#the breakdown with his parents and this??

[thesulkycroissant]

Finished the Cataclysm arc. Really excellent characterization for Bruce. It did leave me wanting to write a follow-up fic for when they get a moment to themselves so Dick can have his breakdown moment, though. There's plenty to work with here.

> Obviously Dick is stressed as he's just spent approximately a whole day not knowing if Bruce (his one remaining parent) is alive or dead; came all the way to Gotham from Blüdhaven THE MINUTE he heard about the earthquake

> Bruce comes back and immediately addresses Dick exclusively, no one else (Tim and Alfred and Harold are also present)

> Calls him Nightwing (interp, "we're still in mission mode") but only tells him "hold the reunion" (interp, "we'll have time later")

> Keeps Dick with him while sending Tim, Alfred, and Harold in different directions

> Calls him Dick once they're out of the cave, in public, every time he speaks to him, even though they're still in costume (interp, "now that we both know to be in mission mode, know that I see you and I get it")

> When the situation requires them to separate, he sends Dick to confront the villain/save Jim Gordon while staying himself to help survivors; he takes the time to explain himself, explains his reasoning, AND waits for Dick to respond/consent (!)

> Calls ahead and asks Alfred to fix them some dinner as soon as things are the tiniest bit settled

Dick gets his moment to panic in my mind

(On the note about Tim, it's not the point of this post, but Tim's dad is still alive, and Tim has already gone and checked on him and had a reunion. It's not that Bruce doesn't care about Tim - of course he does - but at this point, only Dick is harboring real terror about the possibility of having lost another parent.)

[psi-spectacular]

GGG SPOILERS!

I've been thinking ab this au for a while but haven't had the motivation to fully draw stuff and kept forgetting details so these are very incomplete. Whatever. Godswap au

(idk how to draw huzzle mug)

Capitano is more agressive towards you. He seems to underestimate you and not want to talk to you much until he notices megapon, and insists you leave the work to "my boys". He seems a lot meaner than inspekta from the start, but it slowly becomes obvious hes hiding fear and insecurity. He's more of a military sergeant than a mentor in presentation.

Inspector Hector is the second in command to the capitano, seems overly sweet and permissive to the bizzyboys, but it slowly becomes obvious hes just humoring them and being condescending. Like a teacher who hates their students but cant show it aloud since the parents are watching. He doesnt hate them per se he just sees himself as above them because hes capitano's second-in-comma.nd

He seems nice at first, aiding you, but none of the tips he gives are any sort of helpful and he goes from passive agressive to active agressive. He also becomes less and less hinged and shows how, even if hes acting on orders against you, he's still starting to both feel jealous and scared since he's worried about not being able to prove himself. Buzzhuzz is his breaking point since he's no longer in the lead and he goes into complete breakdown mode. hes actively trying to kill you by the time you get to the spire and you help him realize how possesive hes being over someone who probably doesnt care about him as much as he does.

Other swaps: Cobigail <--> Mitternacht, Click-Clack <--> Thespius, Bauhausso <--> Huzzlemug

[the-music-maniac]

You know what confuses me about Crisis Core.

So, we learn when Zack is dispatched with Tseng to Banora that Genesis murdered most of the townfolk, his own parents, a bunch of Shinra soldiers, and then started bombing the place with the arsenal he took. I mean, he fails because of Zack and then Shinra like. Sends an airstrike anyways to destroy evidence of company involvement, rendering that attempt moot. Then he like. Sends another summon after Zack.

In the course of the entirety of Genesis' rampage, it's implied that he killed probably a shit ton more people in cold blood and for his own ends, he turns a bunch of them into Genesis copies for crying out loud, which is quite horrific.

When Genesis is doing his rambling thing in front of the damn statue at the end of the game, Zack tells him he's here to help Genesis. And when he goes to contact the statue, Zack yells, "Don't let it take over, you're not a monster, you're one of us." Keep in mind Zack is aware of the atrocities Genesis committed of his own volition, even if he wasn't necessarily sound of mind because of the degeneration.

In contrast, during the Nibelheim incident, after Sephiroth locked himself inside the library for like a week without eating or sleeping, joined Jenova and then burned down the village, Zack finds him and demands answers. Sephiroth is clearly...not himself. His speech patterns are entirely different (creepy), he can't take his eyes off the containment unit, he ignores Zack's demands. Zack realizes Sephiroth isn't being himself, I recognize that, but it confuses me, that he didn't attempt to get through to Sephiroth harder, when he at least showed signs of doing so with Genesis and Angeal. Angeal I get, that was his mentor. Genesis though? Like even while Zack and Sephiroth were fighting, I expected at least some dialogue of Zack attempting to reason with him.

We know as players that Sephiroth goes on to do more heinous shit, but until then, his crimes are about the same as all those that Genesis committed. Genesis destroyed an entire village. Sephiroth destroyed an entire village. Genesis destroyed more than a village, so I'd argue the shit (outside of Shinra's orders of course) he did was worse.

Was it because Zack was too angry at the time? Nibelheim was still burning, Tifa was hurt, while the atrocities Genesis committed were distanced - Zack didn't see a majority of them. Maybe the whole "take over the planet" thing? Was it because Sephiroth was attacking him, and so Zack had to concentrate on surviving? Why was Genesis given grace, when Sephiroth wasn't? Yes, I understand Cloud and Tifa watched their parents get murdered in cold blood, so they're understandably furious, but what of all those families Genesis had destroyed? Even while Zack was at Shinra, he still intended to get Genesis back alive.

The entire theme of the game had been posing a question - are the SOLDIERS monsters. Zack had been adamant that they aren't at the beginning, while the three that were affected, Angeal, Sephiroth and Genesis hadn't been sure. Sephiroth was the only one who hadn't received any sort of contradiction to his own beliefs. Angeal did. Genesis did. And Zack fully WITNESSED the breakdown Sephiroth had in the reactor. I can't be certain if he witnessed the awful shit that Genesis had said to Seph, I know he was knocked down - but was he unconscious? Even if he didn't hear it all, he had to have heard the "no such luck, you are a monster." because Genesis said it BEFORE Zack was knocked over. Did he not see the pattern? I don't understand how it could be possible that he didn't see it.

And I get that Zack himself was starting to lose conviction on the idea that SOLDIERS aren't monsters, but if you knew what Angeal and Genesis had been feeling - their bitterness over being turned into monsters coinciding with Sephiroth's own breakdown and questioning of his humanity - then why did Zack let Sephiroth go through that mental breakdown on his own? Yeah, so he told him to leave him be - Zack thought Angeal had killed his own mother in cold blood and yet he still went after him. Zack said Sephiroth was like a man possessed, so he KNEW this was unusual behaviour too. Also, isn't it weird to just be stuck somewhere for seven days with no further orders? Did Zack try to get through to him repeatedly and fail? The game didn't show that to be the case, Sephiroth was alone the entire time he was reading in that library.

Or did he assume that the Silver General could've handled it on his own, once again holding Sephiroth to a different standard than everyone else?

I don't know, I just find it hypocritical. I know the Final Fantasy games are a series that only really shows you glimpses of the main villain, in an attempt to get a player to question what it means to be a hero - they did it well, the entire thing reaps of hypocrisy.

Shinra does what it wants, sends airstrikes to cover up their tracks, maintains the image it wants to via control of the news, holds a monopoly on everything, destroys a different lands for resources, and while Zack begins to question what he's doing because of Angeal and Genesis, the questioning has nothing to do with Shinra as an entity, only the soldiers within. Why didn't he question Shinra, for inflicting this onto Angeal, Genesis and Sephiroth? Why didn't he question that apparently Shinra has fucking cloning technology that can be used on the SOLDIERS? He picks up Angeal's blade while he was talking to Cloud, and is reminded of his SOLDIER honour. What honour? How did Angeal and Zack go for so long in Shinra while being "good people" without being disillusioned sooner by everything else they were doing? I understand the general population being fooled, but Angeal was one of the freaking firsts. They didn't question anything until Angeal and Genesis began to degrade? They weren't quite like Sephiroth, I'm assuming they weren't physically unable to leave if they wanted to be discharged. None of them were raised in a place where this was all they've ever known. None of them were raised to be disillusioned with death, to believe any empathy and compassion was weakness. Unlike Sephiroth, they had options.

And Sephiroth STILL had the mind to not only be compassionate with his own soldiers, but to want to defect. Because that was the only way he could've ever left Shinra.

I'm more convinced now then ever that Sephiroth was done dirty.

[eddiediazenjoyer]

my eddietake is that two things can be true. i do think that eddie was manipulated (by his parents) into thinking that this was his only option to stay in touch with chris. and that characterizing this decision fully as another breakdown/rash decision where he doesn’t take what people actually need into account ala s5 (and joining the army etc.) is unfair. BUT i also do think that it’s also a self punishment. and it just conveniently lines up with what a semi reasonable thing to do in this situation is. like sure going to texas makes sense but selling his whole house??? moving back to the place that he desperately escaped from???? leaving everything behind??? i don’t think that’s logical at all and that there are steps in between that he’s (sub consciously) ignoring in favor of . yeah. acting a little rashly and getting to hurt himself in the process. bc eddie lovessss self punishment and at the core of his “i know best”itis isn’t that he knows best at all but that he knows how to hurt himself in the most effective ways that are also justifiable if you don’t look too closely

[sunflowerdigs]

As many people have pointed out, S8 seems to be S5: Tim's version. There are also callbacks to S3, but the structure seems to mirror S5 (the season it's also speculated that Buddie would have happened if not for Fox).

With that in mind, I've put together some speculation about Buck and Eddie in the back half of s8, based on S5.

I'm anticipating Eddie going through with the El Paso idea in 8x10 like he went through with leaving the 118 in 5x10. Drama, not realism, is the point of the series, so even though Eddie is obviously coming back, I suspect they'll have him leave in a way that seems permanent (and it also sounds like it will affect the whole 118 this time, so that's nice).

Given the show's current set up, Eddie can't stay in El Paso alone for as long as he stayed at Dispatch. Only Peter and Angela are currently getting multi-episode arcs with multiple guest stars attached. Also, El Paso isn't built into the show like Dispatch was. My suspicion is that we'll get one episode (8x11 or 8x12) where Eddie has the B or C storyline and reconnects with Chris as well as talks to Helena and Ramón. I think we'll see him start to realize that LA and the 118 are home for him, and that his own happiness is paramount to taking good care of Chris, so he'll make the choice to bring Chris home.

In the meantime, Buck is going to be dealing with his abandonment issues and with the fact that Eddie's absence has hit him so hard. Now, 911 could easily chicken out here and try to examine the abandonment without going into Eddie specifically (which wouldn't make much storytelling sense if Buddie is indeed where Buck and Eddie's storylines are headed, but would let them drag Buddie out longer 🙄). Either way, as with s5, I'm expecting Buck to make some dumb relationship decision in 8x11 (5x11 kiss with Lucy) and then make some kind of confession about it in either 8x12 or 8x13 (he confessed to Taylor about the kiss in 5x13, but probably would have done so in 5x12 had the Boston episode not happened). The confession could be to whoever he made the dumb romantic choice about or it could be to Maddie (since he confessed to Maddie about the Lucy kiss before he did Taylor). If we're lucky, the confession will be about both his abandonment issues and how he feels about Eddie (his Oh moment, if you will).

And then, right after Buck makes that confession and things are looking more hopeful for him (8x12 or 8x13), he'll get a frantic call from Eddie, telling him that Helena is trying to take full custody of Christopher and may actually be able to do it and he needs Buck's help. This would parallel Christopher's call about Eddie's breakdown in 5x13, but would also be an evolution of it, with Eddie choosing to reach out to Buck rather than break down in a room alone. Buck would burn rubber down to El Paso, and the next episode would be Eddie's big confrontation with Helena, Buck by his side. Imo, having to justify his life in LA to a mediator with custody of Chris on the line might force a level of honesty out of Eddie that he may not be consciously aware of and could kick-start his own feelings realization.

Eddie would win custody with Buck's support in 8x13 or 8x14 (parallel to Buck helping with the horse therapy in 5x14). And then...idk. With both Buck and Eddie in Texas, the show could justify extending the arc there a few more episodes and could let a vengeful Helena kidnap Chris (imo unlikely since 911 seems to like to forgive bad parents). Or Buck and Eddie could return to LA and the 118 with Chris immediately after Eddie gets custody. Either way, I think the show will let feelings between Buck and Eddie percolate for a bit until either the episode before the finale or the finale itself, which will probably be their first kiss (in time for Pride month! If Pride month still happens in America...😬).

[sarbear94]

Because Evan-

(It’s a long one…sorry not sorry 😘)

Okay…. I’ve been rewatching some old Buddie scenes because of the potential of Eddie moving back to El Paso and…. excuse my language but…. What the fuck?

It’s like the writers are new or don’t know what to do with Eddie anymore. Or like someway, somehow the episodes are out of order.

In THAT scene, Buck asks “he has grandparents, family” and Eddie reply’s “After Shannon left, they tried to guilt me into giving Christopher to them. It wasn’t what I wanted then, it’s not what I want now.” They then both agreed that no one would fight harder for Chris than Buck.

So WHY THE FUCK haven’t either of them gotten him back yet??

Eddie started season 7 with Marisol and Chris and everyone’s fine. Then Chris is dating multiple girls (Eddie is baffled and doesn’t know how to handle it so he asks Buck for help) and said it has to do with his mom to Buck and we get that EMOTIONAL shot of Eddie devastated after hearing this. Then proceeds to give him a letter to bring about closure for him. Eddie seemed to already have closure or at least repressed it.

Then Eddie meets Kim…. And the Eddie we have loved for 6 seasons is IMMEDIATELY GONE. He does the exact same thing that he told Buck about Christopher was not okay And needed to be fixed (he was BEGGING Buck for help).

Like, my dude, how did you think this was gonna go? You kept everyone in the dark. Your son, your best friend, your GIRLFRIEND and even Kim! What was his end goal? It doesn’t make any sense.

Like I understand that if Gavin wasn’t gonna be around next season, and you need to write him off but have him potentially come back, there were several ways you could have done that but still kept true to the characters. Have Chris go to a boarding school. Or a school trip. Or literally ANYTHING ELSE! Then season 8, keep the Kim storyline, but Chris is already gone and doesn’t witness it. Cause now that whole confession thing with Kim pretending to be Shannon and actually get closure was pointless. If they’d done that with Chris gone, he’d have the closure. Work on the PTSD crawling back up in an empty house, keep the Priest and finding Joy and then keep that for a bit and then heal.

That was a whole side tangent really for the main point I was trying to make, but why does Eddie- lose Chris, grow a mustache, grieve for not having his son, have an episode where a Priest says “let yourself have Joy,” then take it away in the next couple of episodes by saying “I’m thinking of moving to Texas” based on the words of a psycho actor??

Chris is a TEENAGER! Hell- he might still be a preteen, grow the fuck up and go parent your son. You’ve put your foot down before, why is this any different?? After a few weeks, I would have been like “nope, we’re done with this. I get I fucked up, but I’m still your dad so we are gonna talk about this and figure out some common ground.” I understand feeling guilty and not wanting to push him even farther away but you’re not even trying! Phone calls don’t show “I want you here with me,” it says “I’m okay with you being gone.”

You’re thinking moving to El Paso is a great idea… but it’s not. Your parents suck. You know this. YOU MOVED HALF WAY ACROSS THE US TO GET AWAY FROM THEM FOR A REASON! I get you patched things up slightly, but not enough.

ALSO! Why wasn’t Buck an option?!? Because of Tommy? I get because Gavin being out of the show(temporarily?) would have made that impossible but why wasn’t it even mentioned? I mean, He’s run to him before, he’s called him when Eddie had his breakdown and Chris didn’t know what to do. But like THEY HAD THE WILL, why wasn’t it even a factor in this. At the time, it felt like, at least to Chris, that Eddie was incapable of taking care of him, which means that Chris should go to Buck. Not his grandparents.

I just don’t understand what they are doing with these two. E and C. Bucks got his bisexual journey(relationship with Tommy). Bobby has multiple storylines. The Hans had the Mara and new baby storylines. Hen and Karen had the Ortiz/Mara and Denny/Halloween storylines. Athena has literally any storyline involving cops. And all those storylines make sense for each character. Eddie’s and Chris’s doesn’t. They keep pushing Eddie to be sad then happy then making stupid decisions. DEVELOP YOUR FUCKING CHARACTER! You’ve been dropping the ball since at least the network switch. Which I find super funny because yes, he does the emotional scenes super amazing but now it seems like his character is more open. He’s making more funny faces, he’s got the loose hair, he makes comedic jokes. But he’s almost(so close) to reminding me of Buck 1.0.. but it doesn’t fit with the storyline at all. At least to me…

Like does anyone agree with any of this? Am I just seeing things? Did the writers get told Gavin was leaving too late and made this story on the fly and rolled with it? Does Ryan want out of the show and they are keeping it under wraps? Like WHAT IS HAPPENING? Make it make sense!

Ps. I did not proofread this before posting so if something doesn’t make sense, let me know. I was just trying to get down all my thoughts on this. Currently me vvv

[witchofthesouls]

Could I get a little context about the "DinoDad!Starscream" AU?

I just read the post of the ask you recently answered, and I find the scenario interesting, but I could use a little bit of context, if you don't mind 😅

Primeval Anon

Yeah, I decided to give that specific AU a proper tag with 'Dino!Dad au' to make it easy to consolidate all the posts about it.

Overall, it's a TFP divergence of the Rogue!Starscream based on an ask sent in. Basically, Starscream made completely different decisions where he managed to find a Primal Artifact with the capabilities to revive Cybertron from sheer desperation and pure gambling... only to have it disintegrate in his hands. The Emberstone then utilized the bones within the pool it was housed for an eternity to bring back a little Predacon femme to life along creating a brand new line of beastformers with a baby Utahraptor and Deinosuchus bones.

Starscream isn't in a really good mental space prior to this, so he gets weird dreams and audio-visual hallucinations of his dead trinemates that implore him to take them in. I'm keeping vague on whether or not he's having a complete breakdown due to Seekerkin quirks as he's essentially alone and without resources or if Skywarp and Thundercracker are really speaking from beyond the grave since the Aligned verse is just that wild.

Bottom line, I've been receiving a lot of asks in regards about this AU since last year, and I'm going back into it since I've given it more thoughts where to take it as I really want to explore the concept where Starscream remains a rogue, delve into Predacon species and their relationship to modern Seekerkin, the (mis)adventures of a father with his animalistic and semi-feral children, Starscream forming friends/acquaintances with a random rural community and the local college, and actually has the power to actually make a decision on whether or not to rejoin the war on either side...

Plus, I think it would be absolutely hilarious for both sides to go 'pstpstpspt' to him for different reasons. Autobots since Tempest, the littel Predacon femme, has the capability to seek out Energon deposits as her sensors are more finely tuned and far more advanced than modern equipment, and the majority believe that Starscream has no parental instinct or will allow M.E.C.H. access to them. Deceptions as Starscream has now become the foremost expert in extinct frames and the only mech with healthy sparklings, so Shockwave can't let that professionally slide and Soundwave would like to hear pattering little pedes to tell himself that the movement was worth it as those three wouldn't have the yoke of the Golden Age upon them.

[kariachi]

#kinda just want something where the tennysons get judgy about his excitement over a payout#and he finally just turns around and gives them a breakdown of his expenses#down to the gallon of water he had to buy last week because there was desert heroing to do#every penny noted#and the cousins both end up going home and hugging their parents

Really there was a good space for money to be a point of conflict between Kevin and the Tennysons. Like, we get the show going 'oh that Kevin isn't he greedy' but, I mean really a thing.

Because here's the thing, the Tennysons are middle-class teenagers living at home with parents who take care of them, one of whom ends up with merchandise. If they're hungry, there's probably gonna be food in the fridge at home and they did not need to worry about getting it there. If they decide to splurge, the only things they have to worry about cutting funds from are non-essentials. If their valuable shit is damaged, somebody else has to worry about replacing or fixing it. If they get hurt, somebody else's insurance is covering it. If they decide to step back from the Plumbers and just not work for a while? They don't need to worry about a roof over their heads.

And Kevin is, very much not middle-class living at home with parents taking care of him and merchandising deals on the side. Even discounting WoG it's clear he doesn't live with his mother, probably for reasons relating to the absolute mess that was a childhood that left him homeless longterm. He's paying his own bills, he's buying his own groceries, whenever his car gets wrecked that's on him. And I doubt the Plumbers medical funds cover freelancers, so we can reasonably assume any damage he takes prior to Basic Training? The medical bills are on him too. If he decides he needs a break? He's still got expenses he needs to cover, he has to worry about making sure he's got an nest egg enough to keep him for however long first. And this isn't something new to him, he's first introduced as homeless at 11-years-old, and aside from his time in prison and with the Rooters? There's no indication anyone else was funding his ass. He's been having to worry about this shit since before he even met the Tennysons, and the position he's in as of UAF is likely only recently as good as it is given his age and the work and time it would take to reach any level of true success in the black market.

Just, it would have made for a good episode in 'we're more mature now' UA, to hit on the difference between how they look at money, how they spend their money, and why.

[littlefankingdom]

It's kind of annoying (and weird) how DC keeps trying to rewrite how Jason and Bruce met to paint Bruce in a worst light.

Originally, Batman finds Jason stealing the Batmobile's tires, the kid runs away, and Batman finds him. Discovering the kid is homeless, he gives him to the authority and Jason finishes at Ma Gunn's school. Ma Gunn is actually teaching the kids to be gang members, so Jason tells Batman. Together, they win again Ma Gunn, and Bruce takes Jason in because he sees himself in him.

Well, in Nightwing: Year One, they change it for "Batman kidnapped Jason when he found him stealing his tires and forces him to become Robin", with Jason ATTACHED AND GAGGED in the batcave. (I like this comic except for that because wtf)

In Red Hood and The Outlaws (2011), they changed it for "Jason stole drugs from Leslie and Batman was ready to beat and throw a young teen in jail, but Leslie begged him to give him a chance", which again, wtf. Batman beating up a child. Okay.

In Red Hood and The Outlaws (2016), they changed it for "Bruce put Jason in Ma Gunn's school because he couldn't handle him after taking him in". The only good addition they made is "when Batman caught Jason stealing his tires, he bought him food".

I do not understand why they need to make him awful to this 12 years old so bad. What do they want to make it as if Bruce forced that life on Jason but also didn't want to deal with him. Why they cannot let it as it is, with Bruce having fun dealing with this lil shit that stole his tires and being there for him when he needs him later on, until he finally craves and takes Jason home.

And that's why I am so critical on how Batman and Bruce is written in Nightwing and Red Hood stories, because the writers are incapable to make their main character have conflict with Bruce, without changing his character and their story to make him abusive. They need him to be the bad guy of Jason's, and sometimes Dick's, story because they don't know how to make you side and care for their character without making the other side a monster.

[weepingtalecowboy]

Fanfic prompt: wind has the ability to see ghosts right

What if the ghosts were using him to tell people things they are incapable of saying anymore and want to move on or whatever

But it is just all the chain's ghosts telling him cryptic threats and wind relaying them word for word in the worst possible times

Like it is just time sleeping together with Malon having a good restful sleep

When he wakes up walks into the bathroom and then he just sees a something written on his face

“He told me he wants his face back or there will be consequences”

And then he freaks out badly because that sounds familiar

Time didn’t even have the time to understand what just happened to him and if it was a weird hallucination but that man was having the anxiety of his life

Or

Legend finding a note in his bag (he freaks out how someone even managed to put one in there despite the protective charms)

And it just says “It wasn’t your fault that he (never) woke up”

(Marin and legend's Uncle)

And it just gives him horrible anxiety

Or

Wild finding a note on his slate that says “you won’t survive as long as you continue like this”

(Mipha was just particularly annoyed at him that day)

Wild took it as a threat

Or

four got a single word

“Shadow”

Then decided that he is probably cursed

And it just wouldn’t stop because wind is just doing what the ghosts want

The escalation happens when he either slips up and gets caught or if Twilight figures him out because he also can see ghosts

[starry-bi-sky]

Blood Blossom Au: before the nightingale sings

---------

for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons

TW: Major Character Death Warning

-------

Not all deaths are created equal.

That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite. 

He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go. 

He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids. 

They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum. 

They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.

Not all deaths are created equal.  

Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.

Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy. 

But most are just… unremarkable. Unintentional. Clumsy. 

Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens. 

It happens like this: 

Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.  

Something had to give. 

Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later. 

He stops what he’s doing to fix it.  

It wasn’t supposed to be permanent. 

Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer. 

He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them. 

So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for —  a sheet of metal for his wife to melt down — and disappears back downstairs. 

He does not make that call; it slips from his mind. 

It is not his fault. 

One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.  

Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half. 

He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new. 

This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident. 

It’ll never happen again. 

His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab. 

The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention. 

She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes. 

When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.” 

Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away. 

That is the last conversation she ever has with her brother. 

Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost. 

Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console. 

Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed. 

Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed. 

Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms. 

Danny’s family die in their sleep; painless and unaware. 

It’s not Jack Fenton’s fault. He didn’t mean to.  

Nobody wakes up with their alarms. 

Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm. 

There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers. 

To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork. 

He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks. 

At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of. 

Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off. 

He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.

‘Where are you?’ 

He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried. 

The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”

A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent. 

He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;

“Mom? Dad?” 

Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him. 

Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in;  he simply lets muscle memory guide him. It’s been the same since he was little. 

The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal. 

“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down. 

It was four in the afternoon, they should still be down here. 

Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked. 

He checks the garage, the car is still there. 

“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!” 

Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong. 

He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off. 

He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?” 

There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house. 

Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”

Not all deaths are created equal. 

But many of them are accidental. Unmeditated. Shocking.

Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home. 

He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill. 

Not all deaths are created equal

But all of them are unforgettable. 

[warpedpuppeteer]

Okay but the fact that Eddie and Bobby simply show up and don't say anything except to help with the unspoken "I've got you, let's do this together, you and I. You're not alone, I've got you".

"Buck Begins" | "Rock the Boat" 9-1-1 (2018 - )

[marragurl]

Not the first to say it, but damn can’t believe Galladay really went from toxic yaoi to doomed tragic yaoi.

Alright fellow Galladay trash, where’s the modern AU fix-it fics?

I need to see Gallagher single dad with Misha plus their dog/cat Sleepie falling for entertainment company CEO Sunday. Don’t ask me how they met, fuck it, throw in bodyguard AU Gallagher who works part-time at a bar, boom there that’s how they meet, idk I’m making this up on 3 hours of sleep.

You’ve heard of slow burns, now get ready for Galladay blaze it.

They’re speedrunning the relationship from hate -> annoyance -> mild disgruntlement -> weirdly vibing -> ok wow never knew I needed that in my life -> Sunday is way too ok with spoiling Misha -> ok so we got married -> alright we’re dismantling the government now -> Sunday went to jail for 5 minutes for attempting “peaceful” world domination, don’t worry we (Gallagher) forgave him -> Sunday’s stepping down as CEO to run a coffeeshop idk look someone get him some therapy -> Robin is president now while she still goes on tours -> Misha won an engineering competition while this was all going on

Bottom line: Robin is out living her best life while Sunday is in the back somehow having the most insane week of his life. I have no other notes for her here except that she is happy, and successful, and is Sunday’s last remaining brain cell. She and Misha are having some fun Aunt/Nephew bonding times while Galladay are accidentally-on-purpose committing multiple war crimes.

No, we don’t have time to unpack 2.2 and all its trauma, we cope with modern AU :)

[raylazuko]

New headcanon.

That Diluc and Crepus are alike in a lot of ways and I get the impression that Crepus also lived vicariously through Diluc in terms of “I couldn’t be a knight so you go do that” even if he may have had some reservations with the Knights himself but wouldn’t wanna alienate them because of his kids or because of business reasons.

That Crepus and Varka have a begrudging mutual respect for each other but do not agree with each other’s tactics.

Crepus, like later Diluc, finds the knights inefficient. That he was working to bring down the Fatui in his own way secretly. There is some underground vigilante anti-Fatui group that Diluc later joined because he has contacts in Mond when he gets back.

Diluc is a kid and delluded into thinking the Knights are perfect and Crepus doesn’t wanna crush his dreams.

Then reality happens.

That Diluc has noticed some corruption already and has his reservations and annoyances. That that night was his final straw. That he’s relieved to be out of the Knights but feels like he let his father down but also has a weird feeling that he did the right thing by him.

And that he later learns more about the underground efforts and just how stupid the knights are being and that diplomacy doesn’t solve everything.

But he doesn’t wanna alienate them too much because of his begrudging respect for Kaeya.

And also he’s annoyed and slightly jealous that Kaeya took his position.

He secretly wishes Kaeya would leave but if he told Kaeya everything he knows it would destroy him. Or he just wouldn’t listen.

Or that Kaeya does know and wants to change things from the inside.

Or he stays because he thinks that’s what Crepus wanted and actually sees Diluc as disrespecting their father’s wishes.

Or Kaeya stays because the knights treated HIM well, and he doesn’t have any other family left. They ARE his family. His dad abandoned him and he doesn’t know where his mom is (if shes alive). If he has other siblings they’re probably working for the Order. His adoptive dad died and his adoptive brother views him as a pushover for staying perhaps.) Let’s also not forget that Kaeya was probably pressured into doing whatever he was forced to do as a kid as being an heir to the Abyss Order basically. He probably doesn’t know HOW to say no or stand up against institutional injustice. Anything is better than where he came from. So he mostly just distances himself from the Knights by hunting treasure hoarders for fun and gathering intel because his position is literally useless.

I also think Jean’s hands are tied because she’s also barely legal and has too much pressure and is probably going off some some handbook and can’t reorganize things too much to not piss of Varka when he gets back. Plus they’re short-staffed. It’s very likely Varka groomed Jean in some way to succeed him and just put way too much pressure on this kid so now all she knows is how to work. Yeah I don’t like Varka lol.

For Kaeya it’s like “don’t bite the hand that feeds”. Kaeya leaving the knights would lose him EVERYTHING and he cannot risk that. There’s also a real chance that Varka knows about his past and if he leaves, he would become a target due to him being potentially dangerous.

It’s just a big mess all around and Ragbros+Jean are dysfunctional adults that had unrealistic pressures put on them as kids.

[nightmarearian]

do you think the abyss healed Childe’s scars?

realistically I know it’s stupid graphics & model “limitations”

But do you think his skin looks as normal as it did before he fell.

Cause when they’re hit, an abyss monster.

They disintegrate.

Do you think Ajax’s scars healed like that? In the abyss? After it, too?

Do you think they burned? Or was it numb, as the darkened skin faded away with little, yellow, glowing particles?

That he has no evidence of his suffering for those three months in hell (and his only companion’s silence) but dull eyes no one wants to look at?

Callouses on his hands and feet that no one pays attention to? Takes care of?

That he shows his prowess and uncanniness and abyssal hunger because that’s the only way how? Yes. he is hungry and wants a fight. Look at him. He’s off. Broken now.

Look at him.

Please.

[velocitronhq]

Hear me out, on how this means KOBD would gradually start a family and they would be the best parents ever.