#that man is deserving as fuck lmao

[olympiansally]

A big congratulations and a kiss on the lips to all Argentinian winners out there, you guys deserved it so much <3

[skippingthroughfields]

one thing that's missing from these convos about amc not submitting assad zaman for a golden globes nom that makes it 10x more malicious on amc's part is that a nomination isn't just like oh... ~simple appreciation for an actor's performance. even if there's no win, it results in a profile boost for these actors & them being able to command a higher salary when it comes to future projects. it's something that gets notice on their CV. these studios and networks love being able to market their shit with things like "starring golden globe nominee john doe" or "emmy winner jane doe." the emmys are more prestigious than the golden globes which are more prestigious than the critics choice awards (the one they submitted him for with two other actors lol). actors get nominated and have the opportunity to get attention from social media posts, article mentions, attending the red carpet, having their name announced and a little clip of their acting shown. that's not nothing! attention from possible new fans, publications, execs, peers, producers, directors, fashion houses & other industries which could lead to $$$ and sponsorships. I won't make any presumptions about the cast's finances but I do know amc is probably not paying them their worth, least of all the bangladeshi muslim who barely had any major roles in tv/film prior to the show.

there are fees and costs associated with submitting for awards consideration and FYC ads. the network basically took a look at assad's brown skin and name and said they don't think he's worth the money over the white actor who had less screentime and narrative importance (to the season ig) which is absolutely crazy lmao. it shouldn't be controversial to say that and you can't not discuss this without bringing up sam's name. this has nothing to do with whether he "deserved" to be submitted (and even if I said he doesn't deserve it over assad who's gonna beat my ass?). this white man isn't being persecuted by conversations about blatant racism. but I'd expect nothing less from this fanbase x.

[b4kuch1n]

pre-marination doobles. dont ask me questions

[samarecharm]

People who really like shuake also seem to write themselves into a corner wrt Akechi and his relationship to Akiras team. Contrary to popular belief, the team, including Haru, does not hate Akechi. At worst, they tolerate him and deal with his attitude. Hes a good teammate and respectable fighter and the team recognizes that at the end of the day, he was a teenager who was manipulated and abused by a man who saw him as disposable. Just about every thief understands this intimately. They have the same mindset wrt adults who take advantage of the people beneath them. Under different circumstances they wouldve been friends. And if u approach it from that angle, it becomes less about Akechi being the sole person who ‘gets’ Akira, and more about the thieves being the only people in the world who ‘get’ Akechi.

When you expand your thoughts to include the thieves as members of his Team and not roadblocks that get in the way of your ideal shipping dynamic, you allow urself to give Akechi and Akira more depth and nuance to their own relationship.

Akira and Akechi are wildcards; both of them struggle with the face they choose to display to the world. Its the first time Akira interacts with someone who is, at a literal, technical level, his ‘equal’. But Akechi is one of many firsts for Akira yeah? Every thief has their bond with Akira thats completely unique and personal. Akechi will never be the person who witnesses Akiras Awakening, hes never the person who watches Akira have his restless nights alone in the attic, and hes never the person who realizes in real time that the teenager hes housing is just Some Kid, not the delinquent hes been warned about. Hes not Ann or Yusuke, or any of the thieves; he doesnt have the time or experience that they have with Akira, and I think its interesting to explore that part of their relationship, shippy or not.

Akechi is someone who is incredibly lonely and self depreciating despite his cockiness and attitude. He has no positive bonds to speak of save for his connection with Sae. To have him see a team that works together and cares for each other, how do you think he would feel? Out of place? Inferior in some way? Angry about how hes been alone for so long in this single minded quest for revenge? Wouldnt that be a point of struggle between the two of them? I think what makes shuake good for me is knowing that Akechi needs alot of time to heal, and the thieves would want to help with that process. They do it bc they care, bc Akira cares, and bc they trust Akiras opinion (and he trusts theirs in return); if Akira feels like Akechi is someone who can be trusted Now after everything thats happened, then the thieves would do their best to help. And how would Akechi feel about that? Angry about the show of pity? That even now, he has no real say in what happens to him? Or begrudgingly grateful that they are cordial with him? Because they do care, he KNOWS they care, they care TOO MUCH actually; but the one thing he values over brawn and wits is honesty- fighting for what you believe in without having to use soft words to justify it.

[phantomsies]

fat bodies are so fucking beautiful. Like we really are God’s most divine creation I think.

[moongothic]

Kinda started rereading Dressrosa and... Although I always chalked up the similarities between Crocodile's plan to take over Alabasta and how Doflamingo took over Dressrosa as nothing but Oda reusing similar plot elements but in a slightly different way (just to show us what could've become of Alabasta had Croc gotten away with his schemes, what Luffy helped prevent from happening to begin with)...

Robin's reaction to hearing the story of Dressrosa and HOW Doflamingo took over the country, that simple little "...!!", actually does kind of speak volumes

Like if you wanted canonical evidence to Crocodile having been "inspired" by Doflamingo, then yeah, Robin would be The Person who would pick up on that, she'd be the person who'd be like "hey, that story sounds awfully familiar to what Crocodile did", since he was her boss

Do want to note that, timeline-wise, Doflamingo only took over Dressrosa 10 years ago, where as Crocodile had been Scheming and establishing his position as the Hero of Alabasta for 16 years. Like Croc's intent to obtain Pluton and create his military nation utopia absolutely pre-dates Doffy's takeover, so that wasn't and can't have been inspired by Doflamingo at all. It's more just the plan and method Crocodile ended up going with (framing the king (through a bloodbath) and putting the country in a position without a ruler where he could just yoink it for himself with ease) where the similarity becomes more obvious. But it is also kind of where it ends. Doflamingo wanted Dressrosa because he felt like he was entitled to the island (as his family had been its original rulers and he was a Tenryuubito), and was using the island for his own gains (Smile manufacturing etc, for his dealings with Kaidou), all while having a great distain and hatred of the world and how he had been "wronged" (=Tenryuubito rights revoked). Meanwhile... yeah, Crocodile wanted to create a "utopia", only targetting Alabasta because he believed Pluton was there and because Pluton would be needed for his ideal military nation. That minor difference and Crocodile's clear and great distain and hatred of Doflamingo combined...

Yeah, I dunno, this is just interesting to me. God I need Robin and Crocodile to have a lil reunion chat

[sulliedsorrow]

going insane thinking about skk breakup dazai leaving the port mafia again because. he really just up and left without saying anything. not a word, not a goodbye, not a “chuuya would you like to come with me.” and he never said anything after. didn’t try to get in contact at all. no texts, no calls, no letters, no cryptic messages decipherable only to the both of them.

imagine being partners with someone. imagine forging a bond so strong that it’s been likened to a diamond sharpening another diamond. imagine spending three years with someone, forging a relationship, learning about each other and what makes them click and how to work together and how exist together.

imagine they throw it all in your face. they leave and not only do they leave, but they do so in a manner which shows that they never even considered you. they left as if your lives aren’t connected, they left as if it was the easiest thing in the world.

imagine everyone else finding out before you.

what was the past three years for then. what was them telling you that you gave them a reason to live for then. has it expired? has it run out? was it not enough? did they find something better?

and the lack of respect of it all. you never would have stopped them from leaving if they just explained why they had to. you would have been angry, you would have been pissed off because it’s the same story over and over again, you hurt everything you touch, you hurt everything you get close to, you’re never enough of a reason for someone to stay; but you would have understood. eventually. but they didn’t do that.

they wrote you so neatly out of their life that you wonder if you were ever a part of it in the first place.

[volivolition]

wiggles my fingers at you ouuuu… you want to tell me about solace so bad…

HKJGG wiggles my fingers back lovingly!!! i really do, i fuckin LOVE solace :3 hey did you know i really like making fake skill descriptions?

SOLACE

Follow the north star. Find light in even the darkest places. Cool for: Optimists, Recovering lost souls, Sweet summer children

Solace is the skill you tucked away long ago, at the bottom of Pandora's box. The little one that tells you: despite it all, there is still hope. It needs a lot of nurturing -- and it's far from being the most helpful for police work -- but taking care of it is basically self-care. It enables you to find the glow in yourself that you often ascribe to gold lungs or brilliant halos in others. It encourages you to wake up and watch the sunrise, to play board games with someone you love, to forgive yourself and let yourself be a gentler kind of animal. Constantly looking forward to a brighter future, it also helps shield your morale from damage.

At high levels, Solace gives you a heightened sense of childlike optimism - which isn't always the sense to lead with in this precariously harsh world. Always looking for the bright side will blindside you with naivety. At low levels, however, you may just extinguish whatever keeps your soul alight. You've already lost her once. You may not survive the desolation if you let her disappear again.

[zerodaryls]

it's so funny (read: sad) that if bigoted fuckheads didn't insist i was a woman simply by virtue of my body at birth, i'd probably be chill with she/her pronouns in addition to he/they. if my mom didn't insist i was her daughter, i'd probably let her call me that, and we could still have a relationship.

i'm nonbinary and 'gendered' words are hypothetically meaningless, but because there are so many people who are more interested in telling me who i am rather than lovingly and curiously letting me express my own sense of self, those words carry trauma.

there's no reason a nonbinary person like myself can't be a son and a child and a daughter. there's no reason a nonbinary person like me can't go by he, they, and she.

'she' is not a slur. 'daughter' is not derogatory. 'beautiful' 'pretty' 'gorgeous' 'feminine' are not insults.

to the contrary, they're parts of language that express certain facets of a multi-faceted human existence, like mine.

and i have this sad, mournful feeling that if it weren't for unloving, condescending people, i'd probably be down to be called any of those things alongside my usual masculine/neutral terminology.

but i'd rather die than let anyone tell me what i have to be called.

[rockwgooglyeyes]

Obsessed with people who pine so much after the object of their affections that their desire becomes an ugly thing, festering within them. A longing that becomes violent, not against the subject of the love but instead the person who loves, a sword in the gut, a knife in the back from that which they trust most- themself. Yearners who don't hate the fact that they're in love but nonetheless loathe themselves for loving at all and being unable to act, for holding this thing in their chest and letting it destroy them. Yearners who view their own love as a virus that infects them, a cancer growing inside of them, and yet they are unwilling to remove it. They would rather keep it behind their teeth, hidden by their lips, than utter it aloud and yet it destroys them with every second they let it go unspoken.

[nymime]

The last time Steve celebrate his birthday with classmates was when he was 10, he was the weird kid, the one who had no friends.

Then the three next years he was always alone, drawing on a little notebook or reading books, his personal favorite ‘No longer Human’ of Osamu Dazai, it was funny for him how relatable he feels with it, he understands the things he talks, he was young, but not stupid. He understand the suicide, specially for his Nonna, cause his momma tell him that Nonna tried to kill herself one night when she was studying for a test in college, she fail her test for being on the hospital with Nonna. Momma always had makes him her little secret pocket, telling him things he don’t want to know. Like how she was cheated by her dad when he was on her tummy, how Dad continues to go around to see the family he build with the other woman.

But then, when Steve was 13, all change again. Nonna died for cancer, his birthday feels weird since that, the warm but harsh presence of her was no longer there. Her cold sharp hand on him don’t hug him no more. Then Steve get popular, he was known now, no longer the solitary kid he was, no one remembers nothing of him before 13. Steve continues to appreciate that book he read back then, ‘No longer human’ his only company on his birthday, always re reading it on 14 October, year by year noticing that the book feels more personal as the time pass.

[yakkety-yak-art]

Saw the ghost movie that I was really excited about. Was disappointing. Ultimately it was just really…okay or downright bad in the parts that weren’t concert footage. More specific comments below the cut because spoilers, I guess, but there’s really nothing that happens in this movie that matters enough to count as a spoiler.

First, if this had just been concert footage, it would have been much more enjoyable. The movie parts were not at all interesting and each cutaway made it drag on and on. I hadn’t slept well the night before the showing, so the movie itself wasn’t the reason I was dozing off at some parts…but it also wasn’t helping keep me AWAKE outside of the concert footage. No complaints about that footage (mostly, but I’ll get back to it later).

Story: whoops, Tobias Forge can’t write! Sorry, that’s a bit mean, but…I paid money to watch this, so I’ll be a little bit mean. Seriously, this thing needed at least a couple more passes with the script. Every. single. conversation. as repeating what was already brought up in the OPENING voiceover: Cardi doesn’t wanna die, doesn’t wanna stop fronting for Ghost, but everything ends eventually. Yes, we GET IT. We do not need several scenes of Cardi with his parents saying it over and over again with no additional information added to understand that. After the opening VO, we could’ve just had one scene of Cardi looking a bit forlornly at himself in the mirror, and then Sister Imperator happily telling him that “things are going to be changing in the clergy soon!” or something like that and he looks unhappy.

That’s what I thought we were getting at first, but then it just. Kept happening??? Like oh my god Tobias, I get it, Cardi doesn’t want this to end, I KNOW. The quality of the writing suggests that Tobias is one of three things: incompetent at writing anything longer than a short (maybe, but the other two are a bit more likely), had no real story to tell and this could’ve been one of the shorts so he had to pad it out to an insufferable length (definitely), or so full of himself that he thought “eh, I don’t actually have anything to say, but this way I’ll get to be on screen the whole time and the only writer credited,” (probable). It’s just so offensive considering I know there were so many resources available to make this GOOD: more time, writing assistance or hiring a real writer, etc. and yet they were not taken advantage of. If this was something just put up on YouTube I really couldn't care less about the quality, but if you're charging money for this AND are as big as Ghost is, you can't expect to slide by with mediocrity. Except he will, because apparently everyone else loved this thing. Okay. Also, the humor overall just fell super flat. There were several moments where I was like, "wait, was that a joke? was I meant to laugh there?" because they were just nothing. Also, there was a fart joke. Okay.

Acting: sorry, I’m going to be mean again. The acting in the movie parts was very. Hit or miss is what I’m gonna call it. The voice acting in the voiceovers at the beginning and the end were oddly rushed in several places? They weren’t placing words in very natural ways and it just felt like they needed to do another take for some of the lines. It’s especially noticeable in the beginning voiceover because in most of it he’s speaking at a slower pace and it’s perfect and sounds great, but then he just…speeds up sometimes? And it doesn’t feel intentional and isn’t in places that make it feel like it makes sense to speed up for dramatic effect. In Sister Imp’s voiceover at the end, she is also just speeding through it and it’s incredibly awkward, because in a lot of places it’s noticeably faster than she’s speaking in her other scenes. Like, guys, you know you can shoot more footage right??? You can put some b roll in??? You don’t have to squeeze the whole speech into the shorter shot you have if it’s going to compromise the actor’s delivery.

Tobias' acting was passable for the whole thing, though that might be partially because he's not acting with his face as much as the others, so it's less noticeable when something isn't quite working. Sister Imp did a fine job for the most part, excluding her VO and some awkwardness (and no, not intentional awkwardness) in a couple scenes with Papa Nihil. Papa was also fine; nothing to write home about but nothing terrible stood out to me. Most of the issues probably came from the special effects on him to make him ghostly, which I'm presuming involved him being on a green screen or something (I have no clue. Idk anything about making effects lmao.) I'm NOT going to really review the acting of the stagehands because that's not their main job and they already had a lot of work to do, but it wasn't so bad as to take anything away from the scenes they're in. Basically, the acting overall was okay, but not great, and it adds to how much the scenes drag on for sure.

Tiny section about the animated Mary On A Cross segment: I'm not gonna comment on the bad animation, because it's on purpose and emulating old Hanna-Barbera cartoons. My issue is that it makes zero sense and goes nowhere. Nihil chases Sister Imp around for a while looking forlorn and sad and desperate, and she runs away/beats him up while looking pissed off until they come across a graveyard and she pulls him into a kiss. Then it cuts to Nihil naked in a hotel room in the morning while she storms off angrily....okay? And? What changed her mind? Why is she still angry in the morning? Why does this matter at all? Knowing that Papa IV was the product of a one night stand is a footnote if this is all we get from it. Just weird, and didn't fit the song IMO.

Editing: super frantic and distracting in places, particularly the fast cuts in the concert footage. It's just a lot and can be disorienting. Nothing is really allowed to sit on screen for very long (which is related to another point...) but at the same time, some of the movie shots just linger for no reason. They're just awkward and clunky and repetitive. Some people disliked the crowd shots, but I thought they were fun and cute and used sparingly enough. Shout out to the dude in the nun costume!

Weird lack of concert footage: what they chose to keep and what to cut was just confusing. Most of the footage was just Tobias singing, short shots of the Ghouls rocking out, and crowd footage. Almost none of the Ghoul antics that they're known for, unless Tobias was also in shot and involved. Whenever he went backstage and a Ghoul took the spotlight (I'm sorry, I can never remember who is who, but it was usually White Guitar Ghoul if I recall correctly), it cut to a story moment which, again, were boring, repetitive, and told us nothing. It just felt disrespectful to cut out so much of the Ghouls and their performances, especially because the crowd and the fans love them a lot. They add so much to Ghost's live shows and, in my opinion, are more important to Ghost than Tobias. I don't care if that's a "controversial" Ghost opinion to have, but it really is true. I think anyone could be any of the Papas. But the Ghouls, even when they get changed out, are always so talented, so energetic, so passionate, and make Ghost what it is in a live setting. They were also missing from all but one movie scene, where one of them asks if they're doing an encore, and for a second I thought the line had been spoken by one of the stagehands. That's it.

(Okay, there's also there in the scene where Sister Imp dies, but they're just standing there.)

I can't speak for if the Ghouls themselves felt a bit sidelined or disrespected by this. I can't say for certain if they even wanted a bigger presence outside of the concert footage. But I can definitely say that, from a fan perspective, the lack of the Ghouls compared to how OFTEN Tobias is on screen, backstage, doing NOTHING when we could be watching the Ghouls was GLARINGLY obvious. It felt weird and it felt uneven. I started getting really irritated by about the third time it cut backstage when I could be watching the Ghouls! It just led to the whole thing feeling super vain and self-important considering Tobias wrote the film to be this way. Some people have defended this by saying, "well, they're the Nameless Ghouls!" but that's bullshit. They're part of Ghost canon too, so why don't we get anything from them? We can't even see a little bit about how they might be feeling regarding a Clergy mix up? Whether they care about the current Papa, or anything like that? Involving them would feel so much more interesting than just another Papa, but this one wants to KEEP singing!! Again, maybe the Ghouls didn't want to be more involved...but it felt off.

I've never seen Ghost live, so I had no frame of reference for how much was cut from the concert footage aside from the lack of Ghoul antics, which is what they're known for, but apparently several people who were at the concerts filmed for this noticed a ton of footage that was cut (again, mostly Ghouls) that they thought would have been more fun to see compared to so many backstage shots. And yet we got the sequence of him in a boxing outfit, walking through the crowd, which ended with...nothing? He just...does that? Waste of time. (AND YES, I KNOW that it is a reference. That doesn't make it good. It didn't need to be there. Replace it with something relevant.) It just exemplifies how much time is wasted in this movie.

Special effects: oh my god did anyone even look at this movie before sending it out Jesus Christ. The special effects are so bad I was genuinely shocked. When Papa IV and Papa Nihil are talking while IV is in a box (for some reason?? I actually don't know why) Nihil is weirdly sized and not lined up properly. It was odd. The greenscreen was so godawful I was honestly amazed. It's YouTuber comedy sketch levels of greenscreen quality. What the fuck? Especially compared to the amazing performance and how much work is put into their live shows, the horrid effects stood out starkly. Another comment on Nihil: his face is hard to see in some scenes. His ghostly effects make his features kind of blur together sometimes, and sometimes it doesn't, so it clearly wasn't intentional. Just another odd thing. The effect of him getting sucked into his body for his sax performance was very, very bad. I know you had the option to put more time and/or money into the effects, Tobias. Why did you not. What is your problem. Why the fuck would you put out a product of this quality for money and act like it's okay, especially considering the fact that this was marketed as a lore-heavy MOVIE and not just a concert film? If this was a smaller production I would not rag on the effects, but I know for a fact that Tobias has the resources for this to be better, and he chose to not use them. Honestly, it feels disrespectful.

That's the crux of my issues with this movie, really. It was teased as a real movie with real lore and serious effects on the canon of Ghost, and it was none of those things. The lore amounted to Sister Imp dying, which means nothing, because ghosts, and Cardi becoming Frater Imperator at the very end and then the movie ending. It's NOTHING. There's also an end credit scene apparently, which I did not stay to view, because I didn't care and I had been sitting for long enough. Basically, there are ghosts (including Sister Imp, obvi) and then another cliffhanger about meeting the new Papa, and an implication that Cardi has a twin who might be the new Papa. People are freaking out about this possibility. I have no idea why. It really doesn't seem like a big deal at this point when all the Papas have a crazy family situation. A secret twin doesn't even feel like a twist, and it's certainly not enough to count as an addition to the lore when it hasn't even been confirmed. At the risk of sounding rude, fellow Ghost fans, raise your standards. You deserve better.

And that's the crux of my issues with this whole thing. It's mediocre, it's boring, it's absolutely nothing outside of some fun concert footage, and yet it was billed as a must-see film and cost real, actual money to view. If they had been honest about it being a concert movie, I'd have been fine with that! I think they're fun, especially for those of us who can't go to live shows. But we were told it would be more than that, and it wasn't. It feels disrespectful, like Tobias knew he could just put out some slop and people would be okay with it, and it feels even worse because in a way, he was right. Tons of Ghost fans loved this movie, but the more positive reviews I see, the clearer it becomes that they just loved the chance to see the concerts, and love Ghost. Loving Ghost didn't make me love this movie. It just made me disappointed and sad. We could have gotten a great film, but we got something that was low effort because it's obvious that you can take advantage of the fans of something by throwing them crumbs and dressing it up to seem nicer than it is.

I appreciate that individual people on this production put tons of effort into this; the crew, the actors (excluding Tobias) who were clearly doing their best with what they had, and yes, I'm sure even the effects people did what they could with what they had. But all of the parts that were clearly Tobias' call were not high enough quality to be in a movie.

[canyourscienceexplainthis]

Re-watching kinnporsche and bruh Vegas and Kim are playing chess while everyone else is playing strip poker like these guys are strategizing and scheming and everyone else is just getting naked

[b4kuch1n]

The only thing I’ve ever wanted is to have total power over a single life.

[hanakihan]

I’m honestly thinking about Jinwoo and Jinchul in their respective Monarch and AB forms like

A literal Shadow Monarch clad in armor of darkness and void, shadows bending at his will and praise him, a monolith of steadiness and glory of the dead, calm violet eyes watching world living and breathing while wind caresses his long charcoal hair

An embodiment of a God, embraced by light and universe, a presence of beliefs and certainties, gentle feather of unmoving steel watching his creation live on, ethereal gold dancing with carmine as he floats above the sinful earth

People see darkness and light meet, silently encountering each other, staring into each other’s eyes in silent exchange and such ethereal image is broken when supposed God sighs really loudly and tiredly just floating closer to Shadow Monarch just to smack him on back of his head and scold him in classic Jinchul fashion while Jinwoo looks sheepish and tries to escape

Two godly like figures and it’s literally Jinchul and Jinwoo daily interaction LMAO

[moongothic]

I keep on seeing people mention how they want to see another Davy Back Fight during the Final Saga, and while I'm 10000% sure we won't see another Davy Back Fight

Unironically

I think a Davy Back Fight between the Strawhats and Cross Guild could be fucking hysterical

Especially because like. Buggy could totally challenge Luffy intentionally, desperately hoping that either Luffy will save HIM from Crocodile and Mihawk, OR that Luffy ends up taking Croc and Hawk into his crew if he wins

(Sidenote, DBF is normally only about exchanging crewmates and stealing pirate flags, but could you imagine if Buggy could demand to have Luffy's copies of the Road Poneglyphs if he won? Hell, I imagine Buggy could probably get away with innitiating the challenge regardless because once it's on, it's on, and surely his men would be so riled up Croc and Hawk would know there'd be no way to stop it anymore even though Buggy's not the true boss. But just to keep Croc and Hawk from trying to murder him on the spot Buggy could maybe suggest taking the Poneglyph copies as if it were a part of his plan from the begining)

And you know if Buggy challenged Luffy into a DBF Luffy might just accept??? Because it could be fun (in Luffy's mind)??? And it could be kind of on-brand for him to jump in on a challenge like that???

And yes

The idea of Luffy winning against Cross Guild in a DBF, resulting in fucking Mihawk and Sir Crocodile joining the Strawhats would be fucking hysterical man, and that alone makes me kinda want it