#that may be uncharitable

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[momentomori24]

[This has been sitting in my draft for a while lol]

When it comes to Curly's failings, I always see people bring up his obvious failure to protect Anya and him prioritising Jimmy, who was the rapist in that situation. Which is completely valid btw and we should rake him through the coals for that alone even more. But I also see too many people saying that Curly "didn't enable Jimmy" or playing softball for his actions. And I could maybe see where that comes from if that incident was the only thing we had to point to-- but that wasn't all he did, is it? Curly being indifferent or not taking Jimmy's mistreatment and belittlement of Anya seriously was hinted at so much earlier than that.

Namely, the very first time we play from Curly's point of view. Let's just skip the fact that Curly was putting everyone in danger by not taking his psych evals seriously and simply giving the same answers to pass them even tho he was shown literal minutes after this scene being clearly not-sane, and go straight to the point I actually wanna get into. Which is this:

These scenes in isolation wouldn't be that bad. From his pov, it's played off as comical and it is. Jimmy being a brony (not really lmao) and getting playfully dragged over it is funny. But unfortunately this is the first example out of many for Curly's complacency. Anya is complaining about Jimmy not taking his psych evals or her seriously, which is easy to believe considering how much he rags on her for "not being a good nurse" (she kept Curly alive on hopes and dreams how dare you). So he keeps making her do silly and inappropriate reports she clearly doesn't wanna do, which is kinda shitty (also borders on harassment). But rather than actually saying something about Jimmy's behaviour or even acknowledging how it sucks he says this:

Mate, that's not a good thing 💀 He's clearly aware that the problem is Jimmy's lack of respect for Anya specifically. He knows that if he, his friend and a man in power, were the one doing the evals Jimmy wouldn't try that disrespect. But it's Anya, a meek woman who ranks lower than him so he thinks he can get away with it (which he DOES), and Curly's shown as comfortable in knowing that. He doesn't chew Jimmy out for making Anya uncomfortable nor does he reassure her that he will do something about it. All he does is take it off her hands this once and helps Jimmy power through it to get a good diagnosis (even tho we know he's DEFINITELY not sane either). He doesn't even mention Anya's discomfort or confront him on his inappropriate behaviour, just teases Jimmy in good fun instead because he doesn't think of it as anything serious. It's subtle and pretty minor in comparison to everything else, but I think it's worth pointing out. Especially because this convo takes place after Jimmy had assaulted her, which makes this so much worse.

If you need any more evidence of Curly being an enabler you need not look further than Anya herself. And I'm not just talking about the way he failed her here-- I'm talking about Anya's own view of Curly and the way said view influences her actions.

Just look at her choice of wording. "What would you have done". This is in response to him saying that she could've come to him if she were feeling stressed, which she-- in his eyes-- didn't. The question itself implies that she had no faith in Curly to actually help despite his insistence that he would've, which I think is significant because it shows that she's very much aware of Curly's shortcomings when it comes to her situation AND it's one of the first (or the first time) she actually verbalised her lack of trust towards him or anyone directly. Prior to this scene she had told him about her rape and the rapist, presumably because she trusted him to handle it. And he dismissed her because the rapist was his best friend, and that evidently deeply scarred her. Enough so that she secretly took the gun and hid it someplace else and didn't even tell Curly were that was, because she knows that if Curly has access to it there's a so much greater chance Jimmy will have too, insinuated by the line "the least I can do is make sure he never gets it either". Speaking about the gun:

It sucks so bad that this perception of him isn't even inaccurate nor unjustified. That despite everything Jimmy had done to her and everything he could still do to her, he'd very likely still not allow her access to the gun for protection. Because that's exactly what he didn't do anyway. He didn't attempt to keep her safe from Jimmy, instead he just pretended that nothing was wrong and still let Jimmy's belittlement of her pass. He didn't give her the gun after the incident, because she wouldn't have hid the case if he had. Despite his desperate reassurance that he'd do anything, he did nothing but make it worse for her and she KNOWS that. It's so frustrating knowing he entrusted the axe to Swansea when he needed it but not the gun to Anya when she needed it too. Also this:

The fact that his knee-jerk reaction to her admitting that she's pregnant was "Who would you--" is so fucked, especially considering she's already told him what happened. "Who would you" what? Who would you fuck? Who would you have sex with? That choice of wording drives me up a wall-- SHE wouldn't and didn't do anything or anyone. That was JIMMY. The potential sentence implies that she had any choice or agency in her pregnancy. She didn't. And the fact that Curly had to ask "who" insinuates that he's been putting Jimmy's action out of sight and out of mind the whole time, choosing to not think about them or what happened to Anya at all. And considering he still made her do Jimmy's evaluations despite being able to do them himself and literally didn't even think of making sure she gets psych evals done too--especially AFTER getting sexually assaulted--that might actually be the case (I haven't seen anyone make a stink about that piece of info so I'm going to because what kinda colossal fuck up IS that??).

I vaguely had a post like this in mind but seeing so many people be like "well Anya did some wrong stuff too like leaving Curly alone with Jimmy but you don't get mad at HER for that so why is Curly not doing anything about Jimmy being alone with Anya so different??" actually makes me want to blow some people up. Jimmy's an abuser, sure, but Anya has no real reason to believe that he'd actually harm Curly. From her perspective, they were close, close enough that Curly would not only let Jimmy continuously disrespect her but also get away with assaulting her too. That, and she knows that Jimmy was closer to Curly than anyone and more likely to be civil around him than he ever was to her. She has barely any reasons to suspect Jimmy would harm Curly when they're alone. Curly, on the other hand, has every fucking reason on the planet to think Jimmy would harm her when they're alone. He knows he raped her (likely in her room at night too). He knows that he sexually harasses her. He knows that he doesn't respect her at all. And that was BEFORE the crash. Anya tried insisting on giving Curly his medicine, only for Jimmy to keep aggressively insisting that he'll take care of it despite her protests. Curly didn't try to keep them separate at all even though he was the Captain and had the power to do so. And this should go without saying, but leaving your rapist alone with his best friend that he was close to and enabled/protected him and leaving your friend alone with the woman he raped (and might have repeatedly assaulted given his free access to her) is NOT THE SAME and I'm going to start chucking some people down a waterfall because what the fuck is that argument 💀 Actually leave it to the fandom of the game where the rape of a woman is the catalyst for the events that unfold to use her trauma to defend the guy that enabled it in the first place. Bloody hell.

The reason why this whole Curly discourse pisses me off is because it-- from what I can see-- ONLY brings up his failures 1-0 days before the crash and the Dead Pixel scene (or all the discussion around other points are drowned out by those two). Those scenes, while important to talk about, are not the only things he's done, and focussing on those as the only things is a mistake that comes short of understanding the issue. When it comes to Curly the main defences I see for him are "he was trying not to escalate the situation" and "he was trying to keep things under control the best he can" and "he was waiting for the right time to help Anya", but those don't work when you look at the bigger picture of everything he's done.

He half-assed through his psych eval despite clearly not being sane (and KNOWING he's barely sane, he literally admits it to Jimmy's face). He still continued to task her with Jimmy's psych evals. He brushed over Jimmy's sexual harassment of her as a joke. He didn't think about making sure she got psych evals done herself after being raped. He gave Swansea the axe but didn't give Anya the gun despite it being for "unrest amongst the crew" (whatever the hell THAT means). He let her assault slip his mind that she had to remind him. He's literally a blond man. He took no action to hold Jimmy responsible for anything, and prioritised how his violation of Anya would affect him rather than her. He ignored her demands for him to get rid of Jimmy. He still allowed Jimmy free reign of the ship as co-pilot even after he was openly fantasising about killing everyone and had a major motive and the means to do just that. He was potentially thinking of making her miscarry to cover up what happened. He was so accustomed to her sucking up being disrespected and disturbed that he didn't even notice a difference in her behaviour until she hid the fucking gun. There's so much other shit he's done and hasn't done, and not talking about them or glossing over them makes it so easy for people to argue that he isn't actually an enabler or just minimise the severity of his neglect.

And while I'm already dragging Curly through the mud, I might as well just drag Swansea too. I've seen too many people being like "Anya should've told Swansea instead" and "Swansea was the one that actually took responsibility". Like, y'all realise he's not that much better than Curly, right? He already knew about what happened to Anya-- he admits it to Jimmy's face-- but he didn't do shit. He knew, but he still got completely shitfaced for months despite her earlier protestation to that (for very understandable reasons). He knew, but he still let Jimmy have the axe AND be alone with Anya while having it. He knew, but when Anya locked herself in the Medical and Daisuke and Jimmy asked for his help he didn't budge nor really showed any care. He knew, but the reason he finally decided to do something about Jimmy wasn't Anya, it was Daisuke. Her suffering and her eventual death weren't enough for him to take action either.

This game, on top of everything else, is a great depiction of rape culture. It doesn't just include the rapists, but the people (mostly men) that stay silent, do nothing, make excuses for and protect the perpetrator for whatever reason, and Swansea and Curly (Curly way more so than Swansea) are both active contributors to the environment that allowed for evil to flourish and continue unhindered until it destroyed them all. And while that arguably doesn't make them evil themselves or as bad as Jimmy, they are so much more a part of the bigger problem than the fandom likes to admit.

[Ok since this is kinda gaining a bit of traction please consider helping these guys out here, here and here. Thanks!]

[ayrennaranaaldmeri]

ok ok its my fault for being on reddit but r/houseofthedragon rn full of people arguing that demon and his 99% neck lizard have a stronger bond than aegon and sunfyre and it's so fucking frustrating that its entirely condolt's fucking fault that this is even a fucking argument because he thinks the greatest bond between a dragon and his rider to ever go that fucking hard in this universe is pRopaganda and gives dae mon and car ax es more screentime. i'm just so fucking done man. never showed us sunfyre TRULY until it was time for demon jr the anime edgelord to attack him and aegon, never get the fact that sunfyre is literally on aegon's arms, never got the coronation flying, DIDN'T GET ANYTHING UNTIL IT WAS TIME TO FUCK HIM UP FOR THE PLOT.

i wish this mf would get fucking fired before he has a chance to touch these two anymore because I don't think i can handle how he will underplay and butcher the fact that this dragon literally fought tooth and claw with a broken wing to find his way back to his rider.

[age-of-moonknight]

“What If Venom Bonded to Moon Knight?” What If…? Venom (Vol. 1/2024), #5.

Writer: Jeremy Holt; Pencilers and Inkers: Jesús Hervás and Geraldo Borges; Colorist: Ceci de la Cruz; Letterer: Ariana Maher

[coffee-writesthings]

What a good fucking way to end the series and not at all like what that 4chan leak predicted. So many good moments too it really doesn't feel that different from the rest of the series except for how it's a sending off and an ending for which I think it does fantastically

[doom-dreaming]

muttering "i will not gatekeep or complain, i will just block and move on" like a mantra to myself at least 5 times a day

[songofwizardry]

so I had the summer (in reality, like… almost three months) off from one of my volunteering roles and I’m 20 minutes into my first meeting back and I am already so irritated and angry. maybe this is Not A Good Sign.

[dewgongs]

maybe if i shift my view on me and my mothers relationship entirely... as in. like. seeing my own traits in comparison to hers as entirely neutral in a way. doesnt even have to be seen as above her or what she wants to do... but i think there is nothing wrong with being a little more patient. my mom is extremely impatient. probably the most impatient person i know. that is a flaw... not something to aspire to be

[m-ercutios]

i am out of patience for walkable city advocates unless they’re upfront about accessibility. like what are we doing to make sure disabled people can exist in public? a fifteen minute walk to get groceries or whatever might be easy for you but it just isn’t feasible for everyone.

[dyannawynnedayne]

Finally started playing pentiment. Love it but with my mix of often overly formal speech, picking up others speech patterns, and previous experience growing up hyper christian it is so over for my ability to talk like a human

[dailyoyo]

i need to think more abouyt roboy. i need to think more anout roboy. i keep forgetting him i dont want to forget him i like him.

[infirmux]

problem with spending a lovely day out with your best friend is that you will eventually have to return home and write essays (all the more egregious for the contrast) only way to avoid this i can see is to not have gone out at all which is not really a satisfactory solution either. something ought to be done

[atouchofsass]

I wonder why [word] [word]s [word]self neopronoun users have that completely different format instead of the subject/object/possessive format other pronoun sets

[svetzzi]

when you saw david lynchs dog comic for the first time did anyone else think "man tim burton ripped this off so hard"

[charliemwrites]

There are men across the street.

The house (and you use the term generously) that slumps there has been vacant for some time now. Ever since you moved in a couple years ago, actually. It’s an eyesore for sure. Graffiti on the walls, boards on the windows, a basketball-sized hole in the roof. The porch is the worst of it. Sagging in the middle and crumbling on the ends, stripped and moss-encrusted wood.

But today there are men there, stomping up and down the groaning steps in big, steel-toed boots.

You watch for a bit from the safety of your kitchen window, sipping coffee and batting your cat off the counter. They don’t look like a normal construction crew - wearing all black and not so much as a hammer on their belts. Three of them that you can see, one about average height, one tall, and one very tall. The tall one tags after the shortest of them often, gets pushed and shoved and snapped at it seems like.

You lose interest when the coffee runs out and your phone chimes, shooing you off to the grocery store. All three have disappeared inside by the time you saunter out, keys jingling and reusable bags in hand.

Margot says they’re renovating - likely some rich man’s retirement project. The same thing happened just down the street six months before you moved in, and now Joe has solar panels.

She postulates over the situation across the street while taking delicate bites of the cheesecake she brought over. (A test recipe for her niece’s baby shower in a few weeks. You don’t tell her that it’s too sweet and just sip your tea between bites.) She hypothesizes that one of them is this hypothetical rich man’s son, bringing some handy friends around for extra hands to work.

It sounds about as plausible as Agatha’s mutterings that they’re drug lords, so you nod along and watch your calico sneak up on your tuxedo behind her.

The garden is your own little retirement project. (You’re not actually retired, no matter what your sister snipes. But some smart money moves and a successful writing career is virtually the same with no kids and no spouse.) It’s going about as well as the renovations across the street - which is say, better and quicker than expected.

You planted clover in the yard, and are working on wildflowers in the boxes. The clover is already blooming, little flower tufts springing up for bumblebees to perch on. The wildflowers are mixed success so far, but nothing is dead yet.

You mostly just tootle around to be outside - allotted sunshine lest you become the shut in Bertram accused you of your first couple months.

The cats watch you pick at weeds from the window. Or two of them do. The other one is glaring from the fridge, angry that you tossed her back inside when she tried to slip past your ankles. (With any luck, you’ll have another sibling for them soon, but the handsome orange thing that keeps coming by at dawn and dusk is too stupid to be caught.) All three of them shift to look at something over your shoulder.

“Excuse.”

You don’t startle, thankfully. The voice may be unfamiliar, but neighbors stop by consistently enough that you’re not surprised to have your solitude interrupted.

What you are surprised by is the tall (very, very tall) man standing at the edge of your front yard. One of the renovators.

“Hi,” you say, straightening.

He points a gloved finger at you - no, not at you. Past you. At your cats.

“May I see them?” He asks in a thick German accent.

You blink, surprised and confused.

He’s a big man. Not just unusually tall, but broad as well. Muscle tugs at the fabric of his shirt, cargo pants clinging to his thighs. He also hasn’t bothered to take off the heavy duty dust mask, black sunglasses, or jacket hood obscuring his features. Looks like he’s about to rob you, honestly.

But Agatha’s uncharitable muttering about delinquent men rings like a warning toll. You’re at risk of sinking into the judgmental sea of upper-middle class suburbia, and that’s not water you want to tread.

“Sure!” You reply, ignoring his lack of introduction. “One sec.”

The cats see you dart from view and hurry to meet you at the door, meowing and yowling. You crack it open only wide enough to snatch up your precious firstborn, his leggies sticking out in abject bafflement at being airborne. You make guilty eye contact with your other two fiends before swiftly wedging the door shut again.

Then adjust your son, his little paws resting on your shoulder as you turn. Your visitor is standing right where you left him, perks up when he sees the cat bundled in your arms.

“This is Guy.”

You step closer, ignoring that shred of nervousness that being close to any man (especially one so physically intimidating) brings. To his credit, he only shuffles just enough to offer his hand for inspection.

“Guy?” he asks.

“I wasn’t going to adopt him at first, so I just called him Little Guy for so long that he thought that was his name. And then I did adopt him and now he won’t answer to anything else.”

You come by the rambling honestly - an obligate introvert until you moved to this neighborhood. There are few things you ever want to talk about with strangers, but your cats are one of them.

“He is a little guy,” the man muses.

Guy has no reservations about rubbing his fat face on the stranger’s glove, a purr kicking up in his chest. You relax as the man keeps his touch gentle and slow, that little bit of paranoid tension trickling into the soil beneath your feet.

“The other two aren’t as well behaved, I don’t trust them without harnesses on,” you add, nodding at the window.

The man glances up at them. Doesn’t seem to realize that his demise (and yours) is imminent from their glares.

“What are their names?”

You flush. “Rasputin and Shithead. I tell everyone else her name is Susan though.”

A sharp bark of laughter splits the air like a falling ax, cracks right down the middle. It makes you jump a bit - Guy is expectedly unbothered - but still you find yourself gratified. Laughing is good, it means you’re doing things right.

“Sorry,” he says, “but my friend would like that name.”

You gesture at the house across the street. “One of them?”

“Yes, the short one.”

You only just manage not to snort in amusement, but it doesn’t stop him from noticing. The mask moves, you think he might be grinning underneath.

“Does he know you call him that?”

“Not if you don’t tell him.”

You doubt you’ll have the opportunity even if you wanted to.

Someone’s at the door.

You’re only half-dressed, waist deep in laundry you have no excuse for putting off so long. Aren’t expecting company either - it’s Sunday morning, everyone should be at their various churches or visiting relatives. Can’t remember the last time someone knocked before noon on a Sunday.

Still, it was a big solid knock. The kind that makes you think it’s not the usual neighbor come by to impose on your space.

You glance down at the hem of your sweatshirt, determine it’s far enough down your thighs to be acceptable, and pad to the door.

You open it to another of the renovators. The “short” one - though you readjust that measurement quickly. He’s still taller than you, it’s just that most anyone seems diminutive compared to his friend.

“Morning,” you chime.

“We need your driveway.” His voice is low and rough, blunt. A sledgehammer to concrete. Also German-accented, you note.

“Oh,” you reply, “what for?”

He grunts. “Work.”

And you, a longtime observer of politely shaking people down for information by this point, smile without teeth.

“Oh, a work truck? It won’t make a mess will it?”

“No.”

You hum, glance at your stupid little sedan parked in the middle of the driveway.

“Okay, I’ll move — Shithead!”

You scramble to grab at the black and white blur of evil, sweeping her up in your arms as she meows in complaint. One of her back feet catches in the hem of your sweatshirt and starts to pull it up as she kicks. You curl an arm under her butt for support, but mostly she just takes the opportunity to chomp down on the meat of your thumb.

You glance at the man. “Shithead is very interested in the renovations.”

He stares. “So that is actually its name. I thought you were being rude and Konig didn’t realize.”

Ah, so that’s his name. You never did get that introduction.

“No, yeah, this is Shithead, I’m sure you can see why.”

The corner of his mouth twitches as she unlatches from your thumb, only to bite down on your wrist.

“So! The truck - when will it be here?”

“Noon.”

“Great! See you around!” You shut the door in his face without getting a name.

You threaten, not for the first time, to turn her into a pair of mittens. She responds by attacking your foot until Rasputin tackles her. Guy cries at the door, probably missing a man he met for all of two minutes.

The work truck stays through the night. Your cats spend all afternoon watching the men cross the street and back. Every once in a while, Guy puts his little feet up on the glass - Konig must be passing by.

You glance out the kitchen window only once and make hard eye contact with the third of their trio. He’s somehow even more covered up than Konig, and yet you get the distinct impression that your gaze is not welcome.

You blink and abandon the dishes for later.

The next morning, they’re already at it when you shuffle outside for the mail. Konig raises a slow hand in greeting, but visibly brightens when you smile sleepily and wave back.

You pass the work truck - the back panel is already open for them to unload wood beams and heavy-looking buckets. Construction stuff, as expected - and not messy, as promised.

You spot a red and white flag decal on the rear window. Austria, isn’t it?

“Did you just wake up?” a flat voice asks.

You squint a little through the morning sun at the man from the day before. The rude one.

You yawn. “Mhmm.”

He frowns at you, disapproval plain. Agatha will like him, you muse, shoving a hand in your mailbox. They both seem to have strong opinions about your sleep schedule.

“It is late.”

“It’s only 8.” You tug out a sheaf of envelopes and begin idly flipping through them.

“The sun is up.”

“So what?”

He clicks his tongue disdainfully. You absently click back. Then jump as a big body lands right in front of you. The third man, two wooden beams balanced on his shoulder. He makes brief eye contact with you again, then strides across the street.

“Shoo,” the rude one says. “Men at work, yes?”

You grumble. “See if I bring you cookies.”

Konig glances up from the truck bed, eyes shining. “Cookies?”

Well shit.

Rasputin keeps you company while you cook. He’s the only one allowed on the counter for any length of time. Shithead steals anything and everything, or bats at your hands while you work. Guy has the equal parts endearing and infuriating habit of touching everything with his paws.

Rasputin is the only one who will sit quietly to observe, leaning in for the occasional kiss. Today, he’s watching you bake cookies and assemble sandwiches. A dual-purpose welcome and peace offering to the three men across the street.

Is it too much? Maybe. But you’ve got nothing better to do and kindness won’t break your bank, so. Cookies and sandwiches.

You change clothes while the cookies cool on the pan - a sundress for the warm, late-spring weather. They’ve seen you in your pajamas far too much already.

At the door, you hesitate. This house doesn’t feel inhabited yet, but it also doesn’t feel right to just open the door. It’s quiet inside, so no power tools to drown you out. Making a face, you settle for a firm knock. It takes a minute or two - you think you might hear distant shouting. Then the door swings in fast and hard, nearly startling you.

It’s the third of their trio, the one you’ve yet to speak to. He’s covered head to toe, fabric around his head and face, leaving only sharp blue eyes to glare out.

“Hi,” you begin, hands thankfully too full to fidget. “I brought food.”

His eyes flick to the foil-covered platter in your hands. Then he swings the door wide and pivots on his heel.

“The cat comes too.”

Cat?

You glance down. Sure enough, Rasputin is standing by your legs, his remaining half a tail swishing. You sputter at him - didn’t even realize he snuck out - but all you get is his characteristic raspy “mah” noise. Right then.

He politely trots by your side as you enter, not even shy about your curiosity. The place is gutted, stripped walls and scuffed floors. It smells like dust and plaster and shaved wood. All the lights have been ripped out of the ceiling, exposing wires like nerve-endings.

There are two empty rooms to either side upon entry, a den and a dining room probably. The den even seems to be split into two, with one half sunk lower, accessible by a couple steps.

You follow your unexpected host through the “dining room,” which seems to be more of a satellite staging zone at the moment. There are piles of tools, stacks of materials, a little island of canvas bags. As you pass through, you notice a staircase, and even from the ground floor, you can see that it crosses over to the den on the other side.

The kitchen is stationed towards the back of the house. You try not to wince at the state of the counters. Pockmarked, blistered, scratched, burned, cracked laminate.

The floor has already been pried up to reveal smooth concrete. You scan it quickly for anything that could hurt Rasputin’s feet before entering.

Your neighbor gestures for you to set the platter down on an empty patch of counter, so you do, peeling back the foil.

“Cookies and sandwiches,” you explain just to have something to say.

“Why?” he asks.

You shrug. “To be nice.”

He stares. You blink back.

“I mean, you don’t have to eat them,” you add. “It would just be a waste.”

Rasputin chooses that moment to leap onto the counter, taking a moment to steady himself once he’s landed. With only one eye and a crooked leg, he’s not the most acrobatic or graceful of your babies, but he makes do.

To your shock, though, once he’s gained his bearings, he makes like he’s going to eat one of the sandwiches.

“Ras,” you gasp, surprised. “Absolutely not!”

The little shit doesn’t even resist when you nudge him away, just settles on his haunches, staring at your neighbor. And, to your confusion, your neighbor grunts.

“Konig! Krueger!” he barks.

That must be the rude one’s name. Krueger. You file that tidbit away.

“What’s your name?” You ask. “No one’s told me.”

He eyes you - dare you say suspiciously - letting the silence stretch.

“Nikto,” he rasps finally.

You finish introducing yourself just as the other two enter. Konig’s down to just the dust mask today, while Krueger seems to have donned one for himself.

“You,” Krueger says.

You arch your eyebrows back. “Me.”

“What brings you here?” Konig interjects, much friendlier.

“Well, you really seemed to want cookies yesterday, so I thought I’d bring some with lunch as a welcome to the neighborhood.”

He practically shoves Krueger to get to the kitchen. You politely get out of the way so he can indulge in your offering without getting trampled.

“Danke schön,” he says, scooping up a sandwich.

“No problem,” you answer, smiling.

Krueger deigns to sidle closer, inspecting the platter with a keen eye. Still, you think you see a bit of appreciation in them before he snatches up one of the sandwiches. For some (concerning) reason, you’re gratified by that. (You’ll just blame it on your habit of feeding ferals and strays.)

“I also wanted to give you three a little warning…” Three pairs of eyes pin you in place. You try not to grimace. “Everyone on this block is nosy as hell. They will literally peak in your yard and check your mail.”

“The mail?” Konig asks, appalled.

“Yeah, I started using a PO Box,” you sigh. You’ve only got so much sanity before you start taking sniper shots with a water gun.

“We will handle it,” Krueger says.

“I’m sure,” you demure. “Anyway, that was all. You can drop the platter off later - or I can come get it. It’s not like you’re far.”

You start looking for Rasputin, only to find him perched on Nikto’s broad shoulder. The man doesn’t even seem bothered by the claws digging through his shirt, scratching a finger at the calico’s cheek.

“Huh,” you say, surprised.

Nikto glances at you, pauses. “What?”

You snort at the bluntness, but grin. “Usually I’m the only one allowed to pet him.”

That’s three for three. Well, two and a half. Shithead could have been trying or escape or go for the ankles for all you know. But Krueger seemed to like her, so that counts for something.

“C’mon my little tank, let’s go,” you coo, approaching.

Rasputin nuzzles his face against Nikto’s once, gives him a parting mraw, then leaps into your waiting arms.

“Bye, guys!” You call, waving over your shoulder as you head for the door.

Konig is the only one to respond with a polite, “see you!” But you don’t take it to heart.

Next

Masterlist

[anneapocalypse]

Not gonna lie, analysis of Minfilia that rests on a reading of her as some kind of hiring manager at a company really doesn't sit right with me, not just because it lends itself to some particularly uncharitable readings of Minfilia, but because it seems to me like a pretty inaccurate reading of what the Scions actually are in ARR.

The Scions of the Seventh Dawn are the union of the Circle of Knowing, a group of activist academics who accurately predicted the apocalypse but failed to prevent it and lost their beloved mentor in the process, and the Path of the Twelve, a group for Echo-bearers to help them better understand and make use of their gift--all doing their best to pick up the pieces and protect the realm in the wake of said apocalypse. Minfilia, formerly the leader of the Path of the Twelve, has now been thrust into the position of leadership over both at the late Louisoix's behest. The Scions in ARR aren't a company, they're an activist group, and in ARR still a very small one without the massive web of political connections they fall into later. They don't have a lot of financial resources. They're largely working quietly and behind the scenes. They have a secret code phrase to identify friends of the organization. Being recruited into this group in ARR is closer to being recruited into a resistance cell than being interviewed for a formal job.

Minfilia's role prior to the Calamity was as the leader of a support group for people experiencing a frightening, isolating, and as-yet poorly-understood phenomenon, a group where they could find others like them, understand what's happening to them, and learn how to use their gift for good. And to some extent, this is still a part of her role. The Warrior of Light is brought in because they were witnessed experiencing the Echo, and Minfilia is reaching out to them as a fellow Echo-bearer. I think it's a mistake to interpret her words and actions without that context, particularly her expressed hope that this most recent Echo-bearer she's invited into her group will find something like family there. I mean, listen to the joy with which she says, "I too possess the Echo." She's telling the WoL that they're not alone, that there is a name and an explanation for what they've been experiencing, that they can find others like themselves here. Yes, she's also asking for their help. But this is a pretty far cry from a job interview. However flawed the Scions may be as an organization, I can only see Minfilia's overtures here as offered in the spirit of friendship and camaraderie. And framing that as her trying to build loyalty she can exploit in a corporate manner feels extremely ungenerous given what we know of her character.

I don't want to sound like I'm here to defend the Scions in ARR against any and all criticism--I've discussed my own in the past, from their concerning tendency toward self-sacrifice to the attitude they develop toward the WoL (which is kind of up for interpretation based on your character's relationship to them but which can come across as a cavalier attitude toward the WoL's safety, taking advantage of their unique abilities, etc). In particular, the Scions' experience as a small activist organization, and Minfilia's particular experience as Echo support group leader, has ill-prepared any of them to be thrust into an international spotlight following the defeat of the Ultima Weapon. The attack on the Waking Sands has already revealed the weaknesses in their opsec, and certain scenes in the ARR patch quests reveal something of a power struggle between Minfilia and Alphinaud--one which Alphinaud ultimately wins, because Minfilia lacks the kind of confidence in her position to stand against the force of his personality, and she, like most of the other Scions, starts to fall into the trap of seeing Alphinaud as the second coming of Louisoix and lets him push her around accordingly. Minfilia is simply not equipped or prepared to lead the kind of organization the Scions are turning into. (Urianger, incidentally is one of the few who seems to notice this and remark on it, but also seems to feel that he can't directly object.) The cracks begin to show, and then it all falls apart, and when the Scions finally begin to put themselves back together post-Heavensward, I think they all understand that they can't go back, that what they rebuild will be something new. Over the next few expacs I think we see them developing a new group identity, recognizing that that old model no longer serves them and doing their best to adapt to constantly changing circumstances.

The Scions in ARR have plenty of problems, but they're not a for-profit company and they're also not the same organization as the Scions of later expacs. I think that context needs to be taken into account when interpreting their actions, especially those of their leader.