Thinking about how as both Lucien and Mollymauk, this softhearted tiefling lost his partner. Brevyn dying right in front of him and Lestera already gone. Lucien and Molly both giving their love a kiss goodbye because it's all they can do, because the person they thought they'd build a whole life with is suddenly gone. And Mollymauk is left behind. Alone. Again.
Thinking of how Lucien and Molly both outlived their partners. But then in the midst of chaos and fire, Tealeaf runs to comfort someone he cares about, giving him a forehead kiss that's so terribly reminiscent of his parting with a lover. Thinking of how Molly had feelings for Caleb that bled into both Lucien and Kingsley.
Thinking of Caleb rushing to Molly's body in anguish and desperation, doing anything he can to reach him. Gently kissing Mollymauk on the forehead as he lay lifeless in his arms, like how Molly kissed Lestera when she was already out of reach, like Lucien kissing Brevyn one last time before him--
Thinking of Mollymauk waking again as Kingsley, falling for Caleb immediately. For once able to love someone without having to watch them die--
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Pixie had to be put down yesterday and it was one of the hardest things I’ve ever experienced, she was such a special gentle little girl and I’m going to miss her so fucking much it’s hard to really comprehend right now. I’m so thankful I got to spend 20 years of my life with her, which is basically as far back as I can really remember – love her more than I can say
not sure if i'll post more or less art over the next while, depends on how i cope with it but heads up either way.
much love, give your pets a kiss for me
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Thinking about how likely it is that BTAS Ivy grew old n spent all of that time fully believing that Harley died. That despite all her efforts and desperation to save her and get her away from Joker she didn't, she couldn't, and she lost her. That Harley died the same day that wretched man did and it became just yet another thing linking her to him for eternity.
thinking about how BTAS Ivy loved her So much and never got the chance to grow old with her, to see her heal and recover, to heal and recover with her
thinking about how much they deserved their happy ending but never got one. how we're seeing & getting their Less Platonic moments in the newer BTAS comics with the impending knowledge that the narrative has already decided it's a fate they'll never truly get to indulge in and savor, that it will always be destined to end in tragedy.
how for some universes a happy ending is given, growing old together is just the future we know is already there awaiting them... but not for them, not for btas harlivy... not the originals, for their story will always be a tragedy.
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thinking about . ellen the night after the three set out on the orca. the last time she's mentioned in the film is after quint brushes her off over the radio, when he says that brody's just caught some fish and that they'll "bring 'em around for dinner" (specifically that they "won't be long"). but then. evidently they don't go back for dinner - they just stay overnight on the boat. that's.. potentially hours and hours without knowing if her husband is ok or even alive. did brody call her that night to let her know. she's so, so scared when he leaves. she runs off in tears. did brody call her that night to let her know he was ok i need to know :(((
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Thinking now that in some way, Erik replaced Shaw with Charles. While Erik was originally Shaw's monster, when Erik places the helmet on his head, presumably defying Charles, his new teacher. When Charles refuses to agree with him, let those humans die, and then refuses Erik's side, it become Charles who's wrong Erik, not the other way around.
From Erik's point of view, Charles has committed the first transgression, because Erik's assumption of the situation is Charles wont let him kill Shaw.
As the audience, we cant be sure exactly what Charles' perspective was. He tells Erik, killing Shaw wont bring him peace, but that's it. He doesn't say he shouldn't die. Charles has seen glimpses of what Shaw wants, and then kept Shaw's mind captive, Charles will have known Shaw from that, and kept him frozen to protect Erik at least.
Charles chose Erik, over possibly his morals and his own pain, Erik chose vengeance and disregarded Charles completely. Erik didn't think about Charles, and it hurts him so much - how could he choose Erik, when he's reeling from Shaw's death (both having the man inside his head, and feeling the pain he felt, and holding down a man while he's being tortured - even deservedly - Charles sees the monster he himself can become - he cant let himself become)
And then Erik leaves him, Raven leaves him, and Charles lets them because it all hurts too much, and they all blame him, he can see into Raven's mind now, all the resentment, she cares for him of course, but she'll hate him if she stays for sure. And they leave him.
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Thinking about an AU where 18-year-old Sam on the verge of leaving comes home to her mother screaming at her little sister. Sam's still high, the shouts ringing in her ears but the words formless. She's about to intervene when a slap cuts through it all. Her sister's on the floor and in the blink of an eye Sam has a hand wrapped around her mother's throat, slamming her against the wall.
Tara's climbing to her feet, eyes wide with fear at the scene. Sam doesn't look away from her mother as she says "Tara, go upstairs and pack a bag." Her sister doesn't move, so Sam turns away to look at her and repeats herself. Tara must see something in her wild eyes, because she runs up the stairs.
By the time Sam escorts her downstairs half an hour later, their mother is nowhere to be seen. Tara's led through the packing and into the car in silence. The what's happening?, the where are we going?, the are you ok? sits on the tip of her tongue, choked back by uncertainty and confusion.
Sam drives out of Woodsboro and doesn't look back.
OR
Sam, 19-years-old, long since kicked out of the house and on her way out of Woodsboro. She just has one stop to make, a goodbye she has to give first.
She sneaks into the house. The door is unlocked, she doesn't even need the key Tara hid outside for her, and it enrages her. Her baby sister is upstairs sleeping and anyone can just walk in.
Her mother is passed out on the floor leaning against the couch, snoring away and a bottle still in her lap. She creeps past her and up the stairs.
Sam perches herself on the edge of Tara's bed. Her sister is sprawled out on the mattress, the covers kicked off, and it makes her smile. She brushes Tara's hair back from her face and the smile falls from her face.
Her fingers trail down to the shadow around her neck. Sam reaches over to turn on the bedside lamp, catching sight of Tara's wrist at the same time. These are bruises. She wakes her sister up and demands answers from her. She doesn't like the answers she eventually coaxes from her. She likes Tara's attempt to lie to her even less.
She makes her pack, tells her to wait out front, that she'll be out in a minute. She kicks her mother awake, tells her she's leaving for good, and that she's not leaving alone. She tells her that she will never have the chance to hurt them again, and if she tries, well, she'll learn exactly how much like her father she can be,
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