#the Grail Heroine

[taliesin-the-bored]

Arthurian characters I interpret as acespec:

Galahad, the Grail Heroine, and Bors: They generally have no apparent trouble or qualms with the eternal chastity thing (except Bors when he gets cursed, but he gets cursed).

Brangaine: In La Tavola Ritonda, she tells Gouvernail that she never wants to have sexual relationships, and in a text I haven't yet read or been able to identify, she apparently stops Kahedin from sleeping with her by using a magic pillow to make him fall asleep, a role which is Camille's in Kaherdin and Camille.

Dinadan: In LTR, they call him the Wise Man Who Does Not Love, and while he has a romantic interest in LTR, their relationship isn't sexual. To the best of my knowledge, he has no other romantic interest and no sexual relationship in all of medlit and pretty much always scorns both concepts. Usually aro, demiromantic in one text, and always ace.

Lucan: It's not anything he says or does, but unless you count the actions of Lucano the evil half-giant half-lion in LTR, he doesn't have any romantic and/or sexual relationships in any medlit I know of. Absence of evidence is not evidence of absence, but in my mind, he's on the aro and ace spectrums.

Happy Ace Week to all who celebrate!

Edit: I had somehow left out Dinadan, who I originally meant to include a picture of. I guess you could say he's implicit. Truly one of the aroace icons of all time. He ran so Jughead could also run.

[poparthuriana]

The Grail Four: Bors, Galahad, the Grail Heroine, and Percival

Survivors of Camlann: Bedivere, Cynwyl Sant, Griflet, Kay?, Lucan, Morvran, and Sanddef

[queer-ragnelle]

When writing, what should I call Percival's sister on the Grail quest? Should I just say she's Dindrane? She can't just stay "Percival's sister" after all.

Hey there!

Dindrane totally works. That’s the name the filmmakers ended up using in Dragons of Camelot (2014) which is her only movie appearance that I’m aware of. But honestly in many retellings she’s given whatever name the author desires. I think it could be cute to give her a “P” name to match Percival. She’s largely a blank slate since her role is reduced to a nameless martyr. Any name you choose will be a great start for her character!

[faline-cat444]

Mainly additives,not everything.Some are predicted to show tomorrow and/or Thursday while others could be me confusing it with whatever is due for next week.

[kingchaos20]

Dear FGO fans.

After recent events on JP, Idol Ecchan has a message for you all:

[brave-symphonia]

And at then end, she even reaches out to X, wondering how she is and where she is now.

Man, I just love this event so much.

[magdalene-spirit]

At some point, having fulfilled the dream of outer success & building the dream life comes the waking up, slowly-slowly, gnawing feelings of discontent & of something not quite right rises to the surface.

We thought we had it all, but something is missing.

Life feels arid in the Wasteland.

Remember, in the Grail stories, the wasteland is the forgetting of Goddess (resulting in ecological collapse, poverty & war). The search for the Cup is the search for living waters, the search for Soul, the search for Goddess.

Life has been lived for outer values (of the patriarchy) & not for the Soul (individually & collectively as civilisation).

Feelings of shallowness, emptiness, hollowness, meaninglessness suffuse the body as literal sensations of void & death.

Longing for substantiality is longing to be filled with our own Being-Existence, the truth of who we are.

Consciousness vibrates with a living hum.

We want to feel our own vibration & to feel aliveness pulsing in our ground, the inner body, the matrix. We remember the ground, because it is our true home.

The living ground into which we bottom out, in which we have our Soul origin is the Mother.

The “stable” foundation - we long for, holding us in this world.

Pulsing with warmth. The heat of life. The void of absence of Soul is cold & empty.

The warmth nourishes & kindles the flame of existence & aliveness of being.

#liminalspace #heroinesjourney #liminal #consciousness #being #presence #aliveness #beingbecoming #becoming #grailquest

[typellblog]

Illyasviel von Einzbern: The Hole at the Center of Fate/Stay Night

Emiya Shirou is the beating heart of Fate/Stay Night. Every character radiates outwards from Shirou, shapes and is shaped by him. He fights against foils like Archer and Kirei while growing alongside the three main heroines in each route.

There's really only one character who precedes Shirou in influence, who shapes him near-completely but cannot himself be shaped.

Emiya Kiritsugu is already dead, after all.

It's his legacy that drives the novel - but something oft-undiscussed is that Shirou only has half of it. He inherits his father’s justice, and the one that inherits his ruthlessness is Illya. Thus, Illya’s relationship to Shirou is dictated from the start.

She is everything his father left behind, the first gatekeeper of the moonlit world of death and magecraft that Shirou now finds himself in. In this role she transcends routes, appearing at the end of the third day to deliver a near-lethal attack just as the story branches off.

She seems intent to deliver Kiritsugu’s baggage to Shirou, to make him reckon with the past that he himself never experienced; the truth that a hero can only help those he sides with while many others are left alone in the cold.

In this way her very existence is a far more fundamental challenge to Shirou’s ideals than that of any other character - and yet this challenge is met only indirectly. Much of the information regarding her true identity and relationship to Shirou is elided until the end of HF.

She functions similarly to Sakura, a character who totally changes the reader’s perception of the first two routes in retrospect. The reveals about Illya force us to reevaluate how positive her ending in the Fate route really is.

In the narrative of Heaven’s Feel, both Illya and Sakura are considered ‘doomed’ - able to be saved only by Shirou sacrificing his own life to Archer’s arm.

It’s the crux of their characterisation, in the same way that Saber’s pursuit of the Holy Grail leads her into timeless and uncountable doomed battles. In a route based around that character, you would expect fixing it to be the main thrust of the plot.

And so just as the Fate route is focused on Shirou clashing with Saber over her lack of regard for her safety, and Heaven’s Feel is focused on accepting even the ‘impure’ parts of Sakura, there is no route focused on showing Illya that she needn't give up on having a normal life.

Instead all of her scenes in Heaven’s Feel are about accepting that she cannot have one.

This is the hole in the center of FSN that I’m talking about. Its absence is felt keenly throughout the novel, because Illya has another role besides a specter of Shirou's past. She embodies the prize and object of the Holy Grail War itself - the very same wish-granting device.

Many of the characters in this story are not fighting for the Grail specifically, but nonetheless their strong personalities and desires cause them to clash with one another, in a process Kirei sees as comparable to everyday life.

Their wishes, both in the form of the dead’s regrets and victor’s will, enter the neutral, empty Grail in order to produce a miracle. The only one not allowed a will of their own is the vessel of the Grail, who, in absorbing these desires, must completely erase their humanity.

Illya is not intended to have a reason to pursue the Grail, nor any life beyond obtaining it. The war is premised on the sacrifice of the Servants, yes, but nonetheless they enter as contestants. Illya, like Justeaze before her, enters the ritual only as a sacrifice.

And yet an outside element is introduced. Illya being part-human, the product of an actual family rather than just a clone allows for her to have personal motivations. She holds on to her resentment of Kiritsugu, despite knowing that it’s pointless, because it’s all she has left.

A parallel can be made to the Grail itself. Supposedly a pure wish-granting device, it becomes corrupted through the influence of Angra Mainyu, one small, perverse wish colouring the whole thing black.

The desired salvation of the Einzberns, their thousand-year project relies on being able to reproduce the miracle, to understand every component part of their attempts in order to draw ever closer to the Third Magic, but Illya is a random factor, born to a human parent.

She’s also their greatest creation since Justeaze. Miracles, after all, exist because they are not understood.

The corruption of the Grail with the darkest desires of the world is just the inevitable result of any wish - the price of becoming a human instead of existing as a machine. Live long enough and anyone would turn into Zouken, higher goals suborned by a base desire to escape pain.

Like Illya the Grail is a failed project, a tool that can only provide salvation of a limited nature & only fulfill its purpose incompletely, proof positive that true perfection does not exist in the world of Fate/Stay Night.

In Illya’s case the bug in her programming comes fundamentally from a desire for family, for someone to be close to her. Despite her dysfunctional initial approaches she’s perfectly capable of living normally alongside Shirou.

The issue, then, is the Grail War itself.

Her two sides, two different origins, come into conflict here, and her role as the Holy Grail consistently wins. Not because she desires it in any real sense, but because she doesn’t believe that she can do anything else.

Consider how the Fate route ends with Saber and Shirou trying to live without regrets, accepting both the negative and positive aspects of the past without dwelling on that which cannot be changed.

Consider how Illya in the Fate route doesn’t say a single thing about her condition, refuses to burden others with that knowledge, accepting the fact of her death and instead choosing to live in the moment.

Consider how the Unlimited Blade Works route is about Shirou trying to live without regrets, accepting that he will not always succeed, that his self-sacrificing nature will hurt him, but nonetheless his pursuit of that goal is worthwhile.

Consider how Illya’s death is used to illustrate this, how she cannot be saved regardless of whether Shirou makes the choice to intervene or not, how his sorrow is used as proof of his brokenness and his ability to move forward regardless is used as proof of his strength.

Consider why the Heaven's Feel route is named after the ritual that materializes the soul, why this is identified with salvation and rebirth by the Einzberns. I would argue that the Third Magic is a metaphor for the process Shirou undergoes throughout the novel.

He evolves from a machine into a human, gaining his own desires and the will to live. And just as Heaven’s Feel, the ritual, requires a sacrifice: Justeaze’s blood forms the foundation, so too does Heaven’s Feel, the route: Illya spends her own life to fully realize Shirou’s.

In moving past Kiritsugu’s legacy, he moves past his belief that his life is worth less than others. He wants to live, wants to let Illya save him, wants to let her sacrifice herself for him. In moving past Kiritsugu’s legacy, he moves past Illya.

I don’t blame him. I just want to emphasize how significant to this novel the existence of suffering is, how important the figure of someone who cannot be saved, how necessary a single person’s sacrifice. And how this falls on Illya in every route.

In the latter parts of the Fate route she quickly disappears from story relevance. Her functions as a Grail offer a convenient excuse to have her sleeping for much of the day, as it does for Kirei’s kidnapping of her, stringing her up as a sacrifice to open the gate.

In UBW we have Gilgamesh brutally ripping out her heart. He values her purely for her core, which holds the Grail, tossing aside the rest of her body.

If her role as the Grail is what drives her doom, though, she is at least partially able to overcome this at the end of Heaven’s Feel.

For a brief moment, Illya escapes the bonds of fate by uniting her deeply personal wish with the impersonal functions of the Grail.

She also dies. She fucking dies, okay? I’m so tired of talking about this as though it’s supposed to be a good thing, as though we’re just supposed to accept it as the best possible option.

It works precisely because we know there is another, because we know for a fucking fact that an Illya route could have existed, that her salvation is possible not just from a meta perspective but directly implied in-universe.

Illya’s power is to grant wishes, but she is incapable of giving voice to her own. She needs someone there by her side to tell her that it’s okay to want to live, and yet- Shirou is so fucking broken that he needs her to do that for him instead.

Illya could have lived, but she doesn’t, and in not doing so she carries half the weight of this story’s tragedy on her back.

In a way this is an excuse for the lack of an Illya route. I really do think its blatant absence adds something to Fate/Stay Night, really sells the tragedy of HF, becomes even more beautiful precisely because of its unattainability.

It’s a comment on how the artistic process, materializing your soul on paper if you will, is an inherently restrictive one, rife with failure and things left on the chopping board.

But it does not, not for a second, mean that we should accept the lack of an Illya route. It doesn’t mean the desire for it is a bad thing. It doesn’t mean that its addition would make Fate/Stay Night worse.

It would, however, become a different game at that point, and here I want to pay respect to the one that has lived alongside me for twenty years.

Thanks for reading, and happy anniversary to my favourite story of all time.

[silvermoon424]

The real heroine of the Infinity Arc is Sailor Saturn. Yeah, Neo Queen Serenity did revive everyone on Earth. But Sailor Saturn was the one who defeated Pharaoh 90 AND destroyed his home dimension, the Tau Ceti system, when Sailor Moon couldn't even defeat him even with both the power of the Silver Crystal and Holy Grail.

Actually, I think they're both the true heros!

Something I REALLY love about Sailor Saturn is how she's a foil to Sailor Moon/Serenity. Naoko Takeuchi was not subtle about this; in the 3rd artbook, she even placed art of Saturn and Serenity next to each other and referred to them as "the two messiahs."

Yes, Saturn represents death and destruction. But she specifically represents creative destruction. Just like how the mass extinctions of the past eventually gave rise to new lifeforms, Saturn destroys worlds that have run their course so that new ones can be born. Her role is to unleash destruction and pave the way for rebirth; Sailor Moon's role is to facilitate that rebirth.

The two are inextricably linked, just like death and rebirth in the real world.

[yarrayora]

because of the lack of female protagonists in... pretty much every genre, really, people tend to hype up a lot of series as "better than the average [insert genre]" just because it has a female protagonist rather than male

(personally i think girls deserve formulaic schlock, too, like how bofuri is basically the average MMOVR with a black haired plain looking boy repeatedly stumbling upon cheat powers except the protagonist is a girl)

but when i look for new titles saying "i want interesting worldbuilding where we get to see how this fantasy world works as a society and the court intrigue goes beyond high school level mean girl bullying" and people respond with titles like "i'm in love with the villainess" it's like asking for a grilled steak and getting handed a hamburger

burger's good, but not what i'm looking for

so here's a list of my manga/webtoon recommendations for stories of political intrigue in fantasy worlds with a female protagonist (not all of them are isekai or regression or reincarnation, most are straight up just fantasy world):

The Holy Grail of Eris

The story of a kingdom after the villainess is executed for attempting to poison the heroine beloved by the crown prince. Our protagonist is Constance Grail who finds herself being haunted by the ghost of the villainess Scarlet Castiel who saved her from suffering the humiliation of having her engagement broken because of a false accusation.

Scarlet claims that she has been framed, and together the duo is set to find out the truth regarding her death sentence.

Saying more than this would ruin the plot twists, but read this if you're interested in a story where it makes sense for a ducal daughter to be sacrificed in exchange for a lady of a lower class as the nation's queen.

Itsuwari no Freya (localized as Prince Freya)

A small kingdom struggles to defend itself against a powerful warmongering kingdom with the leadership of their cunning prince. Except, the prince has died. To prevent the flame of hope from being extinguished, the prince's inner circle employs the aid of Freya, a village maiden with the same face as the late prince.

There is no time to prepare her to learn the ropes of politics. Now Freya must plunge immediately into international turmoil and figure out a way to secure support from other nations with the help of the prince's knights and, of course, her own charisma and intelligence.

Ebony (localized as Lady Evony)

Sensational news sweeps the nation: the Grand Duke has put a criminal under his protection. Evony was accused of her father's murder and ended up suffering all kinds of abuse in the hands of the prison wardens who despise her.

Yet her time at the women's prison was also the only time she was able to gain education in a misogynistic nation who still bars women from learning while other countries have a headmistress for their famous college and traveling tradeswomen.

As she heals from the wounds inflicted both on her body and her heart, she realizes she wants to become someone who can stand equal to the Grand Duke and not just a fragile flower to be protected in his garden.

Great if you're looking for slow burn romance where the main couple are equals instead of the usual "obsessive yandere male lead who holds to power/lovely lady who struggles to be useful" or "stupid but doting male lead who needs his very smart lady to show him the way"

Also great if you're looking for a korean webtoon where all their problems CANNOT be solved by the protagonists being wealthy capitalists

The Falcon Princess

While other webtoons tend to focus on noblewomen's tea parties as a source of conflict, The Falcon Princess focuses on a kingdom in the middle of being invaded.

The protagonist is a princess on the run when the imperial palace ends up ransacked by the enemy nation. She wakes up as a falcon and ends up finding herself as her kingdom's commander's messenger bird.

Despite the language barrier, the princess helps the commander figure out the enemy's location, strategy, and various ways to defeat them and finds herself becoming a symbol of hope who leads the army into reclaiming her nation.

JK Haru is a Sex Worker in Another World

Last but not least but is definitely the most controversial pick. Haru is a girl who gets reincarnated in another world after she got hit by a truck alongside her otaku classmate.

While said otaku is living his best life as his power fantasy becomes a reality, Haru refuses to be his girl in exchange for a comfortable life, even though the only job she could have in a misogynistic world where women can't even eat at a restaurant without a chaperone is at a brothel.

And yet, she doesn't hate it. Although the customers can be rough, she befriends the other prostitutes at the brothel and figures out how to enjoy her job. It's a story that depicts sex workers with respect, acknowledging their struggles without turning it into misery porn.

It also asks an important question regarding the trope of "overpowered isekaid protagonist changes the world for the better": CAN they actually change the world just because they have cheat powers? After all, societal issue isn't something you can solve using brute force and money alone

[taliesin-the-bored]

The Grail Heroine leading Galahad to the ship, where Percival and Bors wait

Stained glass by Veronica Whall for King Arthur’s Great Halls at Tintagel

[poparthuriana]

Arthurian Friend Group Tournament Finals!

Morally Dubious Sorceress Squad: the Lady of Avalon, Morgan le Fay, the Queen of Norgales, and Sebile

The Grail Four: Bors, Galahad, the Grail Heroine, and Percival

[lightheaded-dullahan]

Alright, strap in for the lie of the decade So I got this ask

So I think; “well what’s this all about?” I open it up and its this pretty quoted interview, so I’m like “huh so what’s ‘oh boy’ about this? Then I start to read. AND OH BOY.

I think most people who look into Fate/Apocrypha have heard of this interview with Nasu and Higashide. If you haven’t; here is a quick run down of its contents.

Written out; if the image is annoying to read:

Trivia from interview with Kinoko Nasu, Takeshi Takeuchi, Konoe Ototsugu & Yuichiro Higashide. (Source from Comptiq, Newtype and etc). - The ligh novel was greenlit by Nasu, as supervisor, Higashide as writter and Konoe as illustrator art. - David, St.George, Kintoki Sakata & Musashibo Benkei were scrapped by Kinoko Nasu’s idea. - Nasu said these servants doesn’t fit into plot and they were replaced by four new servants instead. - Chiron, Avicebron & Achilles were designed by Takeuchi & Nasu, illustrated by Konoe in charge of character design. - Mordred is the culture of festival achievement thanks from TYPE MOON fanbase. - Addition of Mordred into F/A was Takeuchi’s idea and Nasu agreed. - Mordred was orginally to be male but Nasu feel that having two male characters look feminine (the other being Astolfo) would be too much. - However, Mordred as a male was not Nasu’s claim of actual fact. In truth, Nasu didn’t decided for final Mordred’s gender since Fate/Stay Night until Fate/Apocrypha. Which mean Mordred was “genderless” in F/SN. - After the project of online game was scrapped, Nasu said that all servants are too ridiculous powerful and might bored if the player’s powerful servant was facing against other player’s powerful servant. It’s like a hax. - The online game was based on Infamous 2’s gameplay style. - Nasu & Takeuchi were laughing about more Saber clone. In fact, Mordred is the real clone of Saber (Altria), so the wish has come true for those people who still saying about Saber clone. - Karna is Nasu’s favorite servant. Karna’s popularity has been skyrocket thanks to Fate/Extra CCC. - Astolfo is Konoe’s favourite servant. He is symbol mascot of Fate/Apocrypha. Higashide can’t even tell if this is comfortable or not since Astolfo is dude. - Yggdmillennia, Sisigou & Kotomine Shirou were planned by Nasu, Takeuchi & Higashide. - Higashide wrote all Sisigou, Reika & Black camp’s character development, while Homunculus, Kotomine Shirou & four new servants’s character development was already written by Nasu. - Nasu said that Shirou is basically a character who look to have “light outside and darker inside” personality. Uncanny different trait from Kirei. - Homunculus (Sieg) was Nasu & Takeuchi’s idea. Nasu wanted introduce male homunculus in Fate series for the first time. - Takeuchi & Konoe said Homunculus looks cute but dense person. - Takeuchi stated Homunculus & Jeanne are his new favorite characters, along with Altria. - Interviewer mention about why Takeuchi like Homunculus. He reply "It’s a secret" due it will trigger the spoiler. - Jeanne is based on real french student girl according to Takeuchi. She was at same college where Takeuchi studied, before he met someone as model of Arcueid Brunestud’s design from Tsukhime come to his mind. - The difference between Altria & Jeanne is sex appeal. Which is already explained in TYPE MOON April Fool 2012, where Heroine X (Altria) in furious when she heard that Jeanne’s sex appeal is better than her. - Tsukihime is Higashide’s favorite visual novel. - Nasu stated homunculus like Mordred can summoned as Heroic Spirit despite not human being. - The rules of magecraft in Apocrypha universe are same as in Fate/Stay Night & Fate/Zero except that there is no rule of Ruler classes. - Ruler’s duty is protect the Holy Grail and oversee the battle. - Interviewer asked Nasu & Higashide about why Jeanne hijack Leticia’s body rather than ritual summon. Nasu stated it was something broke the rule of HGW and corrupted the system. - Nasu mention the first servant who hijack human body is Avenger, Angra Mainyu from Fate/Hollow Ataraxia. Who control Emiya Shirou’s body and mind since he has no body but void form. The theory that come from Rin Tohsaka was correct. - Roa from Tsukihime was also can hijack the human body (Ciel & Tohno SHIKI) but reincarnation soul while he was in Akasha. - Nasu & Higashide admit it was silly idea in the first place. But they wanted Jeanne to have some disadvantages/weakness for herself due she was powerful servant and might kinda “boring” if she summoned as spirit form. (Avoid fan calling her a mary sue). - Which mean any servant can hijack the human body while in critical condition but it's rarely. - Karna’s background story has been altered in comparison to his original myth in Mahabrarat. This means, Karna is Nasu!Karna, not Myth!Karna which we know. - The rule of summoning Ruler is who can guide the war during in his/her past and a sainthood(?) as specific condition. Only one Ruler class is summoned in one war. The this system works in Apocrypha universe only. - St.George was remove because of this. Karna, however he refuse refer himself a saint and a killing machine who can kill God, summoned as Lancer class instead. - The Greater Grail force summon the servant as Ruler when met the condition completed. - If Jeanne is summoned in different universe without rules of Ruler, her class will be obviously Saber. She still will be summoned as Ruler if the mishap of war affected the result in different universe. - Jeanne was first mention in Kara no Kyoukai’s light novel reference: Mikiya Kokutou mentions her when he was discussing about Heroic Spirits who utilized the power of the Counter Force. - While the design for Jeanne wasn’t made during the production of the Fate/Zero novels, the design was completed around the time of the anime adaptation.

This translation was provided by @/ shinichameleon - who, in fact, is still pretty active in this fandom. They still post to this day. Now; what’s wrong with this? Well most importantly, Mahabharata is misspelled- no I’m joking that’s not the most important. 

Most importantly is This interview is a lie.

https://web.archive.org/web/20151107012557/http://shinichameleon.tumblr.com/post/62039911382/fateapocrypha-vol2-translation-of-detail

This is the interview being claimed has this information. But - this is an interview by Higashide ALONE after Apoc Vol. 2 was releasing. Nasu isn’t in this interview. At all. So; is there *any* interview with Nasu & Higashide? Yes; in Type Moon Ace 8. But that was *before* Apoc began its release so none of this information would have been there. So; maybe its another one? Well, as Petrikow on Fate/Apocrypha Free Range Spoiler thread discovered; no archivist has listed any other interview with both of them. Well what about the rest of the post? Seems like information is just from the product itself, not any interview. But why does this matter? Well; because this user, Shinichameleon has a rather ...unsavory reputation.

In addition this this set; they’ve also posts a supposed new route for the Ufortable adaptation.  Which....is blatantly untrue as we’ve seen. But then so this person lies about fate stuff (and gets it circulated for a decade), so what? Well they’ve also got banned from fate reddit(s) for posting false information. This includes falsely claiming Japanese Mordred and Semiramis fans hated each other; than Semiramis was hated in JP, KR, and CN fan bases after vol.4,5, and 6. They also tried to pull something similar with summer Ibuki, which is also proven not reliable at all through machine translation, using their own opinion as proof of character popularity, taking people out of context, and genuinely bringing bad fate (heh) arguments. But what else have they done? Completely make up information about Kiara Sessyoin?? Yep. They completely made up info.

“According from Kinoko Nasu & Takeuchi Takashi in EXTRA Material, Kiara Sessyoin is not her real name. Her real name is Inoriara Sessyoin and her actual age is late twenties. She was born as the daughter of true mantra of Tachikawa yo Tennaga, but she was bedridden and didn’t existed until at the age of 14 because she was sickly by birth. She was caught in commandments, that for their own “pitiable” appearance of the surrounding people who didn’t know it saves by saying, a pure human’s image that existed in the story vanished too.

At the age of 14, the believer was told by a doctrine of spirit hacking, her sickness recovers in a moment completely unknown to the outside. However, it accompanies along missing people and the dead increased suddenly, and she was completely denied in the presence level to the father who became aware of the accident, the reason “Though she is a woman, I am seeking to become one with that woman”, he  denied to realize it, then expelled on suspicions of violating two taboos of the Tachikawa Style. To that morrow, she takes away the father’s skull principal image, states “the master is deprived of technique tools” the last taboo was broken with this, the killer match of the believer, it left from all religious organizations that had become the dead, excluding her.

Afterwards, though she has saved the believers’ belief of the Tachikawa Style, the believe who became loved dearly was said to committed suicide one after another for her. In addition, she was put on the wanted list by the Western Europe plutocracy for the exploitation of code cast of the electronic brain, the maximum taboo in history.

Also she can fights and take down an average human nor a weak servant by her own potential without her final boss form. Just look at this video and count how many skills she got (Spoiler alert). And she is the first person who awakes ORT from eternal slumber....according from Koha Ace. Are you for real Keikenchi? “ So; fun fact -- none of this is true. It’s all made up. Oh; but you know what’s the MOST infruitating? “ The difference between Altria & Jeanne is sex appeal. Which is already explained in TYPE MOON April Fool 2012, where Heroine X (Altria) in furious when she heard that Jeanne’s sex appeal is better than her. “

THIS IS FAKE. THE FUCKING SEX APPEAL DIFFERENCE IS FAKE. You know the shit about Siegfried and Semiramis having a different artist and copyright issues with that is probably fake too. Anyways; what does this all mean? WE need to fucking recheck probably a good chunk of things we’re spreading around in this fandom. It also means that a lot of information on the Fandom wiki is likely straight up false (not surprising) which can mean its absolutely *useless* for lore referencing for *anyone*. This is for the English speaking side of the fandom so far; so; yeah. This is pretty fucked. Shinichameleon is now posting in danganronpa reddits so; I guess look out danganronpa fans.

[lillipad72]

The Annotated Anne of Green Gables ~~ a special rereading

CHAPTER II ~~ Matthew Cuthbert is Surprised

"The little birds sang as if it were/The one day of summer in all the year."

These verses at the beginning of Chapter II come from a long verse parable by James Russel Lowell, "The Vision of Sir Launfal," published in 1848. I could not find much besides a quick synopsis of the poem, but we can learn much from it. This poem is a twist on the classic Grail story. Sir Launfal decides not to search for the Holy Grail after a dream causes him to realize that the real meaning of the Grail is charity. These verses come as Matthew travels to pick up an orphan boy from the train station only to discover our heroine, Anne Shirley, waiting instead. While the verses perfectly describe the beautiful spring day of the setting, the poem as a whole fits into the theme of the novel. It was the charity in the Cutherberts' hearts that led them to find their Holy Grail, Anne, even if it wasn't the orphan boy they thought.

"Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, that looked green in some lights and moods and gray in others. So far, the ordinary observer; an extraordinary observer might have seen that the chin was pointed and pronounced; that the big eyes were full of spirit and vivacity; that the mouth was sweet-lipped and expressive; that the forehead was broad and full; in short, our discerning extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman-child."

This is the introduction and description of Anne Shirley! While there is so much here to unpack, I'll leave that for another day; for now, I will discuss L.M. Montgomery's inspiration for the appearance of Anne. I knew about this before, but this book pointed it out, and well, I love this fact! So Montgomery said she saw a photo of a girl in an American magazine that she then used as a model for Anne. Montgomery said she had no idea who the girl was and if she had any idea that her face was the model for Anne. Well, that girl has been identified as none other than Evelyn Nesbit! The exact photo is above! For those of you unaware of the lovely Evelyn, she was a chorus girl and model in New York City at the beginning of the 20th century, but she really became famous when her husband, Harry K. Thaw, murdered Stanford White. (White was a famous architect who designed such buildings as the Pennsylvania Station in New York; he is also a character in the Gilded Age on Max). Nesbit alleged that White raped her when she was a minor and that she had told her husband that, causing him to shoot White to defend her honor. The trial would go on to be called "The Trial of the Century" (despite it only being 1907), and Nesbit was the star witness in her husband's defense. Her fame would rise, and she became a star in vaudeville. Another fun fact is that she (according to her grandson) received $25,000 from her husband after the trial, and she donated it to the anarchist Emma Goldman (who I really suggest looking into; her work was fascinating). Anyways, all that to say: I wonder what L.M. Montgomery would have thought if she knew that Evelyn Nesbit, a woman of 'loose morals,' was her inspiration for the appearance of Anne?

I was going to write as well about a few song lyrics that appear in this chapter, but I talked too much already I feel, so if anyone wants to know about the lyrics, let me know

next chapter

[miyanagi]

haul

i think people overhype thr cost of anime figure collecting. it can be way more affordable if you develop really stupid and niche taste

[brave-symphonia]

I really love this as the ending to the event.

Everyone performing one last show, culminating in Ex unveiling a new song, all for Miss Crane, all to make her happy before it all ends.