#that's why this isn't as... connected? as i'd like it to be tbh

[aoharushiyo]

little little happy! / little happy [eng translation]

TITLE: リルリルHappy! (Little Little Happy!) ARTIST: リルハピ (Little Happy) 　　　　鈴宮 壱 (Suzumiya Hajime) | CV: 木村 良平 (Kimura Ryohei) 　　　　丹波 燐 (Tanba Rin) | CV: 逢坂 良太 (Oosaka Ryota) 　　　　雁屋園 道貴 (Kariyazono Michitaka) | CV: KENN 　　　　四方 ルカ (Shihou Luka) | CV: 柿原 徹也 (Kakihara Tetsuya) 　　　　宗円寺 雨夜 (Soenji Sayo) | CV: 前野 智昭 (Maeno Tomoaki) COMPOSITION: RAG FAIR 引地 洋輔 (Hikichi Yousuke), 土屋 礼央 (Tsuchiya Reo) LYRICS: RAG FAIR 引地 洋輔 (Hikichi Yousuke), 土屋 礼央 (Tsuchiya Reo) ARRANGE: RAG FAIR 引地 洋輔 (Hikichi Yousuke), 土屋 礼央 (Tsuchiya Reo) OFFICIAL MV: (from youtube)

ENG:

Taking in the breathtaking cityscape after sunset during the winter holidays My fingertips are frozen, but I still want to check if you’re with me What we kindled across a screen in the dead of night is a wish I won’t lose sight of until it shines high in the sky! It's showtime!

What we're gonna make here is a miracle, see If you count "one, two, three" out loud, a story will begin right now With you, I'll become the me I want to become Shine, Little Happy! Let’s meet under the winter sky like stars

We’re aiming for the stage of our dreams, but just wanting to go faster isn’t enough I want to be right there with you, I want to grant your wish The fluttering powder snow glitters in the light of the buildings A blue-tinged future, a white-coloured wish; let it melt and shine! It's showtime!

What we're gonna draw here is a miracle, see If you start on "three, two, one", these imprinted footprints show that you're not alone, so puff out your chest and stand tall Even if you fall, it's all right because I'll take your hand

“It's because of you that the current me is here. I'll put my heart into this song.”

Everybody, do you know happy? Are you ready? Come on now, here we go! Everybody, we are Little Happy!

Rather than making a wish, we're gonna make a miracle, see If you count "one, two, three" out loud, a story will begin, so raise your voice even above the chill Even if you make a mistake, it's all right! Let's overcome those tears

What we're gonna draw here is a miracle, see Let's start on "three, two, one" The world we can only reach together is surely waiting for us Always Real Happy! Let's pile them up like snow One, two, three, for you!

JPN:

息づく街並み　冬休み　陽は沈み 凍えた指先　けどお互い　確かめたい 夜中の画面越し　僕らあたためたもの ゆずれない　その願い　高く輝け It's a showtime!

ここから起こすのは奇跡さ ワンツースリー　カウント出したら 始まるストーリー　君と今 なりたい僕になれ きらめけ Little Happy! 冬空集う　星のように

目指す夢の舞台　加速したい　まだ足りない そこに僕はいたい　君といたい　叶えたい 舞う粉雪ひらり　ビルに照らされてキラリ 青い未来　白い願い　溶けて輝け It's a showtime!

ここから描くのはキセキさ スリーツーワン　駆け出したなら 刻む足跡　ひとりじゃない だから胸を張れ 転んだって It's all right! その手を僕が　掴むから

「君のおかげで、今の俺がいる。 歌を、心を込めて」

Everybody, do you know happy? Are you ready? Come on now, here we go! Everybody, we are Little Happy!

願うより起こすのが奇跡さ ワンツースリー　カウント出したら 始まるストーリー　寒さにも 負けない声を張れ ミスったって It's all right! 乗り越えろその Crying

ここから描くのはキセキさ スリーツーワン　駆け出してゆけ きっと待ってる　君としか たどり着けない世界 いつだって Real Happy! 僕ら���もらせよう　雪のように ワンツースリー for you

[somewhereincairparavel]

The fandom's bias and tendency to wanting to agressively associate EVERYTHING with Percy and getting upset when a character isn't associated with him really taints their view on actually significant relationships, and it ruins Percy's canon character tbh.

I came across a video edit appreciating Jason and Nico's friendship, and the comments were just filled with people raging on how Percy should've been included instead of Jason because he was "much closer friends" to Nico than Jason was. It's appalling how much ppl can turn to a blind eye when it comes to Jason.

People hate Jason SO much in this fandom that they literally refuse to admit that Nico canonically considered Jason as his first ever friend, not Percy (this is literally said in Tower of Nero, by the way)

You guys are seriously so hell bent on wanting to take away every little thing jason had that makes his character meaningful, simple to give it to percy when it isn't even necessary. Doesn't percy have enough good characterization already? Why deprive Nico of a genuinely good friendship? Jason spent time and effort to make Nico comfortable and succeeded in earning nicos trust. He taught nico to never push people away and not to be ashamed of being himself, Isn't that beautiful? Why do people get salty abt that so much? Because of course, it's about appreciating Jason for once, and not Percy, isn't that it?

My perspective on Percy and Nico is that, they were never really "close" to begin with and never ended up being close either, and that's okay. Percy tried his very best to be a brother to Nico, but they somehow always had tension with eachother because of Nico's internal turmoil of idolizing and crushing on Percy whilst simultaneously associating him with Bianca.

Sure, they talked it out a little in the end, but I'd like to think that some tension would always be there, because they started off at the wrong foot, and there was too much bitterness and resentment to come in their dynamic. And them never actually being close "brothers" makes their dynamic very significant and authentic. In the end, Nico acknowledged that Percy was a good person, and I like to think that's the farthest they've ever gone in their dynamic. They both are on amicable terms but the awkwardness still being there is very realistic, the weight of Bianca's death would always be associated with Percy to Nico, and it's neither of their faults. That adds SO much to their angsty dynamic, why get so upset about it when it's such an integral, and meaningful part of the story? Nico and Percy not being close friends shows how complex character relationships can be.

Percy doesn't have to be close with everyone just because he's the main character, it really deprives him of actually meaningful connections. The fandom forcing him to be buddy buddy with everyone simply because they HAVE to associate Percy with anyone and everyone, and getting angry that Jason is closer to Nico than Percy is, is just really weird.

Why do people feel SO threatened about Jason all the time that they have to get all defensive and suppress his connections by dragging Percy into videos that doesn't even have to do anything with him? I swear y'all are creating this whole Jason/Percy rivalry thing because you cannot bear to see someone rival Percy, and you want Percy to be the only powerful/good person in the books.

Let other characters befriend eachother without trying to insert Percy in there all the time.

Percy and Nico would never be like Reyna and Nico, or Jason and Nico, and that's completely fine. I like them better that way. You can't be best friends with everyone. That's just how life works.

[maliaelise6]

Ikepri Disney songs

Okay so I like finding songs of one artist or genre and finding one to dedicate to each ikepri character but I keep struggling trying to come up with ikepri characters connecting to (specifically) Disney love songs. I'm cool with leaving the love songs area but here's what I have so far if anyone wants to suggest songs or changes I'd love to hear it :3

Spoilers obv

Jin: Strangers like me from Tarzan - because I think the theme of him learning how to love and actually accept himself is kinda connected to the song. Also I just love him sm

Chevalier: Evermore from Beauty and The Beast (liveaction) as much as I hate live action, this is so good. It screams Chev. He knows Emma is always gonna come back and he doesn't know why but it makes him happy 🥺

Clavis: I won't say I'm in love from Hercules. Is it my favorite song? Yes. Is he my favorite character? Yes. But its so 'Emma being totally in love without realizing it and feeling horribly conflicted about her feelings because of her duty' coded. This is her song to him 1000%

Leon: a whole new world from Aladin. Man. Play the first chapter of his story if you don't already see it lmao. Mr. "Take my hand and I'll show you a whole new world/life" sounding ass

Yves: kiss the girl from the little mermaid. Just the sweetest boy, man. Licht, Jin, Leon, and Rio are DESPERATELY trying to make him make the first move.

Licht: Thats How You Know from Enchanted. Idrk enchanted very well and I don't know licht very well but ¯\_(ツ)_/¯ just silly Yves and nokto trying to get him to make a move

Nokto: a girl worth fighting for from mulan. This is where the "not a love song" problem comes in. I do think that if you take away the actual context you can make a connection between the beginning when all the guys are talking about what they want, that's just him messing with other women, but when things get serious its him realizing he doesn't actually want any of them, and that he has feelings he doesn't truly understand for Emma. Kinda a reach but I've never been one for accuracies in things like this lmao.

Luke: I see the light from tangled. Omg. "All those days, chasing down a daydream. All those years living in a blur. All that time, never truly seeing things the way they were." HIM REALIZING THAT HE SPENT HIS WHOLE LIFE WITH NOTHING BUT REVENGE AND HATRED AND AHHH. HIM CHANGING FOR EMMA. HIS WHOLE LIFE HAS TO CHANGE AND ITS SCARY BUT FOR THE BEST

Rio: so this is love from Cinderella? I really don't know for him tbh

Sariel: ma belle Evangeline from the princess and the frog. Idk it has old lovers vibes and thats what Sariel gives. Maybe it'd fit better for Rio? Idk I'm iffy on this one

Silvio: colors of the wind from pocahontas. Not exactly love but it fits well. Teaching him that value isn't purely monetary.

Keith: another one I really don't know. I love him sm but I really got nothing man. Please recommend something 🙏

Gilbert: once upon a dream from sleeping beauty. HE WANTS HER TO KNOW HIM. HES BEEN DREAMING OF MEETING HER FOR SO LONG. SUCH A 'we might not know each other now but I knew you once in a place so far back in my mind that it escapes me.'

Please give me ideas for Sariel, Keith, and Rio 😭😭

[juniperdugong]

Hi again!! Thank you for the choso headcanons on finding his little sister, I hope it continues! I was wondering if you could do a multiple headcanons for teen gojo, geto, Shoko and nanami getting an American transfer student to Jujutsu high.

A/N: Yep yep yep, I can do this for sure! +bonus Haibara bc he's my baby

When an American student transfers to Jujutsu High!

incl: Teen Gojo, Geto, Shoko, Nanami, and Haibara

GOJO - Nonchalant but curious - The only questions he asks the first couple of weeks are about why they're soooo special that they had to come all the way from America to Japan - Lowkey...jealous, seriously doesn't understand how someone from outside of Japanese Jujutsu Society can be inducted into the school - "Must have some really special technique or some serious skills to be able to make it here...let's test that, huh?" - Get's told off for picking on you, Yaga basically smacking him to get him to stop - Once he finds out they have a few similar interests (*cough cough* Digimon *cough cough*) he's all over them! - Woah when did y'all become so buddy buddy?? - Teaches them Japanese through anime for suresiessss

GETO - Mildly curious but very friendly! - Doesn't poke or prod too much into their life but asks the basic questions - "What's America like? I've never been." - Finds it very interesting that curses don't appear often over there (In this AU I'd like to think this is how he found out about Tengen) - Gets annoyed when Gojo starts hanging around them more...not out of jealousy but because he's extra annoying due to their shared interests now - Spars with them often to give himself a challenge that isn't Gojo's powerful ass - Asks really philosophical questions about their opinion on the Jujutsu World - "Curses are really powerful here, how were they over in America? Wouldn't it be strange if the whole world were filled with sorcerers?" - Get's super invested if they divulge any sort of information about American Jujutsu - "Do you know any other American sorcerers?"

SHOKO - I'm gonna be so real - her reaction depends on if they're more masculine or feminine - If they're more masc leaning she's SO OVER IT! Get her out of this hell hole of testosterone. - 100% wouldn't be bothered in that case either - she has Utahime but other than her, nada - If they're more fem, THANK GOODNESS! - Finally, she has someone else to help her pick out clothes and go shopping with, y'know someone who WON'T drag her to KFC or the nearest game store - "What's trending over in the States right now?" - Would be so intrigued by the American experience but always voices her shock at how different the cultures are - "It's so weird that people don't take off their shoes in the house, how do you guys live like that?"

NANAMI - Not at all interested - Doesn't ask questions and honestly is slightly irritated because the others start asking him questions about if his family is from America - Treats you just as he would anyone else, trains with you, and goes on missions with you occasionally but other than that doesn't try and create any meaningful friendships there - When they start getting close to Gojo he distances himself even more - While on a mission together he asks, "You actually like that guy? Isn't he a bit annoying?" - When they respond with, "He is, but at least he brings a bit of normalcy when I'm far away from home. Nice to find someone who shares a hobby with me" - From then on he would soften a lot toward them, making the smallest effort to connect - "Here, I got these for you. They're from America." (It's Hot Cheetos)

HAIBARA - The most curious and most intrigued - Never runs out of questions to ask and tbh they can get a bit invasive - "Where'd you live? Oh! Why are you here? Oh! Are you on the run or something? Oh oh! Is your technique super crazy good?" - Always tries to drag them into his plans because he doesn't want them to feel left out - Sends encouraging texts every morning - "Good morning! It's Haibara! You did great yesterday! You're Japanese is really improving!" - Would take them out to all his favorite restaurants and introduce them to Japanese snacks and childhood games - If they're ever feeling homesick he's the one to immediately start researching to make them feel better - Makes chicken noodle soup to try and help but doesn't really know how :/ Ends up putting ramen noodles in it

A/N: Got to this a bit later than I wanted to because I was writing perfection but thank you for the request @broad-strokes87!! This is so funny, I feel like this is how they would react if I was transferring to Jujutsu High frfr Please Reblog and Comment if you enjoyed ! (They act as power-ups for me)

Taglist (OPEN): @iluvmattyb

[hollowed-theory-hall]

Thank you so much for your posts defending Sirius. 🙏🙏🙏 It's so refreshing to read! I'm always a bit taken aback when people say that Sirius' projects James onto Harry tbh - or even that Harry was looking for James in Sirius. I mean, he was the connection, but that's it. They were always so clearly precious to each other (at least to me lol). Honestly, it reads to me like Harry has the least in common with James, on a deeper level. Like, sure, the surface stuff is there but their childhoods, lives and values were so fundamentally different. It's rather sad.

You're welcome and thank you for the kind words! 😊

Yeah, I love Sirius and Harry as individuals and their dynamics with each other. Like, I made it no secret that Harry's my number 1 favorite precious son, but Sirius is a close 2nd most favorite of mine. I just love Sirius a lot, especially in my more recent rereads.

Sirius isn't the image of perfect mental health (how could he be after 12 years in hell?), but he is clever and sensible and much more mature than I'd expect him to be. He so clearly has Harry as his first (and really, only) priority.

Sirius and Harry don't neatly fit into a father-son dynamic, and it's a result of both of their lives up to this point. Harry never had a parent or adult he could look up to as a parent. He was abused all his childhood, and he learned not to trust adults, and yet he trusts Sirius with everything, and he does so easily. But Harry isn't exactly looking for a father, he thinks he is, but he is too independent for that, too uncomfortable with authority of any kind. I think he trusts Sirius as much as he does because their dynamic isn't a neat parent-child one.

And Sirius was sent to Azkaban when he was 21! (younger than I am, which is insane to me) Like a 21-year-old isn't that different from an 18 or 19-year-old in behavior and development, and sure, the war matured him, I'm sure it did. But the kind of maturity war brings is not the same as being allowed to age and grow up. This means Sirius, in his head, is younger. Yes, he is an adult and he can and does act like one, but it is easier for him to connect to Harry and his friends as equals than to the older members of the Order. Like, we see him having fun talking to the younger members more than the older ones (except Remus who's an exception due to their shared past), as Azkaban did stagnate Sirius' development. He was probably quite mature even before Azkaban in ways, war does it to people, being an eldest child with a younger sibling can do it. Even before Azkaban, he was willing to lay down his life for James, Lily, and Harry with no hesitation. But he still has that early 20s behavior to him, especially in OotP when Grimmauld Place brings back all his worst and best memories while being locked there:

“Speaking of dogs,” said Snape softly, “did you know that Lucius Malfoy recognized you last time you risked a little jaunt outside? Clever idea, Black, getting yourself seen on a safe station platform . . . gave you a cast-iron excuse not to leave your hidey-hole in the future, didn’t it?” Sirius raised his wand. “NO!” Harry yelled, vaulting over the table and trying to get in between them, “Sirius, don’t —” “Are you calling me a coward?” roared Sirius, trying to push Harry out of the way, but Harry would not budge. “Why, yes, I suppose I am,” said Snape. “Harry — get — out — of — it!” snarled Sirius, pushing him out of the way with his free hand.

(OotP, 520-521)

Harry, the 15-year-old, needs to be the adult for two 36-year-olds in the above scene. It shows their dynamic isn't a neat one, it's messy and it's between two traumatized individuals who are both trying to protect each other because they are the only thing close to a family that either of them has. They both know what it is to be completely on your own, and they try to be there for each other in their own way.

Honestly, their dynamic kinda reminds me of the one I have with my mother, tbh (if less intense and with way less trauma, lol). Like, yeah, she's my mother, and she would make huge sacrifices for me, but we talk more like we're best friends and not like a mother-daughter. We go shopping together, we gossip and talk shit together like friends do (like, I'm an adult now, so it makes sense, but it was like that when I was 14-15 too). So, like, I know how a dynamic of a parent-child where the child is really mature and independent so they're sorta treated like a friend can be. And it's a lot of fun, I mean, I love my mom and we're still really close friends (although this style of parenting isn't necessarily good for everyone).

And Harry is that. An incredibly mature and independent child who doesn't actually know how to have a parent. And Sirius is not trying to be his father, he isn't trying to be James, which results in their something between a parent-child to close friends dynamic we see. But even with this, Sirius doesn't really see Harry as James, nor does he treat him as James. He sees their similarities, that do exist, but he sees Harry as Harry. Harry who is younger than he is, who he is responsible for, and who he needs to teach and protect. With James, I think it was the opposite. James was kinda the unofficial-official leader of the Mauraders, Sirius usually followed him around (so did Pettigrew and Remus) so their entire dynamic was different. As peers, yes, but, peers where Sirius would defer to James in a way he doesn't with Harry. With Harry, he listens carefully without the friendly shit-talk I'd expect him and James to have and is willing to give out advice that James likely wouldn't have asked for. He'd move heaven and earth for both of them because that's how Sirius is like when he cares about someone.

In my headcanon, how Sirius treats Harry is closer to how he treated Regulus than how he treated James. He is half in denial about it, but this half-parental half-friendly dynamic is probably close to what he had with Regulus. Like, older siblings tend to be the more responsible ones, but it's exaggerated when the parents are absent, neglectful, or generally not overly involved, even when the age difference isn't a large one. I think when they were younger, Sirius, as the heir, got more attention from his parents than Regulus who was a bit overlooked as a child. I honestly think that as children, Walburga and Orion raised Sirius and Sirius raised Regulus (in a way. And in a joint guardianship with Kreature). Baby Regulus looked up to baby Sirius and followed him around constantly and it hurt Regulus so much when Sirius left. I'm sure when they were younger, Regulus would come to Sirius with his issues and Sirius would sit and listen and try to give his advice the way we see him do with Harry.

As for Harry and James being very different on a deep level, yeah, that's definitely the case. Like, they have some surface similarities, besides their looks, but at their cores, they are very different people. I think James' priorities near his death were closer to Harry's, but they had such drastically different experiences growing up and just existing. I think Harry's anger is James' though. I mean, we see Lily when angry, she doesn't curse anyone, or get volatile, instead, she removes herself from the situation (or gets sad in some instances, like with Petunia). Lily is cold when angry. James, on the other hand, is more volatile, we see him curse in anger, cursing Snape after he calls Lily a mudblood. I think this is something Harry shares with James, his volatile temper. But his values, his priorities, his compassion, and his self-sacrificing tendencies are much more Lily than James.

[xserpx]

morse for the ask game?

How I feel about this character?

(Caveating this with the fact I haven't yet watched Inspector Morse, so this is only about Endeavour.)

Normally I'm not at all a fan of whump and I don't like feeling sad for well-meaning characters who are hurt repeatedly through (mostly) no fault of their own, but I really love Morse's brand of melancholia. The way he struggles to deal with change is too damn real, I'm a sucker for characters who struggle to voice their feelings and whose anxiety causes them to say nothing, because bitch me too. I also like that he's shy but it's kind of a selective shyness? Like if you catch him at the right moment or say a certain thing, he can be very snappish and outspoken and even funny, but then in those (incredibly important!) moments where he feels truly vulnerable, he just clams up, and it's heartbreaking and delicious to watch.

It's also undeniable that he is a massive prick sometimes. His treatment of women, his pretentiousness, there are moments when I want to slap him upside the head and I'm like you deserve this shit buddy! Monica my beloved, she deserved so much better from him. As much as he craves deeper connections with people and as much as I really want him to find a place to belong and settle down, it's so clear why he can't, why he shouldn't, and it's so deep rooted that in a way if he actually made a more concerted to change and do better he'd pretty much be a different person. And I like that the show never compromises on providing answers or catharsis for his struggles. Change happens, that's life, and there's often no way to deal with it that doesn't hurt.

I also love his dark academia style and the way it's grounded in finding meaning/belonging. It's not that it doesn't give him a sense of superiority at times, but like... that was his rebellion in the face of anti-intellectualism and abuse at home, and in a way I feel like he's earned the right to that pretentiousness. I think it dilutes some of the intimidating effect that opera and classics and poetry can have - some people listen to the Beatles, he listens to Wagner, one thing isn't "better" than another - but without binning it off entirely so that we still get to enjoy the commentary on classism. Plus watching him school the Oxford dons is always fun :P.

All the people I ship romantically with this character?

Romantically, hmm... The trouble is I end up feeling sorry for either Morse himself or whatever woman he's got his eye on at the time!

I love Joan and Morse, and I'd love for them to work things out, but the more time passes the less and less suited they seem to be. It's one of those relationships that's more about yearning than it is about getting together. They struggle to communicate and they're constantly miserable. He puts her on a pedestal because of her family, and Joan likes him because he's an enigma, and they can't move past that. But at the same time, fanfic exists for a reason, and I still love the yearning despite it all.

I'm not sure if I ship it romantically per se, but Max is another one where I feel like they could be more than friends, they're very Sherlock and Watson (and this fic by gaytobymeres is so good I love it). That scene with Morse and Max having tea in Max's garden is one of my favourites in the series, and I want that life for Morse so badly! Literalllyyy at the end of Exeunt I was like dude just move in with Max!! He'll never leave Oxford! He'll come along to your choral recitals! You have way more interests in common than any of your girlfriends have thus far! And he's lonely too, bless him ;w;.

My non-romantic OTP for this character?

I don't think there's a single character I don't ship Morse with platonically?? All I want in the world is a pub quiz fic featuring all of Cowley CID (and Trewlove) but I'm not clever or patient enough to write it. I wish we had more teamwork episodes tbh, and I think that's the best thing about seasons 5 & 6 (as dissipated as CID is at the start, that just makes them coming back together all the more heartwarming).

Morse & Thursday are of course the freaking bedrock of the show, they're just insanely good and I genuinely want them to be together forever. As much as he misses Joan at the end, I really want a happy ending where Thursday and Morse can stay together. At the same time, what with the whole men in the 60s reinforcing one another's emotional repression, I kind of wonder what would've happened if Thursday had been able to steer Morse in a different direction, and if it would have had a knock-on effect with helping Morse express his feelings for Joan and maybe end up somewhere better. But their characters are so intertwined it's hard to separate out the what-ifs. I do think Thursday had more of an impact on Morse than Morse did on Thursday, but you could maybe chalk that up to age. Leopards don't change their spots, etc. Still... lamenting lost potential is what grief is.

I'm also a huge fan of Morse & Trewlove tbh, he's so relaxed around her?? He tells her stuff he never tells anyone else?? They fake marry?? Ridiculously sweet. They share the trait of being incredibly dedicated and detailed in their work, and it bleeds over into a genuine appreciation for one another that they don't really have with any of their other colleagues (save for maybe Trewlove & Bright, another fantastic platonic OTP in my book). I also can see them being friends w bennies but I def don't ship them romantically.

My unpopular opinion about this character?

Not sure if I have one tbh. I haven't been here long but I generally think the wider fandom has it right about most things. Maybe not including Jakes as some brand of OTP? I feel bad because I love Peter, I just don't see him and Morse being particular friends any more than Morse and Jim are tbh.

One thing I wish would happen / had happened with this character in canon.

Um, happiness. Just, all the happiness. I wish he could communicate better. I wish he'd had a better childhood. I wish his house hadn't been burgled and that he could still listen to Rosalind Calloway without taking emotional damage. I wish he hadn't been beaten down and that he could feel secure and safe, and have a fulfilled life outside of work. Great tragedies always keep the happy ending in sight, and Endeavour does that incredibly, painfully, well.

If I had to choose something specific to have happened in the show, I guess I would have liked to see more of Joyce. I'm fascinated by their relationship and I really loved every cameo from Morse's past that we saw, plus episodes like Cartouche with cousin Carol. Tbf I have heard that Joyce shows up more in Inspector Morse, so... 👀

[sharpth1ng]

What do you think is mentally wrong with billy and stu other then being “insane”

I don't actually think they're insane, tbh. I'm going to give a long explanation of this but I just want to say I'm not judging you or the question. Terms like this get miss-used a lot in pop media (including in Scream) so it's easy to get the wrong idea.

"Insane" is a legal category, not a medical diagnosis. Legally, insanity refers to someone being in a state where they are so out of touch with reality that they can't be considered responsible for their actions. The way this works is complicated, but simply put if the crime was violent then it needs to be proven that the accused person didn't actually know what they were doing.

Successful insanity pleas are very very rare, both because the burden of proof is super high and because people with disorders that involve a break from reality don't commit violent crime that often at all. It's actually pretty rare.

So yeah, by that definition these two are not insane at all. They know exactly what they are doing and they intend to do it. They call themselves "psychotic" but that's also a miss-use of the term. They very clearly don't have psychosis, and aside from that people with psychosis are less likely to act violently than people who don't have it (this is a statistical fact).

On that note I just want to point out that the way media connects violence with psychotic disorders is a real problem. It stigmatizes and isolates the real people who struggle with this stuff. It causes others to judge and fear them, it makes them fear themselves, and it makes it harder for them to access treatment and care. So yeah the psychotic line in Scream is a real pet-peeve of mine, that's why I changed it in my writing.

Getting back to Billy and Stu I really don't think their issues and behaviours can be boiled down to any mental health issues. To be clear I don't think anyones bad behaviour can be boiled down to mental health issues. In some cases mental health issues can help us understand where behaviour is coming from, but they're never the only cause. So I'll talk about the way I write them in terms of the issues they deal with, but just keep in mind that these things not the cause of their actions.

I write Billy autistic partly because I am (but also because of the canonical horror movie special interest and third act meltdown) and I'd say my portrayal of Stu also indicates some type of neurodivergence- probably something like ADHD but I don't have any specific diagnosis in mind. Billy also has some attachment and trust issues- these aren't diagnosis or disorders but they are definitely things he struggles with. For his part Stu is dealing with parental neglect and struggles with loneliness as well as under-stimulation.

All of this stuff informs the way they behave with each other, the walls they put up, and the types of relationships they have with other people. For example Billy isn't emotionally open to Sidney at any point. Even if he wasn't gay there was never a possibility for their relationship to work out because he's completely closed off to her. He doesn't trust her.

In terms of what I think is truly wrong with these two it's the misogyny, the slut shaming and the self-centeredness. That's the kind of stuff that I think explains their behaviour for real, and none of it is related to their mental health issues or insecurities.

Stu is a rich white boy living in suburban California and the way I write him, so is Billy. They have shitty values and the kind of privileged upbringing that teaches men to see themselves as the main character. Billy literally has one of those scary tiktok boy moms, like when we see Nancy in Scream 2 she fully excuses all of his behaviour. He's been brought up not having to take accountability or consider the real effects of his actions. Neither of them have.

So yeah tldr: They aren't insane, they do have some legit mental health issues the way I write them, but none of that stuff causes their actions in the movie. Their actions are caused by a toxic combination of sexism and main character syndrome, which are not mental health issues.

I hope all that makes sense!

[hermitw]

I've been thinking about this reblog of yours for months and I finally figured out how to respond to it.

I went and read No Longer Human by Junji Ito and it was a very upsetting thing to go through. I don't think I can read it again. However, I came out of it thinking that Gege was probably inspired by it.

When Yozo is first introduced, I noticed that Takaba's backstory was very similar. Feeling isolated from others, he decided to become a clown to gain acceptance from others. (Citations in Image Captions)

And later when Yozo was caught "cheating" (it's in quotes because those women are child rapists), I noticed that her face was really similar to the one Higuruma's client made when he felt betrayed by the trial outcome.

There's probably a lot more to say about how themes surrounding CSA and suicide in this work are echoed in JJK, but I'm not able to make the post myself. No Longer Human is too far out of my comfort zone in terms of graphic depiction to delve into it deeper.

But you seem strong enough to handle it, so... Idk maybe run with this some more.

Ohhh this is so interesting! I could definitely read No Longer Human again - tbh I read Junji Ito's version years ago. This year I listened to the audio book and bought a copy - but it's like, a draft in the author's handwriting (bc I thought it would help me study Japanese and if I had an English translation that I'd read it on repeat lmao). But you're real for that - I forget how disturbed people tend to be trying to read through it, I'm sorry that was rough.

I did go back to read the reblog and idk how relevant all that was - I've reread the manga since and felt like, oh I might have been misremembering some things like Uraume - idk if they actually had a freeze response in ch. 219, since they did tell Yorozu to back off though it took a minute - but it's also interesting how their CT deals with ice. Like to have a fight response, they freeze others? It's so interesting but I can't be sure whether it's there at all. (ik that yap II inspired some more coherent posts, like how it influenced Choso's self-image, etc., I linked but didn't tag you back then bc I felt Annoying especially w heavy topics but I can definitely go back and find them if you'd like.)

On a twin peaks note (without spoiling it), I feel like it inspired jjk to some extent - I've been feeling like the last chapter will end the way s2 did. Or at least - with the weird dreamy themes, "we are the dreamer who dreams and who lives inside the dream", etc...

But you're right - Yozo and the others' reactions resemble more jjk characters than I would think to connect. Takaba's jokes are truly a shield... And now I have an excuse to read Junji Ito's version again? Thank u so much (also isn't it funny how September 28 Uzumaki airs and September 30 jjk ends?).

I think gege gets inspired by the most tragic stories, I wonder how much of that is accurate but I can't always be convinced otherwise.... Especially when anime / manga series that he's confirmed as influences often deal with autonomy in ways that I couldn't handle (Evangelion, the night beyond the tricornered window).

By the way - ik we've mentioned elfen lied before, but in the first episode, you know that coffee mug? How it looks like jjk foreshadowing? Even has snail head Mahito - cut off-, the baseball, Panda, the worm (also cut off).... and later the newborn babies that look just like Yuuji...

I swear that elfen lied, Kagewani, and banana fish influenced jjk. It seems so obvious w those, maybe Vampire Princess Miyu as well.

Sorry for getting off topic - I've been looking into why Momotaro keeps coming up in jujutsu kaisen, and in the end it came back full circle to that damn coffee cup. Invest in a baseball team? A zoo? I'm going insane.

All this to say - rereading Junji Ito's version and seeing if I notice similarities between manga panels is so exciting. Gege even made a note that he asked for permission before drawing - I think it was the Uzumaki CT - So we know he's a big fan of Junji Ito. And it seems like there is a rly good chance No Longer Human inspired him as well (though I feel like characters with similar traumas having similar reactions is inevitable to some extent, if they're written in a believable way, it should be clearer when I'm reading both stories in the same format) based on the stories he has officially referenced.

[candiid-caniine]

im sorry this is a silly question, but what does it mean to be clicker trained? i haven’t been able to find a good answer but it seems hot (although i think everything’s hot tbh)

okie so pls prepare for autistic infodumping on psych and hypnokink below/

so. clicker training is often used for dogs and sometimes cats; basically, you're clicking the clicker every time you give them a treat. eventually, the animal becomes conditioned to associate the clicker with the dopamine rush of being rewarded! that's how it's used on animals. but the overarching concept is (afaik) a form of Pavlovian conditioning.

Pavlov (at least partly) got famous for an experiment where he conditioned dogs to associate the sound of a bell with getting food. eventually, anytime they heard the bell, they started to salivate.

why am i talking about animals? that's weird right? well the truth is that humans work basically the same (tho ofc our minds are more complex): over time, we are trained to associate certain stimuli with certain things. if you listen to the same song every time you go to sleep, eventually that song will always make you sleepy; our brains love repetition. it makes things predictable and orderly, giving us clear signals that help us navigate the world.

now...obviously...conditioning also has its applications to kink ;)

im a simple creature: im *stupidly* easy to condition, esp if i'm being intentional about it. most of the time it happens accidentally tho. here are some examples in my life:

i'm so conditioned to associate a collar with subspace that even touching my neck gets me wet. having the side of my neck sucked on immediately makes me go limp. when i noticed it happening passively, i vocalized it, strengthening the connection by intentionally "noticing" it every time it happened. it has only gotten stronger with time >.>

i also ended up accidentally being able to cum on command. once (i repeat: once) i was super worked up in between changing positions and i blurted out, "if you told me to cum right now i think i could" and owner said "cum for me" and...just like that, i fkn cum on command now. it's been that way for 4-ish years.

now...conditioning, esp when it's accidental, is an inexact science lol. i started getting more into denial. that fact, combined with the fact that i cum on command, eventually turned into *only* cumming on command. this was mostly coincidental: when owner and i moved in together, the only times i'd ever cum were when they were home, usually having sex/playing with me, and would command me. my brain turned that into an inability to cum *without* command. again, once i noticed it, i vocalized it, got intentional about recognizing it mentally, and it has only strengthened over time.

now: clicker training. theoretically, any effect you want (within reason) can be conditioned with enough consistent training. you could clicker train a person to feel sleepy at the sound of the clicker by using it when they're going to sleep. you could tie it to basically anything that isn't too complex, probably.

in my case, the goal is for me to hit the edge every time the clicker's pressed, so i've been clicking the clicker every time i hit the edge.

theory: eventually, my body will be so conditioned to think "click = edge" that i won't need to be touching when it happens.

theory: to really make this stronger, i need to get close to the edge, then use the clicker to get "there." stepping back further and further from the edge until, even if i'm idle, not turned on, or doing something else, clicker = edge, instantly.

here are the effects so far:

i'm not at the point where click = edge when i'm idle, yet, but the clicker does = a powerful clench of my cunt lmao...body's still getting on board.

*imagining* the clicker sound also prompts this effect, but a little less strong. HOWEVER...

suddenly, mysteriously, if i imagine and concentrate really hard on the way my body feels at the edge, i edge mentally.

this takes some concentration. curiously, it also makes me feel like i'm about to squirt; don't know what that's about.

why is this happening? because conditioning a human being is an inexact science. it's messy; the brain is very involved. so, in theory:

because i concentrate intentionally on the idea that click = edge, every time i edge and use the clicker, i'm also concentrating on my body.

concentrating on the feeling as i get closer to the edge. thinking, intentionally, "this is how i'll feel whenever i click this button."

so consequently, in the background, my body/brain is learning that "concentrate on how edging feels = you're edging now, fucko."

in conclusion: ymmv. my theory is that this kind of conscious conditioning method would be less messy and more precise if used with well-practiced, methodical, and specific hypnotism to strengthen and simplify the connections...but for the moment, i'm enjoying the chaos. i do like feeling powerless lol.

[oniriver]

FYI! Spoilers later on, (depends on what you consider spoilers tbh, but I wanna be safe). None for orv really, more so sctir considering that's the medium where I will specifically dive into a certain character's actions. I'd say the spoilers go until roughly the end of the Japanese Dungeon arc. Along with some mentions of Crescent Moon.

So there are a lot of parallels to be drawn between orv characters and sctir characters. I mean, despite having different stories, the backstories and personalities of some characters are similar between the two universes. You can talk about Kim Dokja and Han Yoojin's self-sacrificial natures, the fact that Yoo Joonghyuk and Sung Hyunjae have both had their existences worn out by a more powerful existence, etc. Now while those are definitely interesting parallels, I could probably go on hour-long rants about them, they are surprisingly not the parallels that have plagued my mind for months. The parallel that I constantly think of (unfortunately) is one between Uriel and Jellyfish. It's honestly a bit of a weird comparison, I am aware of that. However, I have come up with a ridiculous amount of justification for it in my head. (Whether the justification is good or not is, uh, certainly debatable).

So with that, please hear me out:

I want to start by saying I won't try to argue about Uriel and Jellyfish's similarities in terms of morals. I think, morally, they are very different characters. Uriel has a strong sense of justice, she is known as the Demon-like Judge of Fire after all, while Jellyfish, suffice to say, has very few morals if any at all.

Despite all of that, I will argue their similarities in terms of being an obsessed fan. Anyone who reads orv can see Uriel's love for Kim Dokja and how much she admires him, (to the point where a huge portion of the fandom looks at her and goes "just like me fr"). The real argument would come in the form of whether Jellyfish is a fan of Han Yoojin. This, in my opinion, is less glaringly obvious when presented in Jellyfish compared to Uriel.

Now, why do I think Jellyfish is a fan of Yoojin? While I could bring up her obsession with him, that isn't really concrete evidence in my opinion. One could say Diarma was partially obsessed with Yoojin, (constantly trying to catch and or kill him), however, Diarma was certainly not a fan of him. I feel that the reason behind Jellyfish's obsession with Yoojin is important and what she is willing to sacrifice to get him.

Let's start with their initial meeting. I don't really have much to say about it other than it was the start of her interest in him. Although in fairness, anyone would find him interesting considering he is an F rank constantly surrounded by S ranks.

The next meeting is the one in Sung Hyunjae's house, where Jellyfish attempts to coerce Han Yoojin into signing a contract with her. The thing is, this barely benefits her. At the time Jellyfish didn't know Yoojin was connected with the immoral people, she thought Sung Hyunjae was. So if she made a contract with him, it wouldn't matter to the immoral people (from her pov at least). Furthermore, Han Yoojin is an F rank. Not a born S rank, not even a regular S rank, an F rank. Other than his qualities as a caregiver, nothing (skill-wise) really sets him apart from others of his rank (again, specifically from Jellyfish's pov). Her job as a Filial Duty Addict is to recruit powerful people and, as much as I love him, Han Yoojin's rank does not reflect that. Yet despite that, she still takes an immense interest in him. So much so that she bends over backward, willing to accommodate ten people of his choice, some of which don't have to be S ranks, just to get him to sign her contract.

Later, in the Japanese dungeon, when Jellyfish has the chance to leverage Han Yoohyun's safety (considering Earth was about to collapse until Gyeol/Changling intervened), she no longer offers the choice of picking ten people to save. Instead, she only promises to save Han Yoohyun, because Yoojin wouldn't be willing to leave Earth without him. I think it's important to note that despite Han Yoojin knowing multiple powerful people who are special even among S ranks, Jellyfish only cared about a deal with Yoojin. She ignored Sung Hyunjae whose power was fostered by Crescent Moon. She ignored Bak Yerim who, despite not being born an S rank, was special through her water manipulation. She ignored Moon Hyun and Noah despite them also having interesting attributes (Moon Hyuna constantly going against born S ranks and Noah being an A rank who turned S rank through the Filial Duty Addicts intervention). She ignored Peace who, despite being a monster, was incredibly intelligent and loyal to one he perceived as his caregiver. Even Han Yoohyun, who Jellyfish offered to bring, was only offered a chance at survival because of Han Yoojin and not his nature as a born S rank or the fact that he constantly fights said nature. In the end, despite the fact that you could argue everyone in the dungeon was unique in some way, all she cared about was Han Yoojin. I simply find that noteworthy and I feel it reflects her thoughts on him.

So in my opinion Jellyfish is a crazed fan who is willing to collapse a world or two just to get Han Yoojin's autograph. And while Uriel is certainly more normal, (though she has her moments occasionally), I think their obsession with the main character is at least slightly similar.

Thank you for reading my nonsense <3

[cool-person-yey]

ok but what are the puter voices trying to say????

or: my theory on what the fuck Chester&Norris have going on

so first of all, the voices are trying to communicate with the OIAR through reading the incidents, that's something that basically everyone has noticed, now here's the thing: what are they trying to say?

we only got one Augustus case ( at the moment I'm writing this) so I'm gonna leave him out of this.

anyways, now to the good part, first off let's start with our favorite whiny little toad:

Norris

Norris speaks in episodes 1, 3, 8 and 12

my theory is that Norris is trying to warn them of the consequences their actions (and choices because this is the "at the end of the day, you just need to make a choice" podcast) could have.

in episode 1, this one's a bit obvious, but it shows the consequences ( only " some parts" of their loved one coming back) of them trying to get the person they loved back.

in episode 3, it shows the consequences ( the guy turning into a fucking tree) of the ' statement giver' ( can't think of a better name sorry) killing his ex.

in episode 8, this one I'm not 100% sure tbh, like yeah the consequence is the guy getting a part of their body eaten, but the cause I'm not so sure. maybe the fact they accepted to go in the building ( even if they didn't understand why they did it. something something even if the choices are shitty you still made a choice), or maybe something relating to the ex-wife they mentioned earlier in the incident? that'd be a bit of a far reach, but I'm not discarding anything. It could also be just the fact that they applied and got hired for the job.

in episode 12, the consequences ( whatever the fuck that was. I'm still not over that) of Gwen giving Mr Bonzo that envelope. do i even need to say anything else?

now, to our beloved Archivist Spooky Computer Voice!

Chester

Chester speaks in episodes 1, 5, 7, 9 and 11

my theory is that Chester is trying to warn them to not fucking mess with that type of stuff, and if you're going to, fucking be ready

in episode 1, this one's a bit obvious, RedCanary choosing to explore the magnus Institute, and that resulting in... well, we still don't know yet it but it sure as hell didn't go well. that was a very clear " do not go to the fucking magnus institute manchester" and what did they do? go to the fucking magnus institute manchester

in episode 5 a warning about being desensitized to horror, the characters ( especially Alice) have mentioned dozens of times how they just don't get scared that much anymore, that episode was showing that that isn't always a good thing. also the more obvious don't trust spooky shit but eh

episode 7 it's a bit tricky, I'd say it's a warning to either a) hiring new people (aka Celia? maybe Chester doesn't trust her? idk) or b) trusting people, just like, in general?

episode 9, a warning about making choices, and how ppl are gonna make shitty choices bc they're in shitty situations— but hey, at the end of the day, you still made a choice. or simply about Spooky Artefacts™

episode 11 this one seemed to be very much targeted at Alice, and it seems to be warning her about the paranoia that a paranormal experience can give you. And considering Alice's earlier comment about being followed, I'd say the tattoo being the boat bring hunted by something is definitely something to consider.

but well, this is just a theory, a magnus protocol theory.

seriously tho, i love this initial point of every series cuz i can just make up a lot of connections that in the future prob won't make sense but like, we don't have shit so might as well make up our own lmao.

that being said, maybe i got a few things right! only time will tell. my goal is to say as much random theories as i can until i get atleast one (1) thing right.

thanks for reading all of this, and if you have any addition that you'd like to make feel free!

[murfpersonalblog]

I have been thinking about Louis and him being a vampire capitalist means he has to stay connected with humanity. To know art and reality trends means he cannot sever his ties.

I love this @deepalienstudentshepherd.

It really gets to the spindly roots of Louis' unique approach to vampirism, through his approach to what being human is or even means & works--for him.

"Him being a vampire capitalist means he has to stay connected with humanity."

And this is why I roll my eyes when Lestat talks, cuz he swears that vampires are oh-so-removed from humanity, and so above worldly attachments--oh, look at those silly mortals, all they ever think about is Food, Sex & Home. As if Lestat isn't the walking talking incarnation of hedonistic hyperfixations on Food ("and then there was the food"--the MEAT); and Sex ("we can have an orgy; you can F**K them, I can EAT them~!"); and Home ("I am your family, Louis").

Either as a capitalist, artist, butcher, baker, candlestick-maker--or ROCK STAR--vampires doing anything humans do (and passing as humans) naturally requires staying connected with humanity. You have to KNOW your audience; know what makes them tick. We always clown on companies being out of touch, cuz if no one's buying you ain't selling!

"To know art and reality trends means he cannot sever his ties."

And what's sad is that Louis experimented with art via photography, cuz it called to him, and he does have an eye for it--Louis is, after all, very fashionable & stylish; we see it in Ep1 when he gives Lestat a makeover & helps furbish the townhouse & design Claudia's bedroom & dress her; "it's chiffon, it has movement~!" But at the end of the day, Louis realizes & has to accept that he's NOT an artist; that's not his calling. He doesn't have the patience for photography, and what's worse; he can't connect with human muses if he himself cannot be around humans when they're living their DAY-to-DAY lives--cuz he's a nocturnal vampire. (TBH I'd love to see him take another crack at it with modern technology; around modern nightlife.)

But you know what Louis IS good at? What he's always had a real knack for? And what he's much smarter & savvier about? BUSINESS.

The unique thing about Louis is that unlike so many of AR's Old World vampires, who either lived during antiquity (Akasha, the Twins, Seth, Cyril, Teskhamen, Marius, Pandora, Mael, etc), or frikkin ye olde medieval/rennaisance times (Thorne, Armand, Gabrielle, Lestat, Nikki); Louis is a MODERN vampire. book!Louis was born in France and came to the Americas as a colonizer, but AMC!Lou was BORN in the New World. Like anyone, Louis is a product of his environment; and that shapes what drives & motivates him; as his vampirism/capitalism is all wrapped up in how he existed as a human.

The DPDLs lived lavishly in their mansion--land that used to be a slaveowning sugar plantation--waited on by Black servants; giving hefty donations to the biggest White church (vehicles of imperialism & colonialism--"Gold, God, and Glory"); gaining who knows how much money that had been seeded and fertilized by nothing but the exploitation of Black men & women--slavery & prostitution both.

Louis' character is defined by his vampirism--even before he's ever made a vampire. Vampires are predacious parasitical leeches. They are voracious insatiable carnivorous bottomless pits that just eateateat; consuming but never being fulfilled--Hungry Ghosts.

Of course Louis would be attracted to real estate (HOMES); since buying, selling & developing property is in his French White ancestors' colonial settler drug-addicting sugar-growing plantation-owning blood (FOOD). When his father up & died and Lou inherited the DPDL estate, Louis HAD to learn how to successfully run land & shops & people; so he could keep his bougie AF family afloat.

When he ran Storyville, he owned multiple businesses, not just brothels, and was apparently a very good landlord. (Ironically, we also know how quick Louis is to evict a mofo & take their deed--just ask Antoinette, Lestat & Armand! XD) Of course Louis would turn from making art to selling art as an art dealer--Louis is fashionable, and he knows what people like, even if he himself can't produce or even mimic it (like Santiago, Armand, Marius, & Lestat can). We saw Mr. "Fire Escape" Louis flex his skills with the Alderman's racist lawyer dabbling in effery in 1x3; and when Lou renovated the old-timey Fairplay and made it the slicker hipper & more popular Art Deco-themed Azalea.

Louis built a microcosm of the Savage Garden at the Azalea; a tiny corner of hedonistic paradise (full of "hookers, hooch, and cards"), where men could live out their fantasies (SEX). He inspired Armand to even conceptualize Night Island--as Armand realized he needed a better/another companion to teach him about modernity, technology, treasure-hunting, etc. And together, they lived in the neo-capitalist hellscape of Dubai for who knows how long--I wouldn't be surprised if they had a direct hand in its vampiric development.

Louis' character is also defined by his delusional hypocrisy; always tryna justify his place in the world (and the space he wastes/takes up) by tryna do "good" things, to balance out the evil.

During Jim Crow, so many Black people suffered under socio-economic inequality & oppression--even Black folk lighter-skinned than Lou, as seen with Bricktop, Lily, and even BBass!Claudia; all living in the worst slums of Storyville; deriving not a single drop of privilege/benefits their mixed/white ancestry might've given them in better circumstances; other than the dubious Pretty Privilege that made them sexually exploitable as prostitutes, etc.

book/show!Lou's a HUGE exploiter; not just as a slaveowner/pimp, but also as a father; using Claudia to boost his ego and save his marriage. Lou FAILED at being a father, cuz he couldn't relate/connect to the wants & needs of a growing girl/woman past his own self-centered aims. And Lou FAILED at being an artist, cuz he couldn't relate/connect with the human(ist) soul; and rage-quit cuz of his hurt pride/ego, rather than paying attention to what the art deal was saying (albeit condescendingly).

The one thing Lou took pride in that he was actually good at was his status as a businessman/capitalist--exploiting/relying on middle-men to produce/create things for him to buy & sell at a profit. (His failures as a businessman in NOLA were solely cuz of racist white men & the Ordinances that shut down Storyville.) At the end of the day, know thyself, and capitalize on one's strengths. So that's what he did. And cuz capitalism is evil AF, as a vampire, he's pretty good at it, LOL.

[beanghostprincess]

I have this thought for quite some time, coming mostly from my twitter and Reddit interactions.

I kinda love the amount of hate I see towards Buggy. People hate how Oda loves this clown and keeps bringing him up, how he is getting more connections to story, how he gets that high bounty. They hate him because he doesn’t have powers, or isn’t smart.

And the fact that so many of them try to cope by putting Mihawk in place of Buggy is incredible. Mihawk is not some lost friend who is having insanely deep contention to shanks, BUGGY IS.

But I guess he’s not “cool and powerful” enough and they don’t get why shanks could be friends with “someone like that” (actual take I saw a lot).

I can’t wait for buggy to be more important just to see everyone lose their minds. If he gets to laugh tale, the best day of my life. And I’m not even that big on Buggy

These takes make me so angry because they're just??? Not true at all??? Most of these opinions come from the general audience and dudebros who don't take the time to analyze Buggy and just accept his character the way other characters see him. Instead of stopping for a second and thinking about why he does what he does and why Oda likes him so much, they just assume he's the lame clown everyone in the OP world thinks he is. Which is, in my opinion, extremely sad. And you don't even have to analyze shit?? Like, okay, I get it. Chapter 1082 is crucial for his character and perhaps if you don't read that you might think he's useless and Oda uses him too much for what he actually does for the story (bullshit, by the way, I'm just trying to find a reasoning behind their shitty takes). But after reading 1082??????????? Okay???? Whatever. Buggy haters get on my nerves, not because they don't like Buggy, but because they don't understand him.

Saying Buggy isn't smart is uhhh. It's just not true. The fact that he's constantly placed next to the biggest, most feared, and strategic pirates in the world just doesn't help him at all to prove that, tbh. I'd be scared af if I had gone through all the things he has, honestly. Like- People- People just ignore Water 7 and the whole thing with Usopp being a coward but wanting to be more than that because of his dream and that being scared doesn't necessarily mean something bad??? I think people just forget entire arcs and scenes to post these things. Buggy might not be the bravest but he understands the pirate world better than anybody and he's genuinely smart, he's just constantly placed in situations that force his character to be scared af (for obvious reasons) and everyone looks down on him for that. Which makes total sense for his character because his whole thing is feeling inferior and being compared to others when he has many talents himself. He isn't dumb, he just has the worst luck in the whole fucking world. Or the best. It sort of depends.

I think he lost his bravery and sense of adventure when he gave up on his dream, but now that he's being more confident in the fact that he could achieve it, we will see him using his full potential. And I am so, so excited for that. The speech he gives in chapter 1082 changed my life and it's easily my favorite chapter from the whole manga. I really, really hope they do something with that. I want him to have all the wonderful scenes he deserves.

And, okay, about the Mihawk thing: I don't agree with that that much? Like, okay, I can see people often making Mishanks relationship more than what it actually is, but tbf, Mihawk is barely a character here because Oda hasn't given him screentime of his own. He's always there for another character (Shanks, Zoro, Cross guild, etc). What we do know about him is that he went all his way to find Shanks and tell him about Luffy?? Like. Okay, babe, I know what you are. What we do know is that Shanks and him have something going on and I would really like to know WHAT exactly. I'm not even a huge Mishanks shipper but I completely understand why people like it. I prefer other ships like Shuggy and Cross Guild but, well, I don't think they use Mihawk to take over Buggy's place. I think they just want Mihawk to have some story because Oda barely gives him one. But I can see where you're coming from, though. I can see a lot of people using Shuggy's dynamic for them sometimes and it bothers me because these two have their own thing and they could easily just?? Ship both things??

People saying they don't understand why Shanks would be friends with somebody like Buggy is so funny to me, because we barely know anything about Shanks either, lmfao. He's the cool and powerful role model of the main character. He's literally the most cliché thing in the whole wide world, shut up. And I absolutely love him and he has wayyy more personality than these types of characters usually have, but I am tired of seeing takes like this as if Buggy wasn't one of the most interesting characters in this manga. But, also, Shanks would just?? Kick these people's asses for this shit. Saying you don't understand why Shanks would be friends with Buggy is just admitting you think the same way people in-world think about him, which is just admitting you don't understand his character. At least people in-world think that way because they don't know Buggy's story. You know Buggy's story. You should know why Shanks is friends with him and cares so much about him. But also?? Even if Buggy truly was a fucking loser with no talent and no dreams. Saying Shanks needs a reason for being friends with him is so dumb. Have you considered that... Sometimes... Most of the time... People don't have a reason for being friends with somebody and you don't need to find a reason for somebody's love?? Like- Perhaps Shanks just fucking loves Buggy because that's his childhood friend and he doesn't care about his abilities or talents. Perhaps he just loves him for who he is. I don't think it's that hard to understand, honestly.

You're not that big on Buggy, but I am. I really am. He's probably getting a tragic ending with Shanks but I do not care. If he ever gets to Laugh Tale or- Or if he ends up believing in himself finally. If he gets closure with him (which he will get, because Oda loves these two too much to leave them without closure). I will be the happiest person in the whole world. My mind and body say "Luffy king of the pirates!!" but my heart cries of happiness every time I think about Buggy being the king. I love him so fucking much.

[yujeong]

Vegas not knowing about Pete's boxing past is nothing but sloppy writing if you ask me. Paranoia is family trait of the Theerapanyakul clan and no one can convince me Vegas hasn't made background check on every single bodyguard, staff member and associate of the main family. It's also interesting to point out that Vegas knows about Pete's grandma so he must've read something about Pete beforehand. Which is why Vegas not knowing about Pete being a former boxer and victim of domestic abuse is weird. (My God Vegas would've been a dick if he'd had held the latter against Pete.)

But since we're talking Vegas here his paranoia turns into obsession and he makes a file of Pete thick as the Bible post canon. Needles to say, this stirs some drama between the two because even saint like Pete has his limits with Vega's BS.

Hmm, honestly, I'm at this point in my brainrot with kpts/vp that I'd be able to rationalize any plot point, no matter how absurd, while still acknowledging that it's most likely a plot hole (though tbh, BOC could only do so much with the horrid source material they had to deal with, so hats off to them regardless).

For example, one argument I'd use for Vegas not knowing about Pete's backstory, is that Vegas seems surprised Pete has been through similar experiences that he himself has with his own father, not about him doing boxing. I rewatched the scene for the millionth time and as Pete is narrating his story, Vegas' face remains neutral until Pete tells him winning didn't change anything - he was still being beaten up by his bitter father who never became the boxer he wanted to be.

All I'm trying to say here is that Vegas could very well have known about the boxing, but not about the abuse. Maybe nobody from the family knew about the abuse, though I can't claim with confidence that Korn wouldn't know.

However

To Korn (and to Gun), what Pete's father was doing to his son wasn't abuse. It was discipline. It was him showing Pete he loves him. So, maybe Korn knew about it and thought it was good. Or maybe he compared him to Gun and thought Pete's father was a coward and bad at being a father.

Who knows?

I'm not trying to prove you wrong in any way, btw. As I said, if Vegas didn't actually know about Pete doing boxing, then that'd be super weird for someone like him. I just find it fascinating for Vegas to have known about everything in regards to Pete EXCEPT the most important thing that basically makes them connect from that point onwards in the story.

Though, I do have to disagree with you on one thing - or more precisely, express my doubts: I don't believe Vegas would have had the guts to use the abuse Pete suffered by his father against him. ESPECIALLY after Pete sees what happens at the basement between Vegas and Gun.

Vegas is a hypocrite and a coward when it comes to Pete. He'd be facing a mirror - and Vegas really hates himself and what the reflection would show back. We see it throughout their arc plenty of times and with the abuse element added in, it'd go to astronomical levels imo.

Did Vegas cross the line with Pete a million times? Yes. Would he cross it on this subject? Hmm, idk. I'm willing to believe so, but I'd never write it myself.

Now, about post-canon, many people in the fandom have said the same thing as you and I believe the same. He'd want to know e v e r y t h i n g about Pete, down to the last detail, and on the days he'd feel especially shitty, which would be most days, he'd want to drag Pete down with him.

We were talking just today with @wretchedamaranth about Pete snapping after everything that happened in ep14 + hospital era, and tbh we can add this one in it, too: Vegas' need to pry Pete open would push him to his limit.

And Pete isn't like Vegas. He wouldn't snap like Vegas does, and I'm trembling just thinking about what that would entail.

[mickstart]

Do you have any opinion on the Ratio is a history fictionologist/hiding his true background craze that went around on Ratiorine Twitter a few weeks back? I'm personally not a big fan of the theories since Ratio being such a straightforward character is one of my favorite things about him, but I'd be interested to hear the thoughts of someone who seems to have such a firm grasp on him.

(Tbc, by straightforward I mean that, even if the meaning behind his actions/what he's saying isn't immediately apparent, it's always clear those actions are working towards the greater good.)

I'm kind of whatever about it tbh. It doesn't fit my impression of ratio (he is just Some Guy and that's critical for his whole Thing about humanity and geniuses, and he is staunchly opposed to outright lies) and tbh only brings up more questions than solves them. It's a fun theory just because I don't see it doesn't mean I don't get the fun of theorising about a character who has a lot of "????" about him the moment you start pushing on him even a little.

Personally I was also like "why is ratio even in penacony tho he's got to do Something what will that Something be" but for me that was answered when he ended up being key to Aventurine's story, and I think it's actually very sweet (and key to me turning around on him) that his "purpose" in the story ended up being a human one - being a connection, a bond. It's something both characters needed, especially when you realise aventurine is the only character who even has a greeting for ratio in the team select.

Whenever ratio does something that reads as "oh there has to a deeper meaning behind this" like beating us to a location or working out something specific like "dormancy" I'm usually like "he has 8 PhDs, cured a common cold, and graduated university before he was old enough to drink. He really is just THAT comically smart."

(also crying thank you so much that's so sweet of you to say I Get Him. Ratio reminds me so much of younger me he's become very dear to me.)

[ellecdc]

Evan Rosier

name: though he doesn't have a conon middle name the fandom had taken "Antonin" to be his middle name, making him "Evan Antonin Rosier"

family: pure-bloods and of the scared 28,blood supermistists and deatheaters, so very Black family coded, he was a very quiet child living on a house who treated it's residents as strangers so there wasn't as much abuse like in the house of black (where wellbugra shoves her nose into everything) but there was also nothing of love and care on the house, basically they only cared for each other in front of people and if you made a mistake, you will be beaten,he did get yelled at lots though:)

the way he is: he very chill, goes with the flow most times, idk about others but to me he's always been the tinyest bit whimsical, as crazy as barty when pissed, on that note he's barty wearing regulus clothing tbh💀the type to not get random crushes instead needs a connection with the person first to see as anything more then a friend, hides his feelings often, posh-ish, coffee addict, likes physical touch with people he's close to, loyal to a fault, a tease, he's smart but dumb?? as seen from moody's missing eye, he's powerful (in spells at least), remus if he was a slytherin, he'd also act indifferent/cold at first maybe even rude,is the type to meet the first time,say something rude but flirty with a smirk and leave,

why is he all of this: i think that bc he just knew he was better off quiet in his family, he built his personality around it, creating the "go with the flow" or the "idc" mentality where he actually just doesn't think his opinion matters,so lots of room for character development:)

interests: art, skating, music(say apelocalypse by CAS), books, listening to others, teasing people

dislikes: like i said he's pretty chill so that isn't a big issue to him, though he does watch anyone who he hears alot about from his friends, making sure that the person is safe, so he dislikes people he loves getting hurt, and he would do something about

guilty pleasure: I'd say teasing people then leaving them, he's pertty hot soo-

pet peeves: i think it would be people ignoring others /speaking over others bc he knows what that feels like

keep in mind that this is the maruaders era and everything is possible with everyone

if you have any other questions do not hesitate to ask:) 🩷

("if you give the fans a barty, they might ask for an evan"PFF-😭)

what do we think, friends. is this comprehensive Evan Lore? anything to add? thoughts, comments, questions??