#that would have been a really long post

[mangozic]

my dead goth son and his friendly neighborhood personified concept of insanity

[lucabyte]

Different standards

[fungi-maestro]

Happy tdov to fat trans people. 🏳️‍⚧️ Biggest thing that helped me as a trans kid was seeing older fat trans people. There were a lot of really irritating "advice" posts going around early in my time on the internet with a lot of misinformation in them, but one that I constantly saw (in addition to people claiming you should wear your pants rediculously low or only wear button ups) were posts saying you had to lose weight to transition. Can confidently confirm that is completely untrue. 👍

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[musubiki]

.🖤🔄🤍.

[halfmoonstruck]

accumulated enough abandoned wips to dump them in a post again

[ruporas]

endless love!

[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.

Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]

[peacockrulz]

An Well Made Excuse To Post My Specific Headcanons I've Had Since The Show Came Out

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[samarecharm]

I wish the thieves had SOME kind of reaction to the Satanael awakening. Kinda wish we at least had RYUJI react to it….

I think its sooooo compelling to have Ryuji be the only person to witness BOTH awakenings; to see how much Akira and his will has grown since they first met. There was a raw, burning fury in Akiras core that recoiled at the injustice before him, and when given the tools to punish said injustice, eagerly accepted it with a wild, almost manic kind of intensity. I think it would be difficult for the others to truly grasp just how scary that was; that for a short moment, Ryuji couldnt pinpoint the cause of that rage, and the target of it. Akiras mellowed out alot since then, but its always in the back of Ryujis head; theres a side of their leader literally none of the thieves have or will ever see, and he doesnt really know how hes supposed to feel about that.

And now the airs charged in the same way he felt back in Kamoshidas palace; right as Akiras eyes widened at seeing him slammed against the wall. The blazing, untamed ferocity in his eyes from back then is replaced with a cool, calm, steely conviction. He knows his purpose; understands completely what his will screamed at him to understand back when it first started. This is the Akira the team knows, and its definitely the one Ryuji is used to now, but its insane to see the shift; insane to see the kind of power that simmered in Akiras core, literally too big and too overwhelming for past Akira to grapple with and set free.

Satanael comes down, and theres a moment, through all the excited screaming and hollering, where Ryuji can see it look right at him, and Ryuji is taken back to the floor of Kamoshidas Palace; not to the fear he felt when Arsene came forth incinerating everything, but immediately after, when Akira comes to with wide eyes and an outstretched hand- that bizarre feeling of safety, of knowing that this kid would have his back, and that hed never have to worry about where his place would be (its right beside him, obviously.)

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[echo-nt]

I know this has already been said and I’m super late, but Mia as the protag of RE8 would have been so good. The contrast between Mia, the Lords, and Mother Miranda would have been absolutely interesting. I'm shoving everything under a read more because damn I have so many thoughts about Mia.

Lady Dimitrescu is a woman that cannibalizes and drinks the blood of her servants and intruders. On top of that, she tortures before preying on them. She does this willingly and very much derives pleasure from doing so. Lady D’s gothic triplets hunt any poor fool that wanders in. It’s a fun family activity for them just as much as it’s for sustenance. 

Do you know what this parallels? The Baker family under Eveline’s control. They patrol the estate and anyone who rejects the “gift” either ends up molded or on the dinner table. This family also partakes in a fucked up version of a family dinner, eating the victims that refused their little girl’s “gift.” 

However, a major difference between the Baker and Dimitrescu family is their willingness to participate in these activities. A family of cannibals; one forced while the other relishes in it. 

Mia is still very traumatized by her three years in the Baker’s estate. Breaking into the castle to find her daughter would force her back. Hello to all the emotions that come with those memories, the ones Mia has been trying to forget. The harder you try to forget something, the more you think about it. What better way to make Mia acknowledge Dulvey, Louisiana than by forcing her into something so similar? 

And while she’s still reeling from remembering her time in captivity, why not push her a bit further down memory lane with House Beneviento? Mia has demonstrated at multiple points in RE7 that she does care about other lives. She lies to Ethan to keep him from getting caught up in her work. She tries to save Alan and crew members of "The Annabelle" (the crew members are a bit more indirect, she mainly focused on Alan) by containing Eveline. After Jack finds her, Mia keeps her distance to keep from infecting them while trying to write a warning. She tries her hardest during RE7 to save Ethan. 

Mia’s hallucinations could center on her guilt. The failure to stop Eveline and the lives ruined as a result. How she was always too late to help anyone. Ethan curing her, a criminal, over Zoe, the person helping him. Leaving Zoe behind in the shattered remains of her home and family. Surviving. Visions of Ethan hinting at his “condition” could lure her to the manor. A little nudge to the whole “he was mold the entire time” plot twist without fully giving it away. 

Moreau, lacking in self worth and very attached to a woman who doesn’t give him the time a day, yet still he considers her as his mother. Most of his actions are for the attention and validation from his “mother.” No matter what Moreau does, he’ll never have her affection or time. It’s sad, isn’t it? To witness a man try so hard only to be rejected. And isn’t that familiar? Mia once felt compassion for someone with similar traits. 

Remember the little girl who considered you her mother? The one that spent three years waiting for you to love her after you promised? The one you had a hand in killing? What makes you think you could ever be a good mother after what you did? Why are you trying so hard to save Rose when you didn’t even extend the same courtesy to Eveline?

Y’all know how Mia’s past is a mystery? Like why she was working for the Connections and how she was even recruited and all that. Heisenberg would be a great way to explore it. A man taken, forced into becoming something else, and stuck in a family he doesn’t want. Mia can relate. He wants to use her daughter as a weapon. She was willing to let another child be used as a weapon. They’re alike, so surely Mia would be willing to side with him.

But Heisenberg is cocky and Mia isn’t the person she was prior/during 7. Even if she was on board with using Eveline as a weapon to end all wars or whatever bullshit the Connections told her, she’s not willing now. Not after what she’s seen and been through. This section could be Heisenberg goading her through the tvs/intercoms about her past to change her mind with Mia remaining steadfast in her refusal.

And then there’s Mother Miranda. Two mothers trying to get their daughters back through vastly different means. Because of the group photo showing Mia and Miranda with Eveline this encounter can go one of two ways. 

Miranda and Mia know each other and have worked together before. Whether it be on the E-Series Project (with Mia becoming the caretaker and spending copious amounts of time at the lab) or though some other means at work. 

They’ve only briefly met when the Connections were in a hurry to transport Eveline.

Either way, Miranda would compare them. As a mother, Mia must understand what she’s trying to accomplish. Would Mia not do the same as she? Maybe at this point Miranda shows she killed Ethan to demoralize to prevent her from interfering with the ceremony. Tells her she’s too late once again and to give Rose to her because she’ll be the superior mother.

Idk, I guess you could switch to Ethan instead of Chris so he can still have Eveline tell him he’s moldy. But he’s a stubborn man and he forces himself back to weaken Miranda so Mia can kill her. Chris shows up and Ethan does the same thing he did at the end by blowing himself up with Chris forcing Mia (with Rose) on the helicopter. That way the Shadow of Rose DLC can still be about Rose and Ethan. 

TLDR; Mia should have been the protagonist because it would have allowed us to explore her character and background more. It was a missed opportunity especially since so much of RE8 centers around mothers. It would have played out better as closing off the Winters Family saga as well since we could have tied the loose ends that came with Mia’s mysterious past.

[wonderholegifs]

Rhett & Link's Wonderhole

[southasianpercy]

ngl i hate how rick treats wisdom and intelligence as mutually exclusive when they actually mean two separate things. he always has annabeth being intelligent (having knowledge gained from books & study) rather than wise (using knowledge gained from experience & offering advice). and i’m not saying she has to be the wisest person ever but it really does not make sense that she is supposedly very smart when that’s not what wisdom means. plus, it would’ve made more sense why she’d want to go on a quest so badly…because she wants to gain experience in order to gain more wisdom. she (along w other athena kids) should have a deeper sense of intuition in situations compared to other demigods and have experience, knowledge, and good judgment. self control and self-awareness are also a part of wisdom too. but all rick focuses on is making her very knowledgable, rude, and narrow-minded. moments where her wisdom should shine through, the opposite actually happens. for example:

• when she looks down upon mortals (i.e. rachel). i know she was supposed to be jealous or protective but i think it would’ve been more interesting if she actually was more accepting of rachel then, when alone with percy, she expresses some type of discomfort but not knowing why, which drives her crazy because she wished she knew (she’s never experienced this before which is why she isn’t very aware of why she’s acting this way). also, it’s wild that she thinks demigods are better than mortals when she should actually possess the opposite belief or something with a more positive view on mortals (what with her being the child of the wisdom goddess and all).

• always looking down upon percy. she really thinks he’s dumb and can’t do anything without her, which makes her very egotistical. if she were truly wise, she’d at least recognize that percy is intelligent in ways different to her or that percy has the capability to be just as smart as her, because, once again, she’s supposed to be the daughter of the goddess of wisdom, not the daughter of the goddess of intelligence.

• her bias towards cyclops. i know she experienced something traumatic involving cyclops, but that doesn’t justify her negative attitude towards tyson. if she actually possessed powerful wisdom, she would have the sense to know that tyson is trustworthy. and she could’ve felt put off by that, which could’ve allowed her to share with percy what happened to her, thalia, and luke all those years ago.

another thing i don’t get is how her fatal flaw is pride. how ironic is that? a child of wisdom shouldn’t have pride be a fatal flaw of theirs…that seems like the last thing that would be a flaw because she should know she doesn’t know everything nor will she always be right. annabeth’s potential fatal flaws could’ve been being impatient (she gets easily frustrated when others take longer to understand the stuff that she does understand), always pushing herself and striving to be the best she can be, or even being in a desperate pursuit for more knowledge/experience. and honestly she could even have the fatal flaw of lacking confidence in herself. or even the fatal flaw of loyalty because it specifically clouded her judgment with anything involving luke, especially since judgment is a core part of wisdom and it would’ve been interesting to see how her fatal flaw got in the way of her abilities as a child of athena.

[sonic-adventure-3]

unmmmmm outfit concept or something

[vyunok-obyknovenniy]

Really happy with how she turned out! I decided to give her some naiad features, inspired by this post and it was really fun! I hc that she can breathe underwater (even though she doesn't have gills. Do naiads have gills?), although I am not sure if she can do it freely or for a limited amount of time 🤔

The fabric piece covering her chest was loosely inspired by 18th century neckerchiefs, because I wasn't sure how the Mycenaean open chest fashion would fly with the censorship here or on other platforms ¯⁠\⁠_(•⁠ ⁠▽⁠ ⁠•⁠;)⁠_⁠/⁠¯