#that last part happened

[supertaliart]

Skywalker Siblings Part 3

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[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[entrailseer]

AUGHHHHH FINALLY THE POMNI APPRECIATIVE ARC!!!!

(also gooseworx.... have you been reading my headcanon posts... because)

[thebookofbill]

Studio Bad Egg, the small brand that created the Cipher Cult collection and recent Pines family figures, is considering creating ANOTHER FORD FIGURE. FOR VALENTINE’S DAY. AND HE’S POSSESSED BY BILL

THEY KNOW

I cannot overstate how important this is: IF YOU WANT ONE OF THESE FIGURES, VOTE FOR IT! Studio Bad Egg is a small brand that cannot afford to make things if there isn’t enough interest, and the best way to show interest is by voting! The Instagram poll is linked here.

GET OUT THERE, VOTE, AND SUPPORT THE FIGURE SO WE CAN HAVE BILLFORD MERCH. I NEED THE KARAOKE NIGHT FIGURE (DESIGN C) LIKE I NEED AIR. DO NOT LET ME DOWN

[poorly-drawn-mdzs]

With the end of season two comes a second redraw!

[Nov 2022] [June 2023] [June 2024]

[ed-died688]

Im still grumpy about them not dancing so here you go :]

[nmakii]

the look of love, the rush of blood

— what it means to date nagi seishiro, but not actually date him

yes this all happened sue me writers are thieves. omfg this id os humiliating to acc write down why is my life like this guys. btw can u guys like… gen tell me what u think ab this dynamic in comments i have to know im so bad at relationships

dating nagi seishiro, but not actually dating him means staying up until 2 AM together. it’s finals week, and you’re supposed to be studying. but nagi wanted to play dress to impress with you, and promised he’d help you study after 5 or so rounds.

dating nagi seishiro, but not actually dating him means everyone at school thinking you’re dating. even reo asked if you have feelings for him, and when you insistently said no, he replied, “alright, alright..! just trying to make sure nagi doesn’t end up hurt.” so that nagi doesn’t end up hurt? what does that even mean?

dating nagi seishiro, but not actually dating him means starting volleyball together. you always meant to pick up a sport sooner or later, but you were too old. it’ll be embarrassing to pick one up this late! you told nagi about this, and he said, “i mean… it’s a lot less running than in football, so maybe i’ll try it out with you?”

dating nagi seishiro, but not actually dating him means him watching your favorite anime for you. nagi always said that it wasn’t his type of show, you never really expected him to actually watch it. but one day you get a message— “finished s1, but i cant find s2… not on netflix? :x” from then on, he practically enabled you to keep ranting about the show, and he even got a little shocked when you had told him a fake spoiler.

dating nagi seishiro, but not actually dating him means him insisting to pay him back, but not actually doing anything about it. occasionally, when nagi isn’t too tired, the two of you meet up for breakfast in the morning. he lives closer to school, so he usually always gets there earlier. you always ask him to buy your order and he agrees, only on the condition you pay him back. you always pay him back with baked goods, and he always eats them up. and, he still insists he wants his cash back! you’ve given him cookies and brownies worth more than 3 orders of pancakes, you’re starting to wonder if he just likes your baking.

dating nagi seishiro, but not actually dating him means hanging out after school. nagi trains a lot. he has to, apparently, in order to become the best striker in the world. but, it doesn’t mean he likes it. if he had it his way, he’d walk to the mall with you and share a cup noodle everyday after school. he’d love to just sit around the convenience store with you for forever— or at least until he wanted to go home. but unfortunately, that time is only limited to an hour before club training starts.

dating nagi seishiro, but not actually dating him means telling him about all the people you don’t like. nagi’s a pacifist. he likes to think that he’s a very peaceful and chill guy. there isn’t many people he actually hates. but apparently, you do. you tell him almost every week about at least one person who did you wrong, or a guy who keeps harassing you— it almost makes nagi think, ‘is it actually possible for one person to get harassed this much?’. nonetheless, he still listens and internally rolls his eyes when he sees one of the people you’ve mentioned.

dating nagi seishiro, but not actually dating him means him ditching his hang out to go with you. blue lock just won against the japan U20 team. no one thought they could make it. and as a reward, anri decided that they deserve some free time to themselves in the outside world. isagi had invited nagi, chigiri, bachira, and some others to hang out with him. but because he overslept, he just decided not to go… instead he went to your house. “hey, let’s go to an arcade today?” he asked. the two of you headed into your favorite arcade somewhere in shibuya and since he was so near the café he was gonna originally meet isagi at, he did intend to say hi… but that plan sort of went out the window.

“nagi… let me win for once, would ya?” you grumbled. “but, i’ve already got 15 wins, i don’t wanna lose…” he hums in return. and when he finally K.O.’s your character, you hear a loud gruff voice.

“hey, you pain-in-the-ass gamer prince!” it calls out. and by the disgruntled look on his face, it seems nagi already knows who it is. “yer gonna lose yer friends, ya jerk!” the voice suddenly runs in behind nagi and grabs him by the neck. you recognize that face, it was the #6 of last night’s game! “caught him red-handed!” reo laughs.

you’re suddenly a bit shy surrounded by all these new people, not to mention the fact that they’re basically mini-celebrities. “oh? who’s this one you’re hanging out with?” the boy in the beanie asks, walking up to you. you’re suddenly intimidated by the aura that surrounds him. “…wanna see some ninja arts?” he asks.

you’re tempted to say yes, you’ve never seen a ninja before. the choice is taken though when that aforementioned #6 and a boy with pink hair in an updo bun (he looks like a girl, but you’re sure he’s a guy since he was in last night’s game…) yell at him. “don’t go doin’ yer stupid seducing tricks, moron!”

ignoring all of that, nagi finally answered, “…this is s/o, my friend.” isagi nods, and reo almost looks like he wants to scoff at the title, ‘friend’. “so you ditched isagi to hang out with s/o? way to choose your priorities, nagi..!” reo laughs. “well, i haven’t seen s/o in weeks… and i’ve been seeing all of you too much…” he mumbles.

most of them look rightfully offended, most especially isagi, the boy with pink hair, and another boy with a brown and yellow bob cut. the three of them drag nagi over to the dart board as the boy with the bob hums, “let’s party! nya haaa! ♪”

reo grins and encourages you to follow the group, “c’mon, let’s hang! i know nagi especially will be really glad to have you along!” nagi would be glad? …pushing those thoughts aside, you agree to join them. “yeah… sure, i’ll join.”

[peach-sea]

Cringetober Day 1. Screenshot Redraw

inspired by this early eah scene where raven "lets her bad side out" playing guitar and my cousin and I go "apple's probably losing it" and then they cut to her and she's making this face ↓

[egophiliac]

the lovers, reversed

(aka I'm still freaking out about Jou)

[cubbihue]

A common misconception about Fairy Crowns is that it indicates the emotions a Fairy has. This is not true. A Fairy's Crown is purely an indication of their magical energy, as magic is directly connected to their health.

A crown losing its form is an indication that the flow of their magic is fluctuating, which humans often mistaken it as high emotions. Humans should be wary of Fairies with visible fluctuating magic, as it can mean that they are about to impulsively use magic in an erratic or dangerous manner.

Thankfully, crowns cannot do direct harm to others, and Fairies cannot do magic without a wand! Take their wand, and they won't do you harm!!

Bitties Series: [Start] > [Previous] > [Next]

Instability: [Start] > [Previous] > [Next]

[jennalouisecolemans]

just some doctor/clara: [17/∞] very platonic twelve/clara (part 2) / (part 1)

[dansemacabre]

i’ve been thinking about “sixer, it would eat you alive” since i read it and. man. every layer you peel back makes it worse. im not a bill apologist but. shit

if you (1) take it at face value, it paints bill as an apologetic murderer in his single (and maybe sole) open moment of regret. he doesn’t let his walls down often- only with ford do we even get to see the remnant of his galaxy, see the “actual remorse” ford describes, get just a hint of his origins. but he does it, because he thinks ford should know.

if you (2) take it from ford’s point of view, as something he committed to journal three, like. wow. imagine being so committed to a being that you’d hunt down and kill the monster that destroyed his home, only to (assumably) figure out later that that being was the monster. the small moments of trust, the “good times”, are so key to manipulation. how long did ford hold onto that one shred of vulnerability? no wonder ford stayed for as long as he did. in his eyes, bill was a survivor. ford wanted to survive too.

(slight tw below for unreality- any time i mention our reality, i mean “our reality” as a narrative device used in the book of bill as a proxy for the idea of bill being in our reality, since he can’t actually be in our reality. all of this is a fictional theory about a show/book with fictional contents!)

but if you (3) remember that “even his lies are lies” and absolutely Nothing bill says should be trusted. Whoo boy. if i read tbob right the book itself is being created in the theraprism (even tho it shows up with the ciphertologists at some point? idk that’s a whole other post). it’s meant to show what the reader wants to see; it manifests in our reality as what the collective fandom wants to see. so if we want to see truth, if we want to see where bill ended up and who he actually is, there’s a non-zero chance that the whole interaction was a complete fabrication.

imagine bill, stuck in the actively harmful, probably earth-illegal theraprism, once again being forced to be “fixed” and molded into something more palatable, being forced to conform no matter how much it hurts. (i know natural uncontrollable mutation ≠ just so much murder and destruction and chaos, but. you can’t ignore the similarities. bill has obviously been thinking about those silly straws.)

he looks back on everything that went wrong, back on his relationship with ford, back through every dimension where he wins. would that one moment, that one truth amid centuries of lies, have saved him from purgatory? if he had just been open? shown his damage? maybe he did think of his parents, or his henchmaniacs (especially the oracle). people who he might have once opened up to. maybe he just wanted to open up to someone again.

so in his own weird way, stuck in a cell, he reshaped reality again. in this reality, for this fleeting moment, he had been someone worth believing. and ford had listened, hell, ford had wanted to help. looking back, knowing how he treated ford, knowing how ford ended up because of it, maybe bill would have said the most honest thing he’d ever told ford: i am the monster, i am not worth your time or belief, and i will eat you alive.

[pan-of-justice]

Mitternacht is like

The definition of waiting

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[cochineal-leviat]

The morning after

Part 1

I have to be honest; I did not expect how much people would love the fic and comic I made. I am still flabbergasted at how many people commented on the fic and left me such lovely tags and remarks here on tumblr. Thank you so much for all of that. They really made my week last week. I was walking on sunshine throughout it all.

I was going to leave the comic as is, but all the support and adoration fired me up, so I decided to continue the comic ^_^.

I based the table spread on what is typical around my area and then added grapes and an apple because Siffrin was not getting any good nutrients from what was on his plate.

It is unsurprising who my favourite character is, seeing how much I drew Odile in these two pages. Also, I did not mean for Odile to look like the Grinch at the bottom of page 1, but it just kind of sort of happened, and then it was too funny to erase it. Happy accidents and all.

The comic pages without the text is under keep reading

No coloured version this time because the colours I used initially don't look that good. Dude, I love Odile so much. I am pleased with how she turned out.

[aangarchy]

I just saw a post from someone saying "zuko obviously never wanted to be firelord" and.... did we watch the same show?

Like at this point i've gotten used to people grossly misunderstanding the show's characters (mainly aang and katara) but i've never seen it happen so blatantly, and to ZUKO of all characters.

Zuko, the guy that asked his uncle to let him into the war meeting when he was only 13 because "he'll be firelord one day" and he wants to learn as quick as possible. Zuko, the guy that interrupted said war meeting also at age 13 because even that young he already felt a massive responsibility for his nation and the people in it, and he couldn't just stand by as these generals were planning on killing them. Zuko, who at age 13 BEGGED his father not to punish him, because he only had the Fire Nation's best interest at heart.

Zuko, who despite what his father did to him, still traveled to the world's most desolate places for a chance of getting his honor, his family and his throne back. Zuko, who at age 16, looked his father in the eye and told him he was going to free his people, and the whole world of his tyranny. Zuko, who at age 16, said he wasn't betraying his nation by joining the Avatar, he's saving it. Zuko, the teenager with so much love for his nation that he questioned his own uncle when he suggested Zuko should be firelord, because he didn't feel like he deserved it, because his people deserve a leader that hasn't made as many mistakes as Zuko.

And you're telling me you think this kid never wanted to be firelord? What version of atla have you watched, genuinely?