#that's /deeply/ hilarious in a very specific way

[grubus]

Hi! do you have any svsss fic recs? I really like syonr and I'm curious about what you like to read!

*rubs hands together*

Alright alright. Now some of these are probably already well known, but still!!

I make no secret of this, but as Prim is my favorite author and very cool friend, I will HAPPILY recommend these first;

Masochism is probably THE qijiu fic of all time, absolutely adore it. It's set in their disciple era, with YQY just grabbing at whatever scraps he can even as SQQ tries to push the boundaries and see what will make him BREAK. So, so good. Happy ending!

Tarnished Gold is my favorite original Binghe fic, and I hope more people give it a chance. I think the summary scare some but it's GREAT! I love it! Binghe's thought process, the way someone perceives SY as GYX from an outside perspective, and omg LPM is such a great character in it...

of course I recommend basically everything Prim writes.

(Shen Yuan Voice) It's not gay if- by Nachtofthedead is porn. Just straight up modern time BingYuan porn. It is filthy and great and *thumbs up* love it. Bingge decides to play along with SY's delulu thoughts on gayness and everyone are happy.

The Many Trials and Tribulations of Ming Fan by The Feels Whale (miscellea) is great and I think often overlooked. A oneshot from MF's point of view on how to handle SQQ's wife beam, deeply funny to me. They also wrote-

Dust and Broken Grains , which is basically "Binghe discovers early that Crying Works" and it becomes a fix-it fic. but there's more to it than that!!! Love it a lot.

Celestial Afterglow by elanor_pam is just. So good. SO GOOD. It's hilarious, it uses the System in a way few fics ever does and it has me cackling every time I read it.

What Is Seen by CaveteDracones is a fix-it with a side of whump fic, where SQQ's trial at HHP goes VERY differently. Truth serum! Torture! System Reveal! Yay!

Dual Cultivate or Date by acernor is THE BingLiuShen fic out there. Adore it. I'm sure many have already appreciated it, but it doesn't hurt to remind others that it exists!

A Child Once by Tossawary is a very, very good BingQiu and MoShang fic, and I honestly love not only BingQiu being forced to play parents, but also the MobeiBing friendship? Great, amazing. All the relationships in this is great, and I know most have heard of Tossawary but if you haven't given this specific fic a chance you SHOULD.

easy fix by airplanelanding (TheCourtSorcerer) is a smutty cumplane oneshot, where they are friends with benefits (approved by their husbands) for whenever said husbands are unavailable for Dual Cultivation Cure. This fic just really captures the snark and is also *chefs kiss*

with the tail of the snake by tciddaemina is a very, very good monsterfucker!SQQ fic where Binghe became a dragon in the abyss. I LOVE IT. It's a WIP, but *clenches fist* it's just so good. Soft and gooey and so HHHH yes good. I would probably put all their svsss fics in here but I am running out of time!!

.... but I have enough time to recommend my other favorite fic from them, which isn't even svsss! And is how I found them to begin with!

come all ye mighty is a Solo Leveling fic! It's Igris/Jinwoo, from Igris' pov, and I love the world building in it. As they say in the author's notes, it's a little bit of an au since it doesn't follow the original plot of the comic, but I reread this so, so often. 10/10, if you like solo leveling at all please give it a go I BEG OF YOU.

[mostlysignssomeportents]

A Democratic media strategy to save journalism and the nation

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/12/the-view-from-somewhere/#abolish-rogan

As unbearably cringe as the hunt for a "leftist Joe Rogan" is, it is (to use a shopworn phrase), "directionally correct." Democrats suck at getting their message out, and that exacts a high electoral cost.

The right has an extremely well-funded media ecosystem of high-paid bullshitters backed by algorithm-gaming SEO dickheads. This system isn't necessarily supposed to turn a profit or even break even: the point of Prageru isn't to score ad revenue, it's to ensure that anyone who googles "what the fuck causes inflation" gets 25 minutes of relatable, upbeat, cheerfully sociopathic Austrian economics jammed into their eyeballs. Far right news isn't a for-profit concern, it's a loss-leader for oligarch-friendly policies. It's a steal: a million bucks' worth of news buys America's ultra-rich a billion dollars' worth of tax-cuts and the right to maim their workers and poison their customers for profit.

Meanwhile, the Democrats have historically relied on the "traditional media" to carry their messages, on the ground that reality has a well-known leftist bias, so any news outlet that hews to "journalistic ethics" will publish the truth, and the truth will weigh in favor of Democratic positions: trans people are humans, racism is real, abortion isn't murder, housing is a market failure, the planet is on fire, etc, etc, etc.

This is a stupid policy, and it has failed. The "respectable" news media hews to a self-imposed code of "balance" and "neutrality" that is easily gamed: "some people say that Hatians don't eat pet dogs, some people do, let's report both sides!" This is called "the view from nowhere" and it gets Democrats precisely nowhere:

http://archive.pressthink.org/2008/03/14/pincus_neutrality.html

Balance and neutrality are bullshit, an excuse that has been so thoroughly weaponized by billionaires and their lickspittles that anyone who takes it seriously demonstrates comprehensively that they, themselves, are deeply unserious:

https://www.techdirt.com/2024/12/10/la-times-billionaire-owner-hilariously-thinks-he-can-solve-media-bias-with-ai/

Press neutrality – the view from nowhere – isn't some eternal verity. In terms of the history of the press, it's an idea that's about ten seconds old. The glory days of the news were dominated by papers with names like The Smallville Democrat and The Ruling Class Republican. Most of the world boggles at the idea that a news outlet wouldn't declare its political posture. Britons know that the Telegraph is the Torygraph; that the Guardian is in the tank for Labour (and specifically, committed to enabling Blairite/Starmerite purges of the left); the Mirror is a leftist tabloid; and the Mail is so far right that its editorial board considers Attila the Hun "woke."

Writing for The American Prospect – an excellent leftist news outlet – Ryan Cooper proposes a solution to the Democratic media gap that's way better than the hunt for the elusive "leftist Joe Rogan": sponsoring explicitly Democrat news outlets:

https://prospect.org/politics/2024-12-12-democrats-lost-propaganda-war/

The country is a bleak landscape of news deserts where voters literally didn't hear about what Trump was saying he would do, and, if they heard about it, they didn't hear from anyone who could explain what it meant. The average normie voter doesn't know what a "tariff" is, and chances are they think it's a tax that other countries inexplicably pay for the privilege of selling very cheap things to Americans.

Ironically, this news desert is also a crowded field of hungry, unemployed, talented journalists. What if Dems funded free newsgathering and publication in news deserts that told the truth? What if these news outlets, by dint of being an explicitly partisan, party-subsidized project, refused to adopt all the anti-reader practices of other websites, like disgusting surveillance, intrusive advertising, AI slop, email-soliciting pop-ups, and all the other crap that makes the news worse and worse every day?

Cooper recounts how this was actually tried on a small scale, to modest good effect, when the Center for American Progress subsidized Thinkprogress, an explicitly leftist news outlet. This was going great until 2019, when corporate Dems and their megadonors killed it because Thinkprogress had the temerity to report on their corrupt dealings:

https://www.thedailybeast.com/thinkprogress-a-top-progressive-news-site-is-shutting-down/

And, Cooper points out, this isn't what happens with far-right subsidy news. Right wing influencers, personalities and writers can stray pretty far from the party line without getting shut down.

I love the idea of a disenshittified, explicitly political leftist Democratic news media. Imagine a newsroom whose purpose is to get its message repeated as widely as possible. It wouldn't have a paywall – it would be Creative Commons Attribution-only, allowing for commercial republication by anyone who wants to reprint it, so long as they link back to it. It wouldn't wring its hands over AI ingestion or whether a slop site that rewrote its articles got to the top of Google News. That's fine! If the point is to get people to understand your point of view – and not to attract clicks or eyeballs – other people repackaging your content and finding ways to spread it is a feature, not a bug.

Back in the Napster Wars, entertainment industry shills – like Hillary Rosen, who oversaw a campaign to sue tens of thousands of children before becoming a major Democratic Party power-broker – used to tell us that "you can't compete with free." That's not entirely true, but it's not entirely false, either. If your news is a loss-leader for a democratic society that addresses human flourishing and a habitable planet, then you can make that news free-as-in-speech and free-as-in-beer, and avoid all the suckitude that makes reading "real" news so fucking garbage.

For the past five years, I've been publishing a newsletter – this thing you're reading now – that has no analytics, ads, tracking, pop-ups, or other trash. As a writer, it's profoundly satisfying and liberating, because all I have to care about is whether people engage with my ideas. I literally have no idea how many people read this, but I know everything people say about it.

That's how the news worked back in the good old days that everyone says we need to return to. Writers and editors measured the success of a story based on how the public reacted to it, not based on clicks or metrics that told you how far someone scrolled before they gave up on it. The supposed benefits of "data-driven" editorial policy have not materialized – the "data-driven" part is the search for an equilibrium between how surveillant and obnoxious a website can be and your decision to stop reading it forever.

Outlets like Propublica have done well by adopting much of this program, albeit without any explicit leftist agenda (the fact that they seem leftist reflects nothing more than their commitment to reporting the truth, e.g., Clarence Thomas is a lavishly corrupt puppet of billionaires who've showered him with riches).

The fact that they've been as successful as they are on a national beat – and partnering with the scant few regional papers to do some local coverage – just proves the point. The Democratic Party doesn't need its own Joe Rogan – they need a nationwide network of local outlets, sponsored by the party, committed to never enshittifying, bringing relevant, timely news to a nation in desperate need of it.

[menlove]

youve probably answered this before but what DO you think is the most realistic version of what went down?? like do you think paul misinterpreted john's hints or that john never made it clear enough to paul how he felt? i know theres no way to know but you have such a good grasp on their personalities and this seriously might haunt me forever lkadjf

i actually don't think i have ! i wrote a lil speculative Thing about what things would look like if paul were queer and closeted (which is what i think) and that interpretation but never specifically this question but...

this is long and rambly but have my thoughts lmfao

basically To Me i do think they had some sort of sexual relationship. to me it's honestly the most likely scenario given the..... everything. their interactions with each other, some of their songs about each other ("i used to hold you in my arms"), the way things blew up so spectacularly, etc. and my reasoning there is mostly that. we know already that they had really loose sexual boundaries with each other. they jerked off together, they fucked women in the same room together & allegedly together as well. and already just those two/three things constitute as a sexual relationship, but not smth they would've seen as one.

but i do think they did more than that. i mean, it doesn't really matter if they did more than that, the rest of what i'm gonna speculate stands even if all they ever did was jerk off together and fuck women together, but like... aside from the like Mountains of evidence that there was something there, i just think it makes sense w their personalities. john isn't the type of person to have self-restraint and i don't think paul, especially when he was younger, would've turned john down. i think if john was into men (which he was, we know this) and if he was into paul (incredibly likely) then he would've made a move. and i think if he made a move and got rejected he would have raised hell, and that never happened.

i think they probably started doing shit together (again, the extent of that is debatable) and they absolutely did Not think of it as being anything queer. i couldn't tell you the mental loops they tied themselves in there, but i have Some thoughts just based on who they are. i think john probably passed it off as like "a hand's a hand, a mouth's a mouth" type of thing (which is hilariously something yoko talks about him saying in her audio diary during the white album sessions). and i think paul probably saw it (& any other things he was doing with men, if he did) as something fun that feels good and isn't something he needs to like look into deeply. i think neither of them would've thought of themselves as queer, bc they probably thought of queerness as very binary- you're either gay or you're straight. and they both were into women (.....ostensibly) so they couldn't be gay. i think john like realized, on some level, that he was queer and Hated it about himself for a very long time and only started coming to grips with it towards the end of his life. i think paul eventually came around to it but by that time he was married to linda (& if rumors are to believed, possibly having threesomes with her and men lmfao) & i don't think he would Ever want to come out publicly even if he's out privately (which i do think he is).

so why didn't they get together? why is paul so insistent that john was straight and not in love with him? i think they just genuinely never talked about it. ever. like i don't think they had that conversation. if neither of them were gay and their sexual relationship was just john and paul things, there wasn't any need to talk about it. queerness was more acceptable for the young. not in an open sort of way, absolutely not, but in the way that they could tell themselves they'd grow out of it, they were just messing around, etc.

i think things got harder when brian died- he died queer, alone, and in a situation that a lot of people thought was suicide. and ofc, we know the band didn't think it was suicide, and i don't think it was either, but that's the kind of thing that sticks in the back of your mind. esp if you're like john who had a lot of mystical/magical thinking. i think it was a bit of a wake up call. time to grow up. i think they both thought they were each the Only one dealing with actual queer feelings & attraction to the other and were soooo sure the other one was just straight and fucking around. which probably hurt, quite a bit, but wasn't something they wanted to look at anyway.

and when john got with yoko and got serious with her, i think that was the bubble bursting. cynthia was different. they got together so young, he never made her a priority, he cheated on her constantly, belittled her, didn't have a place for her by his side bc he carved that space out exclusively for paul. and you can tell that just by the amount of quotes paul has about john marrying yoko being the catalyst, about it being time to grow up, etc which is insane considering he was already married and so were george and ringo. for years. so it was something deeper than that. and it's bc he was actually taking yoko seriously. paul's spot as john's primary partner got filled by a woman. who john was genuinely in love with, not like cynthia which was a marriage fueled by the age old tale of an unplanned pregnancy and comphet. and paul can't argue with that. like....... if he viewed what they were doing as messing around as kids, with john being straight and him being the one pining, he wouldn't want to fuck up john's chance at a Normal Straight Love. if he were a girl, he could, but he wasn't. what he Could do was match him and grow up too. cue the immediate pivot to get married and have children, eventually fulfilled in linda.

but i don't think he expected the band to implode just bc they stopped being so close in whatever manner. but it did. along with other reasons, obviously- there's a million reasons the band broke up, but i think they could've weathered it if they had kept the closeness they'd had at the beginning. or if they'd been single or even if they'd just kept viewing each other as their primary partner aside from their wives.

i think they both came to terms with what they actually meant to each other in the 70s, but they never actually... told each other. what we have from john is jealous guy, which paul was allegedly told was about him, and that demo version of real love that paul never even heard where he laments about him having a baby/farm and how he used to hold him. there's also (just like) starting over, but that one's easy to see as being for yoko too and paul wouldn't have thought twice about it. then you have now & then and real love, which were on that damn tape for paul :( like he literally didn't hear them until after john died and we know he likes the idea that now & then is about him but even then he doesn't sound totally convinced

for paul we have a lot. but a lot of his like more vulnerable songs were only released after john died. like here today, obviously, but there's also some pretty telling ones that john never would've heard (like best friend, which he played live, but wasn't on any album until 2018. or a more of a Stretch of one but i 100% think is about john, hey diddle, which was kept off ram and only released in 2001).

so like i think they very much both came to grips with the fact that they had been in love with each other, but they never really.... thought that could be returned. so ofc paul's going to say shit like how he likes the theory that john was in love with him or wrote now & then about him. but he doesn't believe it, because to him john was Genuinely straight and he was the weird one. and vice versa. i think i saw a more recent thing from him coming around more on the idea of john being bi, but honestly i think that's just hard for him to come to grips with bc what the hell are you supposed to do with that? like yeah, he was into men, possibly even romantically, on a genuine level, just not him? that's hurtful. i don't think he wants to think of that option. bc that's more likely to him than the idea that john was in love with him and hiding it the whole time. which is also heartbreaking. bc then it's just a tragedy of circumstances and missed chances- which is what i think it was. and neither of those routes are something i think he wants to consider, so john has to be straight in his mind.

but if he's coming around on that, he's probably coming around on one of those two options. i hope it's the latter bc the idea that he'd think even now that john never loved him is just so fucking sad. and considering his comments about now & then, as well as the lyrics video for now & then, i really do think the latter is more likely.

anywayyyyy tl;dr i think they fucked around sexually in Some Way, never said a single thing romantically, both came to terms w their feelings in the 70s but by then it was too late and they didn't think the other one would reciprocate anyway, and now paul's been trying to come to grips w the ambiguity of their relationship for the last 40+ years.

[internetgiraffekid1673]

Raven Queen's Bottomless Compassion: Exhibit Duchess

As a fandom, I don't think we talk enough about just how incredible Raven is, which is a shame because SHE'S THE MAIN CHARACTER!

And there are lots of things to like about her! She's obviously got her incredibly interesting and complex relationships with Apple and her mother and her story-driving, world-shattering actions as she rebels against an oppressive system.

But even beyond the main story beats, Raven is a delight! She's funny and has an amazing dry, observational kind of humor that makes every scene hilarious. She's creative and clever, capable of making both very well-thought out plans and improvising decisions on the fly. She's constantly in wonder of the world around her, even despite the horrible looming destiny system, and is able to find joy in things as simple as tea with her friends or playing guitar. She's relatable, and she feels like she could be a friend of anybody watching or reading the series.

But today, what I want to talk about is Raven's neverending all-consuming COMPASSION. Raven Queen is able to find the good and a reason to love every single person in her life.

This is really obvious in scenarios like Apple, who Raven considers a friend and enjoys being around, even as Apple tries to force Raven into a terrible life that she doesn't want. It's obvious in instances like Cerise, who Raven didn't know very well prior to Cerise sharing her secret, and who Raven still goes out of her way to help and love and support, to the point that Cerise joins her main friend group. It's obvious in cases like Dexter, who feels inferior and unseen around most people but who Raven values and admires from their first real interaction, and it makes him feel good about himself.

I could go on and on, but today I wanna talk specifically about Raven's compassion towards Duchess Swan. This is gonna get long, so under a cut it goes!

Now, from what I remember, Raven and Duchess don't interact much in the cartoon. When they do, it's usually with Duchess acting as part of a group of Royals, not independently. If I'm wrong, feel free to correct me and add your own examples!

But in the books? Their relationship makes me feral. Duchess treats Raven similarly to how she treats everyone else: badly. Her rude and self-absorbed attitude make her one of the first people to mock Raven, and while the books make it clear this has been happening since they were in Nursery-Rhyme school, it's clearly demonstrated in one of the earliest scenes of the Storybook of Legends (Briar's Book-to-School Bash).

After this scene, Raven goes back to her room, buries her face in her pillow, and refuses to speak to anyone. But this is how their relationship starts. Duchess is cruel and antagonistic, like she is with everyone (although moreso with Raven, since the greater royal-rebel tension is coming into play here), and it deeply hurts Raven enough that she literally explodes. Duchess knows she's made a mistake, but doesn't do much to repair things with Raven beyond avoiding her.

Duchess fades into the background for a bit until Next Top Villain, which is HER book. The premise of this book is that Duchess gets assigned to General Villainy by Headmaster Grimm who is now taking Raven seriously and is worried he can't make her be the Evil Queen for the Snow White story. Since he knows about Duchess' willingness to try to steal other people's destinies (ANYBODY's destiny, since she's got a REALLY terrible fate all things considered), Grimm puts her in General Villainy and hopes she'll go after Raven.

Duchess is at first reluctant and confused (she has the same dilemma as Raven of "which is worse, failing a class called General Villainy or acing it,"), but she overhears Grimm discussing his plans for Duchess with Badwolf, and counts that as permission to go all in.

When Blondie decides to advertise the General Villainy's latest thronework of "do a rotten and nasty plan," and turn it into a televised competition, Sparrow (who is ALSO in the class due to Grimm trying to capitalize on his less-than-heroic tendencies) gives Duchess the advice of just sabotaging all the other students plans (he's gonna double cross her at the end, but that's not important right now).

So, Duchess goes about spying on her classmates, ruining their plans, and netting them all failures while she creeps closer to an A. For the whole competition, Duchess is SURE Raven is going to be her biggest obstacle. I think this goes to show JUST how deep the brainwashing runs in EAH society.

This is AFTER Raven has very publically refused to sign her page and has become the face of the Rebel campaign. Duchess has WATCHED Raven in general villainy say that she doesn't want to be evil and would rather just be nice. And Duchess is still convinced that Raven must be a true villain at her heart and is going to do an actual nasty scheme, and she has no idea how she's going to sabotage it. So, she goes to spy on Raven to get some ideas.

And look. If I were Raven, I would still be pretty upset with Duchess at this point. She's said and done some really awful things to Raven and people Raven considers friends. Yes Raven has bigger things to worry about. Yes being hostile and bitter takes more energy than being nonchalant and kind. But I don't think I would have been able to forgive Duchess at this point.

But when Raven catches her spying (in swan form), this is how the interaction goes.

Apple was in the room with them JUST a few seconds ago. She really easily could have sold Duchess out, or at the very least ignored her. But instead, she acknowledges Duchess with her trademark intelligence and casual kindness, which Duchess has NO IDEA how to react to.

The book continues and there's some incredibly heart-wrenching and dramatic stuff where Duchess sabotages her roommate Lizzie, who she's been slowly building a genuine odd friendship with. Duchess is probably at her lowest point in this scene I'm about to share, and when Raven steps up to reveal her plan, she's thinks she's about to lose absolutely everything---her friend, her reputation, AND her grade. But Raven surprises her.

Before we get on to the next part, I want to stop and mention that not only did Raven NOT HAVE TO DO THIS, it also had to be INCREDIBLY DIFFICULT FOR HER. Remember, Raven doesn't have very good control of her magic (as seen in the party). Even when she's just trying to use small amounts to help herself, it usually ends out working not quite right (like launching herself into the sky instead of turning invisible, or making her heavy trunk trail behind her with snail slime instead of making it feather light). And in the very first scene of the books, we learn that Good Intentions + Raven's Evil Magic = Disaster (and usually fire and/or explosions).

Raven could have very easily just said "I'm not doing a scheme, leave me alone." She's under no obligation to help Duchess. She's not trying to be evil, and she doesn't want people thinking she is. This kind of blasè brush-off would be perfectly on-brand for Raven. But instead she takes a MAJOR risk using her uncontrolled magic and puts on this big show just to help someone who's been nothing but cruel to her. And why?

RAVEN QUEEN IS FULL OF NEVER-ENDING AND BOTTOMLESS COMPASSION!

She SEES Duchess in a way that literally nobody else does. She SEES Duchess in a way that she is able to SEE every single person for who they really are and what they really want. And when she realizes that Duchess is unhappy in the life she's been handed, Raven ignores ALL the horrible things Duchess has done to her to help her change it AND stops to let Duchess know "I respect your right to make your own choices, but I don't think this'll get you what you want."

And I think it being Duchess specifically in this instance is REALLY important. Apple might be trying to force Raven into becoming a terrible person and living a miserable life, but Apple does still LIKE Raven. She values Raven's skills and personality, and, as long as the subject of destiny doesn't come up, is pretty nice and polite to her. She would never consider doing the things Duchess does like insulting Raven's father.

But even when it comes to people who have been literally NOTHING but unkind and malicious to her, Raven Queen's heart is so big that she does her absolute best to love them and help them become better people anyway. And if that isn't an absolutely amazing role model of a main character, then I don't know what is.

As the book continues, Sparrow double crosses Duchess by playing his guitar really loudly and startling Lizzie's horse during their Princessology riding exam. Lizzie's horse runs off course and almost kills her Sparrow, but Duchess saves her just in time. This causes Mr. Badwolf to Fairy Fail Duchess (since, saving a Princess' life outweighs her schemes), but it does save her friendship with Lizzie.

And the people at the end of the book who comfort Duchess after her dangerous and daring rescue aren't any of the princes or any of the teachers or any of the other Royals. It's Lizzie Hearts---her roommate, the girl she just saved, and the person who is now probably her best friend---and Raven Queen.

The girl who's endless compassion and willingness to say "No, this is wrong, there is a better way" is a force for change and good so strong that it can do almost anything. From something as big as defying an oppressive system and inspiring others to do so too, to something as important as saving Cerise and Maddie from exile, to something as small and simple as inspiring someone as bitter and afraid as Duchess to be a little braver, a little kinder, and a little better.

Also, massive thank you to @athena-xox for having ALL of the EAH media available digitally for free in her pinned post, it makes analysis like this so much easier.

Give it up for Raven Queen.

[voylitscope]

This post about fic length came across my dash. It got me thinking about how many truly incredible Stucky fics under 5k I've read — specifically about the short fics that have broken and/or healed my heart.

So, I made this quick rec list of 10 under 5k Stucky fics that are deeply heart-affecting and emotionally devastating.

(There are so many beautiful, moving, and painful fics in this fandom that come in at under 5k. In the interest of keeping this list to 10 fics, these fics are all also canon/canon-divergent.)

💔 Cheat Days | chicklette | Mature | 2,033 words | Pre/Post TWS

Quote I'm unwell about:

Only on the very worst days – when he is tired and sore and hurts all over, hurts inside and out. Sometimes it’s the fight that does it, his need to be held, to be loved after throwing himself on the line. Other times it’s something else - something more cruel – a joke that he knows Bucky would find hilarious, a movie that Bucky would have loved, a book. Sometimes Steve is just so goddamned lonely that he feels like he’s going to come out of his skin. Then he has what he calls a cheat day. A day when he closes up his apartment and uses the coin, and sighs into Bucky’s embrace.

💔 029. Mirror | aimmyarrowshigh @aimmyarrowshigh | Mature | 2,400 words | Pre-War

Quote I'm unwell about:

“I wanna sit at his bedside when he’s sick,” Bucky says finally. “And buy him hot dogs at Dodgers games. And uh… I guess, I wanna…” He exhales and looks down, away from Mrs. Rogers’ eyes. They’re too much like Steve’s and Bucky’s never said this out loud, not even to him. “I wanna get an apartment for the two of us and curtains that close, and I want to teach him how to dance to Cole Porter records. I want to finish all his stupid fights. I want… I dunno. A lotta impossible things.” Sarah’s voice is so soft. “Like what?” “I want to see him grow old,” Bucky mutters. “Right beside me. I want it to be a hundred years from now and look to my right and see Stevie standin’ there.” He blinks away the heavy wetness in his eyes.

💔Not the Needle, Nor the Thread | steebadore | Explicit | 2,017 words | Post-TWS

Quote I'm unwell about:

"Okay, sweetheart, okay," Bucky whispers, running his thumbs over Steve's brow, his wet eyelids, down that bumpy, ungainly nose--the only physical evidence that Steve is a flawed human and not a figure cut from marble. If you asked Bucky what he loved most about Steve, he might say something like his goddamn earnest heart, or those too beautiful-for-spacious-skies eyes, but really it was this: the bump on Steve's nose, put there by Bucky himself, age eleven. Selfish, maybe, but Bucky never pretended to be otherwise these days. He doesn't know why the serum didn't fix that--Bucky likes to think it couldn't. Steve always said how it didn't change anything, just amplified what he already had, and what he had was Bucky's mark on him, down to the bone. This one's mine, it said. You cannot have him. Not the whole of him.

💔Through the notches in your spine | caughtinanocean | Explicit | 4,460 words | Post-TWS

Quote I'm unwell about:

Maybe Steve was right to worry, and maybe he's not ready and—he's breathing too fast, and Steve's going to notice any moment now, going to stop and leave. Steve lets go of Bucky's hand to stroke the side of his face, tender and soothing. He leans in to give Bucky a soft kiss on the lips, and Bucky doesn't feel so panicky anymore. He's with Steve. Steve is inside of him, as close as someone could be, and nothing bad could ever come of that. Bucky wills himself to focus on the moment, to watch Steve's face, soft with affection, to relax and enjoy this. “'s like it's my first time all over again. How many people get a shot at that twice?” Steve groans. He looks flushed and giddy and bright, and Bucky's inordinately proud that it's his words and his body making Steve glow like that. “I'm gonna make it way better for you this time.” “Our first time was bad?” Bucky asks, trying not to sound crushed, even though he feels it a little.

Steve traces Bucky's jaw and down the line of his neck to caress his chest. “No, our first time was perfect. We had no idea what we were doing, but it was perfect.”

💔A History of Birds | OddityBoddity | Not Rated | 2,580 words | Post TWS

Quote I'm unwell about:

“I don’t remember,” he says. Steve holds his breath. “I don’t remember telling anybody about that.” It’s like there’s something stuck between his lungs, like something’s pulling them apart in his chest. “You mean about the bird?” he whispers. Bucky looks at him. Not staring, not really, but looks at him like Steve’s looked at paintings before. Like he’s trying to work out how it’s done. “That little bird,” Steve says quietly. When he speaks, he speaks like the words are a spell or a prayer. Like the words are going to reach into Bucky the way his name once did. Like they’re going to catch his arms and pull him up to safety. This secret they both kept. Something so little, so inconsequential that no one has touched it.

💔You Will Meet a Stranger | spitandvinegar | Mature | 3,081 words | Post-TWS

Quote I'm unwell about:

"Steve," she says, unruffled. "He needs someone who'll look at him without pining for who he used to be."

Steve sets his coffee cup upright again. He mops up the mess with a napkin. "Honestly," he says, "All I ever pine for is for him to look back."

💔This is the place | dharmashark @dharmasharks| Explicit | 4,654 words | Canon divergence

Quote I'm unwell about:

With a metal hand there, under the small of his back, Steve might as well be weightless. It’s terrifying. For Steve to be so fragile in ways that Bucky isn’t, and might never understand. But Steve has never been afraid, has never shrank away. Not ever. Not even when Bucky could have—when he would have—when he almost hurt him—Steve had only balled his fists and locked fierce, red-rimmed eyes on his. Steve is fragile; he is unbreakable. Bucky’s memory is full of contradictions.

💔i've seen my share of trouble and i've held my weight in shame | inevitablemeow  | Teen | 4,166 words | Post-TWS

Quote I'm unwell about:

Bucky is a ghost, still, in the wind so far they haven’t been able to find him. It’s been six months since the helicarrier, and Steve hasn’t lost hope, not fully, but he’s slowed his search. Seeing this heart, knowing that all the others are his, has that hope roaring back to life. They’re his. They’re all for him.

💔sorrow sings a song in me | unicornpoe | Teen | 4,425 words | Post-TWS

Quote I'm unwell about:

Bucky’s note is on a thick piece of cardstock, and the words are a little more steady, this time. STEVE, IT HELPS ME TO READ THESE THINGS. I THOUGHT IT MIGHT HELP YOU TOO. I MISS YOU. I WANTED TO CRAWL UNDER THAT BLANKET WITH YOU, BUT I DIDN’T KNOW IF I SHOULD. I DON’T THINK I’M GENTLE ANYMORE, AND I WANT TO BE GENTLE WITH YOU.

💔more than anything | jehans | Explicit | 2,938 words | Pre-War

Quote I'm unwell about:

Steve is a reckless asshole who Bucky loves unconditionally and wholeheartedly, and when Steve is quietly undoing him in their bed, loving on him openly and indulgently the way Bucky doesn’t always let him, it becomes difficult to keep pretending that Bucky wouldn’t go to the ends of the earth for any of Steve’s whims. But mostly, what makes him so honeyed in these moments is the way Steve transforms. When he climbs on top of Bucky, all of Steve’s usual, too-close-to-the-surface anger drains out of his eyes, clearing away into pure blue skies of utter adoration. It’s an honesty that Bucky cracks under, breaking open the clay of mundanity and allowing him to shine brightly under Steve’s hands.

Fic rec series

[moistvonlipwig]

🔥

kara danvers :)

ok well you and i have discussed this at length so this will not be new to you but imco (in my correct opinion) kara danvers [as portrayed by the cw's supergirl, not necessarily in other versions] is actually pretty lazy, and i would argue this is one of her most central and consistent character traits. and i don't just mean physically lazy, although i should note that per 3.17 "trinity" she canonically Hates Walking and doesn't understand why humans exercise. i mostly mean on an intellectual & moral level.

kara wants to be a reporter, but when she figures this out (because......a pretty lady told her she should do it? ig?), she does not apply to journalism school, or take online classes. instead she is handed a reporter job by her boss (who scrawled 'reporter' on her hilariously terrible resume when they met for reasons known only to her) and from then on proceeds to basically just do whatever she wants and get offended when more seasoned reporters who have gone to journalism school ask her to do basic functions of the job like Acquire Sources and Report On The Facts And Not Just Your Personal Opinions. at no point do we really see her ask her colleagues, even friendly ones like james, for advice or help; instead, advice is something that's imposed upon her by the wicked snapper, who dares to be unimpressed by her uneducated slay. throughout the show, on multiple occasions, the idea of actually Doing Her Job seems to offend her -- lena even calls her out for this explicitly in 3.02 "triggers," but she continues to display this behavior with andrea in s5 & s6. in the finale, when she is promoted to editor-in-chief in an act of blatant cronyism that truthfully should prompt the entire catco staff to quit in protest, it is not on her initiative, nor due to her efforts, nor is it because anything about the position has piqued her interest; it is, again, simply handed to her, and she just accepts.

additionally, we rarely see her express meaningful curiosity about, well, any subject, really -- we know she learned calculus young, but her interest in math and science seems nil; she is deeply naive about the u.s. justice system in s6 in a way that suggests she has never looked into it, though her own mother was a judge on krypton; and a lot of her interests seem very Basic (pizza, potstickers [? why girl.], nsync, the wizard of oz, harry potter), which to be clear is not inherently a sign of intellectual laziness or incuriosity, but it also does nothing to suggest that she is someone with a wide knowledge of food, literature, music, or film.

she also demonstrates what i would argue is a kind of moral laziness, though you could call it an offshoot of her intellectual laziness, in her general lack of real self-reflection about, like, any of her actions. although some of the other characters sometimes bring up how messed-up the DEO is (e.g. james in s1 with the gitmo comparison -- which, CRAZY line to put in your show and then never address, btw), kara herself does not question it (until the Wrong People take over, of course). her rhetoric in early s2 about daxamites suggests that she is quite comfortable believing sweeping generalizations she was taught as a child and has never really sat down to interrogate them, but while mon-el being.....pretty bad but i guess not as bad as his mom? yay? inspires her to stop being bigoted against daxamites specifically, we will later still hear her say that certain species tend to be peaceful or aggressive, etc., with no self-reflection. in 3.05 "damage," when morgan edge tries to make it seem like lena's lead dispersal device that kara activated poisoned children, kara does not take the opportunity to self-reflect on the choice she made and whether it was worth it; instead, her arc for the episode is reacting emotionally to her best buddy feeling guilty (about the thing kara also did. i cannot emphasize that part enough).

i would argue the conclusion she draws in 5.13, too, smacks of this moral laziness; she spends the episode looking for a magic shortcut to not having to feel bad anymore, and when she can't find one, she decides that actually, meh, there was never a perfect way for things to go down, so all that lying wasn't such a big deal and lena should just get over it. kara is dripping with a lot of guilt in 5A, but throughout both 5A and 5B there's very little actual, thoughtful self-reflection on what she did wrong and why, and that carries over into S6 when, after like ten episodes of lena (and also william ig) repeatedly trying to tell her not to play god, she decides in the very penultimate episode to solve her problems by eating the sun, and then when she decides against it partway through doing it, there's again very little self-reflection on her part of why the hell she thought that was a good thing to do. kara's morality, on the whole, seems largely based on (a) alex and (b) vibes, and not so much on any actual thought she's dedicated to the moral questions at hand.

and similarly to when kara is asked to Do Her Damn Job at her place of work -- when kara is challenged on her morality (like when lena challenges her on the kryptonite in s3, or on myriad in 5.17), she acts annoyed at the very idea of having to do the hard work of thinking about the morals she espouses as a superhero. and it doesn't read as someone who has thought very hard about her moral choices and is offended because she believes so strongly that she's right, because we never actually see her thinking hard about these moral choices she makes at all. it reads as someone who hasn't thought about it beyond a very cursory level and is frustrated that she's being asked to. because, again, she's just fundamentally kind of lazy.

and the thing is this might sound like i am dunking on her but actually i think this is a trait that is incredibly funny. my favorite portrayal of supergirl/kara danvers is the one from the children's cartoon dc super hero girls 2019, whose version of kara is ALSO lazy, on top of being an aggressive, quick-to-anger, rude, irresponsible, selfish brat. and she's hilarious in that show, she's one of my favorite characters. another favorite character of mine, also a children's cartoon character, is anne boonchuy from amphibia, whose entire character journey is about learning not to be physically, intellectually, or morally lazy and learning to [school principal voice] Apply Herself instead. it can be incredibly fun to watch characters be lazy and incurious and self-centered, whether they change for the better or not. but it is a bit strange that some people act like kara is this super disciplined person who loves working out and loves learning and reads widely and is curious about everything and self-reflects on her own decisions and how she affects others to the point of obsession. i wonder if part of it is 'femslash same-character syndrome,' where people slap other characters' traits from other popular femslash ships onto each other. because the character i just described is adora from she-ra. who a lot of people think is similar to kara. except no. she's not at all. as evidenced by this whole write-up ☝️ lol. they're just both blonde and for some reason (#blondephobia?) femslash fandoms wanna act like all blonde girlies are the same. but they are not. #wakeupamerica.....

[tac-the-unseen]

What the Lost boys think about vampire related media

Fluff, x reader but just barely

•While making conversation with your four Vampire lovers you were suddenly plagued with a question.

“How do you guys feel about vampire related media?”

-That question was an immediate head turner. The cave goes dead quite before Dwayne speaks up, “Well…vampires are in hiding so…”

-This sparks a conversation about how media representation of vampires may not be accurate, but that's a good thing. “If a book or movie comes out and it is shockingly accurate to what being a vampire is really like, the creator isn't going to last long.” David explained

-That's because there's a set of rules vampires have to follow and one of those rules is to never publicly reveal your double life identity

-”If something like that comes out, that means a vampire has broken that rule OR somebody knows vampires very closely and is creating media they know shouldn't exist.”

-Turns out if a vampire breaks that rule it's basically open season to kill and destroy their creations.

•You turn the conversation and begin to ask how they, specifically, feel about certain vampire representation

•Bram Stoker's Dracula

-Dwayne is the first to buy in his opinion.

-Dwayne feels that while it is a cult classic and well written, The characters are exceedingly dumb.

-”Johnathan spends a ridiculous amount of time talking about other characters ‘Breasts’ and trying to figure out why his host climbs walls ‘like a lizard's.”

-David is the next one to speak up

-David thinks it's not really worth the read

-”Unless you're trying to brag to people there's no point in reading it.”

-”Also why was Mina talking to that old sailor so much?”

-Paul laughs as he remembers “how fucking crazy he wrote Dracula to be”

-”I'm pretty sure the real Dracula thinks it's a heinous crime against him”

-Paul hasn't read it but have heard enough about it to know even the more obscure references

-Marko comments on the graceful writing style and the beautiful descriptions

-”I've only read it because Dwayne thought I would like it"

-Marko also loves how oblivious Jonathan and most of the other characters are

-All of them think the movie adaptation is hilarious and love the shitty special effects

•Interview with a vampire

-Paul chimes in immediately

-”God it's so homo erotic it hurts…in a good way.”

-Paul thinks its a nice horror novel mixed with a weird cozy atmosphere

-Dwayne thinks it's another well written classic and He actually begins to rave about all the themes involved within Anne Rice’s work

-”It's a beautiful Gothic thriller with a deep, sadly comedic energy.”

-He even offers to read it too you sometime

-Marko chimes in quickly about “Claudia’s rebellious behavior and persona”

-”imagine watching your family choose somebody else over you. It's so deeply upsetting but to an understandable level.”

-”I would have hated to turn so young. I look like a teenager and other people can respect that to a certain point. But being five years old with the mind of an adult, No one would respect you.”

-Marko relates to Claudia on an internal level and loves unraveling her character. When you ask why he quickly responds "Some people call me a cherub... You think I enjoy that?"

-David says he doesn't have much to say other than it was a decent read (That's his version of a compliments)

•Twilight

-All of them agree that it's laughably horrendous

-Almost immediately at the same time they say “This is the skin of a killer Bella”

-This leads to banshee like laughter

David speaks up immediately

-”Why do you humans want us to sparkle so bad?”

-”I personally hate the idea of being a walking disco ball, but to each their own.”

-Marko chimes in quickly

-”Would you like it if we sparkled?” He asked while leans on you affectionately

-Marko thinks the only reason to read it is to have a nice laugh

-”Why did Edward have such a violent reaction of Bella standing by a fan? That makes no sense…like I have mates and I enjoy the smell of you guys but…I'm not nearly clawing off my face at your smell”

-”Yeah yeah, I get he's trying not to overreact but running out of class to get away is crazy.”

-Paul even adds that even thought it's very dumb even he can appreciate the message it's trying to said.

-”something something, coming over adversary, something something, love wins, something something..”

-”Also that Jacob imprinting on Bella's infant daughter is super fucking creepy.”

-when you asked Dwayne about his feels he scoffed and said It's insulting at best and borderline sexual harassment at worst.

-He refused to go into depth

•You thank them for humoring you and they tell you that it's no problem

-David kisses the side of your head in an uncharacteristically soft way “We don't ever mind answering your vampire related question.” He tells you

-Marko turns to you “But seriously do you want us to sparkle?”

-”I think I have some roll on body glitter somewhere..” Paul says while getting up to look for it

Thanks for reading <3

[rootspiral]

I was rewatching the end of WandaVision recently and I was struck by the parallels between Wanda and Vision's last kiss and Agatha and Rio's, with how both Wanda and Rio are left standing frozen, hands outstretched as if they're still holding their lover's face even as Vision dematerializes/Agatha slowly falls. I just think it's kind of interesting how the two shows echo each other in so many ways. This isn't really a question lol I just remembered while reading your posts and thought I'd share.

There is a lot of intentional rhyming between WandaVision and AAA, you're absolutely right. Even down to the structure of the episodes and overall arc, we start with hilarious little episodes and then the comedy gives way more and more to big scale tragedy. (And I suspect the two last WV episodes would have been much angstier if not for the stupid CGI battles they were forced to add.)

Wanda/Vision and Agatha/Rio exist on the same narrative wavelengths, they are doomed from the start and yet you root for them because they are so so deeply in love - despite the happy ending being so completely unlikely (Vision is a figment of Wanda's imagination, Rio is literally Death) we leave them at the end of the show with a glimmer of hope that maybe, just maybe they'll meet again and things will work out. Like I said, it is rhyming and it's intentional, there are some very specific themes that Jac and Co. set out to explore.

I find it funny though that despite the parallels between Agatha/Wanda and Rio/Vision, one couple works so well together while the other is such an egregious dysfunctional mess. The endings are complementary, but on one hand we have Vision and Wanda being so sweet and reassuring and helping each other through this horrible ordeal. Like, Vision is so suave and wise, "stands to reason we'll say hello again" etc. Meanwhile Agatha who cannot talk about 1 (one) feeling without screaming in terror kinda just... sticks her tongue down Rio's troath and dies. The icon, the legend, the clown she is.

[cookinguptales]

The power is still out so I guess I’ll get started on that meta now.

One thing that I think is really fascinating about this season as a whole is that it’s really, really emphasizing the power Nandor and Guillermo have to accidentally hurt each other. It’s kind of fascinating, tbh, because this whole show it’s been Nandor purposefully but also accidentally hurting Guillermo — but this season, it’s been very much the other way around.

Let me start with Nandor’s history of this. It happens in almost every episode, being honest with you, but two of the clearest instances were in 1.01 and 4.09.

In the very first episode, we’re introduced to the relationship that Nandor and Guillermo have by how they behave on their 10th anniversary as a master-familiar partnership. Guillermo is practically giddy at the idea that his beloved master is finally going to make him a vampire, and he’s hurt deeply when he not only does not do so, he appears to have forgotten altogether how long Guillermo has been there.

We feel bad for Guillermo here, but… well, let’s look at it from Nandor’s perspective. Yes, he forgot how long Guillermo’s been there, but… being real with you, the vampires seem to have a very shaky grasp on time at the best of times. They don’t understand human lifespans at all, they have very fuzzy memories for when things happen, and almost every time they make time estimates they’re off by a hilarious amount. I don’t know that we can fully blame Nandor for not realizing that an entire decade has gone by — he, like the other vampires, tends to live simultaneously in the Long Time Ago and the Right Now and any time in between those periods is ?????

So to him, he’s remembered when their anniversary is (already a success) and has put hours into making a handmade art project for his very endearing familiar. He is sure that Guillermo is gonna love this. He thinks he is absolutely acing this being-a-vampiric-master thing.

But we know that his gift depicting the two of them as vampires together is really just rubbing salt in the wound, because we’re approaching this thing as humans — like Guillermo.

Then again in 4.09, Nandor straight-up steals Guillermo’s boyfriend and inadvertently puts the events in motion that will lead to Guillermo’s boyfriend leaving him for his own clone. Terrible behavior! This hurts Guillermo deeply! His very first boyfriend cheating on him (sort of) with the man he’s been in love with for over a decade and then leaving him altogether for another man he is cheating with (definitely) who also happens to be his own clone.

That’s traumatizing!

But… again, let’s look at it from Nandor’s (very stupid) POV. He knows that Guillermo losing his boyfriend will hurt him, but he also wants to have said boyfriend. So he comes up with a solution that, to his mind, will make everyone happy: let Guillermo keep his boyfriend but also make a clone of him so he can have him, too.

I think it’s very important to note here that, catty as it was to say, Nandor was right. He definitely could have stolen Guillermo’s Freddie without too much work. The guy’s a philanderer. But instead of doing that, he used up one of his last three wishes to make his own Freddie specifically to avoid hurting Guillermo. And then he seemed genuinely confused when Guillermo was hurt anyway. He then tried to do whatever he could to make Guillermo stop hurting, including offering him his own Freddie, until he ultimately gave up a toy that he truly loved so Guillermo would hurt less.

Again, from Nandor's POV he has made a significant sacrifice for Guillermo’s well-being. He has given up a man that he really, really liked so Guillermo would stop being so heartbroken. Moreover, this is a man that, to his mind, he got the hard way instead of the easy way that would have hurt Guillermo more.

So he still thinks he’s doing great at this relationship, even if we know he is ultimately breaking Guillermo’s heart.

(And as an aside here, I think it’s fascinating that Guillermo really did seem to understand exactly what was going on, too. He knew that Nandor’s decision to clone Freddie wasn’t about Nandor wanting Freddie, it was about Nandor wanting all of Guillermo’s attention on him at all times, and that’s why he was angry.)

Anyway… that’s all a really long way to get to my point, which is this. We’ve seen Nandor play this out a hundred times, doing something he thought was fine only for it to devastate Guillermo. We understand human lifetimes, relationships, and emotions, so we understand why Guillermo is upset. But, and this is key, Nandor doesn’t.

So season five finally shows this happening in reverse. I’m not going to say that Guillermo hasn’t hurt Nandor before, purposefully or otherwise, because he has. But boy did he really fuck things up this time.

Like Nandor, Guillermo didn’t do any of it on purpose. He was never trying to hurt Nandor or upset social norms when he paid Derek to bite him. But vampiric priorities are as foreign to Guillermo as human priorities are to Nandor. He did something he thought was totally fine and value-free only to find that he didn’t just transgress a social norm, he transgressed the big one. He didn’t just do something that would hurt Nandor, he did something that will destroy him.

He didn’t mean to. His misunderstanding was understandable to us, fellow humans. But that doesn’t make it okay. Just like it wasn’t okay when Nandor stole his fucking boyfriend.

It's almost like this was tailor-made to force the audience to think about how the vampires have been interacting with Guillermo for years. This time Guillermo didn't know something about their culture, and obviously we didn't either. So we felt that same dawning horror when we understood how big the accidental fuck-up was — and we had to come to terms with the fact that this is how Nandor feels about Guillermo all the time.

Anyway... Guillermo’s big angst trigger seems to be being undervalued by the people he loves. It’s when someone who he loves with everything he has does not love him back. We see that devastation hit him both of the times that Nandor accidentally hurt him in this post, along with a thousand other times. I think, in fact, it is his main drive as a character: doing everything he can to be valued. It’s why he wants to be a vampire. It’s why he serves the vampires. It’s why he lies to his family. It’s depressing and it’s codependent and it’s unhealthy, but that’s Guillermo.

Nandor’s big angst trigger, on the other hand, seems to be abandonment. He is so fucking terrified of the people that he loves leaving him, and that seems to be rooted pretty firmly in his experiences when he was still alive. (Jehan, his wives running away, etc.) He’s so scared of Gail leaving him that he just tries harder to win her back when he discovers she’s cheating on him. He’s so scared of Laszlo leaving him that he gets angry when Laszlo makes new friends. He’s so scared of Guillermo leaving him in 2.08 that he’s willing to humiliate himself to bring him home. His primary drive really seems to be hoarding the people he loves close — too close for comfort sometimes. He tries so hard to force a connection that he ironically tends to sever it. Just look at his poor descendent Madeleine. :’)

And just as Nandor constantly sets off Guillermo’s devaluation trigger, Guillermo constantly sets off Nandor’s abandonment trigger. Every time he leaves or even just threatens to do so, Nandor goes ballistic. But it seems like the only thing that sets him off more than Guillermo leaving is Guillermo staying where he is but being emotionally absent. He doesn’t know how to handle a Guillermo who has replaced him while they’re still living in the same home. Right now he thinks that Guillermo has replaced him with Laszlo as a hang-out buddy, and that’s bad enough — how will he respond when he finds out that Guillermo has replaced him with Derek in a much more intimate way?

Guillermo’s doing everything he can to spare Nandor’s feelings in this season, but it seems like every decision he makes just upsets Nandor more. Nandor feels replaced, abandoned, and neglected, and he’s going to feel that way a hell of a lot more when he sees the truth.

Guillermo has always been shown to be capable of hurting Nandor in intimate ways that no one else can. From the very first episode, we’re made abundantly aware that Guillermo chooses to take Nandor’s shit. He twitches that curtain to the side and we realize that no matter how strong Nandor is, Guillermo has the ultimate power in this relationship. Guillermo can hurt Nandor like no one else can because Nandor trusts him to protect him while he’s asleep.

Then Guillermo becomes this legendary slayer and he can actually physically hurt Nandor like no one else can just because he’s stronger than even the most powerful and respected vampires in the Tri-State Area.

But we’re seeing now that Guillermo can also hurt Nandor emotionally like no one else can. Nandor gave him that power, too, didn’t he? This whole series, Nandor has been the one hurting Guillermo over and over, but this season is making it so fucking clear that Guillermo has the power to do it right back. Even if he doesn’t mean to.

Especially if he doesn’t mean to, maybe.

The two of them are so terrible at communicating with one another. Just. So fucking terrible. And that’s a lot of how Nandor accidentally hurt Guillermo over and over throughout the years. And it’s how Guillermo has just straight-up gutted him now.

[violet-moonstone]

highlights from "searching for oswald...and chicken"

wow I loved this episode...I feel like I say that every time but I REALLY REALLY enjoyed this one

first of all its a Dagur episode, which automatically makes it great...most of the screenshots I took are of him. Honestly all of his dialogue is very quotable, especially since so many of the jokes they give him are thinly veiled adult humour

also the B plot with chicken was certainly something (and makes me think the writers were thinking about the end of the hidden world while writing it?)

ok so the beginning of the episode was already tugging at my heartstrings. I love seeing Dagur and Heather's sibling relationship, whether hey're arguing or getting along.

Well that's deeply upsetting! and the fact that he said "most of his life" makes me wonder how much of the confidence Dagur displayed as a teenager was a cover for whatever he was dealing with internally.

The part where Dagur hugs Heather and she looks happy but almost surprised was very bittersweet. It seems like she's still getting used to having a family, and affection catches her off guard.

Excuse me while I go cry

Call me deranged but I think Dagur slamming Snotlout against a cage was hot

As always, Hiccup is adorable. Literally looks like a cat

This is funny but also very upsetting! Snotlout and Dagur really make a habit of using humourous line delivery to cope with being deeply unwell:

*clears throat* uh yeah Dagur, I'm sure you do love a good "fruit bath," from time to time if you know what I mean...

Come on, the writers, animators and voice actor HAVE to have known that line came across as suggestive. Like the way he sounds? His facial expression? They may not have intended it to specifically imply he was talking about getting in a sauna with some twinks, but it certainly sounded like something sensual was going on.

Also I didn't get a shot of this but when Dagur starts listing adjectives to describe Heather's reckless behaviour, Hiccup says "Sentinel" while looking at Oswald's journal. Dagur says something like "that's not quite the word I'd use," which makes me think Dagur was going to call her a not so PG word...

Snotlout staring directly at the camera while narrating Tuffnut's emotional breakdown in the style of a pun-loving mystery novelist:

What an asshole (I love him). there's something really funny about Tuff leaning against the tree with a hand on his hip. Poor guy. Astrid and Stormfly were clearly less amused than I was.

Ok let's talk about Hiccup motivating Dagur to open the door to Oswald's shelter. My little Dagcup heart was really soaring here. And look at the lighting!

LOOK AT HIM! LOOK AT HIS FACE!

Oooohh man, Dagur expressing guilt about his past and Hiccup trying to help him through it also really got to me.

Dagur: I was a villain!

Hiccup: No, you were a kid

Me: *crying*

Because yeah, Dagur in Riders of Berk/Defenders of Berk did horrible things, but he was also enabled by all the adults in his life who could have stepped up after Oswald left. I've already written (both in posts and in one of my Dagcup fics) about how being thrown into a dungeon as a kid only made Dagur a worse person (no one in the show talks about the scars on his face that weren't there before...). And There is clearly an opportunity for restorative justice when it comes to characters like Alvin and Eret that wasn't extended to Dagur despite the fact that they had already overpowered him and could have at least given him a choice between punishment and trying to make up for his actions. Anyway...let me not rant about that anymore.

Ok what's next...oh yeah! Astrid doing this:

Hilarious.

Um...ok so...I needed to screenshot this for uh...reasons. It's the um...the composition and the...the lighting and...yeah. All that stuff.

THE DRAWING OSWALD DID OF DAGUR AND HEATHER AS KIDS

oooooohhh my heart!

Look. At. My. Boy. He looks so happy and at peace after reading his father's letter.

Ok so again...the writers making very interesting decisions for Dagur's lines.

Dagur being funny and a little concerning again

I liked the colour scheme for this Gronckle

More Dagur appreciation.

Before the episode where Fishlegs helps Dagur fly Shattermaster, I would have assumed Dagur would make fun of Fishlegs for being a nerd -- but instead he appreciates it. I think their friendship is super adorable, and I wish we got to see more of it.

Fishie! He calls him Fishie! (I ship them a little sometimes tbh) I can see Dagur having a thing for nerds.

hehehe

and uh, let's close off with hiccup being hot and windswept

[pandacherryblossoms]

̆̈ ♡ 𝘽𝙚𝙩𝙬𝙚𝙚𝙣 𝙐𝙨 - 𝙏𝙖𝙚𝙨𝙖𝙣 𝙎𝙢𝙖𝙪 ♡ ̆̈

Character Profiles/Descriptions pt 1 -

Y/N

• Age: 21 (’03)

• Role: Jaehyun’s adopted sister, who somehow always ends up getting roped into his nonsense. The reluctant errand-runner, the voice of sarcasm, and the one person who seems immune to Taesan’s charm (or so you think).

• Personality: Quick-witted, independent, and a little stubborn. Y/n cares deeply for her friends, but she’d rather die than say it out loud. Y/n and Taesan have a very specific dynamic—one that everyone seems to notice except her.

• Fun Fact: She keeps a secret tally of every favor Jaehyun owes her. He will never pay it back.

Taesan

• Age: 20 (’04)

• Role: One of your closest friends, though people swear there’s something else going on between you two. Taesan is annoyingly good at everything, which only makes it worse. He’s easygoing but has a sharp sense of humor that matches yours perfectly.

• Personality: Laid-back, funny, and naturally charismatic. He acts like he doesn’t care, but the people close to him know he actually pays attention to everything.

• Fun Fact: He remembers the most random details about people, which makes him weirdly good at giving gifts.

Jaehyun

• Age: 21 (’03)

• Role: Your brother, and the reason you have stress in your life. He somehow manages to get you to run errands for him constantly, despite being fully capable of doing them himself.

• Personality: A loud, high-energy goofball who isn’t afraid to cry if the moment calls for it. He can be serious when necessary, but he thrives in chaos and enjoys making your life just a little harder for fun.

• Fun Fact: Has a list of his favorite sibling moments, and most of them are just times he successfully annoyed you.

Riwoo

• Age: 21 (’03)

• Role: The friend who will hype you up and cause problems at the same time. Riwoo has an unmatched talent for making situations more chaotic, and he’s proud of it.

• Personality: Playful, sarcastic, and always has a comment ready. He’s the type to tease you relentlessly but will also throw hands if someone else does.

• Fun Fact: Once talked his way out of a parking ticket purely by making the officer laugh.

Sungho

• Age: 21 (’03)

• Role: The calmest and most rational member of the group, though that doesn’t stop him from being dragged into nonsense. Sungho is the one who will sit back and observe before stepping in with a single sentence that either ends the chaos or makes it worse.

• Personality: Relaxed, intelligent, and surprisingly witty. He doesn’t talk a lot, but when he does, it’s either insightful or hilarious.

• Fun Fact: He once ghosted the group chat for a week, only to come back with one meme and zero explanations.

Leehan

• Age: 20 (’04)

• Role: The nicest guy in the group—until he’s not. Leehan is kind-hearted and polite, but he has limits. If he sees injustice (or if someone messes with his friends), he will not hold back.

• Personality: Thoughtful, loyal, and quietly strong. He doesn’t need to be loud to be respected, and he has an intimidating side that only comes out when necessary.

• Fun Fact: He has an entire folder of cute fish photos on his phone.

Kazuha

• Age: 21 (’03)

• Role: The friend who keeps you sane. Kazuha is the voice of reason in your life, though she’ll let you be delusional just a little before stepping in.

• Personality: Elegant, level-headed, and always looking out for you. She won’t hesitate to call you out, but it’s only because she loves you.

• Fun Fact: She once beat the entire friend group in an arm-wrestling match.

Yunah

• Age: 20 (’04)

• Role: If Kazuha is the one who keeps you grounded, Yunah is the one who actively enables your bad decisions. She believes life is too short to be boring and will absolutely make things more interesting.

• Personality: Bold, funny, and a little dramatic (in the best way). She’s the one who hypes you up no matter what.

• Fun Fact: She has a list of your most embarrassing moments and will use them as blackmail.

Part 2

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Let me know if you want to apart of the taglist..!

[utilitycaster]

This question is entirely in good faith: I’m currently watching campaign 2 for the first time, and you’ve said multiple times that you are a mighty nein girlie above all else. I am enjoying it, I think it’s fun and characters are great. But I find myself preferring campaign 1 more. I know this is a minority opinion as everyone loves campaign 2, but I just can’t really find myself embracing it the same way. What is it that draws you about the MN?

So I do want to preface this with the statement that I think it’s extremely valid to prefer Campaign 1 to Campaign 2. Plenty of people whom I respect do! The Mighty Nein happen to appeal to a lot of my sensibilities specifically but I don’t expect it to appeal to everyone else in the same way.

I also want to note that while it's true Campaign 2 is the fan favorite, firstly, the correct response if you prefer something that isn't the fan favorite is to commend yourself on rarified taste, and secondly, statistics are a funny thing. It's worth remembering that what you see as the Critical Role Active Fandom mostly doesn't include people who dearly loved Campaign 1, didn't like Campaign 2, and drifted away entirely in 2018; whereas people who loved C2 and didn't click with C3 are a little more likely to be around just because it's been less time and because there's more non-main-campaign stuff to hang around for (ie, people who haven't kept up with C3 might still have watched EXU Calamity or Downfall, or might be interested in Midst or Candela stuff, or are hanging out for TLOVM/Nein Animated reasons). You are not seeing Every Person Who Ever Liked Critical Role; you're seeing this segment in time.

ANYWAY. Getting to the actual point, I think Campaign 2 is my favorite because I think I take a fairly holistic view of fiction. I have my favorite characters and ships and themes and all that, but it is difficult for me to enjoy something if I don't enjoy a significant portion of it. I can't just watch for one blorbo, because the character should feel deeply rooted in a world, and have a plot that engages with who they are. This is what drew me to D&D and actual play in the first place!

Campaign 2 is the CR campaign that, in my opinion, achieves this to the highest degree. Hilariously, if you see the campaigns as a trilogy, while usually the middle of a trilogy gets slammed for being all moving pieces and no resolution, that actually works out great for a D&D game. Campaign 1 had the responsibility of introducing an entire world that was being built as the game went on (and introducing the players to TTRPGs); Campaign 3 is the realization of all that plot set up. Campaign 2 gets to explore, build out the world, and delve into characters who are inextricable from their setting, and that's what I love.

I started with Campaign 2, but decided to start catching up on Campaign 1 concurrently as I watched C2 week to week, and I started this quite early and finished C1 in about 4-5 months, and I happen to remember that I watched C2 episode 12 and an early Briarwoods Arc C1 episode back to back, and at the time, I preferred Campaign 1. Campaign 1 has its rocky starts, but the cast had already found their characters (even if the mechanics were being ironed out still) and there were very clear tasks. Early Campaign 2, while I still enjoy it, has a lot of milling about and aimless fucking around, and, understandably, the cast is still figuring a lot out. If you put, say, the Nein in Alfield next to Vox Machina at the Briarwoods Banquet? Yeah, one of these is stronger.

The thing is, that aimless fucking around led to character moments, which is the absolute heart of why the Nein are my favorites, and why I think many others love them as well. Without a clear mission or benefactor, this party had to figure out an identity and what they wanted to do, and in doing so, we got incredible moments between pretty much every party member. Vox Machina has no shortage of incredible conversations, but, for example, Keyleth and Scanlan just straight up don't interact one-on-one very much. You can't point to something like that in the Nein. I also think the fact that none of the characters knew each other terribly well helped with this. I've brought that up to contrast with the bonds in Campaign 3; it's not a bad thing to have a person your character comes in with and knows well, but much as I adore a twins conversation, the reason those conversations are so good are because Vex and Vax both spend a lot of time with other people as well. With the Mighty Nein, everyone has to do that because really, with Yasha gone half the time and then with Molly's death early on, we've got Fjord and Jester (have known each other like a month longer than anyone else) and Caleb and Nott (six-ish months and they're both hiding a lot.)

I really do get if people prefer that Vox Machina has two clear missions (with plenty of fuck around time built in) to start, the show-stopping Briarwoods arc next, and then the Chroma Conclave, especially watching after the fact - I am not sure how C2 is if you binge it vs. watch week to week, and it may suffer from a binge watch whereas C1 honestly might benefit. But the payoff is so great; you do not get the interpersonal relationships the Nein eventually have with each other without that early need for them to set their own direction.

Moving on from there, I love the setting of Wildemount and how much slow travel there is (which, to be fair, Vox Machina didn't have because that was all pre-stream; the Nein started teleporting at level 9 and Campaign 1 starts with the party at level 8). I love, as I mentioned, how tied to the continent everyone is and how relevant that is to most of their stories. I do think Molly's abrupt and unfair death early in the story is a crucial part of who the Nein are, and serves as a defining moment that is impossible to replicate but is very meaningful to me.

Also, and this is getting into some very idiosyncratic stuff: I love wizards and clerics and paladins and we get all those. I like gruff or overly formal characters with tragic backstories and good hearts and that's most of the party (unsurprisingly, Vex and Percy, in that order, are my favorite VM members). As someone who is constantly fighting the "Dump WIS not INT" fight, the fact that the Mighty Nein is fairly smart and has multiple characters specifically interested in history and politics and lore is right up my alley (the twins and Percy and Scanlan in C1 serve a similar purpose, and the fact that C3 doesn't have anyone really like this...shows).

I also like that the Mighty Nein are never famous, and I think some people don't like that. For all they are heroes of the Dynasty and end up with connections in the Empire, they aren't council members or tied to anyone specific, and this floating mercenary nature means they are setting their own pace. The only part where I think things get frustrating after some of the rockier early days is when they're hunting down Obann, and that's only a few episodes. While Molly's death is a defining moment, what is honestly a more defining moment is a few episodes earlier, when they decide against the multiple institutionally-backed job offers and decide to take a couple of jobs that will get them out of the city. I think it was jarring for people used to Vox Machina, with their duties to the council of Tal'Dorei, who dedicated a third of their campaign to saving the continent from dragons; but the Mighty Nein's greatest duty is always to each other and to becoming better people. The focus is always on them. Yes there are fetch quests, yes there are NPCs who give them some unavoidable tasks, and yes people use the term "player agency" in weird ways all the time; but the Mighty Nein are, I think, the zenith of what a player agency driven campaign can be. The story is, above all else, theirs and theirs alone.

I don't know if there will be a Campaign 4 - I'm a bit more sanguine about the prospect than I was earlier in C3 - but for what it's worth I don't think Campaign 2 is irreplicable. Or rather, it can't be replicated, obviously, but I think they could do another campaign that is deeply tied to its setting and lets the party choose their own adventure in the same way. It just takes a little more prep up front, and a little more flexibility once it actually starts. If there is a campaign 4, I really hope they do it in that same style.

[wizzard890]

is your objection to mists of avalon because marion zimmer bradley was a monster, or is it just the book itself? (i haven't read it since i was a teenager, and for whatever reason the warlord chronicles made more of an impression on me when it came to modern arthurian retellings-- idk if that's better or worse)

Oh, I hated the book well before Marion Zimmer Bradley was revealed to be a detestable sex criminal, for reasons entirely unrelated to her real-world crimes.

However, some Mists of Avalon specific crimes include:

Writing a book that is not so much a story as a tedious polemic about how yonic egalitarian ~Celtic~ paganism was destroyed by the brutal militant power of Christianity and the penis, an idea that was both stupid and deeply academically dated by the time of Mists of Avalon's publication.

Her characterization of Guinevere, which is to this day the most misogynistic portrayal I have ever seen, including 14th century and Victorian depictions.

I use "characterization" lightly, since most of the people in this book are dull mouthpieces for ideologies, or a meager assembly of one to two personality traits, especially the men. (Morgaine is the most special princess of all, so she sometimes gets up to three personality traits!)

The male characters are paper dolls, which is an issue when you're re-telling the Arthurian saga. When you're doing a feminist retelling of the Arthurian saga it's actually an even worse issue, because:

She isn't a creative enough writer to take liberties with plot (something this book has in very short supply), so she's stuck with the framework of the legends, which usually involve women attempting to trick or compete for the male characters. Unfortunately, as perviously stated, the male characters are not good, so you're left with a bunch of women backbiting and fighting and risking it all for some interchangeable dipshit, which doesn't reflect well on them. For a book that's all about how women belong to some sacred and beautiful vagina sisterhood, the female characters in this book sure spend a lot of time hating one another for being prettier than them.

It's too long. It's two hundred and thirty six pages longer than Hilary Mantel's Wolf Hall, widely praised as one of the best books of the 21st century. We simply do not require all that, Marion.

Saint Patrick catches the stray of all time here; he's ported over to England for some reason, becomes Arthur's personal confessor, and boy he just hates women! The worst, those women!

Needless changing of people's names. Lancelet? Come on.

The reduction of early Christianity (and medieval Christianity) to basically whatever your personal childhood priest/pastor said that bothered you is an absolute epidemic in genre writing, and it's all over this book. The poster child for "he would not say that" but "he" is a bunch of monks on Lindisfarne.

This isn't a cardinal sin, but if a story is all about the tides of Goddess-blessed pagan freedom and ~sexuality~, then the sex scenes should be good, right? Like, these are thematically load-bearing, they need to hit. In a turn of events that everyone saw coming if they've read this far, Mists of Avalon is a "big, meaty phallus" sort of book.

That's not all, but I'm tired of thinking about this dumb story now and frankly it's a crime that Arthur, Lancelot, and Guinevere have a three-way in this book, and it neither fixes everything or makes anything worse. Mists of Avalon: a radical reimagining that never meets a novel idea it won't squander.

[moonshynecybin]

with your same age au any thoughts to like the people in racing marcs known all his life like tito and the espargaro brothers like tito he considered part of his family I think theres a quote somewhere

when marcs mom was making lunch in the trailers for marc and the espargaros was vale there too, baffled at the weird extended family unit of aleix and pol who hate marc and care about him at the same time

and what do they think of little marc hanging out with basically his degenerate (affectionately) not boyfriend (not that they probably think that) who presumably they find equally annoying and fascinating

idk i woke up ten minutes ago checked the rosquez tag like its the newspaper and thought about this

this is so interesting !!! i agreeee i think were the contrast gets hard and compelling and sexy is specifically found in how the marquez FAMILY operates, and them folding vale and his family dynamic and complexes into that sort of environment. vale as a paddock kid getting dragged around by his kinda shitty dad who is letting him run wild (graziano. a hands off kinda guy.) into the VERY involved but financially strained marquezes. who yes sit him down in their trailer and make him pasta and make him help marc with his english homework, but also who marc doesnt ever go very far from. and also who pin all their hopes on marc. which puts a very large weight on his shoulders that is not without it's collateral favoritism with regards to alex... so marc, who was a much more serious kinda kid apparently folds into that and i can see that being one of their baby contrasts before marc figures out how to use his smile/laugh like a weapon.... idk imagine being marc and being a child and your parents lose their jobs in the 2008 financial crisis when youre 15 (his first season in grand prix racing!!!), but theyre putting everything into your racing career and even forgoing food some nights in order to buy you new racing boots... and vale didnt grow up rich, but his dad was a racer and his mom was an engineer like he was good in THAT regard... so hes looking at marc jealous as hell bc his family is "normal" and "together" and his parents are at every race weekend but marc is putting SO much pressure on himself to succeed and IS involved in this very codependent relationship w his family and is jealous of VALE for his FREEDOM, financial and otherwise.... and to be honest i think they find the other equally soothing and agitating to those sorts of wounds. sure they remind each other of something they desperately want that is fundamentally inaccessible to them, BUTTTT they can give it to each other maybe... in little doses... so marc gets cajoled by vale into sneaking off to steal a scooter in the nearest town and speeding and having fun without his dad or alex, and vale gets to like. maybe have a presence in his life on paddock weekends that cares if he lives or dies. and they DEEPLY treasure that sort of thing in a very impactful way imo... and yes lmao there is a hilariously striking visual element to vale's skinny ass with the dumb sunglasses and the bleached hair and the little earring coming to pick up marc "my t-shirt is two sizes too big and im very polite" marquez but tbh i do NAWTTTT think it takes marc long to realize that he can be the instigator in this relationship and the antics get off tha chainnnn

[coraniaid]

I have a confession to make: I don’t think I like Selfless very much.

It certainly feels as though I should like it.  Doesn’t everyone?  It’s one of a handful of Season 7 episodes which both supporters of and detractors of that season seem to always hold up as great.  This episode makes deliberate callbacks and references to episodes from years earlier in the show (specifically, to Season 2’s Becoming and Season 3’s Consequences), which is the sort of thing I like.  I’m on record as thinking the first third of this season was good – before Caleb and the Potentials and Spike's hypnotic trigger and the long drawn out question of whether Giles might really be dead and all the sad attempts to make the First seem more intimidating than any previous Big Bad – and, well, this is an episode from that part of the season and it doesn’t have any of that stuff. And, of course, I like Anya as a character a lot: she's probably one of of my top five characters on the show.

And yet, well.  I don’t like it. 

I don't hate it, either. I think it’s … fine.  Probably one of the better episodes of the season, yes, but if I were to rank all 144 episodes of the show I don’t think it would trouble my top fifty.

Why not?  Let me try to explain:

“Sjornjost, 880”. 

Most fans of the show seem to be particularly fond of flashback episodes.  Becoming Part 1; Fool For Love; even the detestable Lies My Parents Told Me are all consistently popular episodes.   And I get it.  It’s fun to see the characters dress up and behave in ways they’d never normally act.  But … well, the thing is, this show does not have the budget – and the writers do not have the historical understanding – to actually convincingly write flashbacks to ninth century Scandinavia. (They didn't even have the time to have the characters practice speaking proper Swedish, instead mostly preferring to have them speak "hilarious" gibberish. Although why they are even trying to speak modern Swedish a thousand years in the past in the first place is, admittedly, something of a mystery. Does Drew Goddard think King Alfred spoke Modern English?)  So what they write instead is .. well, generic European fantasy village. The sort of place that Gabrielle might wander through in a particularly underwhelming episode of Xena: Warrior Princess on her way to somewhere more convincing.

Not only does the setting feel bland and generic, all the nonsense with Aud and Olaf's domestic squabbles is just .... well, it's deeply unserious. Deliberately so, of course, but it's still irritating to sit through. I'm sure some people find Olaf's description of Aud as being "like a Baltic woman from a slightly more arid region" hilarious, but I am not one of them. This doesn't feel like a look at Anya's past so much as it feels like a flashback to that week Anya took up LARPing and joined the SCA. I’m just left thinking … well, what is the point of all this? Beyond doubling down on the idea that Anya is a joke? It's silly, is the thing. Silly in a way that none of the other flashback episodes are. And sure, the show has often been silly before: the Knights of Byzantium weren't particularly credible either, chasing after an RV on horseback in full plate. I didn't like them either though, to be fair.

“Perhaps you should take your furs and your literal interpretations to the other side of the river.” 

One of the things a lot of people like about this episode -- and the flashbacks in particular -- is the ‘reveal’ that Anya’s “strangely literal” behaviour – the way she’s acted more or less consistently since her re-introduction to the show in Season 4 – is not, in fact, something that can be explained by her being “newly human” but is in fact something that’s always been true of her.  And, okay, yes, let’s make the existing autism-coding more explicit, sure, only … Well, look, while we’re embracing being literal: Anya is literally not real.  We cannot “find out” anything about her that her original writers didn’t plan (and it seems pretty clear that this is not something the show has been sitting on for years).  It’s a retcon; the Season 7 writers have changed their minds about how Anya’s backstory works. 

Which I don’t have a problem with as such – whether it’s Drusilla having sired Spike; Spike being in love with Buffy; the Watchers Council existing; or even Angel being a vampire with a soul, the show’s lore has always been built on retcons and changes of direction like this.  That's fine. The problem I do have is that … unlike those changes, I don’t see what this retcon actually adds to Anya's story, beyond being something people can point to and go “see, Anya’s always been like this!”.  It doesn’t advance the plot or provide any interesting new context to Anya as a person.  (If I’m being cynical, it’s just an excuse for the writers to keep writing Aud the way they’d have written Anya and not bother to give her any obviously different personality.)

“Your logic is insane and happenstance, like that of a troll”. 

Except, of course, that they do give Aud the personality trait of … liking bunny rabbits.  The way Anya doesn’t, see?  This feels like an example of how it’s often better not to explain the joke: the fact that Anya, as a thousand year old vengeance demon, was afraid of something as innocuous as bunnies was already funny.  It didn’t need to be explained by some traumatic event in her pre-demon life.  Similarly, the use of the phrase “insane troll logic” from Season 5’s Triangle really didn’t need the call forward it gets here.  We can surely aspire to a higher level of writing than that awful Han Solo movie.   It just feels like the writers are pandering to long-term fans by giving them bits of “continuity” that don’t mean anything to the characters and have no bearing on the plot.

“Do you remember giving me Willow’s message?” 

By far the worst example of this sort of fan-pleasing fake continuity doesn’t appear in the flashbacks,  Selfless marks the first – and only – time after Season 2’s Becoming that the writers will acknowledge Xander’s Lie, the fact that Xander chose not to warn Buffy that Willow was attempting to restore Angel's soul but instead told her Willow wanted her to "kick his ass". And yes, Xander’s Lie should have been acknowledged at some point – in Season 3’s Dead Man’s Party, perhaps, when Xander chides Buffy for running away from home because of “boy troubles”.  Or in Season 3’s Faith, Hope & Trick, when Buffy admitted to Giles and Willow that Angel had his soul back when she sent him to hell.  Or in Season 3's Revelations, when the gang confront Buffy over the fact that Angel is back, and are outraged that she is trying to protect him from them all. Or even in Season 3’s Amends, when Xander finally admits to Buffy that he hasn’t been “the mostest best friend to you when it comes to the whole Angel thing”.  Some time during Season 3, in other words. But by Season 7?  That ship had long sailed by then.  Better by far, surely, to assume either that it was never a big deal at all or that Buffy, Willow and Xander talked things through off-screen at some point. 

Instead, the episode brings up the Lie here, in a way that makes it clear Buffy herself never learned the truth, that it’s poisoned her entire relationship with Willow over the last five years (she thinks Willow gave Angel his soul and deliberately didn’t even tell her she was going to do it!) and then … well, that’s it.  We never address the Lie again, and Buffy goes on believing the worst of her best friend for the rest of the show.  It’s as if the writers have just nudged us in the ribs, grinned, said “hey, isn’t it weird we never brought this up again?” and then … gone back to not bringing it up.  Again, what is the point of this? Other than making any attempt to headcanon that Buffy and her friends might actually sometimes sit down and talk to each other like actual friends do more difficult, of course. I like continuity, but winking and mugging to the camera about things that happened years ago and won't ever be satisfactorily resolved is not the way to go.

“There’s only me.  I am the law.” 

All of the above is … well, it’s arguably kind of pedantic, I suppose.  Just me wishing the show had a bigger budget and the writers cared more about real continuity (and about the social norms and customs of Scandinavia in the Early Middle Ages, apparently).  A more substantial problem I have with this episode – and something that I think foreshadows a lot of the problems that Season 7 will have going forward – is Buffy’s big speech as quoted above. It's a well-written speech and SMG delivers it well. It's something that shows up in gif sets on here all the time. And yes, it’s fun to compare and contrast it with Faith’s speech in Consequences.  Yes, there’s yet another slightly gratuitous continuity nod when Buffy denies the existence of any “mystical guidebook” (presumably she never did get to read the Slayer’s Handbook that Giles kept from her).  

That being said… well, one thing people who like this episode can’t seem to agree on is whether or not we’re meant to think that Buffy is actually in the right here., or if what she's saying makes sense.  The episode is shot and staged as if she is – and we don’t see any sign that Buffy learns to fundamentally question her approach when it later comes to being “General Buffy” and taking charge of the Potentials.  But she very, very obviously is in the wrong – her approach doesn’t help, her methods wouldn’t have worked anyway – and it’s troubling that the episode doesn’t quite seem to realize it. 

It's true that there’s a kinder reading of the show where this is all deliberate, and – like Buffy’s misguided choice to emotionally distance herself from the Potentials and try to train them as a quasi-military force rather than as the group of scared and powerless teenage girls they actually are – is meant to be building to a big reversal in Chosen when Buffy instead chooses to share her power with others.  I … don’t think I’m persuaded that this kinder reading is an accurate description of what’s actually happening though.  This feels more like a Dead Man’s Party situation: the pieces of the episode just don’t quite fit together in the way the writer wants you to think that they do.  Again, maybe I’m being uncharitable, but if Buffy is meant to be wrong here – and if the unconscious echoing of Faith is deliberate – it’s strange to me that the episode doesn’t lean into that more, and that we don’t see any sign Buffy has learned from her mistake this episode later on in the season.  

“The life and soul of a vengeance demon.”

Finally, I think the actual resolution of the episode: in which Anya goes back to being a human at the cost of the life of a minor recurring character who most of the audience don’t care about and who (in, admittedly, classic Buffy fashion) nobody will ever mention again after this episode, is … pretty underwhelming.  Anya only got to be a vengeance demon for eleven episodes, and this is all the show could do with that before resetting things to the status quo?  Seriously?  This too feels like a symptom of a larger problem I have with this season: a sense that the writers are desperately (over)correcting for the perceived flaws of Season 6 by undoing or ignoring as much of that season as they possibly can.  

It’s also just another case of the writers refusing to take Anya seriously as a character.  The show will keep coming back to the question of whether Angel and Spike deserve to be forgiven for the evil they did as soulless vampires.  Hell, Angel gets a whole five-season spin-off show from that question.  But the various demonic acts Anya did – for hundreds of years longer than Angel and Spike combined – just don’t seem to matter.  They’re just funny stories Anya tells people sometimes.  (Maybe they didn’t even happen.  Certainly The Wish implies that destroying Anya’s power center will undo “all of the wishes she’s granted”, but that doesn’t seem to be something the show ever remembers or sticks to later.)  Anya choosing to become a demon again should have had far more weight than the writers allowed it to have.  It should, frankly, be the sort of decision she doesn’t get to take back.  Anya actually staying as a vengeance demon gives the ending of Hells Bells the emotional weight it deserves to have.

And the pay-off for Anya becoming human again is ... she gets to rejoin the gang and maybe get back together with Xander, and then she dies. Is that really worth it? I mean, we could surely at least try to play up the parallels with Willow and Faith a little bit more, no? Why are we supposed to take Willow and Faith's quests for redemption seriously but shrug off the fact Anya reacted to having her heartbroken by signing up to kill people and torture people again? Does that not tell us something about human Anya that might perhaps be worth taking seriously?

Anyway, yeah.  Still miles better than Him or Bring on the Night or Get It Done though, obviously. But as good as the best of Season 7? No, I don't think so.

[mywaywardcupcake]

Bro I gotta know as a fellow Jounouchi enjoyer I must ask. What is your favorite bit about Jou

Everything. Literally everything. It's not an exaggeration that Jou is my favorite character of anything ever. What first pulled me to him as a kid was I LOVED how dedicated he was to his friends. Here was this hilarious guy and the first episode I watched he sacrifices himself to the graveyard to try to help his friends that are trapped (in a games/cards). Instantly pulled me in. Then getting into the manga and more into the show, Jou cares so deeply about others. His friends mean everything to him. He is truly the epitome of ride or die. He puts himself into harms way CONSTANTLY to save the people he loves. Or even just slightly cares about. For example, one of the best chapters in the entire series: The Wild Gang.

This chapter, I have read it 1000 times and I will read it at least 1000 times more. Jou rejoined the gang, these people that remind him of some of the darkest times in his life, because they threatened to hurt his classmates. And like yeah maybe he has fear they would specifically go after Yugi, Honda, and Anzu but like as far as we know it was all of his classmates. He did this to protect ALL OF THEM. Even though he's not the most popular, people find him annoying or an asshole. He wanted to protect them!

And then! They hurt Yugi! They hit him! And he would not let that slide! And he tried to take them on! He had to know that fighting all of them might have been a losing battle but he was not going to let them get away with it.

And that goes into my further love of Jou. His damn fighting spirit. The Wild Gang, the one inch chapters, the yoyo chapters. He is ALWAYS down to fight! ALWAYS! And I LIVE for those moments. Especially when it's in defense of the people he loves. And honestly that's what we see most of the fights about. He is defending someone he cares about. When he beats up Bandit Keith without even pulling his hands from his pockets! I love every single one of those moments. Every. Single. One.

And then his fighting spirit getting transferred into dueling! And how he uses all of that to stop beating the shit out of people (though listen if they would have just let him beat some people up as a treat during duels it would've been so great). And how his fighting spirit, even though he has no magical powers and is this "ordinary guy", brought him back from death!

Then of course, as stated earlier, he is hilarious. He makes jokes all the time, he makes light of situations. I love that he's ridiculous. I love that he has zero chill or patience half the time. I love that he has no shame whatsoever. Like he does things and says things without a second thought and as someone who went through the majority of their life with undiagnosed ADHD he was so damn relatable. Like boy was out here just no thoughts only action with anything and everything and like I felt that so much. Like the moment in the manga where Honda told him to sit down and wait when they were Death T and Jou sulked for like 2 seconds before he just went "Fuck This" and kicked a mercenary in the face. So great.

But to bring it back to making light of things. Like his ability to adapt is absolutely amazing. Jounouchi is this ordinary guy. Like this 90s pervy teenager that doesn't seem to have a care in the world with this HORRIBLE home life. His father is a drunk who throws beer bottles at him! That Jounouchi has to work JOBS (as in more than one) to support himself and his father when he could be kicked from school for having a job! He has a mother who ABANDONED HIM and took his sister, the person he cares most about in the entire world, when he was like 10!

And yet! He just keeps finding the best of it. Eh I'm stuck in this situation but fuck it I got friends. Like it's very similar to the boat to duelist kingdom moment. When they entered the boat they were told they all had to sleep on the ground in this one area. At first he and Yugi were so angry about it. But like within seconds he was talking with other duelists, trading with them and making the most of it. Yugi said something along the lines of his ability to adapt was amazing. But exactly that! Jou can't change the situation he's in but he CAN make the most of it. He can do the little things that bring him joy, bring him hope, until it can get better.

I guess the shortened answer would be, I like the fact that he is a light in the dark and he is choosing to be that light in the dark.