#the ballad of the campbell my way or the highway

[shallowseeker]

The thing with Mary is that Mary is and always was a child soldier in a way that John isn't.

Soldiers die for the Cause, they sacrifice for the Cause, and above all else, they die for each other. That's built into Mary's bones.

This is how the Campbell story begins and perpetuates.

Mary is young. She's desperate. Mother? Dead. Father? One foot in the grave as we speak. And John? Lying dead in front of her, felled to the ground because of Mary's hunting life.

Of course she's going to be vulnerable to make that deal. Of course she makes the deal.

She's been coerced, backed into a corner, torn up by grief. She crumples under the pressure of everything leading up to this moment.

But beyond the machinations and beyond the romance lies her soldierhood.

It tells her it's worth the cost.

She's used to doing the ugly thing.

(Find her "Queens" and she'll move to protect.)

[shallowrambles]

A bad Dean, "Abbadon."

So after seeing how closely some of Henry's and Cas's words line up, in some cases almost word-for-word…

I've been thinking a lot about the spectre of Josie Sands...and the initial shadow self to Josie: the OG knight of Hell, Abaddon.

Abbadon seized on Josie's sacrificial sense of love to defeat enemies and secure her position in Hell, the way Crowley will seize on Dean's self-sacrifice for his fam and loved ones to secure his Hell position.

And idk, it's just so interesting as a lead-in to how I think of Dean's next arc, which is a reversal of power. Cas gets to get the idealized role of Dean, reading ppl and taking care: talking almost like a thematic narrator at times, a mouthpiece for "killing of innocents" and "not becoming a monster", a de facto “wife” with (clown college?) Colette (Colt?) treatment. Sam gets to do the ballad of the Campbell "my-way-of-the-highway," taking extremes to keep his family safe.

When Dean moves to the Cain parallel and enters his full-on reversal arc, Charlie gets killed, and it's "Sam's fault," the way that Kevin getting killed was "Dean's fault." It's notably reversed. (Albeit in a Sam fashion, with more, uh, "Sam-typical" strategies.)

////

Anyway, back to Dean and the mark. After knocking out Crowley's enemy, Dean will continue on a failed crusade to save Cas from his enemy, Metatron. The implication is that defeating Metatron will get the angels home, and maybe even release Cas from his work obligations. Obligations which Dean has been, once more, struggling with.

///

Anyway. Abaddon could indeed be a "shadow" Josie, a stand-in for her worst self: her darkest, deepest jealousy. Josie is actually a lot like Hannah. She's a figure that is "more like Henry." She's in Henry's social class, higher ranking, "more equal" and "closer to him" through work.

Josie is committed to the cause (like Cas's lieutenant Rachel was), and she entices the Henry away from Millie and John, the way Hannah takes Cas away from his human family.

I mean, there's also this whole line running through SPN that we need work and work gives us purpose, but it can spiral into meaninglessness when it takes us away from our loved ones. (Hunting functions the same way. Live to work; work to live etc etc.)

Anyway, BOTH Josie and Hannah try to renew his loyalties to career and underline to him how important his work is:

//

Back in season 9, Dean is weird at the sight of Hannah, and Sam shoots Dean a weird side-eye for it. Feeling like an outsider, and bristling at seeing the work that "takes Cas away from them," at being in Cas's "frat bro world" again, Dean immediately jumps to trying to show off his and Sam's skills.

///

SPNwin Millie and Ada.

Seems like women who worked with Henry were a fear of Millie's. After giving (misplaced, presumptive) "parenting advice" to Millie (hi, that's so Sam-coded for her to be a know-it-all here!), Ada puts her whole foot in her mouth, and Millie's back straightens up SO FAST.

But Ada clocks Millie's defensiveness, so underlines that she and Henry just worked together:

Ada is herself a parent, but she was so gloriously annoying in this scene at first. I'm with Millie on Ada's stock advice of John needing more time, more space--that he'd be fine:

"Wow you learn all that from one week on the road with my son?"

Ada recovers with some grace, giving Millie the address where John's staying for her peace of mind, and Millie thanks her for that.

Like the protective jasmine, Millie still loves Henry, so Ada coming out of the gate so ham-fisted was pretty ill-chosen, haha! Poor dear.

Millie's journey will be accepting that Henry made his mistakes (Ada says of Henry in this very convo: "He had his secrets. He made his mistakes." BUT Henry was always motivated by love and wanting to protect them, and Millie makes her peace with that.

The same way Dean makes his peace with Cas wanting to protect him in The Trap in taking on the Mark and in Despair with, "She's gonna kill you, and then she's gonna kill me." There's some tacit acceptance for HOW Cas operates in the last season.

Societal expectations of protection are in the mix. But also fear.

[cardest]

Tennessee playlist

I’m going to Memphis! This is the mighty Tennessee - Memphis & Nashville playlist. You can’t tell the story of rock n roll without mentioning Memphis. Mississippi and Nashville, such a great history of music in this region. Chuck D hits things off with the ultimate introduction. Hit play here: https://www.youtube.com/playlist?list=PL-iHPcxymC1_X9nesbW37-9FNLiJWOQ1f

This playlist has it all. Soul, blues and rock n roll. We take a journey back to the beginning of country as well, with Nashville and finish up at Dollywood. Hope you dig it.

Tennessee - Mississippi - Arkansas

001 Henry Rollins & Chuck D - Rise Above 002 Clutch -  Devil & Me 003 Paul Simon - Graceland 004 Isaac Hayes - Memphis Trax 005 Scott Walker - Thats How I Got to Memphis 006 AC/DC - let there be rock 007 Johnny Cash -  Country Boy 008 Chuck Berry -  Back To Memphis 009 Jay Reatard - Gree, Money, Useless Children 010 Lukah - Black Dragon 011 King Curtis - Memphis Soul Stew 012 Rosetta Howard & the Harlem Hamfats - Delta Bound 013 Nots - In Glass 014 Pere Ubu - Memphis 015 Loretta Lynn - The Pill 016 Howlin Wolf - Smokestack Lightnin 017 Rory Gallagher - The Mississippi Sheiks 018 Crime and the City Solution - Streets Of West Memphis 019 River City Tanlines - Met You Before 020 Johnny Cash - Going To Memphis 021 Al Green - Get Back Baby 022 Kim Salmon & The Surrealists - The Zipper 023 Booker T & the MG - Melting Pot 024 Pussycat - Mississippi 025 Boswell Sisters - Roll On, Mississippi, Roll On 026 Aretha Franklin   - Muddy Water 027 The Cramps - Garbageman 028 HASH REDACTOR - Good Sense 029 Optic Sink - Personified 030 Angry Angles - Blockhead 031 Big Star - Thirteen 032 Memphis Jug Band -  Going Back to Memphis 033 North Mississippi AllStars - K.C. Jones (On The Road Again) 034 Bass Drum Of Death -  Bad Reputation 035 Today Is the Day -  The Devil's Blood 036 Walk the Line Soundtrack- Get Rhythm 037 Jack White -  Temporary Ground 038 Jerry Lee Lewis - A Damn Good Country Song 039 The Homemade Jamz Blues Band - Rumors 040 Saving Abel - Pine Mountain (The Dance of the Poor Proud Man) 041 The Oxford Circle - Foolish Woman 042 Bobbie Gentry - Greyhound Goin' Somewhere 043 Reigning Sound - A Little More Time 044 NINA SIMONE - MISSISSIPPI GODDAM! 045 Laurie Anderson - Hiawatha 046 Glen Campbell - Burning Bridges 047 Dolly Parton - Hillbilly Willy 048 Elvis Presley - Guitar Man 049 Blue Oyster Cult - Divine Wind 050 Sammy Hagar - Halfway To Memphis 051 Izzy Stradlin   - Memphis                       052 Johnny Cash -  Run Softly, Blue River 053 Iron Horse - Unchained 054 The Cramps - Human Fly 055 Faces - Memphis 056 Jack Oblivian - Rat City 057 The Cooters - Bustin' Loose 058 Mott the Hoople - All The Way From Memphis 059 Dusty Springfield -  Breakfast in Bed 060 Nick Cave & The Bad Seeds - Tupelo 061 Chicago - Blues In The Night             062 Crossin Dixon - Guitar Slinger 063 Strummin' With The Devil - And the Cradle Will Rock 064 Stray Cats -  Can't Go Back to Memphis 065 Elvis Presley - Suspicious Minds 066 Suzi Quatro - Can't Trust Love 067 Lost Sounds - There's Nothing   068 Ike & Tina Turner ~ River Deep, Mountain High 069 Neil Diamond - Memphis Flyer 070 Julien Baker - hardline 071 The Jon Spencer Blues Explosion - Memphis Soul Typecast 072 Isaac Hayes  - Groove-A-Thon 073 Otis Clay - Trying To Live My Life Without You 074 Tim McGraw - Don't Mention Memphis 075 Eric Burdon & War - Blues For Memphis Slim 076 Homemade Jamz Blues Band - Blues Train 077 Sweet Knives - I DON'T WANNA DIE 078 Cream - Four Until Late 079 Grateful Dead - Golden Road 080 Huey Lewis and the  NEWS - Function At The Junction 081 The Cramps - I Was A Teenage Werewolf 082 Jesse Winchester_ The Brand New Tennessee Waltz 083 Dorsey Burnette - Tall Oak Tree 084 Field Music - Time In Joy 085 Jay Reatard -  Blood Visions 086 The Rolling Stones - Honky Tonk Women 087 Quintron & Miss Pussycat  - Block the comet 088 Al Green - Let's Stay Together 089 The Mountain Goats - Getting Into Knives 090 Johnny Cash -  Tennessee Flat Top Box 091 Robert Pete Williams & Robert “Guitar" J. Welch - Mississippi Heavy Water Blues 092 MARY JAMES - MAKE THE DEVIL LEAVE ME ALONE 093 Ministry - Mississippi Queen 094 U.S. Bombs - Rocks in Memphis 095 Nazareth - Jet Lag 096 The Bar-Kays - Holy Ghost 097 Ty Segall - Despoiler Of Cadaver 098 His Hero Is Gone - Like Weeds 099 Jerry Lee Lewis - Memphis Beat 100 Generation X =  King Rocker 101 The Doobie Brothers - Wild Ride 102 Bad Company - Whiskey Bottle 103 Black Stone Cherry - When The Weight Comes Down 104 Buddy Miles - Memphis Train 105 Memphis Slim - Rockin' The House (Beer Drinkin' Woman) 106 David Clayton Thomas  - Wish The World Would Come to Memphis 107 Lost Sounds - Better Than Somethings 108 Alice Cooper - Ubangi Stomp 109 Tom Waits -  Don't Go Into The Barn 110 Hank Snow - Music Makin' Mama From Memphis 111 Phil Ochs - Heres to the State of Misssippi 112 Reigning Sound  - Your Love Is A Fine Thing 113 Pixies -  Letter to Memphis 114 Bob Dylan - Stuck Inside of Mobile with the Memphis Blues Again 115 The Colorblind James Experience - Considering A Move To Memphis 116 B.B.King - Rock Me Baby 117 Carla Thomas - B-A-B-Y 118 Aquarian Blood - A Love That Leads To War 119 Nights Like These - Scavenger's Daughter 120 Rufus Thomas - Walking the Dog 121 Clutch -  The House That Peterbilt 122 Lyal Strickland - O Arkansas 123 Don Bryant - How Do I Get There 124 The Sensational Barnes Brothers - Trying To Go Home 125 Squirrel Nut Zippers - Memphis Exorcism 126 Faster Pussycat - Tattoo 127 The Rolling Stones - Memphis Tennessee 128 Alcatrazz -  Sons And Lovers 129 Evil Army - Violence And War 130 Deep Purple - Somebody Stole My Guitar (Purpendicular 11) 131 Dwight Yoakam - Guitars, Cadillacs 132 UFO - Natural Thing 133 Thunderbridge Bluegrass Boys - Tennessee 134 Confederate Railroad - Queen of Memphis 135 The Box Tops - The Letter 136 Jerry Lee Lewis - Night Train To Memphis 137 Reverend John Wilkins - Trouble 138 Phil Lynott - Kings Call (feat. Mark Knopfler) 139 Old Crow Medicine Show - Motel in Memphis 140 Candy Lee- Here in Arkansas 141 Pharoah Sanders - You've Got To Have Freedom 142 Molly Hatchet - Mississippi Moon Dog 143 Rwake - Crooked Rivers 144 CARL PERKINS & PAUL SIMON - A Mile Out Of Memphis 145 Eddie Floyd - Knock On Wood 146 Al Green - Talk to me 147 Mush - Eat the Etiquette 148 PJ Harvey - Memphis 149 EX-CULT  - Clinical Study 150 Isaac Hayes  - Mans Temptation 151 Lil’ Jon & Eastside Boyz - Rep Yo City 152 Rufus Wainwright - Memphis Skyline 153 Stray Cats - 18 Miles to Memphis 154 Amasa Hines - Earth and Sky 155 Joe Henderson -  Back Road 156 Bastard Sons of Johnny Cash - Memphis Woman 157 Norma Jean - Memphis Will Be Laid To Waste 158 Fess Parker - Ballad of Davy Crockett 159 Assjack -  Redneck Ride 160 Brother Andy & His Big Damn Mouth - Social Lube 161 The Replacements - Alex Chilton 162 Ann Peebles - The handwriting is on the wall 163 The Highwaymen -  Big River 164 The Cult - Memphis Hip Shake 165 STEVE EARLE -  Hillbilly Highway 166 The BO-KEYS featuring OTIS CLAY -Got To Get Back 167 Rush - Tom Sawyer 168 Class Of '55: Memphis Rock & Roll Homecoming - Birth Of Rock And Roll 169 Hank Williams Jr - Memphis Belle 170 Sam Moore & Dave Prater - Soul Man 171 Orchestral Manoeuvres In The Dark - Bloc Bloc Bloc 172 Kenny Rogers & The First Edition  - Just Dropped In 173 Linda Heck - pictures of dead people 174 Carla Thomas - Sugar 175 Three Mafia 6 - Mystic Stylez 176 Osborne Brothers- Rocky Top 177 The Beverly Hillbillies Theme Song 178 Wilson Pickett - Barefootin' 179 Dolly Parton - Jolene 180 Charlie Daniels - long haired country boy 181 The Civil Wars - From This Valley 182 Jill Jack - Gettin' On In Memphis (The Elvis Song) 183 Huckleberry Finn and His Friends - Opening title 184 Dead Cross -  Skin of a Redneck 185 Johnny Cash - I Never Picked Cotton 186 Old Crow Medicine Show -  Wagon Wheel 187 Isaac Hayes  - That love feeling 188 Aretha Franklin - I say a little prayer 189 Little Milton - What Do You Do When You Love Somebody 190 Howlin' Wolf - Spoonful 191 Weird Al" Yankovic - Money For Nothing / Beverly Hillbillies 192 The Oblivians - I'll Be Gone 193 OT Sykes - Stone crush on you 194 The Mad Lads  - Come closer to me 195 The Box Tops - Choo Choo train 196 Bobby Blue Bland - dreamer 197 Wanda Jackson - Rip It Up 198 Junior Parker - Love Ain't Nothin' but a Business Goin' On 199 The Nightingales ft. Tommy Tate - Just a Little Overcome 200  The Louvin Brothers - Satan is real 201 Overture "Big River" - (1985 Original Broadway Cast) 202 Ike & Tina Turner - Shake 203 Playa Fly - fly shit 204 Adia Victoria - Different Kind Of Love 205 Grateful Dead - Tennessee Jed 206 Red Hot Chili Peppers - Backwoods 207 Otis Redding - Tennessee Waltz 208 Nashville Pussy - The Late Great USA 209 The Paperhead - The true poet 210 Tomahawk - South Paw 211 Night Beats - Her Cold Cold Heart 212 Forest of Tygers - human monster 213 LOSS - All Grows on Tears 214 Charlie McCoy - Wayfaring Stranger 215 Dick Stusso - Modern Music 216 Eddie Noack - Aint the Reaping Ever Done 217 Jason & the Scorchers - Greetings From Nashville   218 Jasmin Kaset and Quichenight - A Single Right Word 219  Gospel Keynotes - Give Me My Flowers 220   WEEN - Scrape the Mucus off My Brain 221 Shannon Shaw - Broke My Own 222 The Jesus Lizard - Blue Shot 223 Eddy Arnold    - Tennessee Stud 224 Clutch - Pure Rock Fury 225 Today Is The Day -  Who Is The Black Angel? 226 Hank Williams Jnr - Tennessee River 227 The Dead Weather -  Bone House 228  Every Mother's Nightmare - Long Haired Country Boy 229 Motley Crue - She goes down 230 Waylon Jennings - Tennessee 231 Dolly Parton - Down On Music Row 232 Jello Biafra & Mojo Nixon - Lets Go Burn Ole Nashville Down 233 The Byrds - Nashville West 234 Sharon Van Etten - Every Time the Sun Comes Up 235 Bill Anderson ~ More Than A Bedroom Thing 236 Dottie West - Route 65 To Nashville 237 Intruder - The Martyr 238 Johnny Cash - Smiling Bill McCall 239 Lynard Skynyrd - Workin For MCA 240 The Everly Brothers  - Nashville Blues 241 Nancy Sinatra & Lee Hazlewood - Elusive Dreams 242 Nashville Bluegrass Band - Im Gonna Love You 243 Ringo Starr - No-No Song 244 Hank Williams - Hey, Good Lookin' 245 The Lovin Spoonful - Nashville Cats 246 They Might Be Giants - James K. Polk 247 Commander Cody  -  Back To Tennessee 248 Wanda Jackson - Shakin' All Over 249 Nitty Gritty Dirt Band - Grand Ole Opry Song 250 Tomahawk - Flashback 251 Megadeth -  Dystopia 252 Dolly Parton -  Train, Train 253 The Clovers - One Mint Julep 254 Trampled By Turtles - Whiskey 255 Tom T. Hall - Nashville is a Groovy Little Town 256 Muddy Waters - I am the blues 257 Foo Fighters - Congregation 258 Pavement - Strings Of Nashville 259 Joe Ely - Tennessees Not The State Im In 260 Waylon Jennings - Nashville Bum 261 The Charmels - As Long As I Got You 262 Eve Maret - Do my thing 263 SABATON - 82nd All the Way 264 Halfway To Hazard - Welcome To Nashville 265 Nashville Pussy - Go Motherfucker Go 266 Indigo Girls - Nashville 267 Snarls - Walk In The Woods 268 Steeler - Cold Day in Hell 269 Strummin' With The Devil  - Jamies Cryin' 270 spazz gummo love theme 271 The Cramps - Cornfed Dames 272 Saxon -  Solid Ball Of Rock 273 Al Green - Tired of Being Alone 274 Soul Friction - It's Out Of My Hands 275 Today Is the Day - Wheelin' 276 Jackie Lynn - Odessa 277 The Jesus Lizard - Nub 278 Bully - Where To Start 279 Sonny Boy Williamson II - Lonesome Cabin 280 Tomahawk - God hates a coward 281 The Louvin Brothers - Knoxville Girl 282 Tom Waits - Jitterbug Boys 283 The Evil Dead Soundtrack  - Bridge Out 284 Wanda Jackson - Thunder On The Mountain 285 Elvis Presley - Where Do I Go From Here 286 Booker T & the MGs - Back Home 287 Ezra Furman & the Harpoons - American Highway 288 Joe Ely - dream camera 289 Assjack - Tennessee Driver 290 Nashville Pussy  - We Want A War 291 Dwight Yoakam - A Thousand Miles From Nowhere 292 Hank Williams, Jr. - Knoxville Courthouse Blues 293 ZZ Top - My Head's in Mississippi 294 Nitty Gritty Dirt Band -  Honky Tonkin' 295 Dead Weather - Die by the Drop 296 The Black Belles - What can I do 297 Dolly Parton  - Cowgirl And The Dandy 298 The Secret Sisters  - I've Got a Feeling 299 Justin Townes Earle - Aint Got No Money 300 Tomahawk - M.E.A.T 301 Jex Thoth - The Places You Walk 302 Bill Carter - Road To Nowhere 303 Bill Dees (Roy Orbison back vocals) - Tennesse Owns My Soul 304 Karen Elson  - The Ghost Who Walks 305 The Who - Whiskey Man 306 Hank Williams III - Crazed Country Rebel 307 The Lost Sounds - I Get Nervous 308 Big Star - September Gurls 309 ZZ Top - Whiskey n Mama 310 Johnny Cash - God's Gonna Cut You Down 666 Isaac Hayes - Hyperbolicsyllablecsesquedalymistic

Hit play: https://www.youtube.com/playlist?list=PL-iHPcxymC1_X9nesbW37-9FNLiJWOQ1f

[doomandgloomfromthetomb]

Bob Dylan - The Orange Peel, Asheville, North Carolina, April 9, 2004

Dylan and his merry band of Neverending Tour sidemen hit some smaller spots in the spring of 2004, including Asheville’s Orange Peel, a venue with just about 1,000 capacity. Is this the only NET setlist to feature both the Under The Red Sky boogie “Unbelievable” and the gospel-era classic “I Believe In You”?! Maybe. Can’t believe that Bob didn’t throw in “I Don’t Believe You (She Acts Like We Never Have Met).” Oh well. 

Dylan’s vocals during this period! Grizzled, guttural and growly. Even more than usual, I think. The approach works on the more hard-edged numbers, but the ballads feel a little weird — “Make You Feel My Love” is like a werewolf asking you to run away with him (though Bob offers up a nice harmonica solo to sweeten the deal). The bulldog vocals are extremely fun on the lounge-tastic rendition of “If Dogs Run Free,” which transforms the Orange Peel into a smoke-filled subterranean club, with Bob serving as a seedy MC, spouting weird wisdom. 

There are some interesting, if not entirely successful, re-arrangements happening in Asheville this evening, including a plodding “Can’t Wait” and an almost power-poppy “If Not For You,” which gallops along nicely. Even old standbys like “It’s All Over Now, Baby Blue” and “Like A Rolling Stone” are given subtle tweaks. The adventure continues ... 

Choice Cut: “Cold Irons Bound” is given extra heft tonight, with drummer George Recile bashing away and Dylan’s delay-soaked vocals conjuring up an extremely ominous ambiance. Beginning to hear voices! 

Bob Dylan (vocal, harmonica & piano), Freddie Koella (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion)

1. To Be Alone With You 2. It's All Over Now, Baby Blue 3. Unbelievable 4. Make You Feel My Love 5. Most Likely You Go Your Way (And I'll Go Mine) 6. Can't Wait 7. If Not For You 8. Cold Irons Bound 9. If Dogs Run Free 10. Highway 61 Revisited 11. Not Dark Yet 12. Honest With Me 13. I Believe In You 14. Summer Days 15. Cat's In The Well 16. Like A Rolling Stone 17. All Along The Watchtower

[gojiro]

The Vinyl of the Day is ‘Alice’s Restaurant’ by Arlo Guthrie, 1967. What do you do when your father (Woody Guthrie) is a legend of folk rock with his songs of human rights and rebellion, and you’re going to record your own debut album of your own music? Why, you create your OWN legendary folk rock song about human rights and rebellion, of course! And that’s what Arlo Guthrie did here, with his amazing, rambling, black-comedic story that lasts over 18 minutes and takes up the entirety of Side 1, ‘Alice’s Restaurant Massacree’. The song immediately struck such a chord with the Vietnam-era youth of the day with it’s political and anti-war statements (or as Arlo puts it, anti-stupidity), served up with a heavy helping of satirical comedy, that it became a staple of the counter-culture and anti-war movements. It made such an impact that it was turned into a film, with some radio stations still playing the song each Thanksgiving, and Guthrie now has a tradition of performing it once a decade. Guthrie told Rolling Stone, “I never expected it to even be on a record, let alone get airplay, let alone have it made into a movie. I mean, that was all like a whirlwind of events that were way beyond my control.” A VERY quick synopsis of the lyrics: On Thanksgiving 1965, Guthrie and some pals went to throw out garbage from the church where the titular Alice lived, but the dump was closed for the holiday. So he instead tossed the waste at an unsanctioned site, was caught and arrested, and his arrest prevented him from being drafted to fight in the Vietnam War. In the song he tells this story with heapings of humor and twang, and it culminates in him advising would-be draft-dodgers to go into their draft office and sing the chorus of the tune to show themselves unfit for service.

Of course there’s a lot more to the song than I can tell here - if you’d like to learn much more of the history of it, I urge you to check the Wikipedia site;

https://en.wikipedia.org/wiki/Alice%27s_Restaurant

With the enormous success of ‘Massacree’, the rest of the album can be easily forgotten or overlooked, but it also contains two far more lyrical pieces: "Chillin' of the Evening" and the gorgeous, sweeping "Highway in the Wind”, which really show the range and songwriting ability Arlo had. Most will turn to this countercultural classic for side one's epic, but it's the exceptional songs on side two that will offer finer rewards. 

Admittedly, the song and format are pretty tough to listen to for audiences of today - but it’s a worthwhile listen for the history, and to gain insight to what your parents or grandparents were thinking and feeling. You don't have to be of a certain age to enjoy this album, but if you lived through the '60's and thought that the Vietnam war was a tragic mistake, or are living through today’s time of endless war with yet more meaningless wars looming close on the horizon, this album might still speak to you. Remember, if you want to end war and stuff, you gotta sing LOUD.

AllMusic Review by Lindsay Planer

Although he'd been a fixture on the East Coast folk circuit for several years, Arlo Guthrie did not release his debut album until mid-1967. A majority of the attention directed at Alice's Restaurant focuses on the epic 18-plus-minute title track, which sprawled over the entire A-side of the long-player. However, it is the other half-dozen Guthrie compositions that provide an insight into his uniformly outstanding, yet astoundingly overlooked, early sides on Warner Bros. Although arguably not 100 percent factual, "Alice's Restaurant Massacree" -- which was recorded in front of a live audience -- is rooted in a series of real incidents. This decidedly anti-establishment saga of garbage dumps closed on Thanksgiving, good ol' Officer Obie, as well as Guthrie's experiences with the draft succeeds not only because of the unusual and outlandish situations that the hero finds himself in; it is also his underdog point of view and sardonic delivery that maximize the effect in the retelling. In terms of artistic merit, the studio side is an equally endowed effort containing six decidedly more traditional folk-rock compositions. Among the standouts are the haunting "Chilling of the Evening," which is given an arrangement perhaps more aptly suited to a Jimmy Webb/Glen Campbell collaboration. There is a somewhat dated charm in "Ring-Around-a-Rosy Rag," a sly, uptempo, and hippie-friendly bit of jug band nostalgia. "I'm Going Home" is an underrated minor-chord masterpiece that is not only reminiscent of Roger McGuinn's "Ballad of Easy Rider," but also spotlights a more sensitive and intricate nature to Guthrie's craftsmanship. Also worth mentioning is the first installment of "The Motorcycle Song" -- which was updated and discussed further on the live self-titled follow-up release Arlo (1968) -- notable for the extended discourse on the "significance of the pickle."

[theupsidedownunderblog-blog]

"BOLD" JACK DONAHUE - FREERANGER OR BUSHRANGER

Jack Donahue (1804 – 1 September 1830) was a bushranger in Australia between 1825 and 1830. Known as "Bold Jack Donahue", he became part of the notorious "Wild Colonial Boys".

"Bold Jack Donahue", became part of the notorious "Wild Colonial Boys". Jack Donahue, sometimes spelled Donohue or Donohoe, was born in Dublin, Ireland about 1804. An orphan, he began pick-pocketing, and after later involvement in a burglary, was convicted of intent to commit a felony in 1823. He was transported to Australia in 1825. Upon being shown his cell at Carter's barracks, in Sydney, Donahue remarked 'A home for life'.  During his early imprisonment, he was twice sentenced to fifty lashes as punishment.

Debtor’s Prison in the Carters’ Barracks precinct. Watercolour by Joseph Fowles. Mitchell Library, State Library of New South Wales, PX*D123 During his incarceration he was assigned to John Pagan of Parramatta and then, after a short period in a road-gang, to Major West, a Parramatta surgeon who owned an estate at Quaker’s Hill. Donahue escaped to the bush from the Quakers Hill farm with two men named Kilroy and Smith. They formed an outlaw gang known as "The Strippers," since they stripped wealthy landowners of their clothing, money and food. Servants on the farms sometimes provided them with information about their masters, and at times even provided them with food and shelter. On 14 December 1827 Donohue and his gang were arrested for robbing bullock-drays on the Sydney to Windsor Road. On 1 March 1828 Judge John Stephen of the Supreme Court of Sydney sentenced them all to death. Kilroy and Smith were hanged, but Donohoe escaped from custody between the court and the gaol in Sussex Street. During the next two and a half years he became the most celebrated bushranger in Australia, leader of a gang which included at various times, Webber, Walmsley, Underwood and others. They ranged over country from the Bathurst area south to the neighbourhood of Yass, east to the Illawarra, and north through the County of Cumberland to Wollombi on the southern approaches to the Hunter River valley. Donohoe and Walmsley first committed highway robbery in company in November 1828 when they robbed Mr. James Chilcott who had stopped for water while on the road to Hunter's River. Their descriptions were posted in the Sydney Gazette..... One of the Men appeared to be an Englishman, of about 22 or 23 Years of Age ; about five Feet five Inches in height, a dark complexion, with jet black Hair and Eyes; he wore, at the time, a blue Jacket, Velveteen Trowsers, and a black Hat. The other Man is an Irishman ; about 25 Years of Age; about five Feet three inches High; with light complexion, almost sandy hair; small Eyes, and marked with Scrofula on the right Side of the Neck; he was dressed in a Nankeen Jacket and Trowsers, and a black hat. As they gained more confidence and each became as desperate and ruthless as the other, they terrorised travellers and settlers from Sydney to Liverpool and Campbelltown down to the Illawarra in the south, out to Yass and Bathurst in the west and to the Hunter Valley in the north.

The site of much bushranger activity. Road over Razorback Range. Earlier called Great South Road. Copyright: Camden Historical Society. They fell in with Mr. Clements at the Bulgar Road in April 1829, whom they fired upon and mortally wounded; it was said that Walmsley committed the deed as Clements had known him when at the Hunter's River, as an absentee working as a sawyer. Realising he was recognised, Walmsley fired the shot. In the late afternoon of 1 September 1830 a detachment of soldiers and police came up with the gang in the Bringelly scrub near Campbelltown. During the ensuing fight Donohoe urged the police to 'come on', using the most insulting and indecent epithets. He was killed by a ball fired by Trooper Muggleston. Details of Donohoe's fate were recorded in the Sydney Gazette in September: "This daring marauder has at length been met by that untimely fate which he so long contrived to avoid. On Wednesday evening, at dusk, as a party of the Mounted Police were riding through the bush at Reiby, near Campbell Town, they came up with three bushrangers, one of whom was Donohoe; on being called upon to stand, they threw away their hats and shoes, and ran off, when the Police fired, and killed Donohoe on the spot, one ball entering his neck and another his forehead. Favoured by the dusk, the others made their escape, and in defiance of the dreadful fate of their comrade, that very night broke into a hut and carried off what they wanted. The body of Donohoe was removed to Liverpool, and will be brought to Sydney this morning. Thus is the colony rid of one of the most dangerous spirits that ever infested it, and happy would it be were those of a like disposition to take warning by his awful fate."

An inquest was performed on the body of John Donohoe by Major Smeathman the coroner at the Fox & Hounds in Castlereagh Street, Sydney and later a Plaster of Paris case was made by Morland.

Death mask of Bold Jack Donahue Sir Thomas Mitchell is said to have made the Pencil drawing above while the body of Donohoe lay in the morgue.

A pencil drawing of Jack Donahue Witness encounters with Donahue Government surveyor Robert Hoddle wrote in his diary about a close encounter with Donahue in New South Wales in the 1820s: "Another time, near the same place ('the junction of the Bringelly and Cowpasture roads'), the notorious Donahue nearly got me. I had dismounted from my horse to remove some shifting rails, being a short cut through the bush to Prospect Hill, the residence of a friend, Mr. Lawson. I remounted my horse double quick, and most unceremoniously left the rails on the ground, and lost no time to be out of sight. He was accompanied by another bushranger." Toby Ryan later recalled how he had 'boiled the billy' with Donahue, when as a fifteen-year-old, he was out looking for cattle near Llandilo, New South Wales: "Donahue was the most insignificant looking creature imaginable, and it seemed strange that such as he was able to keep a country in terror for eight years. He was attired in a velveteen coat and vest, cabbage tree hat, moleskin trousers, and a blue nankeen shirt, with a heart worked on the breast in white cotton". A product of the times, Donohoe was defiant, brutal and sometimes dangerous. In death his deeds were glamorised and perhaps exaggerated; ordinary folk may have envied his apparent charmed life, and with the help of the press of the day the name John (Jack) Donohoe passed into Australian folk lore. The ballad 'Bold Jack Donohue' The exploits of Jack Donohoe and his gang became the stuff of legend and poems and ballads were written telling of daring exploits, lucky escapes, eventual capture and execution. It is said that the ballad ‘The Wild Colonial boy’ which relates the escapades of a fictional hero ‘Jack Doolan’ was based on the life and times of this well-known bushranger. The ballad of Bold Jack Donohoe, once banned in Sydney taverns, came to represent an enduring popular perception of Australian bushrangers. One of several versions of 'Bold Jack Donohue' ...... Come all you gallant bushrangers who gallop o'er the plains Refuse to live in slavery, or wear the convict chains. Attention pay to what I say, and value if I do For I will relate the matchless tale of bold Jack Donohue. Come all you sons of liberty and everyone besides I'll sing to you a story that will fill you with surprise Concerning of a bold bushranger, Jack Donohue was his name And he scorned to humble to the crown, bound down with iron chain. Now Donohue was taken all for a notorious crime And sentenced to be hanged upon the gallows tree so high But when they to him to Bathurst Gaol, he left them in a stew For when they came to call the roll, they missed Jack Donohue. Now when Donohue made his escape, to the bush he went straight way. The squatters they were all afraid to travel by night and by day And every day in the newspapers, they brought out something new, Concerning that bold bushranger they called Jack Donohue. Now one day as he was riding the mountainside alone Not thinking that the pains of death would overtake him soon. When all he spied the horse police well on they came up into view And in double quick time they did advance to take Jack Donohue. "Oh Donohue, Donohue, throw down your carbine. Or do you intend to fight us all and will you not resign?" "Surrender to such cowardly dogs is a thing that I never would do, For this day I'll fight with all my might", cried Bold Jack Donohue Now the sergeant and the corporal, their men they did divide Some fired at him from behind and some from every side. The sergeant and the corporal, they both fired at him, too. And a rifle bullet pierced the heart of Bold Jack Donohue. Now nine rounds he fired and nine men down before that fated ball Which pierced his heart and made him smart and caused him for to fall And as he closed his mournful eyes, he bid the world adieu, Saying "Convicts all, pray for the soul of Bold Jack Donohue." Archie Fisher sings Bold Jack Donahue Sources: https://en.wikipedia.org/wiki/Jack_Donahue http://adb.anu.edu.au/biography/donohoe-john-jack-1985 http://www.jenwilletts.com/jack_donohoe.htm http://arc.parracity.nsw.gov.au/blog/2017/06/28/bushrangers-in-parramatta-part-2/ https://changingcamden.com/tag/jack-donahue/ Click to Post