#that's what really keeps me writing

[startrekfangirl2233]

I cannot stress #4 enough. Please tag and comment when you reblog. I love seeing what people think when I write and publish something. I, especially, live in a state of near constant imposter syndrome so knowing that people geniunely like what I create is what keeps me going.

The TikTok-fication of Tumblr and why it needs to stop before your fave writers are gone for good:

1. “Part 2??”

Unlike TikTok, writing 5,000 words for a fic does not happen in 6 seconds or more. Weekly updates are from a writer who spoils you and is passionate about their story. Don’t kill the passion by demanding for more and not appreciate what’s already given.

2. The DC Conundrum

Many writers on this platform hail back from the ff.net days where dark content is a norm, not like TikTok where even death has to be censored or you could get flagged.

Despite that, writers are doing you a service by sharing fic warnings despite how it may take away from a plot twist or a big reveal. However, there’s a fine line between sharing warnings and downright spoiling our own work. Heed the warnings, don’t be a dick. If you don’t like it, don’t read it. Learn how to filter your own content, too, while you're at it.

3. The Wild Algorithm

Unlike TikTok, Tumblr’s FYP is not in your face and you have a choice to not view it. Content often gets buried a few days after it’s posted without reblogs or comments to keep it alive.

4. Passive Content Consumption

Ties back with point #1. If you’re only sitting back and reading works without supporting the writers, they can’t spend 6 seconds to conjure up a fic. Writing takes time, editing, proofreading. Tumblr is a book club, not a delivery service.

5. De(constructive) Criticism

If an opinion isn’t asked for, don’t give it. Many writers choose this craft for their own enjoyment and to share a thought or story about a beloved character to those who love them, too. If an opinion is asked? Be kind when you share it across to them. No one likes their hard work to be shat on by someone who doesn’t understand the time and effort it took to create this piece.

6. Are You My Content Machine?

Again, back to point #1. Writers have busy lives. There are days when we want to scream into the void about our favourite characters. We want to share our thoughts about them or sometimes, we just want to talk about what happened during lunch break. Demanding and expecting that a writer post content without giving a shit about the soul behind the screen? Dehumanizing.

Don’t ruin the experience for those of us who are still here. Do your part to make fandom better for everyone.

[feelo-fick]

request doodles on stream in a server :D

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[quicksilversnails]

Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!

(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)

(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off

(4:12) Wild cards were a combination of data packs and mods

(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry

(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch

(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits

(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!

(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were

(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well

(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol

(13:42) Danny was in charge of the snail models and animations

(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable

(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them

(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated

(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season

(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.

(21:13) The developers were all fans of the Life Series!

(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails

(25:38) In the hunger episode, Grian didn't know which foods would be good

(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild

(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.

(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected

(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly

(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly

(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat

(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.

(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly

(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season

(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again

(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much

(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.

(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey

(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔

(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)

(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.

(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster

(46:56) The sounds were pitched up/down based on the speed to add to the effect

(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily

(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%

(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos

(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously

(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.

(53:33) Trivia seemed a little boring on its face, so presentation was essential

(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)

(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video

(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool

(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations

(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused

(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team

(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met

(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them

(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them

(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap

(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning

(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end

(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair

(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)

(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days

(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily

(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.

(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability

Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)

(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights

(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on

(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators

(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"

(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage

(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character

(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable

(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"

(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them

(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died

(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.

(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting

(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)

(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)

[kettlefire]

Bullets & Babies. (Dpxdc)

This was not what Dan had planned for the rest of his life. When the old stopwatch released him from his prison, Dan had a specific idea in mind.

He wanted to go out into the world. Visit every place he never had the chance to before he had decimated it in his own timeline.

Honestly, what's so wrong with just wanting to sip mai tais on a beach?

And Clockwork, for the vagueness he could muster, barely told Dan anything about what was happening. Being told he needed to take Danny and Ellie somewhere safe and protect them until the time was right wasn't exactly much information.

That also didn't explain why two babies were shoved into his arms. It didn't take a genius to figure out who was who.

The little dipsticks still make it easy to tell, even in their less than helpful age. Dan was going to argue. He really was. Barely holding the infant Danny and Ellie by their legs. Almost like a gross piece of meat.

Except, before Dan would utter a single complaint, he wasn't in the Clocktower anymore. Instead, he found himself in a fully furnished two bedroom apartment.

An annoying green sticky note lay on the coffee table. A note that Dan had immediately burned up in his hand. It only added fuel to the boiling anger Dan felt.

"Good Luck :) - CW"

Dan made a vow that the next time he saw the snakey little bastard, he was going to clock him straight on the nose. Screw if it got him tossed back into that thermos.

He wasn't a goddamn babysitter. He didn't have a clue how to handle babies, let alone take care of them for an undetermined time period.

Dan was still seething with anger when baby Ellie had started to cry. The wailing only grated on his nerves more. Of course, baby Danny had to chime in with his wails.

It took annoyingly long for Dan to figure out what was wrong. Ellie needed a diaper change, and Danny was just crying because she was crying.

Dan still muttered curses on Clockwork's name as he did the job. Listen, he might be a monster. He might have destroyed a whole world in a different timeline. He might not have had any qualms in killing children back then.

But that was forever ago, okay? And there was one thing killing a child quick and moving on. It was a completely different thing to let a child sit in their own filth and suffer.

That's how Dan found himself building a life in Gotham City. He tried to set Danny and Ellie up in a daycare, but the two squirts just had to still have their powers.

Living in a shady place like Crime Alley made it easy for Dan to locate a shady babysitter. Now, of course, he didn't hire some random off the street. He did his due diligence and made sure that the two would be in relatively safe hands.

And really, the tiny squirt of a drug runner was nothing against Dan. The kid just needed cash, and Dan had plenty of it. Even if he didn't obtain the cash in the best way possible.

It didn't take long before Dan made a name for himself on the streets. Nothing too crazy, mostly muscle for higher. He tried to keep a low profile, he really did.

But when you take a bullet for a client, word gets around. Apparently, dedicated bodyguards were far and few between. No one needed to know that Dan only took the bullet because he really wanted the second half of the money.

Or that a bullet was nothing for someone like him. He was healed up and back to work the next day. It really was easy money, and Dan would not trade it for a cashier job. He'd rather still be in the thermos.

It took a few months before Dan finally felt like he was killing this. He had a good system. The teen drug runner (now ex drug runner, Dan really out here turning around lives) would watch the kids whenever Dan needed to go out.

Dan had a good flow of jobs and cash coming his was. Danny and Ellie were both healthy and happy. Dan had even caught Danny's first assisted steps on camera, not that he was proud of the little twerp or anything.

Ellie was more of a mess. Her powers kept acting up whenever she got emotional. Not that it was that hard to just ghost baby proof the apartment.

Dan was absolutely killing it at this whole single father of two thing. His days started becoming more routine. He made sure to put effort into making sure the two kids hit the milestones they needed to.

The library and the internet became his best friend. His home bookshelf was just filled with parenting books. Dan might not care about the little parasites, but he wasn't going to half-ass the job either.

Because that's what this was. Just a job. And Dan always completes a job.

Things were going great until they weren't. It was supposed to be a simple job, Dan was just escorting a massive shipment of drugs. His job was to just make sure the supply landed safely, that's all.

Except, his babysitter had to call off for the first time ever. Leaving Dan with a job he needed to do, he already got his first payment. And two babies with no one to watch after.

It probably would have been smart for Dan to have a backup sitter. But this is his first time, okay, sue him for not planning ahead.

So yea, maybe it's not smart to bring along two babies on a rather dangerous escort job. Maybe it is a little weird seeing a massive tank of a man with two babies strapped on his back, and a semi-automatic in hand.

But Dan had made a name for himself. Despite the strange glances, no one said a word about it. Things went smooth from there.

No hiccups. No attempted jacking. Nothing. Which was a little strange for something like this. Keeping Dan on high alert. Despite that, the few guys that were along for the job all seemed relaxed.

The drop-off went just as smoothly. Unloading and reloading the boxes into a new truck. Dan was getting close to being done, he just needed to watch the truck leave unbothered for him to get his second payment.

The two twerps were surprisingly calm throughout it all. Barely so much as sneezing, still dead asleep in the holders. The calmness only put Dan even more on edge.

When the sound of squealing tires broke the calm night air, Dan had moved fast. Dislodging Danny and Ellie, tucking them away inside on empty shipping container.

It might not have been ideal, but Dan figured that was better than getting into a gunfight with the two still on him.

Even if Dan had managed not to get hit, and the truck drove off in his view seemingly safe. That's all that mattered. If this helmeted freak wanted to go after it, that's fine.

Dan did his job. He was getting paid regardless if the shipment made it to its secondary location. They only hired him for the first half. It's on those idiots if they lose it.

He was certain that Red Hood would take off after the truck once Dan stopped giving cover fire. He was just muscle for hire, there was no reason for Red Hood to stick around.

So when Dan made his way back to the shipping container. He was determined to pick up his kids and head back home for a much needed shower. Maybe take a week off work and just relax.

He was not prepared to find that annoying helmeted freak standing over a sleeping Danny. Or, even worse, holding a giggling Ellie. The girl's hands running over the smooth surface of the man's helmet.

Dan didn't even need to think about it. He reacted instinctively, gun raised and aimed directly at Red Hood's chest.

"Put the twerp down. Now."

Maybe Dan's tone comes out a little more protective and angry than he intended. Again, it's not like he really cared for the useless babies. His reaction was solely because it's his job to take care of the two.

That anger and need to protect had absolutely nothing to do with the fact that he had been moonlighting as their father. He was not feeling fatherly feelings, he was not.

Red Hood had moved just as quickly as Dan had. Even before the words left Dan, he was staring down the barrel of a gun. Unlike Hood, Dan didn't have protection against getting his brains blown away.

Dan totally did not notice the way Hood had shifted his position. Ellie was out of any direct line of a gun, shielded slightly behind Red Hood's own bulk. The still sleeping Danny now behind Hood's legs.

Dan absolutely did not notice it. He had no thoughts or feelings about seeing the vigilante instinctively protect the two babies. His babies.

The two men stood there for a moment, guns aimed and tension in the air. A brief stalemate that felt longer than it was. Dan had no intentions of lowering his weapon until those two twerps were by his side again. And it was clear Red Hood had a similar thought.

That was until Ellie decided now was the time to start wailing like a banshee. Her tiny fists knocking against Hood's helmet. And she didn't stop there. No, that would be too simple.

Ellie chooses then to suddenly float out of Hood's grasp, heading straight for Dan. Because that's what Dan needed right now. Not just Red Hood knowing about the two kids. But now also knowing that at least one of them was a possible meta.

Dan was going to kill Clockwork.

[flwrkid14]

A Love That Hurts: Tim and Danny’s Toxic Tango

It didn’t start like this.

In the beginning, their love had been easy. They found comfort in each other—a soft place to land when the rest of the world felt too sharp. Tim loved Danny’s laugh, the way it lit up a room even when everything else felt dark. Danny adored Tim’s quiet strength, the way he always seemed to know how to pick up the pieces.

For a while, they were each other’s saving grace. Tim helped Danny feel grounded, giving him the stability he hadn’t known since Amity Park became more battlefield than home. Danny made Tim feel alive, like he wasn’t just another cog in the Bat-machine—like he was someone worth loving.

But that kind of love is hard to hold onto when you don’t know how to nurture it.

------------------------

The cracks started small: an offhand comment here, a tense silence there. They chalked it up to stress, but the arguments began to escalate, unraveling the love they’d built. Neither of them knew how to fix it, so they didn’t try.

One fight bled into another. Danny’s voice was sharp. “They’re my friends, Tim. Something you’d know about if you still talked to yours. When was the last time you even answered Cassie or Steph? You’re too busy trying to fix things that don’t need fixing.”

Tim didn’t hesitate. “And when was the last time Val actually came through for you? She’s got her own problems—why does she need to patrol with you? Are you just keeping her around for the nostalgia? Or are you afraid of letting her go?”

Danny’s lips curled into a bitter smile. “Right, because you’re the expert on letting go. How many of Kon’s clones are you going to try to ‘save’ before you realize it’s never going to bring him back?”

Tim flinched, his voice low and venomous. “At least I don’t run back to my exes when I feel like I’m losing control. What’s next, Danny? You calling Sam and Tucker to bail you out?”

Danny laughed, hollow and sharp. “You really think I need them? I’m here, Tim. With you. Maybe if you spent less time in your spreadsheets, you’d see that.”

The fights always ended the same: one of them storming off, slamming doors, followed by hours of silence. When they apologized, it wasn’t about fixing anything—just avoiding another explosion.

Neither could admit the truth: they weren’t protecting each other—they were just too afraid to let go

------------------------

Danny didn’t just distance Tim from his friends; he actively cut them out. He deleted Cassie’s texts before Tim could see them, until eventually, she stopped trying. When Tim noticed, Danny shrugged. “She’s probably busy,” he said casually, though his tone left no room for argument.

Tim didn’t push. After all, he wasn’t innocent. When Val invited Danny to patrol with her, Tim was quick to sow doubt. “You really think Amity Park can’t survive one night without you? Or is it just about her? Seems like you don’t trust me to be enough.”

Danny hesitated, his frustration visible, but he stayed. Over time, Val’s invitations stopped, and Danny didn’t ask why.

------------------------

Sam and Tucker’s visit to Gotham was no different. Danny had been excited to see them, but when the weekend came, Tim hit a low point.

“Do you really need to see them right now?” Tim asked, his voice soft but pointed. “It’s been rough lately. I thought you’d want to focus on us.”

Danny faltered, guilt creeping in. “They already planned the trip…”

“And what about me?” Tim pressed, his voice taking on an edge. “Am I supposed to just sit here and wait while you run back to them? Is that what this is?”

Danny canceled the plans. He didn’t explain, just sent Sam a curt text: Can’t make it. Something came up. He ignored the flood of concerned messages that followed, shoving his phone into a drawer.

When Tim noticed the tension, he didn’t comment. Instead, he doubled down. “You’re better off without them. They don’t understand this life. Not like I do.”

Danny nodded, even as the distance from Sam and Tucker grew into something he didn't know how to bridge.

Tim wasn’t immune to Danny’s tactics either. Bruce invited Tim to family dinner, but Danny’s reaction was immediate. “You’re seriously going to leave me here? After everything?” he asked, his tone more accusation than question.

“It’s just dinner,” Tim said weakly, but Danny’s narrowed eyes stopped him.

“Right. And how long before you’re ‘just’ staying overnight at the Manor? Before Bruce drags you back into his plans? You think they care about you? They care about what you can do for them.”

Tim stayed, sending Bruce a quick excuse. When Dick called the next day, Tim brushed him off with a clipped, “Busy.” Danny noticed the tension but said nothing, a smug satisfaction flickering in his eyes when Tim didn’t bring up the family again.

When Damian later referred to Tim as “too busy playing house,” Danny felt a pang of guilt that he quickly buried under pride. At least Tim was his, now.

------------------------

They were each other’s shields against the world, but it came at a cost.

Danny missed Sam and Tucker fiercely but couldn’t bring himself to reach out, not when Tim would undoubtedly notice. Tim felt the growing distance from the Bats like a weight he couldn’t shake, but he didn’t try to repair it—not when Danny so clearly needed him more.

The truth was simple and ugly: they weren’t protecting each other. They were controlling each other.

Danny missed the Tim who made him feel safe. Tim missed the Danny who didn’t flinch at “I love you.” But neither of them could stop. Because if Sam and Tucker weren’t there for Danny, and the Bats weren’t there for Tim, they only had each other.

And maybe that was the point.

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[usercelestial]

okay but literally what if buck and tommy end up together? like what if we get to see them moving in together or saying i love you for the first time or getting engaged or getting married? what if we get to see buck having a husband? literally what then...

[ganondoodle]

About Shargon: What kind of compound are their horns made of? Is it the same as his teeth or skeleton? What’s the reason behind their glow? I think it’s really cool so I thought I’d ask

Thank you for the ask!

so, alot of demon anatomy revolves around their demonic heart and its blood (which is concentrated energy/magic- the color of which is determined by their elemental type, Shargon is type lightning, which is generally a mid blue going into greenish, but there are always slight color variations even between the same types) their bones too are made of crystalized demonic blood, its coated in a black layer of depleted blood (so the substance without energy) that acts as a sort of armor and makes the bones more durable and able to withstand even alot of bending (when a demon shape shifts their bones have to decrystalize to some extent to shift into different forms and sizes, its really uncomfortable or even painful depending on how well trained they are or in stressful situations since that process is something that needs to be done right or they end up really messy and vunerable) bones are also hollow and filled with demonic blood, it also aids their flexibility and the shapeshifting process and makes sure that if one is broken its quickly healed again since the bone doesnt have to decrystalize first

teeth and claws are not hollow and lack the black layer bc it eases using magic/energy through them and makes them harder to break, unlike the bones they are as hard as possible instead of flexible; the liquid blood isnt necessary since a broken tooth or claw usually gets discarded entirely and regrown from the ground up

horns are a mix of both, they dont have a black layer but are hollow (at least partly through) and filled with an even more concentrated version of demonic blood, very similar to heartblood (only found in the heart, the most concentrated version with a similar consistency; like a thick floaty liquid) and connected to it (you could see or feel a pulse in Shargons horns) but it lacks the genetic information actual heartblood carries- horns act mainly as a sensing aid ... like antenna in a way, or how whales melons work, it aids in sensing energy nearby, navigation, limited long range communication or if an energy wave that was sent out has hit something like a living demon .. or a dead one if theres still some remaining energy left (works best between demons of the same elemental type, but isnt limited to them and also depends on how skilled or mighty a demon is- for example, Eadrya, type water but extraordinarily powerful, could sent out even a really weak energy wave and they would be able to sense if it hits Shargon while Shargon himself might just feel there was some energy, but not from who or what type) and can pick up frequencies of distress calls that have lost the hearable part

the downside to that is if a horn was to break it might actually be the most painful thing to happen to a demon, even worse so if it draws blood, its like stabbing the most sensitive nerve that goes through their head and spine and heart, depending on the severity of the injury it might be paralyzing or drive a demon temporarily mad- worse than a stabwound into the heart itself

not all demons have horns, they are a very diverse kind of creatures that are each built better for different things (Eadrya doesnt have horns, the extreme amount of energy at their disposal pretty much closes any gap horns could have made in aiding senses- an advantage being less vunerability, a downside though is easy disturbance of anything relating to those senses by other energy types or frequencies .... and a general downside to Eadryas .. overproduction of magic even, is being basically the most detectable demon in the world due to them constantly emitting energy at very high levels if they are in good health)

(since Shargon (he/they) is the main example here, hes a demon that is built for speed and flexibility, for quick strikes out of the shadows, his bones are thin and bendable, his teeth are long, sharp and angled in various ways so if he bites he can lock it down hard without escape, even if the force of his bite isnt the strongest in itself- he can turn his head fully around multiple times (like an owl but worse) and his throat is largely made of pure muscle (the most muscle on him is his throat and to the big primary arms) perfect to bite and pull and twist until whatever he bit into gives out, getting him off of something is rather impossible without doing massive damage to it in the process (unless he lets go willingly of course)

-since i compared him to Eadrya (they/them) already- they are quick but only in water, their sheer size, thick skin, bones and well, body is really hard to damage, their teeth are small and all in the same shape in two rows on both sides, their maw is really wide and their bite force is pretty strong- if they bite it is with the intent to bite clean through, if that doesnt work they would need to let go and go for it again here older art but just to give you a general idea for Eadrya (demon form):

Thor (any pronouns) is another one that is really different- they are massive and armored with thick, hard plates, they are slow and have little mobility but are nigh impossible to take down unless you know exactly how; they dont have alot of teeth, rather small and probably not very sharp either and due to her two big tusks going forward its rather hard to actually get to anything to bite into, if she were though it would be somewhat akin to alligators (i think) that just smash their massive bones together to break whatever is in between with little to no actual 'biting' going on

(rather outdated art that i still, somehow, like- her humaoid form:

and an even MORE outdated ancient doodle of her demon form:

the only somewhat accurate part is the general shape and head, though the mouth isnt accurate anymore either ... barely anything is but something is better than nothing and the roughly lobster inspired design idea is still currently the idea)

OC lore ramble over :3

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[dollypopup]

"Penelope should have chosen Debling!"

My sister in Christ. . .he literally dumped her???

Like just before Colin Bridgerton was on his knees after outrunning her carriage to profess how he can't stop thinking about her in his love me, choose me, I'm yours speech, Debling did the Regency equivalent of calling her a floozy who would undoubtedly cheat on him when he abandoned her for several years to chase his passions (because she would never be one of said passions since she asked outright if he could ever come to care for her and he went 'hmmmm seems unlikely! good thing you have solitary hobbies to occupy you instead!') when he has been given 0 evidence of such other than realizing she liked to look out the window because she had a crush on the boy across the street. I was ready to challenge that man to a duel for Pen's honor

His feelings for her were middling at best, I mean Christ on a Pogostick, after he asked her mum for permission to propose he isn't even happy when he opens the door and Pen is there? She's looking like a snack- nay, a whole ass MEAL, and he can't even smile? He just nods at her and dips the fuck out? You don't think it would kill Penelope to know that both her sisters have husbands who absolutely adore them and she's out here with an absent dude who likely won't even write to her?

Portia's 'Love is make believe!' speech is so transparently full of shit when you realize that we've got Dankworth who is so obsessed with Prudence that he makes heart eyes at her every waking moment and considers her his little bonbon and Albion who loves Phillipa so much that he was waiting for her to consent to sex (not realizing she didn't know what it was) for two entire years because he would never pressure her and so he was content with finishing in his pants when he kissed her to make sure she was comfortable. And you want Penelope to settle for a life of loneliness? When Colin is so besotted with her that he dreams of her and breaks every societal expectation in the book as a notorious People Pleaser to run after her and cannot even wait for the morning after being intimate with her to introduce her as his wife to his family in the middle of the night? You want her to turn down Mr "When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible" Bridgerton? For LORD PENGUIN?

Be so serious right now

[slasherscream]

I love your writing! And you just get my craziness and character obsessions. I was thinking what would happen if reader had a bruise cheek or lip, and refuse to tell them what happen. Then they discover that the reader was the one who beat the shit out of someone for saying something about their partner, and how proud yet pissed off they will be. I’m think Crazy Ass Girls Gang, need more possessive and protective FMC. Thank you!

warnings: yandere behavior - YOU HAVE BEEN WARNED

Tiffany Valentine - Tricks you into thinking she’s gonna be normal about it. She purses her lips when you won’t tell her anything, but quietly rushes off to get the first-aid kit. WATCH OUT! You have just activated a trap card: emotional manipulation. Her most powerful weapon. She’ll silently and dotingly take care of you. Disinfectant. Gentle Hands. Careful bandaging. Petulant silence. Painkillers lovingly dropped in your hand. Big sad eyes staring up at you. When you inevitably break and tell her what happened she could melt! She does melt, straight into your arms. You’re gonna be covered in lipstick by the time she’s through with you. Her hero. Don’t worry, she’ll help you clean up… eventually. Later, you’ll have to help her clean up too. It was so romantic of you to fight for her honor…. But she'd never let someone live after they hurt you, silly.

Jordan Li - Won’t drop the line of questioning until you’re damn near ready to fight her too. She hates that you’re hurt. She loves that you wanted to defend her. Jordan gets a lot of criticism, sometimes it seems never ending. The fact that you feel so strongly about protecting her, not because you think she can’t fight her own battles… but because she shouldn’t have to do it all alone? It means a lot. Still, she doesn’t want you getting into fights. Let alone fights over her. It doesn’t matter how badly you hurt the other person. If there are marks on you Jordan is going to go find them for round two. “You like to put hands on people?” Words spoken seconds before disaster (she’s ignoring the fact that you started the fight. Jordan could give a shit about semantics.)

Nancy Downs - Don’t wanna tell her? Cool! Get ready to experience her favorite couple’s activity besides shoplifting: abusing your coven bond to read your mind! Hooray! It will hurt badly. Because Nancy always makes it hurt when you keep her out on purpose, or hide things from her (or when she thinks you’re doing that.) But don’t worry, after she realizes how sweet you really were, she’ll make you feel all better. Cooing over you as much as she ever allows herself to coo. Cleaning your cuts. Healing you with her magic. Trying to ease the fever that always comes whenever she uses your bond in a way she shouldn’t. She thinks you’re the stupidest, sweetest thing. You’re witches. You don’t have to use your fists anymore to win fights. She leaves you with the coven and goes to enact a witch’s vengeance on whoever dared to lay a finger on you. 

Jennifer Check - You’ll try not to tell her but she immediately starts making such wild accusations you have to just come out and admit to why you’re injured. “I can smell someone on you. If you wanted to get beat up to get your rocks off you should’ve just told me, I’d happily beat the shit out of you.” Start talking quickly! She looks like she’s about to start fulfilling that nonexistent wish now. Once you tell her she has to suppress a smile. She’s a demon. She doesn’t need you playing knight in shining armor over what some jealous, mouth-breathing, loser is saying about her… but, it’s kinda hot that you did. She’ll show you just how hot she thinks it is. Then you two are gonna take a nice little drive, and you’re gonna point out the jackass who put bruises on you. She’ll fuck you again after she’s full. “Thanks for finding my next meal, baby.” 

Victoria Neuman - Victoria expects you to have better self control than this. Not telling her what happened isn’t an option. Ever. The look on her face when you first try and insist that nothing happened is enough for you to quietly admit you got into a fight. Her blood pressure sky-rockets. You two have an image to maintain. You’re her spouse. She has enough problems as it is. She’s thinking of viral videos, nightly news, seedy gossip magazines doing think-pieces: do we really want this person standing behind the president as first spouse? When you tell her you fought one of the Boys for trying to convince you she’s a monster? Well…. She goes a little softer. Victoria will pull you into the circle of her arms and thank you for being so loyal to her. She means it from the bottom of her heart. She’s also dreaming of the day she can pop their fucking heads. Touching you. Talking to you. Trying to turn you against her… they’ve crossed her last line. 

Carrie White - The moment she sees you she’s in hysterics: “Oh, Angel, what happened?!” You’re really gonna sit there and not tell her anything? She’s worked herself into an anxiety attack within seconds. She can hardly open the first aid kit, she’s shaking so bad. The sound of your voice is always so soothing for her that you’ll start telling her the story just to have something to say. She listens quietly while she cleans you up. You’ll have to pull her into your lap before long, and kiss her gently. You’re all she has in the world and it scares her to death to think of you putting yourself in unnecessary danger. You’ll fall asleep curled into each other’s arms. You whisper soft reassurances: “Nothing’s gonna happen to me / I’ll always be here.” Carrie tries her best to listen. You’ll wake up alone, but wander downstairs just as Carrie walks through the front door. She wanted to get her knight in shining armor some breakfast from your favorite diner down the street. She watches you eat with a big smile, and thinks about how she’ll have to burn those clothes in the trunk of the car. She couldn't risk them trying to hurt you again.

Ginger Fitzgerald - Don’t piss her off. If you don’t tell her exactly who touched you she’ll rip the entire city apart. Women, children, men, everyone. Anyone. “Do you want me to do that? Huh, baby? Is that what you want me to do?” No? Then start talking. She won’t be able to see through the blood-lust long enough to take care of you. As soon as you say a name Ginger’s out the door. She’ll only return once she’s thoroughly covered in viscera and gore. She’s still dripping with it when she crawls into bed with you, smearing the blood across your body. She’ll lick at any injury you have, until they’re clean and closed, your skin smooth and unblemished. She’s the only thing that can leave marks on you. She’ll kill anything else that tries. “You don’t have to lift a finger for me, baby. If you want someone hurt, I’ll do it. I’ll do anything for you.” Just run your fingers through her hair and try not to cringe as your fingertips get stained red. 

Patricia (Split) - She’s devastated by the state you come home in after she allows you to go out on a walk all by yourself for the first time since you were…. taken. You’d been so good for her. So obedient. So sweet. She wanted to reward you. And now your eye is starting to bruise, and your clothes are all askew, and your knuckles are swollen. Her calm demeanor cracks, and it’s a struggle to stay in the light. She takes deep breaths, centers herself. None of the others are what you need, right now. You need her. She strips you down, runs you a bath, won’t even let you hold the washcloth. It’s only as she’s patting you dry that she can force out words, finally: “What happened to you, sweet thing, hmm?” The guilt nearly brings her to tears. Months of keeping you close and look at what just a pinch of negligence has done to you… You try to assuage her guilt. You tell her you ran into a neighbor, who’d seen the two of you out together once Patricia trusted you enough to accompany her for little things like grocery trips. You say it’s your fault you came back to her in this condition. That you just couldn’t stand the vile things they said about her. Her face drops into an expression you’ve never seen. It’s gone in an instant, replaced by that comforting, ever present smile she wears for you. She takes you by the chin and kisses your forehead: “My little sweet thing. Playing knight, are you?” You had her love before. Tentatively, you had something like trust. Now Patricia trusts you completely. Even so, you won’t be going out alone again. Patricia trusts you. But it’s clear she can’t trust the world to be gentle with you. Don’t worry, though. All you need to do is ask, when you want to feel the sun on your face. You never see that neighbor again, no matter what time of day you and Patricia go walking.

A/N: thank you!!! we need more batshit crazy women with something wrong with them! Batshit crazy women with something wrong with them unite! if you enjoyed these headcanons consider reblogging, leaving a reply, or an anon! a writer's fuel is engagement. Xoxoxo

[is-this-even-relatable]

DP x DC PROMPT 1: Phantom Thief

------

tldr: Danny is king, and is trying to find missing artifacts of the infinite realms that have been scattered across the mortal realm. Cue him creating an alter ego, one Phantom Thief.

Inspired by Chapter 2 of "I Am A Retired Hero And My Love Interest Is A Former Crime Lord!?" by ShyCrow on AO3.

------

Danny, recently crowned King of the Infinite Realms, had been going through mountains upon mountains of paperwork. Apparently Pariah Dark, "The Bloody Tyrant", was not a good king who answered his duties. And his long sabattical in the Coffin of Eternal Sleep did not help the work get done. Who'dve thought.

So in an effort to be the king the realms needed, Danny started work on the backlog as soon as his mortal responsibilities were over.

As he went through the realms' archives, looking for an item referenced in a territorial dispute, he could not for the death of him find it. Come to think of it... this archive had been in existence for hundreds of millennia, and was terribly organized. And there were a lot of missing objects.

Danny sighed. Just another thing to pile onto his plate.

---

Ok so he catalogued what wasn't there, and oof... it was a doozy. He figured he should start with stuff that really shouldn't be left in the wrong hands.

And first on that list was Dorothea's amulet.

Danny had tracked its energy to some random rich person's personal museum in Gotham, of all places. Ugh, he really didn't want to get on Batman's radar with any of this... He didn't really wanna bother the Justice League with business of the dead because, frankly speaking, he wasn't sure if they wouldn't do more harm than help.

So he had to go in quietly.

Hmm... "King Phantom" was too flashy... But "regular human Fenton" on the other hand...

Danny smiled as he let his transformation wash over him. Now he just needed to figure out his outfit.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[gardenofnoah]

cw: implied sexual trauma, panic attack, intimacy struggles

You don’t notice it happening until it’s buzzing under your skin. Loud and unavoidable, the only thing you can pay attention to is the irregular flutter of your heart and the way it seems that all the air has been vacuumed from the room—

“Hey.”

You blink, and Katsuki is no longer above you. He’s not touching you at all—you turn your head to find him next to you, propped up on an elbow and only worried.

“Too much?”

The panic flares at the question, because what if this is the last time? What if he’s tired of this?

Your exhale is shaky—your laugh is forced and sounds out of place. “No, it was fine, I just—“

“Oi—“ he says, gently, “tell me the truth.”

The truth burns your eyes and keeps them on the ceiling, away from his. You nod, helpless and resigned to whatever comes next.

“What’s goin’ on in your head?”

You feel the tears spill over before you can catch them. You swipe them away with the back of your wrist. It’s still numb. “I’m just sorry. I didn’t mean to ruin it.”

He grunts a little in acknowledgment—a displeased, ugly sound—and then there’s movement that finally draws your eyes to him. You watch him cover himself with your duvet—all the way up to his chin.

“S’it okay if I hold you?”

He reaches for you and you let him pull you in. His hands stay above your shoulders and pointedly avoid your neck—cradling your head, letting you hide in the curve of his throat. His pulse is steady and constant against your forehead—or you imagine it would be, if it wasn’t muted by the fabric.

“Nothin’ is ruined,” he murmurs against your hairline, “s’my job to keep you safe.”

Your chest shudders against the cushion of the blanket and you feel a little guilty about crying all over it but Katsuki keeps you there, tethered to him. The ringing in your ears subsides, just a little. Just enough to hear the panic in your own voice.

“I promise I want it. I don’t know what’s wrong with me, I’m sorry—“

“Hey, hey,” he shushes you, careful not to tighten his arms around your shoulders. “Nothin’ to be sorry for. S’too much today—that’s all.”

It’s quiet, then, save for your sniffling. He keeps his mouth pressed to your hair, and his arms wrapped around you. There is a noticeable absence of his fingertips tracing along your skin—you don’t feel them there at all, and it’s on purpose. He’s considerate and it makes you anxious.

“Can hear you thinkin’.”

“I just—“ you inhale, trying to be brave, “I don’t want you to leave. I know I can’t—give you this—“

“Oi,” he gruffs, a little sharply, “I don’t give a shit about that. M’not a barbarian.”

You feel the expansion of his lungs as he draws in a slow exhale, and lets it out against the crown of your head. “Don’t think so little of me,” he murmurs, tone laced with hurt.

“You’re right,” you whisper, because he is, “I love you.”

“Love you.” He kisses it into your skin, soft and barely there. “Always will.”

[kettlefire]

A Panic in Time (DP x DC)

This is all thanks to the awesome @tkiesai for basically being the foundation of this idea! This is probably going to be long, and probably won't delve that deep into my ideas about this idea. Largely so it's not insanely long. But here I go!

°•°•°•°

Bruce's head felt like it had been shoved through a straw and spit out on the other side. The throbbing was annoying, but it wasn't anything the man couldn't handle.

His mind was muddled, memories of what happened prior to him awaking was blurry and unsure. Bruce knew it wasn't something good.

He vaguely remembered a league meeting, a threat, something looming. It wasn't world ending, or at least that's what Bruce remembered. It should have been something they could handle.

But now, here was Bruce. Waking up in the grass of some random park. He was dressed in casual attire, something he'd wear in public as Bruce. Although last he remembered he was in the Batsuit.

The sun felt too bright in the sky. The sound of families filled the air and children's laughter. No one seemed to blink twice at Bruce as he pulled himself together.

It took a moment to steel himself, to gain composer again. It took a few sweet lines, and a charming smile for a nice mother to slide him a few painkillers. The lies rolling off his tongue like second nature.

To his luck there was a newspaper at the top of the trashcan. He was in some town called Amity Park, and the year... the year was the problem.

It was 1996. Whatever had happened had sent Bruce back in time. There was a few suspects Bruce can think were the cause of this. But something in his gut kept drawing his train of thought to the Flash.

It seemed like each time the League had any time related problems, Barry was in the center of it. Which also leaves Bruce with the question if he was the only one sent back in time.

God, he could only imagine the nightmare if the others were sent back in time. Yes, they can be professional. They understand the risk of changing things in the past.

But Bruce also understands that his team can be less than... intelligent at times.

Despite that, Bruce needed to find a way to get back to Gotham. He might not know for sure where everyone was right now, but he knew Alfred was the safest bet.

A plan laid out in Bruce's mind, a list of people he knew wouldn't be a risk to approach. He just needed to find a way to get to them. He had barely made it to the gates of the park before a shrill cry pierced the air.

There was just one loud outcry, before it quieted down. Bruce glance around the space, spotting a young boy curled on the ground. Tears streamed down the boy's chubby cheeks.

And no one even moved to the boy's aid. Not a single mother spared more than one glance in the kid's directions. No parents came rushing over to the boy's side.

Bruce almost walked away, he really did. This wasn't his time, anything he does can cause immense damage to the timeline. But when Bruce caught sight of blood bubbling from a scrape on the boy's knee, Bruce couldn't ignore him.

Maybe it's just the father in him, but Bruce barely even notices when he's crossing the small distance. His mind zeroing in on a hurt child that needed help. Kneeling before the small boy with a gentle smile, and pulling his handkerchief free from his pocket.

"You're alright there, buddy. It looks like you took a bit of a tumble there." Bruce slipped into the same tone he used to use when his kids were young. Gentle and understanding, as he pressed the handkerchief to the small scrape.

The boy sniffled, tears slipping from his eyes. Bruce was more focused on the way the kid was looking at him. Like he couldn't fathom someone coming to his aid.

That look had Bruce's heart breaking slightly. He's seen a similar look before. The few times he's come to the aid of a hurt child that wasn't used to getting help.

Something no child should ever feel or experience.

"Where's your parents, kiddo?" Bruce asked after a moment of silence from the boy. He had waited until the kid's breathing settled down when the boy's chest stopped pumping so quickly.

Except his question only seemed to bring a new wave of tears to the boy's eyes. The small child just seemed to curl into himself further, ducking his gaze away from Bruce.

And as much as Bruce didn't want it to be true, it was clear the kid didn't have the support he needed. It might not as be as far as some of Bruce's kids have had in the past.

But it was clearly not good.

"That's okay, it's alright. What's your name?" Bruce tried again. The boy's silence was leaving an uncomfortable pit in Bruce's stomach.

"D-Danny..." The boy spoke out his name between sniffles, and Bruce felt a wave of relief hearing the boy speak.

In hindsight, Bruce can see how strange the scene might look. A slightly disheveled man comforting a lone young boy in a park. It wasn't exactly perfect.

But with the lack of reactions from the parents around, Bruce had a feeling the town had an idea who this boy was. The whole situation just didn't feel that right for him.

It took a few more comments before Bruce managed to get the boy to crack a smile. A laugh had felt like breaking a massive wall.

Before long, Bruce had Danny actually like any other boy he's known. Carefree and happy, just like a child should be.

"You didn't tell me your name, mister." Danny had suddenly cut down the relaxed moment they were in. A pout laced the boy's lips as he looked up at Bruce, almost accusatory.

"I'm Bruce. Bruce Wayne." Bruce responded without missing a beat. He knew this might cause problems in the future. He wasn't supposed to be here.

But when his gut is telling him something, he can't just ignore it. He checked his pockets, finding no business cards anywhere. So, Bruce fell back in plan B.

"No matter how long it's been from now, you can come to me for help. Just look for Bruce Wayne in Gotham City, and when you find me... just say Fairbanks sent you."

Bruce wasn't sure if he'll ever see Danny again when he goes back to his own time. Wasn't even sure if this was the same universe as his own. But he couldn't walk away without at least offering the boy help in some way.

When Danny's eyes filled up with tears again, Bruce thought he said something wrong at first. That was until the boy was suddenly clinging to his shoulders in a tight embrace, muttering 'thank you' over and over again.

Bruce felt himself almost close to tears just from that alone. His heart was aching for the small boy. Even if Bruce couldn't help Danny anymore than this, he was hoping the boy would have a better life.

One where he wasn't clinging to a stranger for comfort that family should be providing him.

THWAMP

It didn't hurt, but it did cut their hug short as Bruce suddenly pulled away. Turning his head to see a young girl wielding a wiffle bat, and another young boy standing behind her.

Her purple eyes glared at Bruce like he had done the worst thing in the world. Her grip on the bat was threatening and ready to swing again. Her knuckles white from the tight grip alone.

Maybe leaving this time era might not be as easy as Bruce thought as the young girl probbed him with angry and scolding questions. Not that Bruce could blame her.

He just hoped this hiccup didn't get back to the league. They'd have a field day hearing about how Batman got scolded by a child with a wiffle bat.

°•°•°•°•°•°

Danny wasn't sure if this was the best idea. It's been years since he met Bruce Wayne. So many years. Danny had just been a kid, not even ten, when Bruce had introduced himself.

When he had an adult, actually check in on him. Yet, it was a memory Danny couldn't forget. Maybe it was just the kindness that Bruce radiated.

Or maybe it was when Sam came to his "rescue" near the end. Regardless, it was cemented in his mind. A core memory that Danny cared with him through the years.

Now, here he was, roughly seven years later. Standing in front of a manor that put even Sam's place to shame.

It took a lot of courage for Danny to knock. Barely a second later, an old man answered the door, an accent Danny was certain Bruce hadn't had.

A stuttered explaination of being here to see Bruce Wayne, that the man knew him, barely left Danny's mouth before the old man ushered him inside.

The man, Alfred, told Danny to wait by the door before vanishing further into the manor. It took a lot for Danny to not just vanish.

Being half ghost nowadays had its quirks, Danny could just vanish, and no one but Alfred would know. But he couldn't.

It had taken a lot for Danny to make the journey to Gotham City. He hadn't even thought to look up a current picture of Bruce either. Which was probably a big mistake on his end.

Danny didn't even know if Bruce was offering this kind of help. But Danny didn't have many allies to turn to. He needed help.

Not just for himself but for his family. For Amity Park. He couldn't be afforded the ability to run away. Not now.

Danny felt all the air leave his lungs when Bruce entered the area. The man didn't look a day older than what Danny remembered. Bruce looked a bit more put together, not like he had just jumped out of a moving car, but it was Bruce.

"Uhm... I don't know if you remember me. But my name's Danny... we met when I was a kid." Danny started trying to explain himself before Bruce could speak. He recognized that confused look anywhere, and Danny didn't have the guts to go through with this if Bruce asked any questions.

"You told me if I ever needed help, to come find you. Bruce Wayne in Gotham City... you, uh, told me to tell you Fairbanks sent me?"

That came out more like a question than Danny would have liked. But it did ease his nerves a bit as he watched Bruce's slightly confused expression turn to alarm and surprise.

Danny wasn't sure what this would do. If Bruce could truly help him. But he was out of options. Just seeing Bruce recognize something he said was enough to calm the teen's anxiety slightly.

"I'm sorry, Danny... I don't remember you. But I believe you and I want to help you. Come inside, have a seat, and tell me what's going on."

That response was enough to have Danny's eyes fill with tears. His chest filling with a sense of hope he hadn't felt in weeks now.

Maybe, just maybe, everything would be okay.