#that official fandom blog who i probably got fired

[fadewalking]

bc i am indeed sexy, i say you're a 10/10 solas portrayal

How’s my portrayal?/ Enable me ❤️ @elvisqueso

u are very sexy it's true

everything u heard? completely true

[bekolxeram]

So... I said I couldn't wait for the plane disaster arc to be over, and I still stand by that statement. If you read my blog regularly, you'd know I loved it, the more plane stuff the merrier, but at the same time, it was a huge relief for me to finally be able to move on.

Warning: long rant incoming

I joined this fandom last season because of my love for BuckTommy and aviation, I've made it clear many times before. I saw comments downplaying Tommy's role in the cruise ship rescue, and I thought, well I know a thing or two about how hard flying is, especially flying a helicopter, so maybe I should write something about it.

Fast forward to last month, someone asked me whether Tommy could fly a plane realistically, so I answered it as they asked, realistically no. I can imagine him flying a light plane as a hobby, but never a four engine turboprop military plane that takes 5-12 crew members to fly, or an airliner that's basically a flying computer. I wasn't even aware of the Airport 1975 pilot transfer theory at first, so imagine my shock when I woke up to multiple posts naming my theory by name, (yeah, I said the water bomber in 2x14 belonged to CAL FIRE, I made my first post about this a long time ago, and I don't think anyone from the other side even made the effort to dig this deep, so those posts were referring to me) each with 400+ notes, and many reblogs by people I'd been following, telling me to shut the fuck up. It wasn't even aware that my aviation hc would be anything close to controversial, it deeply upset me and it fundamentally changed my interaction with the fandom as a whole.

I tried putting my more aviation focused posts under a specific tag that people can block if they're not interested, still, like clockwork, some posts popped up in the main ship tag around 6 hours later, digging up old interviews from Tim saying "Tommy did the water drop, just off screen" or expressing their disbelief that there were still people out there who thought Tommy didn't fly the air tanker.

I wanted to explain my reasoning, but I knew it would come across as needlessly confrontational, so I kept my mouth shut. I saw the pilot transfer theory gaining traction, I knew it was too crazy and too expensive for the show to pull off, but I kept my mouth shut. I even leaned into that theory at one point saying Tommy could be flying the helicopter in that stunt, but still the theory was hyped up more and more and its supporters were gradually getting more annoyed by me. I knew I would feel bad whether Tommy rappel into that cockpit or not, because on one hand, I hate that film with a burning passion, on the other, I basically stood back and watched everyone got their hopes way up then witnessed them getting crushed in real time.

Now Schrödinger's cat box is opened, without Tommy in it, I guess there's no need for me to self censor anymore. So here are some stuff I was too afraid to post when people were still deeply invested in their theory, before we all move on from this disaster arc.

The writers don't care about timeline, they can't even get when Tommy transferred out of the 118 right

Tommy supposedly left the 118 right before Buck joined, so 7 years ago, but in 7x09 Tommy said he joined Harbor 5 years ago. My very first post on this site is about this timeline conflict. My explanation was that it takes some years of training before you can even touch a helicopter at Air Ops (in real life LAFD sends you to LAPD for basic training), so Tommy probably only officially transferred to Harbor 5 years ago.

That led to a lot of comments saying the writers just didn't give a damn, they didn't care to google or get their story right, just accept it. But you don't even need to google. The description Tommy gave Buck in the Harbor tour scene was lifted straight from the LAFD Air Ops website, and you know what? If you scroll a little bit further down, you can clearly see the "at least two years of LAFD AIr Operations training line". It takes less than 5 minutes to read it all through.

Tim said Tommy did the water drop, so it's canon he flew that plane in 2x14

Someone pulled out Tim's interview specifically to disprove my CAL FIRE hc. Yeah, he did say Tommy did the water drop:

But I've never heard anyone from the show said Tommy was literally grabbing the yoke, pulling the thrust levers, flying the plane. A C-130 (or L-100 as the civilian variant) is not a single engine water scooper, it's a four engine monstrosity.

The heavier the plane, the faster it has to fly for the wings the generate enough lift to keep it in the sky, right? Well, in order to drop water/fire retardant in an accurate and effective fashion, the C-130 has to fly low and slow enough that the flight crew has to get used to hearing the "terrain! terrain! pull up!" and "stall! stall!" warnings at all time during a mission.

In fact, the C-130 water tanker usually flies behind a lead plane, most of the time a lighter business jet that surveys the area and plots the optimal route for the water drop. It fires a line of smoke to mark out the designated location for the payload, the C-130 behind it just has to release the water/fire retardant once the nose of the plane hit the trail of smoke.

That coordination is extremely cool.

The C-130 takes at the very least 3 crew members to fly: 2 pilots and a flight engineer, no fly-by-wire on this one, but it usually takes even more for a safer more accurate operation.

I can absolutely picture Tommy being one of the people sitting behind the pilots in 2x14. They didn't have a lead plane, so maybe the CAL FIRE guys asked him to pull his weight, since he was the one who asked for the favor and he was also an aerial firefighter, they needed an extra pair of professional eyes anyway. So technically he did the water drop, but he flew no plane that day. (I have a fully developed backstory in my head about Tommy's involvement in that episode, but unfortunately I'm not a good writer, and it'll probably piss people off more than it entertains them. It's about a clandestine mission à la 7x03 and Tommy's meet cute with his ex boyfriend)

If you've made it this far, you probably really like my blog or aviation stuff, and I think you for your support. At one point, I told myself I would leave the fandom behind if I saw one more post telling me to shut up, I got so closed to it. Now, reading post after post saying leaving the newly reintroduced pilot character out of the show's plane disaster arc is a missed opportunity just makes me, I don't know, kind of sad? I've always thought he's just a helicopter pilot, he wouldn't be much help in guiding the crippled jet down anyway, that I was right, but then what? It doesn't feel good to be right this time. I can accept not seeing Tommy working with the 118 on the ground, I can be patient and wait for a week longer for his presence, but accidentally annoying people with what I thought was fun trivia, watching hundreds of them clown on me for taking the show too seriously, for being a nitpicker, for being too obsessive, I don't think I can ever erase it from my mind.

Let's just hope we can all move on (mostly on my part), and I can return to making bad quality humorous gifs about our boys. I'll still post stuff about aviation, now that it's less controversial. If you're a brave soul you can go search for the tag I created for others to block (#aviation realism).

[rabbiteclair]

I feel like I don't have enough Canon Knowledge to make touhou fanwork. which is nuts because I've been a fan since i was 12 played all the games up to wbawc and read all the manga and yet every day is like who the hell is renko where did all these other ladies come from what the fuck is oil fire

hey, we're talking about a series that, judging by the age stated on your blog, has been getting regular installments for about as long as you've been alive. I think it's pretty understandable to be a bit daunted by the sheer pile of stuff that ZUN has managed to make over the past 26 years of fairly constant output. and that's not even getting into fandom stuff like the ol' Oil Fire.

point is, it's a lot. The good news is, this is a series where the answer to a question like 'what does the Hakurei shrine look like?' is 'it depends on who drew it.' You've got a lot of wiggle room, and that's before getting into things that have changed over time, or places where different sources show different takes on things. If there's a particular official work that you like and you want to write something with its characters, odds are about 95% that you'll get all the details you really need if you read the characters' various profiles and read/play the main works where they've appeared. If there's some bit of canon you want to include but are unsure of, TouhouWiki can probably point you to a good source for it at worst. Even with Reimu and Marisa, it's less about discerning their True And Eternal Unchanging Nature and more about picking which canon take on them you wanna focus on.

and personally, between

a story that contradicts some fairly concrete canon bits, by someone who's into the series and interested in getting into the characters' heads

vs. a story that doesn't contradict canon on any firm factual stuff, by an author who isn't really invested in the characters or setting. (A person who probably has a lot of power level arguments, in my experience.)

I'd rather read the former every time.

[xiaomusmash14]

Demon Slayer MLP Poll

Okay, so I wasn’t planning on bringing this up on here, but after seeing what @whily3starly has done with turning the entire Kamaboko Squad into My Little Pony characters, I got a confession to make: I’m thinking about making a new blog dedicated to turning Demon Slayer characters into MLP ones.

It’s probably not much of a secret to y’all that I am a huge MLP fan (if evidenced by the lack of human OCs in my corner), and if I had the capacity to make loads of posts about it, I could go on and on. For almost a score, I grew up being into ponies, practically nonstop. It only grew larger when I discovered My Little Pony: Friendship is Magic, and it pretty much stuck with me afterwards. Even as I went into various other fandoms, MLP had always been there in some way, shape, or form, so it’s hard to not be attached to. For the longest time, it had been the hyper fixation that stuck with me throughout it all.

Hell, I’ll admit it: Fire Emblem Fates, the game in the series people are familiar with and DON’T seem to like (and with good reason, I won’t deny them that), is ironically one of those things I mixed with MLP and did more characters on than any other piece of fiction. Heck, I turned almost half of the Nohrians into MLP characters and a few Hoshidans as well, all for the sake of doing a paper animatic when I was 14 or 15 (I never finished it, but it had a bunch of papers be used). I cannot just drop it and be like “I can live without it” for more than 5 seconds (and if I do, it’s not fun), so there’s an idea of just how strong that hold is.

Then came Demon Slayer.

I think you guys know where this is going.

Never had anything even remotely come close to holding its grip on me until that came along, which is saying a lot for how much knowledge I have outside of that medium. At the beginning of 2023, I decided to work on turning Demon Slayer characters into My Little Pony ones, which I made into a huge personal project (which is on hiatus for the time being due to *ahem* a bunch of bullshit happening earlier). Long story short, I haven’t shown much of it yet, but I do have a lot of Demon Slayer MLP artwork in my photo gallery that I want to post.

I don’t just wanna post it randomly on here, though. There’s so much of it that I want to share, from the lore to the background, behind the scenes, etc, the works! I’ve sort of slowed down on Demon Slayer MLP after a number of events happening (including someone deciding to make a bad decision to make a terrible joke, and not the kind where it’s just a bad punchline, I mean the offensive kind where it disrespects multiple people), but I have plenty of content to at least make some posts going into the AU.

I’m hoping to kickstart it sometime next year in 2025, but I’m planning a separate blog where it’s solely focused on my Demon Slayer MLP AU. Once I have that figured out, I’ll have it catch up to where I have it currently and go from there. I’ll do a series of polls and allow everyone to vote on who gets to be revealed first, and whoever gets the most votes will move on. As it stands, I have about 40 characters done (and counting), so it should be plenty enough for now to work with.

I’ll shortly post a few polls determining which characters to show first. If anyone wants to vote, it’ll be in my Demon Slayer MLP blog, and it’ll be up for three days; hopefully all of them come through and don’t just abruptly end each other.

The top 3 characters from the polls after the week is done will move on to the second round, where the top 4 will move on to the final round. Whoever wins that final round will be the first character officially announced to start off the series in 2025.

I’ll put the link for all the polls in my next post so everyone can click on it if they wish to join. Alternatively, if you guys directly find the polls themselves, you can just vote from there! Stay tuned, everyone!

[bnuuy-susie]

Hello! Its Echo. I'm sorry ive been radio silent recently, I got fired from my old job after an attempt and ive been struggling to make ends meet. My body has also been deterioating slowly, so ive been scrambling to save money to do the things I want to before I have to rely 100% on mobility aids. I'm only coming on here to announce an official extended hiatus from all of my dbd blogs in light of Puppers passing away; he was the streamer I first followed and the introduction into this fandom and its hitting me hard. I'll still be making pride art for everyone, but those will probably be my last posts for a while.

I'll still be active on my main tumblr @sugar-rave-rabbit and you can find me on twitter at sloombun. If you want to help financially my Kofi is also Sloombun. Thank you all for being patient and sticking with us this long. I'm sending love to everyone who's been affected by the news, and I hope I can return in time. Thank you all 🫶

[pnf-lover98]

Some thoughts on Good Omens season 2

Last night I finally finished watching the new Good Omens season, and now that I’m officially done screaming about it, I would like to take my time to share some thoughts on this much awaited season 2. Brace yourselves guys, this is going to be a long boi.

Thank you so much for this new adventure, @neil-gaiman, and for making come true my impossible dreams of having Beelzebub and Gabriel canonly together! 🙏

When I first read that there was going to be a season 2, my immediate first reaction was ‘oh no’. I’m generally not a fan of the word “sequel”, because you can never know if a ‘part 2’ is going to be the best thing ever, or if it’s going to be the death of what you used to consider a masterpiece. I love the first season to bits, and when I bought and read the book right after finishing watching, I found the original Good Omens to be just as amazing as its series version. There were scenes that I liked more the way they were written in the book, and some that felt better in the show, but book and series were both amazing in their own ways. And I surely didn’t want a sequel to potentially ruin all of those good memories. But when the first news started to come out about this GO2, I started to feel some hype.

After around 1 year spent in the fandom, and a total of 4 years spent loving the book/series, when I actually got to watch the new season I couldn’t help but feel disappointed by the vast majority of the episodes. Because it looks exactly like the first season, with the costumes, and the sets and everything, but it feels nothing like it.

The first Good Omens did so much for me, also in terms of helping me fight my personal demons. You guys probably don’t know much about what I am like as a person, as I pretty much only share my art here on this blog. But in real life, I have a fairly awful high sensitivity to blood - and specifically if the blood is associated with scenes of violence or where a character is in pain. I have little to no barriers to defend myself from what I get thrown at in movies and media, as I have nearly no ability to put up walls between me and the characters I am looking at. If someone is in pain, then to some extent I’m in pain as well, and if I come across a particularly violent scene, it usually doesn’t take much for it to show up somewhere in my nightmares. Back when the trailer came out for the first season, it took me two months to finally decide to give in to the temptation and watch the show on Amazon Prime. Because this was a series with real actors (I usually trust cartoons more because it’s a safer space) that revolved around angels and demons, no less! And every time Crowley looked deep into the camera, my mind was taken back to Bipper’s snake eyes from Gravity Falls, and on how many nightmares and bad memories the GF fandom gave me when fans aggravated what Bill Cipher did in canon. Bill was such an evil demon, why would I have ever wanted to risk watching other demons in action? But when I did watch the episodes, I saw just how safe GO was. The worst thing that those demons, who called themselves to be so evil and so cruel, did was to set fire to a convent, show their sharp teeth or turn into slugs. There was no blood, no form of violence, no guts shown, no monsters that could make me feel uneasy. And after getting acquainted with Crowley as a character, his snake eyes eased the discomfort I felt towards Bipper’s. By the end of the series, I had no issue looking at him ‘eye to eye’, the bad memories replaced by new positive ones.

What I came to feel towards Good Omens was complete, whole-hearted trust. GO wasn’t going to hurt me, nor in the book nor in the show. So, the first and most important thing that hurt me (in a completely personal way) in this season was just how everything became drastically more bloodied. How gruesome Furfur’s video looked and sounded, how odd it was to have brain-eating zombies with clothes covered in blood of their victims, how terrifying the Resurrectionist guy was. I straight up skipped all of the part where the guy tells Aziraphale and Crowley about his job, because the single sentence “criminals’ bodies were no longer enough” sent a massive alarm ringing in my head, making my heart sink. I knew where things were heading to, because several months ago I came across the same kind of horrible topic in some sort of documentary - and the concept of what was said that day so many months ago hit me like a train, leaving me sat up in my bed at 5 am, concretely dreading the possibility to fall asleep again and have another bad dream. Judging how sharp of a moral U turn Aziraphale did on the whole ‘digging up bodies’ topic, stating that it 'relieves human suffering', I’m guessing that my decision to skip was the right choice. And all of that gruesome stuff, that to me couldn’t help but feel completely uncalled for (Did Crowley really need to tear away the mask of a demon who had a wounded/decomposing chin to find out that they were all demons, when he had a minotaur-looking guy right next to him?) completely destroyed that trust that the first season created in me.

But aside from this, the rest of the episodes didn’t really convince me also because I felt the pacing to be very uneven (episode four was 40 minutes of Aziraphale and Crowley’s shenanigans, with no mention of Gabriel and his yet to be solved mystery, and no screen time for Nina and Maggie either), and this unevenness often made the scenes boring to watch. Because as much as I like Azi and Crowley’s shenanigans, I would have much preferred to have them more evenly intertwined with their present situation, instead of having long chunks of the episode that make you forget about the rest of the characters and then a sixth episode so intensely filled with stuff. None of the new characters that were introduced really lit up a spark of interest in me. If you ask me who I would like to make fanarts or write stuff of, I would tell you none of them. Nor Shax, nor Muriel, nor Furfur nor the smallest appearances like the eyepatch demon. But I guess it’s going to take some time for me to see if I will really make no fanarts of anybody, because it took me a rough month after the first season before I took interest in Beelzebub’s character and started making fanarts of them.

Talking about my beloved Beelz, the one single character that I liked the most in S1 (and in the Tadfield Airbase scene in book Omens)... I didn’t like Shelley Conn in Lord Beelzebub’s role. I have nothing against her as a person, or as an actress, it’s just that this Beelz looked and moved and behaved nothing like the Beelz I spent 4 whole years liking and being familiar with. Even if she did grow on me a little bit in the last episode.

There were still amazing parts in every episode, it’s undeniable. David Tennant’s acting remains top tier - from his facial expressions, to his funky walk up in heaven. It was nice to have some of the original crew back (I was particularly delighted to have Dagon and Eric back, for example!), and it was a very fuzzy and nice feeling to have so much of what I used to see every day across the fandom represented in canon screentime. We saw Crowley making stars and being a high-ranking angel in his past (much like the ‘Crowley was Raphael’ theory that I’ve always liked), we saw Beelz turning into swarms of flies, we got the hall of Hell where the damned get assigned to the various brackets and it looked exactly like I envisioned it to be…

… And above all, I got an impossible dream come true. All through these past 4 years, I’ve been a major Ineffable Bureaucracy fan. What started out as a ‘Why not?’ turned into me writing over a dozen fanfiction, drawing several fanarts of them, coming up with several possible backstories that could lead them to be together eventually. A small ‘why not?’ turned into me having the time of my life for over a year, projecting onto those two impossible lovers all of my dreams of the perfect romance I never had in real life. But we were such a small fraction of the fandom - the most popular of the minor ships, according to someone in the fandom that made a pie chart based on the number of Ao3 fics and of fanarts for each ship, but still a rough 3 percent at best - and deep down I knew that there were no chances of us getting canon. I was disappointed by this thought, of course, but I eventually got to be fine with it; maybe the best part of our ship was that, not being canon, each fan could build an entirely different story for Gabriel and Beelz. Maybe the best part of our ship was this huge choir of harmonizing and dissonating voices.

I went into this season 2 with a completely relaxed mindset about this. “It’s lost or it’s found”, I told myself; if we’re getting something it’ll be a miracle, but if we won’t get anything it won’t be the end of the world. But having such an impossible ship to become canon so out of the blue, and with such a sweet series of clips…! I could see so much of the old fanarts in what we were shown; how many of us (me included) have had them hanging out in bars on Earth? And I still remember clearly how there was this one artist who drew one comic where Beelz had a fly coming out of their mouth like canon Beelz did! Seeing those flashbacks unfold brought me an unmeasurable sense of joy. The kind of squealing with skipping up and down, kind of joy no less. “If this is a dream, don’t wake me up!” I told my computer screen, as I kept my hand covering my huge grin in disbelief. And out of every possible backstory that could have led them to get together, what we were given was very close to what I would have personally chosen for them, and to what some of my favorite fanfictions chose for them.

In conclusion of this long rant… This Good Omens 2 was a big rollercoaster of emotions, for me - but I would dare say that it was like this for everyone who watched it. And you can be sure that, as soon as I’ll set a foot down from the rollercoaster’s cart and my head will stop spinning from the fear and the thrill and the overwhelming joy of the unexpected, I’ll start making new Good Omens content. Thank you to everyone who took their time to read everything.

[bulletsmustdie]

hello there.... welcome!

my name is BULLETS, i'm a 16 year old freak who likes music probably a bit too much for my own good. i go by any pronouns!! just preferably he/they. australian right here... and no. i do not ride kangaroos to school. no tone tags needed or used, if i really feel i should use them i will. thanks!

NOW!

what am i doing here on tumblr?

i am an artist. i draw things and sometimes animate things. this blog will also probably contain a lot random ass posts from me. like project designs and stuff, this'll be sort of like an art journal for me.

what kind of stuff do you draw?

i draw a lot of different things. im a huge bandom fan, i'm in tons of diffferent fandoms for bands, mainly my chemical romance. most of the art that i post on social platforms are rough sketches and 'memes'? if that makes sense. i do create official works and have done so for a while, they just aren't as frequent as i'd like them to be.

any warnings/other things we should know before following?

mostly just profanity warnings as in language, blood and gore might be present sometimes but not always. my art changes a lot, like a lot a lot, including my style and colouring patterns, so not everything i do is in concrete. thats why i dont usually make official pieces of work. i love experimenting with my work :)

cool! are asks/commissions/requests open?

yes! commissions are open at the moment, aswell as asks. requests are a bit iffy but if i feel like it i will. so lets just say asks are half half. if you want my commission info, dm me! i'm happy to answer any questions about it. i can draw just about anything but nsfw and extreme gore.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

i've got tons and tons. so many its insane.

bands im into: my chemical romance, brand new, nine inch nails, foxing, car seat headrest, born without bones, madonna, joy division, she wants revenge, modern baseball, soul asylum, paramore, pierce the veil, slipknot, jeff buckley, the smiths, frank iero, linkin park, radiohead, foo fighters, heart attack man, leathermouth, weezer, basement, fall out boy, the hotelier, new order, no doubt, pink floyd, the caretaker (💀), sports., the used and sooooooo many more........

games:

lethal company, minecraft, undertale, silent hill, terraria, phasmophobia, fran bow, and just a lot of random games you can find on itch.io are usually super fire

other random interests:

i play guitar, bass, drums and i sing. i absolutely love to jam and if you wanted you could check out my spotify profile if you were more curious as to my music taste :

@ bassdaddy07 @ (my spotify) .

.

.

my dni list.

BASIC DNI STANDARDS!!!!! no weirdos. if your a weirdo get the FUCK out of here!!!

if i feel like youre creepy and weird, you're blocked. also just a quick clear up, i say like "youre done" and "yorue blocked" a lot as a joke, you'd be able to tell if i actually mean it tho. anyways.

thats about it!!! i think.... have a lovely day and once again....

WELCOME!!!

[lady-layton]

hi! so I was combing thru ur PL tag, and I noticed u have a large collection of dvds/cds. i hope this doesnt come across as rude or imposing, but do you think it would be possible for you to "burn" and upload the videos/audio to youtube? highest priority has to be the interviews, esp with the seiyu, i don't think i've ever seen that ANYWHERE. even if most people can't understand the japanese, having an archive of this content allows us to archive the games, their development, and the fandom. second priority would probably be any commercials featuring cutscenes from the 3ds games, as they were never released in HD to this day. besides that, i have been able to find most of the CD releases online, but i was curious about the premium cd layton theme cover song. if you are worried about copyright law or just don't want to, that is understandable 👍 but as it stands, there is more and more layton content completely lost to time (like the flip phone exclusive official art and games) and without its preservation, the less and less there will be to celebrate as the anniversaries continue... i hope that's not too dramatic. as far as i can tell when it comes to copyright strikes, i uploaded layton game content to YouTube and never got any (i got one immediately over the utena anime) so i believe it is safe, but there are alternatives like gdrive etc. "burning" (copying) dvds is also very simple if you have a computer.

I REALLY really hope I don't come off as demanding. Ultimately it is 100% your decision. But the layton fandom of today (in its tiny size) would thank you. It also would be a nice way to look back in time, as I personally played all the games only in 2020. I'd love to know more about the process behind the development of the games in general, but as the fandom even at its peak was never huge (and bc its been 15 years...) very little of that has been recorded in western fandom, vs big IPs like Zelda or even Fire Emblem. It'd also be really cool to hear the thoughts of someone who was there when things WERE happening!

Regardless, I will respect whatever decision you make. Game (and game-adjacent) preservation matters a lot to me, but I do know how to take a "No". I hope you can understand my perspective however. 😔 While I don't think the fandom will ever fully revive (unless maybe we got a switch port of each trilogy like Ace Attorney), I hope the new generations of Layton lovers can appreciate each other as well as the old fandom they built upon. Thank you for hearing me out!

Hello!

First of all thank you so much for this ask (o´∀`o) To be honest my plan with buying these commercial DVDs in the beginning was to preserve a part of Professor Layton history. There is so much about Professor Layton that have disappeared over the years, since some fansites and blogs have shut down long ago. So I really want to save as much as I can of what is left.

I've been looking into transferring the trailers, interviews and such to some online archive in some way. Sadly I have not had the time to properly sit down and research how to do it more exactly, but I do have a close friend of mine who is willing to help. If I get them uploaded somewhere I will absolutely share the links through this blog! It would be even more fun if a subgroup would be willing to help out with texting some of the clips as well. I have managed to collect quite a lot of these DVD's since I last updated my collection, but I should have the following:

3 different DVDs for Curious Village

4 different DVDs for Pandora's Box

2 different DVDs for Lost Future

1 promotional DVD for Eternal Diva

3 different DVDs for Spectre's Call

3 different DVDs for Professor Layton VS Ace Attorney

1 DVD for Layton Brothers Mystery Room

1 DVD for Professor Layton and the Phantom Thief

1 for Professor Layton and the Azran Legacy

1 for Layton's Mystery Journey: Katrielle and the Millionaires' Conspiracy

1 for Layton's Mystery Journey: Katrielle and the Millionaires' Conspiracy DX

I also have this one DVD from Code NEO from 2007 that I remember purchasing because it said to have some Layton content. But it got to me just now that I have never checked it out. Perhaps I should do so, so I know what is on that disc haha.

About the premium CD I have been pondering over uploading it as well. I'm not so sure how comfortable I am with sharing MP3s online, but since it's from quite an old era by now and not released outside of the premium disc I could perhaps make an exception.

[shihalyfie]

Hi :) If it's not too much trouble, could you please share your take on why they'd continue the Adventure brand after tri. was such a flop? (and a tangent: what does "dark history" even mean?). We got Kizuna, the reboot, and a 02 movie. Logically, it doesn't really make sense they'd keep investing in it.

This is a thorny topic, and I'd like to reiterate that although I've ended up making more posts related to this series and the discourse surrounding it recently (probably because it's even more on the mind now that another movie is on the horizon and a lot of people are apprehensive for various reasons), I do not want this blog to be making a brand out of being critical of this series. I’m writing this here and in public because I figured that there is a certain degree I need to clarify what I mean about audience reception/climate and how it might impact current or future works, and I’m admittedly also more than a little upset that I occasionally see Western fanbase criticisms of the series getting dismissed by people claiming that the only people mad about it are dramamongering or ignorant Westerners (which could not be further from the truth). However, this is mainly to address this and to answer your question, and is not intended to try and change anyone's existing opinion or impression of the series as much as it's me trying to explain (from my own personal reading of the situation) what practically went down with critical reception in real life; no more, no less.

The short summary of the matter is:

The series was a moderate financial success (albeit with some caveats; see the long version for details) and definitely outstripped a lot of prior attempts to revive the franchise;

However, the overall Japanese fanbase-side critical backlash from tri. was extremely and viciously negative to the point where even acknowledging the series too much could easily result in controversy;

Kizuna’s production and the PR surrounding it very obviously have this in mind with a lot of apparent “damage control” elements.

The long version is below.

Note that while I try to be diligent about citing my sources so people understand that I’m not just making things up wholesale, I’m deliberately refraining from linking certain things here this time, both because some of the things mentioned have some pretty crude things written there -- it’s not something I feel comfortable directing people to regardless of what language it’s in -- and because I don’t want to recklessly link things on social media and cause anyone to go after or harass the people involved. For the links that have been provided, please still be warned that some of them don’t really link to particularly pleasant things.

I am not writing the following information to suggest that anyone should agree or disagree with the sentiments being described. I know people tend to take "a lot of people like/hate this" as a signal of implication "it is correct to like/hate this" when it's not (and I especially dislike the idea of implying that Japanese fanbase opinions are the only correct ones). There's a reason I focus on "critical reception being this way" (because it influences marketing decisions and future direction) rather than how much this should impact one's personal feelings; this is coming from myself as someone who is shamelessly proud of liking many things that had bad critical reception, were financial failures, or are disliked by many. As I point out near the end, the situation also does seem to be changing for the better in more recent years as well.

Also, to be clear, I'm a single person who's observing everything best I can from my end, I have no affiliations with staff nor do I claim to, and as much as I'm capable of reading Japanese and thus reading a lot of people's impressions, I'm ultimately still another “outsider” looking in. These are my impressions from my observation of fan communal spaces, following artists and reading comments on social media and art posting websites, and results from social media searches. In the end, I know as much as anyone else about what happened, so this is just my two cents based on all of my personal observations.

A fanbase is a fanbase regardless of what part of the world you're from. There are people who love it and are shameless about saying so. There are people who have mixed feelings or at least aren't on extreme ends of the spectrum (as always, the loudest ones are always the most visible, but it's not always easy to claim they're the predominant percentage of the fanbase). That happens everywhere, and I still find that on every end I've seen. However, if I'm talking about my impressions and everything I’ve encountered, I will say that the overall Japanese reaction to tri. comes off as significantly more violently negative on average than the Western one, which is unusual because often it's the other way around. (I personally feel less so because the opinions are that fundamentally different and more so because we're honestly kind of loud and in-your-face people; otherwise, humans are mostly the same everywhere, and more often than not people feel roughly the same about everything if they’re given the same information to work with.)

This is not something I can say lightly, and thus would not say if I didn’t really get this impression, but...we're talking "casually looking up movie reviews for Kizuna have an overwhelming amount of people casually citing any acknowledgment of tri. elements as a negative element", or the fact that even communal wikis for "general" fandoms like Pixiv and Aniwota don't tend to hold back in being vicious about it (as of this writing, Pixiv's wiki refuses to consider it in the same timeline as Adventure, accusing it of being "a series that claims to be a sequel set three years after 02 but is in fact something different"). Again, there are people who openly enjoy it and actively advocate for it (and Pixiv even warns people to not lord over others about it condescendingly because of the fact that such people do exist), and this is also more of a reflection of “the hardcore fanbase on the Internet” and not necessarily the mainstream (after all, there are quite a few other Digimon works where the critical reception varies very heavily between the two). Nevertheless, the take-home is that the reputation is overall negative among the Internet fanbase to the point that this is the kind of sentiment you run into without trying all that hard.

I think, generally speaking, if we're just talking about why a lot of people resent the series, the reasons aren't that different from those on the Western side. However, that issue of "dark history" (黒歴史): there's a certain degree of demand from the more violently negative side of the fanbase that's, in a sense, asking official to treat it as a disgrace and never acknowledge it ever again, hence why Kizuna doing so much as borrowing things from it rather than rejecting it outright is still sometimes treated like it’s committing a sin. So it's somewhat close in spirit to a retcon movement, which is unusual because no other Digimon series gets this (not even 02; that was definitely a thing on the Western end, but while I'm sure there are people who hate it that much on their end too, I've never really seen it gain enough momentum for anyone to take it seriously). If anyone ever tells you that Japanese fanbases are nice to everything, either they don't know Japanese, are being willfully ignorant, or are lying to you, because there is such thing as drama in those areas, and in my experience, I've seen things get really nasty when things are sufficiently pushed over the edge, and if a fanbase wants to have drama, it will have drama. This happens to be one of those times.

(If you think this is extreme, please know that I also think so too, so I hope you really understand that me describing this sentiment does not mean I am personally endorsing it. Also, let me reiterate that the loudest section of the fanbase is not necessarily the predominant one; after all, as someone who’s been watching reactions to 02 over the years, I myself can attest that its hatedom has historically made it sound more despised than it actually is in practice.)

My impression is that the primary core sentiment behind why the series so much as existing and being validated is considered such an offense (rather than, say, just saying "wow, that writing was bad" and moving on) is heavily tied to the release circumstances the series came out in during 2015-2018, and the idea that "this series disrespected Adventure, and also disrespected the fanbase.” (I mean, really, regardless of what part of the world you’re from, sequels and adaptations tend to be held to a higher bar of expectation than standalone works, because they’re expected to do them justice.) A list of complaints I’ve come across a lot while reading through the above:

The Japanese fanbase is pretty good at recordkeeping when it comes to Adventure universe lore, partially because they got a lot of extra materials that weren’t localized, but also partially because adherence to it seems to generally be more Serious Business to them than it is elsewhere. For instance, “according to Adventure episode 45, ‘the one who wishes for stability’ (Homeostasis) only started choosing children in 1995, and therefore there can be no Chosen Children before 1995” is taken with such gravity that this, not anything to do with evolutions or timeline issues, is the main reason Hurricane Touchdown’s canonicity was disputed in that arena (because Wallace implies that he met his partners before 1995). It’s a huge reason the question of Kizuna also potentially not complying to lore came to the forefront, because tri. so flagrantly contradicts it so much that this issue became very high on the evaluation checklist. In practice, Kizuna actually goes against Adventure/02 very little, so the reason tri. in particular comes under fire for this is that it does it so blatantly there were theories as early as Part 1 that this series must take place in a parallel universe or something, and as soon as it became clear it didn’t, the resulting sentiment was “wow, you seriously thought nobody would notice?” (thus “disrespecting the audience”).

A lot of the characterization incongruity is extremely obvious when you’re following only the Japanese version, partially because it didn’t have certain localization-induced characterization changes (you are significantly less likely to notice a disparity with Mimi if you’re working off the American English dub where they actually did make her likely to step on others’ toes and be condescending, whereas in Japanese the disparity is jarring and hard to miss) and partially due to some things lost in translation (Mimi improperly using rough language on elders is much easier to spot as incongruity if you’re familiar with the language). Because it’s so difficult to miss, and honestly feels like a lot of strange writing decisions you’d make only if you really had no concept of what on earth happened in the original series, it only contributes to the idea that they were handling Adventure carelessly and disrespectfully without paying attention to what the series was even about (that, or worse, they didn’t care).

02 is generally well-liked there! It’s controversial no matter where you go, but as I said earlier, there was no way a retcon movement would have ever been taken seriously, and the predominant sentiment is that, even if you’re not a huge fan of it, its place in canon (even the epilogue) should be respected. So not only flagrantly going against 02-introduced lore but also doing that to a certain quartet is seen as malicious, and you don’t have as much of the converse discourse celebrating murdering the 02 quartet (yeah, that’s a thing that happened here) or accusing people with complaints of “just being salty because they like 02″ as nearly as much of a factor; I did see it happen, or at least dismissals akin to “well it’s Adventure targeted anyway,” but they were much less frequent. The issue with the 02 quartet is usually the first major one brought up, and there’s a lot of complaints even among those who don’t care for 02 as much that the way they went about it was inhumane and hypocritical, especially when killing Imperialdramon is fine but killing Meicoomon is a sin. Also, again, “you seriously think nobody will see a problem with how this doesn’t make sense?”

I think even those who are fans of the series generally agree with this, but part of the reason the actual real-life time this series went on is an important factor is that the PR campaign for this series was godawful. Nine months of clicking on an egg on a website pretending like audience participation meant something when in actuality it was blatantly obvious it was just a smokescreen to reveal info whenever they were ready? This resulted in a chain effect where even more innocuous/defensible things were viewed in a suspicious or negative light (for instance, "the scam of selling the fake Kaiser's goggles knowing Ken fans would buy it only to reveal that it's not him anyway"), and a bunch of progressively out-of-touch-with-the-fanbase statements and poor choices led to more sentiment “yeah, you’re just insulting the fanbase at this point,” and a general erosion of trust in official overall.

On top of that, the choice of release format to have it spread out as six movies over three years seems to have exacerbated the backlash to get much worse than it would have been otherwise, especially since one of the major grievances with the series is that how it basically strung people along, building up more and more unanswered questions before it became apparent it was never going to answer them anyway. So when you’re getting that frustrated feeling over three whole years, it feels like three years of prolonged torture, and it becomes much harder to forgive for the fallout than if you’d just marathoned the entire thing at once.

For those who are really into the Digimon (i.e. species) lore and null canon, while I’m not particularly well-versed in that side of the fanbase, it seems tri. fell afoul of them too for having inaccurately portrayed (at one point, mislabeled) special attacks and poorly done battle choreography, along with the treatment of Digimon in general (infantilized Digimon characterization, general lack of Digimon characters in general, very flippant treatment of the Digital World in Parts 3-5). If you say you’re going to “reboot” the Digital World and not address the entire can of worms that comes with basically damaging an entire civilization of Digimon, as you can imagine, a lot of people who actually really care about that are going to be pissed, and the emerging sentiment is “you’re billing this as a Digimon work, but you don’t even care about the monsters that make up this franchise.”

The director does not have a very positive reputation among those who know his work (beyond just Digimon), and in general there was a lot of suspicion around the fact they decided to get a guy whose career has primarily been built on harem and fanservice anime to direct a sequel to a children’s series. Add to that a ton of increasingly unnerving statements about how he intended to make the series “mature” in comparison to its predecessor (basically, an implication that Adventure and 02 were happy happy joy series where nothing bad ever happened) and descriptions of Adventure that implied a very, very poor grasp of anything that happened in it: inaccurate descriptions of their characters, poor awareness of 02′s place in the narrative, outright saying in Febri that he saw the Digimon as like perpetual kindergartners even after evolving, and generally such a flippant attitude that it drove home the idea that the director of an Adventure sequel had no respect for Adventure, made this series just to maliciously dunk on it for supposedly being immature, and has such a poor grasp of what it even was that it’s possible he may not have seen it in the first place (or if he did, clearly skimmed it to the extent he understood it poorly to pretty disturbing levels). As of this writing, Aniwota Wiki directly cites him as a major reason for the backlash.

In general, consensus seems to be that the most positively received aspect of the series (story-wise) was Part 3 (mostly its ending, but some are more amenable to the Takeru and Patamon drama), and the worst vitriol goes towards Parts 2 (for the blatantly contradictory portrayal of Mimi and Jou and the hypocritical killing of Imperialdramon) and 4 (basically the “point of no return” where even more optimistic people started getting really turned off). This is also what I suspect is behind the numbers on the infamous DigiPoll (although the percentage difference is admittedly low enough to fall within margin of error). However, there was suspicion about the series even from Part 1, with one prominent fanartist openly stating that it felt more like meeting a ton of new people than it did reuniting with anyone they knew.

So with all of that on the table: how did this affect official? The thing is that when I say “violently negative”, I mean that also entailed spamming official with said violently negative social media comments. While this is speculation, I am fairly certain that official must have realized how bad this was getting as early as between Parts 4 and 5, because that’s where a lot of really suspicious things started happening behind the scenes; while I imagine the anime series itself was now too far in to really do anything about it, one of the most visible producers suddenly vanished from the producer lineup and was replaced by Kinoshita Yousuke, who ended up being the only member of tri. staff shared with Kizuna (and, in general, the fact that not a single member of staff otherwise was retained kind of says a lot). Once the series ended in 2018 and the franchise slowly moved into Kizuna-related things, you might notice that tri.-branded merch production almost entirely screeched to a halt and official has been very touchy about acknowledging it too deeply; it’s not that they don’t, but it’s kind of an awfully low amount for what you’d think would be warranted for a series that’s supposed to be a full entry in the big-name Adventure brand.

The reason is, simply, that if they do acknowledge it too much, people will get pissed at them. That’s presumably why the tri. stage play (made during that interim period between Parts 4 and 5 and even branded with the title itself) and Kizuna are really hesitant to be too aggressive about tri. references; it’s not necessarily that official wants to blot it out of history like the most extreme opinions would like them to, but even being too enthusiastic about affirming it will also get them backlash, especially if the things they affirm are contradictory to Adventure or 02. And considering even the small references they did put in still got them criticism for “affirming” tri. too much, you can easily see that the backlash would have been much harder if they’d attempted more than that; staying as close as possible to Adventure and 02 and trying to deal with tri. elements only when they’re comparatively inoffensive was pretty much the “safe” thing to do in this scenario (especially since fully denying tri. would most certainly upset the people who did like the series, and if you have to ask me, I personally think this would have been a pretty crude thing to have done right after the series had just finished). Even interviews taken after the fact often involve quickly disclaiming involvement with the series, or, if they have to bring up something about it, discussing the less controversial aspects like the art (while the character designs were still controversial, it’s at least at the point where some fanartists will still be willing to make use of them even if they dislike the series, albeit often with prominent disclaimers) or the more well-received parts of Part 3; Kizuna was very conspicuously marketed as a standalone movie, even if it shared the point of “the Adventure kids, but older” that tri. had.

(Incidentally, the tri. stage play has generally been met with a good reputation and was received well even among people who were upset with the anime, so it was well-understood that they had no relation. In fact, said stage play is probably even better received than Kizuna, although that’s not too surprising given the controversial territory Kizuna goes into, making the stage play feel very play-it-safe in comparison.)

So, if we’re going to talk about Kizuna in particular: tri. was, to some degree, a moderate financial success, in the sense that it made quite a bit of money and did a lot to raise awareness of the Digimon brand still continuing...however, if you actually look at the sales figures for tri., they go down every movie; part of it was probably because of the progressively higher “hurdle” to get into a series midway, but consider that Gundam Unicorn (a movie series which tri.’s format was often compared to) had its sales go up per movie thanks to word of mouth and hype. So while tri. does seem to have gotten enough money to help sustain the franchise at first, the trade-off was an extremely livid fanbase that had shattered faith in the brand and in official, and so while continuing the Adventure brand might still be profitable, there was no way they were going to get away with continuing to do this lest everything eventually crash and burn.

Hence, if you look at the way Kizuna was produced and advertised, you can see a lot of it is blatantly geared at addressing a lot of the woes aimed at tri.: instead of the staff that had virtually no affiliation with Toei, the main members of staff announced were either from the original series (Seki and Yamatoya) or openly childhood fans, the 02 quartet was made into a huge advertising point as a dramatic DigiFes reveal (and character profies that tie into the 02 epilogue careers prominently part of the advertising from day one), and they even seemed to acknowledge the burnout on the original Adventure group by advertising it so heavily as “the last adventure of Taichi and his friends”, so you can see that there’s a huge sentiment of “damage control” with it. How successful that was...is debatable, since opinions have been all over the board; quite a few people were naturally so livid at what happened with tri. that Kizuna was just opening more of the wound, but there were also people who liked it much better and were willing to acknowledge it (with varying levels of enthusiasm, some simply saying “it was thankfully okay,” and some outright loving it), and there was a general sentiment even among those who disliked both that they at least understood what Kizuna was going for and that it didn’t feel as inherently disrespectful. (Of course, there are people who loved tri. and hated Kizuna, and there are people who loved both, too.)

Moreover, Kizuna actually has a slightly different target audience from tri.; there’s a pretty big difference between an OVA and a theatrical movie, and, quite simply, Kizuna was made under the assumption that a lot of people watching it may not have even seen tri. in the first place. An average of 11% of the country watched Adventure and 02, but the number of people who watched tri. is much smaller, in part due to the fact that its “theater” screenings were only very limited screenings compared to Kizuna being shown in theaters in Japan and worldwide, and in part due to the fact that watching six parts over three years is a pretty huge commitment for someone who may barely remember Digimon as anything beyond a show they watched as a kid, and may be liable to just fall off partway through because they simply just forgot. (Which also probably wasn’t helped by the infamously negative reputation, something that definitely wouldn’t encourage someone already on the fence.) And that’s yet another reason Kizuna couldn’t make too many concrete tri. references; being a theatrical movie, it needs to have as wide appeal as possible, and couldn’t risk locking out an audience that had a very high likelihood of not having seen it, much less to the end -- it may have somewhat been informed by tri.’s moderate financial success and precedent, but it ultimately was made for the original Adventure and 02 audience more than anything else.

I would say that, generally, while Kizuna is “controversial” for sure, reception towards the movie seems to be more positive than negative, it won over a large chunk of people who were burned out by tri., and it clearly seems to have been received well enough that it’s still being cashed in on a year after its release. The sheer existence of the upcoming 02-based movie is also probably a sign of Kizuna’s financial and critical success; Kinoshita confirmed at DigiFes 2020 that nothing was in production at the time, and stated shortly after the movie’s announcement that work on it had just started. So the decision to make it seems to have been made after eyeing Kizuna’s reception, and, moreover, the movie was initially advertised from the get-go with Kizuna’s director and writer (Taguchi and Yamatoya), meaning those two have curried enough goodwill from the fanbase that this can be used to promote the movie. (If not, you would think that having and advertising Seki would be the bigger priority.) While this is my own sentiment, I am personally doubtful official would have even considered 02 something remotely profitable enough on its own to cash in on if it weren’t for this entire sequence of events of 02′s snubbing in tri. revealing how much of a fanbase it had (especially with the sheer degree of “suspicious overcompensation” Kizuna had with its copious use of the 02 quartet and it tagging a remix of the first 02 ED on the Hanareteitemo single, followed by the drama CD and character songs), followed by Kizuna having success in advertising with them so heavily. Given all of the events between 2015 and now, it’s a bit ironic to see that 02 has now become basically the last resort to be able to continue anything in the original Adventure universe without getting too many people upset at them about it.

The bright side coming out of all of this is that, while it’s still a bit early to tell, now that we’re three years out from tri. finishing up and with Kizuna in the game, it seems there’s a possibility for things improving around tri.’s reception as well. Since a lot of the worst heated points of backlash against it have a very “you had to have been there” element (related to the PR, release schedule, and staff comments), those coming in “late” don’t have as much reason to be as pissed at it; I’ve seen at least one case of a fanartist getting back into the franchise because of Kizuna hype, watching tri. to catch up, casually criticizing it on Twitter, and moving on with their life, presumably because marathoning the whole thing being generally aware of what’ll happen in it and knowing Kizuna is coming after anyway gives you a lot less reason to be angry to the point of holding an outright grudge. Basically, even if you don’t like it, it’s much easier to actually go “yeah, didn’t like that,” not worry too much about it, and move on. Likewise, I personally get the impression that official has been starting to get a little more confident about digging up elements related to it. Unfortunately, a fairly recent tweet promoting the series getting put on streaming services still got quite a few angry comments implying that they should be deleting the scourge from the Internet instead, so there’s still a long way to go, but hopefully the following years will see things improve further...

In regards to the reboot, I -- and I think a lot of people will agree with me -- have a bit of a hard time reading what exact audience it’s trying to appeal to; we have a few hints from official that they want parents to watch it with their children, and that it may have been a necessary ploy in order to secure their original timeslot. So basically, the Adventure branding gets parents who grew up with the original series to be interested in it and to show it to their kids, and convinces Fuji TV that it might be profitable. But as most people have figured by now, the series has a completely different philosophy and writing style -- I mean, the interview itself functionally admits it’s here to be more action-oriented and to have its own identity -- and the target audience is more the kids than anything else. As for the Internet fanbase of veterans, most people have been critical of its character writing and pacing, but other than a few stragglers who are still really pissed, it hasn’t attracted all that much vitriol, probably because in the end it’s an alternate universe, it doesn’t have any obligation to adhere to anything from the original even if it uses the branding, and it’s clearly still doing its job of being a kids’ show for kids who never saw the original series nor 02, so an attempt to call it “disrespectful” to the original doesn’t have much to stand on. A good number of people who are bored of it decided it wasn’t interesting to them and dropped it without incident, while other people are generally just enjoying it for being fun, and the huge amount of Digimon franchise fanservice with underrepresented Digimon and high fidelity to null canon lore is really pleasing the side of the fanbase that’s into that (I mean, Digimon World Golemon is really deep in), so at the very least, there’s not a lot to be super-upset about.

[thefanficmonster]

Begone

Streamer Gang & Asexual Reader (Gender Neutral)

Warnings: Acephobia, Swearing

Genre: Platonic Fluff, Comfort, RPF (Real Person Fic)

Summary: Having recently come out as asexual, Y/N faces some less than pleasant or appropriate responses in their chat during their stream with the gang. Luckily, they’re not alone in battling the haters this time.

Requested by the lovely Anon who told acephobes to begone, yeah you know who you are hehe. Thank you so much for the request darling! Let’s show these acehobes who they’re messing with! Love, Vy ❤

Boy is this nerve-wrecking or what? Sure, I maybe woke up with a ton of confidence, I listened to motivational and uplifting talks and listened to mood boosting music. I had a healthy breakfast and a cup of coffee. Damn it, I went on a run, all in an attempt to convince myself that dealing with the online world again is but a piece of cake for a badass like me. Well, low and behold, that feeling didn’t last very long. Here I am, chewing my nails off at the though of hopping in the Discord call and Among Us lobby with my friends and starting my stream. It’s not like I’m not expecting my friends and fans to support me - of course I am! I know they’re gonna give me a ton of love and appreciation and support and uplift me no matter what. But then again, there’s still those people who believe me and other people like me to be invalid and broken and whatnot.

Those are the ones I wanna avoid. 

It’s not like their words mean much to me but I simply don’t wanna see em, you know? It’s not only about me - it’s least about me actually - it’s more about all those wonderful people they are insulting when they say shit like that about asexuals and all the people on the ace spectrum. I can’t help but flare up and get angry on the behalf of all my ace friends and even people I’ve never met.

It’s also my first time being directly thrown into the fire instead of getting caught in the crossfire seeing as how I came out to my fandom via a tweet and an Instagram post a week ago, telling my identity’s truth: finally bringing my asexuality to the surface to shine its brightest so I can be be my best and reach for my full potential.

But damn am I afraid to see how everyone took it. 

My friends were quick to jump in and take me offline before I start refreshing my own posts to see the comments under them. Lord knows that without them I would’ve driven myself insane, I’ll forever be grateful for what they did and the lengths they went to to keep me offline and whatnot. One word to give you an idea of how invested they were in this: origami. All of us might as well have been born with two left hands and yet we still tried doing origami. Freaking origami.

Damn do I love my friends.

But now I don’t have sheets of paper and my friends to distract me. I have a fanbase to entertain and another friend group I haven’t talked to in a while. I don’t wanna get any predictions in already so I don’t jinx myself, so I’m just gonna say it’s gonna be...interesting regardless of what happens.

Then again, when is it not interesting when the streamer gang’s involved.

Deep breaths, Y/N. You got this

Listening to that encouraging little voice inside my head, I finally equip my headphones and in one fluid motion turn my camera on, officially starting my stream and unmuting my mic as I hop in the call with everyone.

“Hi guys! Guess who’s returned!“ I exclaim cheerfully, desperate to hide the nervousness of my voice.

“You really missed your opportunity to say ‘guess who’s back...back again’ didn’t you?“ Charlie is the one who greets me first, sounding rather disappointed in me in his usual jokester manner. It’s nice to hear, it makes me feel like nothing’s changed in the week I’ve been gone. Like I’m still the same person to these people. I really am the same, I just now am a lot better version of myself. Almost as though I’ve reached my final form. It feels empowering really. “I’m kidding, I’m kidding.” Charlie laughs again, “Congrats, by the way. You keep proving you can get cooler and cooler.“

“Careful there Charlie, I can only handle so large of an ego.“ I joke back, rolling my eyes playfully as a wide grin spreads across my face, “No, but seriously, thank you so much, man. It means the world to me that you support me.“

“Um, how could we NOT?“ That’s very clearly Rae, “Hun, you are so brave and amazing and wonderful, how could we ever NOT support you?“

“Yeah, we’ll always support you no matter what, Y/N. We’ll always be your friends, through thick, thin and beyond.“ Poki too interferes, her words only making my smile wider.

“Alright, alright, y’all are gonna make me cry and I haven’t even read my chat yet, hold on.“ I say, fanning my face to dry the tears I hope the webcam isn’t spotting, “Darn, you guys are the best. Sorry, give me a sec to gather my composure, I’ll be right back.“

I quickly mute my in-game mic as I turn to my chat where I see the same amount of love and support in the form of comments and emojis flooding in from my viewers. A warm feeling spreads throughout my chest, making me feel the most comfortable with myself I’ve ever felt. The most loved I’ve ever felt. The most seen and understood. To finally be you feels like you are finally really living in this world, not like you’ve been already living in it for God knows how long. It makes me so freaking happy and fulfilled to finally be living as me, as the real me.

Unfortunately, in life, nothing can be 100% pure and good. There’s always at least 1% there threatening to ruin all your happiness you worked so hard to build or obtain. It may be one in a hundred, but fuck it’s powerful and effective.

And in my case it comes in the form of two comments that stick out to my eyes. Acephobic comments saying my identity’s fake, claiming I’m faking it, saying us acephobes are immature creatures who refuse to grow up, or attention whores. Or just saying we’re delusional and in denial, confused about who we are.

I hadn’t even realized I was clenching my jaw and fists but when I do, I slowly relax my muscles and crack my knuckles before addressing the two people who spat out that nonsense.

“Ok, listen here, shooterpro69 and yourmom_lol. For starters, I want to apologize for your ignorance and lack of education on the matter of asexuality. In fact, for you especially, I plan on making an educational video, explaining asexuality to people who need or want to learn more. You, my friends, are in desperate need to be fed some knowledge cause damn, God knows how many people secretly think you’re hella stupid. Not that they’re wrong to think so but anyway. Unless you have anything nice or positive to say, begone from my chat. Actually, when I think about it, begone from every chat. No one needs you polluting their communities with acephobia and hate.“ I say, all spoken in a calm tone despite the boiling anger within me. People who know me well would probably be able to tell I’m fuming underneath the calm façade, but at least I got my message across loud and clear.

“WOO HOO, You tell em Y/N!“ Toast cheers, clapping his hands and whistling as more cheering arises from each my friends, leaving me in a state of mild shock and confusion.

Wait, what?!

“Um, wait, you guys heard that?“ I ask, my eyes darting to thein-game mic symbol that shows an not crossed-off mic, meaning it was enabled during the entirety of my speech.

“Hell yeah we did! You slayed them, Y/N! Damn goddamn!“ Rae whistles too, her enthusiasm wafting over me like a breath of fresh air.

“I second that!“ Corpse joins in, “And remember what we said - we’ll support you through anything. Need to bury an acephobe’s body, we’re the people you should call.” He says, confident as heck.

And I just can’t hold it in anymore - I burst out laughing, doubling over from the intensity.

If I thought I was happy and fulfilled before, this has to be the closest to paradise I’m gonna get on Earth.  All thanks to these wonderful people. Friends are really something else aren’t they: they come into your life - often unexpectedly - and change it completely. Suddenly you’re not alone, you’re not forced to deal with everything and face everything on your own. Someone’s got your back and you’ve got theirs.

Through thick, thin and beyond.

And it’s so fucking amazing.

@maat-the-prescriptive  @simonsbluee  @save-the-sky  @itsminniekat  @hacker-ghost  @bi-andready-tocry  @imtiredaffff  @jazzkaurtheglorious  @hereforbeebo  @fandomgirl17  @chrysanthykios  @maehemscorpyus  @loraleiix  @letsloveimagines  @annshit  @i-cant-choose-a-username-help  @enigmaticmaze  @divine-artemis  @waterlilypat  @idontknowwhatthisisfam  @evi-ka  @classyandfabulous00  @redperson58  @lilysdaydreams @solowheein  @mythicalamphitrite  @axen-gers  @luckygirl144  @nj01  @buddyemily   @the-albino-lioness  @stardream14  @gdhdkfnn  @nomadicgypsyy  @preciousskye  @fluffysuicideunicornsworld  @o-kaelin  @manacharlotte  @awkward-youtube-trash  @lolalee24  @bonky-beerns  @meme-lord-and-savior-sebastian  @strawbrinkofdeath  @teenloves  @tams0527  @browneyespinkhair  @starstruckllamapuppy  @daisychains012  @y0ulooked  @tinytacosuitcaseflap @supernatural-is-my-only-life  @jula-pauline  @melodykitty  @just-that-bi-girl  @crazybutconfidentaf  @lowellshade @alphakees  @bellero  @weallneednamjesus  @starryhanji  @boiled-onionrings  @husherstan  @fockingwhore  @melaningoddessthings  @prettypastelpetals  @haleypearce  @godwhyamiawkward  @y-napotat  @daisychainyoonmin  @little-miss-rebel3  @free-wheelin-bi-sexual  @redmoon261 @darkacademic2  @wiseflamingoqueen  @into-the-end  @namikhai-i  @nastiablr  @thelittleplantlover  @mirktuan  @dont-hyuck @jjk-bunny  @vintagegothlover  @easygoingtheatre  @itsrandombooklover  @miiaivi  @emmybaybee  @befourgolden  @jjk-is-my-shit  @eternalteaaars  @spacebadgerx  @princesslunalight  @acequinn14  @samm48  @misselsbells06 @simp-lykawa  @fo-love  @marishimomura-blog  @therealglenncoco  @cinnamonbun332  @killtherandomness  @sanshinexxxsan  @fee-btheweeb  @press-lay  @cathleenpotgieter16  @jazzydoesstuff  @moonlxghtbay  @forestrain2000  @hyunjinhugs  @blood-of-fandoms  @lovellylies  @ukiyolixx  @simpforhpcharacters  @chrisdylan17  @parkerjisung  @pedernille  @theodonyous  @wineandionysus  @malfoystilinskii05  @morbid-x  @coryisagee  @jessewa26  @scoobydooluver97 @mindintheskies365  @raeanneinwonderland  @indecisive-empanada  @gluttonypalace  @loriane2503  @btsiguess-kpop  @khaoticbunny  @lucidlycactus  @smiithys  @rottenroyalebooks  @kpopgirlbtssvt  @fangirl-tc27  @fr0z3n-1  @notmesimpingfortechno  @shotarosleftpinky  @kunoi-chan  @idk-whats-wrong-with-me  @yikeroonie  @goldenstarofthunderclan  @poetry-and-tea  @ama-do-writing-stuff  @wishbonewolf  @emeraldxhope  @t0xick1tty  @kusuinko  @speakyourselfloveyourself  @sophia902103  @lo-manburg  @classsykittykat  @dmgama  @depressedpuppythatneedscoffee  @btsiguess-kpop  @akaashi-baby  @gun-jong-simp  @geschichtenfee  @yerapotato-wp  @browneyedgirl365  @thysagclub  @sparklycloudnight  @helloatomicshadow  @queentorresstuff @vtte @val-gal  @lucy-bunny17  @aaliyahh0  @katluckybear  @boyleanti  @straybids  @franchesca-791  @cosmicstorm19  @averyisbackinthetrashcan  @aomi-nabi  @xlanawriter  @allensimpsforcorpse  @sunnyrae-cessh  @ladykxxx08  @meowiemari

[pynkhues]

.... any succession fic recs? 👀

Yes!! I haven't read a lot for it yet, but some of the stuff I've read has been staggeringly good. I'm generally more into gen fic in this particular fandom, but have enjoyed some Stewy x Kendall, Gerri x Roman and Naomi x Tabitha too.

A few recs under the cut!

“I wanted to get out. From under all this. Take the money and run.”

Kendall tells Stewy even though he knows he’ll never get it, not like Naomi does. He’ll never understand the crush of it, the heart-stopping head-fucking fear of failing a tyrant. Kendall’s been ignoring the shape of it for a long time, putting pieces of it together in the back of his mind in total darkness like a blindfolded man. It doesn’t matter that one day his dad will die. It doesn’t matter about the money or the hostile takeover or the stolen files or any of it. There’s no running. Kendall’s Logan Roy lives inside his head.

Stewy laughs. Stewy laughs for a long time.

“There is no out, Ken, what the fuck are you talking about? You were born this and you’ll die this. You are what you are, and what you are is a fucking Roy.”

Kendall hates him, for a moment. Lightning-strike furious. What the fuck does he know about any of it, about his dad’s swinging dinner plate-sized hands, about getting 24% name recognition in reliable international polling, about puking every time you think about a car swerving off the road in the rain. About finding out that you can do something unthinkably, unimaginably terrible, and it doesn’t matter to anyone you know but you. There’s a scar on his arm that no one else who hasn’t already been told how it got there can ever know about, and he’s sick of it, and it’s not fair. He hates Stewy for a moment because Stewy’s right.

“I wanted to do the right thing, Stewy, for once in my fucking life.”

Stewy laughs again, more briefly, and the predator flash of his eyes in the neon of the motel sign is a torture all its own.

‘There is no right and wrong, Ken. How the fuck do you not know that yet? Not for people like you. Like us. There’s shit you get caught doing and there’s shit you don’t.”

“You don’t know what you’re talking about. You really, really fucking don’t,” says Ken, and fuck, there it is. The road less travelled, that only he has ever driven on. The path he’s down where Stewy can’t follow. That place beyond Stewy Hosseini where he never thought he could go.

“You’re not telling me something, and when I find out what that is, and I will find out what it is, Kendall, don’t you think I won’t, so I am warning you that when I do find out I am going to be righteously fucking pissed,” says Stewy, and if Kendall thought those were a predator’s eyes before—

“Yeah, you will,” says Kendall, because he knows exactly how perceptive Stewy is. Exactly how weak he is. Exactly, precisely what both of them are.

And treat this night like it’ll happen again by postcardmystery. 8k words. Kendall x Stewy. Post s2. (CW: internalised homophobia, some homophobic language)

I tried to pick a shorter excerpt, but I literally couldn’t, this fic is so. good. The voices are pitch perfect, and it’s got this incredible build to it overall that goes back and forth between time and point of views and just rips your heart out. The premise itself is pretty simple – after the press conference at the end of 2.10, Kendall calls Stewy, and they drive through rural America while Kendall has a breakdown, and it’s just - - unspeakably good. I love it so so so much, I have no words.

r/roysucks Connor’s gf just posted on Instagram (instagram.com) submitted two months ago by webbedscrum_2279 23 comments share save hide report

[–] DM_ME_SAMESMAIL 40 points two months ago I too like to escape to my yacht in the Mediterranean when my family and I are on trial for covering up rape and murder. permalink embed save report reply

AITA for accusing my father of multiple crimes on his own news station? By amleth 3k words. Gen fic. Post s2.

And now for something completely different – epistolary fic which is just reddit news threads of the Roy family drama. I love an epistolary fic and this is just totally charming, and made me laugh a lot out loud.

“You’re quiet,” she observes. “That’s a first.”

“Yeah, well, the Turks beat it out of me. Gave you a run for their money.” He waggles his eyebrows. “So what is this? Whips and chains? Are we doing the whole boat-sex thing? I heard Shiv and Tom are looking for a third —“

Gerri finds what she’s looking for: a black leather binder. She drops it on the bed and begins paging through it, and Roman cranes his neck enough to recognize that it’s just full of documents, not like, dick pics. “I’ve given some thought to what you proposed a few weeks ago, and I agree that we should make things official in some way,” she says, and he blinks.

“Uh,” he says. “Which — what part of it?”

“Take a look.”

Gerri closes the folio and hands it over. It’s deceptively heavy, and the print on these pages is way too fucking fine, he thinks, paging through it. “Is this some kind of, like, Fifty Shades of Roy sex contract? Because it’s not that I’m not into it, but I think there’s a strong argument for going paperless —”

“Strictly speaking, this isn’t legally binding,” Gerri says. “Just something I threw together with regard to our business arrangement going forward. But with no respect to the family — the past few weeks have really illustrated that no one should take anyone at their word right now. Give me a little more than your word.”

Evacuation strategies for a yacht on fire by devourthemoon. 11k words. Gerri x Roman. Post s2. Explicit.

After the events of s2, Roman and Gerri fake being married as a professional alliance, only, y’know, maybe it’s not so fake. This fic is just so, so much fun, and messy in the best possible way. The author nails all the character voices, and the sex scenes are just the right amount of hot and ridiculous, and I just love it all a lot too.

Kendall estimates it will take an hour for the first articles to go up. Some rapid-fire blog without oversight—the New York Post, maybe, or wherever those Vaulter hippies have skulked off to—will slap a catchy headline on it and report his words verbatim. Give or take a gif of his face when he switches to script number two. New York Times, Washington Post, AP, those fuckers take longer. They like to bleed the story like Middle Ages plague doctors for its marrow, fact-check and add context and analysis and as many backlinks as their servers can handle. Still, a couple of hours, and his face will be plastered on every major news outlet. His voice will play over the nightly talk shows. He’ll trend on Twitter. A few more days, and he’ll be the star of analysis segments, podcasts, weekly briefings. Maybe, fuck it, maybe he’ll trend on Twitter again.

It’s been years since Kendall read Shakespeare. But that shit sticks with you, gets under your skin and emerges when you least expect it, like eczema or Keynesian economics. He knows how the media will spin this. Kendall Roy Attacks CEO Logan for Years of Corruption. Prodigal Son Disrupts Family Legacy to Restore Credibility. That’s how Hamlet ends, right? And Macbeth, Lear, Othello, Romeo and Juliet, even Titus fucking Andronicus. The spilled blood sinks into the ground, the seedlings sprout forth from the soil, and a new castle is built on the bones. Order out of chaos, or at least close enough an approximation that the tabloids will buy it.

Legacy for profit by owlinaminor Post-2.10. Kendall Roy. Kendall through Shakespeare analogies – just - - ooooof. It's a beautiful, lyrical character study that weaves through Roy family history and teases at a future none of them are even sure they want. It's gorgeous writing.

For the next few days Shiv would have to keep the pressure on Kira like an open wound because there were other women, victims that Nate’s people were going to find one by one as soon as that phone call disconnected. Mo was her father’s friend, good friend, for a long, long time. Nate and Gil, Sandy and Stewy, too many sharks in the water and the share price probably dipped to a new low but she would never check a stock ticker. Her husband’s nerves fraying at the edges on national television. She had promised a woman she’d never met before that she would kill roughly one third of the top male executives of her family’s company. Her company.

The last look Rhea gave her before she shut the car door was concern close to fear—no longer the same woman who heard their pitch in the safe room, who laughed with her at Argestes. Rhea had only looked into the abyss; she got cold feet and she didn’t even know what it’s like to grow up in it.

Her family’s company is hers, will be hers. Even from a whale fall, new life would spring.

Feed his flesh to wayward daughters by reogulus. 2k words. Shiv Roy. Set during 2.09.

This entire fic is set around Shiv bribing Kira not to testify, and god, it is so good. It’s bleak and rough, and really hones in on the complex ground Shiv walks as a character. It's another brilliant study of what it takes to be a Roy, and the way they make the awful choices in order to fulfill this legacy that they don't even know they want.

Kendall sets down his fork. “So. Tell me. Is it everything you wanted? Is it what you thought it would be?”

Roman stills. He never does that. He’s constantly a menace in motion, slouching and fidgeting, worse even than Kendall at his amphetamine peak. “What? The view from the tippy-tippy-top?”

“His regard.” Kendall wipes his mouth with the edge of the white cloth napkin. It comes away pink from the steak. “Dad. He’s all yours now.”

Roman still hasn’t moved. Finally, he lurches, like corroded machinery come uncertainly to life. “Yeah, man. It’s fucking tight as hell. I love every beautiful daddy and me moment I was a good enough little boy to earn.” He snorts. “Fuck you.” His face goes curiously slack then, like something Kendall’s own face would do. An intermission in the performance, an energy cut. Something genuine finding its way to the surface. “Why don’t you tell me. When you got everything you wanted, how the fuck did that make you feel?”

Nauseous, is the first word that springs to mind. Sick. Scared. I’ve never had everything I wanted, there’s that. I’ve never once had a single fucking thing I wanted. There’s that, too.

Interim leadership by arbitrarily 2k words. Roman + Kendall. Post s2.

I love Roman and Kendall scenes generally, but this one which features Kendall and Roman meeting for the first time a few months after the press conference in 2.10 is just a bit magic. The push pull dynamic that's just inherent to them mixed with the genuine affection and brotherly love is really special, and arbitrarily embraces both in equal measure. It's a great little fic.

There are lots more of course, and I'd also recommend checking out other works by these authors, but I hope this is a good place to start! :-)

[nobodysuspectsthebutterfly]

Hello! If you don't mind me asking, are you planning on watching House of the Dragon? I'm personally unsure about it. I was cautiously optimistic about it since D&D are not involved, but the recent casting news have been ugh disappointing imo. What do you think?

Hey anon! Sorry to say I kind of mind you asking because my inbox is still closed (to everyone except my secret Santas, which is why the ask page is accessible at all), but then I realized it’s possible if you’re on the mobile app only, you haven’t seen said note in my askbox, or my FAQ, or anything of the sort. And with older metas of mine being reblogged recently, it’s possible you may be confused. (I hope you’re on mobile only and not just ignoring my requests.) So I wanted to inform you of that... but also, y’know, I kind of wanted to make a post about the HotD cast anyway? And this ask is as good a prompt as any... so, you’re lucky, but please don’t push your luck. ;)

So, straight up: I currently have no plans to watch House of the Dragon. HBO is not getting any of my goddamn money, I don’t trust like that. And hunting down illegal livestreaming sites is a pain in the ass and I regret ever doing it for GoT, as well as regretting getting drunk every weekend enough to dampen my senses to ever tolerate that show. Yeah it’s different showrunners and writers, I know. It’s still (mostly) the same executives at HBO and even if the pervert producer is gone (or is he?), you know they still just want to sell sex and violence and dragons to an audience that thinks fantasy is for geeks.

Also, considering that Fire & Blood’s story of Dance of the Dragons has very little actual narrative or dialogue, and the historical record is deliberately untrustworthy, that gives them pretty much full rein to do whatever they like with the story and characterization and words without even being slightly obliged to GRRM at all. Furthermore, since the story is wholly political with virtually none of the magical side of ASOIAF (excepting dragons), and honestly does not have much in the way of themes or depth that main ASOIAF or even D&E has, I think it will be very hard for an adaptation to show even those brief sparks of quality that used to make me wistful GoT couldn’t be that good all the time and eventually just made me frustrated and depressed. Note I do like the history and characters of the Dance despite myself, despite its many many many textual issues, but I don’t need to see an adaptation, I have a very visual imagination. I don’t watch a lot of television to begin with, I don’t see why I should start again with this.

However, I’m not going to avoid spoilers or discussion, and I’ll probably follow the show the tumblr way, through gifsets and video clips and people bitching on their blogs etc. If, somehow, by some miracle of good screenwriting and acting, the show manages to transcend its source material, I’m sure I will be informed. And then, if and only if then, I may try watching. (Without, of course, giving HBO any of my goddamn money.) We shall see.

(Though I certainly don’t know why anyone in Targ standom would ever watch a Dance adaptation considering almost every Targaryen and everyone else in the story is terrible except Helaena and the kids, and considering how the story ends, unless y’all are gluttons for punishment? (I do not comprehend hatewatching, sorry.) It’ll probably be fun at first to see the adventures of those “precious silver douchebags” (to borrow a friend’s tag), but eventually rocks fall, everyone dies, including the girlboss you know you’ll hope the story will be changed enough that she succeeds. Just letting you know now, she won’t.)

That said. I’ve been following the casting news and I think the hate/fear/wild screaming is entirely overblown. Yeah, I know, but wait, just listen. On Friday I officially welcomed @naomimakesart to the “favorite character is now played by an actor who looks nothing like most fanart and is mostly known for wildly different roles” club. I still remember that day in September 2009 when my brother texted me “yarp”... and that right there is the thing. Yeah. Rory McCann looks very little like most pre-GoT Sandor fanart... but many fans grew to love him anyway. (There are some who never did, of course. And yeah the character went off the rails by the end, but truly, who didn’t. Having seen his audition, having spoken to him and heard him wistfully talk about book scenes he loved, I’m convinced if Rory had only been given Sandor’s actual scenes and such, he would’ve killed it. Sigh. Deep, deep sigh.)

And Rory isn’t the only one. Neither of the actors for Jaime and Cersei were considered “beautiful” enough at first. I recall very clearly people bitching about Nikolaj Coster-Waldau (about his nose particularly?) because they had wanted Tarzan-era Travis Fimmel to be Jaime. (Seeing people bitch because current-Fimmel isn’t playing Daemon made me laugh out loud for both BEYONCE?! meme -type “why would you ever cast him omg he doesn’t fit my headcanon Daemon at all”, and amazing amounts of fandom flashbacks.) Lena Headey was “too square-jawed”, “too mean-looking” (since at the beginning you should never be able to guess she’s evil), “too dark-complected”, “too mannish”, not at all attractive enough. (Tricia Helfer was the most common “but I wanted” for Cersei, btw.) And of course “they don’t remotely look like twins, ugh!” Note, there’s receipts for all of this, none of it is made up. (Unfortunately.) Those two actors are just the ones whose casting wank I recall most clearly, particularly because oh how the turn tables.

Also. You know, there’s a post with Matt Smith and Mark Simonetti’s TWOIAF Daemon going around with shrieks of horror... and I’m finding it maddening in a “am I crazy? am I  the crazy one???” way, because Matt looks like the painting. Their features are not that dissimilar.

Same deepset eyes. Same cheekbones of doom. Same thin lips. Same protruding chin. Same high forehead. Same invsible eyebrows ffs. Matt has a squarer jaw, and a longer more rectangular face, and a wider nose, but considering that Daemon’s features are not described in the text, and this is the only official ASOIAF artwork that shows Daemon’s face straight on, I can for sure see why he was probably shortlisted to begin with. And that’s not even getting into to his role in The Crown, which I’ve heard is very well played with politics and palace intrigue... and if you doubt Smith can play seductive/roguish and/or evil (depending on how you LARP as a Westeros historian), or look good with long hair... well. I do not want to watch the movie, but this trailer is disturbingly enlightening.

And as for Rhaenyra... y’all know this show is starting at the beginning of the story, right? When she’s a teenager? Not a voluptuous MILF? Yeah, Emma D’Arcy doesn’t look like a Magali Villeneueve painting (though who does, good lord), but you know who she does look remarkably like? Harry Lloyd.

Same jawline. Same nose. Same thin lips. Same sharp cheekbones. Notably, same kind of sharp cheekbones and deep-set eyes as Matt Smith. HBO evidently has a concept of a “Targaryen look” that’s a little bit quirkier than supermodel-Greek statue-gods on earth, yeah, fine. But it’s consistent, and they look like family, and that-- that is good casting.

And yeah, in a few months to a year or so, you’ll see them in costume and wigs and makeup, you’ll see them in motion and speaking lines, and go Oh. That’s different. Never mind. And while people will make fanart of the show depictions of the characters and those will probalby get popular, they’ll also keep doing fanart of their pre-show headcanons, and those too will be popular. (God knows when I draw or visualize book!Sandor, Rory does not come to mind, lol.) Either way, there’s no reason to panic. We’ll live.

(Though will we live well? Got to wait on the writing and showrunning for that, alas.)

[kittyprincessofcats]

RWBY Volume 8, Episodes 8-12

All caught up with RWBY now! (Except for the premium only episode.)

So, two things first: 1. From now on, my blog will no longer be spoiler free for RWBY! I don’t have premium access, so no spoilers for that, but beyond that, I might now reblog spoilers for everything that’s been released to the public. Blacklist “#RWBY spoilers” if you don’t want to see them.

2. I was going to ask what the spoiler policy in this fandom in general is when it comes to premium access. From what I’ve seen, Youtubers usually wait a week before uploading their reaction videos, which I appreciate – but here on tumblr almost no one seems to hold back. I saw a spoiler for “Creation” before it was released publicly. The day episode 13 was released for premium access, I had to unfollow people for posting untagged spoilers for it. And when I went into a RWBY-related tag for one second, I saw a really big spoiler that put me in a very sour mood because it also happened to be very aggressively worded against fans of a certain character (basically, along the lines of “I’m glad X bad thing happened to Y character because I hate them and their fans”). So, that scared the shit out of me and I ended up looking up more specific spoilers about what exactly happened because I wouldn’t have been able to sleep otherwise. So, from what I’ve seen, this fandom’s spoiler policy is just “fuck anyone who doesn’t have premium access” 😒. Always nice to see people being so considerate.

With that said, let’s get into my thoughts on episodes 8-12. Under the cut, because unlike some people, I try to be considerate of others who might want to avoid spoilers.

- So, the Hound really was a person. Specifically, a person with silver eyes and that’s probably what happened to Summer. THANKS, I HATE IT. This is exactly what I feared it would be and what I didn’t want it to be. (I don’t want Ruby and Yang to have to fight and kill their grimm-ified mom, that’s too sad, okay?)

- I love that Whitley really came through and came up with a plan for evacuating everyone! He’s a good bean after all! And that he managed to press that button on the computer before running from the Hound? Amazing.

- Willow Schnee being one hell of a mama bear and summoning a thing to protect Whitley was epic. She was so close to breaking down before that, but then her child was in danger and she just jumped into action right away. Protective mom instincts ftw!

- Blake’s talk about how she looks up to Ruby and how she herself lost the youthful optimism Ruby still has was SO sweet! (Also, Ladybug is an underrated ship/friendship and I really don’t get why people say they never interact? Have you all just forgotten volume 1 and how Bumbleby’s first meeting happened because Yang was trying to wingman Ruby who was trying to befriend Blake??)

- Penny fighting the virus from the inside was amazing, she did so well! I also loved seeing Nora encourage her (and echo Blake’s earlier words back to her).

- Unrelated to these episodes specifically, but I tried to think about who my favourite RWBY charactes even are right now, and I find it super hard to narrow down because I love so many of them, but if I tried to somewhat narrow it down, then (in no specific order because don’t ask me to also come up with an order): all of Team RWBY (though Blake is a personal favourite), Ilia, Penny, Salem, Cinder. (But then again, I also love Winter and Qrow and Robyn and... you get it, it’s hard to narrow down. Oh, and of course Pyrrha, but... you know.)

- “Witch” was honestly my favourite episode of the bunch. That one was just so full of epic stuff. (And now I’m wondering if Salem being one of my favourite characters has anything to do with my love for witches. I used to be obsessed with witches as a kid. In every story I read that had a witch, the witch was always my favourite character.)

- Yang and her team sure found a way inside that whale fast! Also, really handy that Ren’s semblance evolved just in time for when they needed it. But hey, I don’t want to complain about convenient plot stuff too much. Sometimes the heroes are allowed to have a little bit of good luck.

- Hazel listening to Oscar and deciding to get both him AND Emerald out of there was amazing! He really does have a soft spot for kids and wasn’t kidding about not wanting more kids to die – we love to see it! I also think it makes for an interesting parallel that Hazel decided to do this right as Ironwood was sending students to fight on the front lines and Marrow was calling it out.

- I really liked Ren telling Yang she doesn’t have to hide her fear behind jokes. Ren being able to see emotions is going to bring about so many more good moments, I just know it!

- Emerald and “Hazel’s” talk with Salem gets so much better when you know “Hazel” is actually Oscar – Emerald has gotten so much better at illusions and fooled Salem herself! That’s impressive!

- It’s really practical that Ren could sense Emerald’s fear. But also, the group really didn’t have the time to discuss if Emerald was trustworthy – they needed to get out of there asap.

- The way Salem spits out the word “semblance” when she talks to Emerald shows again that she not only underestimates these “new humans” and their powers, but also considers them inferior. It’s a nice little detail how just her tone when she says that word says so much about her worldview.

- Yang straight-up running up to Salem and blowing her up was epic. It didn’t last of course, but it was still a super bold and epic move. I’ve talked before about how cool Yang is and she just keeps getting cooler.

- Yang calling Salem out was amazing and epic, too! And when she referred to Summer Rose as “my mom” that made me tear up just a bit 😢. (I really don’t like Salem’s smile when she says “her again”, though. I don’t want grimm-ified Summer, I really don’t want it, okay? keep it far away from me where I won’t have to see it.)

- I’m a bit sad about Hazel’s death, but it was a really fitting end for his character and a really cool way to go out. The way he looked at all of those kids in danger (proving again that that’s what it’s about for him), whispered “No more Gretchens” to Oscar, punched Salem in the face as she was about to hurt Emerald, injected all of those crystals into his skin (which looked epic, by the way), told Emerald to go, fought an epic fight against Salem and then grabbed her and set himself and her on fire, burning her like a witch – it was epic stuff! RIP Hazel, you died as a hero and went out in an incredibly epic way!

- Hazel’s sacrifice must have been super tough on Emerald. He died protecting her (and JOYR) and it worked. She got away from Salem, but only because someone else, a friend, died for her. Not only must it be awful for her to lose Hazel, she probably also blames herself. (And, as I’ve seen others point out, it was probably the first time in her life an adult did something to protect her. Wow. Someone get this girl therapy, please.)

- The whale getting blown up was an absolutely epic moment. From the music to the cinematography, I loved everything about it. (That said, I will miss the whale. RIP coolest villain lair ever.)

- I loved Watts’ speech to Cinder – and I’m saying this as someone who became a huge fan of Cinder this volume. I love her, but I also love roasting her, and a lot of what Watts said was stuff she desperately needed to hear. I honestly didn’t even like Watts before that moment, but that speech might have made me like him just a tiny bit. The way he just laughed when she dangled him from a building, the way he spelled it out for her that her methods haven’t been working and threw her failures in her face, the ending with calling her “a bloody migraine” – Like I said, I’m a fan of Cinder, but that was glorious and cathartic and beautiful to witness. But what makes it really perfect is Cinder’s reaction: The fact that you’d expect her to kill him or at least scream at him, but instead she spares him and just sits down and cries. I really love what they’ve been doing with Cinder this volume and that they’re finally showing her as someone way deeper than just a power-hungry villain.

- In general, let me quickly talk about Cinder, because even without having seen the last two episodes I can already tell you that she’s my standout character / favourite character of the season. (It was Ilia for Volume 5, Salem for Volume 6, Penny for Volume 7 – and now it’s Cinder.) I said back in my post about Volume 5 that I wish they’d do more with her because after becoming rather interesting in Volume 4 they just went back to making her a pretty flat villain – and I officially have to eat my words and apologize to RoosterTeeth right now! This volume proved to me that they know what they’re doing with Cinder and explained so much about her. I’m sorry for ever doubting the writing. I now want to go back and rewatch the whole show while paying more attention to Cinder and I can’t wait to see where her arc goes from here (yes, I want an eventual redemption, and what about it?). This volume is obviously setting up something big for her – I just have no idea what it is. And at the end of the day, she’s still the Maiden of Choice. She’s the key to the Beacon relic, and that’s going to become important eventually.

- Oh, and can I mention, just by the way, that I think Cinder looks amazing? I don’t understand all the people who say they miss her red outfits when this is clearly her best look yet. The black eyepatch, the cape, the earrings, the short hair, the high boots, the shorts instead of a dress, all the black – this is her absolute best look, period.

- I’ve also noticed that the scene between her and Watts is the first time Cinder has referred to Penny by name. She’s always referred to her with phrases like “some toy” or “Polendina’s creation” before, but this time she just called her “Penny Polendina”, then “Penny” again, and asked Watts how she’s supposed to take Penny’s power “if she’s dead” (not “destroyed”, which is what Watts said, but “dead” – something you say about a person, not a machine). I think somewhere down the line, Cinder has started to see Penny as a person and respect her as the Winter Maiden. Maybe it’s because of how Penny won the fight at Amity, or maybe (though this might be wishful thinking on my part) it’s because Penny questioned why Cinder serves Salem and showed her and Emerald mercy.

- Also, side-note: While I loved Watts’ speech, it sure is bold of him to call Cinder entitled when his own villain origin story is getting overlooked for a science project.

- Neo is an amazing little troll and I love her. From stealing the lamp and skipping along the ruins of the whale happily to those texts to Cinder, all of her moments were brilliant and hilarious.

- Some characters not just forgiving Emerald is totally fair and realistic. But, as I said before (and as Oscar also points out), they don’t have to. People think a “redemption” – or let’s just call it switching sides instead of using such a loaded term – has to include everyone’s forgiveness, but it doesn’t. If Yang and Jaune never want to personally forgive Emerald, that’s okay. They don’t need to forgive her to recognize that she’s changed and work with her. And, as Oscar and Ren point out, Emerald’s abilities would be very useful to have on their side. So, personal feelings are fine and all, but right now they don’t have the luxury to dismiss a potentially very useful ally. (And same for Oz, by the way. It’s fine if they’re still mad at him, but they also need his help.)

- Also, have I already said that I’m very happy for Emerald? Because I’m very happy for Emerald for getting out of there! (Mercury’s and then Cinder’s redemption next, please!)

- F*ck Harriet for trying to get Winter in trouble for letting JYR go. I’m hating her more every second. And then she seriously said “Who cares?” about Ironwood’s plan to nuke Mantle? She’s the most unlikable of them all.

- Everyone’s reunions were so sweet! I loved Ruby and Yang hugging 😭. And Yang cupping Blake’s cheek and their forehead touch had me all 🥰 🥰 🥰.

- After he threatened to nuke Mantle, I hope we can all agree that Ironwood is a straight-up villain now. The most infuriating part is that he didn’t even have to do anything! Whitley and Weiss had figured out a way to save everyone in Mantle and the SDC ships to evacuate people were already there. All Ironwood had to do was let them evacuate everyone to Atlas, and then Penny would have opened the vault willingly and Ironwood could have used the staff to raise Atlas as planned. Problem solved! He should have just sat there and ate his food – but he was so pissed about things not going his way (or maybe he just genuinely hates Mantle that much) that he thought sabotaging the rescue plan and threatening genocide was a better option.

- I loved Marrow’s arc in these episodes and how you could tell more and more that his conscience was making him turn against Ironwood. First he questioned Winter when she was going to nuke the whale before JOYR were back, then he seemed shocked when he thought they were dead, then he tried to talk sense into the other Ace Ops after Ironwood’s ultimatum, and then he straight-up called out Ironwood himself. That last one was dangerous though, and he was lucky Winter was quick enough to jump in and pretend to arrest him, because Ironwood was going to just shoot him in the back.

- Speaking of, I wonder how long Winter has been planning to double-cross Ironwood. How long was she already disagreeing with him, but waiting for the right moment to make a move? Either way, I’m glad she was there to save Marrow.

- The Renora confession scene was so sweet and got me a little choked up 😢. I’m glad they sorted out their issues and told each other how they feel. But like I said before, I think Nora’s arc of trying to find out who she is without Ren is really good and important and Ren respecting that was really good and important as well. It was just a very wholesome scene. Also, I like that we got a little bit more backstory for Nora (her mom abandoned her? that’s awful), and Jaune awkwardly leaving the room was hilarious.

- Robyn telling Qrow he’s a better Huntsman than Clover because he chose to do the right thing was a really important moment for Qrow, imo. (And just a side-note: I’m sure most Fair Game shippers are pretty chill – and I’m a strong believer in ‘ship and let ship’ – but a certain subset of them is starting to get on my nerves with how they ignore Clover’s canon character and story (acting like he would have rebelled against Ironwood if he were alive as if the whole reason he’s dead wasn’t precisely because he cared more about Ironwood’s orders than doing the right thing) and how they make every new plot point about their ship somehow (Oscar’s semblance? Better be a time-travel thing so Clover can come back. Staff of Creation? Better be able to bring people back from the dead so Clover can come back.) It’s so annoying.)

- Yang and Ruby’s talk about their mom was really intense. Ruby’s been holding all of these feelings in for so long, so seeing her say out loud what we’re all fearing (that Summer was turned into a Grimm) and seeing both her and Yang break down over it – that was a lot. I loved seeing Yang comfort Ruby and tell her that her plan for Amity wasn’t useless. Their sisterly bond is so sweet.

- Penny asking Ruby to kill her was another really intense moment. The look on Ruby’s face in that moment really said it all. Ruby has been through so much, has lost Penny before, so hearing that request – even though they fortunately didn’t have to go through with it – must have still been a lot for her.

- I really loved Emerald’s cute “newly reformed villain” moments. (“You guys have been getting your asses kicked… some of that my fault” & “I’m just going to be super pissed if you all finally decide to give up the moment I switch sides.”) I’ve said before (in my She-Ra posts) that my favourite part of any redemption arc is the “former enemies, now awkward around each other” stuff, so this was right up my alley!

- “The girl who fell through the world” was referenced twice now. Between that, the image of everyone falling in the opening, and the lyrics “sometimes it’s worth it all to risk the fall”, I’m going to predict that someone – most likely all of Team RWBY – will fall into that void and potentially end up in a different world.

- The group’s plan to defeat Ironwood, stop the bomb, and get to the vault was amazing all-around. I love the parts Emerald and Winter got to play in it, I love how we saw the plan’s execution before seeing how they came up with it and I love how everyone got to help, even the Schnees and Klein. I also love that the hole Oscar blasted through the ground of Atlas became relevant again.

- The design of the vault and the door are really nice and now I wonder what the other two are going to look like.

- Saving Penny like that was super risky, but they really were out of options. Just the fact that Ruby had to be quick enough to use her semblance and get to the staff before the virus kills Penny… jeesh, that was close.

- Ambrosius is a super fun character! I love that he looked at Penny and said “I’d love to meet whoever did this.” Also, the staff seems more useful than the lamp. The lamp only lets you ask three questions per century, while the staff can be used as often as you want – as long as you’re okay with whatever it previously created disappearing.

- I honestly still don’t completely understand what Penny is now. Is she meant to be human now? Or is she just a being made up of pure aura? How does this work? Ambrosius only created the copy that destroyed herself, so what’s left is Penny’s aura – but she somehow also has a body now? I guess we’ll find out more about what exactly this means later.

- Also, while I wasn’t sure how I feel about this decision re:Penny at first, now that I’ve thought about it for a bit, I think it works. It fits with the Pinocchio story, and I like that they didn’t phrase it as “she’s a real girl now”, but as “this is the girl who’s been in there all along”. Also, Penny saying “wow” after hugging Ruby and then going on a hugging spree was adorable.

- Watching “herself” self-terminate must have been really traumatic, though. Even if that copy was just a robot, it was still a disturbing scene.

- Who shut down communications in the middle of Jaune’s broadcast? I’m assuming it was Cinder, Watts and Neo.

- The whole dimension with the doorways that Ambrosius created looks amazing. (A while before watching this episode, I wondered if Raven could theoretically save Atlas by getting everyone to safety with her portals. It might not have been Raven, but I’m glad I was at least onto something.)

- “Do not fall.” So, about that… they’re all falling in the opening, (and we referenced “the girl who fell through the world” twice now), so I don’t have a good feeling about that. Also, Watts has been dangled from somewhere high twice now, so the third time has to be when he actually falls down.

- And Cinder is there to ruin the plan because of course she is.

[badfauxmance]

Rapid Fire Answers

Anon 1:  I heard from someone that Ale isn't allowed to bait anymore and that's why Sebastian is doing it now. Is that true? If so then why didn't they do that sooner?

Actually your Ask is literally the first time any of us, including our fellow speculators, have heard of this. She actually did do a little bit of baiting last week. It wasn’t intensive but she did. We did hear from other speculators that she might actually have some auditions or meetings in L.A. Not sure if that’s true, but we have to acknowledge this is a possibility.

Anon 2:  Did you know Ale studied PR in college lmfao i didn't know that.

If you guys do Google searches for her biographical information, it does mention she studied PR in college, but she never got a degree in it.

Anon 3:  Are Sebastian and Ale staying in the same house?

Another speculator who has some connections to someone involved with real estate ala rental properties told them they are living in the same house that got rented last time. We don’t have receipts on this though so it’s up to you whether you believe in this info or not. Personally it’s more of an annoyance. It still doesn’t mean they’re a real couple. It’s more like temporary roommates situation. PLENTY of fake PR couples have moved in together. See Ben Affleck/Ana de Armas and Robert Pattinson/Kristen Stewart as examples.

Anon 4: �� How can we tell if Ale has snagged any roles in LA?

Like with any other actor, you’d have to wait until either official articles from places like Variety publishes this info or Alejandra herself starts posting like crazy she got a role in a Hollywood production. Considering she’s a total nobody in the Business we likely won’t hear about any casting with her in it for a long while. It’s a different story if it’s an A-lister. They’d want to publicize an A-lister as soon as the deal has been sealed to get attention and notice to the project.

Anon 5:  I'm very curious to read your theory. I can't wait May. I love your blog, it's very interesting. I learn a lot about PR.

Well thanks. I mean we’re not experts at this. We’re very much learning as we dig into this stuff. I can’t speak for my co-writers, but I did learn some basics before we even started this blog because I’ve been a fan of old Hollywood movies. I grew up on MGM movie musicals and the like. I could probably tell you more about movies made 60 years ago than I could about movies made in the last 10! Of course when you learn about these old Hollywood stories, you inevitably learn about scandals and some of the sketchy stuff going on behind the scenes, which DEFINITELY includes PR. Celebrity PR might use modern technology, but so much of it is just recycled tricks they’ve been using since the Silent movie era.

Anon 6:  In the video of your ‘Insta saga’ from the club, are they like cuddling? I can’t really tell but he seemed to give more attention to the guy next to him than her

Just based on the second ibiza pap walks, we get the impression that he was starting to get tired of her. Probably something about her made him feel turned off. That’s why there’s noticeably less effort at pretending to like her even.

Anon 7: That video from the club makes me think it’s real :/ like they way she’s leaning into him

Not sure why you think that makes it real necessarily. It’s not impossible for a girl to be leaning on him, but he has no actual interest in her for one reason or another. Not all guys are constantly horny for any girl around him. You’re also missing the bigger picture here. A LOT of people in this fandom are not seeing the picture. You aren’t seeing the endless patterns of behavior and are overly focused on one small detail while ignoring everything else.

[watchathon]

Avatar: The Last Airbender, Series Finale: Sozin’s Comet

In case you’re finding this post just by browsing the tags I’ve used for this post, this is the Watchathon, a blog where I’m hoping to watch an episode of a TV show every weekday, with a short blog post where I write down my thoughts as I watch. Each new thought starts with a hyphen and a bolded first word.

- Like so. Now that the introductions are over with, it’s time to break that one-episode-a-day rule and finish off Avatar: The Last Airbender with the climactic grand finale, Sozin’s Comet:

PART 1: THE PHOENIX KING

- Okay, so, Katara in the intro is still saying “He has a lot to learn before he’s ready to save anyone.” I could’ve sworn they removed that part by this point... Maybe that was just something for the DVD?

- I like that the “Previously on” segment is so long. It really emphasizes how much buildup there was to this. How much the Gaang has been through to get here.

- I gotta say, I was not expecting a beach party in this episode.

- Somehow, for reasons I can’t explain because I don’t understand them myself, this ambush from Zuko made the audio of Nicolas Cage saying “Surprise attack!” in Into the Spider-Verse play in my head.

- Zuko’s really lucky that he earned Katara’s forgiveness before this violent pop quiz, seeing as just a half season ago... “You take one step backwards... one slip up... give me one reason to think you might hurt Aang - and you won't have to worry about your destiny anymore. Because I'll make sure your destiny ends right then and there. Permanently.”

- It never occurred to me that we didn’t get details on the war meeting before now.

- I’d bet hearing about this plan is the thing that tipped the scales and fully convinced Zuko to join the Gaang, and prevent the genocide of the Earth Kingdom.

- It’s so nice to see Zuko being welcomed into the group hugs. Especially when it’s Katara who invites him.

- I like that Zuko is teaching Aang to redirect lightning, the same way Iroh taught him.

- Even before it’s made explicit, you can tell that Aang’s uneasy about the idea of killing.

- Toph is just delighting in her role as Melon Lord, isn’t she?

- Someone out there has definitely written an AU fanfic where someone gets killed during this training and it’s Toph’s origin story as the malicious Melon Lord. If not, then I will write it myself, and it shall be the crackiest crack fic that ever cracked.

- Y’know what, I wish Toph could’ve actually gone on a life-changing field trip with Zuko too! Everyone else got one...

- This scene of Sokka climbing into Appa’s mouth is even more uncomfortable once you’ve... well, once you’ve grown up and... Okay, I tried to put it subtly, but I just can’t: Once you’ve been cursed with the knowledge of what vore is.

- Well, there’s a bait-and-switch if I’ve ever seen one: “Azula, you’re the new Fire Lord!” “=)” “But I am now the Phoenix King and still your superior who you will answer to.” “=O”

- Nice to see June and her Shirshu make a comeback.

- Does this mean Aang wasn’t running away on purpose? I honestly thought he was just going to that island to get some alone time, maybe meditate or contact the previous Avatars’ spirits.

PART 2: THE OLD MASTERS

- I’m not sure if this is something I forgot from June’s first appearance, or if it’s actually just never been brought up before, but I didn’t know her Shirshu had a name.

- It’s sweet that Zuko is seeking out Iroh’s help. Even if the method of finding him is, ah, well... unorthodox.

- Even Avatar Roku doesn’t know where Aang is. And here I thought it was some Avatar thing that had never been brought up before.

- It’s nice to see these people make a comeback. Bumi, Piandao, even Jeong Jeong and Master Pakku are here for the finale.

- I am surprised that we didn’t get an interaction between Toph and Bumi, though. The man Aang wanted to teach him Earthbending, the girl who ended up doing it... But I guess there’s only so much time, and I don’t think there’s any scenes that could be deleted to make room for it.

- It seems like Aang is just searching for confirmation of his beliefs, rather than actually seeking wisdom.

- I like that we get to see Bumi taking full advantage of the eclipse to take back Omashu from the Fire Nation, instead of just being told about it.

- It’s nice to see so many past Avatars beyond just Roku and Kyoshi, Avatars that we never heard of before, but now we hear their stories. But all of these past Avatars echo the same sentiment that Aang should kill Ozai, even an Air Nomad Avatar.

- What can I say about this scene of Zuko and Iroh reuniting? Forgive me for echoing a post I made on my main blog, but this is a scene that’s both sweet and sad.

Sad, because Zuko’s abuse at the hands of Fire Lord Ozai left him anxiously expecting furious punishment for crimes much less than what he did to Iroh. He can’t even comprehend the idea that Iroh would forgive him. His expression while apologizing to Iroh clearly shows he’s expecting the worst.

Sweet, because Iroh still loves Zuko like his own son, and doesn’t even need to forgive him because he never felt anger at Zuko’s betrayal: Only sadness and a worry that Zuko had lost his way, truly lost his honor. And Iroh is so clearly happy to see that Zuko has found his destiny, and joined the fight against the Fire Nation.

I could go on and on about this scene... It’s my absolute favorite scene in the whole series and it brings me to tears every single time I see it.

Gosh... it’s gonna be so awkward going back to the jokes and little mundane thoughts after this, isn’t it?

- Okay, I have officially given up on the idea of finding out what the heck this island is.

- I like the smile on Katara’s face, when she’s asked to team up with Zuko and fight Azula.

- It’s nice to know that Iroh will get the opportunity to run that tea shop, even if Zuko won’t be there to work with him.

- Okay, okay, so the island was actually a lion turtle. Frankly, I’ve still got a lot of questions. Even some new ones.

- It’s nice to see that the Netlix subtitles aren’t ALLCAPS anymore.

PART 3: INTO THE INFERNO

- Gotta hand it to the music, it can make even a scene of Azula making a fuss over a non-pitted cherry rather unnerving.

- Azula’s... Azula-ness has gone straight up to eleven with her newfound role. Hasn’t it? What with all the banishments, even banishing the entire Dai Li.

- Sokka, Suki and Toph are the real dream team. 

- And we get a great final blind joke!

- I like that we get to see everyone doing their part in this final battle. All the members of the Gaang, even the White Lotus, get their moments to shine.

- The hallucination of Ursa shows that Azula, on some level, has an idea of what’s wrong with her. You can tell that they were thinking of a redemption arc for Azula come Book 4, though I am glad that didn’t happen.

- It’s chilling to see Ozai razing the forests of the Earth Kingdom like it’s nothing. And then to realize that this is what Aang will have to face.

- At first I wasn’t sure what Sokka’s plan was, but now that I see it in action, it’s really creative.

- I like the idea of a final one-on-one Zuko vs Azula duel(...a). It’s been a rivalry since Book 2, and it’s nice to finally see it get settled, even if I can’t imagine it’ll end up that easy: Otherwise, what would Katara do?

- It’s so cool to see Aang showing his prowess in all bending techniques, using them all in this final showdown.

- The background music during Zuko and Azula’s Agni Kai really sells it. It makes it sound almost tragic, and it is: two siblings pitted against each other, no choice but to fight to determine the future of the world.

- Azula might be slipping, but she’s still Azula, all too willing to cheat in what’s supposed to be a one-on-one duel.

PART 4: AVATAR AANG

- Netflix isn’t showing the intro for the individual parts, but I’ve gotta say... There’s no way that Katara’s still saying Aang’s “got a lot to learn before he’s ready to save anyone.” Right?

- I like that we get to see one last use of Metalbending from Toph in the finale.

- Dang, I hope this isn’t really the end for Sokka’s sword, or his boomerang. Especially when the sword was so cool, and one could say meaningful.

- I honestly wasn’t sure the Avatar State would ever be a factor again. But if there was ever a time, this is it. (ADDENDUM: This is probably the best time to clarify that I find and add the images at the start after writing the rest of the post.)

- And it’s so epic to see Aang bending all four elements at once.

- I like that Iroh got to burn down the Fire Nation flag.

- Since Zuko’s down for the count, I guess this means a battle between Katara and Azula, the latter powered up by Sozin’s Comet.

- To be honest, I could barely make out what Azula just said. “kjsdbksrbfkjvf family position to look after, kdcbkfh”?

- Katara may not be stronger than Sozin’s Comet-powered Azula, but she’s much more clever than Azula is right now as she loses her marbles.

- This is just the perfect kind of defeat for Azula. There’s no grace to it, no dignity, just writhing around, screaming and spewing fire as Zuko and Katara look on with pity.

- There’s probably a great practical reason someone could find for Spiritbending being a thing, but here’s why I’m glad it exists: Aang gets a happy ending. He gets to take down the Fire Lord, and hold true to his beliefs. If it weren’t for Spiritbending, if Aang killed Ozai, then he would be conflicted to the end.

And I don’t want that. I want Aang to get an unambiguously, undoubtedly happy ending, where the world is saved and that’s all there is to it.

Plus, Spiritbending is quite the spectacle.

- I’m guessing Sokka’s space sword and boomerang really are done for. But hey, there’s always headcanon. Maybe Sokka searched the forest and eventually found them.

- Weird to think that Ty Lee’s gonna be a Kyoshi Warrior.

- Again, I can’t believe Zukaang’s not the most popular Zuko ship in the fandom. Not a ship I’ll go to bat for, but it’s got all the hallmarks of a fan-preferred couple.

- It’s so nice to see Zuko’s coronation, and the official end to the war. It’s a happy ending for the whole world, the start of an era of peace.

- “Love and peace,” huh...? Now that’s funny to hear in the finale to this show, considering the next show I’m covering, come 2021...

- I like that we get to see one last confrontation between Zuko and Ozai. Even if Zuko’s question of where Ursa is doesn’t go anywhere (in the show, I know they touch on that in the comics), it’s nice to see the newly-crowned Fire Lord Zuko having evolved past a need for Ozai’s attention, or a fear of Ozai’s wrath.

- It’s nice to see the whole Gaang having fun at Iroh’s tea shop, in the end. And I stand corrected, this is where we get the final blind joke.

FINAL THOUGHTS

I’m lucky in that most of my childhood cartoons hold up as an adult. I watched Kim Possible, Phineas and Ferb, Code Lyoko, Courage the Cowardly Dog...

Still, there’s something special about Avatar: The Last Airbender. It had a unique aesthetic and world that no other show was quite like. It had a story that was like nothing I’d ever seen as a kid.

And it doesn’t just hold up, it’s even better.

When I was a kid, it was as simple as rooting for the good guys to win, and for the Firebenders to lose, except for Zuko once he turned good.

Now, as an adult (but mostly as someone with a DVD player/Netflix account so I’m not just watching whatever reruns I can catch) I can appreciate the character development, the arcs, the entire story.

I can appreciate how Aang grew from a little boy who does indeed have a lot to learn before he’s ready to save anyone, into a hero who could save the world.

I can appreciate how Zuko was an abuse victim who did what all abused children wish they could do and left his abuser.

I can appreciate... Gosh, Iroh’s entire character and dynamic with Zuko.

Some people say that Avatar “starts off as a kids show, then turns serious”, but I’d disagree. Avatar is a show where our heroes change, where they learn lessons, where they come of age and become the kind of heroes who can end a war that’s been going on for over a century.

As relieved as I am to be (mostly) done with these posts for the rest of the year, I am still oh-so-glad that I’ve rewatched Avatar yet again, and I know that I will be whenever I rewatch it in the future.

Now, with all that said... Farewell! Until the Christmas special, at least...

[livinginsunnyhell]

Ask game for fanfic writers! ⌨️🖊📓📝

1. What fandoms do you write for?

2. What pairings do you write for?

3. What is your most popular fanfic?

4. Do you write original stories as well?

5. What fanfic of yours should everyone have read?

6. What is a fandom you will never write for?

7. What is a ship you will never write for?

8. Archive of Our Own, FanFiction.net, Wattpad, Tumblr, etc. which platform do you prefer?

9. What are your favorite fanfics?

10. How do you stay motivated to finish what you’ve started?

11. What’s your longest fanfic?

12. Do you want to break your readers‘ heart or make them laugh?

13. What is your planning process?

14. What have others criticized about your fanfic?

15. OCs or no OCs?

16. Do you use sentence starters, writing prompts and/or fandom headcanons for your fanfics?

17. Do you use/follow advice from writing blogs/posts?

18. What is your favorite writing prompt?

19. Dead or overused tropes?

20. Can we get a list of all of your current available fanfics?

21. What’s your shortest fanfic?

22. Do you listen to music during your writing process? What music do you listen to while you’re writing?

23. Long chapters or short chapters?

24. How many WIPs (work-in-progress) do you’ve got?

25. How many WIPs will you finish?

26. First-person-narrative or third-person-narrative?

27. Do you take requests?

28. I will name you three things (drunk Ian — shared bachelor party — Gallavich): write a paragraph or two!

29. What’s more difficult? Fanfics or original work?

30. What writing software do you use?

31. Do you use beta/sensitivity readers?

32. Past or present tense?

33. Do friends and family know that you write fanfics?

34. How did you find the magical world of fanfics?

35. What is your favorite review?

36. Did you ever delete a work of yours?

37. Did your work ever get plagiarized?

38. Do you partake in any fanfic/writing events? (Big bangs, zines, NaNoWriMo, etc?)

39. Collaborations or working solo?

40. Do you have any rituals before uploading a fic?

41. What is something you don’t like about your writing?

42. Rudest review?

43. Guilty pleasure tropes and scenarios?

44. Does fanart of your fanfic exist?

45. Do fanfics of your fanfic exist?

46. Few long essay reviews or many short reviews?

47. What fanfic of yours is truly underrated?

48. What is your favorite sentence that you’ve used in a fanfic?

49. Where do you draw inspiration from?

50. Can we get a teaser for an upcoming chapter?

(Don't feel obligated to answer. Thought if you're into these kinda things, that'd be a nice ask. ;))

Oh this is so nice!! Thanks for sending this @annansmith

I chose a few of them to do. 

1. What fandoms do you write for?

Currently, I’m writing for Shameless (Gallavich) but I’ve written for:

Veronica Mars (LoVe), Veep (Amy/Dan), Arrow (Oliver/Felicity), Once Upon A Time (Hook/Emma), The Old Guard (Joe/Nicky), That 70′s show (Hyde/Jackie), Sons of Anarchy (Tara/Jax), Vampire Diaries (Klaroline), Hart of Dixie (Zoe/Wade), Gilmore Girls (Rory/Jess), X-men (Rogue/Pyro), One Tree Hill (Haley/Nathan), and a few others.

2. What pairings do you write for?

Now I write Gallavich. 

But I’d say my top ones I love writing for now (my fanfiction writing has spanned about 14 years) are Dan/Amy, Veronica/Logan, Klaus/Caroline, Mickey/Ian.

3. What is your most popular fanfic?

My most popular fic on Ao3 is The Course of True Love (Arrow) and on FF Of Bloodshed, Babies, and Epic LoVe (Veronica Mars)

4. Do you write original stories as well?

Yes, I do. I’m working on a book, well, two books. But it’s going very slowly. The first is a memoir of my travels from around the world and the second is a vampire urban fantasy one. We’ll see how it goes, but I’d like to finish them by next year and see if I can get them published, but it’s hard so who knows. 

10. How do you stay motivated to finish what you’ve started?

Well, recently I’ve really been trying to finish everything I write. I have a lot of WIPs from years and years ago and even within the the last year, so this answer is pretty new. Basically, I focus on one fic at a time and write a little every day to stay motivated. Now, I try to update once a week on a certain day. I think comments/reviews and kudos and people being genuinely encouraging helps though. It’s also what’s gotten me considering finishing my older fics.

11. What’s your longest fanfic?

Of Bloodshed, Babies, and Epic Love (over 165k)

13. What is your planning process?

Now, it’s different. I have a doc of ideas and I wait to see which one I can’t seem to shake. Then I plan out each chapter with a few sentences and I have a list of things I want to focus on in the story. Usually, each story now has a kind of theme to it and a main focus. I sometimes will just want to write a certain situation/scene/focus and the story is born from there. But what really helps is writing down chapter 1, 2, etc. and having a sentence or two for what I want to happen. It doesn’t always go according to plan, but I never get writers block or forget what happened in previous chapters now.

16. Do you use sentence starters, writing prompts and/or fandom headcanons for your fanfics?

Probably a mixture of fandom (or my personal) headcanons. I don’t start with prompts unless it’s a challenge or sentence starters. Usually, I have a scene I already want to write in my head and then I sit down and write it.

17. Do you use/follow advice from writing blogs/posts?

Yes, I’ve read several books on writing. My undergrad was creative writing too, so I learned a lot there. I also follow writing instagram accounts which are helpful. I take everything I learn with a grain of salt and I see what is best for me. The best advice I heard recently was short sentences and so now I’m experimenting with that.

20. Can we get a list of all of your current available fanfics?

There’s a lot from many different fandoms. I used to be on FF.net as Psyc0gurl0 and now I’m ProstheticLoVe on a03. I like writing on ao3 better cause it’s easier and I love the tagging process. Plus the gallavich fandom on there is unreal. So to think about going back to ff.net to finish my WIPs seems like such a process now. 

Currently though, I’m writing an Ian’s POV 5 chapter fic called Chocolate. It’s not out yet, but it’ll focus on Ian from 1x06 to 1x09 or so and how his feelings for Mickey change and evolve. It’s the second part to a series called Chocolate and Cigarettes. Mickey’s POV was Cigarettes.

22. Do you listen to music during your writing process? What music do you listen to while you’re writing?

Yes, I listen while writing but I need silence while editing. I have a Love (lol) playlist. It’s basically all the love songs that remind me of couples I ship. So for example, The Acid is in there a lot because their music is great, but also Basic Instinct is so haunting. Overall, I like all music except country, so sometimes I’ll listen to my larger playlists while writing. 

23. Long chapters or short chapters?

So this has changed over the years. Initially, I wrote short chapters, then when I got back into fanfiction while writing klaroline they got a lot longer and now it’s just basically where the chapter has a natural ending. So the chapters are between 4 - 10k words depending. I try to get over 4k though. Right now, once I’m done with my current fic, I really want to write something over 100k.

24. How many WIPs (work-in-progress) do you’ve got?

A lot...none in Shameless though. Well, I guess my current one, but I haven’t posted that yet. I’d say I probs have about 10 WIPs spanning different fandoms. I know. But my goal for 2021 is to pick two and finish them. 

25. How many WIPs will you finish?

Not all of them. Some of them are from years and years ago. But I’d like to finish the ones that I still get reviews on. So there’s a SOAs fic I want to finish cause that fandom is so lovely. I also want to finish a klaroline one cause that was fun to write. And my Amy/Dan ones I’d like to finish. I would like to finish my Veronica Mars ones (I have two) but they need a lot more attention, so when people message me about them I tell them the planned ending.

28. I will name you three things (drunk Ian — shared bachelor party — Gallavich): write a paragraph or two!

“Fuck, Mickey, I probably shouldn’t have had the third Hot Toddy,” Ian grimaced as the world around him spun. 

Mickey laughed at him and wrapped an arm around his shoulders. Ian wanted to think his future husband just wanted to pull him closer, but he had a feeling it was to steady him.

“Probably should’ve cut you off earlier,” Mickey said tugging Ian closer. 

Ian wobbled and plopped down on the back steps of the porch. Mickey followed suit a moment letter and they both looked out toward the backyard where the Gallaghers, Balls, and a few of the Milkovich cousins were alternatively huddling around a fire, drinking, and dancing.

“I blame Lip for making us have this stupid shared bachelor party in the first place,” Ian grumbled.

Mickey kissed him on the forehead as Ian lay his head on his shoulder. “It’s Sandy’s fault too.”

Ian hmmed in response and Mickey knew he was going to fall asleep any moment. He ran his hand up and down Ian’s arm and watched as Debbie bounced over to them.

“Jesus, you aren’t even married yet and you two are like an old married couple. Are you going to come dance or what?” she whined.

Mickey looked down at Ian, whose eyes were already closed, and then back up to Debbie. She was watching them with knowing eyes.

“We’ll dance at the wedding. Go grab Lip, I need his help to get Sleeping Beauty upstairs.”

Debbie turned to go get her eldest brother and Mickey looked back down at Ian. In his sleep, he nuzzled Mickey’s shoulder, breathed deeply, and a gentle smile appeared there. 

3 more days and they’d officially be husbands. 

34. How did you find the magical world of fanfics?

I was about 10 and my cousin used to write a buffy the vampire slayer zine. There was a link to a site called buffyworld.com or something like that. And I found fanfic that way. There was a link on the site to ff.net and that’s how I stumbled across that. I stayed there for many many years until my second time in the veronica mars fandom around 2014 when I was lead to a03 and then I’ve been there ever since. On and off, my writing has fluctuated through the years based on my personal life.

49. Where do you draw inspiration from?

Everywhere! omg. It’s insane. Gallavich I love writing for. There’s so many different facets to them, but truly everywhere I find inspiration. I have a whole doc of gallavich ideas that have stemmed from other fanfics, headcanons from me and other people, rewatching episodes, what’s going to happen in s11, cute moments i’d like to see happen, holidays, and just general life. I saw a pic of WW2 vets who were in a long term relationship and i was like mickey and ian! another idea is born.