#that it ended up creating this environment of having to do
Explore tagged Tumblr posts
Text
a lot of people nowadays, when consuming media, do not have the ability to adjust their mindset and expectations on what should happen to the actual events of the story. people expect found family partially because they lack emotional immaturity or life experience.
i don't want to sound like a snob, but the popular fiction landscape is dominated nowadays by fanfiction or wannabe fanfiction- genre fiction that labels itself with ao3 tropes. you know the sort: cozy fiction, brandon sanderson type stuff, or honestly? if i see an anime genre in a native english language novel, like magical girls or mecha, i run. they are best suited to visual media for a reason. this is my personal opinion, so don't jump me for this, but these works don't tend to deal with emotional matters in a complex, subtle matter. when there is a romance story, you get a character who says "i hate this guy, he's kind of cute- i mean a BITCH." when someone suffers, their response is measured or defined in what angst trope do they respond with. they are cut and paste characters designed for emotional gratification, behaving relatively similar across the board regardless of how someone about the same age, gender and in the circumstances as those characters would behave. i could further go on about how how this in part stems from not really examining the culture and mannerisms of the opposite sex (and yes, i used the word sex, because it's important to analyse gendered socialisation when understanding how someone relates to their gender in present, cis or trans) to oneself when writing, but i digress. my main point is that the anime community tends to be bedfellows with those sorts of literature fans.
meanwhile, golden kamuy doesn't really have stock characters, aside from maybe shiraishi.
for example, sugimoto's a wanderer with ptsd, but there's no mystique or affected melancholy to his trauma, i.e. no real whump-bait. a less thoughtful writer would stop the brakes on the story midway to kick in the ye olde 1900s japanese therapy-speak and have him solve his issues that way, or have him cry and open up about his trauma regardless of him not being the sort of person to do that.
likewise, tsurumi's a manipulator, but he isn't a mustache twirler or a ragyo kiryuin clone- he's eccentric, charming and makes his men feel they owe him without him ever holding it over them. the actions he takes in the story create a logical conclusion of his men being loyal to him. a lesser author would have created a character who is a manipulator because they said so, even if in real life the character's men would all actually scared of him or would probably be offput by him trying to overstep their boundaries.
then, there are the characters who are 'useless', but are still present such as kadokura, kirawus, or vasily. we understand their emotional states, but equally that the main cast dont want or need to be their best friends; this making everyone feel real because it shows where the main casts priorities lie! kado and kira were certainly aware theyre werent pulling their weight compared to anji or ushiyama, but they didnt really give a fuck because kadokura had already did hijikata a massive solid with the prison break-in. meanwhile, vasily can't even speak japanese and followed sugimoto's group for the sole purpose of jumping ogata. he wasn't there to make friends and the story's not, at its core, about making friends, so why on earth would vasily end up being friends with sugimoto? gk respects every single character's agency and motivations more than making the reader feel warm and fuzzy.
however, when one doesnt think critically about characters and how their circumstances should impact them, it's easy for one to default to the mental comfort zone: tropes. likewise, when one doesn't spend much time in a highly competitive environment like the events of gk, they cant quite comprehend the fragile nature of the relationships made in those circumstances. so, to maximize emotional gratification, a somewhat friendly group now becomes a found family.
now the ogata issue starts when when the reality peeks through- ie, that every character bar asirpa has tried to kill each other at some point, the classic fanon 'fuck canon i do what i want' mindset kicks in. here's the thing- ogata is one of the only characters to which you really can't 'fuck canon' your way out of. even usami's quirky enough that you can easily box him in as the yandere sort, but ogata killed his mom, dad and brother over deep-seated daddy issues. it is very hard to defang the character into making him have the found-family appeal, especially as the story progressed and he went from weird quiet guy with sad backstory (which is still workable) to telling asirpa "do it pussy you won't." there is no way to turn ogata as we know him into an archetype fit for emotional gratification without removing a lot of what makes ogata ogata, as he would rather kill himself than show emotional vulnerability or change his mindset, so he becomes the odd one out when talking about the different groups in gk. thats what i think.
I mean... I am a person without a lot of attachments. I don't have a lot of trust in people, and I generally view people as simply everybody on their own path.
So then when I read other people's interpretations of gk, I'm often confused because I don't really understand where they're coming from.
For example, the idea of loyalty seem to be really important to a lot of other fans. Ogata is interpreted by almost everyone as a untrustworthy, with no loyalties.
But I don't understand why anyone in this story needs to have loyalties or why loyalty is even a good thing.
Everybody has completely different motivations and wants.
Tsurumi wants to split off a piece of the military, and use it to regain territory in Russia Where his wife and child are buried.
Hijikata says that he is looking to revive the Republic of Ezo, but actually he doesn't have the resources, or the time to do that so really he's looking for one last great battle and to die under that banner rather than to set up and new independent political entity.
Shiraishi has no real goals and just likes his friends and would love to get some money out of it. He later takes on Boutarou's goal.
Ogata has no real concrete achievable goal and is looking for an abstract sense of worth.
Sugimoto also has no real concrete goal and is using the gold hunt to avoid confronting the fact that he really has no place to return to. He says he has to get the money before he returns to ume, but this is just a prerequisite he set for himself, to delay returning. Ume isn't waiting for him, has no idea that he's out trying to get the money for her, and doesn't even know if he's alive. Despite all of the importance that he places on returning to her, he is a non-entity in her life, in the same way that Ogata is a non-entity in his father's life. The similarities and differences between Ogata and sugimoto is best left for another post.
Asirpa...... is a 12-year-old girl and is still trying to make sense of the world.
Many of the soldiers don't have any goals of their their own other than following orders or impressing their commander. People like Inenaga, ushiyama don't really have any aspirations for the gold. They just seem to be along for the ride since they have map tattoos.
My point is....
These are all clearly people with individual and completely different goals, to which the gold is just a means to an end. So I don't understand why loyalty is considered important, in fact I don't understand why it's a thing at all.
So given that ..... I don't understand why Ogata is considered a disloyal betrayer....
When I read comments by other readers, it really feels like there's an expectation that these groups be a found family of sorts. A place of trust and loyalty where people support and mentor each other and it makes no sense to me.
Like that's something you expect from the military. Members of the military are supposed to be brothers in against a common enemy led by a father figure and it is explicitly pointed out that this is not the case.
People bully each other, sometimes severely. The father figure is self-interested and the only sees his men as pawns. There are shifting loyalties and factions with their own goals in the same unit. The military is not a family substitute. Gold hunt groups are not a family substitute. Even family do not present the kind of loyal loving support that people seem to expect.
So I just..... I straight up have no understanding of why Ogata is considered to be a betrayer, because I don't understand how loyalty is a thing here. I mean to me, the very concept of loyalty in this story seems to be a lie used to manipulate people seeking identity and belonging, and have them be willing to die for the group.
When I look around on forums and discussions it seems like most people do not share this interpretation. People interpret media and events is through the lens of their own experiences. And I actually keep wondering if I'm missing something huge. Like if other people interpret loyalty in a totally different more meaningful way, what are their experiences that support this belief?
Just Curious
TLDR: this is not a story about found family as much as you want it to be. Instead it's about each person finding a place for themselves....not everyone is looking for a family.
Edit: I guess this is sort of meta. The reason I have this interpretation because I have a long history of working for corporations, and despite the found family culture that they try to create and all the team building exercises, people are constantly gunning for each other, trying to get people fired, taking credit for other people's work, making people look bad in front of management to elevate their own status, trying to jump ship and go to other companies in the same industry with proprietary knowledge... so my take on this whole story is that..."this is simply how people operate."
Like I've been on team building exercises with the company where everybody an outdooring trip and bonds over canoeing, and then immediately the next day people get back to trying to get each other fired.
That's just how people are. People form connections over all sorts of things, but that doesn't mean that they aren't out for themselves or that the connection will always exist, or that the connection is deep or that the person is loyal to you.
113 notes
·
View notes
Text
The Infinights
The pixelated RPG game Infinights, developed by Tales From the Stinky Dragon, garnered many positive reviews from fans of the developer’s past works and soon brought in new fans, many of whom had never played a game of such style.
Infinights is a story-driven game where you play as four ‘Infinight Interns’ trying to find the Infinights (a group of notorious heroes), defeat a devious woman called Paralyte, and save the realm of Faeza. There are many loveable NPCs scattered throughout the five realms of Faeza, each unique to their homeland. And the music changes throughout the land, even during encounters!
What many have found interesting about the game is that the player does not control a specific character. The four Interns move as a group and the walking order of the players changes according to their environment (for example, Mudd leads the group through his home city of the BuhBayou while Kyborg will lead when they’re in Evirwinter). In combat, each Intern and their enemies are given a specific order to which they can take a turn. This is one of the many cases where Infinights uses luck and randomization to achieve unique playthroughs. Often, conversations will have dialogue options that will either succeed or fail based on the program’s virtual ‘coin flip’ and the amount of damage any attack will do it based on a ‘dice roll’ of sorts.
Infinights has been praised for its simple but beautiful graphics and its simple design. However, it has gained criticism as well.
One main flaw many players see is how rigid the story is. There are not many chances for exploration and though conversations can change due to luck, things end up the same in the end. After some time, the developers released an update containing a second playing mode. This mode, entitled ‘The Past’ (changing the main story mode to ‘The Present’), lets the player play in a more open-world concept. And as the original Infinights.
What’s loved about The Past is that it allows the player to see more into the life of the characters the game is entitled after. There were complaints that, for being titular characters and the game’s main quest, the Infinights did not have a strong role in the story, especially Grislee and Elleve. The Past changes this, giving each Infinight more lines and a more fleshed out character.
Of course, the open-world style is appreciated as well. There’s a fully interactable map to navigate through and many new locations within each city to explore. New shops, new NPCs, new quests. And while The Past has a few scripted adventures and quests, the easiest way to explore the world is to travel to one city and simply walk around. More quests become available as the Infinights become more renowned throughout Faeza, with more people also willing to aid their adventures.
The Past also created thought. As the main villain of the main story, Paralyte, is seen in this mode as just another Infinight. She is primarily called ‘Luce’, which is her real name, and is visually different. Many have joked that she looks ‘healthier’ in The Past as her skin is less pale. What many notice is that there’s no green infinity sign carved into her armor in The Past, but she instead wears an armband with the Infinight’s logo on it. (Just like Spectril!)
Throughout the story, Luce and the others get along very well. Her voice is still ‘honeyed yet haunting’, but her interactions with the Infinights are full of smiles and jokes. Luce cracks a few herself, leaving the threats to the enemies encountered in combat.
This mode, even when played to 100%, does not address exactly why Luce left the Infinights. Theories have been made through dialogue left throughout both modes of the game, but there has been no official response from the developers. Tales From the Stinky Dragon often prides itself on adding a bit of mystery to their games, with some questions getting answered while others are left up to the fans.
The newest mystery they’ve unveiled is Grotethe, another RPG game in the works. Through released screenshots, it’s clear that the game uses the same base as Infinights. The combat and dialogue systems are the same, along with the game’s basic premise. However, one question that has been raised is how the story modes work. Will Grotethe have only a story-driven mode, only open-world, or will it include both? None of the released content points to any of these options.
On a similar note, it is also clear that Grotethe takes is set in an entirely different place. The technology and locations (and even the appearance of one of the main characters!) that can be seen in different screenshots are causing speculation amongst fans. People wonder whether the two games are related or not and, if they are, how? No voice clips for any of the characters have been released yet, but fans hope that the voices of the main characters will aid them in this quest for answers.
Until then, everyone continues to enjoy the stunning game that is Infinights.
This project, with all visual details compiled on one Adobe Illustrator document entitled 'rot' because I failed to spell 'rpg' started on Tuesday, January 14th. Through various sessions of various lengths and occasional mouse usage, it has finally been completed. I now hate rectangles and squares.
Various parts of the artwork should be recognizable to other games of a similar style. When I went looking for sprite bases when this project first started, I landed on a base sprite for Omori. I have never played Omori. Along with that, the way the combat screen looks is taken from Deltarune (which I have played) and the shop screen has influences from it.
And it should be known that most things made in this work I had a trace (with pixels) from a random internet image. That dragon was NOT freehand, nor was that train, the map and pretty much everything from the shop screen (though, the shopkeeper whose name I cannot remember was drawn from a sketch I made). All text except title text (Infinights, Grotethe, Tales From the Stinky Dragon) is actual type, only the title text I drew (with a reference).
My school shouldn’t have allowed me to have an Adobe account or a teacher/class to teach me graphic design. I am using it for evil.
Sprite sheet:
The state my school computer's desktop was left in. Just because I think it's funny.
#my art#tftsd#and who knew that an immersive reader could pronounce every word in the fake article expect for 'faeza'#and thank you to my cousin who I had look over two things and did not question either#'oh I see red riding hood!' yeah sure#did not blink an eye at the words 'tales from the Stinky dragon' and 'infinights'#infinights#paralyte#luce prattle#evena tftsd#evena von brath#elleve the amender#marcy burns#bo bender#grislee the groundbreaker#spectril the surreptitious#leonard lank#slique the symphonius#ostin tashe#chip haney#barney farney#mathilde confiseuse#dr ahem#tftsd mudd#mudd bramblecrack#kyborg tftsd#kyborg the mighty#bart tftsd#gum gum#AND I HATE YOU ILLUSTRATOR ANTIALSTIC OR WHATEVER
40 notes
·
View notes
Note
I'm so starved for grayson content, could you cook up a domestic fluff fic? Can be modern au, whatever you bless us with I'm sure it'll be fire 🙏🔥❤
Slow Days
pair; grayson x fem!reader
summary: The day as slowly starting to wind down as the night soon began, covering the beautiful city in a beautiful dark purple hue. Your wife, Grayson, would soon come home after a good day of doing her usual work—missing you like never before.
warnings: nothing drastic, modern au, reader and grayson are married, cats are mentioned, grayson and reader have an adopted daughter, and just overall sweetness !! (a little chaotic at the end)
a/n: hope you enjoy bby <3
The day has been nothing but good to you, despite having some issues here and there during most the week—dealing with work, motherhood and just dealing with life in general. It was exhausting, yes, but you wouldn’t trade this for the world—especially your precious baby girl. She was an amazing addition to you and Grayson’s life, absolutely loving her from the moment you adopted her. She was an absolute angel and very energetic as she was a 5 year old that was always buzzing with energy—almost a little too much at times.
You were now cooking a nice dinner, filling the air with an aroma of seasoning, grilling meat, and simmering broth. Your daughter was in the living room with Mei-Mei, a Siamese cat you two found, and playing with her toys. You looked over at her with a smile gracing your lips as you called out to her, “Angel, wanna come help mommy bake a cake?” Her head snapped over to you with a wide smile appearing on her lips as she nodded eagerly, scrambling from her spot and over to your side on her little stoolstep, “Yes ma’am!”
The kitchen was filled with giggles and music playing, creating a warm, honey environment that warmed your heart as you watched how your daughter happily helped mixed the delicious cake batter—god you loved this little girl with your whole heart. A couple minutes soon passed on before you heard the front door open and close, followed by the familiar heavy footsteps—revealing Grayson in all her glory as a smile tugged at her lips as she saw the sight that always gave her a heart a warm welcome.
Your daughter snapped her head to the sound of footsteps and immediately rushed to Grayson with a big smile as she jumped in her arms; almost suffocating Grayson with her very affectionate hugs, “Hi momma!” You couldn’t help but smile at the sight, seeing how Grayson would hold her tightly, “Hey Precious. Been helpin’ with mommy?” Your daughter nodded her head eagerly as she giggle before look over at you, “Yes! We were getting ready to make cake—I did the batter and mommy said I did good!”
Grayson couldn’t help but smile wider at the young girl’s enthusiasm, placing a couple kissed on her cheek as she chuckle softly, “I’m sure you did, baby girl. You always do a good job with helping mommy out.” Her eyes glazed over at you with nothing but affection and longing before she settled the girl down to her feet, “How ‘bout you go play with Mei-Mei, Sweetheart?” The little girl nodded her head eagerly before scattering off through the house to find the cat, leaving you and Grayson alone.
You felt her arms wrap around your waist as you were finishing dinner, chuckling softly at the sensation of her lips placing soft kisses of the skin of your neck. “Missed you…” You murmured softly as you leaned your head over to give her more space, “Missed you too, Love..” Her raspy, husky voice ringed through your ears as she whispered close to your ears while her hands roamed down your sides. You finished playing dinner before turning to face her, caressing her cheek gently as you muttered, “How was work, hm?”
“Long. The usual..” She sighed lowly while leaning into your touch, wrapping her hand around your wrist to pull you closer to her, “Just happy I’m home now with my two favorite girls..” You couldn’t help the sweet, adoring smile that tugged at your lips as her sweet words seeped in your heart, “I’m happy you’re home too, honey.” She pulled you into a warm hug as she buried her head in your neck as you did hers, engulfing your smell and you engulfing hers—the scent that always brought you comfort.
The embrace felt warm and welcoming as it always have been, and it always made both of you to melt in each others touch. Her hands roamed up and down your hips before pulling her head away to gaze lovingly at you, “Everyday I wonder how lucky I am to have you and her…You two are the only thing that keep me sane.” A warm smirk tugged at your lips at her words, eyes filled with undying love and adoration before you pulled her into a sweet, gentle kiss—pouring your heart into slow, sensual dance. God it felt like forever since you both had little intimate moments like this, and this was pure heaven.
Until…
There was a loud crash and the sound of young girl yelping from the bathroom, immediately prompting you and Grayson to run and see what had happened. Your eyes were wide before you let out an exasperated sigh, rubbing your temples deeply as you closed your eyes. The sight was honestly not what you expected.
“Angel, why is Mei-Mei pink?” There stood the hot-pink cat and your daughter with a guilty expression on her pouty face, looking up at you and Grayson as she shrugged, “I thought she’d look pretty if she was pink…” You peeked one of your eyes open to fully take in the sight, splatters of pink on the tub and walls, cat foot prints and her hand prints, and the scattered markers on the floor.
“Call the vet?”
“Mhm.”
“Yes ma’am.”
Safe to say, it would be a while until that pink dye came out of Mei-Mei’s fur.
hope you enjoyed dollies <3 (sorry if it’s short!!)
taglist!!
@sillygirl-lol
#graciedollie ᯓᡣ𐭩#https://graciedollie#lesbian#wlw#gracieasks!!#arcane#wlw blog#arcane league of legends#gracie talks!!#grayson arcane#modern au#grayson x you#reader is a mommy#momma grayson#sweet fluff#domestic fluff#i love her#˙ . ꒷ 🍰 . 𖦹˙—
45 notes
·
View notes
Text
FAERIE'S DAWN
CHAPTER 2: KILREY (PART 2)
CHARACTERS: ✦ Nova “Me” Fae (pov) ✦ Scamall “Cloud” Fae ✦ Spéir “Sky” Fae
story intro table of contents chapter one < last chapter next chapter >
Sky: [suddenly comes to a stop behind them, raising his voice) "YOU WHAT!? You expect us to believe you can take on an archfaerie!?!?"
Nova: [growling, spins on his heel and warps to—]
Nova: [reappears directly in front of Sky, a whole foot taller and gripping the front of the faerie's shirt as he pulls their foreheads together]
Nova: [snarling, practically spits their words out) "stay behind if you want! Die! Because that's what's going to happen! I can save you if you come with me, but otherwise!?!?"
Nova: [can't help it as her rage—and snarl—breaks for despair—]
Nova: [turns their face away, releasing Sky's shirt to reappear in the spot they'd vanished from]
Nova: [doesn't finish what they had to say, crying silently as they instead hurry through the streets]
Faeries: [all holed up in their homes… whether because of the time, or the storm]
Storm: [rapidly growing into a whiteout blizzard, only breaking for flashes of lightning in the distance]
Air: [vibrating and crackling from the electricity, the magic storm, or both]
Cloud: [having taken Sky's hand in hers; voice quiet, but pained) "Sky… look." [points into the air, toward Nova's essence] "That's theirs. Even if they can't fight him… I think they can do something against him…"
Sky: [silent for a moment, but—]
Sky: [lets out a slow, shaky sigh]
Sky: (voice quiet and uneven) "why did you have to get us in this situation?"
Nova: [struggles to ignore them, feeling a wave of relief as they cross the last building of the town… though they still have some distance to go before they've escaped Kilrey's dominion]
Tremors: [slowly seeping from spreading from the air to the ground]
World: [violently rumbling; the air itself is vibrating and full of visible electricity while the ground quakes under the group's feet, breaking the cobblestone road they're trying to travel across]
Road: [except... while it cracks, it doesn't separate. Not until Nova passes. The pieces remain close enough together that the group's able to walk across it—even as it rises in the air and then scatters behind them]
Nova: [almost absentminded in her steps, confident in her magic's ability to keep the stones she needs in place to walk on. Instead, she focuses on collecting what magic she can from the environment and magically watching Kilrey close in on them]
Sky and Cloud: [behind her, use a mix of their own magics to help them hop between the separating stones and stay close behind Nova]
Cloud: [essence suddenly flickers further than before, flinging itself toward Nova—]
Nova: [tenses, immediately warping out of the way of the attack and flipping to face them, but—]
Cloud: [only created a small dome of clear air around them, granting them more visibility through the blizzard in their immediate area]
Cloud: [freezes at Nova's reaction]
Sky: [and tenses, putting himself between Cloud and Nova]
Electricity: [focused around them, sparking and flashing across the air, and making all of their hair stand up on end]
Nova: [heart pounding, looks between the two, the dome around them… and something not far behind the two.]
Kilrey: [catching up.]
Nova: [bites his tongue, tears swelling in his eyes]
Nova: I'm sorry. I'm so sorry. I ruin everything…
Nova: [with only a moment to think, envelops the three of them in his own essence and pulls them outside the bounds of Kilrey's dominion]
Group: [reforms with Sky and Cloud in the same positions as before, but behind—]
Nova: [facing the direction they'd just come from, much more drained from having pulled them all through another's dominion… but shielding the two air faeries with his own body]
Nova: (not even sure if he's pleading with himself or the world) please don't stab me in the back… please don't make me regret trying to help you… I can't let more fae die because of me… so please don't make me die again…
Nova: (voice unsteady, but raised) "I'm going to take him on. Just run. Even if I can't stop him… you can get away. I'm sorry for getting you dragged into my problems…"
Cloud: (voice uneven) "I—"
Sky: [nope! Takes her hand in his and drags her along, trying to follow Nova's instructions advice]
Cloud: [hesitantly lets him pull her away, taking her clear-air dome with her]
Nova: [heart pounding, stares out toward the concentration of Kilrey's essence speeding toward her]
Nova: (to herself) … you've done this before. You can do it again, Mabh.
Nova:
Nova: [can't help a weak, pained laugh]
Nova: not that one, either… 😅
Rumbling: [suddenly spikes in strength as something speeds toward her—]
Nova: [tenses, quickly throwing up both their hands and a magical barrier to protect them]
Snow and earth: [bursts forward and out from the ground, flinging itself toward them]
Nova: [skids backwards along with their barrier, wincing as they struggle to keep it from breaking—]
Suspended Snow: [falling in clumps from the air, reveals the faerie that'd punched through the blizzard like a bullet… Kilrey.]
Kilrey: [8 feet tall, almost twice Nova's height, and towering above them. Has far-too long limbs all covered in thick, dark brown fur and tangled plants; standing atop hooved, satyr-like legs; has stag-like horns branching from an elongated face; and covered in moss and plants that're woven into his fur]
Kilrey: [grins widely as he looks down at Nova, eyeing them through the pink-tinted barrier]
Nova: [breathing heavy and struggling not to cry, but steadily stands back up straight, hands still crossed in front of her as she holds up the barrier]
Kilrey: (voice low, almost like a growl, and yet gleeful) "ah… you know, Silina tried lying about what you were…"
Nova: [still wincing, takes the opportunity to strengthen her barrier]
Nova: (to herself) no surprises there…
Kilrey: [reaches down, trying to shove his hand through the barrier]
Barrier: [blocks it just fine!]
Kilrey: [—monologue only interrupted by a laugh) "but when your essence built… I recognized you, Dhia…"
Nova: [winces, only now realizing their stuffing themself full of ambrosia backfired by making themself noticeable… while they'd gone in with such little power in order to hide]
Kilrey: [as he spoke, tightened his furred hand—and essence—around her barrier]
Kilrey: [and, finally, shatters it in his palm]
Nova: [thrown back from the force of the collapse, skidding into the ground and getting buried into the snow]
Nova: [already incredibly drained, but… struggles to focus their essence on his, trying to find the weak points they'd noticed the last few times they'd tried this]
Kilrey: [as they did, leisurely walked through the snow, stopped in front of Nova, and finally leaned down to pick them up by the throat]
Nova: [half-gasps, half-sobs, grasping at his hands as though they had anywhere near enough strength to pry themself free]
Kilrey: [and all the while, smugly) "I can't believe you're still alive… I'd heard you died, Dhia."
Nova: [just stares up at the blizzard-tainted white sky, struggling to breathe and focus—]
Kilrey: [slowly begins sapping their magic, drawing out his words as he does) "let me relieve you of—"
Kilrey: [suddenly falls silent, the strength fading from his fingers]
Nova: [tears himself from Kilrey's grasp and falls to the ground, gasping for breath as they glare up at him]
Nova: [tightens their magic around his soul, snarling as best he can]
Nova: (words as strangled as his voice) "'relieve me of my power?' You piece of shit, you really think it'd work this time!? When everyone else has failed!?!? WHY ARE YOU ARCHFAE ALL SO FUCKING EGOTISTICAL!?"
Nova: [digs his essence into Kilrey's soul like knives, unsteadily rising to his feet and taking shaky steps toward Kilrey]
Kilrey: [completely frozen in place, face blank and unable to move… because Nova had broken his will, like every faerie was capable of doing.]
Nova: [had just needed him to let his guard down, to give them the chance to work their way through his protection]
Nova: [glares up at his blank face with a snarl… and tears still in his eyes]
Nova: (voice hard and hateful) "but I'm merciful. And you're useful. So here's what we're going to do. Kneel."
Kilrey: [face still empty, obliges. Lowers himself onto one knee, kneeling in front of them… and barely getting low enough that Nova can look down at him]
Nova: [reaches forward to grab him by his throat with a vicegrip and force him to meet her eyes]
Nova: [still snarling, all but spits) "you're going to go back and erase all memories that I was here! You're going to go back, tell Silina that I managed to escape you and fled South, make sure nobody leaves town for a week, and then you are going to forget all about me! You'll forget I exist, you'll forget I wiped your memories, and you'll FORGET YOURSELF!"
Nova: [left gasping for breath, glaring down at him with tear-filled eyes… before her face finally breaks]
Nova: [half-sobbing, brokenly) "understand?"
Kilrey: (tonelessly, breath slightly strangled… but only slightly) "yes."
Nova: [releases Kilrey's throat, taking a few shaky steps back]
Nova: (weakly) "good. I've given my commands. Now, fulfill them."
Nova: [finally releases their magic on him, letting her feet collapse under her]
Kilrey: [rises smoothly, then promptly twists on his heel to tread back into his dominion]
Nova: [cries softly, watching his back slowly get further and further from him… because the blizzard's largely died away, taking the whiteout with it]
Nova: it never works… won't you guys stop TRYING!?
Nova: [gasping for breath again, falls back to stare up at the beautiful, star-filled sky slowly shining through the fading blizzard]
Nova: … why couldn't I just be a normal faerie?
Nova: [closes his eyes, unable to stay conscious]
So... what's on your guys' minds? 👀
Any theories? 😉
story intro table of contents chapter one < last chapter next chapter >
Faerie's Dawn taglist:
@honeybewrites @the-golden-comet @illarian-rambling @ashirisu @urnumber1star
@the-letterbox-archives @48lexr @aalinaaaaaa @thecomfywriter @an-indecisive-nerd
@seastarblue @rae-butter @teamarine777 @caffeinated-starsailor @oliolioxenfreewrites
@corinneglass @thebookishkiwi @storyteller-kara @themongosianhorse @theburningeyeofdawn
@notyourlocalworm @write-with-will @mildlybizarrecorvid @forgottenvalor @huewrite
@vesanal @differentnighttale @plip-plap-plop @olliedoesthings @pupculture
@princessuncertain @mythicalmagical-monkeyman @i-do-anything-but-write @a-zendrial
@real-fragments @lunauphternal @sullymarlowe @aalinaaaaaa (ask and ye shall be added)
dividers by @thecutestgrotto and @saradika
#the faechild original#the faechild writes#the faechild outlines#faerie's dawn#nova “me” fae#scamall “cloud” fae#speir “sky” fae#script fic#faeries#the fae#faerie#fae folk#fae#faecore#fey oc#high fantasy#action fantasy#diverse characters#fantasy world#poc in fantasy#poc characters#lgbtq+ characters#lgbtqia characters#lgbtq characters#neurodivergent characters#fantasy#fantasy story#fantasy writing#magic world#lgbt fiction
18 notes
·
View notes
Text
very much this... cr.
#i saw this hours ago but i came across this tweet again#and it made me think about how i learned how to not put people i stan on insane pedestals#bc when they made bad decisions or something very ignorant#i would get insanely disappointed and sad abt it for a very long time#not that i don't think even if you have a healthy view abt people you stan#you can't be disappointed but#i feel like when you do this actively and you think your faves can't do no wrong#and then they do it's very different#what i've observed for the past few months is that#some people might not even realize they are doing this#and i feel like on twt it's so bad#especially with the whole 'you have to stream or you are bad fan' time of mentality#that it ended up creating this environment of having to do#everything for these idols no matter what#some people are so against boycotts bc of this#and have a very unhealthy relationship with stanning culture#and i say this from a very personal experience but#my view on stanning groups change drastically the moment i started to be on tumblr full time#and i remember the exact moment where i thought wow i've been#doing it wrong this whole time and that's why i was so miserable#i will not go into details bc this is getting long#but i do intent to do an extended essay (sorta kinda) about this soon#bc i feel like it's something that we need to sincerely discuss#and how awful it is to perpetuate these behaviors#tris.txt
8 notes
·
View notes
Text
That one chef saying that the worst thing about a bad boss is how they unlock that behavior in you and seeing Carmy mirror the attitude of the chef that terrorized him and gave him panic attacks and then ending the season with Syd having a panic attack because of the stress of working with Carmy...diabolical.
#idk if it's a little too on the nose or not (i literally just finished the season so i haven't had time to sit with it) but that whole#element is so interesting (and so devastating). and the ways that mirrors all of Nat's worries about continuing the dysfunction of her#family now that she has a kid...#i also think its a good portrayal of how not addressing your trauma and leaving things to fester can end up hurting other people way more#than it hurts you. like even if Carmy is okay with choosing to not have a life or to be close with anyone (which. debatable) he's#not the only one whose life gets fucked by that. the mess just radiates out until it hits everyone around him and he ends up creating#the same circumstances that caused his dysfunction in the first place.#even if evil joel mchale chef is right (a+ casting btw very punchable face) and carmy needs to ruin his life to be a good chef#--which is a big if--he's actively making the people around him less able to do their jobs. which then makes the people around them#less able. and so on. so in the end it's still net negative. and like. chef terry proves that he's actually completely wrong#the environment in her kitchen is the exact opposite and everyone is operating at an insane level anyway no abuse necessary#this season was definitely the weakest of the 3 but i rly wanna see where they go next. and they better drop the next bit soon bc that was#in no way complete#the bear#the bear season 3#carmy berzatto#sydney adamu#the bear spoilers
46 notes
·
View notes
Text
Something something about how all of Eddie’s traumas - well, shooting and now campervan have lead to him being out of contact/ unable to talk properly or at all to the 118, but to buck specifically and in increasingly limited degrees. Next to zero contact in the well and none directly with buck except cutting his line ( it’s always bobby or Chim on the radio to him). Then the shooting - he’s in and out of consciousness and can only check buck isn’t hurt. Now he’s on the radio - the line is open but words are laboured and difficult but there are more of them.
Something something about Eddie needing to talk - to use his words and how he didn’t after the well / he changed his will, but didn’t verbalise it. After the shooting he did have some of the words - he told Buck about said will - because he knew he needed to find them. And now in a season where he’s been playing word games against time and we’ve seen him being more verbal - what are we going to get
#I’m obsessed with the increasing levels of Eddie being sble to talk that we’re getting after traumatic events#because it even goes all the way back to Shannon - he signed up for a tour without talking to her about it#there’s something in Eddie learning to talk - to let Buck (and to a certain extent the 118) gave his back - how he learnt from not having#Shannon’s back and has been doing an increasingly good job of communicating#so of course it needed to be buck in the other end of the radio - because it it buck who has had Eddie’s back and who has created the#environment in which eddie has been able to figure out how to grow and be able to communicate#it’s such a subtle but key part of eddie and his relationship with buck#911 spoilers#911 on fox#911 fox#911onfox#eddie diaz#evan buckley
128 notes
·
View notes
Text
does anyone else think it's bullshit that i keep getting scheduled for 8 hour 11-7 shifts instead of my usual 7 hour 7-2 and i don't even get paid for the full extra hour because the evening shift workers ALWAYS leave like a half hour early?? im never allowed to leave early on 7-2s in fact i usually end up leaving kinda late bc they're always saying we have to finish everything before we leave. but the evening shift never finishes everything before they leave!! every time i come in for a 7-2 i find so much shit unfinished bc the fucking 4 or 5 hour 2/3-7 shift people don't even bother staying until 7 to finish up and apparently management is fine with this?? and whenever i'm there until 7 they pressure everyone to close up by 6:30 so they can go home sooner but i dont fucking care abt that! they automatically take a half hour unpaid lunch out of my timesheet anyway so that plus the leaving early means i don't even get paid much more than i would on my usual shift. and the 11-7 is the worst shift too they keep putting more responsibilities on that one person which somehow also makes it harder for everyone else bc the 11-7 cant help as much. cant fucking wait to hit my one year there so i can finally job hunt again and hopefully find a place that at least gives me time to sit down and eat lunch while im not getting paid. smh
#i try not to complain too much abt this job bc compared to any other food job it's heaven especially fast food#and i do enjoy some aspects of it#but they rlly have created an environment where they'll scold u for not taking ur legally mandated breaks but then make u take 5 minutes#out of ur break time to walk all the way to the breakroom and also the only time u have a chance to take it theres no food available#bc it's in between meals and theyve already put everything away#and u have to walk all the way back to clock back in of course. and if u do actually do all that ur poor coworker is left to work the#2 person job alone for a full half hour which sucks#so i always end up letting them take the automatic half hour out of my paycheck and working through it or just eating some chips#for 5 minutes and getting back to it bc the alternative is just. worse#they also seem to encourage working off the clock here which i have never and will never condone. one time i implied that it was crazy to#expect us to clock out on time and keep working until the job was actually finished and the cook looked at me like i had 2 heads#and half the ppl there are like her theyve just accepted that this is the best theyre gonna get and theyve already put so many years into#this company or facility or whatever and it's heartbreaking but also snap out of it!!!!!#if u read all this mwah mwah im kissing u on both cheeks ty
3 notes
·
View notes
Text
This is a water-seal stoneware crock. The design is ancient.
It is, essentially, a large ceramic vessel that you put vegetables and sometimes brine into. To prevent spoilage, you place those ceramic weights on top of whatever food is in the crock, and that keeps them weighted down, below the level of the water. Because fermentation creates gases, most crocks have a "water groove" in them. The lid sits in the groove, which allows air to escape but not come in. Because fermentation creates gas, the interior of the crock is positive-pressure, and because the gas created is almost entirely carbon dioxide, it's a low-oxygen environment that additionally helps prevent spoilage.
And all this would be pointless without lactobacillus, the bacteria that chomp down on the vegetables you put into the crock. They're anaerobic, which means totally fine without oxygen, and they produce an environment that's inhospitable to most other organisms. The main things they produce are CO2, which means no oxygen for other bacteria, and lactic acid, which makes the fermented thing sour and also decreases the pH low enough that many other bacteria cannot survive. They tolerate high levels of salt, which kill yet more competitor bacteria. It ends up being a really really good way to keep food from going off.
Our ancestors figured this out thousands of years ago without knowing what bacteria were. This general ceramic design has been in use around the world in virtually every place that had ceramics, salt, and too much cabbage or cucumbers that was going to rot if they didn't do something about it. It's thousands of years old, so old that it gets hard to interpret the evidence of the ceramics.
And I have crocks like this in my kitchen, where I make my own ferments, and I always think about how beautiful and elegant it all is, and how this was probably invented hundreds of times as people converged on something that Just Works.
(I do have pH testing strips though.)
11K notes
·
View notes
Text
Help an intersex family in Gaza!
Hi everyone. I'd like to share about a fundraiser that is very important to me. A good friend of mine is in contact with the organizers.
(Described in alt).
Their story:
"Hello, my name is Abeer. I'm organizing this fundraising campaign from Belgium on behalf of my family, who currently live in Gaza.
Since October 7, all families in Gaza have been subjected to genocide. My family is one of those families that has had to flee its own home several times because of the threat of regular attacks.
After two months, my family decided to return home and take the risk of being bombed at any moment rather than stay in the street. Our 4-floor building now contains over 100 people who have fled from different parts of Gaza. We always open our hearts for our own people, but we can't do it without your help and support.
My parents, Kamal (53) and Moukaram (51), are suffering from the war because of their age and health. My brother Suliman, his wife Rawan Abualnaja and their two-year-old daughter Bisan are trying to stay strong, but it's complicated by their little daughter's enormous needs. My other siblings who are not married are Mohammed 25, Inas 22, Ibrahim 17, Abdallah 15.
My family medical condition during the war:
My father suffers from delusional disorders. He can't work or help my family financially. Mohammed and Ibrahim suffer from a chronic disease, congenital adrenal hyperplasia. It is difficult for them to obtain medication in Gaza. One of their medicines has not been available in Gaza for two years. During the war, they couldn't get their medicines because they simply didn't exist anymore. My family members are still suffering. They don't want to be potential victims. They want to escape death and live like other families on the planet.
On 01/01/2024, they attacked the local mosque and the missile failed to explode and ended up in front of my family's house. My family is in danger and the missile will explode any second.
Since then, my family has decided to be evacuated from Gaza because of the senseless attack on our city. Please help me evacuate my family to Egypt so that they can rebuild their lives in peace.
I've been in Belgium for over five years. I feel useless because I haven't been able to do much except try to help them with their daily living expenses. That's why we created this campaign. We're raising funds to evacuate my family to Egypt, a place that offers a glimmer of hope and stability. However, the cost of the evacuation is high, hence our call for crowdfunding.
Every contribution makes a difference The funds we raise will be used for :
- Evacuation from Gaza for both families (Rafah border crossing fees for 9 people total) - Two months of temporary living expenses in Egypt, including food, shelter, and transportation - Passport fees - Food expences untill they leave Gaza
No matter how small your contribution, it can make all the difference in breaking the cycle of violence and uncertainty. By supporting our campaign, you are offering a lifeline to our families so that they can rebuild their lives, heal from their trauma and make a fresh start in a safe and secure environment. Please leave a comment and share our campaign with your friends, so we can reach more people and make a bigger impact. Together, we can make a difference!"
They are using a French platform called Papayoux Solidarite instead of GoFundMe. Abeer also has a Paypal account for non European donors.
They are currently at 33 588,78 €/ 50,000 €.
Let's see if we can get them to 34,000 today. Any donation matters, even $1 or $2 donations can add up.
We need to help them meet their goal. Intersex liberation means intersex liberation everywhere--it is so important that we show up in solidarity. Those of us living with CAH know how dangerous salt wasting crises are without medication, and how important it is to urgently help Mohammed and Ibrahim get access to the medications they need to support their CAH. Intersex solidarity means that we need to show up and support intersex people facing genocide.
If you can't donate, please share. Consider doing an art raffle to raise money. Do whatever you can to help this family because it is urgent, and we need to act in solidarity with them now and make sure that the intersex community is here to support them!
#intersex#actually intersex#actualllyintersex#palestine#free palestine#save palestine#lgbtqia#congenital adrenal hyperplasia#trying to think of what else to tag for boost#all eyes on palestine
5K notes
·
View notes
Text
youtube
Haiii guys the animation is finished. Do you ever think about these two. Because I sure do
#SPINNING AROUDN IN CIRCLES BITING MY HEAD OFF BUTING WOOD BITHING THROUGHT HE WALLS BITING THROUGH THE SUPPORT SHRGHRGRGRHGRGRHHR!!!#AAAAAAAAAAAAAAAAAAAA!!!!!!!!!!!!!!!!!!!! HOYL FUCKING SHIT!!!!! OH MY FUCKING GOD HOLY SHIT OH MY FUCKING GOD SHOLY SHIT!?!?!?! AAAAAAAAAAA#decided to FINALLY watch this bc i've been in a bad mood these past few days and I DO NOT REGRTE IT#AAAAAAAAAAAAAAAAAAAAAAAAAAAAA?!?!?! AAAAAAAA!!!!!!!!!!!!!!#OKAY!!!!!!!!!!!!!!!!!!!! OKAY!!!!!!!!!!!!!!!!!!!!!!! OKAY!!!!!!!!!!!!!!!!!!!!!!!!!! OKAY!!!!!!!!!!!!!!!!!!!!!!#THIS THING HAS MY HEART THIS THIGN HAS MY ENTIRE BRAIN THIS THING HAS ME .#TIME TO PRATTLE OFF ON MY FAVORUTIE MOMENTS#the transition from Heresy's environment to the cover of Cry for the Weeper was SO fucking smooth and seamless that shit was like water#couldnt tell where one thing ended and the other began oh my fucking god holy shit#THE GIANT VIEW OF CHARON'S SHOP RISING OUT OF THE WATER??????? HOLY FUCKING SHIT OH MY FUCKING GOD ABSOLUTELY STUNNING#THE RENDERING THE LIGHTING ON V1'S WINGS AND LANTERN THE SPOTLIGHT THAT CREATES THE WARM LIGHT VS DARK WATER#THE MOMENT WHERE V1 RETRIEVES THE ROCKETLAUNCHER AND IT AND V2 MIRROR THE DEEP BLUE COVER ART#SOMETHIGN SOMETHING 'It should have been me (V2)' SOMETHING SOMETHING 'Because I'm a part of you I have also done this'#HAUNTED!!!!! HAUNTED!!!!!!!!!!!!!!#also something about choosing deep blue as a song and wrath as setting. aside from the fact wrath proceeds greed it's just......#wrath. of course. ghosts stick around when they have unfinished business. that includes vengence. poltergeists wraiths ect. ect.#EVERY MOMENT WHERE YOU SEE THE GHOST OF AN OPTIC ON V1'S BACK/WINGPACK. AUGH. AUGH. AUGH#MY HEART MY HERAT MY HEART MY HEART#also lovely shape for v1's wings. the elevator scene really exemplifies it.#THE HERESY WINDOW PART. WHERE V2 IS STARING AT V1 BUT V1 DOESN'T LOOK AT IT. POLTERGIEST!!!!#somethign something to v1 it's a bother. a nuisance. something on the long list of shit to survive and overcome#to v2 it is everything. it is its whole existence to obsess and hate v1#the still shot just before the heresy window is also just STUNNING. all those overlapping wings like honey/-glass is just beautiful against#-the red#and finally. deep blue was a really good choice bc lining up the saxophone part with v2 clinging onto v1 felt so melancholic and SUPERB#auagagauahaggaugahgah. AUAUGAAHGAGUAGAAHGAHA! in love. in love. in love. in love. in love. in love. in love. in love. in love. in love. in#ultrakill#yurikill#videos
238 notes
·
View notes
Text
easy living
pairing: eric (a quiet place: day one) x fem!reader
summary: You ran into Eric on accident. Now you're facing the end of the world together. How do you get to know someone when you can't make a sound?
tags: smut, oral (f receiving), dry humping, piv sex, silent fucking, angst, hurt/comfort, survival, discussions of trauma, slight suicidal ideation by reader, words of affirmation as a love language, stay silent or die (obviously), strangers to lovers, apocalyptic, the cheesiest ending bc it's me writing, billie holiday lyrics bc it's also me writing
a/n: here it is, the silent fucking fic i promised y'all a year ago when this movie was announced. it was supposed to be like 1-2k words of plain smut but then I got too into the theory of what one does when you can't show affection through words and I genuinely discovered a tidbit of trauma I didn't know I had while writing it so I will be talking to a therapist about it, and also I'm literally out here baring my soul lol.
i also want to thank @bigtiddythanos @raraeavesmoriendi and @maximoffwxnda for supporting me throughout this writing process <3 this fic literally would not have been finished or published without y'all
ALL MY WORKS ARE 18+ MINORS DNI
The rain has ended. Morose, you stare up at the ceiling, wondering when you’ll get something close to free reign with your voice again.
Of course the world had to end while you were at fucking Whole Foods.
You’ll miss certain things. Things you always took for granted, that you never even considered made a lot of noise until now. Typing on the computer. Making stir fry. Microwaving a burrito at 3am. Lighting a match, washing your face. Taking a shower.
And other things, too, that are more obvious, like singing while making cookies. Slurping the bottom of a milkshake. You’ll never be able to have a pet bird. You’ll never be able to see another concert again, and damn it if you didn’t really want those Glastonbury tickets a month ago. But it all just seems trivial, now. You don’t see why you shouldn’t just lay here on the couch forever.
On the other side of the coffee table there’s a gentle shuffling. Eric rouses as quietly as he can; at the very least, your apartment creates a hospitable enough environment that he isn’t startled awake. It’s so silent in the apartment that you can hear the slight shift in his intake of breath, the rustle of the pillow as he turns his head to look at you.
You want to look at him, but you fear that you’ll end up wanting to talk. So, you say nothing. You do nothing. You stare at the white paint on the ceiling and you wonder whether it would be better to get on one of the boats headed out into the water, or to move inland, away from people, away from sound. There has to be somewhere far enough away from the city that the… creatures won’t go, right?
Eric waves his hand in your periphery, so that you have no choice but to acknowledge that you know he’s awake. You have no choice but to turn your head and look into the depths of his eyes, and feel all the pain of the last 48 hours return to you. You’d been able to talk last night, just enough, in time with the rain and the thunder– enough to learn that he has family across the world.
You can’t imagine knowing that somewhere, across an ocean and half a world away, your parents may or may not be dead. No way to contact them, no way to know what’s become of them. You can’t even begin to fathom the fear that he’s feeling, as much as you’re despairing.
Eric’s big eyes tell you everything. Sadness and fear, and trying to grasp at the smallest hint of normalcy he can get. He blinks at you, and mouths, You okay?
No, you’re definitely not okay. Things are not okay. Things are broken and can’t be fixed. Things will never be the same again. He knows that, as much as you know that. But you nod anyway, even though you feel your heart beat a little bit slower than usual, like it wants to just go ahead and give up already. Tears prick at your eyes, and you have to close them before you let on that you’re lying.
Eric knows you’re lying, of course. How could anyone be okay, in this kind of situation? But he waits until you open your eyes, and then he mouths, Coffee?
You let out a small sigh of relief, and a smile that’s indescribably warm crosses your face. Even though he can’t make a sound, he knows exactly what to say.
You don’t have a coffee maker that doesn’t also make a ton of noise. But through some kind of witchcraft, Eric quietly empties two k-cups into a glass measuring cup and boils a soup pot full of water on the stove, and suddenly you have hot coffee in front of you.
On a notepad left on the counter, you write, Wish I had some tea for you.
Eric’s lips turn up at the edges, and he takes the pen from you. You’re able to doctor your coffee for about one second before he slides the notepad back to you.
Bloody American.
Your ensuing huff of a laugh is enough to make him turn pink around the ears, and he turns to place the dirty measuring cup into the sink. He reaches for the faucet, but then thinks better of it. You’ll have to figure out how to wash the dishes later.
You both drink your coffee in silence on the couch. You never considered yourself uncomfortable with silence; you’ve lived alone, you’ve gone for weeks without uttering a word before. But it’s so difficult to be sitting next to someone– someone you feel you could really get to like– and not be able to say a word. To make a sound, laugh or cry or snort or grunt.
You’ll never be able to know what Eric’s laugh sounds like, or listen to his favorite song with him, or watch some stupid rerun of Friends with him while ignoring your responsibilities. He’s right there next to you, he’s risked his life to save you once already, and yet he’s so far away. You’ll never get to know him in all the ways you want to. Will you ever really know him at all?
He’d created a diversion when one of the fucking things had you trapped in a corner, between a dumpster and a brick wall. He chucked a rock at a car and set off an alarm, and then ran with you down an alleyway, his arm wrapped tight around your waist. Eric looked so sad, following you like a lost puppy. He was fucking drenched, too, so you know he’d probably been through one hell of a morning. And then the rain started, and the creatures were confused and… well, you weren’t just gonna leave him, scared and alone.
You, too, were scared and alone.
Eric’s hand appears to brush away a tear that had begun to fall down your cheek, betraying your internal monologue. You look to him with puffy eyes, and he pulls his hand away, suddenly unsure of whether you’re okay with such an intimate gesture.
Your coffee cup meets the table with a quiet tap. You’re slow to move, but you scoot towards him, his arm still outstretched towards you, his eyes wide. Eric has the prettiest eyes in the world, you think. You want to tell him so.
But you’re a little too choked up to form words, anyways. Your forehead meets Eric’s shoulder, and his arm comes around you before you can huff the first silent sob that brims up. He coos softly into your hair, so softly that you can barely hear it, but it conveys enough. It does enough.
The world is fucked. Your life is fucked. You have tunnel vision and you can only see things getting worse from here on; the only good thing you know anymore is holding you and caressing your head so gently that it pushes your tears out for you.
You’ll never get to see a movie in a theater, and smell the stale popcorn again. You’ll never drive down the highway with the wind in your hair. You’ll never ride a roller coaster or sing karaoke. You’ll never go to a club and have a drunken heart to heart with a stranger in a bathroom.
“Do you think it’s worth it?” You whisper, so faintly that it’s barely above a breath, your lips pressed to the shell of his ear. “To try to exist in a world where you have to pretend like you don’t exist?”
Eric pauses, holding you to him. You can see the wheels turning in his head, while he tries to figure out what to say. Then he turns his face to put his lips against your ear, the same way you’d done to him.
“I think it’s worth it to try to survive.” His breath tickles your skin when he whispers, “So survive with me, yeah?”
You nod solemnly, your tears threatening to rise up again. “I can’t stand not talking to you.” It’s so hard to keep your voice from cracking, from rising above the merest hint of a whisper, directly to him and no one or nothing else.
Eric takes it in stride. “You are talking to me.” He pulls back and bats his eyelashes, and you think, he oughta fucking know what that does to me.
“Not like this,” you breathe to him, because that’s really what it is– it’s a breath. A sigh. A gust of air and nothing else, barely anything that registers on your vocal chords. Your hand on the back of his neck, pulling him close to you. His hand, tightening on the middle of your back, holding you there. “I want to talk– I want to get to know you.”
“Well, this isn’t so bad, is it?” Eric turns his head. His forehead nudges yours at the temple, and you swear you see a flash of a smile on his face. “What do you want to know?”
His forefinger traces up and down, up and down, a gentle pattern that keeps you grounded. You bite your lip, trying to keep from letting the sounds come out too loud. You say the first thing that comes to mind. “What’s your favorite song?”
“Easy Living. Billie Holiday.”
“You’re kidding.” You’re blushing, hot in the cheeks. You’re imagining it; slow dancing in the kitchen with him while oldies plays on the radio. You didn’t think such an innocent question would send you spiraling like this, but it hurts worse to know that it will probably never happen.
“Absolutely not.”
“Somehow… I can’t picture you listening to jazz.”
“Picture it all you want,” he whispers. Eric swallows, and continues, “My granddad used to have these records, and we used to play them on Christmas. But when– when he died, the records went missing. I couldn’t find the song until a couple years ago,” he explains, and his voice cracks just slightly into a murmur.
You both freeze. You wait for the sound of creatures coming down the hallway, busting down the walls… nothing happens. You let out a breath, and you pull his face closer to yours. His eyes flick over your face, and you put your lips against his ear.
“You have to be so quiet. Can you do that for me?” Eric nods in your hands. “I wish we could do anything but this. I wish that we could have met in better circumstances. I wish… I wish I had known you before all of this. I think we would have had a lot of fun. But if this is the only way I can get to know you, and hear your voice now, I’ll take it.” You’re nodding as well now, like you’re trying to convince yourself of it. “I’m telling you this because I don’t know how long we have. Together, I mean. And I don’t want to waste it passing notes. Okay?”
“Okay.” He sounds clipped. His hand fidgets on your back, and you pull away to find him misty-eyed, his brows turned up. He fishes for words that don’t come, and then he nods. “Okay.”
Neither of you move. The atmosphere around you feels heavy, like it’s pressing in on all sides. Eric’s hand slides up your back and to your face, and you remember that you’re still holding his. You’re near sitting in his lap with how close you’ve become, and the realization of that feels like a punch to the gut.
You think you should pull away. You don’t.
Eric’s thumb traces a gentle arc across your bottom lip. It’s so featherlight it’s barely there– his eyes are honed in on your mouth, clearly lost in thought. You’d let him stay there as long as he wants, but you want every minute you can get. “Eric–”
He closes the gap and kisses you. The way you’d said his name– or not said it, rather, you sort of mouthed it against his thumb– had done the job you wanted it to. It feels like this was the obvious conclusion to the system you’d worked out, the close proximity and your shared fears. He’s scared, he said as much last night. You’re scared, you said so just now.
Nowhere to go, nothing else to do except be right here, living. Alive, together. Kissing Eric, and him pulling you close by the waist, so that you do swing your leg and seat yourself in his lap. And as much as you love talking, and it breaks your heart that you can’t jabber at him, there are some things you just can’t put into words. Like the way that his hand on the back of your neck lights you up inside, or that you can’t think of anything other than all the areas where his skin is touching yours, and how you suddenly wish there was way more of them.
It’s stupid how much you like him already, really. You can feel your nonexistent friends clucking their tongues and shaking their heads, saying, “One day? That’s all it takes? You find some guy at the end of the world and you fall in love in 24 hours?” And they’d be right– maybe it’s not love. Not yet, anyways. But you could see it easily becoming that. And that fact scares you even more.
Your hands find Eric’s chest and the frantic beating of his heart tells you nearly the same thing. You break the kiss, trying to quietly catch your breath without gasping like you’re half-drowning. It’s harder than you expected.
“Been wanting to do that all morning,” Eric whispers. And just like that you’re falling again, faster this time, like he’s just melted your wings right off and sent you plummeting.
You struggle to keep from gasping aloud when he kisses your jaw, just beneath your ear. It’s the lightest touch but you swear it burns, sears your skin.
Your hands find the back of the couch, twitchy fingers digging in to keep you steady. Your mouth finds his again, his tongue tasting of coffee, and Eric kisses you a bit harder now, a bit sloppier.
Breaking away, you open your eyes to find his wide, starstruck, his mouth hanging open like he’s been shocked beyond belief. You didn’t honestly intend for this to happen– you wanted to talk. But somehow this seems better, more appropriate.
How do you get your feelings across when talking isn’t really an option? When innocent attraction becomes… whatever this is?
You press a single finger to his plush lips, signaling exactly what you mean without a word. Quiet.
Eric purses his lips, kisses your finger without breaking eye contact. His pupils are blown out so far that the barest hint of golden brown surrounds them, glinting in the sunlight from the window.
You lean forward, until your mouth touches his ear. “Your eyes are so fucking pretty, Eric,” you whisper to him, and your teeth latch onto his earlobe to tug gently. You can’t help it– you grind your hips down into his lap, without even thinking of doing it. “You’re so pretty.”
Eric whimpers. It’s a soft sound, hollow in the back of his throat, but it’s still too loud for the world that you’re in. You clamp your hand down over his mouth, and his breath comes out sharp and hot over your knuckles as he tries to regain composure.
“Do you want me to stop?” You ask him, whispering gently in his ear. Against you, he shakes his head no. “Want me to keep going?” Eric nods his head yes.
He’s shaking under you, his fingertips digging into your lower back like he can’t hold onto you hard enough. At the thought, your pulse pounds, blood positively humming through your veins.
You nuzzle his cheek, and give him the sweetest kiss you can while your hand is still clamped over his mouth insistently. “You have to be. Fucking. Silent. Do you understand?” He nods. “We can’t make a sound. Okay?”
Eric nods again, and keeps nodding until you let him go. If the rain was still pouring like earlier, you could tell him how much you want him, too. How you don’t want to be mean, you just don’t want to get hurt. This is a bad idea, all things considered. But Eric slides his hand down and cups your ass to lift you up a bit, and the words bad and idea suddenly fucking vanish from your vocabulary.
You stand long enough to kick off your sweats, your day old panties going down with them. You hadn’t dressed to be sexy yesterday, you dressed to get groceries. You don’t necessarily want Eric to see your faded cotton underwear with the stretched out elastic and multiple frayed holes. You don’t think it would add to your sex appeal right now.
He doesn’t notice the lack of a strip tease– he’s already taking you by the hips, not even waiting for you to shuck your t-shirt. He pulls until you’re stood in front of him, and then hooks your leg over his shoulder.
So. Eric doesn’t need to be asked to go down on you, he just does. The gentleman. His hands are firm on your ass as he nuzzles into the patch of hair between your legs, and the precarious balancing act makes you snatch onto the back of the couch again.
His tongue glides through the folds of your pussy slowly, methodically. You aren’t sure if he wants to take his time, or if he’s going slow so that he doesn’t make too much noise when doing it, but he latches onto your clit and sucks agonizingly softly, like he knows he should do it harder but won’t risk making you moan.
It’s so gentle, and it builds. Pretty soon, you’re having a tough time keeping your whimpers in, even when he’s basically just teasing you, flicking his tongue over your clit with even the barest pressure. Your head has fallen back on your shoulders, your hand now clasped over your own mouth to stifle your sighs.
Then, Eric’s hand glides up to splay across your lower back, and he sucks long and hard at your clit, and your hand squeezes murderously at the back of the couch while you ride out your orgasm on his tongue.
Knees buckling, you collapse into Eric’s lap. He has a doe-eyed look on his face that’s way too innocent after what he just did to you. With panting breath and shaking hands, you cup his rosy cheeks in your palms, shaking your head in disbelief.
Eric’s brows tilt in worry, like he did something wrong. He opens his mouth, but you put your fingers against his lips to silence him, and lean forward to breathe, “You’re too sweet for me, Eric.”
He traces his fingers lightly up your spine, and turns his head. “Maybe one day I won’t have to be sweet. Maybe then I can really fuck you.”
The sound of his whispering voice in your ear makes you shiver, your lust reaching a boiling point. The idea of him really fucking you– that this isn’t even him as normal, that he’s having to hold so much back– makes you burn hot all at once. That this isn’t something he’s planning on doing once. That there’s a ‘one day’ that he sees in the future with you in it.
With a nod, your breath catches in your throat. You find your way to his mouth again, kissing him desperately. You can taste yourself lingering on his lips, and your hips rock forward against his again.
Eric inhales sharply, stifling his own moan. You guess you have to take it just as slowly as he did, ease him into it. You work your hand beneath his unbuttoned fly and palm him, keeping your touch gentle against his hot skin. He shakes, his hands laid out against your spine, his eyes sparkling when he looks up at you.
You push your forehead against his as you sink onto his cock, letting yourself adjust to his size. His breath stutters as he tries to keep quiet, small puffs of air spilling out and meeting your electrified skin. You curl your fingers into the hair at the nape of his neck, rocking your hips just barely, settling into his lap.
This is more intimate than you can ever remember being with anyone, but right now it just feels right. Maybe it could be cathartic to fuck like a couple of animals in the face of doom, but Eric pulls your body flush against his, one strong forearm around your waist, and his nose nudges yours, and you think this is better. This is what you both need. Closeness. Sweetness.
There isn’t a lot of movement– you can’t risk it. You and Eric seem to be in agreement on that, because as soon as you start trying to move in earnest, he just pulls you back to him, his arm around your waist and his hand petting the back of your head.
Eric rocks his hips up into yours slowly, deeply, and it’s the depth of it and the slow sensuality that keeps you floating. Your clit catches on the patch of hair at the base of his cock each time you roll your hips with him, and you have to kiss him to keep from keening aloud. He doesn’t seem to mind it.
You know he’s close when he tucks his face against your neck, his arm tightening around you. “Feels so fucking good,” comes his whine in your ear, and you gently shush him, your hand resting on the back of his head to keep him muffled against your shoulder. You want so badly to look at his face when he cums, but there’s that pesky issue of staying alive, and that hinges on whether or not he can keep quiet when he does.
To his credit, he bites your shoulder and only whimpers a little bit. It’s just a squeak, but really, he could have been much louder about it, and then you would have both been in trouble. Imagine having to run for your life with your pants down.
Ever the gentleman, he keeps you there even after he’s spent and sensitive, his hand clamped down on your thigh to prevent you from moving. His thumb finds your clit, and he lifts his head to watch you, his hooded eyes trained on your face as he brings you to the edge and over it again. He watches the way your brows tilt up, the way you struggle to keep your own eyes open, and the silent moan that threatens to break past your parted lips.
Eric claps his hand down over your mouth before it can. Your eyes fly open, your cunt clenches down around him, and he bares his teeth as you cum hard. It’s cyclical, comes in waves as he continues to stroke you through it, as he keeps his hand clamped down on your mouth to keep you quiet.
To keep you quiet.
Feverish and exhausted, you come down with your chest against his, Eric’s head flopped back onto the backrest of the couch. Your knees fucking hurt and you have yet to get off of him, and you sort of dread the moment when you have to. But this means your mouth is positioned right next to Eric’s ear, and you’re nothing if not a talker.
“Eric?” you whisper, and he turns his head just enough to let you know he heard you. “I’m glad that I met you when I did. Even if it’s terrible timing, I’m glad we met.”
A sweet, tired smile flits across Eric’s beautiful face. He nudges his nose against your temple. “I’m glad, too.”
You shift off of him, and he squeezes your thigh just at the same time as he scrunches his face. He’s such a trooper about it, you kiss his cheek as you go, leaning over to grab a pair of earphones from the coffee table.
You hand one ear bud to him, watching as confusion crosses his face. He watches you type on your phone as he tucks the bud into his ear, and you the other.
On low volume, you listen to the soft piano and saxophone intro to an old jazz standard. Eric grins, his hand finding your cheek before he pulls you in for a kiss.
And then, Billie Holiday’s voice plays for only you two to hear.
Living for you is easy living, It’s easy to live when you’re in love And I’m so in love, There’s nothing in life but you.
#eric a quiet place day one#eric a quiet place x reader#a quiet place day one#roses*#eric x reader#eric a quiet place day one x you#eric a quiet place x you#eric a quiet place day one x reader#eric fan fiction#eric x you#joseph quinn
3K notes
·
View notes
Text
݁ ˖ ◜You're Vi's prison wife: 18+ HCs
•Vi who was never quiet in prison. She loved mouthing off, especially to the guys who had egos 20 times the size of their dicks. She usually stuck to using people for her own gain in Stillwater. Men were her entertainment, and women her pleasure. Anything between could serve as both, depending on how annoying they were.
•Vi who was sent to share your cell after she tortured some poor guy in the cell next to hers. The warden's orders were final, and she was banned from even stepping foot in that floor. You resided in the third floor for petty crimes, but you were a Zaunite, so of course you were given more time than necessary.
•Vi who was always either punching the walls of your cell or making sarcastic comments. It was honestly entertaining for you, a blessing in a place like Stillwater. She warmed up to you quickly, probably out of pure boredom and loneliness, but she didn't mind sharing a cell if it meant with a pretty undercity girl. She was starting to get...ansty, though.
•Vi who (mostly) jokingly asked you to be her prison wife. You laughed in her face at first, confused as to what the term 'prison wife' even meant. She explained to you, in great detail, that prison wives are like short-term relationships without the actual love. It was just a way to combat the loneliness that set in with the environment and to have a physical stress-reliever. Then she asked you forreal, and you ended up agreeing with the pathetic but desperate feelings that swarmed you. Everyone had the need to feel loved, even if it was pretend. It was just human nature.
•Vi who liked sneaking over to your bed at night when the guards didn't really care to do rounds after midnight. At first, it was for cheeky reasons such as talking to you, sometimes flirting around. Then, she'd plop down onto your bed and pull you in for late-night make-out sessions. Her lips felt so warm against yours, even if they were chapped and she was rather brash. Her kisses felt desperate in a sense, as she always sought out your tongue with hers, and after the first few times, quiet laughs and small sessions turned into her mouth finding its way down your body, her eyes remaining on yours as she ate you out like you were a Michelin-level meal in a world of canned beans.
•Vi who was a MUNCH. She loved taking her time, smothering her wet, sloppy kisses all over your thighs in the late hours until you cursed under your breath and only encouraged more. Fuck, she loved taking care of her prison wife. She'd finally slide her tongue between your slick folds, dipping deeper into your hole and letting her nose brush up against your swollen bud. Soon, she'd attend the mass that was your clit, her tongue swirling around it as she used her heavy hands to pry your legs further apart. You would be dumbed down to absolutely nothing, a blabbering slut for her to mold however she wanted. You would beg for mercy after the third orgasm, and Vi would feign sweetness, climbing up your body to clamp a hand over your mouth. When you finally began to relax, she gave you a shit-eating grin and slid two(or three if you can handle it) digits into your cunt, loving the way your whines created vibrations through her other hand that muffled your sounds.
•Vi who was more than just pleasure for you. Being a wife and all is always more than what you get from simply fucking. For instance: the prison food in Stillwater was unbelievably horrible, but you did like the peaches they'd serve. Vi, like clockwork, would shuffle over to you and hold out her tray to you, peaches the only uneaten food. In return, you had her back. If a guard asked you if Vi had anything to do with the guy with a broken nose? You didn't see a thing.
•Vi who was obsessed with your tits. Sometimes, she'd spend what felt like hours with her mouth latched onto one of your nipples, your breathing heavy from the pure intensity of her touch. She wouldn't even need to fuck you on those nights, and if she did she'd still have a hand groping a tit while she had her head buried between your thighs, or leave hickies on both as her fingers sought deep inside you.
•Vi who noticed you had a huge problem with not being able to shut up during sex, so she opted for slipping her fingers into your mouth. That choice turned out much different than she had even hoped for, because the feeling of your soft, wet tongue swirling around and tasting her skin? God, it’d send jolts straight to her core. It became a routine to practically finger-fuck your mouth while she was actually finger-fucking you.
•Vi who fell much harder for you than she should've. She wasn't immune to feelings, but at least tried to keep everything impersonal in prison. You, however, wrecked any efforts she made. You were addictive and made her weak in the knees with a smile. You were somehow so soft and sweet, and you didn't truly belong in a cell. Still, she was grateful you were, so she could have you all to herself for as long as possible.
•Vi who got out a few months before you, and when you finally returned to the under-city, she didn't hesitate to stake a claim on you forreal. You were hers, inside or outside of that fucked up prison. Just now, she could have you moan as loudly as she could possibly cause, and she could fuck you in her own bed.
#i need vi so bad guys#vi arcane#vi x reader#vi smut#arcane#vi x fem reader#violet arcane#lesbian sex#lesbian#arcane headcanon#vi headcanons
2K notes
·
View notes
Text
This will be the last update about the accusations against Nyx and me from last year and recent months.
VERSION EN ESPAÑOL:
I cannot force everyone to forgive or believe us, but I would like to provide a closure from our part on the events following Hopeless Peaches' false accusations last year, and a few more that have been reappearing this year, once more.
In recent months, we resumed communication with CrystalFlame, one of the victims of the Glitchtale server. Crystal acknowledged that the accusations against us for allegedly being sexual towards minors and bribing her to remain silent about our "crimes" were entirely fabricated by these people. It was never our intention to hide our past mistakes with money. The separate donations Nyx and I gave to Crystal were solely intended to help her.
Regarding the conversations on Skype in 2017, neither Nyx nor I ever forced the minors present to engage in sexual behavior for our entertainment, nor did we sexualize them in any way. There were inappropriate conversations between adults, in which they should not have been involved, and we recognize our mistake in being negligent and not caring enough about them. I must admit that Veir also disgusted me, and I reacted foolishly by not confronting him or by saying things he liked just to make him leave me alone. I deeply regret this. Although we have apologized to Crystal for this, I also want to apologize to the minors who were there, even if they don't want to know about this anymore, and to the entire community for this huge mistake. Since Nyx and I stopped using that chat short after our irl meeting that same year, plus our detachment to the members of GT, we have changed our views significantly both in public and in private, creating a healthy community for everyone. I will add more details later regarding my experiences with NSFW material, for which I have also been accused of being a depraved person.
I disagree with how Nyx tried to explain how these behaviors were so normalized, but he never intended to endorse the toxicity and unpunished crimes occurring in Latin culture. Nyx acknowledges this, and we discussed it again privately with Crystal. We apologize once more to our Latin members who might have been offended by this take, which could have been better explained. Nyx and I said a lot of things out of fear and frustration, which caused more harm and distress rather than solutions due to the explosive harassment we faced because of the false accusations by Hopeless Peaches and their group. I won't go into too many details because I have chosen to keep my mental health private, but this wave of harassment severely impacted my mental and physical health, and I am currently undergoing treatment to manage the aftermath.
However, I want to take full responsibility for causing Nyx to act out of emotion rather than with a clear mind in a desperate attempt to protect me, as Crystal ended up in a very complicated situation during the harassment wave created by Peaches, making her believe that our lives were in her hands and dependent on her choices. This was not only inappropriate but also unfair, considering Crystal was going through a lot at that time. Nyx and I poorly worded many things both publicly and privately. We should never have let our emotions take over while trying to defend ourselves. We could have handled the situation more maturely. None of these mistakes will be repeated ever again. Crystal has also admitted her mistakes. Many things would have taken a different path if dialogue had been the first option instead of public statements, but both sides have learned a lot.
With all this, I don't want to hear anything about Glitchtale, its creator, or its still-active members. Nor do I want to hear about Hopeless Peaches or their community, or what's left of it. My purpose on the internet is to entertain people with my art, and on the rare occasions I interact publicly, to maintain a calm and healthy environment, as I have been doing for years. My boundaries with fans are very strict and defined. It may sound ambitious or silly to many, but for a long time, I have wanted to make a difference and show that not all artists with a large audience are people who hide dark secrets and seek to harm others. I just want to tell stories and brighten people's days.
People have become used to seeing random individuals or public figures being exposed daily for horrible acts and behavior, which is very depressing. However, when those accusations are false, it is sometimes too late to undo the damage. No one likes to be pointed at and accused of something they didn't commit, especially when those accusations are serious, like harming another human being.
Some people today are confused and believe that I am actually Camila, and that Nyx is Veir, that my husband has been dating minors despite us being married, and that I defended my "pedophile" partner and protected other groomers. People are not only mistaking us for other individuals, but we also don't have anything to do with that other than the 2017 Skype chats. We have been put in some sort of black list from parts of the fandom due to misinformation or because some people seek an excuse to justify their dislike for us by wishing we had harmed real children. This is sickening, sickeing and frustrating if you actually think about the victims not only in fandoms but everywhere. So, please, I beg you to distinguish between names and what has actually happened. Even if you don't like us, don't seek or wish for us to be monsters just to feel proud of yourselves.
I feel I could regain some peace in my heart by having the opportunity to talk to Crystal about all what happened and ending in good terms. This should be the end of the whole controversy regarding the Skype Chat and the GT Server.
Now I would also like to take the opportunity to talk about other accusations still aimed at me to this day, which I once explained on a Twitter thread that was eventually deleted due to unnecesary arguments between fans. I'm being accused of being a horrible and irredeemable person for drawing a comic in my early years in the fandom that insinuated a non-consensual act between Cross and Dream.
Before any explanation, I want to emphasize that I still feel immense regret and shame for creating that nsfw comic, even if I didn't feel comfortable doing so, I still made the decision as an adult and shouldn't have done it in a space where there were minors and people who might find that material triggering. Even though it happened many years ago, it was not right, and I will apologize as many times as necessary.
I haven't had any contact with the creator of Dreamtale since 2017, so I'm unaware of her current viewpoint about this topic in general, but one thing is certain: both of us don't want to be associated with that ship between our characters and want to move on. We want it as far away from us as possible. I don't want anybody to harass her over this situation.
During that time, I was in an unstable relationship with the creator of Dreamtale, with whom I used to roleplay privately. This, along with being pressured to make the ship "canon", led me to create the comics for that ship. Among them was the infamous scene for which I'm accused of supporting rape. This content and private interactions reached a point where the entire situation made me uncomfortable, along with the toxic attitudes in our relationship, I ended up closing the blog, though not before writing a summary of what would happen next in the story -that didn't have any other sexual moments, to clarify-, simply a closure for those who enjoyed the comic. Not long after, we broke up.
After this experience, I began to realize that any NSFW content, both fictional and real, made me very uncomfortable. This is connected to future members of the fandom, like Veir, who tried to sexualize me, and later, ex-friends whom I wanted to please for their support during my growth as a content creator by drawing them private NSFW commissions. I ignored my discomfort, believing I was doing the right thing and that I could trust them, but what happened later finally made me understand that I personally cannot tolerate any of this content.
This group of people shared these private commissions among themselves. One of these people was someone I considered a close friend and was even my Discord moderator but began abusing their power towards other members, trying to escape the consequences just because of our friendship. They even tried to offer me money to remove a character from another artist who would appear in my animation as a cameo, just because they both had personal issues. I decided to end our friendship because I saw no changes or improvements on their part and I felt i was being used as a power tool for them.
It wasn't long after this that I found an alt account of them, posting these private NSFW drawings, tagging me to attract attention as a form of revenge for cutting ties with them (They also got Nyx's phone number to trying to get in contact with me despite what they were doing). These images spread last year among a few people who, unaware of the background, used them as a reason to question me as an artist. However I explained the rest of the story before it became more public, and I appreciate that they listened to me first, however, the damage was already done.
In March of this year, I made a thread on Twitter explaining this and my reason for not supporting or consuming NSFW content. I want to stay away from this whole debate. I don't want my words to be used to attack others. My reasons for not enjoying this are because I had people around me who caused me a lot of harm with this matter, it triggers me, and I don't like any sexual topics around me, even as an adult reaching my 30s. I simply don't like it, I'm not interested, and I want my feelings to be respected. I'm very aware that more than half of my audience are minors, and I know how to behave and what to show in my art, but there are still others looking for any excuse to call me or my husband horrible things. It has happened before with accusations of transphobia for making Frisk and Chara from Xtale male instead of non-binary as they are in the canon version. I have been called a pedophile for portraying Frisk and Muffet from XTale in an innocent romantic context, even though there is no age difference, just because is not following, again, the canon (which with all honesty, I'm not aware if it has been confirmed she is a child or not). I have been accused of racism because of the characters' skin color, and so on.
Being hated in a fandom as an artist with a big following is supposed to be normal, but, to what extent?
I know I should ignore those comments and move on, but I still don't understand why it hurts so much that people want to discredit my efforts as an artist and as a person by believing they have found some dark secret in me… I really can't understand, I just want to live in peace.
My art is my only escape from negative thoughts. Nyx is my only support in real life. I have been working on how to deal with online criticism and harassment, but it is really hard when people tell lies in order to ruin a life, especially when those lies try to make us look like disgusting human beings. This puts me in a lot of distress, mostly because I hate conflict and prefer to be left alone. I want to be a role model in this community by not getting involved with problematic people and toxic environments. Even if there are people who don't like my work, I want to show that there is still a bit of decency and common sense in the art community.
For this reason, this will be the last time I talk about this because I want to focus on what makes me, my husband, and my audience happy. I want to set an example, and I want people to read this, try to understand our position, and give us a chance.
Once again, we deeply regret the mistakes we made in the past.
2K notes
·
View notes
Text
Prompts for AI-less Whumptober 2024
As promised, we're bringing you the official prompt list of AI-less Whumptober 2024 today!
We have 31 days of excellent whump prompts, with three prompts per day to pick from, fun themes, and 10 alt prompts to play around with. We hope you enjoy! Additional info + plain text versions of the prompts can be found under the cut.
FAQ and Rules
What sort of content can I create for this event?
You can create whatever you want (fic, art, edits, etc). Any fandom is allowed, as well as OC stuff. NSFW is allowed, but please tag your content accordingly! The only thing not allowed is AI-generated content.
Do I need to make 31 things to participate?
Oh heavens no! You can make as much or as little content as you like, skip days when desired, or combine prompts (so for example, write something that covers a prompt from day 1, 2, AND 3). You don't have to do the days in order either, go wild! To be considered a 'completionist', you only have to make sure that at the end of the month, you've covered 31 prompts from 31 different days, but whether you do that in 31 works or just 1 is up to you.
What are these alts about?
If none of the three prompts of a particular day are your cup of tea, you can swap them out for an alt prompt of your choice.
What are these themes about?
Just a little bit of extra fun for the mods. Like last year, we'll be handing out various badges for people participating in the event. A full list can be found here, perhaps there is a special badge or two for people who can't be completionists but who do manage to finish every single day of a specific theme ;)
How do I tag and is there an AO3 collection?
It suffices to tag your work with #ailesswhumptober for us to see and reblog it! Please also tag nsfw, since we'll be using that tag too. Tagging the day is optional but does help the mods along.
There is an AO3 collection to add your fics to here.
That should be all. If you have any additional questions, check our pinned or hit us up in the ask box. Or join our discord maybe, whumping can be a great group activity!
---
Plain text versions of the prompts:
October 1 - Torture Tuesday
public torture/public use, stress position, “If you cry, we’ll go easy on you.”
October 2 - Whumperless Wednesday
Unfortunate fall, car accident, “Don’t move. You’ll be okay.”
October 3 - Trauma Thursday
Shared trauma, survivor’s guilt, “It’s not your fault.”
October 4 - Fright/Freaky Friday
Painful transformation, non-consensual body modifications, “You’re a monster.”
October 5 - Sensory Saturday
Overstimulation, migraines, “I can’t take this anymore.”
October 6 - Surprise Sunday
Multiple whumpees, self sacrifice, “I’m the only one who can do this.”
October 7 - Medical Monday
Field medicine, running out of supplies, “Hold on, we’re going to have to improvise.”
October 8 - Torture Tuesday
Rope burns, gagged, “You’re so much prettier this way.”
October 9 - Whumperless Wednesday
Hypothermia, heatstroke, “You look pretty pale.”
October 10 - Trauma Thursday
Self worth issues, pushing away a loved one, “You don't need to earn this.”
October 11 - Fright/Freaky Friday
Hallucinations, truth serum, “Why would you even say that?”
October 12 - Sensory Saturday
Isolation, sensory deprivation, “Can you feel me? I’m right here, whumpee.”
October 13 - Surprise Sunday
Whumpee using themself as bait, defiance, “Take me instead.”
October 14 - Medical Monday
Seizures, concussion, “See if you can follow my finger with your eyes.”
October 15 - Torture Tuesday
Waterboarding, removing body parts, “Don’t break down on me yet.”
October 16 - Whumperless Wednesday
Drowning, hostile environment, “I don’t know how anybody could survive that.”
October 17 - Trauma Thursday
Abandonment, misunderstanding, “Why did I even think you cared?”
October 18 - Fright/Freaky Friday
Mind control, possession, “Everybody will end up despising you.”
October 19 - Sensory Saturday
Disassociation, losing a sense, “I wish I could get you back.”
October 20 - Surprise Sunday
Enemy/Stranger to caretaker, accidental de-aging, “I’m absolutely not qualified for this shit.”
October 21 - Medical Monday
Drugged, ambulance ride, “This will make you feel better, okay?”
October 22 - Torture Tuesday
Forced (to kneel/watch/hurt somebody else), whipped, “Do not look away.” October 23 - Whumperless Wednesday
Fever, passing out, “Hey?! Stay with me, okay?!”
October 24 - Trauma Thursday
Deconditioning, relapse, “It’s normal that you need more time.”
October 25 - Fright/Freaky Friday
Humiliation, betrayal, “How could you?!”
October 26 - Sensory Saturday
Electrocution, burning, “This is going to sting.”
October 27 - Surprise Sunday
Before vs after, Alternate universe, “Well, there’s a first for everything.”
October 28 - Medical Monday
Internal bleeding, needles and stitches, “I didn’t think the wound was that bad…”
October 29 - Torture Tuesday
Ownership, branding, “Everybody will know that you’re mine.”
October 30 - Whumperless Wednesday
Poison, delirium, “You’re not making sense.”
October 31 - Trauma Thursday
Panic attack, facing a phobia, “You need to get out of here!”
Alt prompts:
1) Pistol whipped
2) Co-dependency
3) Animal bite
4) Zombies
5) White room torture
6) Shock collar
7) Pulling teeth
8) Kidnapping
9) “You always make everything worse!”
10) “If you weren’t around, I’d be long dead by now...”
2K notes
·
View notes
Text
undercover - aaron hotchner x reader
synopsis: in the middle of a case, your worst fear comes true. you have to go on an a date with aaron hotchner, the boss you've been crushing on for months. content: canon-typical violence, tropey, kissing, flirtatious aaron, mentions of alcohol, afab reader who wears a dress. word count: 4k+ a lil bit oops author's note: ahhh my favorite trope in crime shows. enjoy!
"so based on this geographical profile y/n and i worked on, there's only two bars our unsub could frequent with his victims. the first one is more of a nightclub and we don't think it's likely that he'll be bringing them to such a rowdy environment," reid spoke to the crowd of officers and agents awaiting instruction. "the other bar also has a restaurant attached so we'll be keeping our investigation here."
jj grabbed a handful of papers with the bar's information and passed them out to the officers. once reid had stepped to the side, aaron came forward to wrap up their profile.
"he's cunning, yet incredibly violent. do not ambush him. he will escape your grasp and hurt you in the process. be on the lookout officers," he said with a tap to the desk that sent everyone back to work. with a subtle turn, aaron gazed at you and reid. "good work on the mapping. meet back up in the conference room in 5."
"thank you, sir," you and reid echoed before beginning to organize your files back into a folder.
all the while you tried to remain professional, your heart throbbed in your chest at the smallest ounce of praise from your boss. the way he held the room in his hand and demanded respect without ever having to actually ask for it was a part of the reason why you've had a crush on them for the better part of a year.
crush, now, felt too small. it was an infatuation at this point.
it didn't matter much, however, because would you ever confess your feelings for your boss? the boss who has been nothing but stoic your entire time of knowing him? absolutely not.
shrugging the butterflies in your body away, you head over to the impromptu coffee station created for the large number of people inside the police station and pour a cup of stale yet hot and much needed energy. this case was a doozy, one that had every agent just wishing for its end. and it felt like it was soon to come to a close. they had been coming up with some kind of plan. what that plan was, you weren't entirely sure.
when you managed to snap a lid on the coffee cup, you headed into the conference room where the rest of the bau were seated haphazardly around the room. you took a spot between emily and reid, eyes focused on aaron and rossi standing in front of a whiteboard.
"that coffee's not any good, is it?" rossi asked, noting the cup in your hand.
"every sip is somehow worse than the last, but i think we all need it," you said, following your statement up with another pained drink. rossi laughed and out of the corner of your eye, you could've swore that the corner of aaron's lips titled into a smirk. you ignored it, though, and began reading the words on the board.
"so, we're hoping to catch the unsub tonight," aaron started suddenly, turning with his ever-present air of professionalism. "if he's still following his schedule, he'll find his next victim tonight, most likely at the bar reid and y/n found. we've thought about how we're going catch him and i think we'll have to go undercover. two of us."
"under what pretenses, exactly?" derek asked on the other side of the table.
"on a date," rossi answered. just faintly, a red tint appeared on aaron's cheeks. you wondered what could possibly have made him- "we've picked our two already. y/n and aaron."
"oh!" you said surprisedly. "what led to this decision, pray tell?"
aaron looked down at his folders as if they were the most important thing in the world in that very moment. rossi glanced over, shook his head, then looked at you again.
"you two just seem the most likely out of any of us to go on a date. we don't want to look suspicious, no?" rossi answered.
"i-uh-i suppose not," you said. "my go bag isn't really packed with date wear clothes. mostly just pantsuits and academy t-shirts."
aaron finally cleared his throat and met your eyes for the first time since it was announced that you two would technically be going on a date. even if you would be wearing bulletproof vests under your clothes.
"that's okay. we won't be going out till 7pm. it's only three now. you're free to find something. as long as it's easy to move in," he said in a voice that felt an octave deeper than usual. and then he did something that almost made you faint on the spot. aaron dug into his pocket, fished out his wallet, and pulled out a credit card. his credit card. "use this."
sheepishly, you took the card from his hands and placed it into your own bag. "thanks," you muttered. an elbow jabbed its way into your side from beside you and emily was smirking at you. you dismissed her with your hand and stood to exit the room.
"hotel lobby at 7, yeah?" aaron said.
you forced a nervous smile to your face and nodded, then left the room. with aaron's credit card in your bag. about to buy an outfit. for a date with him. you weren't entirely positive you could safely drive.
౨ৎ
with the information you had about the bar, you picked a semi-formal, simple dress that paired well with heels you already packed. aaron was already paying for the dress. you couldn't ask him to also pay for the accessories.
after some test laps up and down your hotel room, you declared the outfit was "easy to move in" and grabbed your bag, ensuring that his credit card was still inside. the time was only 6:45, but you knew aaron would already be there, waiting.
with a check that your holster was properly attached to your thigh, you left the room and took the elevator down to the first floor. your heart was beating irregularly in your chest and your hands were clammy, but the reflective surface of the elevator's walls let you know that you looked good. for a fake date with aaron hotchner.
the elevator dinged when the doors opened and immediately, you saw aaron sitting in a lobby chair. he looked up at the sound and stood. he was dressed impeccably well in a suit with his hair done in its usual middle part. handsome was the only word on the tip of your tongue.
"you look beautiful," he said upon reaching your figure. it seemed like he didn't mean for the words to slip out, but instead of retracting them, he simply held out his arm for yours to wrap around.
your mouth went dry, but you knew you had to say something back. "thank you, hotch. you look handsome yourself."
"i think for the purposes of tonight," he said, "you can just call me aaron."
you nodded, finding words hard to muster up. instead, you allowed him to lead out of the hotel to one of the least suspicious looking SUVs parked outside. when he reached the door, he opened it for you.
you couldn't hold back a little laugh at the gesture. "you know...we're not on the date yet," you said. regardless of the light humor of the situation, you allowed him to help you into the passenger seat. he smirked, shut the door, then walked around to his door.
when he got in, his usual stone expression found its way to his face again. "forgive me for wanting to make this feel as natural as possible. i'm sure it's awkward going on a date with your boss. even if it is undercover."
"oh, no!" you blurted out. his eyebrows raised as he backed out of the parking spot. his arm wound its way around your seat, neglecting the back-up camera for the traditional method. "sorry. it's not awkward. you don't have to worry. promise."
"yeah?" he asked, putting the car back into drive and heading to the downtown area of the small town you were in. at a stop sign, he turned to look at you. if you weren't such a highly trained profiler, you would've certainly missed the way his eyes raked up and down your body, taking in your dress of choice. "you made a good pick."
your cheeks warmed with his flattery. to avoid meeting his gaze, you fished the credit card out of your purse to offer back to him. "thanks," you muttered. "you didn't have to pay for it, you know?"
he took the credit card from your grasp and shoved it into his pants pocket. "don't worry about it," he said with a wave of his hand. "figured if you're forced into going on a date, you should have something nice to wear at least."
you looked over to his body in the driver's seat, his face focused on the road ahead of him. "why do you keep assuming that i'm hating every second of this? i mean...how rare is it that we get to eat somewhere nice while on a case? and i'm getting paid for it while in the presence of a handsome man. could be worse things." you didn't know what compelled you to add on the last bit, but when you saw his cheeks flare up, you didn't regret it.
instead of responding, aaron's body relaxed in the driver's seat.
after several minutes of driving, the bar came into view and you bit your lip in nervousness. this unsub was pretty intense and you were heading directly into the lion's den. you tried to cram the nervousness deep down in the pit of your stomach as aaron pulled into the small parking lot next door.
before turning the car completely off, aaron turned his body towards yours. "now we really need to look as inconspicuous as possible. it might feel weird, but we need to look like a real couple on a date, okay?"
"yes, sir," you responded on impulse. "i mean...yes, aaron."
despite his attempts not to, he breathily chuckled. "already off to a great start," he joked. you chuckled with him and unbuckled your seat. "i'm gonna text the team that we're heading in. don't open your door. let me do it."
a minute of quick texting passed by and aaron shut off the car, then stepped out. a few seconds passed before your door opened and aaron was extending his hand to yours. you took it with a sweet smile and let him lead you out of the car. he shut the door behind you and your arm found his own again.
regardless of the reason being for the case or for just the pure want to be closer to him, you leaned into aaron's strong body. he took to the gesture immediately and held you even closer. it was intoxicating, but you kept your gaze focused on the bar ahead.
after what felt like agonizing hours of walking side by side, you came onto the host stand at the front of the restaurant.
"how many?" the host asked.
"two," aaron responded. the hand that was holding on to your arm began rubbing the skin there up and down. every touch of his fingers left goosebumps.
the host gestured for the two of you to follow her. quicker than you'd like, she led you towards a table in the middle of the restaurant. your eyes surveyed the restaurant and bar around you, scanning for someone that resembled the unsub's profile. once the host walked away, you and aaron looked at each other and shook your heads, signaling that nothing felt out of the ordinary so far.
"order whatever you'd like," aaron said, his head pointing towards the menu in your hand. "hon," he added.
the petname rolled from his tongue naturally, as if it was a name he had been calling you for years. you tried to not show that it affected you much, but aaron noticed the way your breath caught in your throat. despite the nervousness that settled over your body, you decided to take another leap and with a shift in your seat, your heeled foot grazed over his leg. he was shocked at the sudden touch, but spread his legs further nonetheless.
you didn't pull away either when the server came forward.
"welcome, guys. date night tonight, i'm guessing?" she asked with a smile.
"mhm!" you answered first. "decided to get out and dress up for once in a while."
aaron looked at you with an almost impressed look. maybe rossi was right. you did look like a couple.
"isn't that nice? well, what would you two like to drink tonight?"
"an old-fashioned, please," aaron responded. "and a water."
"i'll take a cosmopolitan and a water," you added.
the server noted down the drinks and walked away. your foot continued sliding up and down aaron's legs, becoming a subconscious act at that point. he flipped through the menu once, then glanced around the room again. still nothing.
"an old-fashioned, hmm?" you asked, eyeing one of the meals on the menu that sounded particularly tasty.
"is that shocking?" he asked.
"no," you answered honestly. "just learning more about you, aaron."
aaron hummed, as if he were about to say something, but instead focused on his menu again. a few minutes of comfortable silence passed before the server came over with a tray of your drinks. she sat them down on the table, along with the waters, then pulled out a notepad again.
"had enough time to pick what you'd like?" she asked.
"know what you want, dear?" you asked, looking up at aaron.
"i'll take the steak frites," he said to the server.
both he and the server looked at you. you told her what you'd like from the menu, hoping it wasn't expensive enough for aaron. he barely registered the price, though, and instead collected your menus to hand to the server. if this was what dates were usually like with him, you could definitely tolerate them.
"you look like you're thinking about something," aaron said from the other side of the table where he had been watching both you and the door intently.
you took a sip of your drink and sat it back down. "i thought we said no profiling your coworkers, dear," you teased. "i feel like that applies tenfold when you're on a date."
he chuckled and took a sip of his own drink. you noted just how attractive he was with a glass of whiskey in his hand, laughing.
"pardon me for wanting to know what my beautiful date has in her head," aaron said. his words made you bite your lip and look down at the table. suddenly, though, his demeanor shifted as his eyes connected with someone coming in at the door. "don't turn around."
"is he here?" you whispered.
he nodded and picked up his drink, eyes following him to the bar. almost imperceptibly, he tilted his head towards the bar. "fifth seat," he whispered back.
sure enough, an unsub matching the physical profile had seated himself next to an alone woman at the bar. almost immediately upon sitting down, he began talking to her. the fact that the man you had been trying to catch for a long time, the man who committed some really gruesome murders was that close to you made you almost ill. you passed your emotions off by taking a drink.
"i'm gonna grab another drink, baby. i haven't seen the server around," aaron suddenly said. he nodded to you, perhaps for reassurance, before standing and adjusting his blazer to ensure the holster on his side was covered. luckily, the seat directly next to the woman was empty and he positioned himself on the other side of it. the unsub barely registered his presence, which was good. you took note of his clothes, his hair, everything, just in case she slipped through your grasp again.
eventually, aaron had flagged down the bartender, ordered his second drink, and came back with it in his hand.
"he's just flirting with her," aaron whispered once he was out of earshot. "but she's falling for it. probably not long till he tries to leave with her."
"i won't get to finish my food," you said half-seriously.
"i'll get it boxed up for you, hon," he said. though that time, aaron's voice was a whisper. the petname was for you alone.
just as aaron had expected, the unsub stood from his seat at the bar, the woman next to him following suit. together, they headed towards the back where the bathroom was, along with an exit inside the kitchen which he was likely going to use. both yours and aarons followed them and with a curt nod, you both stood to head towards the back, several paces behind them.
suddenly, they went through a door, to what seemed like a closet first before going into the kitchen. you and aaron paused at the beginning of the hallway. then some noises erupted from the closet, ones that would make an older woman blush and hold her hand to her mouth.
aaron looked back at you with a confused look on his face. at that very moment, the closet door opened. you and aaron looked at each other in panic, but just before they stepped out of the closet, you grabbed aaron by his tie and pulled him closer to you.
within seconds, you had hiked your leg up his own, revealing your thigh in the dress. his hand quickly came to the skin and he squeezed tightly. to add to the scene, you wrapped a hand around the base of aaron's neck and pulled him down. his lips met your own with a rough clash, but then the kiss smoothed out.
at first, he was still, lips unmoving against yours. when your fingers tangled themselves into the short hairs at his neck, he finally kissed you back. acting, he thought to himself as he deepened the kiss and pulled your leg higher up his. undercover, he tried to remind himself when your lips let forth a whimper into his mouth.
neither of you wanted to pull away. you only pulled your head back when you heard the kitchen door swing open and closed. you inhaled a deep breath and met aaron's dark brown eyes. they were wide and his cheeks were flushed.
"sorry. i-it was all i could think to do," you stuttered out.
aaron shook his head. "don't be," he said quickly. "come on, he's about to leave. we'll talk after."
you felt the warmth of aaron's body leave yours as he pulled the gun from his holster. you retrieved your own from your thigh and followed him through the kitchen. he flashed his badge towards the chefs to get them to stop yelling and they pointed towards the exit where the unsub had just left.
both of you picked up your pace. had the kiss deepened for a few more seconds, you would have certainly missed him. however, as soon as you threw open the exit door, the unsub was forcefully shoving the young woman into his car.
"fbi! put your hands up and back away from the car!" aaron yelled. the unsub didn't do immediately as asked, despite two guns pointing in his direction. "i won't ask again! put your hands up and back away from the car!"
in a quick flash, the unsub reached inside his jacket. in the streetlight, you saw the glint of a gun. hardly a second passed before he pulled it out, aimed, but then fell to the asphalt.
your finger came off the trigger and before lodging it back into the holster, you turned the safety back on. you hadn't killed him, only immobilized him in his right leg. it was enough for aaron to run forwards, take the gun and throw it to the side. while he placed handcuffs on the unsub, you ran to the other side of the car and rescued the woman from the passenger seat. crying, she fell into your arms. suddenly, you were surrounded by the town's police department, along with the rest of your team who had been waiting just down the street.
before everything got too hectic to seek each other out, you and aaron took a long look at each other. he nodded with a smile, his form of praise, before hauling the unsub into a police car.
౨ৎ
a few hours had passed before everyone was released from the scene. the bau loaded up into their SUVs, aaron taking the one you had rode together in. much to your chagrin, his car filled up before you could get in with him. instead, you rode with emily and reid on the way back to the hotel to gather your belongings.
when you arrived to the hotel, everyone split off into their rooms. aaron seemed to be speaking privately with rossi so you opted to go upstairs and change out of the outfit you had been wearing for the better half of the night.
as you were unbuckling your heels and placing them back into your go-bag, you heard a faint knock on the door. you rose from the bed, feet aching, and answered it.
there, aaron stood with a white t-shirt on, having had to change out of his clothes from the scene.
"hey," you said.
"can i come in?" he asked.
only then did you notice that he was holding something behind his back. you stepped to the side to allow him to enter and he scooted the item in front of him to prevent you from seeing.
"what do you have there?" you asked. slowly, he brought forth two boxes of food, having kept his promise from earlier.
"it's probably not the freshest anymore, but nothing that a microwave can't fix," he said sheepishly.
you could've cried on the spot. smiling brightly, you took the food from his hands and sat it on the hotel desk. a grunt escaped his lips as your arms engulfed him in a hug. his arms wrapped around your body and your feet lifted from the ground a little.
"thank you," you said genuinely.
aaron watched as you took the food and warmed them up, going for yours first so that he could have the slightly warmer meal. once they were both ready to be ate, you found some plastic silverware in the little coffee tray and handed one set to him.
"round two?" you said with a shrug.
"round two," he agreed. "but...i wouldn't mind a round three, or four, or five, when we get back home." he picked up a fry from his plate and popped it in his mouth.
"glad to know my impulsive gift didn't scare you off," you joked. you paused for a second and set the food down. "which, i mean, i wouldn't mind a round two on that either."
aaron paused too, setting his own box back down on the desk. he stood and offered his hand to help you up from the bed. you took it and rose. then, his hand wrapped around your back where his palm was splayed across the skin there.
"i wouldn't mind a round two either," he said quietly. "but i call the shots this time."
your knees felt weak being so close to aaron. you didn't miss the way his cheeks flared and one of his hands shook nervously. had he been feeling the same way for you for this long too?
"you can call the shots anytime, hon," you teased, echoing the petnames for earlier.
smirking, his free hand ghosted up your side till it met your chin. his fingers titled your head upwards and ever so softly, he leaned in. this kiss was much more romantic, more loving, less rushed. he had time, now. he wasn't kissing you to hide from someone else. he was kissing you because he has been wanting to for oh so long.
minutes must've passed before the two of you pulled away to a pure need to breathe. he smiled. "good round two?"
"i think i'm gonna need a few more just to double check."
#aaron hotchner#aaron hotchner x reader#aaron hotchner criminal minds#thomas gibson#aaron#hotchner#criminal minds#criminal minds x reader#aaron hotchner fluff#ssa aaron hotchner#bau
895 notes
·
View notes