#the character designs for this would be off the charts
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tikitania · 3 days ago
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Did anyone see the Paris Opera Ballet’s Swan Lake on IMAX this weekend?
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Nureyev’s libretto
.lots to unpack. Rothbart is such a central character in this version pulling the narrative strings in overt and dark ways both inside the court and on the mystical lake. He’s not just evil wizard who has trapped Odette, he’s a dark force within the very halls of power who seems to have everyone hoodwinked — this fully registers with me after the recent US election.
It seems the capture of Odette and turning her into a swan was some sort of long game to destroy Siegfried, who stands in the way of power. But Rothbart also seems to have some masochistic, sexual feelings for the young prince, too. The homoeroticism was off the charts — I’ve never seen the crossbow gifted to the price so seductively! One interpretation could be that this version of Swan Lake is about doomed sexual longing because it’s Siegfried who dies in the end. Odette is forever trapped as a swan, and Rothbart’s dominance is complete.
In the sequel, Rothbart marries the Queen and rules with total power because she’s lost in grief after the death of her only son. Odile is his mistress. But the Prince’s Friends with the help of the swans come to the rescue and defeat Rothbart, returning the balance of power of good over evil. You’re welcome!
Park delightfully surprised me. I had never seen her dance before beyond short clips online. She exceeded my expectations, especially as Odile. Marque is really exquisite. He’s an expressive dancer with beautiful jumps and soft landings. But Pablo Lagasa, as Rothbart, stole the show with his technical prowess and smoldering deep-set eyes.
Seeing this in IMAX is incredible. Would love more of these, please! Love the bird’s eye views of the corps
.I don’t care for a lot of Nureyev’s choreographic choices, but I did love seeing the corps formations, especially in Act 3. Normally, I like the set design and costumes at the POB, but the Easter egg hues for the court scenes didn’t work for me. The fuchsia gowns for the brides with those tiny fans were downright garish.
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jack-kellys · 2 years ago
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hi!! for the fic title ask game how about "don't take much to be a dreamer (all you do is close your eyes)" ??
(yes this is just a newsies lyric but i also think its a pretty title😭)
hello there >:) i am very self aware i still have some of these in my inbox!! thank you for asking.
while i’m not taking these anymore you can ask me about a fandom/ship/character or my aus!
sorry in advance for being an insane person but this would be a very fun lyric to totally modernize/throw into a future context. as in like. an alternate reality au. a little bit matrix and a little bit like
. ooh peter pan but not
further in the future when the world is doing worse than it already is, AR has become rly huge for escapism and getting to “pursue” what a lot of ppl will never get the chance to in reality. the AR is this island of adventure basically, right, very fantastical and customizable. it was made by pulitzer’s company though sooo it may or may not be stealing users’ information and brain patterns!!!!!!
basically the newsies have been online friends for years and they all got their little personas on the island- i think the only IRLs are jack and crutchie. they all have their own reasons for why they're online etc, backstories...yeah. but then weird shit starts appearing in the game, sort of like glitches- strange staticky shapes like rips are forming online.
jokingly, albert steps into one, and his character disappears. and then he isn't online for a few days, which becomes two weeks, and he isn't answering when his friends call. and then the game glitches become much, much more dangerous as they start to ask questions.
but like yeah for pulitzer to fully understand, trick, and control the brain, he's gonna need test subjects guys. like c'mon how else do you take over what remains of the world. jeez
so basically! there is both in-"game" and out of game investigation of what the actual fuck is going on, so there's lots of IRL first time meetings, ppl don't always look like what they do in AR, it's fun. and they get to expose all this wild shit pulitzer is doing, and it turns out they've been hanging out w pulitzer's fucking daughter in AR this whole time bc very avatar is obv.. doesnt look like her (theyd know what she looks like pultizers are like famous), different name, etc. also i love me an exposure of corruption au with newsies bc like. its still the same concept while being absolutely batshit insane!!!
sorry this took me ages to answer- i wanted to give the canon lyric title something very out of the box, so i hope this concept is interesting to you!!
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parisoonic · 1 year ago
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sunday shitpost
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fishing-lesbian-catgirl · 8 months ago
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Girl who can’t stop thinking about how arknights characters would play in a fighting game.
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synthetic-sonata · 5 months ago
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its awesome being into a thing with a small cult(??? ig) following but it also means if you dont like someone's characterization you can outright talk about it or else youll be a dick . Except almost everyone has bad characterization of your favorite character and you're about to kill someone
#aria talkz#not 'almost everyone' thats hyperbole but By god.#but th people w good well thought out interpretations are like... Not often and dont talk or maintag stuff as much.#It makes me so irrationally upset YOU DONT understand him like actually#hop OFF if you cant analyze the story and properly characterize a character without making up an entirely new guy#im always a hater. im also a lover but hate comes out easier#hes not your hot emo maniacal yaoiboy he literally had a depressive spiral jfc#so many ppl reduce my fave into like a hot boy with no personality other than like Vaguely '''yandere''' .#either that or hes just a nothingburger to slap with another character that is a Nothingburger w no personality in these interps#HE HAS SO much to interpret . if you arent insanely autistic ab this guy i dont trust your interpretation of him#like literally thats just how it is ive been analyzing this stupid losers story for nearly 2 years now#you dont understaaaannndddd [ crying sobbing coughing blood ]#he lost everything and his story is a tragedy . He would not use modern stim toys he was prob born in the 90s.#hed feel infantilized if you gave him modern stim toys bc he wants to be cool he wants to be seen as cool ... also thy just dont help him#Rubix cube or stressball at BEST . he uses a weighted blanket he isnt a fucking catboy WHERE is any of this coming from#Like idm projection i think its awesome but it truly is the 'just make an oc' part of that one headcanon chart#if it literally doesnt resemble anything from his canon other than the design anymore.
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halflifebutawesome · 5 months ago
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BEHOLD! FOR THE SECOND TIME, THE GBVRAI LINEUP! now with another weird old dude!
waves my hands around vaguely I wanted to make a nicer looking lineup and more coherent post actually explaining the au. I've now made 2 gbvrai lineups but never a plain old hlvrai lineup. Whatever.
There's a complete AU explanation and individual character profiles (?) under the cut! check it out! ASK ME ABOUT IT !!! SMILES!!!!!
The basic gist of this au is that the science team, are a group of ghost hunting paranormal researchers. The Ghostbusters. You mightve heard of them. This isn't a 1 for 1 au where certain characters take the role of others, it's more just. What if the science team existed in the Ghostbusters universe. They're just the Ghostbusters now.
On a particularly odd case, they bust a ghost that seems... off. It's sentient, it's talking back, and it's psychokinetic energy is off the charts.
Thinking nothing of it, they return to the firehouse and prep the trap for containment disposal. Gordon's the new guy, so he's the unlucky dude who's been assigned the job of disposing of the traps. All the while the ghost will NOT shut up. It's weirdly powerful and seems mostly unbothered. It's name is Benry, and he's a little freak.
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the ghost containment unit has been unstable for a while, overfilled with ghosts, but they have to dispose of Benry somehow, so they go ahead with it.
In this AU I'm kind of combining the Resonance Cascade with the Manhattan Crossrip (the Manhattan crossrip is the big scary ghost event that happens at the end of GB1). Basically what happens is that Benrys weirdly powerful ghostly energy, combined with an unstable ghost containment unit, tears a big rip in the fabric between the ghost realm and ours, letting all sorts of ghouls and specters free.
Imagine the Resonance Cascade, with all the aliens getting out and ravaging Black Mesa, but it's a bunch of ghosts getting out and ravaging New York. Gordon and the rest of the team have to fight their way through the ghost filled streets of NYC, and close the crossrip.
Heres some closeups and more individual info/thoughts for the gang!!
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GORDON FREEMAN! The new guy. Again, this is less a direct 1 for 1 swap au kind of deal, and more just putting these guys in situations. Gordon's HEV suit, tho, I wanna talk about.
In Ghostbusters canon, they DO have a weird fucked up hazard suit. It first appears in the TRGB episode "Xmas Marks The Spot", where Egon uses it to travel into the ghost realm. I know it makes another appearance in the comics, in a way that's more HEV-esque, but I never finished the comics so idk. It's real tho.
I imagine here that the ghost containment unit is more like the reactor in half life, where it's hazardous to be around for too long, probably bcos of like. I don't know. Concentrated psychokinetic energy. Sure. In any case he needs to wear the HEV to use the containment unit.
My design here is taking the chest piece, helmet, gloves and belts and modifying them to look a little more HEV-esque.
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Bennyyyy. Benrey benry beny. He's a ghost, as far as they can tell. It would be more appropriate to call him an entity of sorts.
He's not a ghost simply for the fact that he wasn't ever human. He wasn't ever a living person that died. He's some pure, really powerful, concentrate entity/being that leaked through from the ghost realm. He looks like. A guy, for the most part, but he's a mimic. Something pretending to be human. He's been around for a while, and has settled into this form. He's mostly corporeal, but can phase in and out as he pleases (noclipping) Switching from corporeal/incorporeal when it's funny.
He met Tommy when they were both a lot younger, Benry being fresh out of the ghost realm, and have been bestfriends ever since. ☝ my au my weirdly specific tommybenny dynamic. Dw about it
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TOMMY & SUNKIST!!!! Tommy has grown up around ghosts his whole life, and is pretty in-tune with them. This is proven with his bond to Sunkist, who's decidedly not a real dog, and his longtime friendship with Benry.
I gave him the goggles cos. Tommy's my fave and Ray's my fave and I think they're fun. Also cos if it WAS a 1 to 1 swap I would def have Tommy as Ray. Anyway. He's been a part of the Ghostbusters since he was little, like I said he grew up with them and around them. He's really knowledgeable about ghost types and physics. He knows all the ghost rules.
Sunkist isn't like. His dead childhood dog cos that seems. Kind of sad. Instead she's kind of a church Grimm or hell hound. An entity taking the form of a big huge dog that Tommy befriended when he was a kid, and has now kind of bonded to him. She's pretty corporeal as far as ghosts go, and can interact w the physical environment pretty well.
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DARNOLD ^^ my friend darnold. Darnolds not usually super involved in the actual ghostbusting, and prefers to stay behind. He's more of the research and tech kind of guy, he studies the readings and takes measurements.
He's interested in psychokinetic energy and ghost residue and all sorts of like. Ghost sciences. Why some people stay behind, why some people just seem to die and disappear, the properties of the ghost realm and the ghosts themselves. Corporeality and degradation of personhood the longer someone's been a ghost.
When the Resonance Crossrip happens, he opts to stay behind and observe the effects of the insane amounts of ghost energy on the corporeal world.
Hes also a transfer over from the ghost engineers! That's a fun thing for me. I love the ghost engineers idc frozen empire gave me everything I wanted
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FORZEN. Forzen is... the same thing as Benry. A mimic, something taking the form of a normal ghost to blend in or hide in plain sight.
He came through with the Resonance Crossrip, but obviously like. He knew Benry before (we WERE bestfriends..). He's not as powerful, which is why he wasn't able to sneak through when Benry did. He's also not super corporeal. He can only interact with the physical world if he's exerting a LOT of energy. Prone to flickering in and out of vision.
Upon coming thru the Crossrip, he kind of just. Decided to hang around the firehouse. Didn't wanna go much further, for fear of being ghostbusted and sent back into the containment unit. The source is the last place they'd look for him!
Darnold, who's holed up in the firehouse, is more than delighted to meet a ghost who's sentient and willing to cooperate to do some tests and experimentation to get never before documented results. They bond and they're cutesit. ☝ DARZEN WIN. hi splash 👋
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Dr Coomer and Dr Bubby are two of the three original founders of the Ghostbusters! They've been around for a looooong time. They're also married obviously but that's like a given.
They helped found the Ghostbusters, having met in college while both were studying parapsychology. I imagine their like. Parapsychology -> Ghostbusters pipeline was very in line with how GB1 starts, where they used to work in an academic environment before getting kicked out and founding the GB.
They're also both. Psychic. Because frozen empire has once again given me everything. Coomers got some like. Idk something that lines up with his self awareness in HLVRAI, maybe prophecy? Vauge visions of the future? Bubby has pyrokinesis. Duh.
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and... Mr. Coolatta..... Tommy's dad...he was one of the founders along w Coomer and Bubby and at some point he. Died. And is now a reeeally really powerful ghost. maybe from the exposure to ghost energy or smth?
Now hes got gman powers and just kinda hangs around. Pretty corporeal and solid and. Present. For lack of a better word. But he IS a dead guy. Used to be human.
This is why Tommy kind of grew up around ghosts and knows alot about them :) Mr Coolatta is pretty benevolent, and mostly just kind of spooky and fucked up.
And that's. About it? I believe?? PLEAAASE ASK ME QUESTIONS ABOUT THIS I have so many thoughts. I've been working on this for like 2 months now. Lol.
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fairytalesandlegacies · 9 months ago
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Trust Fall
‱ Author: fairytalesandlegacies ‱ Fandom: Hogwarts Legacy ‱ Pairing: Sebastian Sallow x Reader ‱ Warnings: 18+ Characters | NSFW | MDNI ‱ Word Count: 23.5k
Summary:
A heady rush of defiance and determination surges through your veins, lighting up all your nerve endings like a live wire, and in your eagerness to rebel against the enchantment, you end up doing the complete opposite of Sebastian's request, hands sliding under the fabric of his cloak and slipping it off of his shoulders in one swift, fluid sweep, silk-lined wool pooling at his feet as you dive straight for his necktie, making a fine mess of the striped emerald and silver satin in your eager attempts to loosen it, fingers curling around smooth silk and giving it a gentle tug to urge him closer, unraveling until it's completely come undone, spilling into the hood of his cloak. The words kiss me ring out inside your head, desperate and longing, and for a moment, you can't tell whether it's his voice or your own imagination, caught up in a fantasy you've been playing out inside your head for the past two and a half years. Or: Sebastian Sallow teaches you how to fight against the Imperius Curse late one night, and in the process, some long-kept secrets are revealed.
✹ Read On AO3 or below the cut ✹
Trust Fall
After a whirlwind first year filled with dragon attacks and crumbling ruins, keepers and keys and hidden passageways, bonds of friendship forged in secrets and fire, daring quests and trying trials to prove your worth to wield an ancient form of magic only few can see, you should have expected your final year at Hogwarts would be anything but uneventful — and that suits you just fine.
Though, eager as you are to move beyond the confines of the castle and take the wizarding world by storm, there's a part of you that isn't quite ready to leave this place you've come to call home just yet, a part of you that's still got a few more noteworthy memories to make. Luckily for you, you've got a best friend who certainly knows how to make things memorable.
Ever since that thrilling excursion to the Restricted Section back in your fifth year, the two of you have been sneaking out of your common rooms almost nightly to go on all sorts of daredevil adventures — midnight waltzes through the Forbidden Forest in search of the legendary unicorn den, swarms of lacewing flies fluttering all around you like traces of dark magic; summer nights spent sneaking out of the sweltering confines of the castle and stealing away to the lake for a refreshing swim, diving down to its depths to see if you can catch a glimpse of a pod of mermaids or the eye of the giant squid, exploring cavernous grottos hidden beneath the waterfall, turquoise and sapphires made of pure light dancing across the surface of the water by the glow of your wands.
And of course, just last autumn, the night the two of you flew to the top of the Astronomy Tower to make wishes on a shower of shooting stars, bright sparks of silver and gold lit up in his warm brown eyes as he'd gazed up at them with a wide smile on his face and slowly counted to eighteen — one wish for each year he'd been alive. You suppose it would've been a truly breathtaking sight to behold, only you were too busy gazing at something far more beautiful, charting constellations of your own design in the sun-kissed freckles that dapple his cheeks and the bridge of his nose.
Luckily, you didn't have to wait long to get your second chance, a flurry of snowflakes swirling down from the sky the night the two of you snuck back up for an encore in celebration of your birthday a few months later, green and silver scarf wrapped around both of your shoulders to keep you warm as you blew out candles lit by an overzealous Confringo cast and shared bites of a slightly lopsided cake he'd insisted on baking himself (though you suspect the only reason it was actually edible was because he'd had help from the house elves.) You never told him, but it was the best birthday you've ever had.
That's just how it was with him. Sebastian Sallow had a way of making every moment feel like an adventure.
And tonight is no exception. An owl asking you to meet him at your usual spot wakes you from your bed at a quarter 'til midnight, and the next thing you know, you're following his Disillusioned form down a candlelit corridor, traversing well-worn paths you've come to memorize like the back of your hand. You assume you're off to the Undercroft as per usual, but the longer you follow, the more it seems Sebastian has other plans (either that, or he has no idea where he's going and is simply feigning confidence — wouldn't be the first time.)
"Sebastian," you hiss, but he doesn't seem to hear you, moving ahead at the same steady pace.
You try again.
"Seb—"
"Bash—"
"Oi, Sebastard!" you call out in a series of escalating whispers, running through your rolodex of well-loved nicknames until he finally hears you, a wrinkle in the hood of his cloak catching under the candlelight as he turns his head in your direction.
"Yes, darling?" he whispers back, and you don't need to see his face to know that he's smirking underneath his cloaking charm. You're suddenly very glad for your own Disillusionment Charm — even though you know he only does it as a joke, purely to rile you up, it still makes you blush up a storm every time he calls you that. Thankfully, you have a lot of practice brushing it off.
"Did my Quaffle hit you a little harder than I thought during last week's match?" you tease, relishing every opportunity to gloat that you were the one to score the final goal and lead your team to victory. "Undercroft's the other way entirely."
"Have a little more faith in me, darling. I know exactly where we're going," he reassures you, cocky as ever. "We're simply taking the scenic route."
"I wouldn't exactly call this scenic," you snicker, casting your eyes around the bare stone walls of the corridor you're currently sneaking down.
"Are you sure about that?" he counters, throwing open the unassuming double doors at the end of the passageway with a graceful flick of his wand.
What lies beyond steals your breath away, shivers akin to a haunting melody in an empty cathedral dancing across the back of your neck as you step into a corridor bathed in glittering golds, greens, and blues, kissed by silver in the light of the full moon spilling through wall-to-wall windows, a mosaic of painted glass depicting star-strewn skies over tempestuous ocean waves, fields of wildflowers dotted between snow-capped mountains, and twisting ivy redolent of the Scottish countryside curling in curtains around a sprawling scenery of a vibrant, lush green forest.
At the very end of the hallway, you spot a familiar fixture — the Serpentine Beast Window, leading right out into the middle of the Defence Against The Dark Arts Tower. How extraordinary — a whole corridor hidden inside of a window. Nearly three years here and you're still discovering new secrets about the castle, despite all your eager exploring back when you first arrived.
"Stumbled upon this little beauty earlier today and immediately thought of you," he says softly, and then quickly clears his throat. "I mean to say, I thought you would like it. And, judging by that little dip in the outline of your cheek that can only mean you're wearing your signature dimpled smile, I'd say I was right."
You turn to face him, exchanging one beautiful scenery for another, wondering just how many of your mannerisms he's got memorized, and could know to look for even when you're nearly invisible.
"And look," he adds with a smug smile, pointing toward the little alcove with the familiar clockwork fixture sat just beneath the Defence Against The Dark Arts classroom as the two of you peer around the corner. "You see? Told you I knew exactly where I was g—"
Without warning, a bat-like figure emerges from out of the blindspot of the alcove, and the two of you immediately fall silent.
"Impertinent piece of— I know there's a secret room hidden behind here, if I could just—" Headmaster Black curses, flitting agitatedly back and forth in front of the clockwork cupboard, muttering all manner of incantations to try and figure out a way inside.
In your panic, the two of you bolt back behind the corner you've just rounded, hastily squeezing into a little recess in the wall of the corridor. You've never been the most graceful of people, tripping over your own feet and nearly falling flat on your face in your eagerness to escape, but Sebastian is well prepared for it, reaching out to steady you, grabbing ahold of your waist and pulling you into the little hideaway. Next thing you know, you're pressed right up against him, caged between the cold stained glass wall and the warm, heavy weight of his rapidly rising and falling chest, heart beating like the wings of a wild thunderbird beneath it.
You've never been this close to him before, but even though he's nearly invisible, you've all but memorized his every feature, so it's easy enough for you to map them all out — from the sharp curve of his jawline to the devil-may-care sweep of his hair, to the plush pink pout of his lower lip, and— uh oh, you're definitely staring. And maybe it's just a trick of the light, but you could almost swear he was too, that little telltale flicker as his eyes snap back up to meet yours.
Ocean blues filter through his Disillusioned form as the aquatic landscape bleeds through from behind him, making him look as though he's one with the water, moonlight dancing along the edges of his outline, igniting him in a soft silver glow. Sebastian was right, it is very beautiful in here
though you'd wager it's less to do with the colorful mosaic and entirely due to the man standing in front of you, lips a mere breath from yours, close enough to lean forward and—
Oh, you really need to sort out your priorities. If you're not careful, your less-than-pleasant headmaster will catch the two of you sneaking around past curfew, and that's worth two poltergeists on a good day. This is no time to be thinking about your best friend's lips, wondering whether they might taste like the strawberry sugar quills he'd snuck the two of you after dinner, or the spearmint toothpaste he uses every night before he goes to bed

The sound of distant footfalls headed down the opposite corridor snaps you out of your reverie, accompanied by the dulcet tones of your irate headmaster, evidently giving up in his attempts to break past the barrier into the place that's been your refuge for the past two and a half years, until all you can hear is the sound of the Defence Tower's crackling Floo flames and the frenzied staccato of both of you trying to steady your breathing.
"I think we're safe now," you tell him, whispers disguising your breathlessness.
"Hmm?" Sebastian replies with a distracted hum, gaze snapping back up from the shape of your lips for the second time in as many minutes.
Sebastian shakes his head, and for a few nerve-wracking seconds you hold your breath in fear that he can feel the sudden jump in your pulse as he leans in even closer in an effort to peer around the corner, before giving you a quick nod of affirmation and slipping out of the passageway, taking what's left of the air in your lungs along with him. The glass wall against your back suddenly feels a lot colder without Sebastian's warm weight against your chest, and for a brief moment you wonder whether you've gone mad, wishing that Black had hovered around for just a little bit longer.
"Yes, it would appear so
for now, at least," Sebastian grouses, lips twisting into a frustrated scowl. "But if Black's been sniffing around the Undercroft, then it's only a matter of time before he works out how to get inside, and that means it's as good as lost to us as a safe haven. I'm
not sure where else we could go," he says, sounding genuinely heartbroken by the notion of having to cut this little nighttime rendezvous short.
You're about to join him in his lament, when a spectacular idea comes to you.
"Oh!" you exclaim, quickly clapping a hand over your mouth when the outline of his eyebrows shoots up in alarm.
"Sorry, got excited," you explain. Sebastian's lips quirk up in fond amusement.
"Follow me," you whisper, taking him by the hand and leading him up the staircase directly across from the hidden corridor.
"Where—" he starts, but you cut him off with a cryptic, "You'll see."
Without another word, Sebastian follows you up several flights of stairs, twists and turns leading you past Charms and up through the Astronomy Tower, sleeping portraits tutting at the two of you along the way.
"Can't believe I didn't think of it before, but, well
I've only just discovered it, and we've always had the Undercroft, so I didn't think
aha! Here we are," you whisper excitedly as the two of you round one final corner, coming to a stop between a blank stretch of stone and a tapestry of Barnabas The Barmy.
Sebastian looks at you like you've gone mad.
"Darling," he drawls, the affectionate moniker dripping with the urge to tease you senseless. "That's a bare stone wall."
"Are you sure about that?" you ask in a mimic of his playful prodding from earlier, lips quirking up in a smug smile at Sebastian's gasp of surprise as an ornate doorway bleeds into view, sprawling across the stone wall like fast-growing ivy.
With a confident smile, you breeze through the door and into a spacious moonlit room decorated in a blend of botanical greenery and gothic architecture, ceiling enchanted to reflect the world outside, sky full of stars glittering through an array of blossoming vines suspended from the illusion of a skylight.
You haven't quite finished setting everything up just yet, so it's still a little messy in some areas (a seemingly endless struggle to coax the paintings and fixtures to hang just right) but you're fairly happy with what you've done with it so far. A handsome writing desk strewn with stacks of dusty old textbooks, half-finished essays, inkwells, broken quills, and a bowl magically enchanted to fill with fresh fruit whenever you enter the room (courtesy of your friend Deek, who'd noticed you missing meals one too many times because you were too wrapped up in one of your projects, and decided to intervene) sits in one corner, while a potioneer's station with a trio of burners and a potting table with nearly-sprouted dittany and mallowsweet sits in another, a whole empty corridor just waiting to be filled with anything your heart desires (your own private library, perhaps) nestled in between.
"Is this
the Room Of Requirement?" Sebastian whispers from beside you, awestruck expression on full display now he's no longer cloaked by his Disillusionment Charm. "I thought that was just a myth."
"So did I," you chuckle, lifting your own with a casual flick of your wand. "
until a fortnight ago."
Sebastian turns to look at you, eyes narrowing.
"Hang on," he says, tone changing from fascinated to guarded in the span of a few words. "You've known about this room for two whole weeks and you haven't told me?"
You can't but feel a little pang of guilt over how hurt he sounds.
"Come now, it's not like that," you assure him, reaching out to take his hand. Despite his sudden shift in mood, he immediately takes it, fingers slipping easily between your own, sighing as you rub soothing circles along his thumb.
"Like I said, I've only just found out about it," you explain. "Professor Weasley showed it to me after I spoke to her about wishing I had a quieter place to study for my N.E.W.T.s. — suppose she took pity on me, seeing as two out of three of my only years here have been plagued by nerve-wracking exams — let me turn it into my own private study, and decorate how I please. She made me swear not to tell anyone, but
well
you're my best friend, Seb, of course I was planning on telling you. I just wanted to wait until I'd finished setting everything up first," you finish, eyes narrowing at one of the paintings above your desk set several inches above the others at an odd angle.
"You are a wonder, you know that?" Sebastian laughs, warmth flooding back into his features as he gazes down at you with a fond smile, giving the palm of your hand an affectionate squeeze. "You've got all these professors fooled into thinking you're this saintly, rule-abiding student, yet here you are, sneaking out past curfew with the school's biggest mischief-maker to learn forbidden magic in a secret room you swore you'd tell no one about. We do so adore restricted areas, don't we?"
"Forbidden magic?" you repeat, arching a curious eyebrow.
"Why do you think I invited you to meet me tonight?" he says, lips curving up in an impish grin. "I've got another spell I'd like to show you."
Your eyes light up in excitement, eager as the day he taught you Confringo.
"But first, I think you owe a tour of your secret private study, starting with
whatever those are," he says, curious gaze flitting between three magnificent archways connected by an imperial staircase just across the way, slivers of gold waltzing between the branches of two majestic oak trees twisting around the entryway of the first, a lullaby of birdsong and gentle ocean waves echoing from the bright, hazy doorway of the second, climbing vines curling like serpents around water-logged trees cloaked in mushrooms and moss, casting shadows like Celtic filigree across the marble floor as the soft silver glow of magically-conjured moonlight spills down the steps leading up to the entrance of the third.
"Oh, you mean my vivariums?" you reply with an air of feigned nonchalance, smiling at the way he gazes at them with all the wonder of a small child discovering magic for the first time. "Forest, swamp, coastal, or grasslands — where would you like to start first?"
Sebastian turns to look at you, eyebrows arched in astonishment.
"You mean to tell me there's an entire ecosystem in each one of these?" he asks.
"Well, of course," you answer. "Each beast I've rescued deserves to feel right at home, wouldn't you agree?"
"You've got magical beasts in there?" Sebastian huffs out around a disbelieving laugh.
"Would you like to meet them?" you ask, lips curling up in a bright smile.
"Would I like to— is that even a question?" he asks, jubilant.
"Please, lead the way." Sebastian sweeps into a low, theatrical bow and is nearly knocked off his feet as you eagerly tug him by the hand toward the first of four doorways, stepping from the serene moonlit study into a lush green forest teeming with birdsong and honeybees, lit by the soft golden glow of warm summer sunshine.
"—should really check on everyone anyway. I set up an automatic feeder and a toy chest in each one, but they still need to be brushed on occasion so I can collect all their feathers and fur," you ramble, but your idle chatter is lost on Sebastian as he stands there in the middle of the forest clearing, gazing awestruck at a pair of unicorns — a bright white female and her little golden foal, coats adorned with a series of swirling spirals that seem to shimmer in the sunlight — trotting toward you in the distance.
"I— I can't believe it," he breathes. "After all that time we spent searching, you finally found the unicorn den."
"Do you remember that mooncalf den we found in the middle of the Forbidden Forest that one time?" you prompt, smiling at the memory of one of your many midnight forays.
"How could I forget? The way you cooed over them. Adorable," Sebastian teases you with a fond smile.
"Fifty paces east and we would've found it," you tell him, delighting in the impressed look on his face.
"Huh," he muses softly. "All that time, we were so close. Funny how often that seems to happen."
You watch his gaze drift down to your entwined hands and settle there for a moment, heart thundering to the beat of swiftly approaching hooves. Before you can think of anything to say, you're pulled out of the intimate embrace by the arrival of your unicorns, the bright white female nearly knocking you off your feet in her enthusiasm to greet you. She nuzzles at your shoulder before shooting Sebastian a curious glance, her little foal hiding behind her. You've never brought anyone else into your vivariums before, and she has every right to be wary after everything she's been through.
"It's alright. Sebastian is safe, I promise," you assure her in a comforting whisper, reaching up to stroke along the bridge of her nose. She huffs out a breath and closes her eyes, shaking her head in an effort to get you to reach a little bit higher. After a moment's deliberation, she approaches Sebastian, bowing her head and allowing him to touch her. Sebastian shoots you a wary glance, asking your permission. You give him an encouraging nod, and slowly, carefully, he reaches up to gently stroke along the same path, letting out a delighted laugh when she huffs and nuzzles against his shoulder in turn.
"This is Hazel," you tell him with a soft smile. "A lovely woman by the name of Betty Bugbrooke bonded with her when she was just a foal, came to visit her in the forest every week. But one night, they were attacked by wolves, and Hazel ran off scared. Betty worried she might be injured, or worse— that poachers might have gotten to her. She asked if I could find her, give her a safe place to recover. It was only after I brought her here that I realized she was—"
On cue, the little golden foal takes this moment to make his grand entrance, squeezing in past his mother to head-butt Sebastian in the stomach, eager for attention.
"Oof," Sebastian laughs, raising his other hand to gently stroke the foal's mane.
"And this is Hazel's son," you chuckle, glancing back and forth between the two boys. "I haven't thought of a name for him yet — he was only just born last week. Perhaps you could help me name him?"
"You'd let me?" Sebastian asks, pleasantly surprised.
"I think it's only right. He seems to have taken quite a shine to you," you smile as the little foal head-butts Sebastian's outstretched hand.
"Either that or he thinks my fingers are carrots," Sebastian laughs.
"I don't think he's quite figured out how to work the automatic feeder just yet," you venture, glancing back at the row of little wooden crates by the entryway and making a mental note to double check you've conjured the spellcraft correctly. "Would you like to feed him while I brush Hazel?"
"Sure," he says, glancing warily at the automatic feeder, not quite sure how to use it himself. "Should I just—"
Before he can finish asking, you lift your wand and produce a fresh bag of beast feed similar to the ones you've used in class, handing it off to him before conjuring your brush and heading toward Hazel.
Out of the corner of your eye, you watch as Sebastian reaches into the bag and lifts a handful of food into the air, where it floats between himself and the foal, who eagerly reaches forward to chomp at the pieces. Sebastian chuckles fondly at the hungry little unicorn and sets about trying to figure out a name for him, listing a few choices out loud and asking him what he thinks of each one in turn.
"What shall we call you?" Sebastian muses, tapping a finger against his chin. "Oh, I know! How about a wood-themed name to match your mother? Let's see
how do you feel about Hawthorn?"
The golden foal snorts and shakes his head.
"Alright, I'll take that as a no," Sebastian chuckles. "Hmm
how about Rowan, then?"
The little foal stamps his front hoof in even deeper disapproval.
"Well, we can't very well call you Dogwood," Sebastian laughs.
Hazel lets out an impatient snort as she waits to be brushed, bringing your focus rather sharply back to her. You breathe out a hasty apology, but she merely gives you a look like she knows exactly why you were so distracted.
"Hush, you," you admonish her with a small smile, reaching up to brush the tangles out of her long silver-white mane.
Hazel lets out another huff like she's sighing at you, glancing over to watch Sebastian playing with her son, red-faced and laughing as the two of them chase each other across the clearing, before turning back to level you with another pointed look, nodding her head and nuzzling her nose into your shoulder, and you think it might just be the closest anyone's ever come to getting a unicorn's stamp of approval.
A little while later, the two of you are sitting at the edge of the forest by the toy box, discarded cloaks laid out underneath you like a makeshift picnic blanket, watching Hazel and newly-named Willow chasing an unpoppable bubble around the clearing, when Sebastian lets out a long, slow, contented sigh and leans his shoulder into yours.
"I have to admit, it's a wonder I've seen you at all these past two weeks," he says with a soft chuckle, gazing out onto the golden horizon, mesmerized by the way the sunlight kisses the surface of the lake. "I could easily stay like this forever."
He turns to look at you, sunlight dancing in his warm brown eyes just like the stars had that night on the Astronomy Tower.
"Here
with you."
Breath catches in the back of your throat as you look at him, eyes trailing down the curves of his freckled cheeks to land on his lips again. Here in the soft afternoon light, his freckles are more pronounced than ever, each one a kiss from the sun. You imagine him spending his summers running around outside, tearing through the countryside on all sorts of rollicking adventures, tending to the gardens and livestock in the village on his quieter days. Perhaps that's how he developed such a sturdy build, broad shoulders straining against the sleeves of his button-up, rolled halfway to his elbows, baring toned, freckled forearms that flex with each flick of his wrist as he guides the moving path of the unpoppable bubble.
You feel your body start to lean forward of its own accord, eyes fluttering closed, but manage to stop yourself before you do something monumentally stupid like kiss your best friend in the middle of a magically-conjured forest clearing.
"Ah, but then you wouldn't get to see the rest of my vivariums," you quickly recover, jolting yourself out of the moment.
"Merlin, I forgot," Sebastian shakes his head, seemingly coming out of his own little reverie. "This is just one of three."
"Four," you correct him with a small smile. "The doorway to the grasslands sits just above the entrance to the Room Of Requirement."
"I didn't even notice," Sebastian marvels. "I was so preoccupied with the three right in front of me."
You slowly get to your feet, dusting grass off the edge of your skirt.
"Well then, are you ready to see the next one?" you ask, holding out your hand.
"Absolutely," he says, taking your offered hand, though he does most of the heavy lifting as you help him to his feet. You expect him to let go once he's standing, but he only holds on tighter, slipping his fingers back in between yours. You can't help the rush of warmth that surges through you at the contact.
"Shall we take the scenic route?" you ask, inclining your head toward the darkened forest just ahead.
"Is there any other way to travel?" Sebastian quips back, eagerly following at your side.
Jobberknolls and fwoopers fly overhead, weaving between the autumn-kissed treetops as the two of you make your way through the thicket, while kneazles chase rolling puffskeins through the leaf-strewn undergrowth. As the two of you trudge along, the forest itself grows darker and darker, fading from the warmth of a golden summer's day into a misty moonlit night, the ground beneath your boots becoming steadily more uneven and unforgiving, solid dirt and gnarled tree roots giving way to soft, muddy earth dotted with moss and mushrooms, puddles of water stretching between patches of grass and tall, swaying cattails, until you reach the very edge of the forest, opening out onto the swamplands.
Sebastian lets out a sharp gasp, faltering for a moment when he sees two skeletal, horse-like creatures with wingspans the size of a Hebridean Black swoop down from the night sky to land at the edge of the forest, one pitch black like the sky above, one as bright as the moon.
"You have thestrals?" he whispers, equal parts amazed and apprehensive.
"There's a den just north of here," you tell him, giving the palm of his hand a reassuring squeeze. "Absolutely riddled with poachers, last time I checked. It's not safe for them out there anymore, at least not at the moment. So, Deek asked me to rescue a mated pair."
"Deek," Sebastian repeats, the name somewhat familiar. "That's that house elf that's friendly with Professor Weasley, right?"
"The very same," you reply with a small smile. "He's the one who helped me set up my study, in fact; encouraged me to rescue as many creatures as I could, give them a safe place free from the threat of poachers."
"Which is how you ended up with a mated pair of thestrals," Sebastian concludes, sounding both amused and impressed.
"Gomez and Morticia," you answer with a cheerful nod.
Sebastian glances at you, one eyebrow arched in amusement.
"It's what I've taken to calling them," you say with a small shrug. "Suits them, don't you think?"
Sebastian watches the pair of bad omens curl up together under the shade of a weeping willow, Gomez stretching out his wings to wrap around Morticia's shoulders like a protective shield, before leaning forward to nuzzle his nose against hers.
"It certainly does," Sebastian replies with a soft smile.
He turns back to look at you, teasing grin returning in full. "Came up with names for all of them, have you?"
"Of course," you reply with a jovial smile. "It would get awfully confusing if I didn't, especially with an entire herd of— aha! There they are, right on cue."
One by one, all seven of your mooncalves emerge into the clearing, moonlight dancing in their big, bright blue eyes, webbed feet splashing through muddy puddles as they all come hurdling toward you, jumping up and down, enveloping you in a cuddly circle. You greet them all by name — Millie, Mooncake, Marzipan, Vanilla Bean, Snickerdoodle, Pancake, and Jellybean — giggling and cooing over them as you ask each one how they've been, who's hungry, and who needs to be brushed.
Too wrapped up in your little herd to notice the way Sebastian's lips curl up in a soft, smitten smile as he watches you, heart fluttering inside his chest at how utterly adorable you are, how big and pure your heart is. Of course you'd have a whole herd of them. He shouldn't have expected anything less.
"Where on earth did you find them all?" he asks, huffing out a laugh as one of the braver ones comes sniffing around his ankles, peering up at him expectantly.
"Poacher camps," you explain, upper lip curling in a scowl. "Every so often, I'll come across an encampment near their den in the forest, catch them before they manage to steal away with their quarry. They mostly use cages with level one locks, so they're easy enough to pick while their backs are turned, but it's not exactly the quickest process. So far, I've only been caught twice. Managed to duel my way out of trouble without too much fuss — nothing a vial or two of Wiggenweld couldn't patch up — and more importantly, without any mooncalves getting hurt in the process. Poachers scare pretty easily when they find out a student knows Confringo — thanks for that, by the way."
You look up from your little herd of mooncalves to find Sebastian staring at you in astonishment, mouth hanging open like you've just revealed some grand secret double-life, so distracted he doesn't even notice the muddy paw prints saturating the knees of his trousers as Jellybean jumps up to nose at his pocket, searching for treats.
"You—" he falters, breath coming out in a disbelieving laugh. "You're amazing, you know that? I wondered where you'd been disappearing off to whenever you weren't with me. Speaking of which
I'd like to come with you next time, if you'll have me. Help you fight the baddies, keep these little ones safe," he says, leaning down to stroke the top of Jellybean's head and letting out a contented hum when she closes her eyes and makes a high-pitched squeaking sound.
"I take back every time I've ever teased you for going soft over these little gremlins. I can see now why you like them so much," he relents, chuckling as Jellybean purrs and nuzzles her head against the palm of his hand, eager for more scritches.
"Aren't they wonderful? They're so sweet and soft and silly," you laugh as you watch a trio of little ones chasing after a tiny floating moon conjured from the toy box with all the fondness in the world. "Oh, I just love them so much."
"Is that what it takes to earn your love? I'm at least one out of three of those things," Sebastian chuckles under his breath, eyes growing wide the moment he realizes he's just said that out loud.
"Sorry, didn't quite catch that," you say, struggling to hear anything over the sound of Snickerdoodle happily crunching away as you feed him a handful of treats.
"Nothing," Sebastian lies, summoning a handful of beast feed from out of your bag with a flick of his wand. "I was just asking Jellybean here if she was hungry."
At the mention of food, all seven of your mooncalves come gallivanting up to surround you both, floating toy moon immediately forgotten.
"Alright, easy there, I promise I won't let anyone go hungry," Sebastian reassures them, laughing as their little pink tongues poke out to tickle the palm of his hand. There's no Hazel to tease you this time as you stand there, rooted to the spot as though you've just been Stunned, one breath away from sighing like a lovesick damsel as you watch Sebastian dote on your mooncalves, heart threatening to burst with the overwhelming love it carries.
You wait until the very last mooncalf has huddled in with the rest of their herd and laid their head down in the tall, swaying grasses to drift off to sleep, fur brushed and bellies full, before making your way to the next vivarium. Together, the two of you wade through knee-deep swamp water littered with lily pads and lotus flowers, cloaks soaked and caked in mud and moss, until you reach the mouth of a darkened cave, shards of moonstone jutting from floor to ceiling like rows of shark's teeth.
Led by the glow of your wands, the two of you carefully make your way through the cavernous passageway, a kaleidoscope of colors bursting across the walls each time your light shines through a cluster of crystals, until eventually, the light at the end grows bright enough to outshine even the strongest of light spells, a symphony of crickets and tree frogs and echoes of dripping stalactites giving way to the soft cries of seagulls and gentle ocean waves, moss giving way to seaweed, until the muddied puddles of the swamp meet little whirlpools of sea water.
Together, the two of you step out into a bright, hazy world lit by golden sunlight streaming through fluffy white clouds stretched across a brilliant blue sky, ocean waves crashing against massive weather-worn rocks surrounding you on all sides.
After thestrals and unicorns, Sebastian really shouldn't be surprised to learn that you have hippogriffs too, but he gasps in disbelief all the same when two of them come swooping down from the sky to land right in front of you, eager to be brushed and fed.
They're wary at first, only used to you, Natty, and Poppy from your daring rescue weekend last, watching Sebastian with a kind of cautious curiosity as he dips into a low bow, warm brown eyes fixed first to Highwing's golden gaze, and then Caligo's piercing bright blue. After a moment, the two of them bow their heads, allowing Sebastian to come stand beside you and brush them, Caligo affectionately nipping at the hood of Sebastian's cloak when he sneaks him a few extra treats from your bag of beast feed.
"Keep that up, and I bet he'll let you ride him in no time," you chuckle, plucking another loose feather from Highwing's bright white plumage and stowing it in the pocket of your cloak.
Sebastian turns to look at you, eyes wide with excitement.
Your lips quirk up in a smug smile.
"There's nothing quite like the view of the castle grounds from the back of a hippogriff," you sigh, mischief dancing in your eyes as you cast him a playful grin. "Want to see for yourself sometime?"
"Do you even have to ask?" Sebastian quips back, lips pulling up into a brilliant smile.
"Is it just the two of them in here, or are there any other surprises I should know ab—" Sebastian barks out a startled laugh as a bright white diricawl bursts into existence right beside him.
"Oh, hullo Gwyneira, nice of you to join us," you chuckle as the squat little bird marches up to the automatic feeder, bobbing and weaving without a trace of fear between the hippogriffs' taloned feet, and steals three helpings' worth of food before disappearing again with an audible pop.
You didn't think Sebastian's face had room for any more freckles, but after a long stretch of sitting at the edge of the beach, dark gray trousers rolled up to his knees, wool socks and worn leather boots discarded in favor of dipping his toes into the sand, tempting the water to come up and kiss the soles of his feet, you're proven quite wrong, a ruddy hue settling into the hollows of his cheeks as he squints against the blinding sunlight and watches in fascination as Caligo and Highwing take to the skies.
Eager to see where they're off to, the two of you make your way a little further east, where a large formation of rocks leads up a steep cliffside covered in a thick coat of lush greenery, cracked and crumbling steps ascending to the ruins of an old castle. It's a bit of a climb that's hell on both your knees, but the view at the top is well worth it, sunlight spilling over a landscape that seems to exist forever in the golden hour, rolling grasslands teeming with billywigs and honeybees buzzing about a colorful sweep of wildflowers, surrounded on all sides by majestic, snowcapped mountains.
Sebastian gazes out onto the horizon, elbows resting against the edge of the wooden guardrail fencing in the highest outlook of the clearing, mesmerized by the way the sunlight hits the glittering golds of Highwing's feathers and the cool blues of Caligo's as the two of them soar across the mountain range, when a flash of bright red wings swoops by overheard, wind curling its fingers through his hair.
"Is that— oh, there's no way," Sebastian gasps in unbridled excitement.
"Oh, did I forget to mention I have a phoenix?" you reply cooly, though your proud, beaming smile gives you away.
"Incredible," he says, a little breathless as he watches the legendary bird soar across the mountainous landscape. "Absolutely incredible."
He turns to look at you, sunlight catching against the back of his frame and igniting him in a soft golden glow, fixing you with a smile that's somehow even softer as he adds, "Every time I think I've seen everything, you always find a way to surprise me."
Sunlight spills across his features as he holds your gaze, kissing brand new freckles into the curves of his cheeks and the bow of his lips, and in that moment you've never been more jealous of the sun, longing to follow in its lead.
You're shaken out of the moment by a series of curious squeaks and whines, turning in time to see a family of nifflers eagerly waddling up the path toward you, keen to sniff you out and see if you've got anything valuable to nick. You introduce Sebastian to the felonious foursome — the infamous Irondale Pilferer, Calamity, his partner in crime, and their newborn twins, Mischief and Rascal. Sebastian greets them with a friendly smile, crouching down to tickle Mischief's belly and laughing when a handful of coins comes spilling out of her pouch. You tell him he's more than welcome to pocket them
if he can manage to keep them out of her brother's clutches.
Sebastian lets out a deep, contented sigh as he gazes out into the distance, watching as the sun slowly starts to slip beneath the mountains, bathing the clearing in hazy shades of citrus and rose.
"Blimey, how long have we been in here?" he laughs, glancing down at the edges of his nearly-dried cloak. "It feels so real in here, I'd honestly forgotten we're still in a room inside the castle, and haven't just traversed the whole of the highlands in the span of— what, a couple of hours? This place feels never-ending, it'll be a wonder if we ever manage to find our way back."
He glances over at you suddenly, a worried crease settling into his brow.
"Do you know the way back, or do we just live here now?" he asks, huffing out a nervous laugh.
"Come along, lost boy. Let's get you home," you tease, fixing him with a fond smile as you take him by the hand and lead him down a curved, winding pathway that twists around the cliff face of the clearing, tall grasses and fragrant wildflowers weaving between the pickets of the worn wooden guardrail, down down down until you reach a magnificent waterfall spilling out into a vast, glittering lake on the periphery of a familiar terrain.
As you climb down the last moss-covered boulder and make your way across the clearing, you spot Hazel curled up around her little foal, the two of them softly dozing under the shade of an oak tree, gentle sunlight spilling through its branches in a lazy waltz across the lush green grass.
Hand in hand, the two of you step back through the doorway opposite the edge of the forest, and into the heart of your starlit study.
Sebastian shakes his head like he's coming out of a trance, glancing back toward the sunlit doorway to double check it hadn't all just been a dream.
"An entire world — sorry, four entire worlds — existing inside a single room in the castle?" he marvels, breathless laughter rushing out of him as he glances around the study. "And you managed to set all this up in just two weeks?"
"Well, I had a lot of help," you're quick to assure him, not wanting to take all the credit. "From Deek and the room itself."
"But you're the one rescued all those creatures, and you chose all the decor, didn't you?" he insists, playfully knocking his shoulder against yours.
"I suppose that's true
" you relent, lips curving up in a proud smile as you glance around the room, sleek mahogany bookshelves lining nearly every wall, just waiting to be filled with all your favorites, moonlit sky casting shadows on the polished marble floor through the twisting greenery adorning the skylight up above.
"It's magnificent, by the way
your private study," he tells you, voice soft and low as he turns back to look at you.
"Our private study now, if you'd like," you correct him, mesmerized by the way the moonlight dances in his eyes.
"A secret room that's just ours alone? Oh, I like the sound of that very much," he says, voice close to a whisper now as he keeps his steady gaze fixed on yours.
It's easier to catch this time, now you're no longer under the spell of a Disillusionment Charm, the way his eyes trail down to your lips and linger there, just for a moment. Your tongue darts out to swipe across your bottom lip in instinctual anticipation, and you could almost swear you hear his breath hitch, hand gripping yours a little tighter.
And oh, you're going to do something very stupid if you don't snap yourself out of this right now.
"So," you prompt, embarrassed by how breathless you sound. "You promised to show me something forbidden tonight?"
Sebastian blinks, eyebrows jumping to his hairline.
"What?" he blurts out, half shocked disbelief, half breathless laughter.
Ah. You just clocked the way that sounded. Brilliant subject change. Spectacular choice of wording right there.
"You— you said you had a spell you wanted to show me?" you clarify, cheeks burning at the eager look in his eyes.
"Oh," Sebastian breathes, shoulders sagging a little. He shakes his head to try and clear it.
"Right, we should—" he falters, suddenly nervous, hand slipping out of yours as he makes his way into the middle of the study. (You try very hard not to mourn the loss, the space between your fingers a little too empty without his to fit perfectly between them.)
The look he gives you as he stands opposite you is apprehensive, posture worse than usual as he ducks his head down in an effort to appear smaller.
"So
" he starts, lips pulling up in a wincing smile. "I trust you remember a little spell called
" he swallows. "
the Imperius Curse?"
All the air rushes out of the room like a Dementor's kiss, fear lancing through you like slivers of ice, leaving pins and needles in its wake.
It's been over a year since the catacombs. You thought he'd put all that behind him.
"Sebastian
" you say his name like a warning.
Sebastian puts his hands up in surrender.
"Allow me to explain," he says softly. "Please."
You purse your lips, eyes narrowed. After a moment's deliberation, you let out a sharp sigh and give him an impatient look, your silence giving him permission to continue.
Sebastian breathes a sigh of relief and nods in gratitude.
"Okay, so
hear me out," he starts. "You and I have both known what we wanted to do since the end of our fifth year, yeah? But getting Outstandings in our O.W.L.s is only the beginning. If we're to have even a shot at surviving life as Curse-Breakers, then we need to be prepared for what's out there."
"Even— no, especially— all the things the school deems too dangerous for us to even know about. Honestly, what's the use in Defence Against The Dark Arts if they're not going to teach us how to properly defend ourselves against the Dark Arts?" Sebastian scoffs, rolling his eyes as he riles himself up over his longstanding disdain for the curriculum.
Your lips twitch into a small smile in spite of yourself.
Sebastian shakes his head and lets out a wearying sigh, reeling himself back in, gaze softening as he turns back to look at you.
"Listen, I know you didn't want to learn it last time
but this time, I really think you should," he insists, solemn conviction laced with an undercurrent of soft, desperate pleading. "Not for the purpose of using it on anyone, but so you can understand how it works, the kind of power that comes with wielding it, and most importantly, how to fight against it, so that if anyone is ever fool enough to cast it on you, you won't be so easily subject to their whims."
A shudder runs through the both of you at the very thought, Sebastian bristling with a kind of fierce protectiveness you've only ever seen him display for a few choice souls — his twin sister, his oldest friend, and you.
"And the other two curses?" you ask tentatively, voice low and quiet as your vision swirls with sparks of acid green and crackling carmine, a phantom burst of pain unlike anything else in this world rippling across your abdomen as the memory of cold stone beneath your hands and knees overwhelms you. "Would you have me fight against those, too?"
"No!" Sebastian says a little too sharply, terror flashing in his eyes.
He takes a deep breath, grounding himself.
"The only one I feel even remotely comfortable casting on one another is the Imperius Curse. In the right hands, it's the only one that isn't inexorably harmful
the only one anyone's ever been able to fight against. With the other two, it's really just a matter of
of dodging it," he swallows thickly, a flash of guilt tightening his jaw. "Or
or enduring it."
Sebastian's expression darkens and you know he's thinking back to the Scriptorium again, his reaction so raw and visceral it's as though you're back on a different stone floor, tears drenching the hood of your cloak as he'd clung to you, shoulders shaking in violent, body-wracking sobs.
It's not as though he's made peace with what happened with his uncle, or that he feels more remorse for one grievance over the other. You suppose it's just a little easier to contend with your past mistakes, to quiet the voices of all the people you've wronged, when you don't have to look one of them in the eye every day
when they've been nothing but kind and loyal to you, and all you did in return was repeatedly let them down.
And you know, because he's told you countless times now, that there isn't a single day that goes by where he doesn't wish it'd been him instead, that he should've fought harder against your refusal to cast it on him. But that's an empty regret, because even if you had to go back and do it all over again, you still never would have let him be the one to take it.
"I'll never cast that spell on you ever again," he says, broken, choking. "Once was already too much. I'm so—"
"I know you are," you tell him softly, the same words you've repeated countless times since that quiet little moment in the Undercroft at the end of your fifth year.
You'd kept in touch over the summer, too eager to hear from him to follow through on any half-baked notions of needing space. And a good thing, too — Sebastian, it seemed, was just as keen to hear from you in return. He'd written dozens of letters — two, three, four, sometimes five times a week, if his owl was feeling up to it (though according to one of his letters, she'd start biting his fingers if he ever reached for his quill a sixth time in the span of a single week.)
He never veered toward the topic of your magic or what happened down in the catacombs, content to talk at length about the mundanities of your day instead, asking after your fancy new life in London living all on your own in the flat Fig had left you in his will, commiserating over the hardships of settling a late loved one's affairs. He never seemed bored in the slightest, even when you felt you were droning on about nothing, always happy to hear what you've been up to, even on the days you never left the house. To Sebastian, it seemed no subject could be exhausted, especially when it came to you.
In each new letter, he'd oh-so-casually ask about one of your favorite things, from sweets to flowers to the muggle authors you'd grown up reading, and every week, you'd find a little hand-wrapped parcel among his many letters — a box of sugar quills or a chocolate frog he'd picked up in Hogsmeade the weekend before, a bright blue jobberknoll feather he'd found at a nearby den and fashioned into a quill, fresh honeysuckles and hyacinths from his neighbor's garden pressed between the pages of a quote he'd scribbled down from one of your favorite books, along with an essay on why he liked it.
He'd been keen to keep you up-to-date on how he'd been faring too, eager to keep busy and make himself useful, helping his neighbors with various errands and tasks they might need done, tending to livestock and community gardens, helping to fix up the hamlet in the wake of loyalist destruction. He spoke like he was desperate to prove himself, prove he was keeping his word. A few times, you couldn't help but giggle at the way he sounded like an overzealous suitor trying to woo his intended, keen to sell up his accomplishments.
At first, you'd thought it was simply because he was lonely, that you were his only correspondent, but then Ominis finally broke his silence in July (insisting in his letters to you that given the choice between his family's company and Sebastian's, he supposed he'd rather tolerate the latter, and not because he missed the impish bastard, or anything — his words) followed by a tentative hope you're well from Anne in August. Though she hadn't quite been ready to forgive him back then, Anne was still anxious to know how her brother was faring, not-so-subtly asking if you'd heard from him in her owls to you, and, according to Anne's letters, getting an earful from one of her former neighbors.
After Anne left Feldcroft, she'd kept in touch with one of the neighbors she'd always been closest to — a kindly old woman who used to send over home-cooked stews when Anne and Sebastian first arrived on Solomon's doorstep, and who'd apparently been singing Sebastian's praises all summer for all the hard work that nice young man had been doing to help cut back on the gnome infestation threatening to overtake her rose garden.
Evidently, there were only so many times Anne could bear to hear about that poor boy's crumpled face every time the old woman mentioned Anne's name in passing, how sweet it was that he missed his twin, but wished her luck in her travels as she took a much-needed respite to mourn the loss of their uncle, opting to stay behind and look after the estate, that she'd finally broken and decided to send him a letter. Just one line — hope you're well — but to Sebastian, it was everything.
And yet, the frequency with which he wrote to you never wavered. If anything, it'd given him even more to talk about.
You remember how excited he'd been for term to start back up again — it was all the two of you seemed to be able to talk about in the days leading up to September. You'd grown so used to his presence, even if it was only through letters, that the stroll through Diagon Alley felt rather lonely without him, as did the train ride from King's Cross (though an afternoon of stories, snacks, and Exploding Snap with Ominis, Poppy, Natty, Garreth, and Amit certainly made for a lovely journey through the countryside) but seeing as he could easily get all his supplies in Hogsmeade and simply use the Floo Network to travel to the castle, it seemed rather silly to invite him to come all the way to London, just to go all the way back.
You remember the way the floor fell out from underneath you the first time you saw him again — teeth as white as a Patronus Charm against the sun-kissed glow of his skin, an impossible surplus of freckles scattered across his cheeks and the bridge of his nose, spilling into the curves of his dimples as his lips pulled up into a bright smile, warm brown eyes lit up like afternoon sunlight across the forest floor, somehow even taller and stronger than he'd been only a few months prior as he'd rushed toward you and lifted you off your feet in a dizzying hug, shivers dancing down your spine as he'd buried his face into the crook of your neck and whispered, "Merlin, I've missed you."
By then, you'd finally begun to admit to yourself that maybe, quite possibly, you might have developed something of a small crush on your closest friend. This moment clearly endeavored to whack you round the back of the head with it.
Laughter caught like honey in the back of your throat as you'd pulled back to look at him, cheeks burning like you'd just hugged a living Confringo blast, and said, "Thought you'd be sick of me by now. We only wrote each other every day."
But Sebastian's sincerity only grew stronger.
"Never. Much as I looked forward to your letters, it's not the same as getting to see you in person. Merlin, can't believe it's been almost three months since I last saw you. You look—"
Sebastian paused, eyes lingering on the silken spill of your hair as it cascaded down your shoulders, longer now and out of its usual braid, the healthy glow that had blossomed across your cheeks from all those downtown strolls in the warm summer sun, same bright eyes, same soft smile you always seemed to reserve just for him.
"I sure hope the end of that sentence is good," you'd teased in the wake of the silence that stretched between you, momentarily worried you had some leftover pumpkin pasty on your face, or forgotten to repair a singe in your cloak.
But then Sebastian had let out the softest laugh, ducking his head in a sheepish grin and peering up at you through his lashes. And Merlin, how your heart raced.
"That's one word for it. Good. You look good," he said softly.
He looked at you for a moment longer, lips pulling up into a soft — dare you call it adoring — smile. And then he shook his head, and in the next instant it was gone, replaced by something sharper, cheekier.
"Though it appears you've somehow gotten even shorter since the last time I saw you," he added in a teasing lilt, lifting his arm and settling it atop your head as though you were a particularly moody armrest.
"Or you just shot up over the summer, you bloody tree," you'd quipped, wriggling out from under his arm, only for it to fall around your shoulders and stay there until they called for everyone to take their seats for the start of term feast.
Sebastian's laughter lanced through you like a bolt of lightning, and you spent far more time than you'd care to admit lying awake later that night wondering whether he'd planned it.
The next morning, you awoke to find him waiting for you bright and early outside of your common room, in the midst of a heated debate with the eagle doorknocker over the answer to the riddle when is a door not a door?
"When it's ajar," you'd answered as you stepped out into the corridor, eagerly accepting the freshly-baked croissant held out in his hand.
"That's—" Sebastian blurted out, flustered. "How is that more of a correct answer than a portrait? Ever heard of the Fat Lady? The painting of the ticklish pear? The doorways to both the kitchen and the Gryffindor common room are literally hidden behind a portrait. So technically, my answer was correct."
You'd never seen a doorknocker look so exhausted.
"Does this little serpent belong to you?" the bronze eagle asked you as it cast a wearying glance at Sebastian.
Now that's one hell of a riddle.
"I— yes. He's with me. Sorry," you answered quickly, turning on your heel and steering Sebastian down the corridor before the doorknocker decided to exact vengeance by locking you out of your common room later that night.
You glanced over at the serpent in question, shit-eating grin spread across his ruddy cheeks.
"Sebastian," you prompted as you took in the sight of him, out of breath as he greeted you with a cheeky hello you. "Do you know how many staircases it takes to get from Slytherin Dungeon to Ravenclaw Tower?"
"Oh bloody hell, not another riddle," Sebastian groaned.
"Seventeen," you replied, cheeks aching from the effort of trying not to laugh. "Seventeen staircases. And you climbed all of them this morning just to
what, argue the merits of what makes for a good riddle with my house's doorknocker? You do know I could've just met you in the Great Hall, right? You didn't have to go to all the trouble."
The redness in the hollows of his cheeks spread like wildfire across the bridge of his nose, nearly drowning out the smattering of freckles there.
"Well yeah, I could've just waited downstairs," he brushed it off with false bravado. "But I figured it's only right I escort my charge to her first day of classes. It is a special occasion, after all."
"Is it, now?" you asked, smile growing even wider.
"It is," he quipped. "Did you know it's officially been one whole year since the day we met?" he asked, puffing out his chest with a kind of pride that made your stomach swoop like you just fell through the vanishing step in the grand staircase.
"You mean since I knocked you on your arse?" you teased around a mouthful of warm flaky pastry and rich chocolate.
Sebastian pouted at you and made a grab to take back his croissant, barking out a laugh when you shrieked and proceeded to shove the entire thing into your mouth.
"The very picture of grace," he'd mused, smile fit to bursting as you stuck your tongue out at him.
"Speaking of which," he added, smile turning sly. "I think it's high time we had a rematch, wouldn't you?"
"Eager to make losing to me a yearly tradition?" you smirked.
"You wish," he snorted, smile fond as he rolled his eyes. "Meet me in the Undercroft after your last class, and we'll set the record back to rights."
"I look forward to sweeping you off your feet again," you countered with a playful smile.
Sebastian's eyebrows drew up the slightest fraction, lips pulling into a soft, amused smile as he let out a sound that was half hum, half laughter.
"Here's hoping one of these days I can manage to do the same," he'd mused, all the air rushing out of your lungs in a single breath as he took a step closer and reached out to swipe his thumb across your lower lip.
You had half a mind to wonder whether the duel had begun early, whether he'd been practicing wandless, nonverbal spells over the summer, and had struck you unawares with a combination of ice and fire charms, heart pounding in your chest as you watched his tongue dart out to lick a dab of melted chocolate off the edge of his thumb, darkened gaze locked on yours the whole time.
"See you then," he said, the low hum of his laughter stirring something that felt an awful lot like wings in the pit of your stomach, threatening to burst out of you and chase him down the corridor as you watched him walk away.
It took you five whole minutes to find your way to your first class, despite the fact that he'd literally walked you to the door.
You were still in a bit of a daze when you'd strolled through the sliding gate several hours later, hair wild from a particularly humid session in Potions brewing your first-ever N.E.W.T. level Draught Of Living Death, a streak of dirt on your nose from wrangling a screaming mandrake into a fresh pot of soil in Herbology — at least, that's the excuse you'd told yourself when Sebastian caught you off guard in the middle of your rematch, knocking you off your feet with a well-timed Depulso that had absolutely nothing to do with the way his forearms flexed beneath his rolled-up sleeves.
The spell hit you directly in the stomach and had you gasping like you'd just been struck by a charging graphorn. You vaguely registered the clattering of a dropped wand against worn stone, and in the next moment, Sebastian was on his knees beside you, hands reaching out reflexively and then faltering in midair, like he wasn't sure what to do, whether he was allowed to touch you.
You'd laughed it off, relieved for that first rush of air back into your lungs, head swiveling to where he kneeled beside you, preparing to see a sheepish grin, a wincing apology made less effective by a triumphant, gloating smirk, but all you saw when you looked into the eyes of your best friend was sheer terror, and you knew in an instant where his mind had gone.
Sebastian's gaze flitted between your eyes and the place you'd been hit — the very same spot his Cruciatus Curse had struck you less than a year prior.
"Oh Sebastian, it's okay," you reassured him, wincing at the slight wheeze to your voice. "I'm fine, see? It wasn't anything like—"
Sebastian's lower lip trembled, and in the next moment you'd been pulled into a tight embrace, shaking in his arms as seismic sobs wracked his entire body, an endless chorus of I'm sorry, I'm so sorry, please forgive me spilling from his lips.
You'd held him back just as tight, assuring him between gentle strokes of his hair that you'd long forgiven him, that you knew he didn't have a choice.
"But I did have a choice," he argued, pulling back to fix you with a red-rimmed scowl. "I led you down there. I insisted. I'm the one who got us into that impossible situation in the first place. I made so many terrible choices, and all that time I let myself believe it was worth it because I thought I was doing the right thing. But in the end, all I did was hurt the people I—" he faltered, swallowing around a sharp burst of nerves that only had half to do with the guilt welling up inside him.
"I've had all summer to relive what I did to you
to everyone," he whispered softly, haunted by ghosts both living and dead as he'd looked into your eyes.
It's the same way he looks at you now, desperate and pleading for forgiveness you've already granted him, absolution he still won't allow himself.
You know how much he regrets it, how deeply it haunts him, even now. You know he's changed, learned from his past mistakes, determined never to repeat them. You know you can trust him. So if Sebastian wants you to learn one of the Unforgivable Curses, then you have to trust that it must be for good reason.
"So you're telling me it's actually possible to fight against the Imperius Curse?" you ask, still wary, but, you'll begrudgingly admit, curiosity effectively piqued. "How in Merlin's name did you ever learn how to do that?"
Sebastian lets out a breath he'd likely been holding that entire time, some of the tension unraveling from his shoulders as his lips pull into a smile like he's relieved you're still standing here with him, eager to share in something new he's learned like it's just another trip to the Restricted Section.
"Well, as you may have noticed, our dear friend Ominis is not exactly thrilled about our choice of career," Sebastian starts, and you can't help the small smile that curls across your lips as a litany of passive aggressive comments about how he'd better not see the two of you anywhere near the Janus Thickey Ward when he starts his residency in June, comes flooding into your memory. Sebastian clocks your smile and his lips twitch into one of his own.
"Keeps lamenting about how he wishes we'd choose something less dangerous," he adds, rolling his eyes in a show of fond amusement. "But that if we absolutely must, then he'd rather we go in fully prepared for what's out there. I'd assumed he was just going to help us practice a few defensive spells, offer to teach us some of the healing charms he's been learning shadowing Nurse Blainey. Imagine my surprise when Ominis Gaunt, self-proclaimed opposer of anything to do with the Dark Arts, offers to teach me the ins and outs of the Imperius Curse."
That certainly does surprise you, helping to put whatever remains of your unsettled nerves at ease. You know Ominis would never agree, let alone be the one to suggest practicing dark magic unless he truly felt it would be beneficial, unless he truly believed Sebastian could be trusted with such a thing.
"We've been practicing nearly every night in the Undercroft for the past several weeks," Sebastian goes on to explain. "I'd have told you sooner, but I didn't want to risk subjecting you to such a spell until I'd grown comfortable using it myself, fighting against its effects. Now that I have
would you like to see how it's done?"
A frisson runs down your spine, and you're not entirely sure whether it's thrill, fear, or some strange combination of the two. You swallow, only trusting yourself to nod.
"Alright then, draw your wand," he instructs, taking a few tentative steps closer until he's standing right behind you, gentle hands wrapping around the wrist of your dominant hand and bringing it into the air alongside his own.
"We'll begin with the wand movements so you can establish muscle memory," he says, warm breath ghosting across the back of your neck as he speaks in a low, soothing voice, sending shivers that have nothing to do with the forbidden magic you're about to perform racing down the length of your spine.
Together, you aim for the opposite wall, following his directions as he speaks them aloud. Arc up
left
up at a sharp diagonal to the right
and then straight back down in a figure four.
After you've completed your first circuit, Sebastian takes a step back and allows you to practice a few more times on your own, making sure you've got the movements just right.
"Good," he says, sounding impressed, but not altogether surprised. "Perfect form, in fact."
You can't help the automatic smile that curves across your lips at his praise.
"Now to put it into practice," he prompts, drawing his own wand from the inside pocket of his cloak and turning round to face you.
"Do you trust me?" he asks softly, fixing you with a serious, almost pleading look, like if you answer no it's as good as casting Crucio.
"You know I do," you answer automatically. Because even though you're still a little nervous at the prospect of delving into darker forms of magic, there's no one you'd rather learn it from.
Sebastian's eyes crinkle in a grateful smile, before quickly shifting back to something more serious.
"Alright then," he says, taking a deep, steadying breath. "Prepare yourself, I'm going to cast it on you."
"I'm ready," you tell him, standing with your spine a little straighter, wand at your side.
"Imperio," he intones, wand flicking through the air in the pattern he'd just taught you.
The effect is instantaneous, a serene sort of blankness settling over your mind like you're floating through the clouds, a comfortable warmth akin to dozing off in front of the fireplace spreading throughout your entire body. Then, clear as a bell, you hear Sebastian's voice ring out inside your head, instructing you to walk over to your desk and bring him back an apple from the bowl set atop. Without even questioning it, you do so, legs moving of their own accord.
"Finite," he says as you come to a sudden stop in front of him, a bright red honeycrisp apple held out in offering in the palm of your hand. The floating high disappears instantly, leaving you feeling out of sorts, a little dazed as you stare down at the apple, almost as if you'd dreamed you'd gone to fetch it.
"How are you feeling? Are you alright?" he asks, checking you over like he's the one preparing for a Healer's career. "It can be a little overwhelming when you first experience it. Part of why I asked you to bring that," he adds, pointing down at the apple. "The sugars will help you recover."
Sebastian's always had a bit of a sweet tooth, but the sudden uptick in the sheer amount of sugar quills you'd seen stuck between his teeth as of late suddenly makes a lot more sense. Slowly, as though testing the bounds of being back in control of your own limbs, you lift the apple to your lips and take a small bite, mulling over his question.
"It was
strange," you decide, aware that's the biggest understatement of the century. "I know I should've been scared, but instead I felt oddly serene."
"That's what it does to you," Sebastian nods solemnly. "Lulls you into a false sense of security. Tricks your mind into complacency, like you're merely a vessel and someone else is steering the ship."
"I can see how it earned the name unforgivable," you agree with a grimace. "I reckon the only reason I'm not nearly as unnerved as I should be right now is because I knew you were the one casting it."
"That's exactly why I wanted to be the one to teach you," he says with renewed conviction. "In order to learn how to defend ourselves against it, it's important to practice with someone we trust."
"Which is why," he adds with a wry chuckle. "You're going to be the one casting it on me next."
Your lips part in surprise. Even though you knew it was coming, it still catches you off guard.
"Are— are you sure?" you ask warily.
"Course I am," he reassures you with a confident grin. "As I said, it's important to know what it feels like from both sides, understand the kind of power you wield."
You stare at him for a moment, mulling it over, and then give him a curt nod, taking a few steps back to allow enough room for a safe cast.
"Remember, you have to mean it," he reminds you, stowing his wand in his pocket and standing in front of you with his arms behind his back. "Concentrate. Think the command very clearly in your mind."
You take a deep breath as you square your shoulders, assume your stance, and raise your wand.
"Alright, I'm going to cast it," you tell him, giving him the same warning he'd granted you.
"I'm ready," he assures you in an echo of your words.
"Imperio," you say aloud, and a warm weight like you've just been handed the reigns to the carriage of Helios himself settles into your dominant hand. The effect on your intended target is immediate, spine straightening as he stands to attention, an eerie green glow flickering to life in the heart of his warm brown eyes.
You nearly lose your nerve when you see it, an overwhelming, all-consuming realization that you're completely in control of another human being settling into the pit of your stomach like lead, terrified that one wrong move could potentially hurt your dearest friend. But then you remind yourself that he's the one who asked you to cast it on him, that you're learning this spell for a reason, and so you close your eyes and clear your mind, focusing on the task at hand.
Walk over to the desk and bring back one of Highwing's feathers, and then place it behind my ear, your own voice rings out inside your head, clear as crystal. You open your eyes in time to see Sebastian already on the move, watching with a kind of macabre fascination as he does exactly as you'd commanded.
"Finite," you say the moment you feel the quill gently slide into place behind your left ear — though at first you wonder whether you've done it right, when Sebastian doesn't immediately withdraw his hand, instead letting it linger to brush back a lock of hair and tuck it behind your ear to join the bright white feather. You're saved from worry when he clears his throat a moment later, the bridge of his nose dusted in a curious shade of pink.
"A perfect first cast," he tells you, and although you don't necessarily want to be proud that you'd gotten such a dark spell right on your very first try, you can't help but preen a little at his praise.
"Now, I want you to try it again, but this time, let's focus on recitation," he says, backing up a few paces and resuming his stance from before. "Think the words very clearly inside your mind and watch as they come spilling out of my mouth as though we were a living ventriloquist act," he quips, lips curling up in a wry smile.
Used to his rather dark sense of humor in light of things he should probably take a bit more seriously, you merely smirk and roll your eyes.
After another steadying breath, you lift your wand and cast it again, beginning with a simple, "Hi, my name is Sebastian Sallow, and I'm a seventh year Slytherin at Hogwarts School of Witchcraft and Wizardry," watching in equal parts wonder and horror as he repeats every word you'd just been thinking in perfect recitation.
That's what an utterly ridiculous idea comes to you, and, curious to test the bounds of the enchantment beyond mere facts and figures, you instruct him to say something you know he never would of his own accord.
"Hello, I'm Sebastian Mallowsweet, and cockroach clusters are my favorite treat in all the world! I can't wait to buy a whole barrel from Honeydukes the next time I'm in Hogsmeade," Sebastian repeats in a bright, cheerful voice that makes you giggle so hard you nearly slip up and lose your hold on the spell, but not before you get him to add in a hearty, "Perhaps I'll share some with my best mate, Duncan Hobhouse, the bravest man I've ever known."
"Finite," you manage between poorly-stifled bouts of laughter.
"Oh, that's just cruel," Sebastian chides you with a playful scowl, shaking himself out of the enchantment.
"I'm not sure what's worse, the image of a whole barrel of cockroach clusters, or the idea of voluntarily spending time with Puffskein Dunkein," he adds with a sharper shudder toward the latter. "Rest assured I'll get you back for that heinous slander."
At this point you're a lost cause, laughing so hard it's like you've downed a dozen shots of giggle water, shoulders shaking as you struggle to regain composure. Try as he might, Sebastian can't even pretend to be cross with you, lips quirking up at the corners in a fond smile.
"It's a power feeling, isn't it?" he asks softly, giving you an appraising look, curious to see how you'll answer.
"Is it bad that I sort of enjoyed it?" you ask, wincing as though you've just admitted something wicked.
Sebastian studies you for a moment, choosing his next words very carefully.
"There's nothing wrong with the thrill that comes with learning a bit of forbidden magic," he says thoughtfully. "As long as you're responsible about how you use it."
"Some people learn that lesson through trial and error," he continues, lips twisting into a self-effacing frown. "And to some, it just comes naturally. Given that I am speaking to the person who had the chance to take one of the most powerful sources of magic known to wizardkind and keep it all to herself, but chose not to
I think it's safe to say you've more than proven yourself."
Your lips pull up in a small, grateful smile.
"And let's not forget one very important caveat: I gave you full permission to cast it on me and make me say whatever you wanted," he reminds you. "So let me ask you this: would you ever cast it on me without my consent?"
"Of course not!" you answer without hesitation, scandalized by the very thought.
"There you go," he says with a reassuring smile. "So, no, you're not a bad person for enjoying that little moment of power, because in the end, all you did was make a friend say something silly."
"But the kinds of people who usually wield this type of spell
well, let's just say their intentions aren't quite so whimsical," he says, grounding you back in a sharper reality, the chilling warning like a gust of wind through lantern light, reminding just how dark and twisted the path through the woods can be.
"Which is precisely why you're learning it," he says with bright conviction. "So you can understand the dangers of it, learn how to fight against it."
"Now, with your permission, I'm going to cast it again, and this time, I want you to try to break it, alright? Concentrate on channeling your own wants and needs, making your own voice louder than the one giving the commands."
You give him a firm nod of affirmation, wand held steady at your side.
"Ready?" he asks.
"Ready," you reply.
Sebastian raises his wand.
You brace yourself for it this time, try to shake yourself out of the fog the moment it hits. Just before you slip under, you see Sebastian's lips curl upward in a mischievous smirk, dark eyes glinting with mirth. It doesn't take long for you to figure out why, when, true to his promise to get you back for your little cockroach clusters prank, the words, "Sebastian Sallow is the best in our year — a dueling champion, clever as Merlin, graceful as a phoenix on the wind," come tumbling out of your mouth without your approval.
You concentrate all your effort on trying to break his hold on you, your own voice snorting with laughter inside your head as you recall that first day in Defence Against The Dark Arts when you'd knocked that cocky little smirk clean off his face with a single blow. Dueling champion, my arse.
That little burst of your own laughter grounds you, gives you clarity, strengthens your resolve to push back against the commanding voice inside your head, until you feel the curse's hold on you start to weaken, little by little, like the steady tick tick tick of an unlocking charm, before all the right tumblers and springs click into place.
Spell broken, you decide that the best way to get Sebastian back is to take his own ostentatious accolades a step further, hand over your heart as you pretend to swoon, sighing, "Devilishly charming, too. I would gladly spend hours charting constellations in the freckles that adorn his handsome face."
"With my lips," you add with a salacious wink to really drive it home, delighting in the way his whole face goes up in flames, burning brighter than a Confringo blast.
(The fact that it's all true is irrelevant. The point of the thing is to tease him, and judging by the stupefied look on his face, you've succeeded.)
"I—" Sebastian falters, embarrassingly breathless. "Hang on, I didn't tell you to say any of that!"
"That's right!" you exclaim, doubled over laughing for the second time in as many minutes. "I'd already broken your hold on me, that was me having a lark," you tell him, beaming with pride.
Sebastian looks relieved and disappointed all at once.
"That's
that's amazing," he manages. "Broke free from the enchantment on your very first try. You really are something special, you know that?"
You sweep into a low, theatrical bow like a performer on a stage, lips curving up in a smile when he snorts with laughter.
"Alright now, don't get cocky," he chides with a playful roll of his eyes. "While that was excellent for a first try, I still managed to get in a few commands before you broke the enchantment. So, we're going to keep practicing until you're able to completely throw it off from the get-go, alright?"
"Yes, professor," you tease him, stifling one last bout of giggles as he levels you with an admonishing arch of his eyebrow, though the fond upturn of his lips gives him away.
"Cheeky," he chuckles, shaking his head.
You can't help but stick your tongue out at him, further proving his point.
"Now, as you'll have no doubt noticed, fighting off verbal vs. physical commands requires different levels of concentration and technique," he continues, assuming a professorial stance in spite of (or perhaps, unconsciously, because of) your playful commentary. "One is merely a matter of holding your tongue, but it's a different game entirely having to fight for control over the entire rest of your body."
"With that said, I'm going to cast it again," he warns, wand at the ready. "And this time, I want you to practice fighting against a physical command."
"Ready?" he asks, checking in one last time.
"Ready," you nod, back straight as you prepare for the incantation.
"Imperio," he says, and in an instant, that same serene blankness creeps in, only this time, it's like you can make out distinct shapes in the fog, growing clearer and clearer the harder you focus, the more you ground yourself, holding fast to your own thoughts, your own feelings, your own desires.
His task is simple — button his cloak and straighten his tie.
You feel your feet start to move toward him, hands raising to complete the command, when—
No, your own voice rings out, loud and clear. I don't want to do that.
Your hands settle over the front of his cloak, pausing as they inch closer to the open clasp.
Button my cloak and straighten my tie, Sebastian's voice calls out again, more insistent this time. But the voice that answers — your voice — is so much louder and stronger.
No, you stand your ground, snapping back with a triumphant laugh. No, I really don't think I will.
In fact, that's the last thing I want to do right now, you muse, lips curving upward in a cheeky grin.
A heady rush of defiance and determination surges through your veins, lighting up all your nerve endings like a live wire, and in your eagerness to rebel against the enchantment, you end up doing the complete opposite of Sebastian's request, hands sliding under the fabric of his cloak and slipping it off of his shoulders in one swift, fluid sweep, silk-lined wool pooling at his feet as you dive straight for his necktie, making a fine mess of the striped emerald and silver satin in your eager attempts to loosen it, fingers curling around smooth silk and giving it a gentle tug to urge him closer, unraveling until it's completely come undone, spilling into the hood of his cloak.
You can't help but notice how pretty and pale his throat looks beneath it, adam's apple straining with each swallow, caught on the edge of a soft, stuttered groan as you slide your hands up the length of his chest, fingertips dancing across the back of his neck and threading through the soft chestnut curls at his nape. Your eyes follow the movement with a needy, yearning kind of hunger, consumed by the thought of how much prettier it would look littered with pink and purple bruises in the shape of your lips.
A sharp intake of breath sends your senses into overdrive, head swimming in an intoxicating blend of spearmint and strawberry sugar quills lingering on the edge of his lips and the tip of his tongue, and suddenly all you can focus on is how badly you want to taste it. The words kiss me ring out inside your head, desperate and longing, and for a moment, you can't tell whether it's his voice or your own imagination, caught up in a fantasy you've been playing out inside your head for the past two and a half years.
Whatever remains of the enchantment's hold on you is immediately withdrawn, sobriety washing back over you like a sudden plunge into a freezing lake, stumbling forward as Sebastian takes a few cautionary steps back. Instinctively, he reaches out to steady you, gentle hands prying yours from around the collar of his button-up shirt. He holds them there between the two of you for a moment, and then slowly glances down, letting out a small gasp when he realizes he's touching you, and immediately pulls away like he's just been burned.
He looks at you like he's afraid of you, eyes wide with panic and shame, a fiery red heat blossoming in the hollows of his cheeks.
For a moment, you're terrified you've crossed some sort of line, turned his stomach with the regret of having to eat his own words, all that lavish praise he'd bestowed upon you, all those gallant notions of a natural proclivity for responsibility, moral compass thrown off course by the magnet that always seems to pull you toward him.
Your mind reels as you struggle to process what just happened, one little moment changing the course of everything in the space of a few seconds. It all happened so fast — one minute you were fighting against the enchantment, and the next, your hands were in his hair, all sense lost to everything but how soft it felt beneath your fingertips, swept up in the way those warm brown eyes fixed on yours like he burned for you, sunlit warmth and dulcet sugar ghosting across your lips with each breath, and suddenly all you could think about was how desperately you wanted to kiss him, so focused on channeling your own thoughts and feelings into a shield to defend yourself against the curse, you unwittingly summoned everything you've ever wanted to the surface, all those long-held desires you've tried so hard to keep buried, unearthed.
You open your mouth to apologize for getting carried away, scrambling to come up with a reasonable explanation that doesn't involve spilling your deepest secrets, pouring your heart out to the man who's held it captive for years, hoping like hell the connection severed before he heard those stupid little words ring out inside your head, that you haven't completely ruined your friendship — but before you get the chance, he's the one who starts talking, a litany of apologies falling from his lips at a dizzying speed, promising you that he would never, ever use Imperio to make you kiss him of all things, begging you to trust him.
You blink in surprise. What's he on about? Of course you trust him. That was never in question. He's mischievous, certainly, a silver-tongued charmer when he wants to get his way, but you know he would never do anything as villainous as use potions or spells to try to get someone to
to

Oh.
So you hadn't imagined it, then.
His thoughts. His words. His voice. Wrapped so sweetly around those two little words.
Kiss me.
Not a command, but a subconscious desire, just like yours.
Sebastian wanted you to kiss him.
A mad, blissful smile spreads across your face, heart pounding in your throat as it threatens to leap right out of your chest. Your lips part, willing the right words to come, to assure him it's more than alright, but his anxious steamrolling doesn't give you the chance.
"I'm sorry," Sebastian cries, agonized. "I'm so sorry. You have to believe me, I would never take advantage of you like that. I swear to you it wasn't intentional, I just got carried away in the moment and it sort of slipped out. Beautiful girl tugging at my clothes like that, soft hands running through my hair, the way your eyes sort of burned when you looked at me, I—"
His expression softens to something you'd dare call smitten, lips curving upward in a big, goofy grin as he plays it back, and then quickly shakes his head, admonishing himself.
"Merlin, there I go again," he sighs, wincing in embarrassment as he chances a glance at you, an earnest longing burning in his eyes that makes your heart ache with the need to reach out and touch him. "I've tried so hard for so long to keep my feelings in check, because I know you don't feel the same way, and the last thing I want to do is jeopardize our friendship, so I—"
You're certain the end of that sentence would've been lovely and heartfelt, but you'll never know for sure, the rest of his words swallowed in a soft, surprised oh as you rush forward, closing the distance between you and pressing your lips against his. It's soft and small and tentative, hands gently cradling the sides of his face to keep you both steady, but when you pull back a moment later, Sebastian looks at you like he's just been Confunded, his face an adorable blend between shocked and hopeful, sun-kissed freckles spilling into the curves of his dimples as his lips curve into a bright, blissful smile.
And then, just as quickly as it had appeared, it's gone, replaced by apprehension and disbelief.
"Wait," Sebastian falters, holding you back at arm's length and looking you over with the same care and consideration he'd shown the first time he cast the curse on you, concern etched into his narrowed eyebrows. "Are you still under my spell?"
You can't help the smirk that curls across your lips at his choice of wording.
"In a manner of speaking," you reply, sly smile turning soft as you reassure him, "but not in the way you're thinking."
Sebastian blinks at you, confused.
"Then why would you
do that?" he asks, like he genuinely can't believe you'd kiss him of your own accord.
"Because I wanted to," you tell him, and the weight of it makes you laugh like you're about to cry. "I've wanted to kiss you for so long, Sebastian, you have no idea."
Sebastian's breath comes out in a sharp burst, redolent of that same euphoric laughter bubbling up inside your chest.
"How long?" he asks.
"Since you took the fall for me that night we got caught sneaking into the Restricted Section," you tell him, smiling fondly at the memory.
"The first time, that is," you add with a wry chuckle.
Sebastian lets out a disbelieving laugh, raking a hand through his hair and grinning at you like he would gladly go back and do it all over again.
"And you?" you ask tentatively, hardly daring to believe this is actually happening.
Sebastian's lips pull up into a playful smile.
"About five seconds after you knocked me on my arse during our first duel."
Now it's your turn to let out a surprised laugh. All that time you spent thinking your feelings were one-sided, and he's the one who fell first.
"It took you five whole seconds?" you tease, slipping easily back into your usual banter, reveling in the fact that you can freely flirt with him now.
Sebastian snorts with laughter.
"Yes, well
if you'll recall, I was rather stupid back then," he heaves a dramatic sigh. "After all, it took me two and half years to finally work up the nerve to kiss you."
"I'm the one who kissed you," you remind him, quirking an amused eyebrow at him.
"Ah, still besting me, I see," he chuckles, warm breath ghosting across your lips as he takes a step closer.
"Oh, but I wonder
do I still have the power to knock you on your arse?" you tease in a soft, low murmur.
His eyes do a slow, deliberate sweep down to your lips, tongue darting out to lick his own in anticipation, before slowly trailing back up to meet your eyes.
"Every time you smile at me," he replies with a cheeky smirk.
"You charming bastard," you chide him, laughter swallowed up in another kiss as he leans forward to press his lips against yours.
"Mmm, that reminds me," Sebastian murmurs in between stolen kisses, smiling against your lips as you let out a needy whimper, already addicted to the way he tastes.
"So, earlier
when you called me devilishly charming and told me you wanted to — what was it — chart constellations in the freckles that adorn my handsome face
you really meant that?" he teases, positively beaming.
The look on his face is so smug, you're torn between wanting to knock him on his arse again, and wanting to kiss the stupid smirk right off his stupid, handsome face. (Though you already know which one is going to win out.)
"Oh, fuck off," you laugh. "Yes, I think you're handsome and charming—"
"Devilishly so."
"Yes, yes, you absolute menace. I think we've well and truly established that I like you," you wave him off, rolling your eyes in fond amusement. "Now, shut up and kiss me."
Sebastian chuckles under his breath and starts to lean forward, stopping just short of your lips, making you let out another impatient whine.
"Just one more thing," he says, remnants of mint and sugar ghosting across your lips as he leans in close, voice dropping to a low, prowling murmur. "You are, without a doubt, the most breathtakingly beautiful person on the face of this earth, and I consider it a goddamn tragedy worse than the falling out of the founders that I've gone this long without the pleasure of reminding you every single day from the moment we met."
For a moment, all you can do is stare at him, spellbound by his words, heart aching to leap right out of your throat and build a home inside his chest right next to his own, and then you're rushing forward, closing that hairsbreadth distance that might as well be the space between two mountains, crashing your lips against his and kissing him senseless.
Your hands are everywhere, tugging at his shirt, threading through his hair, pulling him as close as possible. So lost in the intoxicating touch and taste of him that you don't realize you've been steadily moving backwards until your backside collides with the sharp corner of your desk. You let out a startled gasp that quickly turns to laughter, head lolling against Sebastian's shoulder as your own shake with self-effacing mirth.
"Are you alright?" he asks, concern akin to a battle with an ashwinder and not a piece of inanimate furniture. You manage a small nod through your laughter.
"Damn desk, bruising my girl," Sebastian scowls, the words my girl sending a thrill like a bolt of lightning right through you.
You let out a surprised giggle as he picks you up and gently places you on top of the desk, settling between your thighs.
"The only kind of marks you should ever have on you are the ones from my lips," he whispers in between soft, slow, teasing kisses up the length of your neck, sucking a bruise against your pulse point that has you curling your fingers through his hair and moaning his name.
"Always hoped I'd hear you say my name like that," he murmurs in a deep, rumbling growl you can feel thrumming between your ribs like thunder.
Eager to return the favor, you thread your fingers through his hair and give him a gentle yet insistent tug, delighting in the way it elicits a rough, guttural moan in the back of his throat, pulse point jumping beneath your touch as you run your tongue along the curve of his adam's apple.
You're fairly certain one of the buttons goes rolling off under the desk as you tear open his shirt and splay your hands across his chest, pleased to find a whole new canvas of well-earned muscle teeming with sun-kissed freckled dotted between soft patches of chestnut hair, uncharted territory just begging to be mapped out with your lips.
By contrast, Sebastian is equal parts gentle and nervous. Clumsy, trembling fingers work the buttons of your blouse and the lacings of your bra until you're completely bare before him, the flowing fabric of your sleeves hanging loosely off your shoulders. For several long moments, all he can seem to do is stare at you like you're a miracle made real, licking his lips in anticipation as his eyes rake across your breasts.
Sebastian's gaze flickers up to yours, a silent plea. You let out a soft breath, nodding eagerly. In the next second, he's pressed in close again, warm hands skimming up the length of your torso before gently settling under the swell of your breasts, holding you like you're a precious artefact, pleasure sparking low in your core as hard-earned callouses graze across your nipples with a perfect texture.
Sebastian lets out a soft hum as he feels them pebble against the palm of his hand, eyebrows arching in a kind of curious fascination as he glances down at his own hands like he's just performed a spectacular bit of magic. Freckled cheeks curve into an eager smile as he ducks his head down, pressing a series of tentative, exploring kisses from the soft slope of your breasts down to the pale peaks of your nipples, taking one of them into his mouth and applying the gentlest bit of suction as he swipes his tongue across the sensitive bud, grinning in triumph as you let out a lurid moan and arch into his touch.
He pockets that bit of very useful information for later as he slowly makes his way back up toward your lips, eager to kiss you again, peppering fevered kisses across your collarbones and up the length of your neck, not wanting to miss a single inch of skin. Within seconds, he's captured your lips in a searing kiss, one hand tangled in your hair, the other gently cradling your cheek as he kisses you breathless, groaning into your mouth as you pull him flush against you, soft breasts pressed against the hard plane of his chest, heathered skirt hiked up around your hips as he cages you in.
Sebastian's rapidly growing hardness is an insistent pressure between your thighs, sparking your own arousal in a pleasant ache that pulses through your core with each touch. In an effort to get even closer to you, Sebastian shifts, and the head of his cock inadvertently grinds between the gusset of your underwear, sending shock waves of pleasure that have you gasping into his mouth, white-knuckling the sleeves of his shirt.
You can't take it anymore. It's too much and not nearly enough all at once. You need more of him. You need all of him.
"Sebastian," you sigh, breathless between kisses. "Do you— do you have protection?"
"Protection?" Sebastian pulls back to look at you, eyebrows arched in a look of adorable confusion.
"From what? I doubt anything will attack us while we're in—" he stutters as the tip of your finger curls into the waistband of his trousers and gives a suggestive tug forward.
"Oh," Sebastian's eyebrows jump in surprise.
"Unless you don't want—" you immediately pull back, feeling foolish.
"Oh, I want," he insists, drawing you back toward him, voice rough and pleading with exactly how much he wants. "I was just caught off guard. I wasn't expecting—"
Sebastian falters, nerves ramping up again.
"You have to know, when I asked you to come out with me tonight, I wasn't expecting any of this."
"I know you weren't," you reassure him with soft, gentle strokes through his hair. "I trust you, remember?"
Sebastian nods, breathing out on a sigh of relief.
"But, yeah
if you're asking me to be honest
stick a pin in trying to be a gentleman," he lets out a sheepish laugh, one of his hands coming up to attack a phantom itch on the back of his neck. "Then the answer is a resounding, embarrassingly keen yes. I very much want to."
"I do too," you admit with a shy giggle, fingers curling under the collar of his shirt to draw him in for another, softer kiss.
The moment the words leave your mouth, two small crystal phials appear next to you on the desk, labeled in pristine print across each side: infecunditatem temporalis, XXIV h. — temporary infertility, lasting twenty-four hours.
The two of you stare down at them for a moment, blinking in surprise, and then slowly pick them up.
"Well, that's handy," Sebastian remarks with a breathless laugh. "This room really does think of everything."
"Cheers," you murmur softly, instinctually linking arms the same way you've always done for every shot of Firewhisky and post-match Butterbeer toast, before downing your respective phials in one swig.
You set them back down on top of the desk and glance up at one another, suddenly nervous.
"I've never done this before
have you?" you ask, not entirely sure you want to know the answer. You've always been exceptionally close, but you doubt he's told you everything.
"Ah well, you know me
" Sebastian starts with a cocky upturn of his lips, and then immediately deflates, letting out a long, slow, defeated sigh. He knows he'd never be able to lie to you, but a part of him momentarily considers whether he should, irrational fear mingling with a deep-seated insecurity that you'll be put off when you find out he has no idea what he's doing. He's researched, of course. Extensively. But it's not like he's ever put it into practice.
"No," he sighs, admitting it like it's some kind of flaw. "Most I've ever done is kiss someone
and that was back in fourth year
on a dare."
He doesn't miss the way your shoulders relax, relief in the form of a small smile curling across your lips, and suddenly he's very glad he never did anything for the sake of just getting it over with, rebounding his hopeless feelings with some faceless stranger wishing it was you, giddy with a heady mix of nerves and excitement that he'll get to be your first.
And if he's very, very lucky, your only.
"And since?" you nudge, keen to hear him say it.
Sebastian's lips quirk up in a playful grin.
"There's only one person I've wanted to kiss since then," he says, leaning forward to capture your lips in a slow, deep kiss.
"Only one person I've imagined lain on their back as I fall to my knees and bury my lips between their thighs," Sebastian confesses in a low, hungry growl, punctuating each word with a searing kiss as he slowly works his way down the length of your body, mouthing at your neck, between your breasts, across the ticklish plane of your stomach, until he's on his knees in front of you, gazing up at you like you're a brand new constellation in a starless night sky.
"You've no idea how badly I've been longing for a view like this," he says with an appreciative groan, kissing a hungry trail up your inner thighs. "Makes the view from the top of the Astronomy Tower look rather dull by comparison."
You can't help the blissful laugh that escapes you, legs trembling beneath his eager lips. Sebastian pauses his ministrations to look up at you, eyebrows arching in lighthearted indignation.
"Oh, I'm sorry. Did I say something funny?" he admonishes, nipping playfully at your inner thigh and making you let out a sharp peal of laughter.
"No, it's just
oh, please don't take this the wrong way, but I'm just
pleasantly surprised, is all," you giggle.
"Whatever for?" he asks, rising back up to meet you. You throw your arms around his shoulders and pull him close, pressing a kiss to the tip of his nose.
"You hear stories
about men who absolutely refuse to do that sort of thing, yet seem to expect it from their partners," you explain, thinking back to all those hushed conversations you'd overheard in the girls' lavatories, whispered in the dark before bedtime. "I suppose a part of me has always wondered whether you'd be the same. More of a taker than a giver in the bedroom."
Sebastian leans back to look at you, lips pulling into a frown.
"On the one hand, I'm insulted you think I'd do anything short of worship you," he says, diving back in to press a series of hungry kisses up the length of your neck that have you shaking in anticipation of such a promise.
"But on the other," he counters, pulling back to fix you with a teasing smirk. "It's nice to know you've spent a great deal of time thinking about what I'd be like in the bedroom."
A carmine blush creeps across your cheeks as you remember all the times you'd done far more than just think about him, careful to draw your curtains and cast a silencing charm so no one would hear you when you called out his name.
If only he knew


come morning, you'll make certain he does.
"Speaking of which—" Sebastian prompts, eyes darting around the room with an appraising frown, before landing on the desktop underneath you, broken quills and crumpled sheets of parchment hastily shoved aside to make room for your — ahem, more amorous ventures.
"This room might be fine for study and spellwork, but it's not the most romantic of places. I can fix that," he says, giving you a wry smile as he offers you his hand and helps you down from the desk.
"Just close my eyes and picture what I want, yeah?" he asks, looking to you for reassurance. You nod in encouragement, slipping your fingers between his and giving the palm of his hand an affectionate squeeze.
Sebastian closes his eyes and concentrates, summoning two and a half years' worth of fantasies to the forefront of his mind. A moment later, there's a soft grind of stone, and the two of you glance up in time to see a marble statue of an owl that's always sat in the alcove between the grasslands and the coastal vivarium twisting into an invisible recess in the floor, revealing a brand new corridor in its wake.
You let out a startled laugh as Sebastian scoops you up into his arms and carries you down the corridor, lulled by the excited thrum of his heartbeat as you bury your face into his chest and wrap your arms around his neck. In just a few short strides, you arrive at the end of the hallway, where a handsome set of oak doors adorned with elegant swirling filigree in blossoming flowers and twisting vines, crescent moons and little stars, springs to life like fast-growing ivy.
You reach out to turn the handle, and for a moment, you're plunged into total darkness, the room beyond an unfinished painting, transforming before your very eyes the moment the two of you step inside, polished floorboards rippling into place like piano keys playing an arpeggio, walls and ceiling a patchwork puzzle as they slowly piece themselves together.
Brushstrokes in deep ocean blues and dark verdant greens turn the heart of the Forbidden Forest under a midnight sky into a painter's palette, dozens of paper lanterns lit by softly flickering candlelight floating all around you like fireflies, bathing the room in hazy hues of silver and gold as they mingle with the light of the crescent moon trickling down from up above, ceiling enchanted to look as though it opens out onto the heavens, night sky glittering with thousands of shooting stars.
A trail of your favorite flower petals leads to a cozy alcove bed cradled between two recessed bookshelves brimming with pristine leather-bounds the two of you will no doubt spend hours perusing at leisure, gossamer curtains woven with intricate stars and crescent moons spilling down across the silken sheets.
The gentle cadence of rainfall taps its fingertips against the glass of an ornate three-paned window set just above the bed, painted in a perfect replica of the sprawling landscapes from the hidden corridor he'd shown you earlier in the night, while a crackling fireplace dances merrily in the heart of a cozy reading nook complete with two plush armchairs tucked together side by side.
Sebastian lets out a contented hum as the last little details of the room settle into place, glancing down to gauge your reaction, eager to know what you think.
"Oh, Sebastian," you whisper as you gaze around the room, candlelight dancing like flecks of gold in your eyes. "It's beautiful."
Sebastian beams. Of all the times you managed to leave him utterly spellbound tonight, it's a point of pride to finally be able to elicit the same response from you.
"Trust I've been dreaming of the perfect place to be romantic with you for quite some time," he murmurs, leaning down to nuzzle his nose against your cheek.
You gaze up at him adoringly and lean up to kiss him, butterflies taking flight in your stomach when you feel the hard press of his uncontainable smile against your lips.
"Now, where were we?" he whispers, whisking you away to the cozy alcove bed at the heart of the room and gently setting you down at its edge between the star-strewn curtains.
As though he can't stand to be parted from you for a second longer, Sebastian sweeps forward to capture your lips in another breath-stealing kiss, gentle hands sliding across the curve of your jaw to thread through the hair at the back of your neck, cradling the back of your head as he kisses you slowly, deeply, savoring every second.
He takes his time peeling off the layers of your clothing, unwrapping you like a gift, hands sliding between bare skin and soft cotton until your blouse comes spilling off your shoulders to pool around your waist, eager lips following its trajectory as he presses a series of adoring kisses down the column of your throat, tongue darting out to smooth across the tender, claiming bruise he'd left on your pulse point, smirking at the way it jumps beneath his touch, gently palming at your breasts as he makes his slow descent.
Where before he'd allowed himself a small taste, this time Sebastian indulges, falling to his knees and burying his face between your breasts, pressing lavish kisses in time to the beat of your heart, before taking the nipple he hadn't had the pleasure of tasting earlier into his mouth and applying a gentle suction, delighting in the way it elicits the same sinful response from you as it did before.
Not wanting to neglect either of them, Sebastian tries to mimic the same technique on the one not currently occupied by his mouth with his fingers, gently kneading the pebbled peak between his thumb and index finger. Clearly it's the right move, because the moment he does both in tandem, you let out a sharp gasp, arching your back in an effort to get even closer to him, fingers curling around the sleeves of his shirt and gripping tight.
Sebastian chuckles, a low rumbling laugh that vibrates like a crackle of thunder inside your chest as he worships every delectable detail of your breasts, until a series of pink and purple bruises in the shape of his lips starts to blossom across your skin. The sight of it stirs something primal inside him, little reminders lasting well beyond tonight that let everyone know you're his.
Sebastian would gladly spend the rest of his days buried between your breasts, but the curious, insatiable, thrill-seeking side of him is eager to keep exploring, map out every inch of your body with his hands, lips, and tongue until he's memorized every single way you love to be touched, keen to know what other addictive sounds he can get you to make.
He presses a trail of kisses down your torso, smiling when you giggle and squirm beneath him as his lips tickle the curves of your stomach, pausing when he reaches the waistline of your skirt.
"Lay back, darling. Let me take care of you," he insists in a low whisper, sending heat like an inferno straight to your core. You do as he asks, hair fanning out across the sheets, a cool press of silk against your fevered skin.
Deft fingers carefully work the buttons at your waist, unraveling your wrap-around skirt until it's laid out flat beneath you. Hands shaking from a mess of excitement and nerves, Sebastian carefully hooks his thumbs into the waistband of your knickers and slowly slides them down your legs, breath hitching when you tilt your hips to help ease them off, giving him a glimpse of your backside.
"Fuck, you're stunning," he says with a wrecked, desperate groan that has you blushing like you've just downed a shot of Firewhisky, laid bare beneath his hungry gaze as he takes a moment to drink you in.
"Can I touch you?" he asks in a quiet, almost pleading voice.
"Please," you tell him, just as desperate.
Nervous, gentle hands slide up along the outside of your thighs, smoothing over the curves of your hips before settling in the space between, breathing out on a soft, stuttered gasp as his fingers thread through the soft patch of curls at the apex of your thighs.
He skims a finger featherlight along the seam of your lips, testing the waters before delving deeper, a low groan rumbling in the back of his throat when he feels how wet you already are for him. Heat pools low in your belly as he slides between your folds in an achingly slow tease, sending shivers like shock waves rolling down the length of your spine, working you into a frenzy as careful, calloused fingers graze your clit.
Once he's satisfied you're ready to take him, fingers coated in your slick, Sebastian slips down to rub teasing circles against your entrance, driving you to the point of madness, canting your hips with soft little whines, until finally, he relents, slowly sliding his ring and middle fingers inside you and curling them in a come hither motion that has you gasping and writhing above him.
"Is this— is this alright?" he asks, concern bleeding through breathless exhilaration.
"It feels amazing, Seb," you manage, yours words barely more than a stuttered moan as his fingers twitch inside you. "Please don't stop touching me."
Your soft gasps and moans guide him to where he needs to go, thumb rubbing heady circles against your clit as his fingers curl in that blissful breath-stuttering way inside you. He works you into a maddening frenzy, pressure slowly building like an arrow being drawn across a bowstring, and Sebastian can't help but let out a low groan each time you flutter and tighten around him. If this is how incredible you feel against his fingers, he can't even imagine how amazing you're going to feel around his cock. Though that particular pleasure will have to wait just a little bit longer, because Sebastian isn't anywhere near finished with you yet.
You let out a needy whine as that delicious pressure suddenly disappears, only to be replaced by a sharp burst of breathless laughter as Sebastian grabs a handful of your backside and hauls you closer to the edge of the bed, coaxing your legs over his shoulders as he buries his face between your thighs.
"Forgive me, darling, but I need to taste you," he groans, tongue darting out to delve between your folds.
"Sebastian," you cry out as a burst of pleasure sparks through you, hands fisting in the sheets. Sebastian lets out another loud moan as you call out his name, tongue gliding down to lick at your entrance, burying himself deep enough to taste your pleasure at the back of his throat, before sweeping back up to capture your clit in a blissful blend of gentle suction and the sinful swirl of his tongue.
Slowly, carefully, he slides his fingers back inside you, curling them against that sweet spot deep within you, lips and tongue working in perfect tandem to worship your clit with the same eager attention he'd given your breasts.
You've never felt so feral in all your life, hands clutching at the sheets as you writhe above him like a wild animal in heat, Sebastian's name spilling from your lips in a flurry of sighs and soft, keening moans. With a contented hum, Sebastian reaches up to gently pry your fingers from the bedspread, lacing his own through yours and giving the palm of your hand an affectionate three-pulse squeeze, encouraging you to hold fast to him instead, not wanting to miss a single detail of just how wild he makes you.
Your other hand follows suit, seeking him out, chestnut curls even softer than the silk sheets as you curl your fingers through his hair and give him an insistent tug, and oh, he really likes it when you're a little rough with him, so desperate and needy for his touch that all you can think to do in that moment is pull him even closer, the low, throaty moans he makes every time you do only serving to heighten your pleasure as they vibrate through your core like rolls of thunder.
He brings you crashing over the edge, wrecked and breathless as you call out his name, begging him between stuttered sighs that you need him to be inside you, now.
Sebastian lets out a soft, blissful breath as he presses a few more kisses to your inner thighs, and then slowly rises to his feet, gaze locked on yours as he swipes the pad of his thumb across his lower lip, tongue darting out to lick the last of your release. The sight is obscene, riling up a primal pride deep within you that only makes you want him even more.
You sit perched on the edge of the bed, reaching up to slide his button-up shirt off his shoulders and running your hands down the length of his torso, soft curves over hard-earned muscle, freckles scattered amidst soft patches of chestnut hair like a star-strewn sky through a forest canopy, pausing to take a steadying breath as you reach the waistband of his trousers. Hands trembling from a mix of nerves and excitement, you carefully work the buttons to relieve him of his trousers, the last layer of clothing left between you.
You take a moment to drink him in, eyes raking down the length of his body in hungry appraisal, letting out a soft gasp as you take in the sight of his generous length, before slowly sweeping back up to meet his gaze again, thrill and desire outweighing any apprehension over his intimidating size. You understand now how he must have felt when he first saw you — every inch of him is absolutely stunning.
You wrap your arms around his neck to pull him down for a kiss, sending the two of you tumbling backward against the pillows, giggling and grinning as you cling to one another. Sebastian kisses you, soft and slow, his body a warm, comforting weight as he settles between your thighs, hovering above you. The two of you breathe in on a stuttered gasp as he takes himself in hand and slides the head of his cock between your folds, coating himself in a combination of his saliva and your release, hesitating as he lines himself up with your entrance.
"Ready?" he asks with a steadying breath, heated gaze locked on yours.
"Ready," you answer, just as breathless as you tilt your hips in invitation.
With a broken, blissed out moan, Sebastian slowly sinks inside, stuttered breaths ghosting across your lips as he closes his eyes and presses his forehead against your own, hips stilling the moment he hears your soft gasp from underneath him.
"How're you feeling, love? Are you alright?" he asks with an edge of panic to his voice, terrified at the thought of hurting you. He keeps still as a statue, giving you a moment to adjust to the sheer size of him.
It's indescribable — the most incredible pressure, a pleasant ache like kneading sore muscles, building and unraveling tension all at once; a feeling of fullness after a life spent starving; a kind of magic even more timeless and powerful than the rarity thrumming through your veins, wonderstruck by how perfectly he fits inside you, like the two of you were made for each other.
"More than alright," you reassure him with a breathless, euphoric laugh. "I feel amazing."
Sebastian lets out a sigh of relief.
"Merlin, that's one word for it," he breathes out on a blissful laugh, eyes rolling back at how amazing you feel wrapped around him. "You're perfect."
He leans down to kiss you, soft and slow and sweet.
"I'm going to start moving now
is that alright?" he asks after a few quiet moments, voice straining like it's been torture holding back.
"Please," you sigh, coaxing him closer as you wrap your legs around the small of his back.
Sebastian sets a slow and steady pace, achingly tender as his hips rock against yours in long, languid thrusts, pressing soft little kisses to your cheeks and the corners of your lips as he moves above you, whispering between kisses how beautiful and breathtaking you are. He's careful and controlled, each move dulcet and deliberate like a slow dance between the sheets, determined to make this perfect for you, determined to get it just right, because it has to be. Because this is you, and you are everything.
He's been dreaming of this moment for years, and a part of him still can't believe it's really happening, that he actually gets to be with you. He's spent the better part of the last two and half years convincing himself you'd never feel the same, that he was lucky just to call you his friend, selfish to want more, that he didn't deserve you
though that never stopped him desperately wanting you all the same.
He understands now why they call it lovesick — feverish blush prickling at his skin, heart beating like a staccato as he moves above you, hands trembling as they gently cradle the back of your head and draw you in for a slow, sweet kiss. It's all-consuming, burning through him in equal measures of fiery fervor and glowing embers, like he's just swallowed an Incendio charm. Incurable — though this is one life sentence he'll gladly serve.
It's overwhelming how amazing you feel wrapped around him, soft hands threading through his hair and tugging ever so gently, legs locked around his hips to keep him anchored in your depths, shallow gasps and stuttered ohs whispered in between soft sighs in the shape of his name as you gaze up at him like he is everything to you.
It would be all too easy for him to lose himself in the euphoria of finally getting to be with you, and Merlin, he wants to.
He wants all of you. It's like he can't get close enough, a primal hunger to fuse himself with you, body and soul, bury himself inside you like treasure, climb inside your chest and build a home inside your heart, dive down to your depths and spill all his secrets inside you, long-held confessions of how deeply he's fallen for you.
The words bubble up inside his chest like steam inside of a screaming tea kettle, burning his throat as years worth of messy, nerve-addled feelings threaten to spill past his lips. He wants to kiss the words into your skin, knit his love so deep within you, you feel it in your bones, with each pulse of your heart, his name a subliminal sigh with each breath you take, until you're inextricably woven together, until he's an irrevocable part of you, just as you are for him.
He aches for you to be his, because he's so desperately yours. He'd shout it from the top of the Astronomy Tower, from the stars themselves, if he could.
But if he does
he's afraid you might actually hear him. And Sebastian can't have that. He can't let you know the true depth of his feelings. Not yet. It's too soon, too much for something so fragile and new. He knows he can be a little intense, a little overwhelming. When Sebastian loves, it's fierce and unwavering, and as much as he wants to tell you, show you, how deeply he loves you, he's afraid the intensity of his feelings will drive you away.
He supposes that's one of the many reasons he's always been so drawn to more fiery forms of magic. After all, they're just like him. Fervent. Insatiable. Incendiary. Kindred — kindling — spirits. Cast with the best intentions — to protect and keep warm — but one wrong move, too much, and it becomes dangerous, destructive.
Sebastian has spent his whole life being told as much — that he's too much. Overzealous. Unrelenting. Reckless. Doesn't know when to stop. Breaks everything he touches. Loses everyone he loves.
He can't lose you too.
He's a wildfire, and you— you're a forest teeming with birdsong and greenery, and he's terrified that with one wrong move he'll burn you to the ground, when all he wants to do is keep you warm.
So he holds himself back, concentrates all his efforts into taking it slow, swallowing a symphony of lovesick confessions and pouring the softest version of his love into every touch, determined to make this perfect for you, determined to get this just right. Because maybe, if he gets this right, he'll actually be lucky enough to keep you.
"So perfect," he sighs as he moves above you, soft and sweet.
"Tell me what you need, love," he urges between stuttered breaths and slow, languid thrusts. "To make this perfect for you, too."
You can tell he's holding back — each touch a little too gentle, a little too careful, a little too reserved — and you think you know why, because you know him.
Sebastian Sallow has never done anything halfheartedly, so when he loves, it's without reservation — fiercely, deeply, perhaps a little madly.
You also know that he's lost just about everyone he's ever loved.
Though you've never actually spoken the words out loud, you know that he loves you too. It's always been there, unspoken, thrumming beneath the surface of every interaction.
You can hear it in the silence of a lazy afternoon spent cloud-watching under the shade of a flutterby tree in the summoner's courtyard, splayed hands edging across the grass until you feel the accidental brush of his pinky finger against yours.
In little gestures played off as teasing banter, covert hands sliding stacks of toast and chocolate croissants across the shared desk of your first class, wrapped in scribbled notes admonishing you for missing breakfast after yet another sleepless night.
It's in the way you wish each other goodnight, stretching out the moment with hastily stifled bouts of laughter and stolen glances over your shoulders as you watch him make the long trek back from Ravenclaw Tower to Slytherin Dungeon, hesitant to part after yet another nighttime lark, despite the fact that you know you'll see each other the very next day.
In the way he insists on coming along with you on some of your more daring ventures, pushing down his deep-seated fear of spiders and instinctively stepping between you and a thornback ambusher seconds away from incapacitating you with its venom.
You've always known Sebastian loves you, but up until tonight, you've always thought it was in the same way he loves Anne and Ominis. Fond. Familial. Kindred.
That was before you'd felt the weight of his lips against yours, the tremble in his hands as he'd pulled you close, the beat of his heart thundering in time with your own.
Now that you know it runs even deeper — not just friendly or familial love, but romantic love, too — it adds a whole new layer of vulnerability. And if he loves you the way you think he does, the same way you love him, then you know why he's holding back. Because when someone is your whole heart, the prospect of losing them is that much more terrifying.
This is a man who has endured more pain and loss than most people could even dare to imagine. This is a man filled with more fear and guilt than anyone should ever have to bear. Afraid to fuck up again. Afraid to hurt you again. Afraid to lose what little remains of the people he loves. Afraid to let himself have what he wants, because deep down, he still doesn't think he deserves it.
Afraid that he is too brash, too broken, too intense, too much for anyone to ever want, the weight of his grief too heavy for anyone else to carry, spirit too bright and burning for anyone to ever want to get close enough to touch.
And maybe he is. Maybe he is too much. But that's never stopped you wanting all of him just the same. If he is an untamed beast, then your heart is a vivarium, a home built for an occamy at its full potential. For you, he could never be too much, because you could never get enough of him.
He's a wildfire, but you've always been drawn to his warmth, his light, bright sparks lighting up your coldest, darkest nights. You wouldn't just walk through his flames, you'd dance in them, safe in the knowledge that you'll never get burned.
Because he's a wildfire, but you are a hurricane, and you're more than a match for his heat.
So when he asks you, soft and sweet, what you need make this perfect for you, that's exactly what you tell him.
"You. Just you," you sigh as you lean up to press a trail of kisses in between the freckles that dapple the pale column of his throat. "I want all of you, Sebastian. Please, show me how badly you've been wanting me all this time, too. Don't hold anything back. I can take it
anything and everything you're willing to give."
Sebastian's hips still as he pulls back to look at you, lips parted in surprise.
"Are— are you sure?"
You lean up to kiss him, slow and deep, your answer little more than a sigh against his lips.
"I'm yours, Sebastian. I've always been yours," you whisper. "Now all you have to do is take what's yours."
Sebastian gazes at you, stunned for a moment, breath catching in his throat. And then his eyes darken, and that charming smile that's always made you weak in the knees curls across his lips, adoration burning like the heart of a wildfire in his irises as he keeps his steady gaze locked on yours.
He laces his fingers with yours and pins your entwined hands above your head, holding you captive, using them as an anchoring point as he begins driving into you with rough, zealous thrusts that hit deep and steal your breath, his other hand coming up to smooth across your cheek as he pulls you in for a kiss, swallowing his own name as it falls from your lips in a stuttered sigh.
"Like this, love?" Sebastian groans, the hard line of his smirk pressed against your lips. "Is this how you want me fuck you?"
"God, yes. Please, Sebastian—"
"As you wish, darling," he growls, picking up pace even faster, his thrusts coming even rougher. "You've no idea how badly I've wanted to have you just like this."
"Tell me," you urge, voice barely more than a whisper.
A litany of lovesick confessions spill from his lips in between desperate, hungry kisses: how deeply he adores you, how beautiful you look laid out beneath him, how amazing you feel wrapped around him, how you must've been made for each other with how perfectly you fit together, how he's been dreaming of being with you like this for so long and he can't believe he's lucky enough to actually have the real thing.
How he'd love nothing more than to keep you forever, make you his in every possible sense of the word (because he's yours, he'sïżœïżœalways been yours, every beat of his heart belongs to you and you alone) wants you to feel the ache of him throbbing between your thighs days after he's made love to you, a constant reminder of what you've done together; wants to leave claiming bruises all over each other's necks so that everyone will know you belong to one another.
You tilt your head back, bearing your neck in offering, and Sebastian lets out an appreciative groan, swooping down to leave another mark right below the first, fire dancing in his eyes are he pulls back to admire his work.
"Mine," his voice rumbles through you like thunder as he presses the word into your pulse point.
"Yours," you sigh, leaning up to graze your teeth along the column of his throat, eager to claim him in return.
It's enough to drive him over the edge, burying his face in your neck and breathing in deep, greedy lungfuls like you're a burst of fresh air after a life spent drowning, praising you between hungry kisses. How he could gladly spend the rest of his life right here between your legs. How wild you drive him with the sounds you make, the way you call out his name.
"I've wanted to hear you say my name in every possible way — in laughter, in sighs, in gasps
in screams," he says with a prideful smirk as he gives a rough snap of his hips that hits deep enough to pull his name from your throat in a sharp, breathless gasp.
Sebastian lets out a low, throaty chuckle that sends shock waves straight to your core, heating burning every inch of your skin like a shot of Firewhisky as he tells you how badly he wants to watch you come undone beneath him, feel you wrapped around him as your body clings to him, see himself reflected in your eyes as you call out his name, to know that he's the only one who can make you feel like this, take you apart just to be the one that completes you.
The hand that's spent all this time tangled in your hair, gently pressed against the curve of your cheek, comes down to wrap around your waist, tilting your hips upward and pulling you roughly against him, the new angle giving him access to an even deeper sweet spot inside you, each thrust causing the space where you're connected to grind against that sensitive bundle of nerves, sending waves of pleasure radiating throughout your entire body as he keeps a steady, consistent rhythm, buried to his hips between your thighs, building you to climax until you're crashing over the edge, fingers laced with his as you fall together, fluttering around him, pulling him in even deeper, an endless chorus of I love you, I'm so in love with you, I'm yours falling from his lips as he spills deep inside you, calling out your name like it's a sacred prayer and you're his salvation.
Sebastian collapses against you, panting against your neck and pressing lazy kisses to your cheek before rolling to the side to lay on his back. You're barely able to get out a breath before he's pulling you into him, coaxing your head onto his chest, wrapping his arms around you in a protective hold, burying his face into the top of your hair and breathing you in with deep, contented sighs.
The words he'd said to you as he'd fallen over the edge repeat inside your head like a mantra, pulling your lips into a bright, blissful smile.
"Sebastian?" you ask as you snuggle in closer, heart full.
"Yes, darling?" he asks, still breathless but utterly blissed, voice muffled by your hair.
"I love you too."
You feel his whole body relax, exhaling on a long, slow, contented sigh that almost sounds like a sob toward the end, like he's relieved to hear you say it out loud.
"D'you know," he says into the comfortable silence after a few moments, lips pulled into a bright smile as he glances over at you. "I've seen entire ecosystems co-existing inside a single room tonight — bloody hell, I saw a phoenix — and all of that still couldn't even hope to compare to being with you," he marvels, still a little breathless. "To think, we could've been— I mean, two and a half years. I can't believe it took us this long to finally act on our feelings."
You lift your head, a playful look in your eyes as you gaze up at him dreamily.
"We just took the scenic route," you tell him, smiling as you lace your fingers together and press a kiss against each of his knuckles in turn.
Sebastian's chest rumbles with laughter as he nuzzles in even closer, pressing kisses to the top of your crown. You do the same to his chest, charting constellations of your own design in the sun-kissed freckles you find there, falling into a deep, comfortable sleep before you have the chance to name them all.
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queenpiranhadon · 7 months ago
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Hello! You commented on my post about my dream request so here it goes...
Pro Hero! Dynamite is dating Underground Pro Hero! Y/N. He doesn't know she's a hero, doesn’t even know she has a quirk. She has a "job" where she can travel a lot; a model for Mitsuki & Masura (they know, because parent instincts). Anyway, YN gets sent on a lot of missions with Pro Hero! Deku since he's one of the few who likes working with everybody. Dynamite sees how close they are and is seething, and end ups turning it into a huge fight.
(i woke up at this point but pls make it comfort if you can)
thank you in advance!!đŸ«¶đŸŸđŸ«¶đŸŸ
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A/N: Idk if this is what you wanted but I loved this prompt so much!! Big thanks to @zanarkandskylines for beta reading and editing this I owe you so much 😭 Here's my masterlist!
Warning(s): f!reader, Katsuki and reader are dating. and they live together, reader is an underground pro hero with a pre-established quirk, mentions of blood, Katsuki thinks reader is cheating on him with Deku, angst to fluff, characters might be a little ooc, mentions of passing out, reader cries a lot, Katsuki does too, Katsuki almost kicks reader out, cursing, Katsuki calls reader princess.
Pairing: Pro Hero! Bakugou Katsuki x Underground Pro Hero! Reader
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Shit. 
Pain flares up in your abdomen as you try not to think about the blood gushing out of your side, as the taste of iron lines your taste buds, making you want to vomit. 
You were on a mission with your close friend and pro hero, Deku, who you consider a friend till the end after endless mission assignments together. Your quirk, Rays, allowed you to control the lighting of any setting you were in- even if it were bright outside, you could plunge anything within a 100-mile radius into complete darkness if you chose to do. Along with that, you could illuminate anything within the same distance in the middle of the night. Your eyes would change colors while your quirk was active, growing lighter and darker with the lighting around you- a feature that allowed you to be hired as a model for JiyĆ«, a clothing company owned by renowned clothing designers, Mitsuki and Masaru Bakugou. They joked that that lighting always favored you during photoshoots, capturing your eyes in such an alluring way that it was almost like you were the one who made the clothing look exceptional. They’d often drop hints that you would, in fact, be a perfect fit for their hotheaded son. You’d laugh at their insistence, waving off their jokes. They never would guess the reason behind your choice of career path, especially as a secret pro hero. 
You were an underground Pro Hero by the name of Sola – specializing in espionage and stealth, a major asset to Pro Hero Deku as you balanced his brute force with elegance and mobility. You loved your job, not ever having to need to be prominent on the Hero charts and found your reward through the knowledge that you were helping others. It was silly, you thought, to sneak around with a secret identity like all the books you read, unlike the Pro Heroes you knew that basked in attention. And even though you didn’t need people fawning over you 24/7, you still had one issue with all the secrecy. 
That being your boyfriend, Katsuki Bakugou.  
You loved him with your entire heart, and more, as he did you. The both of you got together a few months after the explosive blonde had graduated from UA, your relationship blowing up the tabloids with a bang as he climbed the hero rankings. 
You trusted him with your life, and he trusted you with his heart, and yet you couldn’t tell him about your job as an underground pro hero.  
This was one of the reasons why.  
You hid behind a pillar in the abandoned warehouse you had caught a drug network alongside Pro Hero Deku. The both of you were tracking the pricks for months, coming home late every night with a new excuse to tell Katsuki. You knew it would burden him with worry, choosing to keep your secret hero identity just that - a secret, even from Katsuki. He couldn't worry about you when he had his own job as a Pro Hero to worry about.  
Not to mention he wasn’t exactly on the best terms with the greenette you worked with constantly. 
The fight ensued, you heard Deku’s grunts and the cracks of bones, no doubt his One for All in usage. You manipulated the light around him, effectively blinding your opponents while giving your partner the advantage of sight.  
You were losing blood at a rapid pace, head becoming fuzzy as your body slumps to the floor, giving into the exhaustion from overuse of your quirk. 
The last thing you heard before the world turned black was Deku’s triumphant call for you, reporting that all the villains were restrained.  
When you woke up, you were in Izuku’s apartment, head hazy and your temples throbbed like they were being stabbed repeatedly by blunt needles.  
You got up without a word, thanking Izuku for his hospitality before leaving to go home, brushing off his concerns and walking out his front door.  
Anxiety gnawed at you on the taxi ride home, subconsciously fiddling with your shirt to make sure your bandages weren’t visible, and praying to whatever deity was watching over you that Katsuki wouldn’t notice.  
You reached your apartment complex, taking a deep breath and settling for a somewhat content look, before inserting your keys into the lock and opening the door, basking in the familiar warmth of your shared home. 
Spotting Katsuki at the kitchen stove, you creep up to him and wrap your arms around his waist, to which he stiffens, but you don’t think much of it as you tighten your arms around him.  
“I’m home!” You sing, smushing your cheek against him but he says nothing.  
Worry works its way through your mind, wondering why he wasn’t responding, until his gruff voice snaps you back into focus. 
“Where were you.” he says, phrasing it like a statement, not a question.  
Your heart drops into the pit of your stomach- does he know? Did Izuku tell him?  
Wh-what?” A nervous laugh escapes you. Had you been caught? “I told you, I was in the US -” 
“Cut the bullshit.” he snaps, and you let go of him – you can physically feel your heart snap in two. “Where. were. you."
“I...” you trail off, the words caught in your throat, willing the tears that threatened to spill not to fall.  
You both stand there, wordless, staring at his eyes, full of pain.  
“You never even loved me, did you?” he says, voice cracking full of emotion, your eyes widening.  
“Katsuki no- I" You try to explain, but he cuts you off, the pounding in your head returning with the new rush of emotions.  
“Just stop. Please. Leave and never come back.” He spits out, tears finally dripping down his face. “Go fucking be happy with shitty Deku because obviously he’s a better fucking boyfriend than me.”
He thought you were cheating on him. Those late nights coming home, prolonged trips without explanation- god you were so stupid.  
You rush towards him, mind racing as you try to explain, try to fix things. You couldn’t lose him, you couldn’t- it would destroy you in ways unimaginable.  
And yet, he pushed you away forcefully, making you cry out in pain as he contacts your wound in your side.  
He almost stops breathing when he sees the blood, your blood, on his hands.  
You panic, and he grabs you by the shoulders, lifting your shirt up to reveal the bandage wrapped around your torso that the blood managed to seep through.  
“Kats-” 
“Who fucking hurt you.” he growls, low and feral- all resentment from the previous conversation melting away with the realization that you weren’t with Deku – or at least in the way he thought.  
“I’m an Underground Pro Hero.” You whisper, a desperate attempt to mask your feelings as you curl into yourself. You can’t risk looking up at Katsuki and seeing his reaction. 
“You what- fuck, you have a quirk?!” He looks at you, eyes wide.  
You nod hesitantly, his vermilion stare meeting your own, attempting to assess what else you could be hiding from him. 
“I wasn’t allowed to tell you- the Commision wouldn’t let me, I wanted to tell you so bad Katsuki, but I knew you had so much on your plate, and I didn’t want to bother you, and-” you break down, Katsuki cutting you off as he encircles you in his arms, consoling you silently, letting your distraught form melt into his embrace.  
Heaving sobs turned into choking cries, which dwindled into sniffles that lead to silence. You’d drifted off, cried yourself into a sleepy daze while he carefully cradled you in the kitchen. His own guilt ate away at him- he understood your situation, the Commission was as unsympathetic to a hero’s situation as the League was to anything. But it still hurt, that stupid Deku knew about your status as a Pro Hero before he did. He shook his head, dispersing his feelings. He hated himself for his words, for assuming the worst and thinking you were capable of doing something so low. Running his fingertips over your bandages gingerly, a pang of worry struck through him. He wiped the tears off his face, and then yours, lifting your sleeping form and headed for your bedroom. 
Right now, he needed to take care of you.  
Changing you out of your clothes, he settles you into one of your favorite worn out shirts of his, tucking you into bed before getting ready to sleep himself. 
He joins you in bed, heaving a shaky breath after everything, wrapping his arms around you, one hand placed on the back of your head and the other on the small of your back, holding you against his chest like you were made of porcelain - too scared to let you go, but scared of breaking you, too.  
“Goodnight, princess.”
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loz-furbies · 2 months ago
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Zelda ages based on when their games came out. Welcome to the team EoW Zelda!
Characters and design thoughts under cut:
For starters, I did a similar Zelda piece a few years ago and ran into the problem that I can't really draw anything else than anime teen girls, which is kind of a problem in a drawing where half the characters are above 20 and their age differences are the whole point. And in addition almost everyone is supposed to be royalty with very similar clothes too. But in my defense, in general it can be pretty hard to tell the ages of 25 to 40 year old anime women anyway.
I needed a reference for the body proportions in order to even get started, so I quickly thought "who is an anime woman who doesn't look like a teenager", and used Yor's character sheet for assistance. The younger characters' proportions are a little inconsistent, since I couldn't choose if I would look at realistic growth chart or go with the anime look (where teens and children are often shorter than they would be in real life) so the result is this weird hybrid.
Four Swords (December 2, 2022) & Four Swords Adventures (March 18, 2004) - Chronologically they are different Zeldas even though they use the same promo art/character design, so I used the promo art design for the original FS Zelda and drew the FSA Zelda based on her sprite. There's not much to these designs, they have very little going on in terms of story or personality to use as inspiration and their character design doesn't offer much anything original when compared to the other more well known Zeldas either. Their only distinct element is the big red hair bow, but I thought it would look too childish when they're supposed to be in their twenties here.
Minish Cap (November 4, 2004) - There's not a lot MC Zelda that I could use for inspiration. But then I remembered that a while ago I wrote about how the pointy hat Queen Ambi wears should be used more often, so I thought I should put my money where my mouth is and draw it here, since Zelda does wear a red cap for a couple seconds in MC. In general the MC Zelda and both FS Zeldas are at a little awkward age for this picture, since they're too old for youthful child designs but not really old enough for more mature queenly designs either.
Skyward Sword (November 18, 2011) - Her design is based on her concept design, which I assume is meant to be her casual look and not the ceremonial costume she wears in the game.
Ocarina of Time (November 21, 1998) - I decided that age-wise she makes the cut of when I start using updos. Why do the Zeldas have such similar canon hairstyles anyway, it was surprisingly boring to work with them. Still not sure about the curls though, my fancy dress design artbook that I used for inspiration had so many cute curly hairstyles but I couldn't really use any here because I worried the characters would become unrecognisable. But since OoT Zelda had some curls in her "sideburns" she fell victim here.
Hyrule Warriors (August 14, 2014) - HW Zelda has a distinct enough design from the other Zeldas that it gives a lot of elements to work with, though her age here limits it a little since she's too young for bikini armour. Also because HW is a spin off, I also considered including the Cadence of Hyrule Zelda, but that led to the realisation that it would have opened the doors to CDI Zelda as well. Which I guess would have been fine, but this is already a pretty wide drawing full of adults, so while a Cadence of Hyrule Zelda would have been easy to fit on the front row, I couldn't justify adding even more adults just for the CDI games. So only HW is included because I've played it and actually like it.
Zelda 1 (February 21, 1986) - The original Zelda is at an age where it's a little awkward how there's little difference between her (38 years old) and OoT Zelda (25). But I couldn't think of any anime that would help me as reference here, and I don't think she's old enough to have that "this character is getting old" wrinkle under her eye (you know the one).
Echoes of Wisdom (September 26, 2024) - I think she looks a bit too old here to be a zero-days-old newborn but work with me here.
Breath of the Wild (March 3, 2017) - She's actually at the age where her mum died, poor girl. She's very refreshing to work with since her look is so different from the other Zeldas.
A Link to the Past (November 21, 1991) & A Link between Worlds (November 22, 2013) - Originally I also had the Oracles Zelda in this since she does have a unique design, but then again I consider the Oracles Link to be the same as in aLttP which ought to apply to Zelda as well, plus the design isn't unique in any interesting way and is just a combination of the OoT & aLttP designs, so in the end I just gave the Oracles Zelda sprite's hair buns to aLbW Zelda. Overall having to use the essentially same design for both aLttP and aLbW Zelda wasn't much fun, especially when neither really offers anything notable in terms of story or personality, but at least they're pretty far apart when it comes to age.
Twilight Princess (November 19, 2006) - I haven't played her game so I don't know a lot about her (other than reading the manga which didn't give me anything to work with either) and she's also close to her canon age (?) here so she ended up looking pretty similar to her canon design.
Spirit Tracks (December 7, 2009) - This was a tough one because technically ST Zelda does have a lot of elements to her story and character that could work for a redesign, but not really for the purposes of this picture. Anything train related is more of Link's thing, and anything ghost related doesn't really fit either since she's not supposed to be a ghost at this age. And as for the Phantom, I got the impression that while she learned to appreciate it, she didn't exactly like using it, and that personality-wise she would prefer not to go on another similar adventure. So In the end I just replaced the regular armour parts many Zeldas have in their designs with the Phantom armour and used the ghost palette for the rest of her look, and I kind of like the result. Her personality looks a little out of character though but I couldn't resist the opportunity to draw this with Grandma Tetra.
Wind Waker (December 13, 2002) - I haven't played WW so I'm not sure how accurate this is, but drawing her with the pirate design definitely added some much needed variety to this picture. I really like her twirly hairstyle in canon, but I also really wanted to draw her with short hair, so it had to go. Maybe ST Zelda can style her hair in a twirl when she gets older to compensate?
The Adventure of Link (January 14, 1987) - Really don't know what happened here, not particularly happy with the end result. I prefer to draw the Zelda 2 Zelda with her sprite design because just reusing the OG Zelda design is boring, but I really should have kept it closer to that since now she's practically unrecognisable.
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nostalgiclittlespace · 4 months ago
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50 Things to put in your Agere Journal
An ‘About Me’ Page
A collage (I like using stickers and magazine clippings!)
A page full of your favorite stickers
List of reasons you like regressing
A list of all your stuffies
Possible names for new toys
Favorite affirmations
Character profiles for your stuffies (eg, their jobs, favorite things, etc)
Write a regression/kidcore themed poem
A letter to your Big, Little, or Future Self
Little Space Wishlist
Bedtime Routine
Sticker Chart for chores or work
Your favorite movies and TV shows
Big you VS Little you (chart, drawing, list, etc)
Glue in an envelope to keep important things in, such as stickers, notes, and small toys
Places you want to go
Note your favorite memories
Agere headcanons for a character
Draw yourself as an animal. Which would you be and why?
Draw a genie, fairy, or wizard—who have granted you 3 wishes! What are you wishing for?
A list of new foods you’d like to try
Write a review of your favorite picture book
Draw your dream paci
Write a story
Design matching outfits for you and your favorite stuffie
Make up a new game and its rules; note it all in your journal
Write a new, happy message to yourself every time you regress. You’ll eventually have a long list of positivity!
Glue pipe cleaners, buttons, yarn, and other craft supplies into a picture! (My favorite is making houses and people with them)
Top 10 Disney movies
Rules for Little Space
Lift the flaps using post-it notes (I tape the top/sticky end down so they don’t fall off)
Make a page for each color. How does this color make you feel, your favorite things of that color, stickers, etc
Uses beads, glitter glue, scented stickers, and more to make a sensory page
Make an OC. Are they from your favorite agere show? Are they an imaginary friend? What do they like to do?
Plan your ideal Little Space day
If you were a superhero, what would your costume and powers be?
Your regression triggers
Your favorite things to do at each age you regress to
Video games to play in Little Space
Make a word search (come back to it after a little while to make it trickier!)
Your favorite recipes
A page for each season—your favorite holidays, activities, the weather, stickers etc
A self-portrait
Trading cards (namely Pokémon or similar)
An invitation to your toy’s party
Little Space nicknames
A menu for playing restaurant
Signs you are regressed
Crafts you’d like to try
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scourgeofmyownbrain · 1 month ago
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This took way too fucking long- Everyone, gaze upon the Megatron/Galvatron height chart I made. If someone could get me a cold drink, I would love one, I have been working on this for the better part of a month. 26 separate designs, for one character, across 40 years of history. And I had to exclude a couple, the grand total is like 30 different ones. I left those four out because they were just pallet swaps of a design I already had; It felt redundant to include them.
This guy just can not decide if he's named Megatron or Galvatron sometimes, he just switches between the two names at random. I think in Unicron Trilogy, he switches to Galvatron multiple times, and yes, he does switch back to Megatron before every one.
My brain is kinda broken after finishing this. I worked on this one and the Optimus one at the same time (the optimus one is so much bigger holy shit-) and I've lost the ability to feel pain at this point.
Quick Disclaimer, if any of the images look weird, it's because I had to stitch a few separate images together to create a full body shot of the character.
Links to my Bumblebee Chart and my Optimus Chart. !!NEW!! -> Shockwave & Soundwave. For future reference, all these charts will be filed under my "Transformers Height Charts" tag and my "aka the adventures of a..." tag. Hopefully, my bumblebee post is acting up and idk if the same issue will happen here.
Explanations below the cut, I have to justify myself for a few of these.
G1 Beast Wars V1 - ~9 Feet (PMeg. TFWiki, he's so small. Dinosaur Man is so small)
G1 Beast Wars V2 - ~10 Feet (PMeg. TFWiki, This fucker has roller blades. I'm not fucking with you, they gave the T-Rex Roller Blades and he uses them)
G1 Beast Machines V1 - ~12 Feet (PMEG. The Wiki doesn't have any numbers for Beast machines, sadly, but I found an old forum post comparing the heights to the Beast Wars designs, so I win)
G1 Beast Wars V3/Machines V2 - ~13 Feet (PMEG. The TFWiki says this bitch is like 11.5 meters tall, but no, I've done the math, he is not. If he was, Rattrap, a character who is consistently stated to be 1.8 meters tall across multiple sources in multiple languages is actually not that tall. So no, he's about 2 and a bit Rattraps tall, and that translates to about 13 feet. And I'm pretty sure he reverts into this at some point in Beast machines, though correct me if I'm wrong)
G1 Beast Machines V3 - ~16 Feet (PMeg. This design is identical to the Optimal Optimus design so I'm gonna be lazy and use that number. Not like I have many other options.)
Beast Wars 2 - ~16 Feet (Galv. Idk, the wiki had the number and his name is Galvatron, was I supposed to ignore this? Never gonna watch it, but here it is)
Earth Spark - ~16 Feet 2 Inches (Mega. There are no actual numbers for Earth Spark (yet), but I was able to find Bumblebee's height, which I then compared to Optimus's height, and now I can compare Optimus and Megatron.
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Yay!- he's so short it's so fucking funny tiny short man universe)
One V1 - ~17 Feet (Mega. I am aware, of the supposed "Canon Heights" listed on the wiki. 32.462 feet, allegedly. But, have you considered A: These numbers are sourced from the Walmart Promotional AR Experience that came out before the movie. B: There are three decimal points, and that number does not convert into a whole number in meters (which is originally what I thought was weird about it). C: The director has said that this movie is both canon to the LA movies and its own separate canon. AND ALSO Meg is taller than Optimus the entire movie but his height is listed as shorter than him on the wiki. They are the same height by the end of the movie, I call BULLSHIT Walmart; these are not actual numbers I will ignore them POST HASTE! Sadly, Megatron has yet to appear in the KCV live-action movies as I make this, but we know Meg and OP are the same height by the end of TFOne, so knock a couple of feet off this one, and we get pre-cog height)
Netflix Cybertron Trilogy - ~18 Feet (PMeg. Slightly confusing, but there are two Megatrons in this universe, but they are two completely separate characters. This is Predacon Megatron, design-wise identical to his V1 Beast Wars counterpart, but he is much taller in this universe. So I did some admittedly deranged comparisons to other characters and I got this height. It's a similar ratio to Prime & Primal's height difference so I'm running with it)
Gen 1 V2 - ~ 18 Feet 6 inches (Galv. So the Wiki failed me on this one, but- and maybe this is backwards thinking, the WFCT Galvatron is this height, at least comparing him to WFCT Megatron, who I've decided is the same height as Gen 1 Megatron, who we actually have a number for- I am aware it's convoluted but it's all I got)
Netflix Cybertron Trilogy - ~18 Feet 6 inches (Galv. Okay so, Galvatron and Megatron are entirely separate beings in this universe, which is a large departure from Gen 1 where they're effectively the same guy, which means I could compare their heights, and this is about the height Galvatron is. And I have decided that the WFCT Megatron is the same height as Gen 1 Megatron because they're nearly identical otherwise, making the assumption that the Galvatrons are the same easy. The amount of hoops I have to jump through sometimes...)
Gen 1 V1 - ~19 Feet (Mega. TFWiki. Hey look, it's the guy that's the foundation of like 5 other character's calculations)
Prime Wars - ~19 Feet (Mega. As I've said before, I have decided that this design is the same height as the Gen 1 design, because they're identical, yes one is 2d, and the other is 3d but I don't care)
Netflix Cybertron Trilogy - ~19 Feet (Mega. You already know what I'm going to say; it's identical to Gen 1. Just try and stop me)
Unicron Trilogy V2&3/ENG&CYB - ~19 Feet (Mega/Galv. He flip-flops so much in this universe, I think Megatron becomes Galvatron 3 separate times. For the uneducated, the Unicron Trilogy has given each of its 3 seasons separate names and 3 separate art styles. These are the designs used in Energon (S2) and Cybertron (S3). The Wiki had Cybertron's numbers but not Energon's, so for my own sanity, I decided the two were the same height. I could have done something in between Cybertron's and Armada's (S1) numbers, but there was a lot of float between the two)
One V2 - 19 Feet 10 Inches (Mega. As I have stated in the previous One entry: I don't trust Walmart, Meg and OP are the same height by the end of the movie, and the KCV LA and One are kinda one universe. Optimus is this height by the end of the movie, therefore so is Megatron. How many times do I have to explain this)
Cyberverse - 21 Feet (Oh sweet, sweet "I don't have to justify or explain my numbers, I have a source". This comes from a screen-shot of this video which has the Cyberverse height chart everyone uses, though the quality of the screen shot is iffy. If anyone has a better one, I would love to see it)
RID 2001 - ~22 Feet (Mega/Galv. TFWiki. Why are there so many Megatrons who become Galvtron at random and look functionally identical to each other why does this keep happening. Also this guy transforms into a hand)
Unicron Trilogy V1 - ~23 Feet (Mega/Galv. TFWiki. I am very tired, we have another functionally identical Megatron Galvatron conversion and I am in pain)
Bayverse V2 - 30 Feet (Mega/Galv. TFWiki, Movies 4 & 5. This time, they're actually identical, and Mr. Bay has once again blessed me with numbers from all of his movies)
Aligned Cont. WF/FOC - ~30 Feet (Mega. TFWiki. Look man, I don't know how he grows nearly five feet between the games and the shows, it's just what the video game info screen said)
Animated - ~31 Feet (Mega. Animated has no actual numbers, but the lovely @phoenix-inanis has provided a frankly astounding resource with their own calculations for the heights of all the TFA characters. Go look at it, it's wonderful -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4)
Aligned Cont. TFP V1 - 34 Feet 5 Inches (Mega. Yes, this is from Fandom. But, and I will continue to say this until my lungs give out, this entire universe is just fucking enormous. Look, I believe Bayverse is the most consistent tf universe when it comes to the transformers' models and designs, and if we do some comparisons between characters with similar listed heights (I did it at the end of this post), it's way too close for me not to believe it)
Bayverse V1 - 35 Feet (Mega. TFWiki, Movies 1-3. Look at this bitch, getting his secrets exposed by Mr. Bay. Look at him, he's going to shrink down in the forth movie, gonna get dumped down to 6th place on the podium. Get Shrunk, Idiot)
Aligned Cont. TFP PR V2 - 42 Feet 7 Inches (Mega. Look at this enormous bitch, look at the freak standing there, fuckin enormous n' shit. Wack ass Unicron- Did you know that this is probably the TALLEST base form transformer ever? Excluding any super modes or upgrades or a transforming Cybertronian Base/Spaceship, just default general body size, I'm pretty sure this Megatron is the tallest Regular transformer ever)
Not Pictured: RID 2001 Galvatron Pallet - ~22 Feet (the only thing that was different between the two designs was the colours, if felt redundant to include it), Unicron Trilogy Galvatron Pallet(s) - Armada: ~23 Feet, Energon/Cybertron: ~19 Feet (Again, just the colours changed, otherwise everything else was the same)
I have done it. I have conquered my Everest. I have finished the big two charts. If anyone has any suggestions for which transformer I should aggressively analyze next please tell me I don't know which ones to do next
Here are the different layers separated out into their own pictures, I know it's kinda hard to tell everyone apart when they're all on top of each other.
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jazeswhbhaven · 2 months ago
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An Unslighty Guy | React | SPOILERS
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WELCOME BACK TO GEHENNA LOVELIES. Let's jump right in by me saying that I love the fact that Paimon is a social media content creator. It makes complete sense for him to be. This also reminds me that it's canon that Orias is also a content creator trying out facial products/makeup etc. I wonder if he links up with Paimon and Eligos at all.
Anywayssss he's filming for the meeting that happens every 5 years, and everyone is like yeah it's noisy around this time because of Sitri and Amy....lmao
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and pointing out that Eligos follows Paimon's channel is very cute. However from Mammon's event it's possible that Eligos is older than Paimon (so he'd be the senior to Paimon's junior)
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so ya'll remember when Ppyong was annoyed as fuck during Chapter 6 with all of those girls at the cafe wanting a picture with him and wanting autographs, etc. It seems the same thing carries over to Hell and he can't stand popularity but he's popular anyway. He's even rude to the fans and they don't even care they just eat it up and say they'll drink toilet water for him at this rate. I'm just like HELLO? lmao
Leraye is concerned, but Paimon teases him by telling him "when you're older you'll understand why they like him so much" and that confirms Leraye is possibly the youngest out of the Gehenna nobles. I really do wish they'd come out with an age chart or something to make this shit eaiser I STG.
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Then here comes these two cuties, and Astaroth tries his hand an interpreting what Zagan is saying, but he got it wrong like completely wrong lmao
It's cute because he even gets bummed about it and has to pet Apophis for comfort and I'm just like AWH HE WANTS TO TRANSLATE FOR THE BAB.
I wonder if it's just something he wants to be able to do just because or if he truly wants to help Zagan and they are close like how Paimon and Leraye are usually hanging out together all the time.
But the meeting is about to begin and Ppyong asks if Amy is showing up and well....
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Sitri is great at fucking acting because the way I thought he was being foreal for a second like how everyone thought Belial was dead at the beginning of Chapter 1 lmao
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Amy came in like "the fuck I am, what's good?"
I feel like personally Amy would use any and every insult known to man to throw at Sitri because he just has that much of disdain toward him and I really am itching to know why that is. I swear it's probably over something super fucking petty or small.
So we're all like omfg Sitri just sat up here and wished death on this man. Yes. Yes he did.
But they give us some insight on Amy's importance to Gehenna's army. He handles a lot of the localized battles to make sure that there's no help needed from the capital. I'm not very familiar with battle jargon so as I see simply...he's the guy that handles the little stuff so the larger scale battles can be focused on more by the other nobles and their subordinates. This sounds way more organized and detailed than our little battles don't it? Since we only have like six characters to work with lmao
But he wears Satan's jumpsuit design and so do the others in his company, so everyone knows him that way. And it turns out he's quite well liked. Sitri too.
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Is it just me or is Amy taller than Sitri? I need age and height charts n a o.
But as per usual the wording always throws me off, because "hot rough older brother" should only be used if it's the friend that's calling your brother that or something because if his peers see him as a brother but also hot??? idk whatever I'm thinking too deeply.
Point being. they both hot. they both do the thing.
So Sitri is quite pissed and pretty much ignores Amy's presence and asks Astaroth why it didn't work cursing Amy to die and it's explained that you have to say it more than once for the curse to work. (cool that Astaroth knows stuff like this). So Amy starts his little mantra of wanting the poor guy dead
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Since I know what he sounds like, it's funny to try to read this in his voice in my head.
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Sitri ain't never missed with his clapback. I swear he was just born with the ability to roast anyone at any given moment.
(it's funny because when my cat was in heat before I got her fixed she was LOUD asf like that shit would keep me up at night)
And even more so Amy tries to tell him he was gonna sit down anyway without taking orders from him and Sitri clocked him again by saying that those who cum early talk too much and those who don't talk very seldom. Out here calling him a one pump chump.
now how do you know which one he is Sitri hm???? care to share with the class??
Anyways, Satan shows up and sees the table all fucked up and he's just happy.
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He really said he here for the chaos.
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He is definitely here to start some shit and it makes me laugh because that's his entire focus. He doesn't even hide that he's trying to do it. He even told Amy to break the chair from stomping around and Sitri took it as Satan getting onto him. What's funny to me is that I think Satan literally just wanted him to break furniture so Sitri has something to say about it. I'm crying.
Amy was ready to go ya'll he told Sitri to meet him outside, square up, grab his guns, saddle up, the whole nine yards. Sitri is just like well no the meeting comes first and Satan and was like "ugh fine" and decided to pay attention to important stuff lol.
Amy apparently lost this round to Sitri because Satan forgot all about the fight and focused on the meeting instead.
Also from that screencap above I'm definitely not trippin' Amy is taller than Sitri and Satan like WHAT is his height hello?
SO it's five years later and the meeting happens again, and Amy kept that energy because once Sitri came through that door?
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it was on sight. lmaoooooo
Also wtf Amy why is your bosoms so big and taking up the screen. Maybe that's why you're mad because Sitri's got the badonk booty and you don't because it's all in your chesssttt.
anyways
There's more banter between these two and the other nobles are just standing by watching as per usual until Ppyong genuinely wants to know why they hate each other so much if they were in the same class when enlisted.
It also sounds like Sitri knew Satan before that and decided to become his right hand devil at the same time. Hm.
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So in other words "if they keep at each others throats like that they actually like each other they just don't know how to show it"
Satan even does the "hehe now kisssssss" move
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Now this little CG is adorable. Astaroth pulled out his 3D glasses, Paimon has his camera ready...I love them so much this is hilarious.
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Awh grumpy Paimon is grumpy. He wanted the picture because it was gonna get a million views lmao
And Leraye is right on the money, because how did Amy and Sitri know to turn their heads at that exact moment?
clocked 'em
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Satan is thirsty now because he's blissfully unware that he almost made them kiss. Sitri wants to brew tea, but Amy is like "nah we ain't got time for that I'll go on a drink run <3"
Then...
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they literally became my favorite gif
So while they have their stare down, Leraye saves the day by saying it's too hot to have Sitri slave over a hot stove making tea so having Amy go on a drink run is much faster.
So he orders iced tea (iirc), Paimon wants orange juice, Astaroth???
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sir wth does this even mean? like? 😭😭
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Anyways while Sitri was kinda ticked off that Amy went to go fetch the drinks instead of him, he didn't really fight it that it would be faster. Amy also appreciated that everyone had his back on this decision.
Which btw he got those drinks quick asf, like where did he even find all of this?
purified water from the golden river of tartaros??? Where do they sell that? cold ade sounds like gatorade/kool-aid or something and juice yeah you can get that anywhere and cold coffee for belial and Astaroth
oh no what about my bby Zagan :(((( no drink for him?
but he even got Sitri a drink....except...
He done got this man a bottle of fucking sesame oil dressing...two fucking liters of it.
"Don't be frugal" he says.
What kinda petty ass childish shit LMAO I'd literally pour it on his head for bringing that to me. Satan laughed though so I guess that's his kind of humor, and everyone else tried to not laugh either. Sitri ofc was not amused lol but I guess Amy won this round.
So it sounds like tomorrow we will FINALLY know why they hold these meetings and why it's spread out by five years each time.
So far I'm really liking the banter between the two. It's really something. it also makes me want to really write them together b a d l y. Like there's so many things I could give the reason for why they hate each other so much.
But that's day one and two ya'll. Thankfully nothing has me off track so I can follow each day at a time ^^
See ya'll at the next react lovelies <3
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jojo-schmo · 2 months ago
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How did you come up with roleswap Elfilis' design? It's really cool!
Hi! Thank you so much! :D I'd love to share my thought process! Gather round the armchair by the fireplace, friends! It's story time!
I've said before that the Forgotten Land Roleswap started off as a doodle that swapped Dedede and Bandana Dee's roles as Player 2 and the Brainwashed Beast. But when I realized how fun that one little change was, how about EVEN MORE changes? That's how my one-time doodle turned into the full AU story. I swapped Meta Knight and Kirby, Clawroline and Leongar, and Sillydillo and Gorimondo- and because the story is so Waddle-Dee centric, I promoted Dedede to "Player 1" since the stakes would be higher for him as their King.
So now I had a story that had a lot of opposite traits to canon and I wanted to explore that further! When it came to the matter of Elfilin, I thought he would probably behave too similarly towards Dedede and Meta as he did to Kirby and Bandee. He'd be friendly and trusting, communicative, optimistic, knowledgeable, and cooperative. So how about providing them a travel companion who is defensive, has trouble communicating, a little wild, uninformed about themselves and the world around them, and has a bit of a temper?
But working with all these opposite traits didn't feel in-character for Elfilin anymore. So my natural next step was to swap Elfilin with Elfilis and make a new version of the Forgotten Land's lost little pup!
Enough yapping about the context behind my decisions, tho. How'd I come up with Roleswap Elfilis' design?
I see you out there, Fecto Forgo fans. Maybe somebody out there's thought, "Roleswap Elfilis does not look like them! Why not? That's what the other 50% of the Ultimate Life Form looks like! I demand justice for the angry glowing rat fetus!"
Maybe nobody has ever thought this. But I wonder sometimes lol
Your feelings are valid, friends. Please lemme explain my reasonings.
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This fella, to me, is the abandoned wet specimen left to float in a jar for who-knows-how-long after a forcible physical and mental separation via spatial teleportation shenanigans. And I think part of their appearance is due to their role as the trapped and forgotten half.
The role of the half that got away fully formed his own body and inherited some traits from the complete being-
For Elfilin in canon, he got ears that are proportionally huge compared to the rest of his body, blue eyes that sparkle with the light of a thousand destroyed planets, a tiny bit of pink fur for his adorable blushies, and a really long fluffy tail. Maybe becoming a being free of chaos gave him those sweet eyes like Kirby and the Waddle Dees have.
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My reasoning is that whichever half ends up escaping the Lab and fully forming their own body, they would carry the major physical traits the other wouldn't inherit.
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Anyway, that left Elfilis with the horns, colorful and expressive eyes, whiskers, beige chest fluff, opposable thumbs, and pink tummy fur.
Elfilin gets the long tail in the bodily divorce so Elfilis has a short stubby little cotton tail like a bunny. Like if he ended up with just the very tip of the Ultimate Life Form's tail.
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Behold this diagram above I came up with two years ago! Disclaimer: the canon Elfilin is the one in the chart. And I draw him a little differently these days lol. I ain't showing anyone how he ended up in the Roleswap yet tho!!!! >:0
But Roleswap Elfilis is more than just "baby version of the Ultimate Life Form..."
All the differences in the Forgotten Land Roleswap from canon stem from one event in the timeline. One change that I added to the events that were already supposed to take place. It's why the Ultimate Life Form split differently. Why the Beasts have different roles and aesthetics. Even why the portal took Bandana Dee and Kirby before Meta Knight and King Dedede.
How did that saying go again? The flap of wings somewhere can influence a bunch of huge changes somewhere else down the line...? What was the name of that theory again....? Hmm. Not important, I guess.
Anyway, the end!! You sly dog, you got me monologuing!!1! /lighthearted
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redhoodinternaldialectical · 10 months ago
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Thoughts on Jason Todd’s choice of weaponry?
:D an ask! Yay!
Oooh, lets see, I'll start with the crowbars because I appear to be like one of three people on the entire planet who actually likes them.
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They're a tacky as fuck riff on the fact that Jason's death is central to his character. They overemphasize the manner in which he died, muddy the waters about what part of his death is important to him, and strangely cheapens the manner in which he died through the parody feel of it.
No one seems to really disagree with my analysis here, but I happen to enjoy that about them and think it's very on brand for Jason. What can I say? They're fun!
Best Quality - His Wiggles
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This ultra-sharp curved blade used to be his signature character design feature, the way the white streak in his hair is now, and I'm really not sure why it didn't stick!
Best weapon he's ever had, bring it back please!!!!!
The All-Blades
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hmmmmmmmmmmmmmm....
HMMMMMMMMMMMMMMMMMMMMMMM...
I have mixed feelings about the All-Blades. Like much of Lobdell's work: phenomenal idea, poor execution. Giving the guy who is most known for being morally grey a set of powers that is exclusively based on moral absolutes sucks shit, I gotta be honest, and the trick he pulled on the blood blade was cool but ultimately does nothing to solve those problems.
HOWEVER
I want to love them so fucking badly. A set of glowy soul blades is a dope sicknasty off the chain concept and I wish the well wasn't poisoned with the moral implications and the restrictions to use them only on the "Untitled", a set of enemies that only exist for Jason so far as I can tell. If someone seriously took Jason down a magic based path that removed the DnD alignment chart bullshit, I would be so game to see them come back! Hell I wouldn't even insist on a better cooler design for them!
...though uh, yeah those are the least interesting magic sword designs I've ever seen tbh
Normal Ass Swords
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They're alright I guess. Like, there's nothing in it really, but it's not bad?
Guns - Real Bullets
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Excellent, evocative yet simple, straightforwards and to the point. It makes hella sense thematically to boot, love this for him, please give him back his pistols and miniguns and shit
Guns - Rubber Bullets
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Hate. HATE. hate ick disgusting bad NO.
I just fucking hate rubber bullets, like, as a concept. I refuse to accept "non-lethal" bullets as a valid use of gun, either in real life or in fiction. Guns are for putting many holes in things very fast!!!! If you're gonna use a gun, fucking well own up to that!!! Do not play this silly ass game of pretending that you can change out the material and do the same things as with lead bullets but with the video game status effect of "non-lethal" applied. YOU ARE GIVING PEOPLE SMALL CIRCULAR BRUISES. This is still harmful, yes, ooph ouchie, but it is not even slightly a good use of a gun, you are wasting holster space, and carry weight, and the physical materials used to make it all!!
JUST USE A FUCKING STICK! YOU DON'T RUN OUT OF STICK AMMO!
My belief in his capacity to take out enemies is shattered the instant those fuckers are on panel. Maybe this ain't entirely rational, or realistic to how fights go with rubber bullets IRL, but I hate them so much on principle that I will ignore any counterargument you might have that they'd work. I will die on this hill. Rubber bullets BAD. Please stop making him use this!!
Bombs
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Love it, give him more bombs forever
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ka-BOOM!!!!
His Brain
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This is actually his best weapon - sorry wiggly knife, you're being shunted down to number 2 on a last minute technicality! I think Jason is at his best when he's outsmarting people and making long term fucked up schemes to ruin people's lives.
He's so good at it! It's so fun to watch him do it!
Genuinely a shame that this facet of him was mostly lost after Flashpoint, though to give credit where it is due, in Rebirth Jason did ruin the Penguin's life in an impressively elaborate way, which I did really enjoy. I want to see him be a tactical deliberate menace to one person in specific again idk, that's part of why I do kinda agree that he works better as an antagonist than a protagonist - which it should be noted does not mean I think he works better as a villain necessarily, his ethics aren't what matter here - he's just had his best moments as the schemer, and it's hard to have a protagonist schemer even when you make them ethically the good guy.
I hope you enjoyed my nattering on about Jason's weapons :D thank ye again for ask!
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yumeka-sxf · 1 year ago
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Spy x Family Exhibition Pamphlet
I got my copy of the Spy x Family exhibition pamphlet! I wanted to make HD scans of some of the notable pages and try to translate if I can.
First off is this great "Main Character Correlation Chart" (sorry for my amateur editing, all I have is MS Paint!)
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I love how Bond has a different "bofu" (woof) for Loid and Yor!
Several of the pages show the creation process of the manga, starting with rough sketches to final drafts, using chapter 1 as an example. There were a lot of pages for this, so I just scanned the ones that showed the end of the chapter.
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Probably the most interesting pages of the pamphlet are the early character designs/concept sketches. Most of these have already been shared by @sy-on-boy on her post here, but I thought it'd be cool to have them in HD! Unfortunately, even with higher quality images it's very difficult to decipher Endo's handwriting. I could make out just a few words here and there, and Google Lens is very unreliable when the writing isn't clear.
The first page has early concepts for the Forger family, Loid, Anya, the WISE logo, and the Eden uniform.
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Things to note are that "Oscar" was a working name for Loid, as was "Yolanda" for Yor. What's also interesting is that a beta version of Franky is shown along with the Forgers. Unfortunately I can't make out the notes about him, but I think this has significance because of a sketch on the next page...
Most of the next page shows concept designs for Yor, with a section for Bond and Yor's coworkers on the bottom.
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However, what's really intriguing is the sketch in the upper right of the whole family, titled ç–‘äŒŒćź¶æ— (pseudo family).
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Once again, a Franky-looking character is with them, and he has the title "Uncle" (ć”çˆ¶) Was an uncle originally going to be part of the main Forgers? Was he actually related to Loid or Yor, or if that character did eventually become Franky, maybe he would just pretend to be Loid's brother? I can also make out the word "otaku" (ă‚Șタク) in the notes for this character as well as "enjoying life" (äșșç”Ÿă‚’æ„œă—ă‚“ă§ă‚‹) Also in the notes for beta Yor it looks like æœ€ćŒ· (the best/strongest) and ăƒă‚« (idiot/dummy) All I can make out for Loid's notes are 歀狏 (loneliness) I think? And what's up with the older and more sinister looking Anya? She really looks like Ashe there. But these are all just early concept designs/notes so I wouldn't take them too seriously.
The next page titled "East and West During the Cold War" has concept designs for Franky, Yuri, Fiona (referred to as a female WISE spy), a male WISE spy, Melinda, and various assassins from the cruise arc.
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The first interesting thing to point out is the notes next to the very crudely drawn woman at the bottom of Yuri's concept designs. It says "Yuri's girlfriend?"(ăƒŠăƒŒăƒȘた ćœŒć„ł?) though I can't make out clearly what the rest of it says. For the Franky designs, I could make out "tsukkomi or boke". So it looks like at some point Endo was deciding whether to make him more of a tsukkomi (straight man) or boke (wise guy) personality. There's also mention of giving him a high IQ (IQé«˜ă„). Also, the fact that the sketches include Melinda and the cruise arc assassins gives the impression that Endo had ideas for these story elements very early on.
But the character relationship chart in the lower left is really intriguing.
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I'm not sure how accurate these translations are so take them with a grain of salt, but they do make sense to me. But I have to wonder why Anya and Becky are connected to Desmond. For Becky, it could be because her family has ties to the Desmonds, but why Anya? Could the "mysterious institute/lab" she comes from have ties to Desmond too? Again, these could just be early concepts from ideas that Endo is no longer using, so best not to take them literally. Also, the lack of Shopkeeper/Garden in the character relationship charts, the concept art, and the exhibition overall, really does portray them as a "mysterious organization" that Endo perhaps didn't plan out until later in the series' development and is still trying to figure out. But as far as this sketch, I have to say that despite how terribly crudely drawn all their little heads are, it's easy to identify every character...proof of Endo's top notch character design skills!
Another sketch that stands out is on the same page...
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It's a very rough drawing of what appears to be either Loid holding Yor or Yor holding Loid with Anya next to them. But honestly it's such a rough drawing it could be any other parents+child. All I can make out of the text directly above is "My wife is stressed!? At this rate..." And the drawing next to it also appears to be two parents and maybe two children? I also have no clue what the "WJ4C 9/20, etc" at the top means. Very mysterious sketch, lol.
The next page has Eden related concepts, including Becky, Damian, George, and various teachers. The drawings in the bottom section appear to be an alternate/abbreviated version of how the Forgers met.
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Pretty funny that an image of Franky is covering what's supposed to be a sketch of Demetrius. The text from Franky says "I can't show you this information yet" which is pretty solid proof that Demetrius will make an appearance in the series eventually. There's also nicknames for Damian and Demetrius in the notes - "Dami" and "Demi."
Some notes on the Eden page says there's 2,000 students in the school, with 13 grades divided into 8 classes/houses. The chart on the left is a list of teacher names and their classes, all of which are given names of colors. None of the teacher names have been used so far in the series.
And all that's on the last page of sketches is a continuation of the previous page with the early concept of how the Forgers started (it honestly looks pretty cute, wish it wasn't just rough sketches). And the following section looks like drafts Endo did for promotional material.
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The final pages of the pamphlet are the new extra mission chapter which I already fully translated here.
And that's all I'm going to share for now from the pamphlet! I could spend more time trying to decipher the concept art notes but it was giving me a headache after a while, lol. But if anyone wants to try translating them, go ahead (I have higher quality png files of all the scans if needed...they were too big for Tumblr). And again, these sketches are just trial and error pre-serialization ideas that don't necessarily reflect Endo's final vision for the series, so I wouldn't dwell on them much other than for fun theorizing.
The pamphlet does have other interesting information, including an interview with Endo, a timeline of his work on Spy x Family and other manga, and his notes about random things from the series. So I might return to translating the pamphlet at a later date when I have time/motivation.
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ladyluscinia · 1 year ago
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What Exactly Did David Jenkins Say?
Look, I'm still staunchly of the opinion that Word of God statements and creator interviews are overvalued in fandom, especially when they get pulled out mostly as gotchas without then continuing to analyze whether or not the show canon is successful at getting across that same message. Death of the Author is good, actually, and we should remember that. But they are worth looking at in the context of evaluating intent vs execution, and for future speculation - just, like, please with less of the whole mile high pedestal idolizing and backlash cycles.
But if overvalued "Word of God" is annoying, then overvalued "supposed creator statements that have gone through three rounds of telephone and any given blogger has only heard about a quarter of them, which they'll use confidently anyway" is worse. So, since I'd already looked up interviews for various reasons...
Here is a fairly comprehensive list of interviews David Jenkins has given and statements he's made during them, presented without commentary (save curating which statements get highlighted). All provided with links. I definitely missed some, so if you have any that you want to add, please do - though if you could trim off any commentary and save it for tags / your own post with a link that would be cool.
Also, again, just because he said it doesn't make it incontrovertible canon that only a blind person wouldn't understand. Some of these even arguably contradict each other. The creator's intent doesn't always translate to what the show is doing, nor do you even have to think it was a good idea.
(Listed in chronological order from oldest to newest - post contains spoilers below the cut)
Pre-S1
Gizmodo - Feb 22, 2022 - with Cheryl Eddy (io9) - Link
Why this story - Really, it was the enigma of Stede that drew him in. "I think actual pirate stuff is fine, but it's not necessarily my cup of tea. And I think Taika [Waititi] felt similarly. But hearing about this guy and reading about him and seeing that, you know, he left his family, then he met Blackbeard, they hit it off, and we don't know any of the details in between. So filling those blanks in, and having a very human story, and then being able to do it with the pirate genre, that was like, 'Oh, this would be cool.'"
Post 1x01 - 1x03
Polygon - March 5, 2022 - with Tasha Robinson - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
About Stede running off to sea - "Stede thought he could outrun his baggage, and you can't outrun your baggage."
About S1 - "I don't think there was enough improv on set! We had an insane schedule, with a huge amount of plot. We were budgeted and designed as a one-hour show, but with a half-hour production schedule, which means we really had to chase these episodes to get them shot. And then there are certain emotional beats that we really needed. So trying to find places to find the fun was hard."
Mashable - Mar 5, 2022 - with Belen Edwards - Link
About the show concept - "It was Jenkins' wife who first told him about Stede's adventures; she thought it would make a good TV show."
On casting Rhys Darby - "Stede did a terrible thing to his family. If you cast it wrong, he's a very hard character to get behind," Jenkins said. "Very quickly, the only person I thought of for this was Rhys [Darby]. He has this childlike quality that's endearing."
About the story - "Seeing them discover a need for each other that neither anticipated and charting how that relationship goes is the meat of the story." + "If you're on this ship, you're running from something, and you're running to something that you can't be on land"
Mentions of matelotage - "In fact, one of Jenkins's favorite pirate facts that he learned while working on Our Flag Means Death was the term matelotage, which was a civil union between same-sex pirates. "The more you look at it," he explained, "the more you write to the fact that this is a queer-positive world.""
Discussing piracy careers - "Something else that astounded Jenkins about pirates was "just how fast it all moved — their lives were quite short," he said. "Your career [in piracy] wasn't very long.""
Post 1x09 - 1x10
Decider - Mar 24, 2022 - with Kayla Cobb - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
Pitch for the show - "That was in the pitch," series creator David Jenkins told Decider. "That was the reason, to make them fall in love with each other."
About the romance - "The main thing to me was to side-step coming out," Jenkins continued. "I just want a romance. I want a Titanic romance between these two people. We don't have to do the coming out story and then the non-binary story for Jim [Vico Ortiz]."
About S2 and the show - "The show is the relationship," Jenkins said. "So, we end in a place where there is this breakup. What happens after a breakup between these two people who, one’s realized he's in love and the other one is hurt in a way that he's never been hurt before? What does that do to each of them in an action, pirate world with them trying to find each other again? So again, I really love those rom-com beats."
Collider - Mar 24, 2022 - with Carly Lane - Link
On making it a romcom - "It's the only reason to make the show. If you didn't do that, it would just be weird. I mean, you're using the rom-com beats. You're using these like they're together. And it's funny because so we're so habituated to be like bromance, bromance, bromance, and it's such a simple move to put them together."
Discusses focusing on romance - "I guess I really... I get kind of bored. How much pirate can you do? They're going to rob stuff. They're going to steal ships. There's only so many pirate stories you can do. So if you're going to do a workplace story, I mean, you're essentially having this... You'd have this same amount of relationships in Grey's Anatomy in the ER. So it's standard. It's the most standard. We're making a soap opera on a pirate ship, and to use those soap opera beats... I like it, and I like the flavor in a comedy when you have something that's played genuinely up against very ridiculous things."
Discusses history and kissing scene
Discusses importance of going home to Mary - "Yeah, that was the problem for me in the story. I knew that I wanted to have the end where he goes home, because you need to give Mary her day in court. I just wanted to know from Mary's perspective what happened and then to see that, yeah, they're friends."
Is Lucius dead? - "You got to wait."
EW.com - Mar 25, 2022 - with Devan Coggan - Link
David Jenkins, Taika Waititi, and Rhys Darby interview
Pitch for the show - "To me, [Stede and Blackbeard's relationship] is the reason to make the show," Jenkins explains. "When Taika and I were first talking about it, he was like, 'Oh yeah, that's the show.' I first started reading about Stede and how he befriended Blackbeard and we don't know why. Very quickly, it was like, 'Oh, it's a romance.'"
Polygon - Mar 25, 2022 - with Tasha Robinson - Link
Discusses 3-season intent - "I think three seasons is good. I think we could do it in three."
Discusses acts within S1 - "To me, when you see him get stabbed, and the blood runs through his fingers, it’s like 'Oh, no, the clown got stabbed! And not comedy-stabbed, he got stabbed stabbed!' That to me is cool. And then having Blackbeard find him as the end of what would be the first act of our story felt good to me."
Discusses kiss scene filming and the national moment around gay rights
What to focus on a rewatch - "I think Con O'Neill does such a great job. He's such a complex character, and it's such a tortured relationship. And that's a love story too, between him and Blackbeard. It's a very dysfunctional story, but it's fun to watch. Watch that maybe, on a rewatch, looking where their relationship ultimately goes."
TV Insider - Mar 25, 2022 - with Meaghan Darwish - Link
Discusses show pitch - "When I was pitching [the show] to people, I'd be like, 'Okay, so it's about Stede and Blackbeard, and then they hit it off and then they fall in love.' And then people are like, 'Okay, cool,' Jenkins shares. "And then they really fall in love, and become intimately involved."
Discusses historical inspiration
Discusses S2 direction - "But when [Stede] goes to find [Blackbeard], he's gone and his crew's been abandoned. And so watching them try to negotiate that, that's a good rom-com beat," he adds.
The Verge - Apr 15, 2022 - with Charles Pulliam-Moore - Link
Discusses being surprised by queerbaiting legacy - "...part of me knew that, yes, Stede and Ed's romance was going to be real. But one part of me felt like, 'We're going to do this story, and they're going to kiss, and maybe that's not even going to be that big a deal. Maybe it'll just be a blip.'"
Discusses writing romance - "I'd never written a romance before this one, but I think with Ed and Stede, the question's always 'what's the need for each other?'"
Discusses falling in love and Stede's accidental seduction - "It made sense to have that love be almost like a teenage version of falling in love — one with all these intense and conflicting feelings. They're middle-aged, but Stede's young. Ed's young. Emotionally, they're like 16, and they've both got a lot to learn."
Discusses Con O'Neill as Izzy - "He plays an exhausted quality that's really lovely because this character could just be generically evil, and the way Con plays, it is like, he's credible. I believe that he can do some damage if he wanted to. My favorite thing I've seen about the show is somebody saying that Con's playing the only human with a bunch of Muppets. It does feel like that a bit where he's like Charles Grodin in The Great Muppet Caper."
On Izzy being in love with Blackbeard - "I think Izzy's deeply in love with Blackbeard, and it's a very dysfunctional kind of love, and he's like the jilted spouse who's losing his man to fucking Stede Bonnet, and he can't believe this is happening."
Discusses masculinity and piracy as an escape from that
Discusses diversity and trauma based stories - "And the consensus in that very diverse room was that we wanted to show that isn't just wallowing in trauma. We don't have to do a coming out scene or focusing on the trauma of it — not to say that those stories aren’t valid."
Gizmodo - Jun 20, 2022 - with Linda Codega (io9) - Link
Musing on fandom response to the show - "I'm wondering if the fact that because the queerness of this show isn't gaslighting the audience, and isn't a function of wanting to do something, but not being able to produce the results because of network standards. I think we just happened to be in this lucky spot where the show is actually queer
 and I do think that people are responding to that."
Comparing fanfiction to writing - "And Con O'Neill's audition was one of those things I would go back to. I would watch that and be like
 Oh, right, that's the show. And in a way, you're writing fanfiction for a certain actor and character because you want them to do something, and you're like–" at this point, it must be said, Jenkins let out a maniacal little giggle. He’s just as thrilled to show off Con O'Neill's ability to seem both deeply exhausted and menacing as the rest of the fandom. "And you [as the writer] you're like
 And then Izzy does this now."
EW.com - Dec 13, 2022 - with Devan Coggan - Link
Discusses The Chain sequence - "I had initially wanted that end sequence to be like the FBI raid in a mob movie, where the feds come in, and they've got boxes of stuff, and everyone's running, and someone makes a dash for it," Jenkins explains. "So, it's like a mob movie or FBI raid story, and then it's also a story of Stede's lover coming back."
Pre-S2
Collider - Oct 2, 2023 - with Carly Lane - Link
Discusses fan reaction to S1 - "I thought that they'd kiss, and people would be like, 'Oh, cool, cool!' I kind of thought people would know a little bit more [about] where we were going, but then in hindsight, no, people have been hurt and burned on so many other shows and then made to feel silly."
Discusses starting S2 dark - "One of these characters is very, very damaged and has never made himself vulnerable in this way before, and I don't think [he] would react very well to having his heart broken in this way. I don't think it would be cute, and I don't think it would be funny. I think it would be scary as hell to watch a very damaged guy that we've established in Ed, who killed his dad and thinks he's not capable of being loved, deal with rejection and see that Stede really hurt him."
Discusses adding more female characters
Discusses S2 needle drops including "This Woman's Work"
Discusses 3-season arc
Post 2x01 - 2x03
Mashable - Oct 5, 2023 - with Belen Edwards - Link
Discusses fandom response to S1
About the canon gay relationship - "To watch the explosion of enthusiasm around [the kiss] was disorienting, almost," Jenkins said. "I thought people would react to it, but I didn't think the reaction would be that big. And then it was moving, because I didn't realize that this audience felt so unserved in general, as far as storylines go."
Insider - Oct 5, 2023 - with Ayomikun Adekaiyero - Link
Tease on leaning into the Stede / Ed / Izzy love triangle - "I think Izzy, in a certain way, got the worst deal in the first season," the showrunner tells Insider. "He gets jilted and then he still is in spurned spouse territory at the beginning of the second season."
Discusses Izzy's arc - "What is that relationship about? And I think by the end of the season it kind of becomes a little unexpected of who they are to each other and what they mean to each other," he teases
Discusses addition of Zheng - "He likens Zheng's way of pirating to a successful tech startup, compared with the garage sale vibe Stede had going on the Revenge."
Discusses introducing Hornigold - "I thought Hornigold was the most obvious because he was the person who made Blackbeard what he is. And Blackbeard has a father complex, so it's natural that he's going to bring his former captain back," the show creator said. "It's a struggle with him because he and dad figures don't historically do well."
Discusses importance of the mermaid scene
Inverse - Oct 5, 2023 - with Hoai-Tran Bui - Link
Reveals he didn't commit to the romance until shooting 1x06 - "Jenkins always intended his pirate comedy to end with a romance, but he'd envisioned it as an unrequited love. "It was going to be about Stede learning what love is, and Ed making himself vulnerable and getting burned," Jenkins says of his original pitch. But Darby and Waititi's choices in the scene, which they played without diffusing the tenderness with a joke, made him wonder if they could take the show in a new direction."
Discusses mermaid Stede idea from S1 - "We talked about Stede as a mermaid very early on in the writers' room," Jenkins says. "At some point, yeah, I want to see Rhys Darby as a merman." + "They wanted us to come up with a Season 2 pitch during Season 1. And that was one of the ideas we hit on, and I can't quite remember how we got there, but it was us asking, what is a pirate world? Are there mermaids? Is there magic in this show? With pirate stuff, I don’t know that I want there to be magic, but there was a way where it was something really beautiful about a mer-person, and I like the idea that their coming together would have a mythic size to it."
Discusses historical divergence
Discusses matelotage and pirates as weird outsiders
TV Guide - Oct 5, 2023 - with Allison Piccuro - Link
About the shipping culture - "It's the meat of the show, so it's great to have people bought into the central romance. If it were a bromance that we were trying to make look like a romance, that would suck."
Discusses playlists he makes
Discusses opening dream sequence - "I just like that it started with something badass. Stede, Blackbeard, and Izzy are on an arc together. Whether they're in stories together or not, their ultimate arc is together. I think, by the end of this season, the last episode, that first scene will be gratifying. I won't say why, but their fates are tied together."
Discusses Kraken arc - "But I think the thing that's good about this show is that it can go to really sweet comedy land, but I want there to be, like, if someone loses a body part, for instance, they lose a body part. To do justice to the fact that this guy is a killer and a monster, and dealing with heartache that he doesn't know how to deal with, I think you really need to go there."
Discusses Izzy in S2 - "I mean, he's jilted. He had a partnership with Blackbeard, and he knows he can't live up to this person that Blackbeard fell in love with... Who is that guy? What are his hobbies? What does it look like when he's not totally subsumed with his boss's love affair with somebody, and heartbroken?"
On S2 reunion - "The second season is them being a little bit more mature... It's the thing where you're in your 20s or 30s and you're like, "Well, should we move in together?" They have to make up some time because neither of them have been in a functional relationship before."
About genre of pirate stories - "...is a show about multiple relationships. That's what I want to see when I see this show. I don't want to see a bunch of pirate things that I've seen in other things, I'll just go watch another thing if I want to see that. That's not really my thing. I like the genre, but it's a very hard genre to budge. I want to see relationships in a pirate world."
Discusses the A Star is Born aspect of seeking fame / retiring
Mashable - Oct 7, 2023 - with Belen Edwards - Link
About the mermaid scene - "You need something expressive for when they come back together," Jenkins said. "Their reunion moment has to feel big and mythical. This is not a world where mermaids actually exist, but their love for each other has that size that you can get [a mermaid] in there somewhere."
About Kate Bush - "I love Kate Bush, and I love that song, and I know Taika loves that song," Jenkins explained of the choice. "So I wanted to find a place for that song somewhere in the second season."
Polygon - Oct 9, 2023 - with Tasha Robinson & more - Link
Compares S2 and "Golden Age of Piracy" stuff to Westerns, lists 5 he was thinking of - "Every Western that’s good is that story," Jenkins says. "'This way of life we made is coming to an end. It can't last. It's a blip in time. We created this thing because we need it to exist. We're outlaws, and we need a culture that suits us, but it's running out of time.'"
Gizmodo - Oct 9, 2023 - with Linda Codega (io9) - Link
Short tease on leaning into the love triangle
About Stede, Edward, and Izzy - "I think the three of them are on an arc together that's pretty inseparable," Jenkins said in an interview with io9. "And to watch Izzy try to process what's happened [in season one]
 to watch him kind of grow and figure out what's his own story, if he can separate himself from this kind of toxic relationship, is interesting to me and I think gives him a lot of room for growth."
Post 2x04 - 2x05
IndieWire - Oct 12, 2023 - with Sarah Shachat - Link
Discusses directing and show creation
"The limitations of the show also naturally push it back towards moments with the ensemble and plot problems that it would frankly be irresponsible to tackle if you had a giant budget and a fully working ship-of-the-line to sail and then blow to bits. "That's the fun of the show to us, I think. If you open this up and you're like, unlimited budget, that would be terrible because I think you can get seduced," Jenkins said. "[It could be like,] 'Oh man, it's all leading up to a climatic battle on the sea.' And those things are great. But that’s not this show.""
"The nice thing about that, though, is you get to be the lo-fi show that’s like, 'Hey, we’re making The Muppets.'"
PopSugar - Oct 12, 2023 - with Victoria Edel - Link
About S2 Stede - "I like the idea that he learns and grows and he doesn't just stay a bumbling captain. He might be ridiculous, but he is getting better at it."
Discusses genre challenges - "How do you have a show that's a romance show but it's also a workplace show and they're criminals?"
Discusses Edward's redemption - "But Blackbeard still has to come back and apologize and be part of the community again, and give his little press conference. It was fun for us to look at that in the context of piracy, where they all do terrible things to each other. But even by their standards, what Blackbeard did was a bit much."
Discusses Izzy in S2 - "When Izzy shoots Blackbeard and they all mutiny on him, that's Izzy breaking up with Blackbeard. And they're both having their own journey in the wake of it, and Izzy's having his own redemption arc. He's trying to figure out, "Who am I if I'm not Blackbeard's first mate? Who am I outside of this relationship?"" + "If Stede's Spongebob, he's Squidward. I don't know what that makes Blackbeard. But there's a real pathos to Squidward."
Discusses trauma-based narratives - "As a diverse room in terms of sexuality, socio-economic background, and race, we thought, "Wouldn't it be nice to have a non-trauma-based story for these characters who don't get that historically?""
Variety - Oct 13, 2023 - with Hunter Ingram - Link
Discusses three act structure and making Stede work for a relationship - "The way I like to look at a season is in threes. The end of the first act is when they find each other, and this is the beginning of the second act. They've found each other, but they are pissed. Stede thought it was going to be [Kate Bush's] “This Woman's Work,” but, in reality, it is this headbutt –– literally."
Discusses the central romance - "It was always part of the pitch... that is the reason to make the show. The pirate genre is fun, but I wasn’t dying to make a pirate show. Taika wasn’t dying to make a pirate show. But the thing that was interesting to me was that Stede finds love, and he finds it with Blackbeard."
Discusses 2x04 plot - "This episode is based on a very, very thumbnail sketch of "Who's Afraid of Virginia Woolf?." Anne and Mary are Martha and George, and they are Elizabeth Taylor and Richard Burton."
Discusses adding historical pirates
Discusses Buttons exit - "I just love the idea of him turning into a bird: I love the idea of Buttons somehow being the one character that is able to figure that out."
Discusses Izzy and the crew's trauma plot - "We liked the idea that there is something about trauma and getting past that trauma, even on a pirate ship. They have been through two very different ways of living and they have to get used to each other again. But it's also a family that was separated, and becoming one family again is painful."
Discusses bringing characters back - "We could bring Calico Jack back, who, if you remember, was hit by a cannonball last season. Anyone who is that fun to play with and wants to keep playing, you always find a way to bring them back."
Polygon - Oct 14, 2023 - with Tasha Robinson - Link
Discusses 3-season arc and how keeping them apart with some plot device was never in the cards - "at the end of the first season, they're 14-year-olds, emotionally. In this season, it's more like they’re in their late 20s."
Discussing New Zealand production and ensemble cast writing - "It's pretty organic, because as we're going through and tracking everybody's journey for the season, we're watching the thing that holds us together — what stage of Stede and Blackbeard's relationship are we in? Because the overarching arc is, are these guys going to learn how to settle into a relationship?"
"The second season is more overtly about romance, and more a relationship story."
Energizing aspect of fan reaction
S3 is about "love is work"
Gizmodo - Oct 16, 2023 - with Linda Codega (io9) - Link
About the story - "I want to see them become a functional couple or fail to become a functional couple," Jenkins said. "Those are the most interesting parts of the show."
Discusses fandom engagement - "...ultimately the writers are also "the fans in the room." He goes on to say that, "We're fans of the world. We're writing fanfic about our own characters, our own worlds
 It's paid fanfic, but it's fanfic." He gives another example: "If you're writing a season of Succession, you're writing fanfic Succession. You're just getting paid to do it. We, as writers–" it's clear that he's not just talking about the writers in the writers room, "become fans of the world and we all have things we want to see these characters do. What we do is not that different."
Discusses the A Star is Born aspect of seeking fame / retiring
Discusses Zheng Yi Sao
Villains of the series - There are a lot of new villains this season, but, Jenkins says, ultimately, "the antagonist on this show is normalcy
 These pirates have a way of life that they're not finding in normal life. They've found a way to live and support each other and be there for each other. And that's always threatened by these larger, tyrannical forces that want to shut them down."
Post 2x06 - 2x07
Mashable - Oct 19, 2023 - with Belen Edwards - Link
Discussing drag performance in 2x06
"It is nice to see with Izzy's arc, where he finally breaks through whatever he's been doing to himself. He lets himself have that moment, which I just love. It resonates for Izzy, and I think it resonates for Con. Just personally, it made me feel good to see how it turned out."
Consequence - Oct 19, 2023 - with Liz Shannon Miller - Link
Discusses intent for romance - "...telling a love story in a serialized medium like television has its perils, largely because it's tough to know how much you can draw out any unresolved tension. "I think we take it episode by episode and we try to not piss people off in taking too long and doing double beats and triple beats," Jenkins says. "You can only do Will They or Won’t They for so long. Then you have to deepen it.""
Discusses pirate setting - "The emphasis on relationships also fits into the show's high-seas setting, which Jenkins finds similar to post-apocalyptic narratives. "It is a little bit like you're doing Mad Max, except there's relationships," he says. "Stuff's shitty, so you gotta try to find some joy. Of course, people are going to have a need for each other in these extreme circumstances, and I like the idea of these characters finding some level of a healthy relationship in these extreme circumstances.""
Discusses Jim x Archie
Discusses 3-season arc
Polygon - Oct 21, 2023 - with Tasha Robinson - Link
Discussing gender and power dynamics in Jackie x Swede / Zheng x Oluwande / Blackbeard x Stede + A Star is Born aspect
Jim not being jealous of Oluwande - "I think that relationship was always seen in the room as a friend relationship that got romantic."
About adding a villain - "I think a lot of the internal forces in Our Flag are the villains." + "I think this is a story about the age of piracy coming to an end. This way of life is coming to an end. And every Western that's good is that story: This way of life we made is coming to an end, and it can't last. [
] I think every story about outlaws is about trying to preserve a way of life against normative forces that are kind of fascistic."
Historical accuracy - "The balance of the show is 90% ignoring history, and then 10%, bring it in, whenever we're like, Ah, gotta move the story forward! Remember, the English are out there, and they're really bad!"
Post 2x08
AV Club - Oct 26, 2023 - with Saloni Gajjar - Link
Killing Izzy was always the plan - "We wanted to show the depth of that character. Izzy is one of my favorites. He's like middle management who is in a sort of love triangle [in season one]."
Discusses how they really wanted the happy ending for S2 - "I think with season one's end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn't want us to make more, I just didn't want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished."
Discusses S2 progressing the 3-season romance - "They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one." + "It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What's wonderful about a mature romance, and what I'd want to see more of in season three, is Ed and Stede making these tough decisions." + progressing past the getting together point
Discusses parallels, Republic of Pirates, and Zheng Yi Sao
Short bit about fan response
Collider - Oct 26, 2023 - with Carly Lane - Link
Discusses Ed leaving fishing - "I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he's a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, "At your heart, you're a pirate. You have to go back and do it," he doesn't want that to be true, but it was true."
Discusses Izzy's speech to Ricky - "I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it."
Discusses Izzy's death scene - "In a way, it's very much for Ed, that speech. The "we were Blackbeard" is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, "You can give it up." There can never be a Blackbeard again as far as Izzy's concerned because he's dying, and they did that together."
Discusses Republic of Pirates / music parallels from premier to finale
Discusses finale wedding - "We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other."
Discusses retirement ending - "That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, "Can they make the relationship, and can they do better than Anne and Mary?""
"Frenchie's in charge of the Revenge" + teases Stede struggling to give it up
EW.com - Oct 26, 2023 - with Devan Coggan - Link
Discusses Izzy's death and telling Con - "It feels like the logical end of Izzy's arc. It's heartbreaking to me because he's my favorite." + "I told him in the middle of shooting because I didn't want him to find out at the table read, obviously. I also didn't want it to leak. He was lovely about it."
Discusses Izzy's final arc - "You know, I didn't expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He's in such a weird position: He's like a jilted lover, and then he's a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen."
Discusses the happy ending intent - "With this season starting so dark, I kind of wanted to reward them for the work that they've done and the character growth that they've had. I wanted to leave them in a place where they're really going to try and make this work. I don't think it's going to be easy for them, necessarily. They're both still immature."
Discusses the wedding - "We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony."
Discusses potential S3 and Frenchie's Revenge - "But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don't make any more, I'm comfortable with that being a resting place."
Variety - Oct 26, 2023 - with Hunter Ingram - Link
S3 endpoint - "I love things in threes," he says. "That first act, second act, third act structure is so satisfying when it is done well, and you don't overstay your welcome. I think this world of the show is a big world, and if the third season is successful, we could go on in a different way. But I think for the story of Stede and Ed, that is a three-season story."
Discusses the draw of a "Golden Age" and it's ending
Talks about father figure Izzy and wanting a real sense of loss - "There is a nice parallel to have Ed treat him so badly at the beginning of the season and then come all the way around to where Izzy is this sort of father figure he doesn’t want to lose — because Ed usually kills his father figures."
Gizmodo - Oct 26, 2023 - with Linda Codega (io9) - Link
Teasing future Izzy - "Jenkins looked slightly sad himself, saying that "Ghosts exist in this world." I told him not to make promises he couldn't keep."
"Jenkins said that he doesn't see Izzy as a pure antagonist in season one because on some level
 Izzy was right in his hesitations about Stede."
Discussing Con O'Neill & Rhys Darby acting
Jenkins confirms the season was always 8 episodes due to budget cuts
About S2 finale vs S3 - "The first season ends on such a downer, so it made sense to end the second season in a kinder spot." + "I think there's plenty of story left for season three, but I think that it was important to end this as if it was the end of the show, and on upbeat note and avoid the kind of "kill your gays" trope. I don't want to see Stede and Ed punished for giving it a go. I want to see them really say, 'yeah, we’re going to we're going to try to have a relationship'."
Teases S3 revenge against Ricky and going to the Americas
Vanity Fair - Oct 26, 2023 - with Sarah Catherall - Link
About the ending - "It's bittersweet. There's death and there's the rebirth of Stede and Blackbeard's relationship; there's a funeral, there's a wedding, and the idea that this family is going to keep fighting even as they lose members. And then it's about belonging to something." + "A lot of times, with this narrative of characters, same-sex relationships end on a dour, downbeat note, where one of them dies and it's unrequited or it's unrealized; something horrible happens and they're punished in a way. So it was important to leave it open and a lot more show to go, but also leave it in a place where it's happy."
Discusses Izzy as a mentor / father figure - "We felt like Izzy's story had reached its conclusion, where we put him through enough. And then there was the realization that he is kind of a mentor to Blackbeard and that he is kind of a father figure to Blackbeard." + "And it's also a pirate show, so he's got to die."
Discusses filming challenges - "It's a big show; it's basically a one-hour show that we're doing on a half-hour budget."
Discusses adding Zheng Yi Sao
Is the show a queer romance? - "For this show, it's important to me just to write a really bold-bodied romantic show that happens to be between two characters of the same sex. I think that the story beats don't matter, because if you've been in love and you've been hurt and you met someone you love—hopefully we all know what those feelings are."
Blackbeard's arc in S2 - "...the second season is about Blackbeard's midlife crisis. And then when they both have their midlife crises, they can open a B&B together." + "I don't think Stede and Blackbeard are ready to be married. They're emotionally saying: 'Let's give this a go.'"
Discusses historical piracy as "counterculture" that's been straightwashed and whitewashed
Did he feel responsibility to the fan community? - "As opposed to responsibility, it feels more like relief—that people feel seen and they feel good about it and they liked what we did. And so it feels like, Okay, somebody's out there and wants the show. The makeup of the writers room looks a lot like the makeup of the fan base. So as long as we're true to our stories in the writers room, I think we just feel excited that there's somebody waiting on the other end to enjoy it."
Paste Magazine - Oct 26, 2023 - with Tara Bennett - Link
Discusses whether fandom expectations felt weighty - "I think particularly for this season, that "bury your gays" thing
 I didn't want to end on a downbeat for Ed and Stede. We did that in the first season. I like that there's a lot of different flavors. It's even a little melancholy because the Republic of Pirates got blown up. But there's still more good things."
Discusses production and plotting - "I wanted to start at the Republic of Pirates this season and end at the Republic of Pirates. And I knew I wanted the Republic of Pirates to be destroyed, ultimately. Within that, we are making a one-hour show on a half hour budget, on a half hour schedule."
Discusses planning the ending - "In terms of ending this season, it all felt right just in talking through it when we were in the room. It felt pretty intuitive. When you get to the third act of the story, things kind of settle in. There's gonna be a funeral. We always knew we wanted a wedding at the end of the second season. And I knew that I wanted Stede and Ed to start an inn together. So once you have those beats, it's kind of locked in."
Discusses Izzy's arc - "It's kind of a strange arc in that I knew we were going to put him through all these things, and I knew he would ultimately die. But I think him becoming a father figure to Ed in the last episode didn't really dawn on us until we were breaking the last episode. Asking what would this man say to Ed at the end because they've been together through everything? He went from a troubled and downtrodden employee to a jilted lover to a discarded employee, to someone that is just trying to find his footing again—no pun intended—to actually becoming this guy's parental figure on some level. And he's one person who kind of raised Ed right, because Blackbeard usually kills his parental figures. So, it felt right and it felt like that's how the mentor dies. The mentor in a story usually dies in the second act and then our hero has to go on and try to do it without them. It felt like the right journey for Izzy and a gratifying one for Con."
On leaving open for S3 - "I don't think it was a very hard thing to do. I think it was more that I felt a responsibility to leave Ed and Stede in a good place, at least for now. It's not gonna go well. They're not going to run a business well. Ed's too much of a talker. Stede can't focus. It's gonna be challenging."
Vulture - Oct 28, 2023 - with Sophie Brookover - Link
Discussing Izzy as a "father figure" and his S2 send-off being a priority
Meaning of piracy - "...what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy."
Re: Con O'Neill & Izzy's death - "I had to tell him about halfway through the season"
Third season about the work of a relationship between still damaged main characters
Discusses middles as about change and transitions, and wanting characters to change instead of reset, have them experience permanent consequences
About the final scene - "...Ed and Stede as the parents kind of watching the kids take the ship. Frenchie's the captain now..."
Objective of the crew - "...have had terrible things happen to them at the hands of colonial forces, so they want some payback. Party, plunder, and payback — the three P's."
Metro Weekly - Nov 1, 2023 - with Randy Shulman - Link
Discusses historical premise of S1 and easing into the romance
Discusses S2 genre - "In the second season, it was great because we know it's a romance and we can lead with that. It's a workplace show essentially. I wanted it to be more in the vein of early episodes of Grey's Anatomy or something where there are all these relationships on those shows. That's what you’re following — relationships and friendships that are taking place in a hospital, procedural. That's Grey's Anatomy. This is less procedural for the pirate stuff — and you need the pirate stuff."
Discusses not being into pirates - "But I'm like you. I'm not a big pirate person. In general, it's a big creaky genre that's hard to budge" + "Pirates of the Caribbean, those movies are great. That's not necessarily what I hunger to see, but in that genre, it's great. You're not going to beat that, especially on something that's lower budget. We've seen a lot of this stuff, so it's fun to take it then and don't do any of that stuff."
Discusses adapting historical piracy - "You don't want to see them punch down. You don't want to see them do terrible things to people who don't deserve it, which is not what they really did. So, in the show's world, I think piracy is like a stand-in for something. I think it's a stand-in for being an iconoclast and an outsider and queer in some ways and just different." + "Yeah, I mean, the British are there to be Stormtroopers, or Nazis in an Indiana Jones movie. I mean, they're in there to die essentially."
Discusses diversity staffing
Discusses performative masculinity
Discusses Izzy's death, happy endings, and openness to S3
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