#the characters are really interesting and the world building is so good? it's so big! amazing

[spacecasehobbit]

After seeing yet another popular tumblr post with thousands of reblogs bemoaning the state of comments on fanfics these days - more specifically, the supposed lack of commenting these days, as opposed to The Good Old Days - I have decided that this is in fact a hill I am willing to die on. I'm making a separate post about it rather than reblogging the latest iteration, though. This is hardly the first time I've seen these types of discussions, and my issue is with the mindset in general, not any of the specific people who hold it.

In the most recent version, the entire post with all its various arguments and assertions was plenty frustrating across the board, but it included one line in particular that cut beautifully to the heart of my issue with this type of discussion. The line in question:

"fanfic authors now are treated like content mills, and not like valued members of a creative community who thrive on interaction."

Once I read this bit, I had to stop, take a few deep breaths, and then go make my own post before I imploded over the sheer level of NOPE this line inspired. And okay. The thing is... I want to say this as gently and kindly as I possibly can, but I need to be real blunt for a minute, too.

That line I quoted sounds like a wannabe social media influencer.

It sounds like a person who thinks fandom is - or should be - comprised of fanfiction writers, aka Valued Content Creators, and their respective communities of readers, aka Content Consumers, a strictly distinct group from fic writers, for whom they create fanfiction content and who in turn pay them back with attention and validation in the form of comments and praise.

It does not sound like a fanfiction author who enjoys the creative hobby of writing stories based on characters and worlds from existing stories, engaging in their hobby within a community of other likeminded creators of fan content.

Frankly, fandom has always been worst when it starts obsessing over Big Name Fans who wind up treated like elite fandom social influencers, instead of hobbyists engaging in a fun hobby together based on mutual interests. A shift towards the idea that every fanfic writer should be effectively a social media influencer whose community consists of fans reading the content they oh-so-lovingly create (but only if they get enough positive attention from passive consumers, presumably readers who don't write their own fic or expect comments back from the author in return) sounds like an absolutely awful direction for fandom to take.

I don't want fanfiction and fandom spaces to turn into another social media space full of Our Valued Content Creators, all fighting to build the largest "community" of passive consumers turned devoted followers.

Again, that sounds frankly fucking awful.

The people who only read fanfiction are not your fanfiction community, because they are not engaging in the shared community hobby of writing fanfiction. Your fanfiction community is, perhaps, the other people who are also writing their own fanfiction based on someone else's original work.

So perhaps if comments really are declining on fics these days, instead of asking why passive readers aren't heaping praise on every fic they read and making sure it all happens where the Valued Creator can hear it, you should ask yourself how many other fanfics you've commented on recently, and then go comment on another one if you're still feeling down about your own work.

Or, I dunno, find a fic author you admire and send them a message on tumblr, if you've already commented on all of their fics that you read and enjoyed.

Or start your own discord for likeminded fans, or find a way to set up your own fandom forums centered on your personal fandom interests and invite other fic authors to come join.

Or, like, anything that involves reaching out to the actual community of hobbyists you can reasonably consider to be a community you are actually a part of.

Aka, other fanfiction writers.

[talesfrommedinastation]

I'm actually nonplussed over there being dedicated haters to an OC. Like, what in God's green internet is this nonsense about. Can't they hate on a canon character or someone in politics like a functioning adult, omg.*

What are they saying?

Anywho, y'all know my two sisters, Drs. Tanke and Sjael Drummer. They're from The Expanse, a show that I am desperately trying to convert Star Wars fans to. Six-foot-something badass Belters with degrees and families because God waits for no man. Designed in 2023 after binging the Expanse twice and starting TBB.

I'm not so much a fan of them, so much as I am a fan of their stories and the ability to use them as effective narrative tools and to better comprehend a cautiously optimistic future in space for humanity.

My OCs offered a different aspect to world building that was previously not on the table in both franchises. As someone who writes professionally, I thought this was an interesting take to explore.

Initially, I was nervous about this. I got back into fanfiction and writing thanks to both my daughters, my hillbilly nerd neighbors, and my medication (I have MDD and started Wellbutrin in January 2023, right when we started watching TCW/TBB together as a family).

Right around the time I was writing the longfic, was when Tech got a canon love interest. And I've seen fandoms go mean and nuts on each other for shipping - especially big ones, like Harry Potter and Star Wars. Did I need that in my free time?

I deal with people throwing tantrums all day at work, after all.

But guess what? As I mentioned before, my side gig is as a writer with a focus on science and learning. I've been threatened by Neo-Nazis on an article regarding the history of eugenics. I've had nasty emails sent because of a piece on 23andme.

Ergo, someone screeching about why I need to believe in cartoon characters falling in love on a show that I drunkenly make fun of with Redneck Doug is like, nothing.

I figured, I'll write something tasteful and good, and if people like it, they'll like it. If they don't like it, that's on them.

(In case you didn't know, Juno meets Sjael in another fic! Into the Techiverse)

And people have really liked the story of the Drummer sisters - at least according to the hits counters on AO3 and Wattpad. Statistics is the language that speaks truth.

So, I may or may not be turning the Drummer sisters' story it into its own, stand-alone novel. Might as well lean into neoliberalism and make some cash or something.

---------------------------------

*=I say this, and I was reminded that I had some gross lunatics up my butt about various and sundry from time to time. Every single one was a die-hard shipper that viewed alternative stories as an insult to their existence. Delightful.

A couple have also been Hunter girlies who did NOT like the fact that I made the ol' boy GAY in my sequel. Praise the lord and pass the lube, I guess.

My favorite asshole I've dealt with is still the incel who was convinced that his ship was 'proof' that 'men like me have earned love'!

Christ, what are the odds that he listened to Andrew Tate, too?

He was also racist and had issues with strong female characters that didn't melt at the foot of a male character.

Barf.

No wonder a novel-length story about growth and character development and no mommy's basement to run to hurt his soul.

OC creation musings + Juno retrospective

I was rewatching this video by Rea, and it struck me that this exact phenomenon happened to me in 2022, with the first inklings of Juno's design - back when I couldn't decide on whether or not her name would be "Juno" or "Kite", and desperately trying not to make her a scientist. She's obviously come such a long way since then, having now become a very well-known character in the fandom, but I often think of the fact that had she not become on of my artistic passions, I probably wouldn't be anywhere near where I am today.

Juno is absolutely everything to me. She is a representative of my passion for storytelling, and she connected me with so many of my now closest friends - one of which is currently living in my house! How crazy is that, man! All of which I can attribute to simply becoming so fixated on my own OC that I couldn't stop thinking about her, or drawing her.

Of course, that's come with some highs and lows. She's getting a professionally done cosplay, a 3D model and potentially a Battlefront mod - but she also has her own dedicated group of haters who think she represents the 'wrongs' of fandom, lol. I certainly have recieved my fair share of 'Juno hate' in my 3-4 years here, but the positivity and support make it well worth dealing with a few rotten apples. It's radiant and outpouring, like a warm ray of sun, and it keeps me going deep into the night.

Anyways. Total tangent. Want to see all her design iterations? Yea you do ;) Here's the first ever Juno ref!

I made this on my phone in 2022, at the tale end of watching TCW and back when TBB was just one season. You can definitely see that the idea was always there, just a bit disjointed in its application. That gas mask on her helmet ended up causing a lot of confusion, so I removed it in later iterations - but to this day, I think this one picture is what really captivated me. Something about the aura, man,, she scary lookin

Then, of course, I had to draw what her face would look like - if it hadn't been for a RP, I don't think I would have.

Woah - she's like a whole different person! And you can see the beginnings of her white hair streak, though back then, I wanted i to be really subtle. And I was soooo adamant about this lol. She also was almost beat for beat Ellen Ripley, and you can see me paint over a picture of Sigourney below with her OG faceclaim haha.

Then we have the Juno-ing... part two. Where I went darker!! Both in themes, and in her color scheme. This one still has so much personality, and I remember being obsessed with how I drew her eyes and face back then. Nowadays, I think it's hideous. xD This was also around the time I was phasing out her gauntlets and oxygen mask, but both still remained for practicality purposes, even if they didn't serve anything to the design. Oh, and the hair streak. Now it's a Thing :tm: but it isn't really flowing well with the design - not yet, anyways!

We finally get to a point where I, begrudingly, accept the fact that her white streak is going to be her facial focal point - and at this point I'm laughing about how much I tried to avoid it LOL. But here, we also see her get more and more refined. Her face is still a bit wonky, but the stern vibe and posture are starting to come together and tell more of a concrete story, even if the reference doesn't have as much color or personality as the last one. I also did this one for my senior year of college!

I even designed her some totally BS civvies - and I gave her a s2 paint job, which admittedly looks hideous LMAOOO but we ball regardless. The second design was scrapped anyways almost immediately. The civvies stayed!

And then, of course, THE FINALE! Her face went through so many iterations with her current ref, but thus far, it's been the longest standing and most accurate one. It atually started out just as me goofing off with a marker pen in CSP, that quickly changed to "hey... this could be something good." And I was right! This is the Juno that's currently circulating today, and I've been polishing and refining her as I go, since I still feel as though I could perfect things.

And then, of course, her various outfits, which I posted about a while back. Oh - and have you seen Baby Juno?

Well now you have. :)

I think it's so cool to see how someone can fixate on a character and pour so much love and thought into them, that this character becomes their entire brand. Juno inhabits every part of my brain space and is what I think about 24/7. I'm so proud of how far she comes, and she reminds me about how incredible fandom can be and continues to be! Something about her is just so intoxicating to me. I can't get enough of her, and I can't wait to keep developing her over the years to come.

Which then begs the question - what is your equivalent to this entire thread? Do you have an OC like Juno, who you're fixated on and who dominates your creative pursuits? Do they have multiple artistic iterations? Because if you do, share them!! I WANNA SEEEEEE.

Anyways, that's Wren's Ramblings for today ~ I got bored haha

SHARE YOUR OCS!!!! >:0

[helioptilie]

wait Furiosa was really good actually, why did it flop?

[boxwinebaddie]

an uncle nina check in <3

hi team! thanks for sticking around! i know my blog isn't always the most exciting and enriching place in the world in terms of content, but i am very /content/ to have you all here. <3333

i promise, oddly enough, i have A TON of inspiration and ideas for all my weird styles ( if you're curious about anything please lmk! i've been trying to flesh out my aus out lately ), i've just been in a major bummer depression era lately, so it's hard for me to get my asks done and i'm having a hard time committing to finishing my writing. :<

i think it's because of stress and my bipolar, but i am trying to get back on the horse! ( are we all laughing at the idea of me trying to get on a horse? i'd start crying help city girl fail moment for me ) yeehaw!

and while, unfortunately due to the instability ( fabulous legendary iconery ) of my pretty girl popstar personality, i do not know whether i will be answering almost no questions or one million, regardless of that, i just wanted to let you know, i'm still here, still kicking my feet, twirling my hair, cooking...i'm just really trying not to force myself to put out anything i don't like...and only do what makes me truly happy.

however, nothing, my dear sweet e-darlings...

makes me happier than coming home to all of you. <333

so thank you for flooding even the darkest corners of my life with bright light, supporting my phantom fics and being wonderful,

uncle nina xx

[evil-ontheinside]

Sometimes i think I have a pretty good grasp on time and how I spend it and then I play video games and remember that I really don't know anything

[holdharmonysacred]

Started writing a post about unit blorbofication and story depth in FE in light of the latest round of past FEs VS 3H VS Engage discourse, someone remind me to go back to writing it later when I get my brainpower back.

[adelheidvonschicksal]

*:･ﾟ✧*:･ﾟ It's Like That *:･ﾟ✧*:･ﾟ

You decide to accept Itadori's invitation to the movies. It turns out better than expected.

Pairing: Itadori x GN!Reader

CW: Fluff, SFW, hand holding, potential friends to lovers, it's technically a date 💕

“Do you guys want to see Human Earthworm 4 with me?”

The three of you minus Itadori, who posed the question, share a lukewarm look. You’re on the edge of the shopping district, trying to decide what to do after your mission, if anything, and that’s the first idea that floats out amongst the group. 

“What’s it about?” Nobara asks.

After Itadori explains the horror romance, there’s even less enthusiasm amongst the group to watch the movie with him. Sensing this, he ups the bargain.

“I’ll pay.”

You wince when you see Fushiguro pull out his phone. “I don’t really have the energy to sit through a movie,” he excuses himself, fingers going a mile a minute to escape the situation of friendship for today. “I’m going home.”

Your broody classmate holds his ringing phone to his ear and briefly glances at Nobara.

“I’m going to hit up the shops," she responds to his silent question.

Megumi leaves the three of you behind in no time flat. Nobara only stays behind long enough to ask if you want to go shopping with her. While you normally love to go with her and are in dire need of new shoes, you notice a lonely sullen shadow building over your slit-cheeked classmate and throw up an apologetic smile to her. 

“I think I’ll go with Itadori-kun today.”

You miss the way his head perks up as you wave her off. Before you have a chance to collect your thoughts, Itadori is already on top of you, his fists drawn in front of him excitedly and chestnut irises filled with happy stars.

“You’re going to love it,” he tells you. It’s cute how he nearly shakes with excitement, you can even hear it growing in his voice and shining in his eyes. “It’s such a good series! I mean, I know it sounded weird, but it’s so much better on screen that— forget any of what I said, you gotta see for yourself!”

He wastes no time taking off in the direction of the theatre, and you jog to keep up with the speed of the Tiger of the West. It isn’t until he notices you lagging behind that he slows up to grab your hand and pull you with him.

“Come on, come on, we don’t want to miss the opening.”

“Is this one of those movies where I need to see the first three to know what’s going on?”

“Well, there’s a few returning characters, like Dr. Richter, but I can fill you in on the important stuff so don’t worry.”

When you get to the theatre, Itadori immediately jumps in the ticket line, huffing in relief when there are still seats available. You begin to pull out your wallet but pause when he hands you a pink paper ticket.

“I told you it’s on me,” he reminds you before going down the line and ordering a large popcorn, two drinks, and beating you to grab a packet of candy that you were staring at for two seconds too long. 

He hands the bag of sweets to the cashier to scan. “And this please,” he asks before handing the candy to you. 

“That’s okay,” you tell him, but he laughs it off.

“It’s fine. That’s your favorite, right?”

You shyly nod and hold onto the envelope of overpriced candy like it’s the most precious thing in the world causing the cashier to smile at you as she finishes preparing your items.

“Aren’t you two the cutest,” she comments. 

You squeak quietly at her comment, crumpling your candy in surprise. It’s not a big deal she mistook you as a couple, it’s not like Itadori was someone you didn’t like after all, and it’s not like there was any need to correct her but you didn’t know if he felt the same way about the situation. 

Curiously, you look at him, waiting for him to make the decision on the matter. Surprisingly, he blurts out a quick and happy, “Thanks!” before moving on to fill his drink.

As you watch him, you fight the urge to ask why he didn’t correct her; and when you notice that he’s way more interested in finding the right theater, you decide he must have said it because it wasn't worth a fuss.

The two of you get seats at the back of the theater, and you shift over people carefully to avoid falling into Itadori’s back as you find your seats. You can finally relax as he sets the bucket of popcorn on the armrest between you.

Soon enough, the movie begins to play.

It starts off like every normal horror movie. A mad scientist, a hapless victim, and an escape followed by a romantic subplot of the human earthworm discovering that the woman he met indeed loves him even if he is a worm. 

That’s about as much as you can keep up with. There are too many easter eggs that keep flying over your head and too many callbacks to the previous movies in the series. Itadori does his best to try to help you whenever you whisper questions at him; but eventually, you’re too distracted by the couple in front of you making out to pay attention to the movie.

It’s so obnoxiously grotesque, their arms wrapping around each other and a soft moan every so often that’s drowned out by the guttural sounds of the earthworm children. You can’t really believe they’d do that in public, and why did they have to be so close to you out of all people?

Itadori looks at you and then finally catches on to what’s making you squirm. When he does, a faint hint of red starts to coat across his nose, and he becomes equally uncomfortable. 

Deciding to make it a little better for the both of you, you nudge him then make a silly disgusted face with your tongue stuck out to mimic a gag. You’re rewarded with a snicker from him and his own silly face in turn, and it makes the awkwardness of it a little easier to take as you try to focus back on the movie.

It’s another half hour in before you wonder exactly how the hell are they still going at it. 

“Society really needs to bring shame back,” you think before a warm breath hits your ear and fans down your jaw. 

You nearly jump before the smooth sounds of Itadori’s voice greet you. 

“So, that guy—” he begins but you’re way too focused on how close he leaned into you this time, how low the timbre of his voice goes to keep from disturbing those around you. It makes your feet curl in your shoes and your breath catch in your chest when his shoulder connects with your arm.

You feel heightened to his presence and the heat of him so close. It wasn’t like this earlier, but your heart is racing and your skin tickles the more he whispers. You think he’s so close that he could almost kiss your earlobe. 

It’s a path that you didn’t know you had in your mind, and it leaves you rattled as the smallest brush of pink hair hits your skin as he straightens back up and reaches for another handful of popcorn. 

Every time he touches your arm after to get your attention or your hand scoops by his in the popcorn bucket, you start to become flustered and jittery like a child after too much sugar. 

It lasts until the movie reaches its apex.

There’s a combined scream that fills the theatre, and you tense at the splatter of blood hitting the camera, leaving the few remains of your popcorn scattered across the floor as you unwittingly knock it over and squeeze Itadori’s hand tight. 

Your fingers slot with his and your fingertips bury against his palm, and it’s the only thing keeping you from bursting into a scream. 

When the lights flash back on, you notice how pink his hand looks under your tense hold and mumble out an apology. 

“Oh, that?” he asks followed by the same charming laugh as always. “It was pretty funny. You should’ve seen your face, like a blowfish,” he comments, teasingly mocking your blow-eyed expression as everyone around you begins to exit. “I never took you for a scaredy-cat.”

“You’re one to talk. You screamed in my ear at least a dozen times,” you remind him as the two of you also make your way towards the exit doors. “Sounded like you were on fire.”

“Don’t say fire in a theatre!” he scolds with a hiss.

“You said it louder.”

“To remind you not to say it!” 

You giggle at how offended he sounds as you break out into the light of the late afternoon. You walk with Itadori back to your pickup spot on the edge of the shopping district. It’s surprisingly quiet especially considering who you’re with, and it makes you worry a bit. 

You thought Itadori would be more excited after watching the film and practically forcing you to run 500m dash to get there, but he’s barely said two words about it since leaving the theatre, briefly mentioning how he’s still glad they used a real costume for the main earthworm instead of CGI.

But since leaving, his mood seems to have dampened. You thought about bringing something up from the movie, but you couldn’t really catch more than a few bloody scenes and a little evil monologuing from Dr. Richter outside the moments when Itadori would have your attention, with his voice in your ear or his hand excitedly clasping around your wrist each time he enthusiastically info-dumped a scene to you.

“Hey, um,” he begins piquing your interest. He seems to lose his nerve when you catch his eye; his gaze flutters to his feet before nervously picking back up to glimpse at your face but only for a few seconds. “Thanks for coming with me.”

You smile. “Don’t mention it. It was…different.” 

“Yeah,” he agrees but he still seems down. 

“Itadori-kun? Is everything okay?”

“Yeah…It’s just…I could tell you didn’t really like the movie. I mean I knew from the start it wasn’t really your thing. You and Nobara usually like to shop together more than watch horror movies. But still—” he breathes in deep, a shy color blossoming across his face. “It’s been a while since it felt like I did something normal, so it was really nice having someone to come with me. I appreciate it.”

There's something about his explanation that makes your heart hurt. He hasn’t been a sorcerer that long yet; and coming from being a normal kid to the world you were born into was probably scarier than you all could understand. 

“It’s not that I didn’t enjoy it! I just couldn’t really follow the story between that annoying couple smacking the whole time, and I felt like I barely follow anything at all!” you reason with him, but he still has that kicked puppy look on his face. 

You sigh with soft empathy before offering him a reassuring smile.

“Hey, Itadori-kun, you know I think I’d like to come back and see it again with you. After we watch the first three movies of course."

He gives you a curious look, his eyebrows raised with disbelief. 

“Really?”

You give a cute and short nod. “Mhm! I can’t really give it a fair chance if I haven’t seen the ones leading up to it. Besides, I want to know why Dr. Richter was trying to kidnap the baby H.E.s in the first place? Couldn’t he make more Enhanced H.E.s from the DNA left from the original experiment victim like he did at the beginning of the movie?” 

It’s like you open the skies back over him when your words sink in, and he moves so happily, speaks so fully, and it makes you happy to see him simply be happy. 

“They explain it so good in the third movie,” he says, unable to hold in his excitement. “I know a great site, it has subtitles and everything, and a special director’s cut at the end of the second movie.”

You laugh. “Sounds good!”

“We should pick up some more snacks; the original is actually pretty long,” he warns and starts to lead you towards the convenience store. Your smile only breaks when you feel the tug on your arm and look down to notice his hand still fastened around yours. 

You freeze, feeling your face warm a bit when you realize he’s probably been holding it since before you left the theater. This makes him pause and turn towards you.

Softly, he calls your name and asks if you’re okay, making you drop your head bashfully.

“Oh, it’s nothing really but you’re still holding my hand,” you point out.

Itadori looks down between the two of you and confirms that his fingers are still locked with yours, a comfortable fit.  

“Huh, oh, I guess I am,” he states matter-of-factly before he blushes. “Oh, it’s probably all gross and oily right? Yuck.”

You shake your head. “No, it’s not actually,” you correct, making no move to force him to let go because you honestly don’t want him to stop this good feeling pouring from him into you through the simple act. 

Your soft expression makes his cheeks warm for a different reason this time. 

“Oh, well, w-we should probably hurry,” he stammers out, and your hand tightens around his hand just a little bit more as you agree and find the closest convenience store to prepare for your first movie night. 

*:･ﾟ✧*:･ﾟ

Nobara stops outside the convenience store, hand to the glass as she stalks back and forth, trying to catch glimpses down the aisle. 

She could have sworn she just saw the two of you walk in from the other side of the street, and she was going to come to say hi – partially to ask how the movie went and partially to make Itadori carry her shopping bags if the two of you were done – that was before she noticed how close the two of you looked.

Weirdly close. 

When she finally catches you in the foggy glass, hand in hand, looking at the mini gacha inside the store, she gasps and quickly shuffles her bags around in search of her phone. 

Kugisaki quickly scrolls through her contacts, impatiently tapping her foot as she waited for the line to pick up.

“Fushiguro get here quick,” she harshly whispers into the device.

There’s a lazy voice on the other end asking what she wants, and she vaguely explains the situation to be met with resistance.

“Well then have Ijichi drop you off again! What do you mean ‘No’?" she growls. "Shut up and listen to me. They just went into 7/11. Ugh. Fine, fine, I’m sending you some pictures,” she argues. 

Kugisaki quickly starts to snap some pictures through the glass and frantically sends them off before bringing the phone back to her ear.

“That’s what I’m saying so hurry up and get here! Yes, it’s like that!” 

[zaczenemiji]

Hi there! It's me...again. Hope your doing okay.

I was thinking about a new request about Kenji Sato x Fem! Reader based on the song "Please, Please, Please" from Sabrina Carpenter. Reader is a singer just like her so and has a relationship with Ken but she thinks that some things aren't doing good, but she also has him wrapped around her finger. Like the part with "I beg you, don't embarrass me, mother******". It can be angst but also fluffy and spice (Only if you want to but no smut) It can end in a happy ending.

The rest is up to you because I know you'll do a great job. No need to rush so take your time.

Don’t Prove ‘Em Right

Kenji Sato x Singer!Reader

Word Count: 1,358

Genre/Warnings: Angst (light), Character Development, Drama, Emotional, Redemption

Author’s Note: I went with a bit of angst 🤧

MASTERLIST

“You could do better.”

This was one thing you’ve always heard since you started dating men as a singer. Throughout your career, you were either cheated on, abandoned, or used in a way that they just rode your fame.

Other times, fans would ship you with another singer or celebrity or whoever famous and you’d give it a try for them but the ending is the always same: you two were just pretending for public entertainment and there was never love at all.

Your perception of love blurred the longer you got in the singing industry. You sang about it, wrote songs about it, but you’ve never really experienced it for a significant amount of time or for a significant depth.

That was until you met Kenji.

Despite his fame, he seemed down-to-earth and genuinely interested in getting to know you. He took you to his baseball games and introduced you to his teammates. In return, you invited him to your recording sessions.

Kenji was always supportive, and always encouraging. He seemed genuinely proud of your achievements and was always there for you. Despite his busy schedule, he shows up at your gigs and concerts and cheers you on from the front row.

He had a way of making you feel special like you were the most important person in his world. It was easy to overlook the occasional outbursts, the moments of impulsiveness that seemed to come with his fiery temperament.

You told yourself that everyone had flaws, and Kenji's good qualities far outweighed his bad ones.

You believed in him and in the future you could build together. Despite the red lights and the stop signs, you held on to the belief that this time, this love was right.

But as time went on, the cracks in Kenji's facade began to show. His temper flared more frequently, and his impulsive decisions started to take a toll on your relationship.

You made excuses for him and justified his actions to your friends and family. You told them he’s different.

But they told you that with the way he’s behaving, you’ll just end up in the dumps again—that he’s going to cheat on you, hurt you, leave you, and the ending will be the same…

“You could do better.”

Heartbreak is one thing, but your ego is another. You couldn’t afford your name dominating the headlines again. And for what reason? Another breakup.

You loved him deeply, but the constant cycle of highs and lows was exhausting. You wanted to believe that he could change, that he could be the man you fell in love with.

But the more you tried to fix things, the more you realized that some things were beyond your control.

You sat in front of your vanity doing your makeup nicely. You glanced at the clock. Kenji would be here any minute to pick you up now. Tonight is your big night. It’s an afterparty to celebrate the release of your new single.

Your boyfriend had a reputation for causing a scene. It wasn't entirely his fault—he was passionate but it sometimes translated into impulsiveness. Tonight, of all nights, you needed him to be on his best behavior.

As if on cue, the doorbell rang. Kenji stood there, looking dashing in a tailored suit, a grin spreading across his face as he saw you.

"Wow, you look stunning," he said, pulling you in for a quick kiss.

"Thanks," you replied, forcing a smile. "You sure you wanna come?"

"Of course," he replied with a confidence that both reassured and worried you. “I’m always here for you.”

You arrived at the venue in no time. Celebrities, reporters, and fans filled the room, all eager to celebrate your success. You and Kenji mingled with the crowd, exchanging pleasantries and accepting congratulations.

But as the night went on, Kenji's behavior started to shift. The drinks were flowing, and while you had stuck to soda water, Kenji had not.

You watched with growing anxiety as he laughed a little too loudly, and gestured a little too wildly. The conversations around you started to feel like a backdrop to a ticking time bomb.

You pulled him aside. "Kenji, please," you whispered urgently. "Just... take it easy, okay?"

He frowned, a mix of confusion and irritation crossing his features. "What? I'm just having a good time."

"I know," you said, forcing another smile. “Just... for me, okay?"

He sighed but nodded and for a while, it seemed like he was keeping his promise. He stuck by your side, an arm around your waist, engaging in polite conversation with your friends and family.

However, you left him one moment and then the next, he was talking to one of the reporters. The latter walked away, a smirk on his face. Kenji turned to you, his face flushed with anger.

"Can you believe that guy?" he spat. "He had the nerve to ask about the last game. Said I sucked."

"Kenji," you said softly, trying to calm him down. You placed your hand on his chest. "It's not worth it."

"But—"

"Please, Kenji. Just... let it go."

He looked at you, the anger in his eyes slowly fading. He took a deep breath and nodded. "For you," he said quietly.

But the reprieve was short-lived. You caught sight of him at the bar, raising his voice at someone who had apparently made a snide comment.

The situation escalated quickly, and before you knew it, Kenji had thrown a punch, causing a commotion that drew everyone's attention.

Your heart sank as security rushed in to break up the fight. You could feel all eyes on you, whispers spreading through the crowd.

You felt a sense of dejà vu as this wasn't the first time Kenji let his emotions get the best of him, and you were able to hold it together as you’ve always done, but then you heard the one thing you hated.

“She could’ve done better.”

Without a word, you grabbed your things and stormed out of the venue, the tears you had been holding back finally spilling over.

Not long after, Kenji arrived at your house, disheveled and remorseful. "(Y/n), I'm so sorry," he began, reaching out to you. "I didn't mean to ruin everything."

You stepped back, keeping a distance between you. "Kenji, this can't keep happening. You promised me you would behave tonight!” You said in between sobs. “This was supposed to be my night, and you turned it into a disaster.”

You sat on your couch, your legs feeling too tired to keep you up. "I can't keep making excuses for you,” you continued. “I can't keep sacrificing my career for your mistakes."

Kenji fell silent, his shoulders slumping in defeat. He’s scared. He knew what those words meant. At that moment, he felt like the sky was crashing on him.

"I don't want to lose you, (y/n)," he said quietly, tears falling down. "I love you, and I know I've been screwing up. But I'm willing to do everything to make things right. Therapy, anger management, whatever it takes."

You stared at him, your heart aching with a mix of love and doubt. "Kenji, this isn't just about tonight,” you said. “This has been happening for a while now.“

“Please, (y/n),” he begged, his voice trembling as he knelt in front of you, embracing your legs as he rested his head on your lap. “I want to be the man you deserve. Please, give me one more chance."

Over the next few weeks, Kenji followed through on his promise. He made genuine efforts to address his issues.

He went out of his way to apologize to your friends and family for his behavior at the party, taking full responsibility for his actions.

Slowly but surely, he’s coming back to being the man you fell in love with. He made sure you wouldn’t be the one doing better because he was becoming better himself.

One afternoon, you had lunch with your friends. They asked about how things are now going between you and Kenji. You gave them a smile, a genuine one since after the party.

“He became better.”

Taglist is open! Comment if u wanna be tagged on future Kenji oneshots

@flowerloves @eternallyvenus @puppyminnnie @wattpadsuckssohard @sakura-onesan @reggies-eyeliner @buggs-1 @miffysoo @spencerrxids @stupidbutsmart @marimargirlies @mixvchelle

[alternautxyz]

new blorbos acquired cower in fear

anyways update im going insane over lego monkie kid i thought it would be a fun time but i did not expect some of the rawest scenes ever from a lego show selling you $100+ sets

this show deserves the world please watch it

[kianamaiart]

Hello your magical girl story looks really intriguing, the premise feels very creative, the art style is simple but good with its own identity, and the characters seem to be fleshed out with depth, personality, and backstory. In short, I love it, and I do have a few questions.

One: Is the story character driven, story driven, or something else

Two: Is the story rated G, PG, PG-13, or something else

Three: Would the story be a web comic, web show, or something else

Four: Will there be a lot of lore and world building, yes or no

Five: what other inspirations did you have for the story's characters, plot, and art style

Six: What humor do you use for the story

I'm only asking these questions out of curiosity. This is just because I love your story, and would like to know more about.

So please be free to not answer all the questions if you want. I'm also fine if you ignore this ask. so please, no pressure.

At the end of the day, please have fun, relax, work hard, take your time, and have a nice day.

I'm so glad! Thanks so much for your interest <3

Character driven (always)

PG/PG-13

Dunno! I've been reached out to already for a few opportunities but right now, I'm just trying to have fun with it and keep it mine until I feel like the idea is fully realized and ready for something bigger. Right now, I'm shooting to make a lil pilot animatic mostly on my own with help from a few friends

Depends on what you mean by a lot but I'd say a soft yes

For Aika, just generally other anime protagonists from shoujo and shonen. I feel like when you're doing a spin on something you do have to rely on the tropes from the genre at least a little bit. For Zira, Toko Fukawa was the jumping off point but they're very different. They're also both based off of aspects of myself (I feel like most artists do this with their ocs tho). Style and story-wise, I was definitely looking at Doremi and Panty&Stocking. That chunky cute look that's distinctly anime but takes some notes from Western cartoons. But mine's flipped where it's more based on my own style from working in Western animation but then having anime influence. And story-wise I like how they're more episodic with an underlying story. The magical girl stuff is more a backdrop that helps the story move forward and enhances the slice of life stuff that's being focused on.

I'm not sure what kind of humor to say other than my own? But my sense of humor has been shaped by Big City Greens (obviously) Adventure Time, Jimmy Neutron, Bob's Burgers, Smiling Friends and many other things but hopefully that gives you the gist

[satangcrush]

sorry into obey me and would like to know who are some good fanfic writers that you recommend?

there are a lot in the fandom! ill try my best to recc some to you based on different categories:

sfw:

- @lucifersdickriderdotnet : if you are a lucifer fan and you would like to dive more into the brothers’ relationship! bee is a really great writer as well and you won’t have any regrets checking out her fics 🥹 these are my favs: link, link, link (this is x reader but still recc this bc I love it) (bee please create a masterlist i was dying linking everything)

- @romcomeon (x reader): eden is very good at concepts! they have a variety of fics for you to choose for; (my big personal fav is their solomon zombie fic) and I love that they’re always experimenting with different universes and putting the characters in them, you can find their masterlist here

- @fandoms-x-reader (x reader): they’re always writing about a variety of situations in the obey me universe! this is mainly the whole cast, so if this is your vibe, you can check them out :> linked their masterlist here!

- @sakkajagga (x reader): love love love their writing so much. you won’t regret checking them out. this is their sfw obey me masterlist ; highly suggest reading all of their simeon fanfics because they just do the angel justice

- @beels-burger-babe (x reader) : they have a variety of works on their page but my personal favs is their teen mc which you can find here

- @lost-in-lamentation (x reader) : this is my fav from her and you can find her masterlist here

- @fickleminder (x reader; mostly sfw with some suggestive) : if you are a satan lover, this is the user for you lol, this is FM’s masterlist here and my personal fav is this (love the comedy here lmao)

nsfw (minors pls dni ok):

- @mammonsrockstargf (x reader): alba has a way with words that just draws you in with her writing 🫡 you can find her masterlist here (personal fav is solomon 700 wives LOL)

- @another-lost-mc (x reader & world-building + ocs): love love love jes’s works. you won’t regret checking out her whole masterlist fr, also what I love about jes is that she takes what is given in canon and expands greatly on them. so if you like world building / reading about ppl’s ocs, she’s a great one to check out!

- @onyourowndaisymae (x reader): you can find daisy’s masterlist here and this is my personal fav, Solomon’s bunny service ;;;;;;;; (don’t perceive me thank u) daisy is also really good at characterising the characters and it shows through her writing, this is one of my fav for lucifer

- @misc-obeyme (x reader & ships): love CC’s writing so much, this is their masterlist and this is my favourite 🫡🫡🫡 (do NOT perceive me again.) they also don’t just do x reader, they also do some ships (etc barbatos x mammon, if that interests you!)

-

also if you don’t mind NSFW, I recommend that you go through my tag : #satangfavs (pls click on the tag below bc idk how to link it on mobile LOL) because these are some of my favs that ive read in the fandom <3

and also lastly, there are just so many good writers in the fandom that it’s absolutely impossible to condense all into a single post (I was actually dying linking everything LOL 😭 had to stop for my own sake). I may make another follow up to this if ure still interested :> (u can tell me more abt ur criteria and ill try to cater to it lmao)

anddd with that, I hope you enjoy reading everything!

edit #1: since this is getting traction, im going to promote myself here shamelessly too 🤗 pspspspspsppspsps i have a writing blog over at @satanghulu <3 thank you for reading 🫵

edit #2: check out the reblogs for more reccs too!!! thank u very much 👍

Edit #3: another anon asked for more reccs, so this is another post tada!!!!!!!!!! Yippee bye

[felassan]

From Game Informer:

Solas plays an important role in the game as a central figure and significant character, but the game is not about Solas, hence the title change

Rather than focusing on a specific individual, the focus and centerpiece of the game is Rook's team, stopping the end of the world with this group of specialists

"I think you could argue [these companions] are the best the franchise has ever seen". We will have the opportunity to interact with them in a way that both shapes their story and also influences the main story, including having the opportunity to impact their fate

"Arguably, this game has kind of, in a way, been called Dreadwolf to some degree since its earlier days"

Excerpt:

"When I ask about Solas' role in the story after I learn his namesake is no longer in the game title, Darrah says Veilguard is still taking the Elven God's narrative in a good direction. He adds, "It allows us to, hopefully, give a good conclusion to all the varied attitudes toward Solas that are going to be coming from people who love Solas, who agree with Solas, who hate Solas, people who want to kick Solas off of a building – I think that we give you the opportunity to bring that to a close, but then tell a greater story about The Veilguard and about the world as a whole." Talking to Epler, I learn more about how Solas isn't exactly the big bad I expected before seeing the opening hours of Veilguard. There's a lot more nuance to everyone's favorite bald elf.  "The most interesting villains to myself, and honestly most people, are not just straight up, 'I want to end the world.' To them, they are the heroes of the story, and Solas is no exception," Epler tells me. "Solas always feels that he is a tragic hero but a hero nonetheless, so he's coming into this believing firmly that what he did, that which you stopped him from doing, was the right thing – that you made a mistake. But now he's trapped and can't reach out and actively affect [Thedas], so he needs to work with you. "That allows us to provide a lot of nuance to that relationship," Epler says."

Solas is literally trapped in the Fade after the game's prologue. Rook and co stop his attempt to destroy the Veil. Rook passes out and wakes up in a dream-like landscape to Solas' voice. He explains that he was trying to move Elgar'nan and Ghilan'nain to a new prison because the old one wasn't containing them properly anymore. The two blighted gods are now free and roaming Thedas. Rook has to stop them, but it seems that they will have to work with Solas ("or at least listen to his guidance and advice") to do so

Excerpt:

""So one of the principles we took to when we were building the story of The Veilguard early on was we wanted the beginning of the game to feel like the final chapter of an earlier story and you're coming in right at the end, you're coming in as if you've been chasing Solas – the [Solas at the end of Dragon Age: Inquisition's Trespasser DLC] who said he was going to end the world and tear down the Veil," Epler adds.  Epler says players will see early on (and as the narrative develops across Veilguard) that Solas sees much of himself in you, the player-controlled Rook, especially "the parts that maybe he doesn't like to face." As a result, there's an interesting push and pull between Solas and Rook. He says players can define the relationship between these two characters with their choices in dialogue.  "You can continue to be suspicious and hostile towards him, or you can start to see him and find that common ground, that connection between the two of you, and really develop a different relationship over the course of the story," Epler says."

[source]

[writingquestionsanswered]

i struggle with writing a continuous long scene. instead, i end up writing short scenes that show the core of that scene almost immediately and then time skip to the next scene. is there a way to cure this? it feels like a lot of "jumping around" and somewhat inconsistent because of that.

Scenes Are Too Short (How to Write a Scene)

The way to cure continuously short scenes is to get a better grasp on what a scene is, what they should contain, and how to structure them. :) What is a Scene?

Long fiction is broken up into narrative building blocks called "scenes," which are almost like mini-stories that build upon each other to advance the plot. Remember: stories are about someone who is trying to resolve a problem in their heart and mind, situation, life, or world. The thing they're trying to achieve in order to resolve that problem is their goal. Goals can be broken down into smaller goals (or steps) that must be completed in order to achieve the bigger goal. Scenes are like mini-stories that focus on each of those steps/smaller goals.

What is the Purpose of a Scene?

A good scene should accomplish at least one of the following:

-- advance the plot by completing smaller steps/goals that are needed in order to achieve the story goal -- advance character development to push them toward where they need to be mentally, emotionally, physically, knowledge-wise, relationship-wise, or situation-wise in order to achieve the story goal

-- advance setting and back story development in order to build toward the climax (where the character attempts to achieve the story goal once and for all)

-- deliver important back story or other information necessary to help the reader understand the plot, characters, or setting and to help move the pieces into place for the climax How Are Scenes Structured? Like any story, scenes have a beginning, middle, ending, and conflict/dilemma. The setting, characters, conflict/dilemma, and goal for resolution of the conflict/dilemma are established in the beginning of the scene. Through the middle of the scene, the characters take steps to resole the conflict/dilemma, encountering obstacles and challenges which they must overcome or find a way around, and making decisions and plans to help them tackle the next step/smaller goal. In the end of the scene, the characters attempt to do whatever they need to do in order to achieve that step/smaller goal. The attempt may end in success (the step/goal is achieved), failure (they do not successfully complete the step/achieve the goal), or the outcome may be left unknown (aka a "cliffhanger.) With the exception of cliffhanger endings, the very end of the scene is used to set things up for the next scene/create a smooth transition into the next scene.

A Note About Conflict, Dilemmas, and Goals

It's important to remember that a scene conflict/dilemma and resulting goal doesn't have to be some big, major thing. It can be something really simple, like maybe a character needs cash for a road trip, so they're trying to get a summer job. The problem is that, on paper, they're under qualified for the job they want to apply for. However, they know they have the knowledge to do the job well, so the scene goal is to convince the potential employer that they have what it takes to do the job. Another example: a character has a crush on another character but the problem is they're not sure the other character is interested. Others have said they might be, so the scene goal is to approach the crush and casually ask if they want to hang out sometime. How to Craft an Engaging Scene In order to keep your reader engaged in your scene, be sure to do the following in every scene:

-- reveal new information (character, setting, back story, plot) -- develop internal conflict, motivations, stakes, relationships -- advance the protagonist's progress toward their goal -- establish the setting (time, place, environment, atmosphere) -- establish the scene conflict/dilemma and necessary steps -- illustrate the obstacles in the character's way -- explore character thoughts/feelings/reactions to scene events -- use a relative balance of exposition, action, and dialogue -- use the proper pace for the scene to maintain flow and interest -- explore story themes and messages -- end with some type of resolution for the scene conflict -- transition smoothly into the next scene Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[piracytheorist]

Animation is a very interesting medium to analyze because every little detail you can spot is usually deliberate. If this was live-action, you could have attributed the red light next to Loid as a random timing occurrence, that the directors, cinematographers, gaffers, or what have you either missed to notice or shrugged off because it's not important enough to ruin the entire take.

But this being animation, this red light didn't just appear in the shot. Someone very carefully crafted it there, set it to red, and put it at a place that the characters wouldn't cover but would also not drive your attention away from the action in the foreground.

It's small enough to not catch your attention the first time (especially if you're anime only and aren't expecting this to even happen!) but also very deliberate. It's not there for world-building or plain set design, so on a rewatch it's very noticeable.

And again, I might not know a lot about symbolism (even though we're on the colour theory in children's hospital website) but I'm having a few guesses as to what that red light means.

I mean, we're taught from a very young age, even if we don't pick up a vehicle, that red means STOP and green means GO. Considering the care and attention the animators have put in the twiyor scenes this season, I doubt the red had any negative meaning towards this scene... so my guess is that the red signified how Twilight's brain stopped for a couple seconds, trying to process the information as Yor all but fell for on him.

I mean, we know the man has perfectly good reflexes. Just in the scene before he was able to ride a big wave, see Anya get yeeted across the water and jump to grab her and her surfboard. But suddenly, when Yor is right next to him and passes out, he just freezes on the spot and doesn't do anything for a good full second?

So really, what the red light might've wanted to say would be something like

*dial-up internet sound*

[comicaurora]

What are your thoughts on guardians vol.3? (If you have watched it) I went into it, expecting it went to the garbage like the rest of the mcu, but I was pleasantly surprised by its creativity, trope subversion, and how it wrapped up the previously unresolved arks of its characters.

That's what I've heard!

The thing is, Guardians 3 could be the most transcendent work of cinema ever made, and I'd probably still feel little to no motivation to watch it at this point. It's not Guardians's fault - it's just suffering from the same problem that superhero comics have been struggling with for decades: no matter how good an individual arc or run is, absolutely nothing good lasts or matters in the long term, and the stories are shaped in such a way that "the long term" is the only thing anyone gets to build towards.

Whenever I complain about the MCU I get a handful of people loudly complaining about my complaining, with the general thesis that if I don't like it I shouldn't watch it or talk about it - if I'm not having fun, just stop engaging with it. And the thing is, I have. I am intellectually interested in why this massive franchise is fumbling the bag so hard, which is why I still check in on it sometimes, but I've long since stopped turning to the MCU for uncritical entertainment. And even the good movies or shows with a lot of interesting ideas - good character arcs, fun concepts, interesting planting for future payoff - don't draw me in anymore, because they're hooked into a massive moneymaking machine that will scrap and squander anything if they think it'll make them more in the quarter. It doesn't matter how good the writing is, because the writers are not allowed to tell a complete, finished story, and they have no control over what happens to their characters outside of their own script.

Captain America's arc was set up from literally minute one to answer one burning question at the core of his character: does a world without a war still need Captain America? After that incredibly basic tee-up at the end of First Avenger, half a dozen movies failed to come up with a reason to say "yes," and now Steve is retired for good after getting fumbled through four different storylines that couldn't even pretend that they needed him (the unused Chekhov's Phone from the end of Civil War still haunts me). The foundational arc of his entire character never happened because nobody bothered to keep track of it past a single movie.

Taika did something interesting with Thor in Ragnarok - take away Mjolnir, force him to recognize what it means to be the god of thunder, give him a very Odin-y missing eye - and the very next movie undid all of it. Just kidding, never mind, here's an eye and a new weapon and also his old weapon again, and in one more movie we're even gonna give him his hair back, probably as an apology for all the completely unironic fatphobia we're gonna slather him in for two and a half hours. I'm not even surprised Love And Thunder was such an overblown mess that barely took itself seriously - why would Taika bother trying to give Thor another arc when the powers that be will just roll it back in six months anyway?

I hear Rocket Raccoon has a fantastic arc in this movie. That's great, and demonstrates that he's being written by a writer that deeply cares about him. But he's part of the MCU, and the MCU doesn't let anything end, so if current patterns hold, Rocket is going to continue to serve as quippy plushie-bait for the next dozen movies and none of that depth is going to come through in the long term. Hell, since they're making Kang noises for the Next Big Threat and Kang's entire gimmick is rewriting timelines, literally none of this is guaranteed to matter. By next year, it might not have even happened anymore.

The MCU has successfully shaped itself into a paradigm where the bright spots of good writing are overridden and lost as soon as the writers room turns over, and that makes it really hard for me to muster up the enthusiasm to watch even a really good movie that's locked into the exact same grist mill as everything else. I'm glad people liked it, I hope it gets to stay good this time - I just have no desire to watch it.

[ganondoodle]

totk thought

i feel like totk (as unfinished and duct taped together as it feels, which is wild given the time and everything) missunderstood what was so appealing about a direct sequel to botw, at least in my opinion

i have talked in length about what good of a foundation botw built to keep going with its world and characters and mysteries, and how totk needlessly, bafflingly, throws ALL of it away instead (and i do mean all of it, to me other than their models being the same no character feels like that character anymore etc), which is connected to my next point

alot of people were worried about them reusing botws world, some really didnt like it, some thought it would be fine as long as they changed enough (which they didnt..), and i thought it was really appealing bc i was excited to see this world progress, grow (not size), to .. change, but not how totk did 'change', its all rather surface level anyway, but the change i was interested in was seeing locations i loved be expanded, built upon, developed- and i feel like that is what they should have focused on, if you reuse the same world you CANNOT get it to feel as new and exciting as it did the first time for returning players, which id say is most of them, so you need to shift focus

aside from its mysteries and story potential of botw to be built further (which totk does not, you cannot change my mind, dont try) soemthing i was THRILLED about was just to see how the world has grown- i hoped to see the towns maybe expanded, new buildings in hateno added, someone perhaps painted their house, someone built or IS building a new additional room to their home (maybe you could help finish it?), some thing that made it feel like time passed and people lived there, sure, adding some mushroom stuff is change .. but its rather surface level, like all other changes

in taburasa (tarrey town?) there could have been new houses, maybe they tunneled into the mountain and built cellars there, have some buildings be attached to the sides, the narrow pathway secured with stonewalls, something that felt .. logical? instead they ,,,, removed ... buildings??? homes you literally built a few years ago?? just to make way for kiltons little figurine project, which was funny, but also a little? why remove buildings to put him there, couldnt it have been on the other side of the bridge?? or like a balcony on the side of the cliff?(even the forest .. well the forest is mostly gone and its now an ugly to look at playground for a short little building thing, it all feels so ..... idk, forced? pasted on, this isnt there bc it makes sense, this is your playground)

same should be said about the main regions villages (though my idea there is to actually change it via devastation aka death mountain collapsed and gorons forced to move or adapt, or the zoras dried out and them being forced to go elsewhere, rito being trapped in an actual dangerous blizzard so cold you need special gear for it an cant glide etc bc its damn stupid to put the points of interest in the EXACT same location as last game and then neither change them signifacntly, permantenly, NOR use anything existing as the base for the new dungeons, like making the water temple be an ancient cistern or .. waterworks underneath the now dried out lakes instead), the village of the zoras isnt expanded or anything, its got mud there and an insulting statue change but the mud goes away and then its the same as ever, just like all the other things are undoable and it all goes back to before (aside from death mountains lava)

WHY would the stable in that big empty field just ... vanish? esepcialyl that one?? there isnt anything like a dramatic change there, there is not bossfight there, theres nothing, its just gone and its empty footstep replaced with a semi annoying quest (that is also reused ....)

why the fuck did malanya move???????? the horse god????? leave them there and have the way to them now built in awe of them or soemthing, show that people are travelling there now having found their spring, have it overgrown with flowers that have funny horse shapes or something, even if they dont show up for other people, let them give you a quest that introduces new kinds and colors of horses instead of one random old guy in the spy post after which suddendly there is new pattern??

the statue of in the gerudo highlands, instead of having a very specific puzzle suddendly pasted on, toppled over or broken to reveal an entrance to a new or old shikah/yiga base, or an old gerudo town that shows there was a group that once lived up there (maybe ganondorfs followers???? those that stayed loyal or soemthing??)

akkala fucking fortress?? prime material for a dungeon revealing disgusting secrets of the shiekah persecution or something? no its .. a cave like any other in the door. somehow. in the dirt. (what what waHT WAT)

castle town rebuilt, that farm ruin rebuild! maybe to let all your horses roam there in a big space?? a central tavern hub for the recovering land! ruins that felt like untold stories or teasers to be given a purpose! the fairy fountains being in the same place but their lair expanded, a larger flower or now like a little lake, people actually manaing to visit them now and there being little shrines or offerings, decorations! maybe one of them had to flee (if the "cataclysm" actually .. did anything) which would make that impact much stronger, no, they are just picked up and plopped into the next best place to create the surface level illusion of change without understanding how that comes across, they have to be unlocked again, for some reason, and now its music with the most annyoing quest attached than even the sign guy- why?

how cool would it have been to find a spring and the fairy not being there, her spring is, its open, but she isnt there, a kidnapped fairy somewhere in the udnerground? a corrupted one? since its reusing the same world what you need to do is think about how to surprise the player that grew accustomed to things and attached to chaarcters, and significantly mix up the main points, focus on the characters and narrative to hook them without making it feel forced, its diffcult yes, but so is game making, and botw was such a great basis that imo its not even that hard to come up with compelling things

im not saying there arent any changes, or there was no attempt, but it falls flat or utterly missunderstood WHAT needed to change, the spypost is the biggest attempt at that, but even that doesnt feel like it was done bc it made sense, like the things they wanted to happen where the first thought and the entire thing built just to support that, so all it serves for is to give you that 'hub', even though that position is weird? the place chosen a little disrespectful imo and not very save either, hyrule castle was cleared after clam gan was done for, why would you built a SPY post on the ground level directly in front??? well ,, that was bc the cataclysm happens and the castle is AGAIN the place of the boss, and AGAIN poisoned, the people there couldnt have known it, it makes no sense even if you say well the ground was so poisoned from botw still they wouldnt built there, .. but then right in front? in the middle of a flat field? you could have used the farm ruins for that hub? put it on the hills that are all around?

even characters, instead of like expanding on their character and continueing or challenging their ideals its just so flat, all of them have abilities they never had before, that were never hinted at, other than being vaguely genetically connected to the champions, excuse me, those dont matter, the SAGES i mean, you see riju struggle like, once, with a power she didnt use to have and it only really serves to make her power used by you not her herself (the others didnt need that excuse?) tulin makes me the most mad and his cuteness only worsens it bc he was a little side NPC in botw, now suddendly the main guy (instead of teba?? i guess he was too old, sorry teba, only kids can be blessed with powers or something) he has no character arc and .... he can just use almost an exact copy of revalis storm, just sideways, which is both boring and insulting given how much revali struggled to learn it (which also explains his attitude!!) other characters just seem to forget part of themselves bc its not relevant, robbie has de-made cherry into a little bucket size thing, washt she important to him? purah doesnt have any interesting beat to her either, she just .. offscreen made herself the perfect pretty age with the tech that supposedly vanished as soon as clam gan was done? what? and only serves you to tell you where to go over and over, its sad (not saying botw gave her a super intersting arc or sth, but it built the basis for it, you could have expanded on it? have her reunite with impa? anything?) (and not all shiekah tech is gone, its still there, aaaaaaaaaargh it doesnt make any sense!!!! but its to serve you so, it serves YOU, PLAYER CHARACTER)

the entire game is awfully plagued with that problem, nothing it does feels logical or lived in bc it only serves YOU (and their new favorite thing that everyone loves and should obsess over, sonau/zonai! who doesnt love everything being THEM TM), and once you have checked it off your list it ceases to be anything, theres is no thought about why a contraption is there or what purpose it once served, bc it never has, it serves only to fling you somwhere; to some extent that is fine, like the snowy mansion dungeon in twilight princess is a weird way to build a mansion/fortress but you know its a dungeon so its gotta be that way, back when dungeons where dungeons, but you can easily overdo it, i think its good to think about the world and how to make it interesting for the player at the same time, there needs to be a balance of believability and deniability; a character telling you to press a button is gamestuff, a little weird but ok, a dungeon being built a little weird, well, its a dungeon- people walking around in normal ass summer clothing in the region thats frozen solid? that makes it less believable, even if the game joke about it that they are freezing or explains via 'these people dont feel the cold' or whatever (pokemoooooooooon)

especially with botws foundation, you could have achieved that, easily at times, theres so little restriction anymore, the wasted potential and needlessly thrown away 'everything' still hurts