#the Scottish coat

[oeuvrinarydurian]

It’s Morsetache Monday!

I present to you…the pretty man with the epic moustache in the darling village where it’s all a big mess underneath the tea roses.

I sit in this fancy room full of objets d’art and am still the best looking thing in it. Moustache Power.

I have just said two snarky things to Dorothea, who has taken it in stride, as is her wont.

I am Much Too Good for you, but you have a kid so I’m helplessly charmed. Also: I’m rocking The Scottish Coat.

I am sleepy and adorably rumpled. I am also confused by Strange’s cryptic warning to trust no bugger.

I’m explaining things to dumb people, but I look good.

In which I squinch up my face and snarkily proclaim to my mentor that I’ve got a life. 

Additional Snark. This episode is a 10 out of 10 on the Snark-o-Meter.

In which I realize I was sucking face with the murderer. It will become a habit.

Plenty more fish.

[oeuvrinarydurian]

I was just looking for an excuse to re-blog this, and Final Scene Friday is as good a reason as any. 

Endeavour. Confection.

[palabarian]

Fuck you I'm taking your heraldic animals.

[dogfancier]

Champions of the Dog World at Crufts, published in the Illustrated London News, 1906

[royalty-nobility]

Edinburgh, 16th June 1567 (Formerly Known as The Return of Mary, Queen of Scots to Edinburgh)

Artist: James Drummond (Scottish, 1816-1877)

Date: 1870

Medium: Oil on canvas

Collection: National Galleries of Scotland, Edinburgh, Scotland

Description

The present-day title would suggest that this picture shows Mary's return to Edinburgh after her defeat at Carberry Hill, but Drummond actually portrayed Mary’s subsequent departure from Edinburgh at sunset on 17 June 1567 to be incarcerated in the island fortress of Lochleven Castle. She is shown encountering the banner with its hostile slogan, accusing her of Darnley's murder. The character of Mary fascinated many nineteenth-century writers and painters, and different views as to her guilt or misfortune were put forward.

[oeuvrinarydurian]

This is an interesting lineup. I must admit to a personal preference for the entire season nine glow up, which is basically a study in blue, our much loved black emo turtleneck, and the Scottish coat.

He’s also quite adorable in almost everything else he wears, but the overall complete look that sends me running for the vibrator is this. I don’t know if it’s the post-coital smirk, the cigarette, the just-got-laid bop/swagger, the way the coat is falling, the hot AF suit underneath…

Whatever it is, this sends me around the bend every single time I see it. 

Hot.

Welcome to the second edition of Anti-Tux-Tuesday!

Since last week we discussed outfits we'd rather never see again, this week we’ll focus on those that deserve to be remembered forever.

As always, we’ll have both movie costumes and personal outfits. Shall we get started?

The black emo-style turtleneck from season 7 (@librawritesstuff reminded me of it today), paired with that tragic lover’s expression, is just walking sex appeal — or in this case, even sitting!

2. Linen shirt of zen – the light blue shirt (even a bit wrinkled, after all, it’s linen) combined with those auburn curls is simply a very successful composition.

3. The well-known and much-loved blue suit of glow, styled two ways: with a white shirt and a dark shirt. I love both, but I prefer the one with the snug navy shirt of smugness.

4. The check blue coat of confection – impeccable classic style, with a bonus moustache.

5. Another, and I promise the last coat in this line-up, I don’t know what it is about it, but Evans looked fantastic in it.

6. The copper jumper – I know, it might be a controversial choice, but the jumper matched the hair colour perfectly, and Evans just looked adorable.

7. It may just be a simple t-shirt, but you have to admit that Evans has mastered the art of wearing black and white t-shirts to perfection.

8. Handsome boy-next-door look, in jeans and a checked shirt, especially when it's our boy.

9. And the big winner of today’s ranking (as if it wasn’t obvious) – the Boiler Suit of Lust. Is any further comment even necessary…

I’m aware that I’ve probably missed loads of outfits, so please do share your suggestions.

[portrait-paintings]

Henry Mackenzie, 1745 - 1831. Novelist and Essayist

Artist: Colvin Smith (Scottish, 1795-1875)

Date: ca. 1827

Medium: Oil on canvas

Collection: National Galleries of Scotland, Edinburgh, Scotland

Description

Colvin Smith probably painted this portrait shortly after he settled in Edinburgh in 1826. Henry Mackenzie was one of the leading literary figures of the day, best known for his novel, ‘The Man of Feeling’, published in 1771. His other novels, ‘The Man of the World’ and ‘Julia de Roubigne’ were also published in the 1770s. His romantic tragedy 'The Prince of Tunis' was first performed in Edinburgh in 1773. He was well-known in his day for managing the periodicals ‘The Mirror’ and ‘The Lounger’. Mackenzie was an early supporter of Sir Walter Scott. Scott wrote of him at the age of eighty: 'H.M. is as alert as a contracting tailor's needle in every sort of business, a politician and a sportsman, shoots and fishes in a sort even to this day, and is the life of the company with anecdote and fun'.

[historypaintings]

Edinburgh, 16th June 1567 (Formerly Known as The Return of Mary, Queen of Scots to Edinburgh)

Artist: James Drummond (Scottish, 1816-1877)

Date: 1870

Medium: Oil on canvas

Collection: National Galleries of Scotland, Edinburgh, Scotland

Description

The present-day title would suggest that this picture shows Mary's return to Edinburgh after her defeat at Carberry Hill, but Drummond actually portrayed Mary’s subsequent departure from Edinburgh at sunset on 17 June 1567 to be incarcerated in the island fortress of Lochleven Castle. She is shown encountering the banner with its hostile slogan, accusing her of Darnley's murder. The character of Mary fascinated many nineteenth-century writers and painters, and different views as to her guilt or misfortune were put forward.

[artemlegere]

Robert Burns, 1759 - 1796

Artist: Alexander Nasmyth (Scottish, 1758 - 1840)

Title: Robert Burns, 1759 - 1796. Poet

Date: 1828

Medium: Oil on panel

Collection: National Galleries of Scotland, Edinburgh, Scotland

Robert Burns, Poet

Robert Burns (25 January 1759 – 21 July 1796), also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.

He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature. In 2009 he was chosen as the greatest Scot by the Scottish public in a vote run by Scottish television channel STV.

As well as making original compositions, Burns also collected folk songs from across Scotland, often revising or adapting them. His poem (and song) "Auld Lang Syne" is often sung at Hogmanay (the last day of the year), and "Scots Wha Hae" served for a long time as an unofficial national anthem of the country. Other poems and songs of Burns that remain well known across the world today include "A Red, Red Rose", "A Man's a Man for A' That", "To a Louse", "To a Mouse", "The Battle of Sherramuir", "Tam o' Shanter" and "Ae Fond Kiss".

[oeuvrinarydurian]

Always reblog the combo of Morsestache and The Scottish Coat.

Whoah!!!

Today, in the continuing spirit of the brain cleanse, I give you the Surprise-stache...

Off-the-charts adorableness levels. Even for Evans.

Also, we really need a decent name for the blue check coat because I am yet again realizing how utterly stunning it is.

Photo by @jodelle08

[oeuvrinarydurian]

Happy Morsestache Monday!!

I present to you “Action ‘Stache”, a.k.a. Mustache in Action. 

I know guns are bad, but the bad guys are worse.

“…like you shot George Fancy…?!?”

Thursday says, “Put him down!”

Jago shot Box and yet I stand frozen with my gun on him as he bleeds. I am unaccustomed to violence. I’m more of a violent thinker and drinker.



Everybody good is alive.

“I’ll be needing a car. A Jaguar. KAN 169 please.”

“I can manage”

[mildcicada]

[scotianostra]

On June 17th 1823 Charles Macintosh patented the waterproof cloth he was using to make raincoats.

Mackintosh rubberized coats were not immediately successful. Although they were waterproof, they had a strong smell which most wearers found unpleasant. It was not until a fellow chemist, Thomas Hancock, invented a process involving vulcanized rubber that the problem was solved. Hancock became a partner in Macintosh’s business in 1834. This marked the real start of the iconic Mackintosh brand.

In 1824 an Arctic exploration team trialled rubber coated waterproof canvas bags, air-beds and pillows made by the Macintosh patented process. In 1841 the British army ordered waterproof clothing for all its troops. The rubberized coats and capes were functional and hard wearing and they soon became standard army issue.

After the death of Charles Macintosh in 1843, the company had a period of decline. But in 1851 the Mackintosh coat was shown at The Grand Exhibition at Crystal Palace, London. And the rest is history.

Of course just because you patent something it does not mean you actually were the first to invent it, controversy has followed the invention of the telephone since Alexander Graham Bell patented it, other inventions were questioned, the tyre, the television and the bicycle, all connected to Scotland and all have earlier versions that were thought of, or made beforehand, the “Mac” is no different.

James Syme, a surgeon and chemist based in Edinburgh, had discovered a derivative of coal tar (naphtha) could dissolve rubber and published his findings in Thomson's Annals of Philosophy five years before Macintosh came up with his idea.

It was the same process used by Macintosh following his own chemistry experiments with waste from Glasgow’s coal-gas works, and it has been claimed that the inventor had read Syme’s work before developing it for his own uses.

While Syme, uninterested in commercial matters, failed to patent his valuable discovery and continued to build a noteworthy career in surgery, Macintosh stamped his name on the idea in 1823, had Syme done so you might be calling the coats Symes.....it doesn’t have the same ring does it? Syme’s paper had not detailed the crucial sandwich-type construction employed by Macintosh, although this too was not completely new.

Spanish scientists previously used the method to make leak-proof containers for mercury, and renowned British balloonist Charles Green made a balloon envelope that applied the same principle in 1821.

French scientists also made balloons gas-tight and impermeable by impregnating fabric with rubber dissolved in turpentine and the use of rubber to waterproof fabric dates back to the Aztecs, who used natural latex.

But what made Macintosh’s invention revolutionary was its ease of manufacture and wear, seeing him swiftly launching into the production of cloth to be converted into coats and other garments by tailors in Glasgow.

Some of you might have picked up on the different spelling of the names in the first two paragraphs? Others will now be scrolling back to see what I mean! Well when As news of his invention spread, the repeated misspelling of the inventor’s name is thought to have popularised the description of the resulting coat as a “Mackintosh” – a name that has stuck to the present day.

Macintosh was elected as a fellow of the Royal Society for his contributions to chemistry and enjoyed considerable success before his death in 1843, aged 76.

First sold in 1824, his coat remains on the market in numerous forms across the world, it is now primarily a luxury brand still bearing its inventor’s name, even though it is spelled wrong!

[oeuvrinarydurian]

New photographer to me! Props! Love these too.

Here’s some photos from Calt Blake. The last one is one of my all time favorites.

[punkrockgrantaire]

just had a very normal feeling cohesive dream where me and my brother in law made a pact to once a month share on bluesky a project update for a new coding solution to something that makes us angry. anger management solution projects. I don't even have a bluesky and I've woken up like maybe I should get one. that sounds like a good idea.

[dogfancier]

Dogs from the Royal Kennels at Sandringham

Vixen, fox terrier and Sandingham Vassilka, borzoi

Princess Victoria's scotch terrier Mac

Chum, chow and Sandringham Boss, clumber spaniel

Sandingham Dido and Sandringham Bobs, smooth and rough basset hounds