#the Doctor's wife

[rayghosts]

imagine youre a teenager and one day you decide to steal a car because it looks fast and sleek and you want to travel on the road. so you go on a trip in your stolen car and you love it so much that you dedicate your life to the road. you spend your years travelling, visiting new places and picking up hitchhikers, all in the same car you stole, which at this point has become old and run down and needs refurbishing every now and then, but you never replace it because you live in this car now and it's your home. at one point your actual house was demolished and your family members are dead. the people you've hooked up with in your car have broken up with you and gone away. youve changed many times as a person, but your shitty car has stayed the same, the one constant in your hectic life. it's the last one of its model after they stopped manifacturing it: that's how old it is. then one day, your car suddenly breaks down in the middle of the road. you go out to get help and find a lady who weirdly knows all about you. she knows all the places youve been to and the people youve gone there with. as you talk with her more, you begin to realize that, somehow, the soul of your car—the one that's sitting broken outside—has transferred into the body of a human woman. your car is alive and now speaking to you, and she remembers all the moments you two have spent together, every word youve told her when you thought you were alone, every desire and complaint youve expressed to her in the middle of the night. your car is speaking to you, and she tells you that however much you love her, she loves you equally back. that you never really stole her all those years ago because she wanted to travel with you, and she wouldn't change you for anyone else in the world. you speak with your living human car, and you realize that, hey, she's kind of funny actually, and you might be a little bit in love with her, and she might be a little bit in love with you. but the desert you're stuck in is also sentient and evil, so your human car dies in your arms in order for her soul to transfer back into the machine and drive you away. so now you're back on the road with your car the same as always, except now you know she's sentient and maybe has feelings for you, so you sometimes let go of the wheel and let her take you wherever she wants. that's what happened between the doctor and the tardis in that one episode

[laurapetrie]

She was dreadfully romantic. She read too many novels and carried her ideal world wherever she went.

- Mary Elizabeth Braddon, The Doctor’s Wife (1864)

[couldnt-think-of-a-funny-name]

I love that this means the TARDIS Could have told the Doctor about the god of death when she was human and actively chose not to

[diamondisunmemeable]

Saw this while browsing the Doctor Who tag, and I gotta say, you don't know how many times I saw this question on Reddit back before the site imploded.

Really speaks to how memorable that scene was. I wonder how many children were emotionally scarred by this episode?

[thinkdoctorriver]

And die with a smile

[expectiations]

ALEX KINGSTON as River Song Doctor Who: Series 6 Episode 2 – Day of the Moon

[tsyvia48]

Author & Mensch: Reflections on the impact of @neil-gaiman on my life, in essay and doodle

As a woman of a certain age, I am a well-practiced overthinker. Nerd, geek, know-it-all, intellectual, the names have been biting or praise depending on who wielded them. They’re all true, and I embrace them. 

In the early days of adulthood, when I was a wee 20-something overthinking nerd, geek, know-it-all, intellectual (20+ years ago), I became deeply interested in image and text and text-as-image. While friends were watching and arguing over Survivor, I was obsessing over Peter Greenaway’s The Pillowbook and Prospero's Books and Neil Gaiman’s Sandman. (To this day my copies of the Sandman graphic novels and the English translation of The Pillowbook of Sei Shonagon are proudly displayed on the good bookshelves—you know, the ones I want people to peruse.)

Sandman isn't merely good storytelling and good art, it teases at some of the fundamental questions to which my religion-major heart was consistently and reliably drawn. It modeled a way of rendering the questions—and suggested answers—I would never have imagined on my own.

In those days, I created an artist's book: an altered gift edition of Hamlet. I explored Ophelia’s femininity and the inevitability of her break with her mental health, caught as she is between Hamlet and her father. I imagined her story if she’d had true agency. I investigated the way art (fan art?!) had shaped my understanding of the play and my relationship to it. I layered in my story—my resonance and dissonance with hers—and my art, along with images of famous and not-so-famous paintings of Ophelia. I proudly named Greenaway and Gaiman as influences. 

I imagined myself an artist. And, truthfully, I suppose I was one. 

I read Good Omens back then, too, delighting over the religious tropes and subversions, the humor, and the fundamental faith in humanity that shone through. 

In the two decades since then, below the din of “responsible” choices (that have mostly moved me away from imagining myself an artist) there has been a melody quietly bringing me comfort, shifting my perspective, and reminding me who I want to be. When I stop to listen for and name the music, I realize much of it generates from Neil Gaiman. 

The Graveyard Book gave me comfort and hope as a new parent. 

Ocean at the End of the Lane reminded me of the layers and the depths⏤the archetypes and metaphors⏤present in everything around me, if I am willing to seek them.

Neil’s anecdote about meeting Neil Armstrong has been a talisman against imposter syndrome. Or, more precisely, it has been a permission slip for forgiving myself when the imposter syndrome inevitably surfaces.

The episode of Dr Who he wrote (“the Doctor’s Wife”) changed the way I understand the entire Dr Who experience before and since. 

Lucifer (tv), which his work inspired, gave me joy, comfort and distraction through a tough time in my life. 

When, a few years ago, I realized he is Jewish, I had that swelling of pride and resonance that I always get when someone I admire shares that identity with me.

And now there’s the Good Omens tv series. It has opened something in me I didn’t realize was closed. Crowley and Aziraphale are helping me better understand myself, and love, and gender, and storytelling, and, believe it or not, Torah. I am writing again for the first time in ages. I'm drawing more often and with more joy than I’ve known maybe since childhood.

I’ve been getting back into my gratidoodle practice, drawing and writing what I’m grateful for. And when I decided to add Neil Gaiman’s face and some words about my appreciation for his work to my sketchbook, I realized he’s brought me full circle.

Text and image and text-as-image + Neil Gaiman + story is an old constellation for me. And once again, I find my thoughts dancing, shifting, blossoming to the quiet melody of (one of?) the greatest storyteller(s) of this generation. 

And now that I am actively engaging with other Gaiman fans, I see how responsive and kind and encouraging he is to those of us who love his work, and his name is permanently etched on my heart: a benefactor, a teacher, a role model.

How satisfying and fitting that such a powerful and resonant voice, miraculously, thankfully, beautifully, also seems to be a genuine mensch. 

B”H (thanks to God) that I am alive at the same time as such a one.

#I didn't realize I was going to write AND draw when I started this #but I felt I needed both #I wish I had a flatbed scanner #this photo doesn't do it justice #there's greater nuance in the color in person #Stories matter #Art matters #like, really matters #Neil Gaiman is a gift to this world #Good Omens #Crowley and Aziraphale #Ocean at the End of the Lane #The Graveyard Book #Neil Armstrong and imposter syndrome #The Doctor's Wife #So grateful for tumblr

[notyoujamie]

[yahoo201027]

Day in Fandom History: May 14…

The Doctor receives a distress message from an old Time Lord friend of his and The Doctor, Amy, and Rory all head down to another universe and meet an alien that pretty much eats nothing but TARDISes. “The Doctor’s Wife” premiered on this day, 12 Years Ago.

[umbrellasareforever]

Ya just don't get wild stuff like this nowadays, do ya?

Gotta love the 60s. Those guys were bonkers.

[secretlyhuntokar]

House possessing the TARDIS in The Doctor's Wife:

Sutekh:

House:

Sutekh:

House: ..Come here often?

[glitterywastelandobject]

The Custard Cream Pedal was the TARDIS's way of apologising for throwing Thirteenth out mid-regeneration, having her crash through the roof of a train and shatter every bone in her body.

[laurapetrie]

She wanted her life to be like her books; she wanted to be a heroine. She picked out all the sugar-plums in the historian's pages: Anne Boleyn and Mary Queen of Scots, Joan of Arc and Marie Antoinette and Charlotte Corday.

Mary Elizabeth Braddon, The Doctor's Wife (1864)

[meiko-komoko]

The Doctor in The Doctor's Wife: OMG my TARDIS is a woman!! I can finally talk to Sexy this is so cool (⁠≧⁠▽⁠≦⁠)

Amy & Rory plot:

[timeagainreviews]

Old girl

[thinkdoctorriver]

who are we to fight the alchemy?

inspired by this post