#that it ended up creating this environment of having to do

[unb1nding-t-b0y]

The gendered prison system we have developed is truly horrifying as a trans man. Growing up little girls terrorized me for essentially being a little girl wrong. I have no doubts that in a women's prison I'd be unsafe. At best ignored at worst I end up dead because a group of women decides my presence is annoying to them. In mens prison as a man with a vagina I likely wouldn't survive very long. As a disabled person I could easily lose my life in prison due to negligence. For able bodied cis gendered people prison is a scary and dangerous place to be. For the disabled, for trans people, and for intersex people it is often a death sentence. By separating our prisoners by gender and stripping them of humane treatment we have created a dangerous place that perpetuates mob mentality and us vs them. When these people are released the mentality doesn't go away it spreads. Prisons as they are need to be put to rest for good. People deserve privacy, fair treatment, and safe environments regardless of what they have done. Execution is kinder than the system we have designed. If you want to kill me for breaking the rules just do it, don't sentence other prisoners to do your dirty work.

I think it’s normal to be afraid of jail especially for trans men who are disabled or not white or are mentally ill. to casually joke about “what happened to be gay do crimes” to a population whose mortality is threatened by the prospect of jail is deeply cruel and deranged behavior.

[multidimensionalguidance]

Love Reading: Pick-A-Card

1 2 3

Think of your current romantic life, be it a specific person or in general if you are single. Then, intuitively choose from left to right the picture that calls you the most.

I'll be sharing below your current love situation, information about your future spouse, and details of the relationship as well!

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Testimonials

Tips

Picture 1

General: six of pentacles, five of swords, judgment

Currently, you're realizing key aspects behind the importance of reciprocity, balance, and a healthy approach to conflict within relationships. It might be that in the past you were dealing with individuals who were generous from a financial perspective, but that had hidden intentions behind their action or heavy control issues. You might have been taken advantage of your generosity in some way. Genuine kindness comes from a place of enjoying the act of giving service/help to others, but we end up self sabotaging by creating false expectations or idealizing someone. Due to this occurring, your love life is currently undergoing a complete renewal, transformation, and process of "depuration" so to speak. You're reaching a milestone of lessons that hadn't been integrated properly until now and finally closing chapters on behaviors that you will no longer tolerate from others or even yourself. Stay open to being generous with your time and affection if you want to meet someone new, so long they do check all the right boxes, of course. Avoid trying to win at all cost or being argumentative, and put a pause on being overly critical of every little thing you don't like right off the bat.

Future Spouse: knight of swords, nine of swords, the lovers

Your fs definitely has air signs (Gemini, Libra, Aquarius) in their astrology chart, specially Gemini. They are direct, assertive, talkative, quick witted, brave, and sometimes impatient or impulsive. Someone who embodies a "hero" or soldier sort of energy. Definitely not scared of taking risks or going head to head with someone who's crossing a line. They might be someone who struggles with anxiety, negative thoughts, insomnia, or simply gets carried away easily by mental stress. Can they handle it well to the point of it not being too noticeable? absolutely, but when they are alone all it slips out like a storm. There's a good possibility that a lot of these feelings come from uncertainty in relationships or previous wounds. They are a romantic at heart and probably yearn for a relationship that feels pure and filled with good intentions. If you want a soul mate connection, then guess what? that's exactly what they want as well. They are also the type to LOVE celebrations of all kind and will show you how to have a good time. Socializing and enjoying environments that foster gatherings to have fun or share happiness will be very important to them. Overall, they are someone who truly wants to develop a partnership with the perfect amount of romance, desire, and sexual connection.

Relationship with Future Spouse: comfort, strength, creativity

You will both learn and experience situations of having more comforts, self care, and nourishment into your life. Both will indulge and enjoy relaxing at home, having a nice meal, wearing a face mask, and watching silly fun movie/shows. There will also be a need for cultivating resilience over any obstacles that might appear within the relationship. You will both become very mentally and emotionally strong together. You become a joint pillar that will create the foundation of a long lasting union. Is that all? Nope. You will both also engage in many creative pursuits and acts as well. Overall, there's a lot of beautiful experiences that will show you both how it feels to be properly supported, nurtured, and cared for in a relationship.

Picture 2

General: eight of swords rx, the star, the lovers

Anxiety, fear, and a bit of insecurity might have been moving in the background and inviting instability or misconceptions in the romantic department lately. This could be from whoever you're thinking, dealing with, or even from you. A lot is coming to light and you're being guided to hold your horses before setting anything in stone because you might not have all the cards at hand. You or someone else might be self sabotaging by ignoring their intuition. Now, there's a bright burning light of hope literally around the corner, so stop stressing, pleease. Even if things might have felt cloudy or foggy for a while, you're finally escaping and finding release from it. Whatever were the shackles that had you feeling trapped and with a lot of mental anguish are dissipating. You are ready to let go of any baggage from previous relationships, and choosing to have a more positive and hopeful outlook with a clear consciousness. There will be healing and progress coming your way, along with the possibility of rekindling a relationship that felt completely lost. There's a partnership showing up as a soulmate or ideal connection, and it's coming towards you after the shackles of what no longer serves you are left behind for good. There will be plenty of romance and attraction coming your way, so be ready for it. This is truly something you've been patiently waiting for. It required you putting efforts, and it’s already flourishing into your desired results and rewards.

Future Spouse: five of swords, five of pentacles, six of swords

This feels strongly like someone you already know or have some story with, yeah I know, that's not always what we want to read but I'm being dutifully honest. This person feels defeated, practically throwing a white flag at this moment. Although there's an underlaying energy of conflict, stress, and desire to fight back, the feeling of being left out the cold and being broken up or separated is doing a number within them. They want to heal, change, and overcome the situation to move towards a better space. In a negative aspect, they are prone of running away sometimes when things get overwhelming, meaning being avoidant. If this is not someone from the past at all, then you'll meet them after they' are in the process or transition of moving away (alike you) from a conflictive and difficult situation in love. They might appear tense or have a cold aura, as if they are ready to fight opposition at all times. An all or nothing mentality that could lead them into unnecessary conflict if left unchecked. They will understand what it requires to have the strength to fight and survive situations of struggle, rejection, feeling left out, or being financially ruined. They are resilient and know when to move forward to find peace and calmer waters. In either cases, if its a past spark or new flame, this person is probably coming from a different country or will have to do a journey/travel overseas to meet with you.

Relationship with Future Spouse: surrender, cleanse, magic

You will both learn and witness situation that will teach you to let go and stop forcing things to go in a certain way. This is of course an uncomfortable process, it hurts the ego, but ultimately leads us to feeling free from restraints. There will also be a lot of cleansing your energy and life that will occur when together, almost as if it was a necessary ritual to maintain balance. You will both feel that magical spark, and notice how easy things manifest next to each other. It's a very spiritual bond that connects the both of you, and there's an awareness of needing occult knowledge in order to elevate the relationship.

Picture 3

General: ten of wands, seven of cups, knight of cups

There seems to be a feeling of being restricted or hopeless about your love life at the moment or not that long ago. You have carried a heavy weight from dating or damaging relationships of the past. The types that initially felt too good to be true, and then made you realize with time that they were indeed too good to be true, somewhat illusory. Perhaps you've been busy with other aspects of your life, so romance wasn't on the top of your priorities, but not an aspect that was much better in comparison. Either way, major endings and closures are coming your way. There will be plenty of options within your selection and this might lead you to feeling unsure of which one is truly the best. You're being advised to meditate, trust your intuition, and not allow wishful thinking to cloud your judgement. They are likely to act as prince charming's, so be mindful of not being swept only by attraction and becoming blinded of their intentions. Either way, you will be feeling a strong soulmate energy, and this has a high likelihood of bringing a lot of emotional fulfillment. You will make the right choice no matter what happens, so just enjoy the ride.

Future Spouse: ace of pentacles, the fool, seven of pentacles

There's a fire sign energy surrounding this individual (Aries, Leo, Sagittarius) with a mix of earth (Taurus, Virgo, Capricorn) placements. They are grounded, practical, and someone who manifests material abundance rather easily. Most definitely good at handling money and very career oriented. This feels like a new person who embodies a free spirited, open minded, curious, and positive energy. They will have a certain youthful spark in their eyes regardless of age. Now, despite the care free energy they can be calm and composed when needed. Your spouse will be patient with you and successful overall. They will work frequently and take risks occasionally when it comes to investments or projects. The type of person to put the effort, take their time, and casually reap their hard work. They also have an undeniable attractiveness, are charismatic, and often find themselves in the need of making important choices from the heart.

Relationship with Future Spouse: love, ideation, anxiety

You will both enjoy plenty of love and heartfelt moments within this connection so abundantly that you will feel keen to sharing it with others (family, friends, etc). There will also be plenty ideas and new projects that you will both create together, including creative endeavors. On the contrast of all of this, there will also be moments of anxiousness or being worried about how things will develop together. It might be that you both are keen to writing a script on how you'd like things to go and then feel overwhelmed when things don't go that exact way. Together you'll learn how to overcome these feelings and focus on the present instead.

[bandzboy]

very much this... cr.

[confusedshades]

I'd like to raise a point here. In the changed timeline, each of those changes would have further ripple effects, right?

So you've got Joker dead. Which means that for once the people of Gotham can breathe a sigh of (less polluted air now that things were finally turning around) relief. Yes Two Face, Penguin, etc. are still around, but Joker is gone. Even the Rogues didn't enjoy it when he got out and tried staying out of way. So everyone is relieved when Joker's dead. The worst is gone. Harley is obvious extremely distressed and needs to be incarcerated for a bit. Eventually between the lack of the constant back and forth with Joker, with actual help in Arkham* and support from Selina and Ivy she starts leveling out. Eventually she gets much better and starts a niche practice with rogues and retired capes with a focus on helping them deal with things they've experienced and done.

A lot of the Rogues enter into uneasy truces of sorts. Pamela Isley gets to oversee a lot of the green revolution of Gotham and a say in the chemical clean up in the wake of disasters. Edward Nygma is given the opportunity to create escape rooms and design toys. Henry Dent gets admitted into anlong term care program with surgical and psychiatric help to help him return to normal. Harleen Quinzel's practice is extremely niche.

RH and DP clean out Gotham. They go after Rogues, they go after institutions where people are hoarding power and money instead of helping the people they've been elected to, and they go after the rich elite. The result of all this? There's a sudden influx of new people in positions all over. New Mayor, new lawyers, new defense attorneys, new cops, new detectives, new social workers, new health inspectors, new doctors, psychiatrists*, etc.

Yes, Arkham is one of those places that basically gets 75-80% of it's employees replaced. The new people working there are actually motivated to change things and with others around who are driven to do the same are actually able to drive change in policies and procedures.

The sudden drop in criminals and rogues who pull others into crime because it gives them power (like Black Mask and Joker) in addition to the new opportunities for hiring meant a lot of people no longer had to rely on crime to make ends meet, were able to get jobs they'd wanted and were qualified for, and in an environment where pushing for better changes is not only the norm but encouraged. So things were looking up from all sides.

The letters in green signed by DP also brought closure and started the healing from the years old grief and anger. That kind of fed into the emotional changes that were going on in Gotham. Danny had found the old Lazarus Pit under Gotham and started purifying it which somehow was feeding the various curses that were laid on the city and inadvertently affecting the weather. (There's a reason none of the magic users like going to Gotham.)

A lot of the crime that's now normal for Gotham is the usual hold ups, robberies etc. that the police can handle. That's not to say there weren't crimes committed by organised crime and Rogues but those were on a steady decline.

Which means Jason gets to start playing ALL kinds of tricks on Batman.

Glitter bombs. Paint bombs. (In the Batmobile, in unexpected places, on top of buildings, you name it)

Danny was the one to come up with the whole ridiculous photos of Batman on patrol sent to news and social media. (Batman's expression just after a glitter bomb went off. Tripping off a building because of the cape. Slipping off a slanting roof on winter nights.)

The poll that went up comparing Bruce vs Batman and who had more ridiculous shenanigans was not any of their ideas but neither Jason nor Danny were about to turn down serendipity.

Dead on Main time travel with a mom Danny twist.

Jason calls in a favor from someone on the justice league dark team for help with a case that got magical. the person sends him Danny. it goes well. they're both working very professionally. something happens and they end up back in time in their younger bodies.

Both of them are in the same city that they were working the case on. They are far away from home but Jason is 15 a few months before he finds out about his bio mom and Danny at this time is incubating Dan and Ellie's cores.

Neither of them quite realize the repercussions of what's Happening. The two of them team up to try and get back home. What the two of them don't realize is Danny's friends and family have no idea where he is though they are less worried than the bat family who fully believe Jason is kidnapped.

The two of them go on adventure trying to dodge any local heroes or villains. Eventually the two of them are able to get into contact with Clockwork and Clockwork tells them that they have altered this timeline too much for them to go back. 

The two of them angst about that until they have to get forced out of that because they run into a local hero. I want to say one of the Titans that work with Nightwing because then they recognize Jason but have no reason to know that he's missing.

the two of them then realize that because they're in their younger bodies everyone has no idea where they are. This is when Danny realizes that at that age he is incubating Dan and Ellie which makes him try to split off from Jason.

As Danny's trying to figure out a way to tell Jason what's going on Jason realizes that Danny is getting really sick or at least he thinks is really sick. He's getting tired more easily than before and keeps throwing up. Jason originally thought it was due to stress of the situation but it becomes more and more clear that it is not. They end up having a confrontation which leads to Danny telling him that they are basically pregnant. 

Jason tells Danny that they are not leaving them, especially not after everything that happened. The two of them decide together where to go. The two of them end up deciding the only places that they can go are Amity park or Gotham because of the ambient ectoplasm.

They can go to Amity Park except last time Danny was there it was a bad Fenton parents reveal which led to both Dan and Ellie dead with jazz wheelchair bound as well as Sam and Tucker in comas.

 Or

they could go to Gotham except Jason is probably presumed missing. Having Wayne and bat family connection is probably best for them except for Jason having a falling out in the last timeline as well as knowing that he is supposed to be dead in a few weeks. Jason knows that his death is a major turning point for his family as well as many other things in the timeline.

[bitchthefuck1]

That one chef saying that the worst thing about a bad boss is how they unlock that behavior in you and seeing Carmy mirror the attitude of the chef that terrorized him and gave him panic attacks and then ending the season with Syd having a panic attack because of the stress of working with Carmy...diabolical.

[stagefoureddiediaz]

Something something about how all of Eddie’s traumas - well, shooting and now campervan have lead to him being out of contact/ unable to talk properly or at all to the 118, but to buck specifically and in increasingly limited degrees. Next to zero contact in the well and none directly with buck except cutting his line ( it’s always bobby or Chim on the radio to him). Then the shooting - he’s in and out of consciousness and can only check buck isn’t hurt. Now he’s on the radio - the line is open but words are laboured and difficult but there are more of them.

Something something about Eddie needing to talk - to use his words and how he didn’t after the well / he changed his will, but didn’t verbalise it. After the shooting he did have some of the words - he told Buck about said will - because he knew he needed to find them. And now in a season where he’s been playing word games against time and we’ve seen him being more verbal - what are we going to get

[ferociouslycreativemystery]

Me: I'm fine about my autism now btw, like I've come to terms with my fixated interests, limited tolerances and social inabilities. The alienation it brings is not ideal but it's just a reality I've gotta deal with now that I know it's just a part of who I am. I mean, it's not like an awkward conversation is gonna ruin anyone's life, is it? We'll both move on from it eventually. This is fine!

Also me: physically unable to watch beyond the first word of the first question of The Assembly because oh my god what if someone says something awkward or controversial or someone can't make themselves understood people are gonna get mad and scream about it online and I will freeze up and be stuck in the backlash forever I don't know how to handle conflict AT ALL let's just hide in the corner behind the sofa instead wait what if I became a hermit actually yeah yeah yeah that sounds good let's do that

[screamingay]

does anyone else think it's bullshit that i keep getting scheduled for 8 hour 11-7 shifts instead of my usual 7 hour 7-2 and i don't even get paid for the full extra hour because the evening shift workers ALWAYS leave like a half hour early?? im never allowed to leave early on 7-2s in fact i usually end up leaving kinda late bc they're always saying we have to finish everything before we leave. but the evening shift never finishes everything before they leave!! every time i come in for a 7-2 i find so much shit unfinished bc the fucking 4 or 5 hour 2/3-7 shift people don't even bother staying until 7 to finish up and apparently management is fine with this?? and whenever i'm there until 7 they pressure everyone to close up by 6:30 so they can go home sooner but i dont fucking care abt that! they automatically take a half hour unpaid lunch out of my timesheet anyway so that plus the leaving early means i don't even get paid much more than i would on my usual shift. and the 11-7 is the worst shift too they keep putting more responsibilities on that one person which somehow also makes it harder for everyone else bc the 11-7 cant help as much. cant fucking wait to hit my one year there so i can finally job hunt again and hopefully find a place that at least gives me time to sit down and eat lunch while im not getting paid. smh

[alexanderwales]

This is a water-seal stoneware crock. The design is ancient.

It is, essentially, a large ceramic vessel that you put vegetables and sometimes brine into. To prevent spoilage, you place those ceramic weights on top of whatever food is in the crock, and that keeps them weighted down, below the level of the water. Because fermentation creates gases, most crocks have a "water groove" in them. The lid sits in the groove, which allows air to escape but not come in. Because fermentation creates gas, the interior of the crock is positive-pressure, and because the gas created is almost entirely carbon dioxide, it's a low-oxygen environment that additionally helps prevent spoilage.

And all this would be pointless without lactobacillus, the bacteria that chomp down on the vegetables you put into the crock. They're anaerobic, which means totally fine without oxygen, and they produce an environment that's inhospitable to most other organisms. The main things they produce are CO2, which means no oxygen for other bacteria, and lactic acid, which makes the fermented thing sour and also decreases the pH low enough that many other bacteria cannot survive. They tolerate high levels of salt, which kill yet more competitor bacteria. It ends up being a really really good way to keep food from going off.

Our ancestors figured this out thousands of years ago without knowing what bacteria were. This general ceramic design has been in use around the world in virtually every place that had ceramics, salt, and too much cabbage or cucumbers that was going to rot if they didn't do something about it. It's thousands of years old, so old that it gets hard to interpret the evidence of the ceramics.

And I have crocks like this in my kitchen, where I make my own ferments, and I always think about how beautiful and elegant it all is, and how this was probably invented hundreds of times as people converged on something that Just Works.

(I do have pH testing strips though.)

[intersex-support]

Help an intersex family in Gaza!

Hi everyone. I'd like to share about a fundraiser that is very important to me. A good friend of mine is in contact with the organizers.

(Described in alt).

Their story:

"Hello, my name is Abeer. I'm organizing this fundraising campaign from Belgium on behalf of my family, who currently live in Gaza. 

Since October 7, all families in Gaza have been subjected to genocide. My family is one of those families that has had to flee its own home several times because of the threat of regular attacks. 

After two months, my family decided to return home and take the risk of being bombed at any moment rather than stay in the street. Our 4-floor building now contains over 100 people who have fled from different parts of Gaza. We always open our hearts for our own people, but we can't do it without your help and support. 

My parents, Kamal (53) and Moukaram (51), are suffering from the war because of their age and health. My brother Suliman, his wife Rawan Abualnaja and their two-year-old daughter Bisan are trying to stay strong, but it's complicated by their little daughter's enormous needs. My other siblings who are not married are Mohammed 25, Inas 22, Ibrahim 17, Abdallah 15.

My family medical condition during the war:

My father suffers from delusional disorders. He can't work or help my family financially. Mohammed and Ibrahim suffer from a chronic disease, congenital adrenal hyperplasia. It is difficult for them to obtain medication in Gaza. One of their medicines has not been available in Gaza for two years. During the war, they couldn't get their medicines because they simply didn't exist anymore. My family members are still suffering. They don't want to be potential victims. They want to escape death and live like other families on the planet.

 On 01/01/2024, they attacked the local mosque and the missile failed to explode and ended up in front of my family's house. My family is in danger and the missile will explode any second.

Since then, my family has decided to be evacuated from Gaza because of the senseless attack on our city. Please help me evacuate my family to Egypt so that they can rebuild their lives in peace.

I've been in Belgium for over five years. I feel useless because I haven't been able to do much except try to help them with their daily living expenses. That's why we created this campaign. We're raising funds to evacuate my family to Egypt, a place that offers a glimmer of hope and stability. However, the cost of the evacuation is high, hence our call for crowdfunding.

Every contribution makes a difference The funds we raise will be used for :

- Evacuation from Gaza for both families (Rafah border crossing fees for 9 people total)  - Two months of temporary living expenses in Egypt, including food, shelter, and transportation  - Passport fees  - Food expences untill they leave Gaza 

No matter how small your contribution, it can make all the difference in breaking the cycle of violence and uncertainty. By supporting our campaign, you are offering a lifeline to our families so that they can rebuild their lives, heal from their trauma and make a fresh start in a safe and secure environment. Please leave a comment and share our campaign with your friends, so we can reach more people and make a bigger impact. Together, we can make a difference!"

They are using a French platform called Papayoux Solidarite instead of GoFundMe. Abeer also has a Paypal account for non European donors.

They are currently at 33 588,78 €/ 50,000 €.

Let's see if we can get them to 34,000 today. Any donation matters, even $1 or $2 donations can add up.

We need to help them meet their goal. Intersex liberation means intersex liberation everywhere--it is so important that we show up in solidarity. Those of us living with CAH know how dangerous salt wasting crises are without medication, and how important it is to urgently help Mohammed and Ibrahim get access to the medications they need to support their CAH. Intersex solidarity means that we need to show up and support intersex people facing genocide.

If you can't donate, please share. Consider doing an art raffle to raise money. Do whatever you can to help this family because it is urgent, and we need to act in solidarity with them now and make sure that the intersex community is here to support them!

[typicalcommondandelion]

Haiii guys the animation is finished. Do you ever think about these two. Because I sure do

[jakei95]

This will be the last update about the accusations against Nyx and me from last year and recent months.

VERSION EN ESPAÑOL:

I cannot force everyone to forgive or believe us, but I would like to provide a closure from our part on the events following Hopeless Peaches' false accusations last year, and a few more that have been reappearing this year, once more.

In recent months, we resumed communication with CrystalFlame, one of the victims of the Glitchtale server. Crystal acknowledged that the accusations against us for allegedly being sexual towards minors and bribing her to remain silent about our "crimes" were entirely fabricated by these people. It was never our intention to hide our past mistakes with money. The separate donations Nyx and I gave to Crystal were solely intended to help her.

Regarding the conversations on Skype in 2017, neither Nyx nor I ever forced the minors present to engage in sexual behavior for our entertainment, nor did we sexualize them in any way. There were inappropriate conversations between adults, in which they should not have been involved, and we recognize our mistake in being negligent and not caring enough about them. I must admit that Veir also disgusted me, and I reacted foolishly by not confronting him or by saying things he liked just to make him leave me alone. I deeply regret this. Although we have apologized to Crystal for this, I also want to apologize to the minors who were there, even if they don't want to know about this anymore, and to the entire community for this huge mistake. Since Nyx and I stopped using that chat short after our irl meeting that same year, plus our detachment to the members of GT, we have changed our views significantly both in public and in private, creating a healthy community for everyone. I will add more details later regarding my experiences with NSFW material, for which I have also been accused of being a depraved person.

I disagree with how Nyx tried to explain how these behaviors were so normalized, but he never intended to endorse the toxicity and unpunished crimes occurring in Latin culture. Nyx acknowledges this, and we discussed it again privately with Crystal. We apologize once more to our Latin members who might have been offended by this take, which could have been better explained. Nyx and I said a lot of things out of fear and frustration, which caused more harm and distress rather than solutions due to the explosive harassment we faced because of the false accusations by Hopeless Peaches and their group. I won't go into too many details because I have chosen to keep my mental health private, but this wave of harassment severely impacted my mental and physical health, and I am currently undergoing treatment to manage the aftermath.

However, I want to take full responsibility for causing Nyx to act out of emotion rather than with a clear mind in a desperate attempt to protect me, as Crystal ended up in a very complicated situation during the harassment wave created by Peaches, making her believe that our lives were in her hands and dependent on her choices. This was not only inappropriate but also unfair, considering Crystal was going through a lot at that time. Nyx and I poorly worded many things both publicly and privately. We should never have let our emotions take over while trying to defend ourselves. We could have handled the situation more maturely. None of these mistakes will be repeated ever again. Crystal has also admitted her mistakes. Many things would have taken a different path if dialogue had been the first option instead of public statements, but both sides have learned a lot.

With all this, I don't want to hear anything about Glitchtale, its creator, or its still-active members. Nor do I want to hear about Hopeless Peaches or their community, or what's left of it. My purpose on the internet is to entertain people with my art, and on the rare occasions I interact publicly, to maintain a calm and healthy environment, as I have been doing for years. My boundaries with fans are very strict and defined. It may sound ambitious or silly to many, but for a long time, I have wanted to make a difference and show that not all artists with a large audience are people who hide dark secrets and seek to harm others. I just want to tell stories and brighten people's days.

People have become used to seeing random individuals or public figures being exposed daily for horrible acts and behavior, which is very depressing. However, when those accusations are false, it is sometimes too late to undo the damage. No one likes to be pointed at and accused of something they didn't commit, especially when those accusations are serious, like harming another human being.

Some people today are confused and believe that I am actually Camila, and that Nyx is Veir, that my husband has been dating minors despite us being married, and that I defended my "pedophile" partner and protected other groomers. People are not only mistaking us for other individuals, but we also don't have anything to do with that other than the 2017 Skype chats. We have been put in some sort of black list from parts of the fandom due to misinformation or because some people seek an excuse to justify their dislike for us by wishing we had harmed real children. This is sickening, sickeing and frustrating if you actually think about the victims not only in fandoms but everywhere. So, please, I beg you to distinguish between names and what has actually happened. Even if you don't like us, don't seek or wish for us to be monsters just to feel proud of yourselves.

I feel I could regain some peace in my heart by having the opportunity to talk to Crystal about all what happened and ending in good terms. This should be the end of the whole controversy regarding the Skype Chat and the GT Server.

Now I would also like to take the opportunity to talk about other accusations still aimed at me to this day, which I once explained on a Twitter thread that was eventually deleted due to unnecesary arguments between fans. I'm being accused of being a horrible and irredeemable person for drawing a comic in my early years in the fandom that insinuated a non-consensual act between Cross and Dream.

Before any explanation, I want to emphasize that I still feel immense regret and shame for creating that nsfw comic, even if I didn't feel comfortable doing so, I still made the decision as an adult and shouldn't have done it in a space where there were minors and people who might find that material triggering. Even though it happened many years ago, it was not right, and I will apologize as many times as necessary.

I haven't had any contact with the creator of Dreamtale since 2017, so I'm unaware of her current viewpoint about this topic in general, but one thing is certain: both of us don't want to be associated with that ship between our characters and want to move on. We want it as far away from us as possible. I don't want anybody to harass her over this situation.

During that time, I was in an unstable relationship with the creator of Dreamtale, with whom I used to roleplay privately. This, along with being pressured to make the ship "canon", led me to create the comics for that ship. Among them was the infamous scene for which I'm accused of supporting rape. This content and private interactions reached a point where the entire situation made me uncomfortable, along with the toxic attitudes in our relationship, I ended up closing the blog, though not before writing a summary of what would happen next in the story -that didn't have any other sexual moments, to clarify-, simply a closure for those who enjoyed the comic. Not long after, we broke up.

After this experience, I began to realize that any NSFW content, both fictional and real, made me very uncomfortable. This is connected to future members of the fandom, like Veir, who tried to sexualize me, and later, ex-friends whom I wanted to please for their support during my growth as a content creator by drawing them private NSFW commissions. I ignored my discomfort, believing I was doing the right thing and that I could trust them, but what happened later finally made me understand that I personally cannot tolerate any of this content.

This group of people shared these private commissions among themselves. One of these people was someone I considered a close friend and was even my Discord moderator but began abusing their power towards other members, trying to escape the consequences just because of our friendship. They even tried to offer me money to remove a character from another artist who would appear in my animation as a cameo, just because they both had personal issues. I decided to end our friendship because I saw no changes or improvements on their part and I felt i was being used as a power tool for them.

It wasn't long after this that I found an alt account of them, posting these private NSFW drawings, tagging me to attract attention as a form of revenge for cutting ties with them (They also got Nyx's phone number to trying to get in contact with me despite what they were doing). These images spread last year among a few people who, unaware of the background, used them as a reason to question me as an artist. However I explained the rest of the story before it became more public, and I appreciate that they listened to me first, however, the damage was already done.

In March of this year, I made a thread on Twitter explaining this and my reason for not supporting or consuming NSFW content. I want to stay away from this whole debate. I don't want my words to be used to attack others. My reasons for not enjoying this are because I had people around me who caused me a lot of harm with this matter, it triggers me, and I don't like any sexual topics around me, even as an adult reaching my 30s. I simply don't like it, I'm not interested, and I want my feelings to be respected. I'm very aware that more than half of my audience are minors, and I know how to behave and what to show in my art, but there are still others looking for any excuse to call me or my husband horrible things. It has happened before with accusations of transphobia for making Frisk and Chara from Xtale male instead of non-binary as they are in the canon version. I have been called a pedophile for portraying Frisk and Muffet from XTale in an innocent romantic context, even though there is no age difference, just because is not following, again, the canon (which with all honesty, I'm not aware if it has been confirmed she is a child or not). I have been accused of racism because of the characters' skin color, and so on.

Being hated in a fandom as an artist with a big following is supposed to be normal, but, to what extent?

I know I should ignore those comments and move on, but I still don't understand why it hurts so much that people want to discredit my efforts as an artist and as a person by believing they have found some dark secret in me… I really can't understand, I just want to live in peace.

My art is my only escape from negative thoughts. Nyx is my only support in real life. I have been working on how to deal with online criticism and harassment, but it is really hard when people tell lies in order to ruin a life, especially when those lies try to make us look like disgusting human beings. This puts me in a lot of distress, mostly because I hate conflict and prefer to be left alone. I want to be a role model in this community by not getting involved with problematic people and toxic environments. Even if there are people who don't like my work, I want to show that there is still a bit of decency and common sense in the art community.

For this reason, this will be the last time I talk about this because I want to focus on what makes me, my husband, and my audience happy. I want to set an example, and I want people to read this, try to understand our position, and give us a chance.

Once again, we deeply regret the mistakes we made in the past.

[johannestevans]

it's honestly wild talking to like. random liberals about sci fi sometimes because they just don't... think about the ramifications of their random beliefs and what the end points of their ideologies are

"gene roddenberry's vision was that by the time of star trek, earth had moved on from the need for religion!"

and it's like. i get it. you forget that every religion exists except american christianity. or you think that all religion basically is american christianity.

but when you say to me, "hey, in my utopian future, jews and muslims and their cultures have simply been eradicated <3"

that. doesn't strike me as very utopian. it sounds very, funnily enough, christofascist

"it's the 24th century and these lads are literally doing bits from hamlet, but don't worry, jews have ceased to exist"

like there's constant quotes from shakespeare or dickens or conan doyle or countless other authors from the literary canon, and that literary canon is predominantly made up of white male christian authors, most of whom are british or american

and all of the human culture in star trek is predominantly defined by white american christian mores and cultural ideals, slightly modernised, but not by that much

it's a desire to treat an ultra modern culture as inherently homogenous because for a certain kind of xenophobic liberal, they genuinely internalise the idea that multiculturism is the cause of strife and conflict rather than lack of tolerance for other cultures, and frankly, they've never truly been comfortable in any sort of multicultural environment

and it's just. gross. and it's honestly wild to me that people will spend like. days and days thinking of the "ethical ramifications" of their like, transporter clone plot, but won't think for a second, "hey, i've created a world where jews, muslims, sikhs, hindus, buddhists, and countless other religious and ethnic groups No Longer Exist, and that's go-- um. wait a second--"

[ailesswhumptober]

Prompts for AI-less Whumptober 2024

As promised, we're bringing you the official prompt list of AI-less Whumptober 2024 today!

We have 31 days of excellent whump prompts, with three prompts per day to pick from, fun themes, and 10 alt prompts to play around with. We hope you enjoy! Additional info + plain text versions of the prompts can be found under the cut.

FAQ and Rules

What sort of content can I create for this event?

You can create whatever you want (fic, art, edits, etc). Any fandom is allowed, as well as OC stuff. NSFW is allowed, but please tag your content accordingly! The only thing not allowed is AI-generated content.

Do I need to make 31 things to participate?

Oh heavens no! You can make as much or as little content as you like, skip days when desired, or combine prompts (so for example, write something that covers a prompt from day 1, 2, AND 3). You don't have to do the days in order either, go wild! To be considered a 'completionist', you only have to make sure that at the end of the month, you've covered 31 prompts from 31 different days, but whether you do that in 31 works or just 1 is up to you.

What are these alts about?

If none of the three prompts of a particular day are your cup of tea, you can swap them out for an alt prompt of your choice.

What are these themes about?

Just a little bit of extra fun for the mods. Like last year, we'll be handing out various badges for people participating in the event. A full list can be found here, perhaps there is a special badge or two for people who can't be completionists but who do manage to finish every single day of a specific theme ;)

How do I tag and is there an AO3 collection?

It suffices to tag your work with #ailesswhumptober for us to see and reblog it! Please also tag nsfw, since we'll be using that tag too. Tagging the day is optional but does help the mods along.

There is an AO3 collection to add your fics to here.

That should be all. If you have any additional questions, check our pinned or hit us up in the ask box. Or join our discord maybe, whumping can be a great group activity!

---

Plain text versions of the prompts:

October 1 - Torture Tuesday

public torture/public use, stress position, “If you cry, we’ll go easy on you.”

October 2 - Whumperless Wednesday

Unfortunate fall, car accident, “Don’t move. You’ll be okay.”

October 3 - Trauma Thursday

Shared trauma, survivor’s guilt, “It’s not your fault.”

October 4 - Fright/Freaky Friday

Painful transformation, non-consensual body modifications, “You’re a monster.”

October 5 - Sensory Saturday

Overstimulation, migraines, “I can’t take this anymore.”

October 6 - Surprise Sunday

Multiple whumpees, self sacrifice, “I’m the only one who can do this.”

October 7 - Medical Monday

Field medicine, running out of supplies, “Hold on, we’re going to have to improvise.”

October 8 - Torture Tuesday

Rope burns, gagged, “You’re so much prettier this way.”

October 9 - Whumperless Wednesday

Hypothermia, heatstroke, “You look pretty pale.”

October 10 - Trauma Thursday

Self worth issues, pushing away a loved one, “You don't need to earn this.”

October 11 - Fright/Freaky Friday

Hallucinations, truth serum, “Why would you even say that?”

October 12 - Sensory Saturday

Isolation, sensory deprivation, “Can you feel me? I’m right here, whumpee.”

October 13 - Surprise Sunday

Whumpee using themself as bait, defiance, “Take me instead.”

October 14 - Medical Monday

Seizures, concussion, “See if you can follow my finger with your eyes.”

October 15 - Torture Tuesday

Waterboarding, removing body parts, “Don’t break down on me yet.”

October 16 - Whumperless Wednesday

Drowning, hostile environment, “I don’t know how anybody could survive that.”

October 17 - Trauma Thursday

Abandonment, misunderstanding, “Why did I even think you cared?”

October 18 - Fright/Freaky Friday

Mind control, possession, “Everybody will end up despising you.”

October 19 - Sensory Saturday

Disassociation, losing a sense, “I wish I could get you back.”

October 20 - Surprise Sunday

Enemy/Stranger to caretaker, accidental de-aging, “I’m absolutely not qualified for this shit.”

October 21 - Medical Monday

Drugged, ambulance ride, “This will make you feel better, okay?”

October 22 - Torture Tuesday

Forced (to kneel/watch/hurt somebody else), whipped, “Do not look away.” October 23 - Whumperless Wednesday

Fever, passing out, “Hey?! Stay with me, okay?!”

October 24 - Trauma Thursday

Deconditioning, relapse, “It’s normal that you need more time.”

October 25 - Fright/Freaky Friday

Humiliation, betrayal, “How could you?!”

October 26 - Sensory Saturday

Electrocution, burning, “This is going to sting.”

October 27 - Surprise Sunday

Before vs after, Alternate universe, “Well, there’s a first for everything.”

October 28 - Medical Monday

Internal bleeding, needles and stitches, “I didn’t think the wound was that bad…”

October 29 - Torture Tuesday

Ownership, branding, “Everybody will know that you’re mine.”

October 30 - Whumperless Wednesday

Poison, delirium, “You’re not making sense.”

October 31 - Trauma Thursday

Panic attack, facing a phobia, “You need to get out of here!”

Alt prompts:

1) Pistol whipped

2) Co-dependency

3) Animal bite

4) Zombies

5) White room torture

6) Shock collar

7) Pulling teeth

8) Kidnapping

9) “You always make everything worse!”

10) “If you weren’t around, I’d be long dead by now...”

[shesnake]

Spider-Verse Artists Say Working on the Sequel Was ‘Death by a Thousand Paper Cuts’

Why don’t more animated movies look this good? According to people who worked on the sequel, Across the Spider-Verse, it’s because the working conditions required to produce such artistry are not sustainable.

Multiple Across the Spider-Verse crew members — ranging from artists to production executives who have worked anywhere from five to a dozen years in the animation business — describe the process of making the the $150 million Sony project as uniquely arduous, involving a relentless kind of revisionism that compelled approximately 100 artists to flee the movie before its completion.

While frequent major overhauls are standard operating procedure in animation (Pixar films can take between four and seven years to plot, animate, and render), those changes typically occur early on during development and storyboarding stages. But these Spider-Verse 2 crew members say they were asked to make alterations to already-approved animated sequences that created a backlog of work across multiple late-stage departments. Across the Spider-Verse was meant to debut in theaters in April of 2022, before it was postponed to October of that year and then June 2023 owing to what Entertainment Weekly reported as “pandemic-related delays.” However, the four crew members say animators who were hired in the spring of 2021 sat idle for anywhere from three to six months that year while Phil Lord tinkered with the movie in the layout stage, when the first 3-D representation of storyboards are created.

As a result, these individuals say, they were pushed to work more than 11 hours a day, seven days a week, for more than a year to make up for time lost and were forced back to the drawing board as many as five times to revise work during the final rendering stage.

"For animated movies, the majority of the trial-and-error process happens during writing and storyboarding. Not with fully completed animation. Phil’s mentality was, This change makes for a better movie, so why aren’t we doing it? It’s obviously been very expensive having to redo the same shot several times over and have every department touch it so many times. The changes in the writing would go through storyboarding. Then it gets to layout, then animation, then final layout, which is adjusting cameras and placements of things in the environment. Then there’s cloth and hair effects, which have to repeatedly be redone anytime there’s an animation change. The effects department also passes over the characters with ink lines and does all the crazy stuff like explosions, smoke, and water. And they work closely with lighting and compositing on all the color and visual treatments in this movie. Every pass is plugged into editing. Smaller changes tend to start with animation, and big story changes can involve more departments like visual development, modeling, rigging, and texture painting. These are a lot of artists affected by one change. Imagine an endless stream of them."

"Over 100 people left the project because they couldn’t take it anymore. But a lot stayed on just so they could make sure their work survived until the end — because if it gets changed, it’s no longer yours. I know people who were on the project for over a year who left, and now they have little to show for it because everything was changed. They went through the hell of the production and then got none of their work coming out the other side."

[fairyysoup]

easy living

pairing: eric (a quiet place: day one) x fem!reader

summary: You ran into Eric on accident. Now you're facing the end of the world together. How do you get to know someone when you can't make a sound?

tags: smut, oral (f receiving), dry humping, piv sex, silent fucking, angst, hurt/comfort, survival, discussions of trauma, slight suicidal ideation by reader, words of affirmation as a love language, stay silent or die (obviously), strangers to lovers, apocalyptic, the cheesiest ending bc it's me writing, billie holiday lyrics bc it's also me writing

a/n: here it is, the silent fucking fic i promised y'all a year ago when this movie was announced. it was supposed to be like 1-2k words of plain smut but then I got too into the theory of what one does when you can't show affection through words and I genuinely discovered a tidbit of trauma I didn't know I had while writing it so I will be talking to a therapist about it, and also I'm literally out here baring my soul lol.

i also want to thank @bigtiddythanos @raraeavesmoriendi and @maximoffwxnda for supporting me throughout this writing process <3 this fic literally would not have been finished or published without y'all

ALL MY WORKS ARE 18+ MINORS DNI

The rain has ended. Morose, you stare up at the ceiling, wondering when you’ll get something close to free reign with your voice again. 

Of course the world had to end while you were at fucking Whole Foods.

You’ll miss certain things. Things you always took for granted, that you never even considered made a lot of noise until now. Typing on the computer. Making stir fry. Microwaving a burrito at 3am. Lighting a match, washing your face. Taking a shower.

And other things, too, that are more obvious, like singing while making cookies. Slurping the bottom of a milkshake. You’ll never be able to have a pet bird. You’ll never be able to see another concert again, and damn it if you didn’t really want those Glastonbury tickets a month ago. But it all just seems trivial, now. You don’t see why you shouldn’t just lay here on the couch forever. 

On the other side of the coffee table there’s a gentle shuffling. Eric rouses as quietly as he can; at the very least, your apartment creates a hospitable enough environment that he isn’t startled awake. It’s so silent in the apartment that you can hear the slight shift in his intake of breath, the rustle of the pillow as he turns his head to look at you. 

You want to look at him, but you fear that you’ll end up wanting to talk. So, you say nothing. You do nothing. You stare at the white paint on the ceiling and you wonder whether it would be better to get on one of the boats headed out into the water, or to move inland, away from people, away from sound. There has to be somewhere far enough away from the city that the… creatures won’t go, right?

Eric waves his hand in your periphery, so that you have no choice but to acknowledge that you know he’s awake. You have no choice but to turn your head and look into the depths of his eyes, and feel all the pain of the last 48 hours return to you. You’d been able to talk last night, just enough, in time with the rain and the thunder– enough to learn that he has family across the world. 

You can’t imagine knowing that somewhere, across an ocean and half a world away, your parents may or may not be dead. No way to contact them, no way to know what’s become of them. You can’t even begin to fathom the fear that he’s feeling, as much as you’re despairing. 

Eric’s big eyes tell you everything. Sadness and fear, and trying to grasp at the smallest hint of normalcy he can get. He blinks at you, and mouths, You okay?

No, you’re definitely not okay. Things are not okay. Things are broken and can’t be fixed. Things will never be the same again. He knows that, as much as you know that. But you nod anyway, even though you feel your heart beat a little bit slower than usual, like it wants to just go ahead and give up already. Tears prick at your eyes, and you have to close them before you let on that you’re lying.

Eric knows you’re lying, of course. How could anyone be okay, in this kind of situation? But he waits until you open your eyes, and then he mouths, Coffee?

You let out a small sigh of relief, and a smile that’s indescribably warm crosses your face. Even though he can’t make a sound, he knows exactly what to say.

You don’t have a coffee maker that doesn’t also make a ton of noise. But through some kind of witchcraft, Eric quietly empties two k-cups into a glass measuring cup and boils a soup pot full of water on the stove, and suddenly you have hot coffee in front of you. 

On a notepad left on the counter, you write, Wish I had some tea for you. 

Eric’s lips turn up at the edges, and he takes the pen from you. You’re able to doctor your coffee for about one second before he slides the notepad back to you.

Bloody American.

Your ensuing huff of a laugh is enough to make him turn pink around the ears, and he turns to place the dirty measuring cup into the sink. He reaches for the faucet, but then thinks better of it. You’ll have to figure out how to wash the dishes later.

You both drink your coffee in silence on the couch. You never considered yourself uncomfortable with silence; you’ve lived alone, you’ve gone for weeks without uttering a word before. But it’s so difficult to be sitting next to someone– someone you feel you could really get to like– and not be able to say a word. To make a sound, laugh or cry or snort or grunt. 

You’ll never be able to know what Eric’s laugh sounds like, or listen to his favorite song with him, or watch some stupid rerun of Friends with him while ignoring your responsibilities. He’s right there next to you, he’s risked his life to save you once already, and yet he’s so far away. You’ll never get to know him in all the ways you want to. Will you ever really know him at all?

He’d created a diversion when one of the fucking things had you trapped in a corner, between a dumpster and a brick wall. He chucked a rock at a car and set off an alarm, and then ran with you down an alleyway, his arm wrapped tight around your waist. Eric looked so sad, following you like a lost puppy. He was fucking drenched, too, so you know he’d probably been through one hell of a morning. And then the rain started, and the creatures were confused and… well, you weren’t just gonna leave him, scared and alone.

You, too, were scared and alone.

Eric’s hand appears to brush away a tear that had begun to fall down your cheek, betraying your internal monologue. You look to him with puffy eyes, and he pulls his hand away, suddenly unsure of whether you’re okay with such an intimate gesture. 

Your coffee cup meets the table with a quiet tap. You’re slow to move, but you scoot towards him, his arm still outstretched towards you, his eyes wide. Eric has the prettiest eyes in the world, you think. You want to tell him so.

But you’re a little too choked up to form words, anyways. Your forehead meets Eric’s shoulder, and his arm comes around you before you can huff the first silent sob that brims up. He coos softly into your hair, so softly that you can barely hear it, but it conveys enough. It does enough. 

The world is fucked. Your life is fucked. You have tunnel vision and you can only see things getting worse from here on; the only good thing you know anymore is holding you and caressing your head so gently that it pushes your tears out for you. 

You’ll never get to see a movie in a theater, and smell the stale popcorn again. You’ll never drive down the highway with the wind in your hair. You’ll never ride a roller coaster or sing karaoke. You’ll never go to a club and have a drunken heart to heart with a stranger in a bathroom.

“Do you think it’s worth it?” You whisper, so faintly that it’s barely above a breath, your lips pressed to the shell of his ear. “To try to exist in a world where you have to pretend like you don’t exist?”

Eric pauses, holding you to him. You can see the wheels turning in his head, while he tries to figure out what to say. Then he turns his face to put his lips against your ear, the same way you’d done to him. 

“I think it’s worth it to try to survive.” His breath tickles your skin when he whispers, “So survive with me, yeah?”

You nod solemnly, your tears threatening to rise up again. “I can’t stand not talking to you.” It’s so hard to keep your voice from cracking, from rising above the merest hint of a whisper, directly to him and no one or nothing else. 

Eric takes it in stride. “You are talking to me.” He pulls back and bats his eyelashes, and you think, he oughta fucking know what that does to me. 

“Not like this,” you breathe to him, because that’s really what it is– it’s a breath. A sigh. A gust of air and nothing else, barely anything that registers on your vocal chords. Your hand on the back of his neck, pulling him close to you. His hand, tightening on the middle of your back, holding you there. “I want to talk– I want to get to know you.” 

“Well, this isn’t so bad, is it?” Eric turns his head. His forehead nudges yours at the temple, and you swear you see a flash of a smile on his face. “What do you want to know?” 

His forefinger traces up and down, up and down, a gentle pattern that keeps you grounded. You bite your lip, trying to keep from letting the sounds come out too loud. You say the first thing that comes to mind. “What’s your favorite song?”

“Easy Living. Billie Holiday.” 

“You’re kidding.” You’re blushing, hot in the cheeks. You’re imagining it; slow dancing in the kitchen with him while oldies plays on the radio. You didn’t think such an innocent question would send you spiraling like this, but it hurts worse to know that it will probably never happen.

“Absolutely not.” 

“Somehow… I can’t picture you listening to jazz.” 

“Picture it all you want,” he whispers. Eric swallows, and continues, “My granddad used to have these records, and we used to play them on Christmas. But when– when he died, the records went missing. I couldn’t find the song until a couple years ago,” he explains, and his voice cracks just slightly into a murmur. 

You both freeze. You wait for the sound of creatures coming down the hallway, busting down the walls… nothing happens. You let out a breath, and you pull his face closer to yours. His eyes flick over your face, and you put your lips against his ear. 

“You have to be so quiet. Can you do that for me?” Eric nods in your hands. “I wish we could do anything but this. I wish that we could have met in better circumstances. I wish… I wish I had known you before all of this. I think we would have had a lot of fun. But if this is the only way I can get to know you, and hear your voice now, I’ll take it.” You’re nodding as well now, like you’re trying to convince yourself of it. “I’m telling you this because I don’t know how long we have. Together, I mean. And I don’t want to waste it passing notes. Okay?” 

“Okay.” He sounds clipped. His hand fidgets on your back, and you pull away to find him misty-eyed, his brows turned up. He fishes for words that don’t come, and then he nods. “Okay.” 

Neither of you move. The atmosphere around you feels heavy, like it’s pressing in on all sides. Eric’s hand slides up your back and to your face, and you remember that you’re still holding his. You’re near sitting in his lap with how close you’ve become, and the realization of that feels like a punch to the gut.

You think you should pull away. You don’t. 

Eric’s thumb traces a gentle arc across your bottom lip. It’s so featherlight it’s barely there– his eyes are honed in on your mouth, clearly lost in thought. You’d let him stay there as long as he wants, but you want every minute you can get. “Eric–”

He closes the gap and kisses you. The way you’d said his name– or not said it, rather, you sort of mouthed it against his thumb– had done the job you wanted it to. It feels like this was the obvious conclusion to the system you’d worked out, the close proximity and your shared fears. He’s scared, he said as much last night. You’re scared, you said so just now. 

Nowhere to go, nothing else to do except be right here, living. Alive, together. Kissing Eric, and him pulling you close by the waist, so that you do swing your leg and seat yourself in his lap. And as much as you love talking, and it breaks your heart that you can’t jabber at him, there are some things you just can’t put into words. Like the way that his hand on the back of your neck lights you up inside, or that you can’t think of anything other than all the areas where his skin is touching yours, and how you suddenly wish there was way more of them.

It’s stupid how much you like him already, really. You can feel your nonexistent friends clucking their tongues and shaking their heads, saying, “One day? That’s all it takes? You find some guy at the end of the world and you fall in love in 24 hours?” And they’d be right– maybe it’s not love. Not yet, anyways. But you could see it easily becoming that. And that fact scares you even more.

Your hands find Eric’s chest and the frantic beating of his heart tells you nearly the same thing. You break the kiss, trying to quietly catch your breath without gasping like you’re half-drowning. It’s harder than you expected. 

“Been wanting to do that all morning,” Eric whispers. And just like that you’re falling again, faster this time, like he’s just melted your wings right off and sent you plummeting.

You struggle to keep from gasping aloud when he kisses your jaw, just beneath your ear. It’s the lightest touch but you swear it burns, sears your skin. 

Your hands find the back of the couch, twitchy fingers digging in to keep you steady. Your mouth finds his again, his tongue tasting of coffee, and Eric kisses you a bit harder now, a bit sloppier. 

Breaking away, you open your eyes to find his wide, starstruck, his mouth hanging open like he’s been shocked beyond belief. You didn’t honestly intend for this to happen– you wanted to talk. But somehow this seems better, more appropriate. 

How do you get your feelings across when talking isn’t really an option? When innocent attraction becomes… whatever this is? 

You press a single finger to his plush lips, signaling exactly what you mean without a word. Quiet. 

Eric purses his lips, kisses your finger without breaking eye contact. His pupils are blown out so far that the barest hint of golden brown surrounds them, glinting in the sunlight from the window. 

You lean forward, until your mouth touches his ear. “Your eyes are so fucking pretty, Eric,” you whisper to him, and your teeth latch onto his earlobe to tug gently. You can’t help it– you grind your hips down into his lap, without even thinking of doing it. “You’re so pretty.”

Eric whimpers. It’s a soft sound, hollow in the back of his throat, but it’s still too loud for the world that you’re in. You clamp your hand down over his mouth, and his breath comes out sharp and hot over your knuckles as he tries to regain composure.

“Do you want me to stop?” You ask him, whispering gently in his ear. Against you, he shakes his head no. “Want me to keep going?” Eric nods his head yes. 

He’s shaking under you, his fingertips digging into your lower back like he can’t hold onto you hard enough. At the thought, your pulse pounds, blood positively humming through your veins. 

You nuzzle his cheek, and give him the sweetest kiss you can while your hand is still clamped over his mouth insistently. “You have to be. Fucking. Silent. Do you understand?” He nods. “We can’t make a sound. Okay?” 

Eric nods again, and keeps nodding until you let him go. If the rain was still pouring like earlier, you could tell him how much you want him, too. How you don’t want to be mean, you just don’t want to get hurt. This is a bad idea, all things considered. But Eric slides his hand down and cups your ass to lift you up a bit, and the words bad and idea suddenly fucking vanish from your vocabulary.

You stand long enough to kick off your sweats, your day old panties going down with them. You hadn’t dressed to be sexy yesterday, you dressed to get groceries. You don’t necessarily want Eric to see your faded cotton underwear with the stretched out elastic and multiple frayed holes. You don’t think it would add to your sex appeal right now. 

He doesn’t notice the lack of a strip tease– he’s already taking you by the hips, not even waiting for you to shuck your t-shirt. He pulls until you’re stood in front of him, and then hooks your leg over his shoulder. 

So. Eric doesn’t need to be asked to go down on you, he just does. The gentleman. His hands are firm on your ass as he nuzzles into the patch of hair between your legs, and the precarious balancing act makes you snatch onto the back of the couch again. 

His tongue glides through the folds of your pussy slowly, methodically. You aren’t sure if he wants to take his time, or if he’s going slow so that he doesn’t make too much noise when doing it, but he latches onto your clit and sucks agonizingly softly, like he knows he should do it harder but won’t risk making you moan. 

It’s so gentle, and it builds. Pretty soon, you’re having a tough time keeping your whimpers in, even when he’s basically just teasing you, flicking his tongue over your clit with even the barest pressure. Your head has fallen back on your shoulders, your hand now clasped over your own mouth to stifle your sighs. 

Then, Eric’s hand glides up to splay across your lower back, and he sucks long and hard at your clit, and your hand squeezes murderously at the back of the couch while you ride out your orgasm on his tongue. 

Knees buckling, you collapse into Eric’s lap. He has a doe-eyed look on his face that’s way too innocent after what he just did to you. With panting breath and shaking hands, you cup his rosy cheeks in your palms, shaking your head in disbelief. 

Eric’s brows tilt in worry, like he did something wrong. He opens his mouth, but you put your fingers against his lips to silence him, and lean forward to breathe, “You’re too sweet for me, Eric.” 

He traces his fingers lightly up your spine, and turns his head. “Maybe one day I won’t have to be sweet. Maybe then I can really fuck you.” 

The sound of his whispering voice in your ear makes you shiver, your lust reaching a boiling point. The idea of him really fucking you– that this isn’t even him as normal, that he’s having to hold so much back– makes you burn hot all at once. That this isn’t something he’s planning on doing once. That there’s a ‘one day’ that he sees in the future with you in it. 

With a nod, your breath catches in your throat. You find your way to his mouth again, kissing him desperately. You can taste yourself lingering on his lips, and your hips rock forward against his again. 

Eric inhales sharply, stifling his own moan. You guess you have to take it just as slowly as he did, ease him into it. You work your hand beneath his unbuttoned fly and palm him, keeping your touch gentle against his hot skin. He shakes, his hands laid out against your spine, his eyes sparkling when he looks up at you. 

You push your forehead against his as you sink onto his cock, letting yourself adjust to his size. His breath stutters as he tries to keep quiet, small puffs of air spilling out and meeting your electrified skin. You curl your fingers into the hair at the nape of his neck, rocking your hips just barely, settling into his lap. 

This is more intimate than you can ever remember being with anyone, but right now it just feels right. Maybe it could be cathartic to fuck like a couple of animals in the face of doom, but Eric pulls your body flush against his, one strong forearm around your waist, and his nose nudges yours, and you think this is better. This is what you both need. Closeness. Sweetness. 

There isn’t a lot of movement– you can’t risk it. You and Eric seem to be in agreement on that, because as soon as you start trying to move in earnest, he just pulls you back to him, his arm around your waist and his hand petting the back of your head. 

Eric rocks his hips up into yours slowly, deeply, and it’s the depth of it and the slow sensuality that keeps you floating. Your clit catches on the patch of hair at the base of his cock each time you roll your hips with him, and you have to kiss him to keep from keening aloud. He doesn’t seem to mind it. 

You know he’s close when he tucks his face against your neck, his arm tightening around you. “Feels so fucking good,” comes his whine in your ear, and you gently shush him, your hand resting on the back of his head to keep him muffled against your shoulder. You want so badly to look at his face when he cums, but there’s that pesky issue of staying alive, and that hinges on whether or not he can keep quiet when he does. 

To his credit, he bites your shoulder and only whimpers a little bit. It’s just a squeak, but really, he could have been much louder about it, and then you would have both been in trouble. Imagine having to run for your life with your pants down. 

Ever the gentleman, he keeps you there even after he’s spent and sensitive, his hand clamped down on your thigh to prevent you from moving. His thumb finds your clit, and he lifts his head to watch you, his hooded eyes trained on your face as he brings you to the edge and over it again. He watches the way your brows tilt up, the way you struggle to keep your own eyes open, and the silent moan that threatens to break past your parted lips.

Eric claps his hand down over your mouth before it can. Your eyes fly open, your cunt clenches down around him, and he bares his teeth as you cum hard. It’s cyclical, comes in waves as he continues to stroke you through it, as he keeps his hand clamped down on your mouth to keep you quiet. 

To keep you quiet. 

Feverish and exhausted, you come down with your chest against his, Eric’s head flopped back onto the backrest of the couch. Your knees fucking hurt and you have yet to get off of him, and you sort of dread the moment when you have to. But this means your mouth is positioned right next to Eric’s ear, and you’re nothing if not a talker.

“Eric?” you whisper, and he turns his head just enough to let you know he heard you. “I’m glad that I met you when I did. Even if it’s terrible timing, I’m glad we met.”

A sweet, tired smile flits across Eric’s beautiful face. He nudges his nose against your temple. “I’m glad, too.” 

You shift off of him, and he squeezes your thigh just at the same time as he scrunches his face. He’s such a trooper about it, you kiss his cheek as you go, leaning over to grab a pair of earphones from the coffee table. 

You hand one ear bud to him, watching as confusion crosses his face. He watches you type on your phone as he tucks the bud into his ear, and you the other. 

On low volume, you listen to the soft piano and saxophone intro to an old jazz standard. Eric grins, his hand finding your cheek before he pulls you in for a kiss. 

And then, Billie Holiday’s voice plays for only you two to hear. 

Living for you is easy living, It’s easy to live when you’re in love And I’m so in love, There’s nothing in life but you.