#the character doesnt even have to change

[casperth3ghost]

my favorite aus are the ones where people hc a character as autistic and then proceed to make the character act the exact same

[moeblob]

Nines: ... you make a solid case, Sixty.

[joshuamj]

In Stars And Time? More like In Ace And Gender

+ some alts

[sadboyhrs]

Steve is the best ally-

Steve supports Nancy-

Steve is a great big brother figure-

Steve would always protect the kids-

Steve is a good fighter-

Hopper loves Steve like a son-

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[mohntilyet]

i read the wigmaker job recently and there’s an idea that really stuck with me, which may well have been discussed before, but it’s really been itching at me. it came from this exchange near the end –

“i don't want to quit.” / illario sat back. the distance between them suddenly felt much wider than a table. / “even if it kills you,” illario whispered. / “death is my calling,” lucanis stated, matter-of-fact. “just as yours is to become first talon.”

(the bits before and after this give important context, too, but these specific lines are what gnaw at me)

i. really wonder if this conversation – and the long-standing beliefs held by both of them that it’s indicative of – contributed to giving lucanis to zara.

like, illario coming to terms with the fact that lucanis really just will. not. stop. for ANYTHING. his cousin WILL get himself killed doing this and lucanis won’t have any regrets. he’ll leave illario to go this alone. (no one to follow after anymore.) combined with the envy of knowing that lucanis is and always will be caterina’s favorite, and she will likely pick lucanis to be first talon even tho lucanis does not want this At All…

i wonder if he thought that, well, if lucanis is going to die anyway… maybe it’s better to have it happen sooner, rather than later. why put off the inevitable? especially if this is the one thing that could shift caterina’s gaze to illario and give him what he’s wanted – what he’s earned.

lucanis wouldn’t be happy as first talon anyway (honestly, illario seems to see that what lucanis is NOW isn’t so much ‘happy’ as it is ‘obedient and content to accept the scraps that gives him’), and he’s GOING to get himself killed doing this, anyway… and sure, they COULD wait it out. wait for lucanis to do something foolish enough that he can't just walk away from it. maybe he’ll even last long enough to be made first talon (if caterina can ever bear to loosen her grip from the title) and be miserable for a while. years even, maybe. before he, again, does something he can’t walk away from.

OR. or. or illario could cut through all the pointless waiting and get right to the point. go straight to where this was always going to end up.

(and maybe part of it is an extension of anticipated grief, too – the loss will be agony. if illario controls when and how it happens, he can control his grief. …except he hasn’t accepted the inevitability of lucanis’ death quite as well as he’d thought and when he gets sloshed at the wake, real grief seeps through the cracks)

i dunno. something about both of them viewing lucanis’ death as a foregone conclusion and how illario Might have had that shape his decisions.

YEAH . YEAHHHHH. i do also think the “to reason” exchange is what solidifies it in illario’s mind. lucanis is like 'this has been a productive if tense talk with my cousin. surely he sees sense now.' and illario is like ‘what the fuck. i think he wants to die’ <- okay im exaggerating a bit but i do absolutely see the end of wigmaker’s job as the start of lucanis-illario’s downward spiral. there’s a reason that it’s something lucanis is stuck on during inner demons, and the exchange that you have very nicely broken down is what he hears echoes of, this is where he knows it started to go wrong

probably the worst part is lucanis WOULD have worked himself to death and it takes the series of events in veilguard for lucanis to see other options for his life, and still he ends up being shoehorned into first talon by the end of the quest. i thought his quest would parallel iron bull’s, in that rook shows them that living outside and away from crow influence is possible, and that he is much more than the weapon they turned him into, but it ofc doesn’t go through like that. it’s genuinely a bit heartbreaking that lucanis finally has support and like. FRIENDS. but with the way the game ends he’s pulled back into the crows and to a life that will be about protecting a cousin that the organisation he runs hates, and for as long as caterina lives, unable to say no to her. and meanwhile after lucanis has made connections outside of the crows, illario has absolutely nothing left (prison of his own making i get it but i still want to get his ass out of there. 😭) so the codependency that they used to share is gone as well. maybe lucanis has a foot out the door but i genuinely have no idea how illario goes on after this

[extravagav]

Yk I never did truly recover from the sick fic chapter

[potatobugz]

i was hacked by a very unhappy man!

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[audliminal]

It's barely the end of the first day of school, and three faculty members are dead. Nobody knows much yet, but supposedly the six freshman who all managed to get detention on the very first day of school were involved and, if the rumors are to be believed, two of them actually died. In a dumb fight in the cafeteria against some animated corn. Kipperlily rolls her eyes when she hears it. They're clearly a bunch of losers who are going to either drop out or get someone killed before the year is out, but that's not really her problem, is it?

Still, just to be on the safe side, maybe their party should spend some time in the woods behind the school, and get some practice in with rats and things before they find themselves involved in a fight like those dumb detention kids did.

It's a month into the school year, and Kipperlily's starting to get the hang of things. She's feeling comfortable in a fight now, they've been killing rats and twig gremlins in the Far Haven Woods as often as they can manage, and they're getting really good at it. They even have a name now, the High 5 Heroes, chosen by Kipperlily herself, of course.

Meanwhile, Kipperlily's pretty sure the kids from detention actually killed someone, though nobody seems to be talking about it. Kipperlily doesn't care what anyone says, she's heard multiple people say they saw members of their group talking to Penelope Sam and Johnny spells, and then the day after Johnny Spells gets killed in a fucking car chase, the rich kid, who's literally the son of a pirate, has a mysterious new motorcycle? It's all far too suspicious.

It's the week after winter break, and Kipperlily is stuck in the stupid guidance councilor's office, talking about her dumb feelings. Unlike the Bad Kids (and what kind of stupid name is that), who apparently had an adventure dropped in their lap within minutes of the first school day ending, Kipperlily has been waiting months and still nothing has popped up. Plus Oisin and Ivy keep joking about changing their party name to the Rat Grinders.

It's dumb. Who would want a party name that's based on some joke? Besides, she already chose the name. So why on earth would they change it now? At least Lucy seems to agree with her about it.

It's just days after prom, and Kipperlily is sick of everything. The stupid Bad Kids apparently crashed prom and literally defeated Kalvaxus, Emperor of the Red Waste. It's honestly bullshit. A dumb group of kids that couldn't even make it through one day of school without getting one third of their party killed, and they're being credited with saving the entire continent? Kipperlily's been digging into the Bad Kids' history with every moment of her free time, trying to figure out how a bunch of dumb untrained kids managed something so huge. And she thinks she might have cracked it.

Kristen Applebees is literally Helio's Chosen One, and apparently Adaine Abernant is the new Oracle of the Elves. Kipperlily doesn't know what Fig, Fabian, or Gorgug's deals are yet, but if rumors are to be believed, then Riz Gukgak's dad was eaten by the very same Kalvaxus. Clearly the entire reason the Bad Kids are succeeding is because of their personal histories.

And to make matters worse, Oisin and Ivy managed to get the rest of the party to go along with the stupid Rat Grinders name. and Mary Ann didn't even have a reason for it! The only one who voted with her was Lucy. So now they've got a dumb name and no real adventuring prospects, and all the while, a bunch of kids who skip classes and get arrested are somehow getting perfect grades with no effort.

It's sophomore year and everything is terrible. The Rat Grinders meet every day to kill rats in the woods and it's dumb and boring, and not even a little bit difficult anymore, and she has to go to weekly councilor sessions with Jawbone, who's an ally of her rival adventuring party, which. Aguefort already clearly likes them, and even before he was resurrected they had managed to get two of their allies positions in the school. Which has to be an unfair advantage. And now Fig's dad is the vice principal rather than the lunch lad. It's really no wonder they never seem to get in trouble for skipping classes or any of their other bullshit.

At least she can use their connection with Jawbone to her advantage. Every meeting with him, she mines him for new information on the Bad Kids, who have been doing absolutely nothing so far this year.

It's sophomore year and The Rat Grinders are going to finally get their chance! Porter and Jace have approached her with the opportunity of a lifetime! Porter even said she shows a lot of promise! He doesn't even seem to take issue with his anger, and he says that he's going to help her become an amazing adventurer. All she has to do is accept this weird little rage star thing and start worshipping some dead god of rage. Kipperlily honestly isn't that much into religion, but this is the first interesting thing to happen to her all day. She's already working to convince Lucy to change her god.

It's sophomore year and even as Kipperlily is finally making progress, the Bad Kids are still showing her up. Somehow, they ended up fighting the Nightmare King himself, defeating him and somehow in the process, Kristen Applebees managed to ressurect a dead god of her own. It's bullshit and literally the only reason they manage to get back in time for the end of spring break is the direct intervention of the principal again. Plus now Fig has somehow managed to become an Archdevil and start dating Principal Aguefort's daughter. As if she wasn't already a rockstar.

It's sophomore year and Kipperlily's going to make the Rat Grinders the best adventuring party at Aguefort, even if it kills her.

It's junior year and the Bad Kids seemed determined to ruin her life. It's bullshit. They literally didn't even know who she was before this year, and they seem determined to ruin everything she's working towards. On the first day of school, they all collectively decided that Kristen was going to run for school president, seemingly as a bit, the exact second that they find out she's running. And immediately on meeting her they made fun of her fucking name for literally no reason.

It's junior year and everything's going to plan. Kristen's been expelled, and the Bad Kids are taking The Last Stand, and they've got the perfect opportunity to get rid of all the Bad Kids for good. And yet somehow Kristen fucking Applebees manages to ruin their fucking plans perfectly, spotting her out before she can succeed in killing the proctor and Buddy. Instead she has to kill Buddy and let Oisin take her away before the Bad Kids can do anything. So of course the Bad Kids get a literal perfect score on The Last Stand, and now they've all aced their classes for the whole year.

It's junior year and they're summoning a dead god. It's junior year and they find out as they're casting the spell, that the name they'd gotten was fucking wrong. It's junior year and despite all their preparations the Bad Kids have managed to get to the gymnasium with all their stupid fucking votes. It's junior year and Kipperlily is at least going to kill Riz. It's junior year and Riz literally dives into lava.

It's junior year and Kipperlily's going to kill Riz. He thinks he's hiding, but she can see him, and she's going to have to close with him, but this is her opportunity, and then she's in the air, and he's got her in a hold person spell, and she's falling, and she's in the lava, and it's so hot, and it burns, and then it's all gone.

It's junior year and Kipperlily is dead. It's junior year and she's in a world of crystal spines and lava, and in the reflections of the crystals, Kipperlily can see everything. She sees herself in those wretched meetings with jawbone, kicking at the leg of the chair, and she can see Jawbone asking her every fucking time, what can she do to become a better adventurer. As if it was ever in her control. As if she ever could have done anything. As if it wasn't all about her backstory the whole time. As if she weren't the boring daughter of two boring people. As if she had ever had a chance.

"Did you ever try?" She hears a voice ask. And then Ankarna is there. The god that she tried so hard to kill. "Did you ever really try to become a better adventurer, or did you just wait for it to happen to you?"

"I did everything I could!" Kipperlily insists. "It's unfair, why should they get all the advantages?"

"Were they really ever advantages? Or did you just decide they were?"

"You think those idiots deserved their success? All they ever do is screw around!"

"That is not what I have seen of them. Nor have I seen any better of you. Of course, you did your schoolwork and you did it to the letter, but when did you ever challenge yourself? When did you ever take a risk? When did you ever seek out a task that was more than what you felt certain you would succeed at? Would you have even have the courage to take part in Porter's plan if he had not personally trained you, ensured that you were all as powerful as possible? You insist that the Bad Kids are only successful because of their tragic history, but what of Gorgug? There is not one thing in his past that drives him and yet he has succeeded at doing things no one else has ever managed." Ankarna stares long and hard at her, and then she is gone and Kipperlily is alone again. With nothing in her death but her own thoughts to keep her company.

[triglycercule]

what if because dust and horror wouldn't wanna be called anything aside from sans in a multiverse context and they were both good buddies they both just start calling eachother sans. i'm sans (dust) and i'm sans (horror) ahh duo

becaaause horror in his eye(s) still sees himself as sans!! he's sans!! who else is he SUPPOSED to be god 😒😒 stop attatching this stupid fake name onto him that just points out all his shortcomings in his au and also just dehumanizes him (because i get that aus are named after a key trait of something but COME ON the guy's name is HORROR it's like naming a poor person "brokie" or something,,,). horror is PROUDLY sans smh

and dust ALSO sees himself as sans!!! like,,, granted he's definitely not a better sans than he was before considering everything he did (but he still doesn't like his past self's inaction) but he's STILL SANS. nothing about him changed (really?) enough to warrant the whole identity shift. like dude dont discredit him DONT DENY HIS WHOLE LIFE!!! he IS sans no matter what,,, dust doesnt wanna think about what he became if he's not sans now anyways lul :3

now could they fight over the right to the identity of sans??? possibly,,, but also consider this: there are literally infinite numbers of sanses in the multiverse. at some point the shiny title of Sans would be something horror and dust are used to around the multiverse!!! so why fight over the name (that so many others share already so its not exactly exclusive) when they can just decide to make each other feel better!!! be delusional TOGETHER 🤞

[chaoticreivingu]

The Obscure Hidden Yaoi of Ranma 1/2

CW: Mention of Suicide, Period-Typical Transphobic and Homophobic reactions

There's a scene in the manga where Gosunkugi crossdresses to get Ranma's attention(this isn't the first time btw) and sabotage his role in the Romeo & Juliet play.

When he rejects the bomb, they parody a love rejection scene.

Whenever one of Ranma's rivals catches him with a girl that's not Akane/Shampoo, they normally celebrate it and even root for him since he won't be "getting in their way" anymore.

But Gosunkugi gets weirdly jilted about it, heart pumping sound effects and all.

In chapter 200 Gosunkugi gets a set of paper dolls that can control people when given commands. Though accidental, he only puts romantic commands on men.

In particular, Ranma and Gosunkugi's date gets a lot of spotlight, lasting 2 pages out of a 16 page chapter, culminating in this exchange.

After this happened Ranma starts blushing when Gosunkugi walks by and asks what his intentions were earlier.

The next Gosunkugisode is about him reconsidering his thoughts on Ranma since he saved him from bullies, but this gets rebuffed by Gosunkugi buying a mecha armor to defeat him. His crush on Akane gets mentioned less and less.

If the armor doesn't punch the desired target in 30 minutes both the wearer and the target will explode. By the end of the chapter, Ranma has a speech about pride and fighting Gosunkugi fairly. The only part of it that he notices is "man to man".

After this Gosunkugi tearfully swoons over Ranma acknowledging him, describing his current situation as a lovers' suicide and apologizing for not wanting to do it.

The chapter ends with Gosunkugi not being able to finish a sentence directed to Ranma with similar wording to the earlier scene about him being accepted.

Even though he sits directly behind Ranma, this is the last time Gosunkugi ever ambushes him. Even though he sits next to Akane, he never shows any reaction to her anymore and seems to be looking at someone else instead. He only uses his straw dolls to fidget with.

The last line Gosunkugi ever has in the manga has him sweating heavily with his heart beating fast after finding a supposed wedding ring that Ranma had buried in the ground(with Ranma blushing in the back for good measure).

This was just an excuse to list the fruitiest moments these two had.

As a bonus, here's a minor detail that I noticed. Whenever Ranma's rivals want to insult him, they all go "Yurusan!(Unforgivable!)" or "Onore!!(You!!)".

But Gosunkugi instead repeatedly says "Saotome no Baka!!(Stupid Saotome!!)" just like his suitors do.

[puhpandas]

Bonnie

[icewindandboringhorror]

boy in silly sitting positions compilation

[tomwambsganshater]

Vinland saga gets a lot of criticism for being unrealistic and too naive in its pacifism but I feel like that's a fundamental misunderstanding of thorfinn's character. His ideology isn't supposed to be universal, he develops it because of his circumstances, he's killed too many people and inflicted too much misery to be able to stomach any more of it, to the point that defending himself disgusts him. It's not a method to live your life or to change the world, it's his specific emotional reaction to his experiences. He's not even preachy about it either, when he meets Canute he admits that he knows he can't change the world that way, and that he can't judge whether Canute's way is right or wrong. His vinland plan is an attempt to create a society from scratch based on his radical pacifism in hopes that it'll meaningfully stick and become a value for the next generations, and thus create a society where it's the norm, but as we can see in the story and just history, it's going to fail. I don't know how exactly it's going to end, but I'm pretty sure it's not going to be by telling the reader that "You should be a pacifist all the time and violence is never justified". The story's always been nuanced, Thorfinn himself is just incapable of stomaching it.

[casualavocados]

this is such a solid show so far, i dont even know what to say. episodes feel long, but they're not boring. they're lingering, they last. it takes everyday emotions and everyday experiences and lets them play out; it confers importance to the small things. the story and overall plot-per-ep is simple yet genuine, and everything and every character feels so lived-in. i like the mix of fun and serious, i like the steady growth and trust between mork and day and the little buds of tension starting to bloom. i love the way the camera brings things to the forefront of the viewer's attention, the way expressions are shot and how long those shots are allowed to last on screen...you really feel the emotion coming through, and it really impresses me from both an acting and directing standpoint.....im just rambling but the jist of it is that i'm really enjoying this