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#the blorbos from my story
diezmil10000 · 4 months
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my body is a machine that turns blank canvases into kanadiamari fanart
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filurig · 15 days
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so i might be making a picture book about my blorbos for uni...
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valfeathers · 1 year
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happy birthday worstie <3
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shorthaltsjester · 1 month
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have been thinking about the recent interview about the mighty nein animated series where it was mentioned that the series as a whole would be more of a departure and that vox machina s3 is a similar change versus the more canon retelling they started with in s1 and i’ve seen some negative reactions to it but honestly i’m Psyched to hear that is a change they’ve committed to in their writing and storytelling for the animated series because like. we have the campaigns. and for me the moments in the animation that have fallen the most flat or haven’t felt as fulfilling is when the show has tried to capture the Same Thing as the campaign without having the hundreds of hours of context that supported the moment in the campaign that made it Significant. and it is much much more exciting for me to have a changed story that is changed because it is now. a episodic television show and not a recording of actors playing dnd. like . yes actually Please change the storylines to be storylines and not the whims of game players. yes actually please make a good story in the medium it’s being told in.
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blazingblorbos · 1 year
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"For you? Anything."
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ghostzzy · 10 months
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inspired by kitkat @crimeronan's codependency poll, here's a codependency poll of my own, featuring dynamics from my ocs <3
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lgbtlunaverse · 1 year
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"Nie Mingjue would still have died young even if Jin Guangyao hadn't killed him" Not as in "So it's fine to kill him because people who won't live for much longer have obviously already forfeit their lives" (what) But as in "If you don't get that Nie Mingjue has had an inevitable young and violent death hanging over him since he was a young teenager and has embraced it you can't fully understand his character"
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shannonsketches · 3 months
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I grabbed a bunch of caps for that last post so here's a few more in my favorite genre of bejíta
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odd-ratz · 9 months
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Volume 1 Jack meeting Volume 3 Jack
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pluralthey · 1 year
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Concept art for stupid asshole who thinks she's better than you. Honey badger with some tasmanian devil
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luhman16 · 4 months
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Spoilers for Nine Sols in the midgame after the old man
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Are you really not looking for revenge?
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ppenguinpperson · 4 months
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this is canon iirc so im not sure it counts but demi (both -romantic and -sexual i think. aroace spec swag) nomi is something that can be so personal actually. im done spamming ur askbox now i promise
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nomis such a love letter to the iwatex fandom... like, theyre the 'weird kid' that so many other stories would have made fun of, but not iwatex!!! in iwatex theyre the coolest character ever bc of those same qualities!!! theyre soo everything to me
#ill get to the other requests tomorrow :3 or thursday .. well see!!! <333#iwatex#i was a teenage exocolonist#iwatex nomi#iwatex nomination#fanart#NOMI I LOVE YOUUUU !! NOMI NOMI AUGHHHH#i like to think that the reason theyre the only character to label themselves (to my knowledge) is that like.. in the shows that they watch#theres characters that come out as demi and ace !! and so theyre like Woah im just blorbo from shows !!! bc it brings me comfort to think#that in the future like. ace and demi were just .. like !! they didnt have the WOKE shows that the stratospheric had kids watch !! they wer#on the helipause !! so like !! for there to be a story out there ! where a character(s) come out as ace/demi !! and for that story to be#put on helipause - the last place where youd expect queer stories to be - would mean that ! those identities had come more into the public#eye than they are now and such .. and for them to be a normal part of media !!! you know ??? idkkk#it brings me comfort to think that its just like. normal. in the future. evn for the helios. idk!!!!#also sidenote i was so so scared of having nomis confession to rex when i saw that an achievement was about having them do that#bc i was scared itd be aphobic or smth. or like. dismiss their identity. but !!! it didnt !!! and it was such a cute scene#probs one of my favs in the game tbh . like its SO cute and so accepting !!! and rex is so sweet !!!! i love it#its so so nice and its still so accepting. not dismissive of their identity not sweet or cute or loving despite it but BECAUSE of it#aughhhh !!!!! dies and explodes into a hundred small pieces
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flowercrowngods · 8 months
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knightmærs
love: saying "i love you" even when you're scared written for @steddielovemonth day 20 (@quinns-shadowy-arts)
M | ~3.1k | tags: medieval-ish au, prince!steve, lovers to enemies who are still lovers but it’s intrigue cw: torture (both implied and explicit), past & on-screen brainwashing, manipulation, angst, violence, open ending, mild gore, traditional fairytale imagery
princemær
It is not the sensation of cold steel touching his throat that makes him halt, the blade against his skin a feeling so familiar these days that he barely falters in his steps anymore. Nor is it the clearly spoken threat of, “One wrong move, Kas, and I will paint the soil with your blood so that something good may come of your existence after all.” 
Original, that. Eddie is not loath to admit it. 
And were this valiant knight anyone else, he surely would have worked his clever tongue to make it count, at the very least, that they should have caught him at last. Judging by the determination in the man’s hazel eyes and the absolute calm in his hand, sword unwavering against Eddie’s throat, he would have paid gravely for it. 
As it is, though, Eddie can only stare into the eyes of his imminent captor, frozen to the spot and freezing yet more when he finds no trace of recognition in those eyes. 
What did they do to you? he wonders desperately, so forlorn in the throes of distress he finds no wherewithal to struggle against four men of the Prince’s guard as they roughly disarm and bind him. He doesn’t take his eyes off the Prince, aching for just a hint of recognition, even a glint of betrayal and hatred – but all he can find is cold nothingness as the Prince holds his gaze, looking down at Eddie from his royal mare. It’s not one Eddie recognises, and he is reminded of the years he has gone without those eyes in his life. 
“The King is expecting your return,” says the Prince, sheathing his sword when one of his men binds Eddie to the back of his horse; the first of many tortures, he is sure.
Or rather, the second, with the way the Prince is looking at him, speaking to him without that familiar melody to his voice. It is monotonous now, and Eddie wants to become the monster again that they all make him out to be, if only to rip out the throat of the person who did this to him. The person who took the Prince’s voice, his smile, his memories. 
He would gladly become a monster for him all over again. 
“A sword has been made for your head, after all. And a feast for your demise.” 
And with that, the Prince spurs his mare into a trot, his loyal guardsmen following just behind him, pulling Eddie with them. It is a small miracle that he does not stumble and fall, the floor beneath his feet unsteady as cotton as all feeling leaves his body and the world rewrites itself around him and this very moment. 
Prince Steven wants him publicly executed. That is not what leaves Eddie’s stomach with a wave of nausea he barely manages to swallow down, panting and gasping for air as he is from running after the horses. 
No, what leaves him with a frozen bloodstream and a panicked paralysis of the mind is that Prince Steven recognises him no longer. Remembers not the history that lies between them. The sacrifices made. 
Were the situation any different, allowing for tears and curses cried into the dark of night without threat of detection, Eddie would have wailed. Wept at the realisation that he should have never left Steve to the claws of the King and his advisor. 
What did they do to you? he agonises, staring at the familiar blues that attire the Prince so tragically familiar. And how do I get you back before you spell doom for yourself with my own blood?
*** 
Foolishly, Eddie has spent years of his life thinking he would never be presented with this view again: The palace in all its glory, sandstone nary white and golden, shining and gleaming in ways more sublime than the sun herself. It stole many a night from him, the thought of this vision and the heart it holds inside, a keep more than a palace, and just as out of reach for the hands of a man deemed a traitor to the kingdom. 
But now here he is, stumbling on bleeding feet as the horse drags him into the courtyard of what used to be his home so many winters ago he has lost count. People gave gathered in the streets and alleys and up by the windows, chancing a look at the man condemned, sweat and tears dried and crusted on his cheeks, ripped clothes showing bleeding wounds from falling when the Prince demanded they ride faster. 
He can scarcely hold his own weight anymore, his feet aching and burning, his entire body on fire and dehydrated, the world around him spinning just quickly enough that he takes too long to realise it when the Prince cuts the rope from the horse’s saddle and takes a hold of it instead. Holding Eddie like a mutt on a leash – and he’s panting like one, too. 
Still he catches his breath long enough to lift his chin and look at the Prince, showing defiance in one simple act that in another lifetime counted as devotion. But he wants to look at him. Wants to drink him in, changed though he might be. 
“Will you lead me to death now, Your Majesty?” 
The Prince says nothing as he rebinds Eddie’s wrists, securing them to his chest so he can’t easily break free and the Prince’s neck in the process. A wave of pride washes over him, even as he realises that he must succumb to being a prisoner for now with no means to escape. 
“I am but your humble subject. Where you lead, I will follow,” Eddie says with a wavering voice, just barely resisting to bow before his Prince for dramatic effect and hoping that would conceal the truth to his words. 
“One more word, snake,” he says, cold eyes boring into Eddie’s like a blade of ice and leaving trickles of fear in their wake, “and I will personally see to your death being so slow and painful, you will have forgotten your own name just before I am done, leaving you not enough time to remember. You will spend eternity wandering and finding no peace. Finding not even your name, as all you are has been replaced with pain.”  
Eddie flinches away from him unwittingly, hating the cold smirk that infests that beautiful face. His Prince wouldn’t talk like that. His Prince would not resort to threats of torture, inflicting fear wherever he sets foot. 
He had heard the stories, tales of a Prince changed, accounts of the Golden Prince dimmed and dulled, a tender heart hardened and smooth edges roughened to hurt whoever dared to touch him. The first few years he had heard the tales, and still he had chosen disbelief and doubt. Refusal to believe it. 
His Prince would never. Stevie could never. 
And yet. 
“What happened to you?” he whispers, the words leaving his mouth before he can stop them, and he watches as something shutters behind those familiar eyes. 
“You cut out my heart. All those years ago, when you killed him. I intend to do the same to you.” 
Eddie swallows, the words not making sense. He has killed many a man, those who deserved it and those who did not, but whom could he have killed to elicit such a response from the Prince? 
“Whom?” he dares ask, preparing for a blade in his stomach or a fist in his face, ready for the guards to pull him back and pummel him until he does indeed forget his name and the rest of the world for a while. 
But the Prince stands his ground, his cold gaze nary lifeless even as Eddie’s vision swims. 
“Eddie.” 
And all the blood flees his body in a rush as understanding dawns on him, leaving yet more confusion as he hears his own name fall from the Prince’s lips with such barely concealed grief and sadness that it makes his knees buckle. 
“I intend to repay you for what you have taken from me. Settle the blood debt. Three days from now, it shall be my hand on the sword that will have your head.”
Eddie is too stunned to speak, too exhausted from two days on his feet, dragged on his feet and on his back, and the unfamiliar sensation of fear grips his whole body and intensifies the aches and pains he feels until his legs give out and he lands on his knees in front of his Prince, close to weeping once more. 
A hand comes to rest on his chin, tipping up his face so he can meet those royal eyes, and Eddie finds himself wishing for the blade instead. 
“Good,” Prince Steven says, his voice quiet, only for Eddie to hear. “I want to hear you beg for your life.” 
Eddie cannot keep a hold of the tear that breaks free and rolls down his face, leaving a trace for the Prince to follow as he undoubtedly marvels at having the great Betrayer on his knees and at a loss for words. 
And Eddie knows he will beg. But not for his life.
*** 
Torture does come, but not from his Prince. 
Instead it is Henry, the King’s advisor, who takes great pleasure in taunting him, leaving his body bloodied and bruised before he applies whatever concoction he cooked up that will leave Eddie feeling like his insides have turned to flames, leaving him to grunt and bite down on his screams as Henry weaves tales out of thin air laced with blood, sweat and tears. 
“You were always so gullible, the both of you,” Henry continues, though Eddie must have missed the beginning of his words, as even these ones barely reach him through the pain. 
“What did you do to him?” he asks around a mouthful of blood, spitting at Henry’s feet, revealing in the sick twist of his mouth that Eddie can just barely make out as his vision blurs dangerously. 
“What did we do to him? Oh, even a decade later you are still the same stupid boy you were then, hmm? It is you who did this to him. It is you who betrayed him, killing Eddie Munson and becoming Kas The Betrayer. Do you not recall?” 
His world tilts suddenly as Henry fills his mouth with a bitter liquid, clamping his mouth shut so Eddie has no choice but to swallow it all. 
“Surely you do remember the way you shoved your blade between Munson’s ribs on your way out of this cell all these years ago, cutting out his heart and making it your first feast of your newly-won freedom. Surely you remember betraying the Prince’s trust and then killing his lover and his best friend. You must remember, stupid boy, and know that your execution will bring freedom to the Prince’s mind that is so trapped in its vengefulness.” 
Nausea overcomes him and he retches, but Henry prevents him from throwing up and emptying his bowels to rid himself from whatever the alchemist uses to cloud his senses and reshape the world to his very own liking. 
“Shut up,” Eddie wheezes, earning a well-placed punch for his troubles. “Don’t touch him. Don’t you… Don’t you touch him.” 
A smile fills his vision as Henry comes close to hum as he turns Eddie’s face this way and that, keeping him from shaking it as images of a false history manifest in his mind. 
“Oh, I won’t have to touch him. See, he will realise what he has done on the scaffold. The veil over his eyes will be lifted when your heart stops beating, all the pieces will fall into place, but still he will be blind, for the veil will be replaced with the ghost of you, slowly fading beneath him.” 
Henry is circling him, stalking him like a predator his prey. Eddie has not been prey in so long. He does not know how to suppress the shivers or the horror at the tale woven around him. 
“And then, sword still in hand as it drips with your blood, despair will overcome him and he will follow you. The kingdom will be freed of the King’s pest of an heir, and I will lend his grieving Majesty a helping hand in ruling his kingdom. That is, of course, until he, too, ultimately succumbs to grief for his only son, leaving only myself to rebuild and reshape first the kingdom and then the whole world just the way I want.” 
He comes to a stop in front of him, another dark green flask in his hand. 
“You are but a pawn in this, Kas.” 
More of the bitter liquid flows down his throat and Eddie almost chokes on it, coughing it up and trying to resist, but Henry is stronger than he is. Always has been. 
And with poison in his ears and his bloodstream alike, Henry’s words grow truths inside Kas’s mind; the memory of Eddie Munson dying on his blade, the blood dripping down his fingers as he takes a bite of the man’s heart, and the prince’s screams in his ear at this ultimate betrayal, for that heart belonged to him. 
When he loses his grasp on consciousness, out of breath and out of his mind with pain, he wishes for the scaffold. He wishes for the Prince to take his life and settle the debt. Avenge his love. Avenge what Kas can only ever dream about. 
***
Gradually, over the span of only three days spent in either sensory deprivation or torture, Henry manages to drain the dredges of Eddie’s false identity and replace them with what really happened; replace them with Kas. With guilt, with shame, with a debt so severe it could never be paid back as long as Kas remains alive. 
He forgets about most of Henry’s visits, wakes up with new injuries and new memories, the reserves of water left for him tasting bitter and wrong, but he is always so desperate for it, he has not the luxury of choice. 
The Prince never comes. 
*** 
The third sun rises and finds Kas a broken man. 
They lead him out in chains and shackles, like he poses any risk of escaping. Like he doesn’t welcome what is about to come. Like he doesn’t— 
He… 
Kas falters in his steps the very second he lays eyes on the Prince, hand resting on the hilt of a broadword that looks to be expertly crafted. A sword has been made for your head, after all. He swallows, ignoring the guard that kicks him in the shin and punches him in the neck, telling him to move forward. 
His head aches the longer he watches the Prince, the world around him becoming hazy as guilt and shame wash over him, the feeling that this is right, this is what he deserves. And still, underneath it all, when Prince Steven meets his eyes, there is the nagging feeling that none of this is right at all. That the Prince should not be looking at him like that, should not be holding onto that sword, should not be his own executioner. 
It splits his head, but still he is helpless against the shackles, cannot struggle when the guards pull him along instead. 
The Prince says not a word until Kas the Betrayer kneels before him, and once again there is a wave of familiarity that comes from this action, but he cannot place it. Kas has never knelt for anyone, so it must be wrong. It must be instinct, the last desperate flare of a dying flame, leaving him disoriented, his head flooded with visions of how life could have been. 
The headache mingles with a new wave of fevered need to live, to rip apart these shackles and kill every guardsman and the King himself before he leaves the sandstone castle behind him once more. 
But there is also a strange sensation of calmness that tells him he is willing to let it happen like it must. He is willing to give this to the Prince and repent. He is willing to give it all up and give in to this. 
Kas the Betrayer is ready to die. He is too tired to alter the course of fate any longer. 
But then? Oh, a lone man’s willingness is not force strong enough to defy the will of Fate herself. 
Because when Prince Steven opens his mouth, all the bitterness leaves Eddie’s mouth, all the visions become unveiled at the sound of that voice that for decades now has held him through pain and pleasure alike, the voice that whispered promises of a future together of even just five minutes away from prying eyes. 
When Prince Steven opens his mouth, Kas becomes Eddie once more, coming to life again inside his own tired, exhausted, agonised head. 
“Any last wish?” 
For those to be the words that save him carries a strange sense of irony, and Eddie knows it’s too late. He knows the plan will commence. Maybe it’s for the better. Ten years he has suffered without his heart, ten years spent shunned and banished and labeled a traitor to all kingdoms simply because he dared to love his Prince more than his King. Ten years that have left him tired and worn out, without a purpose to his ways. 
And Steve, subjected to Henry and his alchemy, his poisons and potions, his bitterness that will turn your insides to flames. Steve, tortured and manipulated for ten years without Eddie there to protect him. 
Maybe it’s for the best that it should end now. That it should end like this. He has no strength left in his body, could not free himself or the Prince even if he were foolish enough to try. 
Still he finds himself relieved that he should die inside his own head this time. That small mercies and miracles alike will grant him this. Looking at Steve as he takes his last breaths.
So, does he have any last wish? 
“Yes,” he croaks, daring to look up into those once so beautiful eyes that hold no warmth anymore. 
Tell me what they did to you. A kiss from my Prince. Don’t turn this blade on yourself when this life has left my body. Believe me when I say this is a trap, and I am not who you think I am.
But he says none of that. Wishes for something else. Wishes not for himself.
He swallows, straightening his back. “I wish that you would… That you would just, just listen to me.” Fear overcomes him, and he knows these will be his last words.
The Prince inclines his head, intent at least on listening. Good. That’s good. 
Because now, for the first time in a decade, Eddie will utter these words to ears that will listen. Fear grips his heart, squeezing around it until it stops. And still he speaks. 
“I love you. And I forgive you.” 
tagging: @skiddit @inklessletter @aringofsalt @hellion-child @hotluncheddie @gutterflower77 @auroraplume @steddieonbigboy @n0-1-important @stevesjockstrap @brainvines @puppy-steve @madigoround @izzy2210 @itsall-taken @mangoinacan13 (i have a permanent tag list now, lmk if you want on or off 🤍 these are only the ones who commented on the post) (sorry the first tag should be so fucked up mwah)
note: i posted this last night but then wanted to double check with the lovely lovely mod of steddielovemonth (kith for you!) if this was okay to post, and she said yes, so fever dream round 2! sorry for the inconvenience, thank you for the patience! 🤍
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happyflux · 8 months
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Saw a really long post today where someone was talking about D&D vampire lore, compiling what different sources say about it (including the Baldur's Gate games) and, y'know, for the most part it was a good post, it's a useful and good quick reference on what the different sources have said about vampires.
(readmore because this turned out long oops)
But then at the end, and in an addition to the post replying to a tag someone had put, the post began talking about applying all this lore to BG3 specifically, and it made me think. Because the takeaway that post had seemed to be that the things about vampire lore which are consistent to the rest of D&D do apply to BG3 as well, and that Astarion is simply an exception due to his extremely strong willpower and sense of self. And that just doesn't seem right to me at all. It feels like missing the point.
BG3 did some very specific, very interesting things with the lore of D&D. In terms of vampires, yes, but also more generally, BG3 pretty consistently gives the message that the things that are said in the rulebooks are not necessarily true, but are oversimplifications and generalizations that are believed to be true in universe.
BG3 got rid of racial ability scores, giving every race the same "choose a +2 and a +1" that variant humans can have in D&D. BG3 not only got rid of racial alignments, but got rid of alignments entirely - there is no detect evil and good, protection against evil and good has been replaced with a spell that mechanically protects against outsiders of various kinds, there is no alignment selection for player characters, no alignment showing up on inspection despite pretty much entire stat blocks being visible, and the companion characters all have complex morality that doesn't fit neatly into any alignment box. BG3 establishes and many times repeats that Volo, the in-universe author of a lot of the texts we have access to about Faerûn, is an incredibly unreliable source. BG3 has Halsin, a large-built and hairy elf (something which the rulebooks claim is impossible as elves are slender and graceful and have no body hair), say that "sometimes I think conventional wisdom is too narrow about what someone can or cannot be".
On the topic of vampirism specifically, BG3 has Jaheira (who is established to be wise and knowledgeable due to being an experienced and well travelled adventurer) say "They say that the only thing a vampire can feel is hunger. Nothing else touches them - not grief, or mercy. Or any sense of what is just. Who knows. There is often more ignorance than insight in what 'they' say", in response to Astarion remaining a spawn. And, on an Astarion origin run, it is established that at least half of his siblings can be convinced to want to oppose Cazador (it's just that non-origin Astarion chooses to antagonize them instead), and they can be persuaded not to feed off of people, and even without Astarion suggesting it Dalyria will take the initiative to help and take care of the other spawn. And, and this I think is crucial, every vampire we see in BG3 aside from possibly Vellioth is established to have been through circumstances which could easily twist someone and turn them horrible, no magical twisting of emotions or inherent existential evil required.
To play Baldur's Gate 3 and take away from it that the things which D&D lore has previously said about vampires apply to this game, and that Astarion is just somehow Special because of his Extremely Strong Willpower and Sense of Self feels like completely missing the point. Vampires in BG3 are evil because they're stuck in a cycle of violence and suffering and aren't able to escape, and when they are given an escape from that cycle they are able to heal and recover and be more than what they were made. Astarion does not have exceptional willpower, Astarion got lucky. He got out, he made some connections, he got a chance to heal and unlearn the things he'd been taught before being thrust back into Cazador's presence, and that's why he's able to break the cycle. Or, alternately, if the people he finds when he gets out don't push him to unlearn the things Cazador taught him and instead reinforce those beliefs, he becomes just like him. Again, no magical twisting of emotions required.
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hoofpeet · 1 year
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perpetually suffering the tortures lately
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voidedjuice · 4 months
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aegir event is all well and good (and a long time coming tbh), however what i really yearn for is an event focusing on the rhodes' iberian operators 😭 please, they have NOTHING aside from the random Elysium events
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