#the Weave of Silence

[fromdarzaitoleeza]

1)Van Gogh +Paul Valéry, from Collected Works, The Voice of Things 2) May Sarton, from a journal entry.

[flowerytale]

Marianne Fritz, from The Weight of Things Anne Sexton, from A Self-Portrait in Letters Clarice Lispector, from The Passion According to G.H. Stevie Smith, from Infelice

The Tall Windows & Interior by Vilhelm Hammershøi Figures Walking up a Monumental Staircase (detail) by Hubert Robert Young Woman with Her Hand over Her Mouth by Edgar Degas

[flanaganfilm]

DIRECTORS COMMENTARY podcast

Introducing my new venture with Spectrevision Radio!

Growing up, one of the most valuable parts of my film education came from Director's Commentaries on Laserdisc, DVD and blu-ray. Sadly, they have largely fallen by the wayside in our increasingly streaming world.

That's why I'm so excited to introduce my new podcast with Spectrevision Radio, DIRECTORS COMMENTARY with MIKE FLANAGAN.

Each episode, I'll interview a filmmaker (or filmmakers!) about how they got started in this business, what movies mean to them, and then we'll watch one of their films together, generating a syncable watch-along track that you can play home with the movie itself. Listen here or wherever you find your podcasts!

[lucidloving]

Michael Ondaatje, The English Patient // Waving Through a Window—Ben Platt & Original Broadway Cast of Dear Evan Hansen // Haruki Murakami, Sputnik Sweetheart // @iimememe on Twitter // Alice Oseman, Radio Silence // Marie Howe, "The Landing"

[doloriads]

In the end, I’d do it all again. You’re my best friend.

unknown, coffeepeople on tumblr, ribs / lorde, mid90’s (2017), us against you / fredrik backman, war of the foxes / richard siken, radio silence / alice oseman, the morning star / anne carson, challengers (2024)

[mayclair]

love warrior, glennon doyle melton / fleabag (2016-2019), dir. phoebe waller-bridge / shannon barry / andrew garfield for gq’s men of the year 2022 / jamie anderson / not quite here, hannah lock / ocean voung / holly warburton / andrew garfield, the late late show with james colbert / silence of the girls, pat barker

[asoftepiloguemylove]

Natalie Wee NEVER BEEN KISSED / pinterest / 밤의 해변에서 혼자 On the Beach at Night Alone (2017) dir. 홍상수 Hong Sang-soo / Evelyn Waugh Brideshead Revisited / Mary Oliver North Country / Cheryl Strayed Tiny Beautiful Things / Aftersun (2022) dir. Charlotte Wells / Franz Wright East Boston, 1996; God's Silence

[starsandwriting]

They're brothers, your honour: toxic codependant sibling relationships my beloved. A ccrimeboys weave for @clethos !<3 Made as part of the @mcytblrholidayexchange event :)) ___________________________________________

very happy to be assigned a fellow crimeboys enjoyer, hope you enjoy :D

Side note i kept going woaughhhhh in misery and pain (/pos) everytime i added an image. INSANE about them wouagh

(Also hold on I've got another ccrime webweave for you, i couldn't avoid the sillies)

[tuverras]

on silence, secrets, and shame.

red, white, and royal blue, casey mcquiston // diagnosis, cynthia cruz // with solitude, jane o. wayne // waiting for you to die so i can be myself, danez smith // so we must meet apart, jennifer s. cheng // call me by your name, andré aciman // the transformation of silence into language and action, audre lorde // x. a wish that came true, @anouri

[mysharona1987]

Re: Ready or Not. We all know the theory that Grace was always doomed to pull the card because she was too nice a person. But what if the family screwed themselves by still insisting they killed her even after she won?

It is basically explained in the film: You don’t have to win the game, necessarily. You just have to play. It’s fine if you lose.

But you can’t be a cheater.

Trying to kill Grace after she won was not playing fair. So the family had to die. If the family just let her go, would things have went differently?

Notably Aunt Helene dies the second she wants to kill Grace anyway.

Cheating.

[fromdarzaitoleeza]

{ quotes and paintings @rbcages /Silas Melvin, from "Twenty," Grit/Franz Kafka/ from series end of fucking world on Netflix /Anne sexton a self portrait in letters/Sylvia path/Fyodor Dostoyevsky, The Gentle Spirit/ R.arnold.}

[sallyrooneygf]

Caravaggio, The Sacrifice of Isaac, 1602 // José Saramago: Cain, A Novel // Caravaggio, The Flagellation of Christ, 1607

[ech0ech0ech0]

Becoming

Alice Oseman, Radio Silence // David Almond, The Tightrope Walkers // Will Wood, Marsha Thankk You for the Dialectics but I Need You to Leave // Dionne Brand, What We All Long For // Erin Morgenstern, The Starless Sea // Jeff VanderMeer, Acceptance // Emily M. Danforth, The Miseducation of Cameron Post

[lucidloving]

Christa Wolf, Cassandra: A Novel & Four Essays (tr. Jan van Heurck) // Camille Rankine, "Emergency Management" // Gwen Benaway, "Holy Wild" // @inanotherunivrse // Tracy Chevalier, "Girl with a Pearl Earring" // Stephen Dunn, "The Waiting" // @deadbyinsidee // Sue Zhao

[raeiyyn]

on silence

1. mieko shiomi, music for two players, 1963 (via @neo-catharsis ) 2. via @minuty 3. safia elhillo, "girls that never die: poems; geneva" 4. blue, 2002, dir. hiroshi ando 5. hélène cixous, "selected plays of hélène cixous: portrait of dora" 6. car sear headrest, 1937 state park (via @oozins ) 7. helena c moon 8. via pinterest 9. takuboku ishikawa, "romaji diary and sad toys"

[endofbeginings]

martin scorsese // bahrein (2019) // brideshead revisited (1945) by evelyn waugh // michael schumacher (2005) // abu dhabi (2019) // australia (2022) // australia (2023) // the last temptation of christ (1952) by nikos kazantzakis // monza (2019) // bahrein (2022) // belgium (2019) // silence (2017) directed by martin scorsese // both monza (2019) // tertullian // x // monza (2023)