#the batman hbo max

[ramen-flavored]

my dude is getting Barbie Dolls and a Star

[streammaxeurope]

The streets will know his name. The new HBO Original series The Penguin is coming this September to Max.

[don-lichterman]

Netflix CANCELA 2 séries famosas, HBO Max revela data de estreia de filme esperado e mais novidades!

Netflix CANCELA 2 séries famosas, HBO Max revela data de estreia de filme esperado e mais novidades!

Netflix CANCELA 2 séries famosas, HBO Max revela data de estreia de filme esperado e mais novidades dos streamings no MegaNews. Semanalmente apresento as últimas e mais importantes notícias da Netflix, HBO Max, Disney Plus, Star Plus, Amazon Prime Video e outros streamings nesse quadro do canal, e hoje não será diferente, confira as principais manchetes que serão abordadas no vídeo: – Trailer e…

[the-imaginative-hobbyist]

With Agatha All Along and The Penguin premiering next week (and just one day from each other) I thought it would be amusing to see if both shows followed the marketing approach of the other.

[wild-saber1337]

VELMA IS SO BAD VELMA HATES IT XD

[kingoftheu]

I am pleased to announce I’ve signed an exclusive agreement with a major studio to produce an animated series!!!

I am also sorry to announce that said series has just been canceled.

[marvelsgirl616]

….im a whore for this maaannn…

[jokerous]

THE PENGUIN (2023)

[maxwell-grant]

So... Thoughts on The Penguin trailer?

I'm trying to reign in my optimism a bit and be a little more cautious, but so far: ahahahah oh man, oh man oh man, I'm really excited for this.

God I gotta get back on my Sopranos watch, I gotta start making time for it again. I mean, it's been a terrific show so far, I'm not just watching it because of this, but out of everything we've seen so far this trailer is the biggest "we're doing The Sopranos" thing I've seen from them yet.

I love the mention of Rex Calabrese here and the recontextualization of his character, and how Oswald views him. For comparison's sake: In Batman Eternal, Rex Calabrese was brought up as a brutal ruler who ripped throats out with his teeth and terrified all the other cops and crime families into obeying him and who understood the natural order through which he was supplanted by Falcone, who was then supplanted by Penguin. But here, he talks about Rex Calabrese as a childhood hero who helped people, who was given a funeral parade as a show of love from the people. That's the kind of person Oz idolizes, the kind of life he wants and is starting to think he will never get to have.

Here's one of the big reasons why this is already the best take on Gangster Penguin there's ever been, and the thing I love the most about this trailer, and something that absolutely defined him in the movie as well: Oswald is completely delusional about what being a gangster actually means.

Oswald here is a guy who had his heart broken in the movie because Falcone, the guy he followed and obeyed and looked up to with every breath, turned out to be a backstabbing piece of shit, with Oswald clearly kept in the dark about the nastier things Falcone got up to. He gets very offended at the suggestion he murdered Annika or that he did the Riddler's serial killer rat maze trap, and in that deleted scene where he tries to pay Selina and keep her from going underground, he clearly wants to be the guy who treats his staff allright and pays them what they need and tries to shield her from the grubby animals downstairs that he on some level finds disgusting (even though they're on his club, and he's providing them with what they want, and he's shielding the worst one of all).

And now he's sitting here talking about his old hero, a gangster from his neighborhood who reached out to people in the street and helped them, who died with his pride in hand and was beloved by his community for it. The kind of guy that Oswald emotionally talks about as someone he wants to be like, as he's getting ready to go to war and shoot and stab and blow up people in a crumbling nightmare city.

This is, in spite of everything, a guy who is very, very preoccupied with being some kind of gentleman, or at least more of a gentleman than the criminals he cavorts with, and a guy whose vision of himself doesn't match the reality of what he does, and a guy who has made a ridiculous cartoon of himself in order to try and forcing that childish idea into reality. This is a Penguin who lives and dresses and acts as an absurd child's idea of a rich and powerful man, except what that entails has changed.

Instead of wanting to be the romantic aristocrat, instead of playing the cultured gentleman thief, this Oswald wants to be the friendly gangster. He wants to be the neighborhood king who runs soup kitchens and helps old ladies cross the street and inspires beaten-down insecure loser kids like him to strive for more, the mafioso who looks out for women and kids and isn't scared of the cops and gets funeral parades for being such a swell guy who just does a little crime ova here every now and then, eeyy, c'maan.

Oswald here has the same dream as Giorno Giovanna, from JoJo Part 5, and he saw Rex Calabrese as the distant mysterious gangster who looked out for Giorno and invisibly kept bullies from picking on him and made the neighborhood treat him decently, who showed him what real power, power to protect himself and others, looks like, and he very clearly wanted to project that kind of fantasy onto Falcone, who is an actual gangster, and thus doesn't act remotely the way Oswald thinks they ought to act.

Oswald here wants to be the Depression-era honorable mafioso, just as outdated and fictional and mismatched a character in our time as the gentleman thief aristocrat was to the 1940s, and to me that feels like the first time anyone's really made Penguin-as-Gangster be a concept worth it's weight and play into makes him so engaging a character. It's just instead of being a burglar and crimelord who reads Raffles and quotes Shakespeare, this Oswald is a Tony Soprano who prays every night to be Don Corleone once he grows up.

And he might even get his chance! Because the way things are going in Gotham, with the city destroyed and in need of rebuilding, with the entire infrastructure crumbled and the mob having lost their figureheads and supply, and Oswald holding one of the few structures not completely totaled, he has the opportunity of a lifetime here to swoop in and play the Capone/Dillinger to this Depression-flavored Gotham.

And I'm really curious as to where he's heading within the show: whether he's going to make this fantasy of his work and be the reasonable flexible-but-unbeatable crimelord and the sole player remaining in town, or whether the downfall of organized crime in Gotham and the rise of the weirdos means that our beloved waddling freak is going to have to come to terms with what he actually is, and grab his colorful suits and his new name and make some umbrella guns to embrace and ride his bizarre awfulness into the sunset.

[demifiendrsa]

The Penguin | Official Trailer

The Batman spinoff series, The Penguin, will premiere on Max on September 19, 2024.

Poster

[phofie]

[ramen-flavored]

Official Harley Quinn and Poison Ivy Barbie Dolls

[streammaxeurope]

The Falcone Don’s daughter.

The new HBO Original Series #ThePenguin is coming this September to Max.

[mcudc616]

jason todd aes icons.

[wakeywakeyjakey]

The Batman characters I always write and view with DID (aka the “DID baddies”) are Batman, Two Face, and Scarecrow—and I LOVE that they each present with such wiiiiildy different interactions with their headmates + experiences within their headspaces.

The way I see it, Bruce and Batman coexist easily. They have the same mission so they work alongside each other and view the other as having an extremely valuable role to play in their life/are aware that they can’t function without each other. What’s cool is that they have completely different approaches to their collective goal, but ultimately they trust the other and both get where they want to be (from a big picture perspective).

Harv and Harvey coexist grudgingly and work against each other in a lot of ways (it’s a WIP) BUT they have a system (haha) for how to navigate daily life so that they both feel equally represented in their decisions. While “trust” might be too strong a word to use, they definitely both see the other as capable of living their collective life even if/when they don’t agree with the other’s decisions—and so they mostly don’t stand in each other’s way.

Jonathan and Scarecrow DO NOT COEXIST! Jonathan views Scarecrow as a liability actively ruining their life and thus works to keep Scarecrow away from the front entirely. Scarecrow views Jonathan as weak and unwilling/unable to do what needs to be done to keep them both alive. The one area of overlap is their research (and criminal endeavors) so it’s the one space they’re willing to coexist, but outside of their heists they’re almost exclusively at each other’s throats and would rather the other not have access to their life/body/decisions.

It adds so many layers to their characters and entirely fleshes out the “personas” when you come at it from the lens of DID as opposed to just viewing it as a costume they take off at the end of the night imo!

[crazyeeeeeee]