#the biggest hates in whole franchise

[userautumn]

I mean this respectfully but trying to predict 9-1-1's cancellation is a losing battle. Sorry, but this bitch (9-1-1) is a cockroach. She's not going anywhere for at least another two seasons. 9-1-1 is consistently one of the biggest shows on streaming, pulling in 8/9/10M views across scaffolded data. When they were picked up by a new network, ABC gave Tim the keys to the kingdom and told him to go wild, which he has done. And while fandom may hate what he's doing on TV, people are still locking in to watch every week (even across streaming) which means he's still generating the returns the network is looking for. Further, Network TV is a dying breed—everyone's ratings are declining. Network TV used to routinely bring in 7-10M+ viewers on average, and now any show is lucky to receive 6M viewers consistently. The rise of streaming brought with it the rise of convenience, so no one really cares to tune weekly on a set schedule when they can just push a button on their remote and watch the show whenever they want. Years ago, Tim said he wanted 9-1-1 to be a show that reached the double digits and, whether some people like it or not, he's still on a trajectory that would make that goal a reality. They're coming out with another spinoff, guys. Networks don't invest money in spinoffs and franchising + advertisement if they're planning on axing the whole thing. :P

[tedwardremus]

This Town Is Fake But You're The Real Thing

Written for the August 2024 @jilychallenge

Theme: Celebrity Prompt: “We are in the same franchise but have never had screen time together until now, in season eight, and I think I’m in love with you?! Just like everyone said that I’d be?!” Partner: @chierafied

"Uh-oh," Marlene said, falling into step beside her. "That’s your ‘I’ve-read-the-script-and-hate-every-second-of-it’ face, isn’t it?"

Lily groaned. "You have no idea. They’ve gone and done it, Marls. They’ve put me with him ."

Marlene’s eyes widened. "Wait. With James ? Oh, Merlin. You’re kidding me."

"I wish I was joking. But it's happening—full-blown romantic storyline. The kisses, the longing stares, the whole cringe-worthy package." Lily threw her hands up, her voice thick with sarcasm. "It's the classic ‘opposites attract’ cliché to tie up the series with a neat little bow."

Marlene grimaced in sympathy. "Yikes. How are you feeling about it?"

"Like I want to hex someone into next week," Lily muttered, her tone dark and brooding. "I've managed to steer clear of him for years, and now suddenly we’re supposed to be star-crossed lovers? Why now? Why me?"

Her frustration continued to bubble over, and she couldn’t stop herself from ranting. "He's so spoiled. He's had everything handed to him—fame, adoration, you name it. And now, on top of it all, I’m supposed to fall for him in front of millions of listeners? It’s absurd."

Lily shook her head in disdain, "I hate this industry. It’s so shallow and self-absorbed. Everything is about image, about selling this vapid fantasy to people who eat it up. But once this contract is up, I’m done. I’m going to do something that actually matters, something meaningful. I can't keep wasting my time on this nonsense."

Marlene chuckled, though her sympathy was genuine. “It’s the final season. They want fireworks. And let’s face it—putting you two together is the biggest headline they could ask for."

[mariailoveyou-guerin]

Bridgerton cast the roles they auditioned for Vs the role they actually got in the end! Y’all see NICOLA oh!

Nicola Coughlan Pen got Pen

Claudia Jessie Pen got Eloise

Jonathan Bailey Simon got Anthony

Luke Newton Simon got Colin

Phoebe Dyvenor 2 roles Pen and ? got Daphne

Calam Lynch Colin got Theo

Hannah Dodd Daphne got Francesca

Luke Thompson Duke got Benedict

and people cry about why she’s the favourite and why she’s the main character face of the whole show like I’m need y’all to be fr no one is on her level no ever reaching her range and versatility all of them combined couldn’t even reach miss face of the 😂 sit down now

I just know on my mothers life Shonda was sob crying thanking her gods on her car on her way home when she got Nicola in that room and said that’s my main character face of my franchise and she was so right! It’s fcgo Shonda always I don’t like her but she really ATE but not really since its really Nicola that devoured that audition effortlessly too she didn’t even try hard because she knew it’s shondaland and there was like 500 other people auditioning for pen so she just said I’m do my best and not force it and Shonda really said you shall be my whole everything an she was right still fcvk Shonda always tho genuinely hate that eh woman

Ofc Nicola fav song on Beyoncé new album is bow down 😂 it’s literally what everyone should be doing every time they see her or go near her! bow down bitc*hes when you are in the presence of your betters!

not Nicola literally talking about having a day or two to prep for pen (in her new video that dropped now 😂 they saw me talking about and said let’s give you the proof for the antis before they jump you best girl) and being the face of one of Netflix biggest show oh she’s so silly love of my life what a legend what a queen! TV

[theflashjaygarrick]

Absolutely wild to me that with all of DC's reboots/retcons no one has had the sense to completely erase the Arisia incident (and no, I do not count Johns' whole 'Hal thought it was creepy but then learnt that her planet rotates differently so she is actually 200' nonsense. It's probably the biggest stain on the green lantern franchise (followed by the Kalmaku nickname thing) and genuinely there is no benefit to it existing.

But importantly I don't mean erase Arisia. She is a character with a lot of potential as a little sister with self esteem issues, a child who has been conscripted into a literal galactic army and is honestly just trying her best. She's adorable and had a lot of potential before Englehart made it so disgusting I stopped reading his green lantern comics my I own sanity. And I do feel like while it definitely did tarnish Hal and his reputation (and lets be real, probably should have done so for almost every green lantern in that era except John) Arisia herself was honestly a lot harder hit with being hated and erased. Which is how a lot of comic controversies - and even real life abuse cases can - go. I feel like she honestly deserves a second chance to be explicitly and overtly removed from that uncomfortable and unnecessary arc rather than just being pushed aside so people can write Hal as a space maverick male fantasy (when will Spectre Hal come back from the war).

But like imagine an Arisia year one with me (wherein the writers and the corps aren't creeps):

Arisia is a young orphaned alien girl who is still grieving when she has the responsibility and powers of a lantern ring thrust upon her. While still trying to get a hang of her new powers she is called into OA where she meets the other Green Lanterns. She begins training and becomes the (actual) little sister/kid of the green lantern corps. Crucially no one is weird about her. I would probably make it so that her home planet values really strong familial ties so that as an orphan she is desperately seeking out a family in the green lantern corps, which clashes with some of the other members who initially see the other corpsmen as work buddies at most. In this when Hal and her hang out its because he's her mentor and he radiates cool uncle vibes.

And honestly you could keep the ageing up with the ring idea but instead of making it part of a creepy romance arc it could be used to further explore her own anxieties. Maybe she feels overlooked as a kid so decides to make herself look older to feel more powerful when on missions, but it eventually it makes her feel more self conscious about what she looks like normally. Then it ends with her learning to embrace and find confidence in who she really is. You know, classic coming of age stuff. And after that Hal and Jon decide to introduce her to the Teen Titans so she can be around other heroes (roughly) her own age.

So she ends up on Earth for while where you could have a fun fish out of water dynamic whilst she explores earth life in San Fransisco. Not only is she a member of teen titans as their GL (or Teen Lantern as they probably insist on calling her). She can have a whole side plot about making friends in her civilian identity and wanting to be a normal kid (milkshakes, diners, roller skating, baby gay crushes) while also knowing that at some point she has to go back to OA and to her home sector. Back there she has to embrace this massive responsibility (honestly too big for someone of her age) that she didn't choose, but that was rather an inherited burden from her late father and duty as a member of the corps.

Ultimately it would be about finding confidence in your own heroism, a found family, and having fun coming of age moments. And rescuing a promising female character from being an embarrassing footnote in DC (and Hal Jordan's) history.

DNI INTERACT IF YOU ENJOY HAL AND ARISIA AS A COUPLE. I DON'T KNOW IF THESE PEOPLE ARE REAL BUT IF THEY ARE, LEAVE MY POST/BLOG ALONE.

[kaorucup]

On woy ships, the reason skeleton dance works (as in, it doesn't come off gross if people ship them) because Hater trying to kill him never comes off as anything to take serious. There's nothing really at stake because their villain & good guy relationship is such a silly, cartoony one. Wander doesn't fear him and, deep down, Hater doesn't really hate him (or at the very least, he hates him significantly less and less as time goes on, and it's always been an extremely petty hate.) It's literally confirmed that they're going down a path that's going to end in a mutual friendship between them. Meanwhile, with Dominator, even if we set aside the fact that she literally isn't into men, she exists as a serious threat, a serious villain, an actual terror. Wander operates as being in denial of it, but he's literally very scared of her himself. It's not very subtle that she upsets him. A lot. She's played straight as a cruel, sadistic, twisted monster of a villain who has zero qualms with offing him as soon as she's done torturing him via destroying everyone he loves right in front of him. If given the chance to have any space in his life, she would just be his abuser. That's why him trying to reach out and make friends with her (and not because he wants to but because he feels a moral obligation to) is repeatedly framed as harmful and bad. The fact that people look at them and go, "ouhhhgh but she's Hot so he hasss to ogle and fawn over her!! 🤤" is just. Eugh.

I want to give an example from my 1st all-time favorite show before the 2nd became WOY.

This is Darknest/Ophiuchus Star Princess from Star Twinkle Pretty Cure. She's just like Dominator in many ways, and I'd really like to dedicate like a whole ass post about her, but back to her 2nd biggest similarity with her that isn't a massive spoiler for both of their characters: they're both conquerors who have caused galactic destruction + genocide.

The point I'm gonna make here is a massive spoiler for the ending of this series, but I'm gonna try to not say it outright. They don't do what they did with Dominator. That's all I can say. It's such a massive fumble that it's seen as one of the series' biggest issues. It's a great installment in the franchise: I actually HIGHLY recommend it if you love WOY. When I watched all of the latter back in May, I got a lot of Star Twinkle vibes when they were just going around meeting people on new planets. They don't visit as much planets as WOY because it only has 50 episodes (and it even takes a while for them to actually go into space, but trust me, the first few episodes will keep you entertained). All in all, I love Star Twinkle just as much as Wander.

(unfortunately the only way to watch it is through yo ho ho sites, but wcostream doesn't have those NASTY ads)

Back to Dominator though- Domi not being redeemed was great because, like you said, Wander trying to be friends with her was "repeatedly framed as harmful and bad." And if we use that Darknest example, it shows that "Hey, maybe you shouldn't really be friends with EVERYONE." A lesson even Wander himself learns at the end of the episode.

Idk if I'm making myself clear, but what I'm trying to say that in general SYMPATHIZING with villains like them is just stupid. Like obviously you can have favorite villains, but shipping them with characters they've hurt a LOT isn't right. deathglare is toxic yaoi, but do you see hater going out of his way to hurt peepers for the fun of it? no. (I don't know if I'm making myself sound clear man I hope I'm saying this right)

basically: shipping wander x dominator is bad because it goes against the lesson learned during the end of the galaxy.

once again, I yapped what I needed to yap. I think. I can't tell if I promoted star twinkle too much here

[random-imagines-blog]

Ambulances {Robert Downey Jr x Teen!Reader Oneshot} 

Requested by: Anonymous Wordcount: 3483 Summary: Being the youngest actor on the MCU is a dream come true - but why doesn't you feel as good as you should? Notes: Talks about depression.

This was meant to be everything that you ever wanted. The chance to work on one of the biggest franchises the world had ever seen. Appearing in a huge movie, and then getting the chance to star in a television show afterwards, all about your character. Possibly more movie appearances. Getting paid so handsomely that if you were careful, you wouldn’t ever go into debt. Rubbing elbows with some of the biggest and brightest stars in the world. Chris Evans, Robert Downey Jr, Scarlett Johansson, Benedict Cumberbatch. And you weren’t even out of high school yet. You were supposed to be living the dream.  

Then why did it feel like it was spiraling down into one of those nights where you don’t remember your dreams? It wasn’t a nightmare. There were negatives but nothing that you didn’t expect going into the acting profession. You didn’t hate your job. You didn’t hate your character. You just - started to feel nonchalant about the whole thing. Nothing at all. It started off with not feeling as excited as you used to when you woke up in your trailer to go to set. You were tired and had to drag yourself out of bed to go to hair and make-up.  

Robert was getting his done, his iconic Tony Stark facial hair being trimmed and shaved perfectly. You muttered a good morning before taking your seat, and one of the makeup artists came to work on you. 

“Rough night, kid?” Robert asked, raising an eyebrow at you.  

“I don’t think I slept that well,” you said. “Just - couldn’t get out of bed today.” 

“That’s called being a teenager,” He chuckled.  

“Yeah, probably,” you said, forcing out a chuckle back. You would just chalk this one up to a bad day. Everyone had those. You were able to pep yourself up for your scenes, and work through them without any issues. It was good to focus on something other than yourself for once. Get into the character. Become someone else for a little while. Someone who was mighty, and strong, who got out of bed each morning without trouble - unless they were beat up, which because this was a superhero movie, happened quite often. But you declined going out for dinner with everyone else, just saying that you were tired and headed back to your trailer while they went out to enjoy themselves.  

You looked around your trailer once you were inside. It was quiet in there, save for the very faint buzzing of electricity that was powering the lights. You collapsed down on the small couch where you usually went over your lines but - you couldn’t think of what to do. You didn’t feel like doing ... anything. There was your gaming console set up by the tv, a stack of games - but you didn’t feel like playing them. There was Netflix and Amazon Prime and Disney Plus and Hulu - but you didn’t feel like watching anything. There was your laptop, but you didn’t feel like website surfing. So, you just - sat there. Doing nothing. Feeling nothing.  

Your phone went off. You could see the name on top. One of your best friends from back home. Someone that you usually loved to talk to. But you just ... didn’t feel much like talking to them. A stab of guilt made its home in your stomach once the screen went dark again, knowing that you should have answered it. There was no reason to ignore them. But you still didn’t move. Just letting this feeling of ‘you should you should you should’ take you over.  

-- 

You didn’t even remember falling asleep - and you couldn’t remember if you dreamt or not. One minute, you were sitting on your couch, staring blankly ahead of you, not even thinking of anything, and the next, you were still sitting there but there was light coming in through the curtains and your alarm was going off on your cellphone.  

You were astounded at yourself. You’d never done this before, never felt this way before. You forced yourself up and into the shower but there too, you didn’t feel like doing much of anything. It all felt so ... tedious and worthless. How many times in your life were you going to waste time, standing here in the shower, washing your hair? How many times were you going to cover your loofa in bodywash and lather yourself up? Doing it all today just to do it again tomorrow, and the next day, and the next day. It felt so dull. 

And when you got out, all squeaky clean and put on a random hoodie and jeans to head out to hair and makeup, yet again, you didn’t feel as good as you usually did. Usually, a shower was just the thing that helped you start the day. You felt good when you were clean. “God, what’s wrong with me?” You muttered to yourself as you went into trailer and took your seat. 

This time it was Chris Evans that got there the same time you did, sitting in the opposite chair. “You missed a fun night,” he said, grinning at his phone. 

“Oh,” you said, looking straight ahead of you into the mirror. You forced out a laugh that didn’t feel real. “Next time, next time.” 

“I’ll hold you to it. They had some of the best tacos that I’ve ever had-” Chris said, turning into an excited puppy as he often did when he found something that he liked. Usually, it was enough to make you cheerful. But you just tuned him out, not having the attention span for this conversation. Or maybe it just wasn’t the energy. 

The makeup artists started on you, having to use a bit more concealer than they usually did. “Make sure you get all eight hours,” The artist reminded you.  

“Yeah, sorry about that,” You forced a chuckle. She covered your dark circles expertly, patting on powder to try to make it look more natural, and then you were out there to get ready for the shot of the day. You had a bit of time until you actually had to be on the set, since you were just coming in at the end of the scene, so you sat down and just ... watched. You didn’t really say anything to anyone. You weren’t in the most sociable mood. You let your mind wander, your body being present, but your mind was far away.  

“Hey kid,” A voice snapped you out of it. You blinked a couple of times and looked to see that Robert was sitting right next to you. You hadn’t noticed because you had been so busy thinking about ... you couldn’t even remember. That was more startling than Robert’s voice coming out of nowhere. You had no idea what you had been thinking about.  

“Hey,” You nodded, and then looked back out to the set, watching Chris Evans and Scarlett working together on a scene. “I didn’t know you were supposed to be on set today.” 

“‘m not, but I got bored so though I’d check it out,” he said, crossing his arms in front of him. Robert Downey Jr was intimidating, not because he was tough or scary, but because of his long career, and how he managed to recover from some pretty drastic dips. “You seem a little glum, chum.” 

“No, I’m just ... tired,” you said. It felt like a flimsy excuse, but you didn’t have one that felt better. It must have sounded weak as well, because Robert took off his sunglasses in a very Tony fashion and slipped them into his front pocket.  

“Just tired?” He asked. “You coming down with the flu or something?” 

“That could be it,” You nodded, clutching onto that idea. Maybe you had just gotten sick. Maybe there was a bug going around. There was always some kind of bug going around. It would explain your increase in listless behavior. You weren’t always the most active person, but you had been able to keep up with Marvel’s standards for their actors, but now that you were finding it harder, the flu made perfect sense. “Yeah, I think it’s just the flu. Better not get too close, huh?” 

“I’m not worried, I get my shot every year,” Robert said, casually. “You know - you could come to one of us if something is wrong, right?” 

It almost felt like an accusation of sorts. Like he could see right through you. See something that you were having trouble seeing in yourself.  

“Yeah, of course, you’re like - the best mentor ever,” You nodded, forcing on another smile. Just the flu, nothing was seriously wrong, it’s not like you could be ... depressed or anything. You didn’t have time to be depressed. You weren’t in the right business to be depressed.  

Your name was being called by the director, so you stood up quickly. “Gotta go. Good talk.” 

“Yeah, good talk,” Robert said, watching your back as you walked away. He saw something in you that he saw in himself, saw the beginning of something that he had struggled through for a lot of his adult life. And he didn’t want to see you struggle through it, at least not alone. He was going to be keeping an eye on you - two if he could spare them. 

-- 

It felt like the longest month of your life. It just dragged on, and on. There were at least four times that you had almost quit the movie. Where you brought up your manager’s number on your phone and almost pressed dial because you wanted out of your contract. It didn’t matter how much money you would owe the studio, or that you would be blackballed in Hollywood. Nothing felt like it mattered anymore. Your gaming system and laptop were collecting dust, literally, you had drawn a sad face on the system in the dust. You didn’t go out with the rest of the cast anymore, claiming other plans or that you weren’t feeling well, and spent the time in your trailer alone, with the lights off. Not because you were hiding but because you didn’t care to turn them on. You’d just be turning them off when you went to sleep so what was the point? You woke up, you dragged yourself out of bed, you went to set, and then you went back to your trailer and back into bed. You’d doom scroll through social media but not interact with anything.  

You went through the horrors of the world like you were trying to prove something. Or use it as a reason to be the way that you were being. The world was a crazy, unhappy place, so of course you were unhappy. Of course, you were falling into a depression - which was something that you could no longer deny. This wasn’t a few bad days, or the flu, or just feeling uneasy. This was full on, falling through the cracks, feeling worthless, depression.  

You didn’t deserve to be here. You weren’t putting in the work that you should be, which made you anxious about your performance, which made you feel even worse. You felt like you were just an imposter among all of these stars, you didn’t earn your place among them. It should be someone else here. A star like - Jenna Ortega, or Noah Schnapp, would fit in here better than you could. You were messing up your lines, having to have someone feed them to you through a small earpiece that couldn’t be seen on camera. You were given warnings by the director to shape up. You didn’t even cry when you were given that criticism. You didn’t get mad, you didn’t feel proud that he cared enough about you to want you to do better, you just felt numb to it, and returned to your bed like you did time and time again.  

It was after you spent an entire weekend in your bed, not showering, only eating what you could grab quickly and bring back to the bed, which was all the unhealthy stuff, not even changing your pajamas once, that you admitted that you had a problem. That you were forced to deal with the cold reality that - you weren’t coming down with the flu, but that this could seriously be depression. You couldn’t live in the denial of it anymore. 

You knew you should call your parents. Maybe your manager. Maybe even your family doctor to get a referral to a therapist or something along those lines. But there was only one person that you could think of talking to. 

You forced yourself into a shower, found some clothes that smelled relatively clean and didn’t have any stains on them, and put your shoes on for the first time in days. The sun was shining, and you had to admit that it felt kind of nice on your skin after so long. The crew were running around, getting things prepared for today’s shoot, which you didn’t have any part of. A free day, at least for now.  

You walked past a couple of the trailers, looking for the right one. A sign in the door had his name in big block letters, and you saw that he had drawn a little Iron Man underneath it. It wasn’t very well done but it was recognizable. You knocked on the door and then put your hands in your pockets, looking around to see if anyone was noticing you lingering outside. 

The door opened and Robert poked his head out. His cool expression warmed up when he saw you standing there. “What’s up kid?” 

You looked at him and you tried to think of exactly how you were going to say this. He already knew the meaning behind you coming to his door. But - he was still going to make you say it. You just had to say it. 

“I think - I have a problem, Robert,” You admitted. It was the first time that you said it out loud. Your first outside admission that something was wrong. You were putting it out into the universe because that’s the only way that you could get any sort of help.  

“I thought so,” Robert said, stepping out of his trailer. “Come with me.” 

-- 

He didn’t take you straight to a therapist or to the hospital or anything else that you had fared he was going to do. Instead, he took you to a small ice cream parlor near the studio. He bought you a sundae, loaded with all of your favorite toppings, even if you didn’t necessarily feel like eating something sweet right now. You didn’t feel like you deserved the treat. 

“Go on,” Robert urged, digging into his own with a plastic spoon. “You admitted you have a problem. That’s step number one, you deserve it.” 

It was like he could read your mind. He knew exactly what you were thinking and why you weren’t eating. So, you picked up the spoon and you dug it into the mess of ice cream and toppings and sauces and took out a large scoop and put it into your mouth. The sweetness ... actually tasted sweet. It didn’t taste like ashes on your tongue like a lot of food does these days. Eagerly, you went for a second scoop, and Robert was looking at you like you were a child of his that he was proud of.  

“I - I don’t know if it’s depression exactly. I’ve never really been depressed before,” You admitted, stirring your ice cream to make it a little softer, a little easier to eat. “As far as I know, it doesn’t run in my family. And ... it’s not like ... I feel sad or anything. I don’t cry...” 

“Depression isn’t just about feeling sad. Everyone feels sad,” Robert said, taking a bite of his own. “It sucks the life right out of you. It makes you lose your spark. Your passion. Any pleasure that you have in life, it just ... takes it away.” 

“That ... is how I’ve been feeling,” you said with a small nod. “I know it’s ridiculous, like, I’ve got my dream role and -” 

“It doesn't matter, kid,” Robert said, kindly. “You could be the happiest, richest person on the planet, and you can still get depressed. It’s not about deserving it. It’s just something that unfortunately happens.” 

You kept stirring your ice cream rather than eating it, watching the toppings drown under the melting cream. It was hard to take in that this was something that was actually happening to you. It was like a car crash in a way. It happened to other people. It was never supposed to happen to you. 

“So, what do I do?” You asked, slumping back. “Because I can’t ... I can’t be this way. It’s exhausting. I’m forgetting my lines, I can’t concentrate, I keep fucking up scenes and I feel like everyone is mad at me -” 

“No one is mad at you,” Robert said, pointing his spoon in your direction. “Everyone is worried about you. I think we all had it figured out before you did. Did you know that Evans has social anxiety? He works on it every day. He’d be another good person to talk to about all of this stuff. It’s different from depression but ... it has some of the same struggles.” 

“I’ll try to remember that” You mumbled. “So really, what do I do? How can I... get over this?” You plead. You put all of your trust in Robert here. He’d become a leading figure in your life since you joined the MCU.  

“It’s a disease,” Robert said, sadly. “It’s not something where you just take two pills and you’re done. There are medications that’ll help you out, but they take a little while work, and sometimes, you have to go through a couple of different ones to find out what works for you. Though what I’d recommend is therapy.” 

“Therapy?” You ask, eyebrows furrowed together. “I don’t even know what I’d say. I don’t have some ... deep childhood trauma that I can just point my fingers to. I don’t even ... know how to explain how I feel.” 

“You did a good enough job with me,” Robert pointed out.  

“That’s because I know you. I’m comfortable with you. And you knew what it was before I did...” 

“Why don’t I give you the name and number of the therapist I’ve been seeing for years. They’re really good,” Robert said, taking off his sunglasses and making straight up eye contact with you. “Or - they can help you find someone who fits you best. That’s important. You have to feel comfortable talking to them. There’s no shame in trying to find the one for you.” 

You groaned and put your head down on the table, the metal feeling cold against your forehead. You were hoping it was going to be easier than that. That it could just be like antibiotics, take two a day and scare the depression away. But of course, nothing was ever going to come that easy in this life. You were going to have to work for it. Just like how you worked hard for everything else that you achieved.  

“It’s going to be a trek,” Robert said, clicking his tongue, spooning up more of his ice cream. “But I think you can handle it. You took that first step, now you just have to make a phone call.” 

He took a card out of his wallet, and he slid it across the table to you. A professional business card, the name and number of a therapist. You just looked at it from your position on the table, your head turned onto its side now. “Do I have to do it right now?”  

“You don’t have to do anything,” Robert shrugged. “It’s up to you when you’re ready.” 

You sighed again. You missed the days when your parents used to make the phone calls. Used to schedule your appointments for you. Made sure that you got there on time. That was one of the annoying parts of being an adult. You had to do it yourself now. 

You raised your head and read the card again. The name of the doctor in a neat, no-nonsense font. You took another spoonful of your ice cream, took your phone out of your pocket, and started to dial the number, looking at Robert the whole time who gave you a thumbs up. It was going to be a rough road but - at least you could honestly say that you were not alone. That helped more than anyone could ever understand. 

[princess-of-the-corner]

Actually!

I have a great guideline for how I'd WANT Chloe to be written!

Ever heard of Trollhunters of Arcadia? It's a great show it's on Netflix.

There's a character there named Steve Palchuk. Long story short, he IS Dash from Danny Phantom. He's an absolute asshole and we hate him. But he is largely treated as "annoying, but nowhere near the biggest problem we have right now" for exactly the reasons that other anon was talking about.

Anyway, he's pretty terrible until one episode in Season 2 where he runs into one of the secret monsters that the main character Jim fights. The only person he's ever heard talk about this is his favorite bullying target: local nerd Eli Pepperjack. So he and Eli team up (because it turns out Eli has an entire conspiracy board and has more or less figured out ALL of the weird magical/supernatural activity occuring in Arcadia without being TOLD anything). They manage to piece out that Jim fights the bad monsters to keep them safe, and agree to subtly watch his back and also Steve agrees to be nicer and take things Eli says seriously (in private at least).

All episodes with Steve from then on have him significantly mellowed out. Still egotistical and a bit of a dick, but no longer antagonistic, much nicer to Eli, and actually straight up helpful against any serious threat.

The series ends with him and Eli fully in on the secret, and declared some of the new major protectors of Arcadia, since Jim has to leave for Other Reasons.

But Steve's development doesn't stop there! The next series in the franchise: 3Below, shows what's happened now that Steve has worked out some of his issues and now that his "rival" characters aren't around. He's actually pretty alright, becomes even better throughout the course of the series, and starts dating the main character of that one.

Basically, he figured out that the people he's been a massive dick to have a whole scary double life and are genuinely trying to help, and he calms down. He proceeds to work out his emotional issues and help with the actual deep shit until he becomes a straight up cool dude (with an attitude and an ego, but a cool dude). There's even an episode that has a 3rd of it dedicated to him working through his Daddy Issues and connecting to one of the best adult role models in his life. Sounds like a Chloe template to me!

Ya know what fantastic energy!!

This was kinda where Chloé had started going in Season 2 tbh. She decided to help Ladybug in any way she could, for example: redirecting Style Queen so she was less of a hazard and informing LB about gathered information.

[androgynousblackbox]

More stuff for this AU:

-Vox is the benefactor for the hotel and was there literally from the start. Velvette send him an email just the same as the richest motherfuckers that she could find in hell with a copypasted message, not really expecting much from the king of hell himself, but was then surprised when Vox appeared at the door of her run down apartment claiming to be "intrigued" by her proposal. After Velvette sold her pitch to him, Vox gives the biggest laugh ever and gives Velvette all the money she needs to make the hotel, promising that if this idea of her works and they can actually turn sinners into winners she will receive a lot more money. Maybe they could have a whole franchise of redemption if all turns out okay! -Vox and Mammon are greed besties. -Velvette dates Verosika. Verosika is very supportive of Velvette´s project. -Valentino is still very much a pimp and trafficker of guns that works closely with Carmilla Carmine. He came to know about the project of Velvette after she gave a passionate presentation on the news, after destroying verbally everyone who mocked her. Valentino thought to himself that he just had to be friends with such a huge bitch. -Angel Dust and Husker are angels dedicated to the extermination. The extermination is kept a secret from the rest of heaven still, including his own twin sister Molly, who he lives with. -Adam is the oldest sinner on all of hell and the first official resident of the Hazbin Hotel. He fucking hates Vox for condeming him there, but Vox literally has no recollection of who the fuck is him. That must have been data that got lost on one of his many updates. Adam is so fucking tired of hell that will do anything to get the fuck out of there. -Lute is the second resident and a fallen angel who fell when she tried to make Husker fell. Angel Dust found her out before she could do much and casted her away instead. Originally she just wanted a place to crash, but ends up staying because it's not that bad of a place after all. -Velvette has a crush/hate on Charlie because "she is not even that pretty, I mean fuck, if Lucifer wanted a good looking bitch I could have been that" and Verosika is 100% the kind of girlfriend to be there, nod and say "yeah, babe, you are so right, you are so much prettier. Honestly Lucifer missed a chance when he didn't pick you up as his fake daughter." Velvette is also the number one fan of Charlie because clout (and also she is pretty, fuck it). -Alastor literally came back to the tower after reporting on some event on a mobile station and Lucifer had already adopted Charlie, on whom he dotted and pampered on as if she was his actual daughter. He didn't get it, but Lucifer seemed happy in a way he haven't seen him in a long time so of course he let it slide (after investigating on Charlie's background to make sure that she wasn't scamming Lucifer). After realizing that Charlie had no bad intentions whatsoever and didn't represent any danger for Lucifer, only then he started to warm up to her and treat her as his own surrogate daughter too. Obviously, since Lucifer was his then obviously they were going to have the same family too.

-Alastor at the start didn't want anything to do with Lucifer, prefering to do the overlord shit on his own, but Lucifer kept following him around and helping him out so much that he realized that it was for the best for the two of them remain together. Lucifer fell first, but Alastor fell harder kind of deal. -Lucifer had a wife and daughter when he was alive, but he was killed for an investigation he was conducting when his daughter was literally just a baby and he always regretted not being able to be there for her. Charlie fills that void for him, even if he knows the dates don't match up at all and Charlie could really never been his daughter. He was so lucky that Charlie herself carried on with her own daddy issues that makes her suck up all the affection like a sponge, instantly. -Both Alastor and Lucifer also received emails from Velvette offering to be sponsors for her hotel. They never even read it. Alastor has Sir Pentious as an assistant who reads all that crap for him and deleted it instantly because he thought it was a scam (and he was right). -Emily is the demon maid of the hotel and literally the only person who believes in redemption. Nobody has the heart to tell her that it's all bullshit made for profit, not even Vox.

(this AU is available for asks, btw! Maybe I can get inspired to write something else)

[anonzentimes]

abt your previous ask!! i agree that komahina gets hate sometimes in 2024 but also remember that kmhn is debatably the most popular ship of the FRANCHISE lmao?? imo to take the “kmhn is toxic” argument to so much heart is a nothing burger… search hinata’s or komaeda’s character tag and its like 99% kmhn art. i genuinely dont think its an issue of homophobia or stupidity or anything i think it just comes down to hinata being a Player Surrogate and komaeda being the antag thats constantly in your face and mocking you. people think the ship is toxic because their player experience w komaeda is toxic that’s it 😭 the malice you’re seeking isn’t there. no hate to you or the OG asker ofc but this is a very niche problem in current year to be so haunted by… kmhn isn’t going anywhere trust me

Anon with all due respect, one part of it it is people who have had a bad experience with komaeda or don't understand him, one part of it is people being homophobic, and the biggest part that's more common in this day and age is undermining Komahina due to shipping wars. Just because it's not a major thing there are still people who exist who think and say things against it. There are still people who misunderstand it or deny it for any of those reasons. I feel like you're denying the fact that these are collective issues that happen that result in the same conclusion that's misunderstanding the text. The text is something I care about dearly and I was asked about it. Komahina isn't going anywhere just as the people who perceive fiction differently aren't going anywhere. Whether or not you see these instances as a major issue that hinders the entirety of being able to enjoy the ship itself easily or not these people who misunderstand it do exist as long as the text does. That's just the nature of quite literally Everything SUBJECTIVE. As long as people exist who can interpret it in a way that misunderstands the text, have beliefs against the core aspects of the concept, and have interpretations that impact their views due to preferences there will be instances where it's frustrating for people like me. You can say it's a nothing issue all you want but that doesn't mean it will ever stop happening just as people like me won't ever stop loving it. You're coming into MY HOUSE and MOCKINGLY claiming that it really isn't such a big deal when this whole blog is about my special interests, of course I'm passionate about these instances that are frustrating. Not only that but I was ASKED about it, ASKED. I'm allowed to complain about people who frustrate me when they misunderstand or deny the text that I love regardless if it makes it physically impossible to enjoy it.

Just because I can enjoy my apples doesn't mean I can't complain about the people who are hating on my fruits, even if they can't force my fruit to rot I can still feel frustrated at them for not getting it like I do, denying it's existence, or simply hating on it. You're coming into my garden where the other gardeners are having a shared emotion of frustration. Like, that maybe a silly example but does that get the point across enough for you? You're coming into the territory of people who care and probably see it more because it's such a big thing in our lives. Like, Yeah, I know they can't make my fruit rot, that doesn't mean I can't express discontent over those who don't get it, misunderstand, or most of all are outwardly hating on what I love. By your definition of Niche this is literally the corner of that niche, we are the ones who still see it sometimes because that's how invested we are. Again, it's subjective, we're allowed to express disagreement and discontent with what those people say. And again, this is about one of my SPECIAL INTERESTS, Literal definition that makes it hard for me to comprehend how people see something that is so special to me in such a different and even negative way is hard for me to comprehend sometimes. I'll express that emotion caused by that, and proven by it being an ask I'm not alone in, as much as I want. I'm not harming anybody when I express my emotions between people who agree.

You say you have no malice and I'm sure you may have not intended it that way but you came up to the people who care and said in a mocking tone, "it's not that big of a deal why even care, the only thing that happens in 2024 is people misunderstanding them due to their writing roles," Like, seriously? How rude of you Honestly. And the cherry on top that's the worst of all, in the process you display that you misunderstand their characters. Nagito is just an annoying mocking antagonist to you? Are you SERIOUS? Hajime is half of a player surrogate but you're making the wrong conclusion about it, he's meant to be relatable but he isn't a complete self insert. We're meant to be able to put ourselves in his shoes and understand his relatable experiences, he's not a complete player surrogate though? You're saying people say it's toxic because, "We are Hinata and Komaeda is the mocking annoyance to us," WHAT??????? Before you try to say something like this again go understand their characters better by, perhaps, quite literally READING MY ANALYTICAL POSTS??? I'm certain they'd be helpful because you clearly need them, I'm not writing an entire essay right here and now just so You can understand them I make them for myself and answer questions I want to. If you have questions that you can word in a more respectful tone I can help you understand that way too.

I would have tried to make my words a little kinder but the way you come up to MY Blog with your false claims, misunderstandings, and disrespectful tone pisses me off. You went anonymous not because you might be a bit embarrassed about your interests like most of the questions I get, no, you went anonymous because you didn't want yourself to be known because you Know you were being Blunt with your Disrespectful tone. You have the luxury of the fact you said this anonymous, and I have the luxury of being as blunt and uncaring about your feelings with my response as I want. Kindly, once again, do more research on these characters and develop more media literacy before sending me something in such an inconsiderate tone again.

[swan2swan]

So, spoiler thoughts:

So, a good season. Pretty decent, but I'm a little worried that they blew everything by making Season 1 so good.

Definitely had some of the best scenes in the franchise, but the way Season 1 ramped up felt like it was a little...shallow of a splash on Season 2. 8/10 season, maybe a 7/10.

Arguably my least favorite season of the cartoon, and that includes Season 4 of Camp Cretaceous....okay, no, I think this was much better.

I felt like the Brooklynn Alone episode didn't quite match the power of the Ben Alone episode, and that was the first issue. But that also feels like an episode where they had to cut some stuff down with Brooklynn--in fact, there's almost half an episode missing, it felt like. Woulda loved to see her adjusting to public life with her limb difference, and the DLN. Woulda made thee moment where Soyona gently comments on her limb difference all the better.

Speaking of Soyona, I'm glad thy kept her just as much of a menace. I was worried at a few points, but in the end, it was clear that she had complete control the whole time. Probably knows that Brooklynn is spying on her, too....but she's letting it happen.

The episodes with the gang also didn't hit hard enough. It really felt like they waffled around too much with the whole "Kenji Wants to Kill Himself" plotline for too long, and then missed the window. That's indisputably my biggest issue with the seasons: I hate when shows forfeit the essentials of their episodic format and just keep kicking the ball down the road. Kenji risks his life. Yaz gasps. Kenji risks his life. Yaz gasps. Kenji risks his life. Yaz gasps. It's a disservice to BOTH when you don't get to the point and do it five times over.

Then there was Zayna--a delightful character, more than welcome, but I felt that we deserved more of an exploration of "Hey, we're taking on someone who was the same age we were when we were Traumatized. Let's keep the same from happening to her, okay?" And then they could have focused on that a little more than one throwaway gag from Darius.

There also wasn't a lot of introspection on the group, and Darius's infatuation with Brooklynn and Kenji's falling-out with her also seemed a little diluted...meant to be products of odd happenstance and Bad Timing, a Malevolent Coincidence, rather than stagnation and an inevitable reaction. Such is the consequence of a backstory, though.

HOWEVER...the scene in Soyona's apartment was among the best in the franchise. Tense and powerful, wonderfully acted and perfectly paced, it was only matched by Brooklynn's return later. Soyona and Brooklynn played off each other in a way that made them the most engaging part of the season--both a praise and a criticism (the second-best part was possibly Sammy and Zayna, though, again...if they'd gotten into the "Keep Her From Experiencing What Happened To Us" part, it mighta been better.

The Leucistic Baryonyx was a fine addition, but I do wish they'd had the budget to bring in another new dinosaur. Maybe a Megaraptor of some sort. It worked, and the HORROR aspect was definitely there, but...eh. The part where Red figured out "Oh, clicking noises make you happy?" was PHENOMENAL THOUGH??? I FORGOT THAT RAPTORS WERE SMART? I WAS WONDERING HOW THEY WERE COMMUNICATING AND THEN I REALIZED THAT IT WAS JUST RED FIGURING THINGS OUT?????????? BECAUSE SHE'S SMART?????

But also, this felt very much like the Quarry Season. A lot of stuff is happening, there's a nice big group of people, but it's very enclosed. You can even see it in the concept art: the village in Episode 2's credits, the tarmac in Episode 10, this world shoulda been bustling, but they could only afford so much. Less an indictment of the show and more of the budget given to them. Suchomimus coulda been chasing villagers instead of schlorping water, and there coulda been some guards on the tarmac surrounding Brooklynn for that final meeting.

I was very delighted when she went with Soyona, though. And when her PTSD got her in the WORST moment.

Anyway. Hoping next season takes it to a new level. This one had the spunk of Season 1, but it didn't have the reach. But maybe a rewatch will help (it won't, most of my criticisms are Set In Stone, I'm just Correct).

[witch-craft-works]

My complicated feelings towards Glitter Force

(Remember this is all my opinion please don't attack me)

So I wanted to talk about Glitter force a bit because I have a bit of a love hate relationship with it. So now that Glitter Force has been removed from Netflix and with absolutely no plans of renewing it at least at the time of this post I thought it was a good time to talk about it.

So lets go back in time to 2016. It was a dark and stormy night I was fresh into middle school I had transferred out of my shitty Catholic Elementary School and started public middle school.

I was bullied relentlessly in elementary school so I wasn't in a good headspace at the time.

Anyways I was mindlessly scrolling through Netflix when I came across Glitter Force, during this time I had gotten into Sailor moon and it looked similar so I clicked on it and watched the first few episodes.

I thought it was pretty good at the time and binged the whole season. Anyways because of that I would watch glitter force related videos on YouTube and then I came across an AMV (yes I was that kid😂) of New Stage I recognized Happy and Peace on the thumbnail next to two other girls (Melody and I think Muse) and wondered who they were as the title of the video was in Japanese, so I clicked on it and oh my God my little 11 year old mind was blown. It was awesome! and I wanted more of that content and I wanted to know more about the other girls. The I came across Azen Zone's reviews and fell in love with the franchise.

Anyways I didn't actually get to watch a pretty cure season in subs until I think Huggto on one of those free streaming sites and came across the Smile sub and Dear God was it leagues above Glitter Force because the dub was dog water compared to the original. And I was surprised that they had left a good amount of episodes out of the dub as well.

So I'm going to get into the gripes I have with GF/Doki Doki. In no way am I blaming the dub cast as I'm sure they had to work with what they were given but looking at the cast. GF and Doki Doki was stacked with really good actors.

The Cast:

Glitter Force:

Laura Bailey who played Cure Happy/Glitter Lucky

Colleen O'Shaughnessey played Cure Sunny/Glitter Sunny

Alex Cazares played Cure Peace/Glitter Peace

Danielle Judovits played Cure March/Glitter Spring

Kate Higgens played Cure Beauty/Glitter Breeze

Debi Derryberry played Candy

Todd Haberkorn played Pop

Mary Elizabeth McGlynn played Royal Queen/Queen Euphoria and Majorina/Brooha

Keith Silverstein played Wolfurun/Ulric Akaoni/Brute and Joker/Rascal

Glitter Force Doki Doki

Debi Derryberry played Cure Heart/Glitter Heart

Cassandra Lee Morris played Cure Diamond/Glitter Diamond

Melissa Fahn played Cure Rosetta/Glitter Clover

Stephanie Sheh played Cure Sword/Glitter Sword and Raquel

Erica Lindbeck played Cure Ace/Glitter Ace and Dabyi/Davi

Tara Sands played Sharuru/Kippy

Bryce Papenbrook played Lance

Ray Chase played Bel

Benjamin Disqen Ira

Carrie Keranen played Marmo

Cherami Leigh played Regina

Grant George played Joe Okada

Kirk Thornton played Sebastian

So the acting I don't mind at times, the name changes, don't mind that either, Pokemon was known for doing this back then all the way up until Ash's exit from the anime. There were also times where the scene would darken the mostly happened when the girls used their attacks I can see them doing this because they didn't want to cause any health risks and cause seizures so it didn't bother me too much. So what's the issue then?

One of the biggest issues I had when it came to Glitter force after watching the original was how much they changed. They removed a lot of episodes. For example Smile had 48 episodes and Glitter force removed 8 while Doki Doki had 49 episodes and Glitter force removed 19 episodes and even combined some of the episodes which kind of made them clunky. The episodes removed were the ones focused on culture and I guess you can use the excuse it by saying that they removed it so that they wouldn't confused kids but thats still a pretty bad excuse they also changed it so that Glitter force took place in the United States and that just seems a bit silly to me.

They also removed the episode about Yayoi's dad and understanding why she was named Yayoi which is concidered one of the best episodes in the season and I've seen some people say that it's one of the best in the francise. Another thing that annoyed me was that they removed the episode where Brian a student exchange student from America transfered into their class, this episode was about a language barrier between him and Akane so I can see why they didn't want to dub it but they end up still mentioning him in a later episode so if they didn't want to confuse the audiance they failed. I mean what they could have done is have him speak in a diffrent language and say he came from i don't know Spain instead of America. They did this in the Tokyo Mew mew dub but I digress.

They also removed the episode where the girls go and visit Miyuki's grandma which I don't really understand why. Another thing I did not like was the fact they seemed to try and remove any scene where the Cures are sad or tone it down unless there was no way to cut it out they even tried to make those scenes comedic as well which is just, Why? (Minor spoilers for Smile Precure) For example in the final episode of the season the girls they have to say goodbye to Candy and Pop as they have to go back to Marchland. In the original once they saw that Candy had already disapeared thats when they broke down crying.

Another thing that kind of bothered me as well as alot of other people is that the acting felt, flat at times. One of the most brought up scenes is when Majorina almost killed Nao's siblings when you compare both scenes it's just really jarring to watch. They even added voice lines that weren't in the original. I think the people handling the dub just didn't want to upset/scare kids or make their parents upset so they tried to tone down/cut the darker moments out of the show. Which isn't necessarily a bad thing but kids can still enjoy a show even if theres darker moments.

I was also told that Glitter Force was homophobic but I never really understood where that came from. Maybe I just missed it? Idk

While Pretty Cure is about friendship and teamwork Smile was trying to show kids that you shouldn't give up and that sad things happen in life. This was because the year before japan suffered a really bad earthquake/tsunami which resulted in the deaths of Thousands of people. Smile Pretty Cure was made in order to comfort people who lost their homes or their loved ones. Glitter force while theres nothing wrong with this the producers seemed to be trying to push the message of friendship, teamwork while kind of neglecting the message of not giving up hope and I've seen alot of people think it's disrespectful concidering the circumstances and what led to Smile's creation

Anyways for as much as I criticize Glitter force and Glitter Force Doki Doki I have to admit that theres a chance without it I never would have discovered Pretty Cure as early as I did. And if you look at my blog you can tell I really love this franchise. And while it's kind of sad to see it go I think it's best that the trademark can finally rest after being in limbo for so long.

Would have been interesting to see what they did with the all stars movies tho

[gviral]

13, 18, 20 for the choose violence ask meme!

13. worst blorbofication

this is actually a difficult one to answer because i feel like a lot of resident evil characters, the men in particular, are subject to this. wesker might be the biggest culprit imo but personally i just really can't fucking stand the way the re fandom treats leon kennedy in particular. like i just really, really hate leon now because of all the shit i've seen from people and how insufferable his whole fanbase has become, especially since the release of re4make. i'm tired of seeing his cock and balls everywhere, man.

but again, there is also wesker. i got softblocked by a bunch of former mutuals for saying that he's a eugenicist which is like... an objective fact. like yeah it's an uncomfortable aspect of his character but ??? 😭😭 how can you be mad at me for stating facts i don't get it.

18. it's absolutely criminal that the fandom has been sleeping on...

annette birkin. she's such an underrated character and often gets overshadowed by william, which is a goddamn shame. i really wish the birkins got more content in general because like- yeah i'm biased but they're very compelling/interesting to me idk. and i wish people would acknowledge annette more as just "william's wife" or the obstacle standing in the way between him and wesker.

20. part of canon you found tedious or boring

literally the entirety of re6. i don't think words can properly encapsulate how much i really, really don't like re6. nothing will ever be as egregious to me as the fact that they brought back sherry fucking birkin in what is, to me, one of the worst games in the resident evil franchise.

* @pretty-isnt-pretty-enough / munday: choose violence

[hoodoo12]

Beetlejuice Beetlejuice

I finally saw sequel. I have thoughts. As this is long + I believe my opinion my not be to everyone’s liking, it is below a cut. Read at your own risk.

Frankly, I did not like it. It was messy. It had a wide variety of plot points that weren’t well developed or resolved. The characters (Lydia and Delia were the exceptions) were one dimensional, with very little for the audience to relate to. But to me, it’s biggest flaw was its forced pandering. It banked on nostolgia and delivered a contrived, formulaic movie.

In contrast with the other better received, more lauded fan service movie of the summer--Deadpool & Wolverine--Beetlejuice Beetlejuice reeked of desperation. Burton made sure to include everything from the first movie that people remembered and that had become iconic. The Maitland/Deetz house and the miniature town in the attic. Sandworms. Shrunken head guy. The red wedding dress. Lydia’s hairstyle from when she was in her mid-teens. If it was in the first movie, it was in this one. Even every possible iteration of Jeffrey Jones to an absolutely gross amount. 

The things that were interesting--Beetlejuice’s backstory, Lydia’s issues--were not explored to any real depth. They should have been! It would have added to the lore of the whole franchise. Instead, only the superficial and tropey hints were given, so the ‘real’ climax could take prescedent . . . the wedding. It was the pinnacle in the first movie, so it had to be the pinnacle in the second. Naturally, a Sandworm shows up to swallow people, because hey, it looked so good in the 1988 that it had to be repeated in 2024.  A deus ex machina in the form of a technicality in the Handbook for the Recently Deceased prevents it from being official. Musically, I was looking forward to a Danny Elfman score. Instead, BJBJ became a jukebox musical. Speaking of musicals, love it or hate it Beetlejuice The Musical The Musical The Musical was clearly the reason this movie was made after being shelved for 30+ years. With its success, Warner Bros. knew it could make money with a movie sequel. That’s the reason it was finally greenlit. 

I didn’t laugh at this movie. It simply wasn’t clever enough. Nothing was fun or enticing enough to make me want to see it again. It tried to straddle that sweet spot of keeping everything the same while offering something new, and it failed.  Beetlejuice was lightening in a bottle, and this simply was not.

[wonderfulworldofmichaelford]

Psycho Analysis: Manfred von Karma

(WARNING! This analysis contains SPOILERS!)

The Ace Attorney series has no shortage of iconic prosecutors going up against Phoenix Wright in court, but most of them aren’t really Psycho Analysis material. Edgeworth, Franziska, Nahyuta, Blackquill, and even Winston Payne are all simply antagonistic and ultimately are revealed to be good people when it comes down to it, while Klavier Gavin is outright a nice guy—it is his defense attorney brother who’s an irredeemable monster. There are only a small handful of legitimately villainous prosecutors who will be covered, and one of them is the epitome of an anti-villain. But this guy here that I’m reviewing now? He is easily one of the biggest bastards in the entire franchise.

Manfred von Karma is a prosecutor obsessed with the idea of perfection, and he seeks to achieve it both in and out of the courtroom. He’s ruthless, unscrupulous, and will do anything to achieve victory, be it by manipulating and destroying evidence or orchestrating an over-complicated revenge scheme. And on top of it all, he is one of the single most important antagonists in the series; in fact, he kickstarted the entire plot with his actions.

Motivation/Goals: Von Karma is absolutely obsessed with the idea of perfection, and to this end he concocted the most absolute, perfect revenge against the family that tarnished his perfect prosecution record. Gregory Edgeworth got him penalized back in the day, so von Karma seized upon a golden opportunity and murdered him in cold blood, which turned into the DL-6 incident—something that pretty much set the stage for the whole series.

But that’s a bit too mundane for a man like von Karma, so he didn’t stop there! He took in the son of his most hated rival, warped him into becoming a ruthless prosecutor, and then on the eve of the statue of limitations running out on DL-6 manipulated events to get his protege framed for murder, be it that of Hammond or his own father. Von Karma is just incapable of settling for something simple and clean, the man wants to completely and utterly decimate the Edgeworth name’s respectability for the slight against him.

Breakdown: Befitting the final boss of the game, von Karma’s breakdown is absolutely spectacular. Once you finally reveal him as the killer of Gregory Edgeworth because of that bullet he carelessly left embedded in his shoulder, he lets out a massive screen-rumbling roar as images of DL-6 flash onscreen.

Then he smashes his head on the wall, all while ranting about Edgeworth. It is incredibly satisfying to watch this smug bastard fall apart after being so thoroughly trounced by our rookie protagonist, and it really seals the deal on Wright's character development over the course of the game alongside Edgeworth's.

Final Fate: Von Karma is in a very small pool of Ace Attorney villains we get a definitive word on the ultimate fate of, with most others only getting ambiguous demises at the hands of the judicial system or otherwise imprisonment. By the time of the third game, he is explicitly stated to be “gone from this world.” Whether he was executed, killed himself, or simply died from natural causes is of course left to your imagination, but it’s still reassuring to know the bastard is dead after everything he put the heroes through.

Evilness: On the surface, Manfred seemingly pales in comparison to later villains like multiple murderer Dahlia Hawthorne, professional killer Shelley De Killer, or international espionage master “The Phantom,” as he only ever killed a single person (albeit a very important person, with the killing done out of spite). A single murder isn’t really enough to get a high Evilness score, no matter what the reason is.

But then you think about his decades-long prosecution career where he did literally everything he could to get a conviction. How many innocent people did the Demon Prosecutor send to an early grave despite their innocence? And look at how he adopted the son of the man he killed and warped him into his antithesis just to get one over on the man who put a mark on his perfect record; that shit is beyond diabolical. That’s not even getting into how he treated his own daughter.

I think it’s honestly wild how even with all that to consider, he’s still not the most evil guy in the franchise. He’s a 9/10 on the evil scale, a truly nasty, monstrous piece of work who is theoretically responsible for dozens upon dozens of deaths of innocents, and is most definitely a warped, vindictive bastard.

Final Thoughts & Score: Von Karma is one of the best Ace Attorney villains, but I think he kind of suffers from how the game he appears in is structured. Like this dude is monumentally important to the entire plot, the whole series wouldn’t have happened at all without his actions, and yet he appears in one single case at the end of the game, which doesn’t leave a great deal of time to expand upon him the way the other prosecutors of the series get expanded on. By all accounts, he should be just as pitiful as Redd White is

The thing is, though, that von Karma manages to cram so much personality into his limited time onscreen that he becomes unforgettable for all the right reasons. Unlike White, we get several courtroom segments where we have to contend with his manipulative antics and none of the battles with him disappoint—fitting for the man who taught Miles Edgeworth. And again, unlike White, von Karma manages to have a meaningful impact and presence beyond his only appearance; his daughter is the antagonistic prosecutor of Justice For All, and he pops up in a couple of cases in the Investigations games, one of which is a flashback to the case where Gregory Edgeworth gave him his one and only penalty.

I think what really helps von Karma stand out is just how vindictive he is. Frankly, the sheer insane lengths the man goes to for his revenge is utterly disturbing for something so incredibly petty. So many killers do the deed for equally petty and self-servng reasons, but outside of Kristoph Gavin none of them are as terrifyingly shallow as von Karma and none of them go to the same insane, absurd lengths he does to crush those who he views as having wronged him. He is one of the single pettiest bitches in the entire series.

I think von Karma manages a nice 9.5/10. He’s really only held back slightly by his extremely limited screentime, but he certainly makes the most of it whenever he appears. It’s honestly pretty amazing that the first game managed to have both an excellent significant plot-relevant villain and a pathetic significant villain who barely makes a splash, but any flaws White brought to this game are easily forgotten when Manfred shows up. He’s just a great final boss, plain and simple… or he would be if it weren’t for the bonus case. But that’s a Psycho Analysis for another time.

[the-masked-reviewer]

Bumblebee (2018) Review

potential spoilers ahead...

This movie feels like it took the fan-favorite character and decided to make a cash-grab with him. Which would be less frustrating if it made sense in the Transformers universe or with his characterization(Yes, I am arguing they characterized a robot wrong). But it doesn't.

This movie's story is like you gave someone the worst vague description of who Bumblebee is and the Transformers as a whole (specifically the cinematic timeline) and had them write a movie, without ever going in and making the continuity make sense in terms of timeline, story, and characterization. On top of all that the teenage romance is boring, unnecessary, and out of place.

The music is great, because it's set in the 80's so duh. But even knowing it's a reboot, and that it's about my favorite character, and that many seem to love it, this is easily my least favorite transformers movie by a landslide.

Before I actually cover those changes, it's important to know that months after the film came out, it was confirmed as a reboot (comicbook.com) information that at least to my knowledge was never mentioned. Meaning if you don't know this is an attempt to reboot the franchise before watching, like me, it's pretty fucking confusing and infuriating. It does also mean, you can basically ignore the next two paragraphs of me being annoyed if you want.

Starting with the changes to the overall timeline, the biggest, and most confusing, change is the time period and reason various Autobots come to Earth. I was meant to be paying attention to the teenage romance and the two Decepticons chasing Bee, but instead this change left me wondering who else was supposed to be on Earth in all the wrong ways, distracting me from the story.  Obviously the change of who's present and when, changes just about everything we previously knew about the universe. You'd think that would make it clear its a reboot or alternate universe, wouldn't you? If fucking only.

The characterization makes Bee out to be constantly scared and reserved. And while the reasoning of prequel and how supposedly you watch him grow confident is used to explain it, I hate it. By the end of the movie Bee is still this cowardly robot who shrunk into a ball because a human teenaged girl SORT OF yelled at him. Bumblebee is supposed to be a confident, cocky, fun protector, not a nervous wreck.

[franollie]

do you personally think that fandom brings up misogyny unnecessarily and even when it has nothing to do with the issue at hand?

like some people get up and arms if you don’t ship batcat or brutalia (you’re not obligated to like anything for any reason) or if you ship bruce with someone else this topic will come up for whatever reason even though when there are actual instances of blatant misogyny in fandom and it’ll go fully ignored by these same people.

a point of bruce’s romance is to establish that he can’t really be endgame with any one person so i personally ship him freely. i don’t know why fandom is so obsessed with tokenizing certain shippers as certain prejudices when i’m sure that they genuinely have never interacted with said shipper one on one in their entire life

sorry for taking so long on this i have a LOT of thoughts on the topic

ok so in short: yes, i do think fandom loves to cry misogyny.

that being said, fandom operates in a blatantly misogynistic way (see how in large fandom favors men over women regardless of whether or not that man had more or less screen time than the woman). misogyny in fandom is a very real thing, but it is more a fandom as a whole problem than an individual problem. the only way the problem of misogyny in fandom can be solved is by actually engaging with the women in whatever franchise you're enjoying (writing for them, making art, reblogging art, writing metas, etc). show them the same amount of love that you show other characters

with that in mind, it is also important to note that sometimes you just don't gel with a ship or a character. i agree that people are drawn to certain dynamics and relationships, and you are allowed to ship what you ship. let's take the brutalia/batcat v bruharvey/batjokes because they are similar in dynamic (batman and one of his rogues). it wouldn't be fair to call a bruharvey or batjokes shipper a misogynist just because they don't ship brutalia or batcat. now, if they ship batjokes but hate talia for killing, then you could play the misogyny card. really it's just a matter of how you specific people interact with characters. i think a better example of this is superbat v clois.

i'm gonna try and stay as unbiased and objective as possible because superbat fans scare me lmao but a lot of the criticisms for superbat are about how it ships these characters at the expense of their relationships specifically with the women in their lives. to be even more specific, clark's relationship with lois. it isn't fair to say that "all superbat shippers are misogynist because they ignore lois" because i don't know why every superbat shipper ships superbat. maybe superbat is nostalgic to someone because they grew up reading justice league comics or the world's finest comics, maybe they haven't read or watched that much stuff with lois/clois in it, maybe they just think the idea of superbat is fun, who knows what the reasoning is. the problems really arise when they begin to change lois's personality and character to fit their ship whether it's by writing her as some bitchy ex of clarks or as a "girlboss who doesn't need a man and is superbat's biggest shipper uwu".

i do think when it comes to comic book fandoms in particualr there is another added layer of fandom superiority when it comes to shipping where there are the "correct" ships and the "incorrect" ships. but that's a whole other topic for another day

just to reiterate: fandom misogyny is a very real problem (look at the top 10 ships on ao3 for the past 5 years and that becomes abundantly clear) but the only way to combat it is by actually creating and sharing works positively featuring the women you like.