Jedi and slowly becoming independent thinkers, only in The Clone Wars.

"The Jedi are more scheming and political in Episode III, they and Anakin are at odds... why the shift in attitudes?" They were drafted into a war, and forced to make compromise after compromise to a point where their values have been rendered pointless and they've become begrudging hypocrites. They're playing politics (and sucking at it) because they've been dragged onto a political chessboard and are trying to keep up with a far more skilled opponent. These terrible decisions impact all of them, even Anakin.

Stuff like that.

But none of that is relevant to Anakin's story, which is more personal, in nature. It's a story about how his own greed turned him into the very thing he swore to destroy, which parallels how the Republic became the Empire for those same reasons.

The films show us this, and The Clone Wars *reinforces* this narrative by giving us further examples of it.

While Anakin is aware of what's right and wrong... the more the war rages on, the more frequently he takes the "easy" path and gives in to his anger and selfish desires, enabled by Palpatine.

Sometimes Anakin does manage to get a grip, he does manage to take responsibility, he does learn to let go... but then something happens (often orchestrated by Palpatine) and he goes right back to square one... then square zero... then square minus one, etc.

He never takes that final step to being a more enlightened person.

The Clone Wars challenges the Jedi at times, questions their actions... but ultimately, the responsibility falls on Anakin's shoulders. The series will show you moments where they fail Anakin, but there's as many moments of him failing them.

Could the Jedi have done more? Yes. But if you think them doing more would've solved the problem, you're missing the point of the story of the Prequels.

Functionally, all that is achieved from the Council/Anakin conflict (again, orchestrated by Palpatine), in Episode III, is creating more pressure for Anakin to cave under. That's it.

They're not a meaningful factor in his turn to the Dark Side.

Padmé is.

When he's hesitating between saving Mace or saving Palpatine...

... he's not thinking "one of them was nice to me, but the other one was mean to me and kicked out Ahsoka, so I'll chop his hand off".

And he's not thinking "this isn't by the book, Mace you hypocrite!"

Lucas tells us what's going through his head, in that moment.

It's about Padmé living. And we've already established that what that's really about is "Anakin not wanting to live without her". So, really, it's about Anakin.

Mace and Anakin butting heads isn't even considered. If Mace had been laughing with Anakin and hugging him on the daily, Anakin still would've ended up chopping off his hand. It wasn't about Mace, it was about Anakin.

If Ahsoka had stayed with the Jedi Order, he still would've joined the Dark Side. Because it was never about Ahsoka, it was about Anakin.

If Qui-Gon had lived, Anakin would've still turned. It was never about Obi-Wan or Qui-Gon being the teachers, it was about Anakin.

Because the message of the story is basically that:

"Ultimately, it's up to you to take personal responsibility and be compassionate. If you avoid responsibility and give in to your darker impulses for selfish purposes, bad shit happens. The only meaningful change can come from within."

And in Anakin's case it didn't. He zigged instead of zagging at almost every turn.

Now, you can agree or disagree with that message. But that's what it is. Even some of the current Star Wars authors acknowledge this.

The story of Anakin Skywalker is told in the movies.

The Clone Wars is there as an addendum to:

Shine a spotlight/provide context on minor changes between Episode II and Episode III.

Humanize Anakin, to further drive the point that what happened to him can happen to anyone.

ADDENDUM:

[wordbunch]

Their love song (Taylor Swift edition) > Lord of the Rings characters

a/n: welcome to my little self-indulgent celebration of 700 followers! 🥳 EVEN IF you're not a fan/don't know the songs, I hope you can still like and support this fic - a lot of time and love went into it! and by all means come talk to me about it or suggest your own songs! love you all so much and thank you for reading my stories and being a WONDERFUL community 💕💕💕

ARAGORN ♡ cowboy like me

His old wandering lifestyle made it pretty hard to be committed to a person in one place, but he made it happen as soon as it was possible, and he would have done anything in the world to give you safety, protection and all the love that you deserve. And he plans on giving it to you forever, no matter the trials and tribulations that might appear on the way.

GIMLI ♡ love story

This dwarf is a proper gentleman, a confirmed charming sweet-talker and most definitely a deeply romantic soul in a very classical way. He is very respectful towards you, and respects some traditions as well, so he wanted to ensure everything was in order before asking you to be his forever.

LEGOLAS ♡ snow on the beach

Isn't he so unusual, kind of ethereal, and positively vibrant? You never met anyone like him, with all his interesting quirks and his abundance of joy and lust for life. It is impossible not to share his fascination with nature, and you cannot help but smile just a little brighter whenever you are around him.

BOROMIR ♡ willow

This is an absolute Boromir song to me - he likes to be outright, take charge, but maybe sometimes he is just a little bit too flattering (don't blame him, he just needs to express his feelings for you approximately 26 hours a day). With him every day feels like an enchanted love story, and you feel safe with him, and both of you take pride in being together. trophy couple

FARAMIR ♡ starlight

This wonderful man is absolutely a dreamer and an imaginative person, who likes to share his thoughts and wishes with you, and finds it absolutely delightful if you agree with some of them. Everything he promises to you, he most certainly delivers. Also, he has so much love to give, and would be a very big fan of the idea of starting a family with you and just being the best supportive parents ever.

ÉOMER ♡ enchanted

Horse boy's jaw DROPPED the first time that he saw you and he forgot about everything and everyone else in that moment. He just knew he needed to approach you and get to know you as soon as possible, because he was convinced you were either already happily taken, or you would be very soon, and he couldn't live with himself if he just sat aside and let it happen.

ÉOWYN ♡ dancing with our hands tied

Her thoughts and past struggles sometimes still come back to haunt her, and the fear of being trapped resurfaces, but you're there to reassure her that you'll stay, no matter how hard things get. Even if it's the two of you against the whole world, you wouldn't rather be anyone else but by her side, hand in hand.

SAM ♡ fearless

This is such a lovely sunny song, and it instantly made me think of the best gardener boy!! He might be apprehensive about taking some risks sometimes, but you make him feel brave and strong with just one look, and the fact that you believe in him makes him more confident. On the other hand, he makes you feel like absolute royalty and he loves to spoil you and treat you so right.

FRODO ♡ jump then fall

The sweet little song that this is!!! The two of you are each other's safe place and comforting presence, no matter the rude neighbors' comments, the evils of the world, or the occasional nightmares. It's a relationship that comes from a strong friendship first, and it shows in the way that you just silently understand each other and aren't afraid to just be yourselves.

MERRY ♡ glitch

Absolutely nothing romantic was ever supposed to happen between the two of you - you just liked to get up to no good together, sometimes! But somewhere amid setting off fireworks, pulling a couple of pranks on your mutual friends and getting a little tipsy in the Green Dragon on the weekends... something just clicked, and there's no going back.

PIPPIN ♡ our song

It's a cute and a bit chaotic song, so it's perfect! He might be a little childish still (and fairly young, gotta give him that), but that doesn't make your relationship any less valid. It's full of cute little moments and small acts of love that are greatly appreciated by both of you. He loves to surprise you with small gifts and surprise visits, and absolutely makes up silly little songs to make you smile.

ARWEN ♡ delicate

She was always so kind and sweet that it was hard for you to be certain what kind of feelings she harbored for you, but you were falling in love the more time you spent together. Although she liked you back romantically the whole time, you were the first one to mention something about it, though apprehensive, and she was delighted to find out about, and return your love.

✨ taglist my beloved ✨ ​​​​​​ @starlady66​​​​​​ @queenmeriadoc​​ @entishramblings​​​​​​ @thesolarangel​​​​​​ @silversword7000​​​​​​ @friendofthefellowshipsnerdblog ​​​​​​ @averys-place ​​​​​​ @valkyriepirate ​​​​​​ @emmaarenstarr ​​​​​​ @noldorinpainter ​​​​​​ @asianbutnotjapanese ​​​​​​ @adamgetawaydriver ​​​​​​ @fenharel-enaste ​​​​​​ @ironmandeficiency ​​​​​​      @starryeyedrogue ​​ @dinofromspac3 ​​  @wisheduponastar ​ @lady-of-imladris ​ @frodo-cinnamonroll ​ @unethicallypleistocene @deadlymistletoe @suncran @high-sea-husbands @asianbutnoteastasian @aidansloth @sweetpea-thoughts

[swe3tcoffe3]

Kris Might Represent a Meta-Concept (And Why I Do Not Like This)

Now to start things off, this is just a theory or potential possibility for Kris' character. Deltarune is an incomplete story as of writing this, and it's unclear which kind of direction this story will take as of now. This could all very easily be disproven by later chapters. The reason I highlight this is because I genuinely want this to be proven wrong at some point (for reasons I will discuss later).

I believe that there is some reason to suspect that Kris might have some ties to the metanarrative of Deltarune, and might actually be a meta representation of the narrative itself, control over a narrative within the context of videogames or even the force that drives a narrative forward in a given direction, and that this is something that will become an important aspect of their character.

This has been on my mind for a while now, not specifically this idea, but more so "how will Kris, the protagonist, tie into the meta of Deltarune?" This has been a question I've had ever since seeing how many meta connections Noelle has with The Player and their search for Gaster (being mirrored by her search for Dess), as Noelle is very strongly linked to Kris; they form a sort of unique duo of sorts. At first, I assumed it would be in a way similar to her tendency to break games, until I started looking deeper into things.

My first piece of evidence that Kris might be a meta-character is what Ralsei tells us about Kris' Soul. Ralsei does seem to be quite aware of the nature of the world he lives in, possibly to the point of even being aware that it's a game.

The fact that he highlights that Kris' Soul specifically has some level of influence on the fate of the world is important here as it shows that Kris is, at least in some way, heavily tied to the world around them.

This also gives them some kind of connection to fate which could be an allegory for the narrative. The reason why I believe that this might be the case is because Toby makes frequent usage of allegory and metaphor to make his meta more diegetic (so instead of having The Player directly acknowledged as a video game player, it's likely that we have the role of The Angel, an otherworldly being separate from DR's reality. The power to SAVE and RESET is an actual logical mechanic part of both DR and UT that characters are aware of instead of something inherent to the player, etc). It would therefore not be too much of a stretch to assume another allegory is being used here, to have the characters acknowledge the "narrative" not as a story, but as "fate", something that would make logical sense within Deltarune's world as well as our own.

My second piece of evidence that suggests that Kris could be a meta-concept is their direct interference with the narrative.

Whenever Kris does this, what they are essentially doing, on a meta-level, is taking charge of the narrative and driving it forward in a specific direction of their own choosing, despite the "risK" associated with doing this. By creating the Fountain, for example, they force Chapter 3 to happen, and while it's possible for any Lightner to make a Fountain (according to our current knowledge), I think that it is still important and relevant that the only person who we've seen successfully create one on screen so far is Kris, as it ties in to this idea about them being the one to drive the narrative/plot forward, because Kris is that force, the one that causes the plot to march forwards.

I would argue that this can even occur while they're still possessed, as a lot of events only happen because Kris' actions and decisions make them happen, not only through acting independently of us by saving Susie and causing her to develop and change, but also by taking on the role of "Leader" and "Tactician", both of which are roles that require someone to take charge and orchestrate certain events to take place.

Another piece of evidence I would like to point towards is Side B/The Weird Route. We essentially use Kris to abuse what we currently have, in the pursuit of something greater (most likely Freedom). However, something that I feel is often overlooked is the reason why we are able to achieve all this in the first place. One of the main reasons it is possible is due to the amount of trust that Noelle has in Kris, but I don't think that's the only reason why. After all, Noelle even remarks that the voice she heard wasn't like Kris'.

Despite this however, she's still compelled to obey. And I think the this could be because what compels her to obey could go much deeper than just Kris being a childhood friend (although I do feel that was a contributing factor).

I think it could also be due in part to what Kris represents on a meta-level. Their control over the narrative and ability to drive it forward is twisted into something sinister by The Player (who is most likely to be inhabiting Kris' Soul), in order to try and change the narrative so they can get their Freedom via using Kris to give commands, utilizing Noelle's natural tendency to break games through glitches to achieve this goal.

I point out the "commands" status here as I think it is an interesting word choice, especially given its definitions. One in particular caught my eye.

"The ability to control something". In a literal sense, it could be describing how us using Kris enables us to control Noelle. But it is possible that it could also be describing how we're abusing what Kris represents (what pushes the narrative forward) in order to break the game itself by controlling the narrative, directing it down a different path (an alternate side even) when we shouldn't have been able to in the first place.

Another reason I believe there is evidence to suggest that Kris could be representative of the narrative is what happens when Kris dies.

I've always found it interesting that Kris' death is referred to as an "end", mainly due to the fact that we know Deltarune is only meant to have one ending. But it makes perfect sense if Kris is meant to be representative of a narrative, as if Kris dies, that would in turn mean the narrative has "died" and is therefore finished. The world becomes "covered in darkness" because the story has ended.

One final reason I believe Kris could potentially represent something meta is due to the fact that we specifically possess them, of all people. A lot of what happens in Deltarune would be for the most part impossible if it weren't for certain decisions that Kris needs to make, and given their soul contains "the fate of the world", it would only be befitting for a Player, who has been "connected" to this world, to therefore control such a person who is at the very heart of the narrative, who could potentially even represent the narrative.

This relationship we have with Kris could even tie directly to Deltarune's metanarrative about our relationship with fiction in general. Us, The Player, are strongly attached to the fictional worlds, characters and stories, almost parasitically, something mirrored by our mostly unnoticed possession of the protagonist. However, we can never truly be fully immersed in it, and ultimately someone unhealthily absorbed and attached to the characters is destructive, both to ourselves and the fictional world, as we endlessly consume until there is nothing left for the sake of our own pleasure.

This would be why we could never truly coexist indefinitely with the characters and Deltarune, because we're not supposed to be with them. We're a real person, and they're not. We just have to come to terms with that, and let go of them eventually, letting the story end, and letting them have their peace.

Now, to discuss the second half of the title, and why I specifically dislike this. There are two main reasons why the idea of Kris representing something "meta" is not really very appealing to me, personally.

The first is that I really don't like the idea of Kris' character taking this direction. I think Deltarune would work much better if Kris was just simply a human. Someone thrust into this new world and forced to take on an incredibly big role, with failure resulting in their entire world and everyone they love being doomed to an eternal night. That doesn't mean I dislike the idea of Deltarune having meta-elements or even a metanarrative. I just don't like the idea of Kris being a concept of sorts.

The very reason I grew to be attached to Kris in the first place was because they weren't a meta-character. They weren't special, they weren't some kind of abstract being. They were just themself.

I understand that Toby is willing to give his metacharacters personalities of their own and traits that are separate from what they represent, but I still am not very fond of Kris being one, because ultimately, for his metacharacters, their main role and function in the story is to represent that concept.

It's why Chara's only more physically present in the Geno Route; they represent the mindless consumption of content, watching the numbers increase, accruing more power.

On the flip-side, it's why we specifically only learn Frisk's name only in Pacifist, because ultimately you have to embody and channel what Frisk represents in order to complete that route; doing things because you enjoy them, not because it's right or wrong, but because you enjoy seeing the characters and because you love the game and its world. The mindful consumption of content.

For Kris, if this theory is true, it would ultimately mean that the only function their character would have narratively is to represent the narrative, so for a "Pacifist" route for Deltarune, our relationship with Kris would be far more courteous; we enjoy our time with the fictional world, cherish the story, and then let go once it's over and enjoy the memories and friendships we made.

In Side B our relationship with the narrative would be far more abusive, breaking the game to get more and more out of it, ultimately causing it to fall apart from the seams. I find this unsatisfying personally, as believe it or not the meta elements of Undertale and Deltarune are not actually my favourite part of the game. This might come as a major shock to a lot of you considering I often talk and bring up both games' meta but it's only out of necessity really (I prefer the regular narrative/characters over the meta. It doesn't mean I don't appreciate it of course, nor does it mean I actually hate it or anything, but I still will always prefer the more regular aspects of UTDR).

Now the second reason why I dislike this heavily is that it calls into question whether or not Kris is actually nonbinary. Now I made a promise not to go too in depth about this specific subject anymore so I'll try to keep things as brief as possible here (and relevant), but I don't like how Toby approaches writing nonbinary characters, simply because he makes everything about that aspect of them either incredibly obscure or really open to interpretation and non-definite.

Another issue I have is that Toby also uses they/them for characters who are likely to not be nonbinary (in addition to his nonbinary characters), which adds another layer of confusion on this matter. Examples of this are Frisk and Chara, where there are non-bad faith reasons to believe that the two aren't necessarily intended to be nonbinary. It's likely that, due to the fact they are meant to represent an aspect of the player, their gender is left ambiguous/unclear so that the audience can better understand what they represent and mean. Toby's even used masculine pronouns for Frisk in the past, which aligns pretty well with this interpretation; because Toby is male, it would logically make sense for Frisk to be a male specifically to him, because Frisk represents an aspect of himself (The Player).

It also accounts for all the other weird gender stuff about them (why he goes to such lengths to avoid mentioning their gender, why he's fine with people interpreting them as "some girl", why they're even listed as "androgynous", a term that can be used to refer to characters of any gender).

Now this all may seem unrelated at first but the reason I bring this all up is because one of the other reasons I like Kris is because they were probably one of Toby's most blatant examples of a nonbinary character and a sort of step in the right direction (for the most part, they're not as blatant of a trans character as DR!Mettaton for instance, who has his identity firmly tied to and undeniably shown in the narrative, but I do genuinely hope that Kris will become that way or at least similar in future. It would be nice to see).

(Just a quick comparison of the two, I didn't include Kris' nurse/doctor outfit here because context clues imply the outfits are more tied to the characters' personalities rather than gender. Susie being a more brash character has a doctor outfit while the kinder/softer Ralsei has a nurse's. Kris using both is just a sign that they can simultaneously be intimidating/scary and also soft-hearted at times too. It should also be noted that nurse and doctors aren't inherently gendered roles too, which is yet another reason why I didn't think it was worth mentioning in the image.)

However, if this theory is true, which isn't a 100% guarantee let me repeat myself here I cannot stress that enough, it suddenly calls into question whether or not Kris is actually nonbinary, as both Frisk and Chara lie in this weird ambiguous "it can be whatever" state as they both embody meta-concepts. If Kris also represents a meta-concept, would this logic also apply to them? Or is whatever Kris represents fundamentally different, which would allow them to be nonbinary and also be a meta-concept? Or is all of this just wrong and they are actually just a regular character after all?

Toby has corrected people on Kris' pronouns, but then also at the same time it doesn't necessarily prove that Kris is nonbinary, just that they use they/them, which again, when Toby writes a character doesn't automatically mean they're nonbinary (see Frisk and Chara, as while in their cases he doesn't correct others over pronoun-usage, I do think it's worth pointing out as within canon the only pronouns used for the two are they/them, which shows that when writing characters Toby doesn't consider a characters' pronouns indicative of gender). And given that it's not really possible to gender a narrative, it could be a case where Kris has to use they/them in order for the meta surrounding them to make sense. Or again, this could be all wrong and Kris will be proven to be nonbinary (the option which I hope is true).

All in all, my final thoughts on this is that while I do think there's a small chance that Kris could possibly represent something meta, ultimately I don't like it all that much, as I don't like what it means for the character in general. They'd feel sort of like an inferior version of Frisk in my personal opinion; incredibly passive in the way they portray their meta whilst not actually being capable on their own, relying on their influence over others instead, sacrificing what could have been an interesting character solely for the sake of the meta.

The main message their character would likely be portraying would also be mediocre in my opinion, as based on the current story beats and this theory, it'd most likely be something along the lines of "leaving behind the fictional world is the best option", which I don't think is 100% true. I think fiction in general is a good thing, it's an outlet for many different creative ideas, opinions, worldviews etc. I'm okay with Deltarune exploring the idea of a Player unhealthily attached to a fictional world, but if the final message the game had to say was that leaving said world completely is the right thing to do then I also think that too is wrong, as I personally think it's much better overall to find a healthy balance between consuming content and living in the real world, although these are just my personal opinions.

In all honesty I really hope I'm wrong here, as I don't like this theory at all. While writing this I was actually actively searching for ways to disprove it but couldn't find any myself. If there was anyway to disprove this, I would greatly appreciate it.

[emelinstriker]

FAQ - Eternal Servants AU

This post is mainly just to clarify some bigger questions for newcomers regarding my Lego Monkie Kid AU.

Check DISCLAIMER/CONTENT WARNINGS first if certain topics, such as the Nezha discourse, don't come up here.

This post is subject to be edited and changed. I may add more questions in the future.

Why are the characters' eyes void-black?

It's a sign of their infection having reached a certain point. It shows their personalities have been altered, and part of their memories erased, in a way. Their void-black eyes give them night vision, but are also a lot more sensitive to very bright lights.

Why do they all have a white streak in their hair?

It's the Judge's personal mark on the characters he is in charge of. They're deemed as "his creations", even if he hasn't actually physically created them. He has created and altered them specifically for the board. Characters with already white hair tend to have different signifying marks instead. Such as Ao Lie, who has dark green, fading into void black, claws. Those are the marks of the Guardian. Additionally, these have been present on the Champions before they even got infected.

How would the champions react if (insert clearly happy/sad scenario)?

Pretty sure I don't need to answer this as the answer would be clear. In general, the Champions react to mostly their Master's emotions and strife to make them as happy and comfortable as they can. Sometimes it does depend on the Champion and situation's context. But I've received a lot of asks where the response would pretty much be roughly the same reactions, and I'd rather not have to copy and paste the same response.

Why do the Champions have brandmarks?

Brandmarks, in the world of the species involved with the AU, are seen as honormarks that signify one's rank/status. The species in question is rather brutal and lives on a more raw and primal version of the "survival of the fittest" mentality. With their lack of resistance to heat and fire, they're branded as a way to show their rank or faction. Certain marks give more permissions and rights than others, and some may have obtained multiple marks. Brandmarks for them and the Champions are seen as honormarks, but the lowest ranks may disagree. In ESAU, it's the same concept since the palace has adopted many aspects of that species. Though, the process of obtaining these marks is ironically less painful than what the other species goes through.

When is the AU taking place?

The strange happenings started when the Monkey King vanished after having sealed the Demon Bull King away.

Where are the Lady Bone Demon and the Mayor? Are they behind this?

They're not behind the strange happenings nor do they have any influence on the Champions. There was an idea of adding them in a certain way to tell bonus lore. Though, they probably won't be officially added unless I decide to make a full-fledged story for the AU. Such as a full X Reader (not one-shots) or a comic series. Which was also an idea.

What are the rules set by the Judge? And why have they been put in place?

1: The Master must be fully human. For one, the Reader is the human being behind the screen. On top of that, the soul being used for the Master is the exact same human soul from my old Undertake X Reader books, such as "Castle's Pet". 2: The Master must not have powers/inhumane abilities. Again, the Reader is the human being behind the screen. This rule also serves as a way to balance out the dynamic between the Master and Servants. If they have powers, they're not in any need of powerful servants. That does not mean the Reader can't learn self-defense or use weapons you would see people use in real life. Some Champions even encourage this and would offer to teach their Master self-defense. 3: The Champions must not leave their own world. This rule applies to the canon, not any fanon crossovers that have no impact on the canon stories. It's been put in place to avoid the Master System from breaking. After all, if the Champions suddenly vanished from the board, the Master would be unable to play. On the other hand, the Master may leave the board, as long as the soul borrowed is being kept intact and being returned. 4: Upon the death of a Master, any related individuals to that Master must no longer stay in the palace. This rule is for the sake of the Master System. If a past Master's family or friends were to stay, and the next Master shows up, there would be a clash in storytelling. If a Reader's story as a new Master begins it shall not be 5: It is advised to adhere to the orders of an Overseer. If the Oracle appears with a task for a Champion, there is a reason for it. Be it to benefit the Champions, Master, or the game. Failing to comply may result in the Judge having to personally intervene. Though generally speaking, the Overseers won't intervene unless it's to preserve the Master System and make sure the next Master doesn't have to live with any extreme consequences left by a previous Master.

If a Master has children, what happens to those family members getting kicked out of the palace after the current Master dies?

If the children are from a non-Servant/someone from outside the palace, such as a person the Reader met before meeting their Champions, they can live on as normal. Other than being asked to leave the palace to make way for the next Master and not disturb the System, of course. If they're from a Servant, generally no Overseer would intervene either unless they children are immortal. If they're only mortal, the Champions are free to visit their children, but they must never forget where their priorities lie. If multiple Masters have children with the Champions, they usually don't stick around and visit for more than maybe one or two generations before putting their focus solely on their Master... Not that the chance of survival for the children would even be high enough to live till they're old anyway. The infection would get to the children too, and they're not as resilient as the Champions. If they're immortal and remain alive during the existence of multiple Master, this can clash with the life of future Masters and mess with the System. In such rarer cases, the Judge may appear and deal with the issue at hand himself. We don't go into the details.

How is a new Master selected?

Lore-wise, it's pretty much a randomized process as the Master's soul freely pick where and when to reincarnate. Realistically though, the Master is usually the person behind the screen. The AU allows for anyone behind the screen, no matter their gender, race, religion, sexuality, etc., to be a Master, if they so choose to be. Do keep in mind the unspoken rule of the Champions though. They may be willing to serve their Master no matter how they look like and all that, but that doesn't give the Reader a pass on being a piece of shit towards previous or future Masters. Such as disrespecting the shrine that has trinkets of previous Masters. It holds the exact same meaning as going up to another person and disrespecting them for being different from oneself. The Servants can still just kill their Master, after all. There's no rule saying they can't. There's no need for any big reason either. Being a jerk towards other Masters is all it takes. They can simply wait for the next Master and hope they're better.

[ineffable-endearments]

Trying to picture where Crowley goes from the end of S2 and it looks like this to me:

Sticking around Soho: I have read lots of fic and seen lots of art for this premise that I love. However, if I'm going to try to guess where actual canon might go, this option seems both too painful for him as a character and too stagnant for the story. Like, wasn't the point of the beginning of the season that he had stagnated? It feels like the Final Fifteen was the cataclysm that had finally broken that stagnation. Something about the flow of Crowley staying in or near Soho, or his Mayfair apartment, for that matter, doesn't seem right.

Going off to live his own solitary life, like as a hermit or as a snake in a cave or something: Seems way too boring for Crowley. He needs things to do.

Going off to live in a human community: This could happen. I could see him living in a human community that he wants to protect from the Second Coming. But it seems a little too healthy and well-adjusted for the climax of the story's conflict, right? No? Maybe? I think we see many signs that Crowley is moving in this direction in Season 2, but he might not quite be there yet. Or he could be! I started off thinking this probably isn't it because it felt too easy, but there's a bit of poetry to the Serpent establishing his very own Garden that he wants to protect and, after everything is said and done, accepting a lost angel into it. Er, maybe that's a bit too sugary or uneven. Idk. I'm rambling.

Going back to Hell to become a "proper" demon: Lol.

Going back to Hell to fight against Heaven: Mmmmaybe? My main problem with this is the fact that the strings in Hell are ultimately pulled by the same people/person who run things in Heaven (the Metatron?), and while I'm not sure he's explicitly said anything about it in the show yet, I think Crowley is savvy enough to figure that out. So rejoining Hell simply to abide by their rules and start another war does not seem exactly right. One of his primary points in the Final Fifteen was that you can't fight an oppressive system by cooperating with it, and in the end, Hell is cooperating with the system as much as Heaven is. I guess we could assume Crowley hasn't quite figured it out yet, and his discovery of who's really in charge could be a plot point.

Going back to Hell to agitate the demons to revolt: This feels pretty good to me. Whether it's by taking on a position of authority and secretly feeding a resistance or by taking advantage of the chaos to establish an openly-rebellious group, I feel like Crowley could do this. It feels right for a moment of high conflict because it would involve significant character growth - Crowley choosing to embark on a mission to save the world instead of haphazardly getting thrown into it. However, since he'd be actively working to undermine Hell and would have to figure out where he belongs if the system does indeed collapse, encouraging resistance would not, on its own, get him to where he needs or wants to be. There would still be plenty of room for change and growth.

Maybe, if Crowley tempts his fellow demons to enjoy Earth things like Aziraphale does, he could slowly get them working toward stopping any future Armageddons just because they, too, have found things they like on Earth. Encouraging demons to enjoy Earth would potentially give Crowley a chance to work with more humans. It would also give him a chance to work toward one goal (Hell saves Earth?) only to accidentally accomplish another (demons discover free will).

Mandatory acknowledgment that I could be COMICALLY wrong here.