I can't believe I'm into Hatecrimes MD now but Jim 'I spend my entire life trying to be as nice and unoffensive as possible' Wilson and Greg 'I go out of my way to be a rude selfish asshole that ignores all social niceties' House have one of the best dynamics I have ever seen in television. Both of them are mortally allergic to opening up about anything ever. House makes this obvious within two minutes of being forced to speak to you, but Wilson will be your husband for years without you ever knowing he has a brother. They drug each other. They're best friends. They're the longest lasting, most important, and most unhealthy relationship in each other's lives. They both constantly trample over any sort of personal boundaries - Wilson because he's obsessed with fixing people, House because he's obsessed with solving puzzles. Wilson makes House to go to his father's funeral so House gets him arrested. They met when House decided to bail a random stranger out of jail because he was bored. They're both in desperate need of therapy but one of them doesn't believe in therapy and the other has deluded himself into believing he's perfectly well adjusted. They live together. 'Genius asshole who has something wrong with him' x 'utterly average guy who has something deeply wrong with him'. 'I can make him worse' x 'I can fix him (consistently fails to fix him)'. Self-absorbed and refuses to comply to the expectations of those around him in any way x selfless to a fault and defines himself by everyone around him. They like monster trucks.
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So I finally had time to sit down and play through 2.3 this week and man I have a lot of Feelings about all of it, but today it's about Gallagher and Mikhail because!
The devotion of a dog! Gallagher's dedication lasting beyond Mikhail's death and then some! The way he let himself be seen through knowing it would mean his own death because it would help to accomplish his and Mikhail's dream! The immense regret and long lasting guilt of not helping Mikhail when he needed him! THE WAY MISHA CALLS GALLAGHER "MY HOUND-"
Ahem. I'm normal I swear. Anyway.
And one of my favorite displays of this undying loyalty? This.
This is the record you unlock in 2.3 after Siobahn brings up Gallagher's death in the Dreamjolt Hostelry. Right after "to the Nameless resting in peace... and to Gallagher."
La Messe de l'athée translates to The Mass of the Atheist. It was a short story about a man who goes to church, and is surprised to see another man whom he knows is an atheist attending mass, all alone. When questioned, the atheist says that he attends for a friend. This friend had banded with him when they were both poor, and acted as a father figure to him. The atheist managed to pull himself from poverty with his help, and did everything he could to repay and take care of his friend thereafter.
The friend died of illness some years later.
The atheist is still an atheist. But he attends mass on the behalf of the religious friend that saved him, and recites the prayers he heard whispered on his deathbed. These borrowed prayers are the closest a man like him could get to being a true believer, but he always holds out hope that those beliefs might enter his head.
There is so much in there, in the story they decided on as our final memento of Gallagher, that this is what was chosen to immortalize him, and ARGH OTL
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Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.
G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.
An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........
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Going back to that silly little Madoka AU for The Terror, and it's finally Hickey time :D
(bits of lore and another pic under the cut)
As a magical girl:
Funnily enough, out of the original cast he resembles Sayaka the most, up to fighting at very close range. Makes his deal with Kyubey soon after the flogging, which is why he is aware of the whole "you are now a Soul Gem piloting your former body" thing pretty much from the start and sees it more as a blessing. Considers trapping Tuunbaq and using its energy instead of merely killing it (think Alina Grey and her entrapment cubes). Also he's the one who takes down witch!Goodsir.
As a witch:
In those of Jopson's timelines where Hickey has the time to witch out before Tuunbaq shatters his gem, he becomes Эван Сесил, the elusive witch with a mirror for a face.
The inside of its barrier vaguely resembles London, every house window an empty grave. The witch is followed around the barrier by blinding light, making it even harder to analyze its appearance or movements. Its minions roam the premises on wooden horses, an attempt to still have the mutineers by its side. This witch exhausts you with chases until you slow down and are swallowed up by the ground/walls or stabbed by a minion.
One who fights this witch must convince it that it never existed in the first place.
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i was a reading a bit more on purgatory and purgatorius ignis (cleansing fire), which is a concept that existed even before the notion that purgatory itself was a third other-world domain, similar to heaven and hell, when i suddenly remembered dante's la divina commedia and decided to revisit the story a little. and i found something interesting as i was scrolling through the wikipedia page.
so, purgatory is the second part of la divina commedia, following inferno, and is an allegory telling of the climb of dante up the mount of purgatory, guided by the roman poet virgil. alegorically, purgatorio represents the penitent christian life (and christianity, as we know, is one of the core themes of fontaine's archon quests that arlecchino was a part of). while describing the climb dante focuses a lot on the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the church. what's interesting, though, is that the poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
why is this interesting, you ask? let me add here a few quotes before i contextualise it:
"she is a god with no love left for her people, nor do they have any left for her" - dainsleif about the cryo archon, the tsaritsa
"her royal highness the tsaritsa is actually a gentle soul. too gentle, in fact, and that's why she had to harden herself. likewise, she declared war against the whole world only because she dreams of peace. and because she made an enemy of the world, i now have a friend in you." - childe about the tsaritsa
"everyone praises her for her kindness and benevolence, but they forget that love is also a form of sin. what if she's just trying to compensate for something?" - wanderer about the tsaritsa
the tsaritsa, the cryo archon and the person arlecchino is devoted to, is theorised and hinted multiples times to be the god of love. yes, the love that is said to be the origin of sin in la divina commedia. we can also draw parallels between the idea of perverted love talked about in the poem and the relationship between arlecchino and others, for instance the kids of the house of the hearth.
arlecchino's drip marketing including an excerpt where the scene goes from a gentle warm environment, seemingly mistaken as a loving family home full of innocent looking children, that quickly shifts into a somber and dark atmosphere under her authority - the children answering instantly, without hesitation and completely obedient -, is the perfect illustration of the duality within her character. there's an obvious exploitative and manipulative system making use of the house of the hearth and the orphans under its roof, where arlecchino (as the one running the orphanage) is the provider and the kids are brought up to be dependable and further dispatched as fatui soldiers when "potential" is recognised. and we can deduce that there's ways that their education is done from a very young age so it prevents or punishes any sort of dissent, something not hard to imagine when we know from freminet that arlecchino doesn't like when the kids cry or show emotional vulnerability, something she sees as weakness, for example. but if there's this dark side to her, there's also certain attitudes that demonstrate her care for the children or even her care for the world around her. arlecchino helping freminet get closure on his mother's death, the reformation of the house of the hearth (which we know used to have a much more punishitive and strict leader before arlecchino took over) or even her devotion and deep respect towards the tsaritsa are some examples of the way she shows care for other people. now, we can theorise that these good deeds directed towards the orphans under her care are very much purposeful to better manipulate them, but i think that's exactly what the notion of perverted love in la divina commedia tries to hint at.
besides this concept, there's something else that peaked my interest in dante's poem. dante pictures purgatory as an island at the antipodes of jerusalem, pushed up, in an otherwise empty sea, by the displacement caused by the fall of satan, which left him fixed at the central point of the earth. it's a cone-shaped island that has seven terraces on which souls are cleansed from the seven deadly sins or capital vices as they ascend. at the summit is the garden of eden, from where the souls, cleansed of evil tendencies and made perfect, are taken to heaven.
as we know, arlecchino is being introduced in fontaine, her homeland, and the idea of purgatory as an island in the sea leading its way to heaven caused by the fall of a sinful being sort of reminded me of remuria. remuria was the civilization in fontaine which directly preceded the previous hydro archon egeria's rule. its downfall occurred as a result of remus' attempt to avert its predicted destruction, and in particular, by his act of sharing his power and authority — reserved only for gods — with the four human harmosts he appointed to govern his cities. remuria eventually ended up being sunken into the abyss, devouring everything including the people and remus himself. we know there's still a region in fontaine's map that wasn't yet released, so how odd would it be that the last part to be revealed in fontaine might just be the land that was once sunken? after the little note about the samsara cycles near the tower of the narzissenkreuz ordo, which referenced a cycle called remuria, i would not be surprised at all. it's also particularly funny that fontaine is directly below celestia. yes, the floating island in the sky above teyvat which is the residence of the gods, the same gods that made remuria fall. as the contemporary philosophers of our time have said, that's sus!!!
i don't want to get too ahead of myself because i don't have a theory about what's going to happen or what role arlecchino will play exactly but i don't think it would be shocking if we got to know more about remuria during her release. and still in the purgatory idea, i think the angel of death (azreal) might be an interesting parallel to make with arlecchino. azrael's role is seen as benevolent, transporting souls after death. it fits perfectly well with the idea of purgatorius ignis, that signifies transformation. in different cultural and religious contexts, fire can also symbolize destruction renewal and even rebirth so i'm very very curious to see what arlecchino's story will be like.
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