#that it ended up creating this environment of having to do

[lampfacedstudios]

Hi, I’m curious about schism, the offspring of shockwave and Astro, since he’s adorable as an sparkling and what he looks like if he’s grown up like if there any headcanons about him

I do have some headcanons about Schism! I've never drawn him "grown up", and because it's been over ten years since I first made him I imagine he'd get a redesign anyways even as a kiddo if I did draw him again. I think it's been at least nine years since I last drew him.

Schism was a project, not a child for the sake of creating a family unit. He was made so there would be a successor/student to Shockwave and Astro's various works. (tl;dr in my headcanon, sparkling creation does not resemble human procreation. A body is constructed/grown in a lab setting, and the "spark" is created with donated energy from whatever parent/parents are involved, similar to any other kind of medical donation. Sometimes it's more sentimental, but in this case is was extremely clinical.) That being said, the two of them would never admit it, but they do get attached to their kid on a sentimental level over time.

Schism is a creepy child. He doesn't speak. There's absolutely nothing wrong with his vocal processors, he just... doesn't speak.

There was one time, long after everyone had resigned themselves to the likelihood that he would never speak, where he said a full sentence. He hasn't said anything again since.

He's also freakishly quiet when he moves around. It's fairly common to suddenly look up and see the kid staring at you from the end of the hall when he wasn't there before, and then the next time you look he's gone. Or, he'll slowly turn to go on his way while maintaining eye contact. It's not clear if the reason he'll stalk people has anything to do with wanting to learn more about them from a benign or more messed up place.

Schism is very curious in a cold, calculating sort of way. He's very smart too, of course, and can often be found in decidedly-not-child-friendly environments like Shockwave's lab watching everything with a very rapt stillness. He absolutely knows how everything works, the only thing keeping him from doing much is his tiny size as a sparkling.

He doesn't seem to be afraid of anything. No sense of fear at all around things that are supposed to be dangerous or intimidating.

Schism's wings shuffle/buzz when he's frustrated/annoyed. He sounds like a beetle. It's the only sign that he is frustrated, as he's very good at otherwise appearing collected.

Schism will maintain intense eye contact and motion with his hands when he wants something. Most often seen with demanding his parents hoist him up onto their shoulders for a better vantage point of whatever's going on.

[himasgod]

Gaming x Reader

Where you are a craftswoman, and he always make sure that your orders arrive correctly

You work as a craftswoman in Yilong Port, creating small sculptures that merchants sell in other regions. Although you've seen Gaming many times helping merchants, you've never had the chance to talk to him. Everything changes when a problematic delivery leads you to cross paths with this energetic and lively escort.

(HAPPY BIRTHDAY GAMING I LOVE YOU SO MUCH <3)

At Yilong Port, work never stopped.

Every day was a dance of activity: merchants haggled, fishermen unloaded their loot, and you immersed yourself in the workshop, delicately carving small sculptures. The pieces you created, from animal figures to ornaments inspired by local legends, were in high demand in other regions. Although you loved your craft, there were days when exhaustion caught up with you, and this was one of those days.

“This order is a mess!” you muttered to yourself, looking at the pile of sculptures that still needed to be packed.

You had worked tirelessly to complete an urgent order, but the merchant who was supposed to pick it up never arrived. Now, you were at the port, carrying the box yourself and looking for the delivery man.

That was when you saw him: Gaming, with his unmistakable red amd brown hair and his smile that seemed to light up the place. He was helping a group of merchants load their ships, moving with an energy that seemed inexhaustible.

“Do you need help with that?” he suddenly asked, coming closer as he saw you struggling with the box.

“I don’t want to bother you…” you replied, but he had already taken the box with ease, as if it weighed nothing.

“It would be bothersome to let you continue carrying this alone. Come on, where are you going?”

His tone was carefree, but there was something in his eyes that made you feel like he really wanted to help.

From that moment on, Gaming began to appear frequently in your path.

He always had an excuse to stop by the workshop, whether it was to “make sure the merchants weren’t late again” or just to see how your projects were going.

At first, you found him a little annoying; his energy contrasted with your calm environment. But over time, you realized that his company made the days less lonely.

“Your sculptures are amazing,” he said one day, as he watched you work on a dragon figure.

“Thank you. I always try to make each piece tell a story,” you replied, without taking your eyes off your work.

“And what is the story of this dragon?”

You paused for a moment, surprised by his genuine interest. “It’s about a guardian who protected his people, even when no one believed in him.”

Gaming smiled, but this time his expression had something else, something melancholic. “I like it. The dragon looks like the Wushou dance's one. I also dance."

His words intrigued you, but you didn’t want to push him. It was during another conversation, while sharing an improvised Honey Char Siu, that Gaming began to open up.

“Before I got here, I traveled a lot. I’ve always wanted to see the world, meet people, help them fulfill their dreams. But…” He paused, his gaze lost on the horizon. “Sometimes I feel like, while I do that, I forget my own.”

“And what are your dreams?” you asked softly.

He laughed, though his laugh didn’t have the same energy as usual. “I guess I’m still trying to figure it out.”

It was at that moment that you realized that behind his energetic attitude, Gaming carried a burden that he didn’t always share.

Over time, your relationship became closer. He began helping you in the workshop, though his attempts at woodcarving often ended in disaster. In return, you taught him to appreciate the tranquility of the creative process, something he admitted he needed in his life.

One afternoon, as the sun set over the harbor, Gaming appeared with a surprise: a small wooden box, clumsily carved, but clearly made with effort.

“It’s not as good as your sculptures, but I wanted to make something for you,” he said, handing it to you with a nervous smile.

Opening it, you found a tiny figurine of a bird in flight. It wasn’t perfect, but that made it all the more special.

“Gaming, I... it's beautiful...” you said sincerely, feeling a warmth in your chest that you hadn’t experienced in a long time.

Gaming scratched the back of his neck, clearly relieved. “I wanted you to know that even when I’m busy with merchants or travel, I always think of you!”

That confession, simple but full of meaning, marked the beginning of something new between you.

From then on, every day at Yilong Port was a little brighter. You were no longer just a craftswoman working in solitude, and Gaming was no longer just an escort carrying other people’s burdens. Together, you found a balance: he showed you how to find joy in chaos, and you taught him to appreciate peace in the small moments.

Under the warm lights of the port, the two of you began to build something more lasting than any sculpture or journey: a connection that made every day worthwhile.

[theanxiousghostartist]

A collection of Mouthwashing fanart that I don't think I've posted yet.

Spoilers for Mouthwashing

TW - blood, death, (implied) forced pregnancy, eyestrain, gun

1) IBIS Paint X (phone and finger) - Based on an image I found on Pinterest, I thought this could have been a representation of the two things Jimmy had to take responsibility for: Anya and what he did to her, first and foremost, and Curly (represented by the eyes and the idea that after the crash, he was forced to always watch him). I tried to render the water to make it look like mouthwash.

2) IBIS Paint X (phone and finger) - My rendition of Jimmy being haunted from the end of the game.

3) IBIS Paint X (phone and finger) - Basically, I wanted to do something on how Curly enabled Jimmy. After the assualt, he couldn't do much because of Pony Express (ultimately, one of the major villains of the game), Curly still took up for Jimmy and enabled him. He turned a 'blind eye' to Jimmy's issues in favor of their friendship. While again, the environment that Pomy Express created also enabled Jimmy and protected him from most punishment, it also encouraged Curly to enable Jimmy and protect him. While Jimmy's choices aren't completely Curly's fault, he still bears some responsibility for what happened.

4) A doodle of Curly in my notebook. I used one of the multicolor pens, and I was trying to figure out how his bandages worked.

5) Another doodle of Curly in my notebook, this time using a black ballpoint pen. I went for a more realistic style for this one.

6) IBIS Paint X (phone and finger) - I was finishing this up in the wake of the 2024 US election results. I leave my thoughts from my original Instagram post below (I had cut out slide numbers, but everything else is the same):

"I finished Mouthwashing and started this piece after hearing the news about the US election. I took inspiration from the Friedrich Wilhelm Theodor Heyser Ophelia painting and Anya's story.

What happened to her was disgusting and while I am a part of the Jimmy-hate-club, it is not only him at fault - it is the system that encouraged him to do this and encouraged Curly to protect him. This is something we arleady are seeing in the States - a rapist was elected president, men are chanting "your body, my choice" a women, and some men on lime are threating to assualt when after hearing about the 4B movement. This piece that started out as an escape from reality turned into somewhat of a commentary piece(?)."

[bandzboy]

very much this... cr.

[bitchthefuck1]

That one chef saying that the worst thing about a bad boss is how they unlock that behavior in you and seeing Carmy mirror the attitude of the chef that terrorized him and gave him panic attacks and then ending the season with Syd having a panic attack because of the stress of working with Carmy...diabolical.

[stagefoureddiediaz]

Something something about how all of Eddie’s traumas - well, shooting and now campervan have lead to him being out of contact/ unable to talk properly or at all to the 118, but to buck specifically and in increasingly limited degrees. Next to zero contact in the well and none directly with buck except cutting his line ( it’s always bobby or Chim on the radio to him). Then the shooting - he’s in and out of consciousness and can only check buck isn’t hurt. Now he’s on the radio - the line is open but words are laboured and difficult but there are more of them.

Something something about Eddie needing to talk - to use his words and how he didn’t after the well / he changed his will, but didn’t verbalise it. After the shooting he did have some of the words - he told Buck about said will - because he knew he needed to find them. And now in a season where he’s been playing word games against time and we’ve seen him being more verbal - what are we going to get

[screamingay]

does anyone else think it's bullshit that i keep getting scheduled for 8 hour 11-7 shifts instead of my usual 7 hour 7-2 and i don't even get paid for the full extra hour because the evening shift workers ALWAYS leave like a half hour early?? im never allowed to leave early on 7-2s in fact i usually end up leaving kinda late bc they're always saying we have to finish everything before we leave. but the evening shift never finishes everything before they leave!! every time i come in for a 7-2 i find so much shit unfinished bc the fucking 4 or 5 hour 2/3-7 shift people don't even bother staying until 7 to finish up and apparently management is fine with this?? and whenever i'm there until 7 they pressure everyone to close up by 6:30 so they can go home sooner but i dont fucking care abt that! they automatically take a half hour unpaid lunch out of my timesheet anyway so that plus the leaving early means i don't even get paid much more than i would on my usual shift. and the 11-7 is the worst shift too they keep putting more responsibilities on that one person which somehow also makes it harder for everyone else bc the 11-7 cant help as much. cant fucking wait to hit my one year there so i can finally job hunt again and hopefully find a place that at least gives me time to sit down and eat lunch while im not getting paid. smh

[alexanderwales]

This is a water-seal stoneware crock. The design is ancient.

It is, essentially, a large ceramic vessel that you put vegetables and sometimes brine into. To prevent spoilage, you place those ceramic weights on top of whatever food is in the crock, and that keeps them weighted down, below the level of the water. Because fermentation creates gases, most crocks have a "water groove" in them. The lid sits in the groove, which allows air to escape but not come in. Because fermentation creates gas, the interior of the crock is positive-pressure, and because the gas created is almost entirely carbon dioxide, it's a low-oxygen environment that additionally helps prevent spoilage.

And all this would be pointless without lactobacillus, the bacteria that chomp down on the vegetables you put into the crock. They're anaerobic, which means totally fine without oxygen, and they produce an environment that's inhospitable to most other organisms. The main things they produce are CO2, which means no oxygen for other bacteria, and lactic acid, which makes the fermented thing sour and also decreases the pH low enough that many other bacteria cannot survive. They tolerate high levels of salt, which kill yet more competitor bacteria. It ends up being a really really good way to keep food from going off.

Our ancestors figured this out thousands of years ago without knowing what bacteria were. This general ceramic design has been in use around the world in virtually every place that had ceramics, salt, and too much cabbage or cucumbers that was going to rot if they didn't do something about it. It's thousands of years old, so old that it gets hard to interpret the evidence of the ceramics.

And I have crocks like this in my kitchen, where I make my own ferments, and I always think about how beautiful and elegant it all is, and how this was probably invented hundreds of times as people converged on something that Just Works.

(I do have pH testing strips though.)

[intersex-support]

Help an intersex family in Gaza!

Hi everyone. I'd like to share about a fundraiser that is very important to me. A good friend of mine is in contact with the organizers.

(Described in alt).

Their story:

"Hello, my name is Abeer. I'm organizing this fundraising campaign from Belgium on behalf of my family, who currently live in Gaza. 

Since October 7, all families in Gaza have been subjected to genocide. My family is one of those families that has had to flee its own home several times because of the threat of regular attacks. 

After two months, my family decided to return home and take the risk of being bombed at any moment rather than stay in the street. Our 4-floor building now contains over 100 people who have fled from different parts of Gaza. We always open our hearts for our own people, but we can't do it without your help and support. 

My parents, Kamal (53) and Moukaram (51), are suffering from the war because of their age and health. My brother Suliman, his wife Rawan Abualnaja and their two-year-old daughter Bisan are trying to stay strong, but it's complicated by their little daughter's enormous needs. My other siblings who are not married are Mohammed 25, Inas 22, Ibrahim 17, Abdallah 15.

My family medical condition during the war:

My father suffers from delusional disorders. He can't work or help my family financially. Mohammed and Ibrahim suffer from a chronic disease, congenital adrenal hyperplasia. It is difficult for them to obtain medication in Gaza. One of their medicines has not been available in Gaza for two years. During the war, they couldn't get their medicines because they simply didn't exist anymore. My family members are still suffering. They don't want to be potential victims. They want to escape death and live like other families on the planet.

 On 01/01/2024, they attacked the local mosque and the missile failed to explode and ended up in front of my family's house. My family is in danger and the missile will explode any second.

Since then, my family has decided to be evacuated from Gaza because of the senseless attack on our city. Please help me evacuate my family to Egypt so that they can rebuild their lives in peace.

I've been in Belgium for over five years. I feel useless because I haven't been able to do much except try to help them with their daily living expenses. That's why we created this campaign. We're raising funds to evacuate my family to Egypt, a place that offers a glimmer of hope and stability. However, the cost of the evacuation is high, hence our call for crowdfunding.

Every contribution makes a difference The funds we raise will be used for :

- Evacuation from Gaza for both families (Rafah border crossing fees for 9 people total)  - Two months of temporary living expenses in Egypt, including food, shelter, and transportation  - Passport fees  - Food expences untill they leave Gaza 

No matter how small your contribution, it can make all the difference in breaking the cycle of violence and uncertainty. By supporting our campaign, you are offering a lifeline to our families so that they can rebuild their lives, heal from their trauma and make a fresh start in a safe and secure environment. Please leave a comment and share our campaign with your friends, so we can reach more people and make a bigger impact. Together, we can make a difference!"

They are using a French platform called Papayoux Solidarite instead of GoFundMe. Abeer also has a Paypal account for non European donors.

They are currently at 33 588,78 €/ 50,000 €.

Let's see if we can get them to 34,000 today. Any donation matters, even $1 or $2 donations can add up.

We need to help them meet their goal. Intersex liberation means intersex liberation everywhere--it is so important that we show up in solidarity. Those of us living with CAH know how dangerous salt wasting crises are without medication, and how important it is to urgently help Mohammed and Ibrahim get access to the medications they need to support their CAH. Intersex solidarity means that we need to show up and support intersex people facing genocide.

If you can't donate, please share. Consider doing an art raffle to raise money. Do whatever you can to help this family because it is urgent, and we need to act in solidarity with them now and make sure that the intersex community is here to support them!

[typicalcommondandelion]

Haiii guys the animation is finished. Do you ever think about these two. Because I sure do

[cheyisagirlkisser]

݁ ˖ ◜You're Vi's prison wife: 18+ HCs

•Vi who was never quiet in prison. She loved mouthing off, especially to the guys who had egos 20 times the size of their dicks. She usually stuck to using people for her own gain in Stillwater. Men were her entertainment, and women her pleasure. Anything between could serve as both, depending on how annoying they were.

•Vi who was sent to share your cell after she tortured some poor guy in the cell next to hers. The warden's orders were final, and she was banned from even stepping foot in that floor. You resided in the third floor for petty crimes, but you were a Zaunite, so of course you were given more time than necessary.

•Vi who was always either punching the walls of your cell or making sarcastic comments. It was honestly entertaining for you, a blessing in a place like Stillwater. She warmed up to you quickly, probably out of pure boredom and loneliness, but she didn't mind sharing a cell if it meant with a pretty undercity girl. She was starting to get...ansty, though.

•Vi who (mostly) jokingly asked you to be her prison wife. You laughed in her face at first, confused as to what the term 'prison wife' even meant. She explained to you, in great detail, that prison wives are like short-term relationships without the actual love. It was just a way to combat the loneliness that set in with the environment and to have a physical stress-reliever. Then she asked you forreal, and you ended up agreeing with the pathetic but desperate feelings that swarmed you. Everyone had the need to feel loved, even if it was pretend. It was just human nature.

•Vi who liked sneaking over to your bed at night when the guards didn't really care to do rounds after midnight. At first, it was for cheeky reasons such as talking to you, sometimes flirting around. Then, she'd plop down onto your bed and pull you in for late-night make-out sessions. Her lips felt so warm against yours, even if they were chapped and she was rather brash. Her kisses felt desperate in a sense, as she always sought out your tongue with hers, and after the first few times, quiet laughs and small sessions turned into her mouth finding its way down your body, her eyes remaining on yours as she ate you out like you were a Michelin-level meal in a world of canned beans.

•Vi who was a MUNCH. She loved taking her time, smothering her wet, sloppy kisses all over your thighs in the late hours until you cursed under your breath and only encouraged more. Fuck, she loved taking care of her prison wife. She'd finally slide her tongue between your slick folds, dipping deeper into your hole and letting her nose brush up against your swollen bud. Soon, she'd attend the mass that was your clit, her tongue swirling around it as she used her heavy hands to pry your legs further apart. You would be dumbed down to absolutely nothing, a blabbering slut for her to mold however she wanted. You would beg for mercy after the third orgasm, and Vi would feign sweetness, climbing up your body to clamp a hand over your mouth. When you finally began to relax, she gave you a shit-eating grin and slid two(or three if you can handle it) digits into your cunt, loving the way your whines created vibrations through her other hand that muffled your sounds.

•Vi who was more than just pleasure for you. Being a wife and all is always more than what you get from simply fucking. For instance: the prison food in Stillwater was unbelievably horrible, but you did like the peaches they'd serve. Vi, like clockwork, would shuffle over to you and hold out her tray to you, peaches the only uneaten food. In return, you had her back. If a guard asked you if Vi had anything to do with the guy with a broken nose? You didn't see a thing.

•Vi who was obsessed with your tits. Sometimes, she'd spend what felt like hours with her mouth latched onto one of your nipples, your breathing heavy from the pure intensity of her touch. She wouldn't even need to fuck you on those nights, and if she did she'd still have a hand groping a tit while she had her head buried between your thighs, or leave hickies on both as her fingers sought deep inside you.

•Vi who noticed you had a huge problem with not being able to shut up during sex, so she opted for slipping her fingers into your mouth. That choice turned out much different than she had even hoped for, because the feeling of your soft, wet tongue swirling around and tasting her skin? God, it’d send jolts straight to her core. It became a routine to practically finger-fuck your mouth while she was actually finger-fucking you.

•Vi who fell much harder for you than she should've. She wasn't immune to feelings, but at least tried to keep everything impersonal in prison. You, however, wrecked any efforts she made. You were addictive and made her weak in the knees with a smile. You were somehow so soft and sweet, and you didn't truly belong in a cell. Still, she was grateful you were, so she could have you all to herself for as long as possible.

•Vi who got out a few months before you, and when you finally returned to the under-city, she didn't hesitate to stake a claim on you forreal. You were hers, inside or outside of that fucked up prison. Just now, she could have you moan as loudly as she could possibly cause, and she could fuck you in her own bed.

[jakei95]

This will be the last update about the accusations against Nyx and me from last year and recent months.

VERSION EN ESPAÑOL:

I cannot force everyone to forgive or believe us, but I would like to provide a closure from our part on the events following Hopeless Peaches' false accusations last year, and a few more that have been reappearing this year, once more.

In recent months, we resumed communication with CrystalFlame, one of the victims of the Glitchtale server. Crystal acknowledged that the accusations against us for allegedly being sexual towards minors and bribing her to remain silent about our "crimes" were entirely fabricated by these people. It was never our intention to hide our past mistakes with money. The separate donations Nyx and I gave to Crystal were solely intended to help her.

Regarding the conversations on Skype in 2017, neither Nyx nor I ever forced the minors present to engage in sexual behavior for our entertainment, nor did we sexualize them in any way. There were inappropriate conversations between adults, in which they should not have been involved, and we recognize our mistake in being negligent and not caring enough about them. I must admit that Veir also disgusted me, and I reacted foolishly by not confronting him or by saying things he liked just to make him leave me alone. I deeply regret this. Although we have apologized to Crystal for this, I also want to apologize to the minors who were there, even if they don't want to know about this anymore, and to the entire community for this huge mistake. Since Nyx and I stopped using that chat short after our irl meeting that same year, plus our detachment to the members of GT, we have changed our views significantly both in public and in private, creating a healthy community for everyone. I will add more details later regarding my experiences with NSFW material, for which I have also been accused of being a depraved person.

I disagree with how Nyx tried to explain how these behaviors were so normalized, but he never intended to endorse the toxicity and unpunished crimes occurring in Latin culture. Nyx acknowledges this, and we discussed it again privately with Crystal. We apologize once more to our Latin members who might have been offended by this take, which could have been better explained. Nyx and I said a lot of things out of fear and frustration, which caused more harm and distress rather than solutions due to the explosive harassment we faced because of the false accusations by Hopeless Peaches and their group. I won't go into too many details because I have chosen to keep my mental health private, but this wave of harassment severely impacted my mental and physical health, and I am currently undergoing treatment to manage the aftermath.

However, I want to take full responsibility for causing Nyx to act out of emotion rather than with a clear mind in a desperate attempt to protect me, as Crystal ended up in a very complicated situation during the harassment wave created by Peaches, making her believe that our lives were in her hands and dependent on her choices. This was not only inappropriate but also unfair, considering Crystal was going through a lot at that time. Nyx and I poorly worded many things both publicly and privately. We should never have let our emotions take over while trying to defend ourselves. We could have handled the situation more maturely. None of these mistakes will be repeated ever again. Crystal has also admitted her mistakes. Many things would have taken a different path if dialogue had been the first option instead of public statements, but both sides have learned a lot.

With all this, I don't want to hear anything about Glitchtale, its creator, or its still-active members. Nor do I want to hear about Hopeless Peaches or their community, or what's left of it. My purpose on the internet is to entertain people with my art, and on the rare occasions I interact publicly, to maintain a calm and healthy environment, as I have been doing for years. My boundaries with fans are very strict and defined. It may sound ambitious or silly to many, but for a long time, I have wanted to make a difference and show that not all artists with a large audience are people who hide dark secrets and seek to harm others. I just want to tell stories and brighten people's days.

People have become used to seeing random individuals or public figures being exposed daily for horrible acts and behavior, which is very depressing. However, when those accusations are false, it is sometimes too late to undo the damage. No one likes to be pointed at and accused of something they didn't commit, especially when those accusations are serious, like harming another human being.

Some people today are confused and believe that I am actually Camila, and that Nyx is Veir, that my husband has been dating minors despite us being married, and that I defended my "pedophile" partner and protected other groomers. People are not only mistaking us for other individuals, but we also don't have anything to do with that other than the 2017 Skype chats. We have been put in some sort of black list from parts of the fandom due to misinformation or because some people seek an excuse to justify their dislike for us by wishing we had harmed real children. This is sickening, sickeing and frustrating if you actually think about the victims not only in fandoms but everywhere. So, please, I beg you to distinguish between names and what has actually happened. Even if you don't like us, don't seek or wish for us to be monsters just to feel proud of yourselves.

I feel I could regain some peace in my heart by having the opportunity to talk to Crystal about all what happened and ending in good terms. This should be the end of the whole controversy regarding the Skype Chat and the GT Server.

Now I would also like to take the opportunity to talk about other accusations still aimed at me to this day, which I once explained on a Twitter thread that was eventually deleted due to unnecesary arguments between fans. I'm being accused of being a horrible and irredeemable person for drawing a comic in my early years in the fandom that insinuated a non-consensual act between Cross and Dream.

Before any explanation, I want to emphasize that I still feel immense regret and shame for creating that nsfw comic, even if I didn't feel comfortable doing so, I still made the decision as an adult and shouldn't have done it in a space where there were minors and people who might find that material triggering. Even though it happened many years ago, it was not right, and I will apologize as many times as necessary.

I haven't had any contact with the creator of Dreamtale since 2017, so I'm unaware of her current viewpoint about this topic in general, but one thing is certain: both of us don't want to be associated with that ship between our characters and want to move on. We want it as far away from us as possible. I don't want anybody to harass her over this situation.

During that time, I was in an unstable relationship with the creator of Dreamtale, with whom I used to roleplay privately. This, along with being pressured to make the ship "canon", led me to create the comics for that ship. Among them was the infamous scene for which I'm accused of supporting rape. This content and private interactions reached a point where the entire situation made me uncomfortable, along with the toxic attitudes in our relationship, I ended up closing the blog, though not before writing a summary of what would happen next in the story -that didn't have any other sexual moments, to clarify-, simply a closure for those who enjoyed the comic. Not long after, we broke up.

After this experience, I began to realize that any NSFW content, both fictional and real, made me very uncomfortable. This is connected to future members of the fandom, like Veir, who tried to sexualize me, and later, ex-friends whom I wanted to please for their support during my growth as a content creator by drawing them private NSFW commissions. I ignored my discomfort, believing I was doing the right thing and that I could trust them, but what happened later finally made me understand that I personally cannot tolerate any of this content.

This group of people shared these private commissions among themselves. One of these people was someone I considered a close friend and was even my Discord moderator but began abusing their power towards other members, trying to escape the consequences just because of our friendship. They even tried to offer me money to remove a character from another artist who would appear in my animation as a cameo, just because they both had personal issues. I decided to end our friendship because I saw no changes or improvements on their part and I felt i was being used as a power tool for them.

It wasn't long after this that I found an alt account of them, posting these private NSFW drawings, tagging me to attract attention as a form of revenge for cutting ties with them (They also got Nyx's phone number to trying to get in contact with me despite what they were doing). These images spread last year among a few people who, unaware of the background, used them as a reason to question me as an artist. However I explained the rest of the story before it became more public, and I appreciate that they listened to me first, however, the damage was already done.

In March of this year, I made a thread on Twitter explaining this and my reason for not supporting or consuming NSFW content. I want to stay away from this whole debate. I don't want my words to be used to attack others. My reasons for not enjoying this are because I had people around me who caused me a lot of harm with this matter, it triggers me, and I don't like any sexual topics around me, even as an adult reaching my 30s. I simply don't like it, I'm not interested, and I want my feelings to be respected. I'm very aware that more than half of my audience are minors, and I know how to behave and what to show in my art, but there are still others looking for any excuse to call me or my husband horrible things. It has happened before with accusations of transphobia for making Frisk and Chara from Xtale male instead of non-binary as they are in the canon version. I have been called a pedophile for portraying Frisk and Muffet from XTale in an innocent romantic context, even though there is no age difference, just because is not following, again, the canon (which with all honesty, I'm not aware if it has been confirmed she is a child or not). I have been accused of racism because of the characters' skin color, and so on.

Being hated in a fandom as an artist with a big following is supposed to be normal, but, to what extent?

I know I should ignore those comments and move on, but I still don't understand why it hurts so much that people want to discredit my efforts as an artist and as a person by believing they have found some dark secret in me… I really can't understand, I just want to live in peace.

My art is my only escape from negative thoughts. Nyx is my only support in real life. I have been working on how to deal with online criticism and harassment, but it is really hard when people tell lies in order to ruin a life, especially when those lies try to make us look like disgusting human beings. This puts me in a lot of distress, mostly because I hate conflict and prefer to be left alone. I want to be a role model in this community by not getting involved with problematic people and toxic environments. Even if there are people who don't like my work, I want to show that there is still a bit of decency and common sense in the art community.

For this reason, this will be the last time I talk about this because I want to focus on what makes me, my husband, and my audience happy. I want to set an example, and I want people to read this, try to understand our position, and give us a chance.

Once again, we deeply regret the mistakes we made in the past.

[ailesswhumptober]

Prompts for AI-less Whumptober 2024

As promised, we're bringing you the official prompt list of AI-less Whumptober 2024 today!

We have 31 days of excellent whump prompts, with three prompts per day to pick from, fun themes, and 10 alt prompts to play around with. We hope you enjoy! Additional info + plain text versions of the prompts can be found under the cut.

FAQ and Rules

What sort of content can I create for this event?

You can create whatever you want (fic, art, edits, etc). Any fandom is allowed, as well as OC stuff. NSFW is allowed, but please tag your content accordingly! The only thing not allowed is AI-generated content.

Do I need to make 31 things to participate?

Oh heavens no! You can make as much or as little content as you like, skip days when desired, or combine prompts (so for example, write something that covers a prompt from day 1, 2, AND 3). You don't have to do the days in order either, go wild! To be considered a 'completionist', you only have to make sure that at the end of the month, you've covered 31 prompts from 31 different days, but whether you do that in 31 works or just 1 is up to you.

What are these alts about?

If none of the three prompts of a particular day are your cup of tea, you can swap them out for an alt prompt of your choice.

What are these themes about?

Just a little bit of extra fun for the mods. Like last year, we'll be handing out various badges for people participating in the event. A full list can be found here, perhaps there is a special badge or two for people who can't be completionists but who do manage to finish every single day of a specific theme ;)

How do I tag and is there an AO3 collection?

It suffices to tag your work with #ailesswhumptober for us to see and reblog it! Please also tag nsfw, since we'll be using that tag too. Tagging the day is optional but does help the mods along.

There is an AO3 collection to add your fics to here.

That should be all. If you have any additional questions, check our pinned or hit us up in the ask box. Or join our discord maybe, whumping can be a great group activity!

---

Plain text versions of the prompts:

October 1 - Torture Tuesday

public torture/public use, stress position, “If you cry, we’ll go easy on you.”

October 2 - Whumperless Wednesday

Unfortunate fall, car accident, “Don’t move. You’ll be okay.”

October 3 - Trauma Thursday

Shared trauma, survivor’s guilt, “It’s not your fault.”

October 4 - Fright/Freaky Friday

Painful transformation, non-consensual body modifications, “You’re a monster.”

October 5 - Sensory Saturday

Overstimulation, migraines, “I can’t take this anymore.”

October 6 - Surprise Sunday

Multiple whumpees, self sacrifice, “I’m the only one who can do this.”

October 7 - Medical Monday

Field medicine, running out of supplies, “Hold on, we’re going to have to improvise.”

October 8 - Torture Tuesday

Rope burns, gagged, “You’re so much prettier this way.”

October 9 - Whumperless Wednesday

Hypothermia, heatstroke, “You look pretty pale.”

October 10 - Trauma Thursday

Self worth issues, pushing away a loved one, “You don't need to earn this.”

October 11 - Fright/Freaky Friday

Hallucinations, truth serum, “Why would you even say that?”

October 12 - Sensory Saturday

Isolation, sensory deprivation, “Can you feel me? I’m right here, whumpee.”

October 13 - Surprise Sunday

Whumpee using themself as bait, defiance, “Take me instead.”

October 14 - Medical Monday

Seizures, concussion, “See if you can follow my finger with your eyes.”

October 15 - Torture Tuesday

Waterboarding, removing body parts, “Don’t break down on me yet.”

October 16 - Whumperless Wednesday

Drowning, hostile environment, “I don’t know how anybody could survive that.”

October 17 - Trauma Thursday

Abandonment, misunderstanding, “Why did I even think you cared?”

October 18 - Fright/Freaky Friday

Mind control, possession, “Everybody will end up despising you.”

October 19 - Sensory Saturday

Disassociation, losing a sense, “I wish I could get you back.”

October 20 - Surprise Sunday

Enemy/Stranger to caretaker, accidental de-aging, “I’m absolutely not qualified for this shit.”

October 21 - Medical Monday

Drugged, ambulance ride, “This will make you feel better, okay?”

October 22 - Torture Tuesday

Forced (to kneel/watch/hurt somebody else), whipped, “Do not look away.” October 23 - Whumperless Wednesday

Fever, passing out, “Hey?! Stay with me, okay?!”

October 24 - Trauma Thursday

Deconditioning, relapse, “It’s normal that you need more time.”

October 25 - Fright/Freaky Friday

Humiliation, betrayal, “How could you?!”

October 26 - Sensory Saturday

Electrocution, burning, “This is going to sting.”

October 27 - Surprise Sunday

Before vs after, Alternate universe, “Well, there’s a first for everything.”

October 28 - Medical Monday

Internal bleeding, needles and stitches, “I didn’t think the wound was that bad…”

October 29 - Torture Tuesday

Ownership, branding, “Everybody will know that you’re mine.”

October 30 - Whumperless Wednesday

Poison, delirium, “You’re not making sense.”

October 31 - Trauma Thursday

Panic attack, facing a phobia, “You need to get out of here!”

Alt prompts:

1) Pistol whipped

2) Co-dependency

3) Animal bite

4) Zombies

5) White room torture

6) Shock collar

7) Pulling teeth

8) Kidnapping

9) “You always make everything worse!”

10) “If you weren’t around, I’d be long dead by now...”

[shesnake]

Spider-Verse Artists Say Working on the Sequel Was ‘Death by a Thousand Paper Cuts’

Why don’t more animated movies look this good? According to people who worked on the sequel, Across the Spider-Verse, it’s because the working conditions required to produce such artistry are not sustainable.

Multiple Across the Spider-Verse crew members — ranging from artists to production executives who have worked anywhere from five to a dozen years in the animation business — describe the process of making the the $150 million Sony project as uniquely arduous, involving a relentless kind of revisionism that compelled approximately 100 artists to flee the movie before its completion.

While frequent major overhauls are standard operating procedure in animation (Pixar films can take between four and seven years to plot, animate, and render), those changes typically occur early on during development and storyboarding stages. But these Spider-Verse 2 crew members say they were asked to make alterations to already-approved animated sequences that created a backlog of work across multiple late-stage departments. Across the Spider-Verse was meant to debut in theaters in April of 2022, before it was postponed to October of that year and then June 2023 owing to what Entertainment Weekly reported as “pandemic-related delays.” However, the four crew members say animators who were hired in the spring of 2021 sat idle for anywhere from three to six months that year while Phil Lord tinkered with the movie in the layout stage, when the first 3-D representation of storyboards are created.

As a result, these individuals say, they were pushed to work more than 11 hours a day, seven days a week, for more than a year to make up for time lost and were forced back to the drawing board as many as five times to revise work during the final rendering stage.

"For animated movies, the majority of the trial-and-error process happens during writing and storyboarding. Not with fully completed animation. Phil’s mentality was, This change makes for a better movie, so why aren’t we doing it? It’s obviously been very expensive having to redo the same shot several times over and have every department touch it so many times. The changes in the writing would go through storyboarding. Then it gets to layout, then animation, then final layout, which is adjusting cameras and placements of things in the environment. Then there’s cloth and hair effects, which have to repeatedly be redone anytime there’s an animation change. The effects department also passes over the characters with ink lines and does all the crazy stuff like explosions, smoke, and water. And they work closely with lighting and compositing on all the color and visual treatments in this movie. Every pass is plugged into editing. Smaller changes tend to start with animation, and big story changes can involve more departments like visual development, modeling, rigging, and texture painting. These are a lot of artists affected by one change. Imagine an endless stream of them."

"Over 100 people left the project because they couldn’t take it anymore. But a lot stayed on just so they could make sure their work survived until the end — because if it gets changed, it’s no longer yours. I know people who were on the project for over a year who left, and now they have little to show for it because everything was changed. They went through the hell of the production and then got none of their work coming out the other side."

[fairyysoup]

easy living

pairing: eric (a quiet place: day one) x fem!reader

summary: You ran into Eric on accident. Now you're facing the end of the world together. How do you get to know someone when you can't make a sound?

tags: smut, oral (f receiving), dry humping, piv sex, silent fucking, angst, hurt/comfort, survival, discussions of trauma, slight suicidal ideation by reader, words of affirmation as a love language, stay silent or die (obviously), strangers to lovers, apocalyptic, the cheesiest ending bc it's me writing, billie holiday lyrics bc it's also me writing

a/n: here it is, the silent fucking fic i promised y'all a year ago when this movie was announced. it was supposed to be like 1-2k words of plain smut but then I got too into the theory of what one does when you can't show affection through words and I genuinely discovered a tidbit of trauma I didn't know I had while writing it so I will be talking to a therapist about it, and also I'm literally out here baring my soul lol.

i also want to thank @bigtiddythanos @raraeavesmoriendi and @maximoffwxnda for supporting me throughout this writing process <3 this fic literally would not have been finished or published without y'all

ALL MY WORKS ARE 18+ MINORS DNI

The rain has ended. Morose, you stare up at the ceiling, wondering when you’ll get something close to free reign with your voice again. 

Of course the world had to end while you were at fucking Whole Foods.

You’ll miss certain things. Things you always took for granted, that you never even considered made a lot of noise until now. Typing on the computer. Making stir fry. Microwaving a burrito at 3am. Lighting a match, washing your face. Taking a shower.

And other things, too, that are more obvious, like singing while making cookies. Slurping the bottom of a milkshake. You’ll never be able to have a pet bird. You’ll never be able to see another concert again, and damn it if you didn’t really want those Glastonbury tickets a month ago. But it all just seems trivial, now. You don’t see why you shouldn’t just lay here on the couch forever. 

On the other side of the coffee table there’s a gentle shuffling. Eric rouses as quietly as he can; at the very least, your apartment creates a hospitable enough environment that he isn’t startled awake. It’s so silent in the apartment that you can hear the slight shift in his intake of breath, the rustle of the pillow as he turns his head to look at you. 

You want to look at him, but you fear that you’ll end up wanting to talk. So, you say nothing. You do nothing. You stare at the white paint on the ceiling and you wonder whether it would be better to get on one of the boats headed out into the water, or to move inland, away from people, away from sound. There has to be somewhere far enough away from the city that the… creatures won’t go, right?

Eric waves his hand in your periphery, so that you have no choice but to acknowledge that you know he’s awake. You have no choice but to turn your head and look into the depths of his eyes, and feel all the pain of the last 48 hours return to you. You’d been able to talk last night, just enough, in time with the rain and the thunder– enough to learn that he has family across the world. 

You can’t imagine knowing that somewhere, across an ocean and half a world away, your parents may or may not be dead. No way to contact them, no way to know what’s become of them. You can’t even begin to fathom the fear that he’s feeling, as much as you’re despairing. 

Eric’s big eyes tell you everything. Sadness and fear, and trying to grasp at the smallest hint of normalcy he can get. He blinks at you, and mouths, You okay?

No, you’re definitely not okay. Things are not okay. Things are broken and can’t be fixed. Things will never be the same again. He knows that, as much as you know that. But you nod anyway, even though you feel your heart beat a little bit slower than usual, like it wants to just go ahead and give up already. Tears prick at your eyes, and you have to close them before you let on that you’re lying.

Eric knows you’re lying, of course. How could anyone be okay, in this kind of situation? But he waits until you open your eyes, and then he mouths, Coffee?

You let out a small sigh of relief, and a smile that’s indescribably warm crosses your face. Even though he can’t make a sound, he knows exactly what to say.

You don’t have a coffee maker that doesn’t also make a ton of noise. But through some kind of witchcraft, Eric quietly empties two k-cups into a glass measuring cup and boils a soup pot full of water on the stove, and suddenly you have hot coffee in front of you. 

On a notepad left on the counter, you write, Wish I had some tea for you. 

Eric’s lips turn up at the edges, and he takes the pen from you. You’re able to doctor your coffee for about one second before he slides the notepad back to you.

Bloody American.

Your ensuing huff of a laugh is enough to make him turn pink around the ears, and he turns to place the dirty measuring cup into the sink. He reaches for the faucet, but then thinks better of it. You’ll have to figure out how to wash the dishes later.

You both drink your coffee in silence on the couch. You never considered yourself uncomfortable with silence; you’ve lived alone, you’ve gone for weeks without uttering a word before. But it’s so difficult to be sitting next to someone– someone you feel you could really get to like– and not be able to say a word. To make a sound, laugh or cry or snort or grunt. 

You’ll never be able to know what Eric’s laugh sounds like, or listen to his favorite song with him, or watch some stupid rerun of Friends with him while ignoring your responsibilities. He’s right there next to you, he’s risked his life to save you once already, and yet he’s so far away. You’ll never get to know him in all the ways you want to. Will you ever really know him at all?

He’d created a diversion when one of the fucking things had you trapped in a corner, between a dumpster and a brick wall. He chucked a rock at a car and set off an alarm, and then ran with you down an alleyway, his arm wrapped tight around your waist. Eric looked so sad, following you like a lost puppy. He was fucking drenched, too, so you know he’d probably been through one hell of a morning. And then the rain started, and the creatures were confused and… well, you weren’t just gonna leave him, scared and alone.

You, too, were scared and alone.

Eric’s hand appears to brush away a tear that had begun to fall down your cheek, betraying your internal monologue. You look to him with puffy eyes, and he pulls his hand away, suddenly unsure of whether you’re okay with such an intimate gesture. 

Your coffee cup meets the table with a quiet tap. You’re slow to move, but you scoot towards him, his arm still outstretched towards you, his eyes wide. Eric has the prettiest eyes in the world, you think. You want to tell him so.

But you’re a little too choked up to form words, anyways. Your forehead meets Eric’s shoulder, and his arm comes around you before you can huff the first silent sob that brims up. He coos softly into your hair, so softly that you can barely hear it, but it conveys enough. It does enough. 

The world is fucked. Your life is fucked. You have tunnel vision and you can only see things getting worse from here on; the only good thing you know anymore is holding you and caressing your head so gently that it pushes your tears out for you. 

You’ll never get to see a movie in a theater, and smell the stale popcorn again. You’ll never drive down the highway with the wind in your hair. You’ll never ride a roller coaster or sing karaoke. You’ll never go to a club and have a drunken heart to heart with a stranger in a bathroom.

“Do you think it’s worth it?” You whisper, so faintly that it’s barely above a breath, your lips pressed to the shell of his ear. “To try to exist in a world where you have to pretend like you don’t exist?”

Eric pauses, holding you to him. You can see the wheels turning in his head, while he tries to figure out what to say. Then he turns his face to put his lips against your ear, the same way you’d done to him. 

“I think it’s worth it to try to survive.” His breath tickles your skin when he whispers, “So survive with me, yeah?”

You nod solemnly, your tears threatening to rise up again. “I can’t stand not talking to you.” It’s so hard to keep your voice from cracking, from rising above the merest hint of a whisper, directly to him and no one or nothing else. 

Eric takes it in stride. “You are talking to me.” He pulls back and bats his eyelashes, and you think, he oughta fucking know what that does to me. 

“Not like this,” you breathe to him, because that’s really what it is– it’s a breath. A sigh. A gust of air and nothing else, barely anything that registers on your vocal chords. Your hand on the back of his neck, pulling him close to you. His hand, tightening on the middle of your back, holding you there. “I want to talk– I want to get to know you.” 

“Well, this isn’t so bad, is it?” Eric turns his head. His forehead nudges yours at the temple, and you swear you see a flash of a smile on his face. “What do you want to know?” 

His forefinger traces up and down, up and down, a gentle pattern that keeps you grounded. You bite your lip, trying to keep from letting the sounds come out too loud. You say the first thing that comes to mind. “What’s your favorite song?”

“Easy Living. Billie Holiday.” 

“You’re kidding.” You’re blushing, hot in the cheeks. You’re imagining it; slow dancing in the kitchen with him while oldies plays on the radio. You didn’t think such an innocent question would send you spiraling like this, but it hurts worse to know that it will probably never happen.

“Absolutely not.” 

“Somehow… I can’t picture you listening to jazz.” 

“Picture it all you want,” he whispers. Eric swallows, and continues, “My granddad used to have these records, and we used to play them on Christmas. But when– when he died, the records went missing. I couldn’t find the song until a couple years ago,” he explains, and his voice cracks just slightly into a murmur. 

You both freeze. You wait for the sound of creatures coming down the hallway, busting down the walls… nothing happens. You let out a breath, and you pull his face closer to yours. His eyes flick over your face, and you put your lips against his ear. 

“You have to be so quiet. Can you do that for me?” Eric nods in your hands. “I wish we could do anything but this. I wish that we could have met in better circumstances. I wish… I wish I had known you before all of this. I think we would have had a lot of fun. But if this is the only way I can get to know you, and hear your voice now, I’ll take it.” You’re nodding as well now, like you’re trying to convince yourself of it. “I’m telling you this because I don’t know how long we have. Together, I mean. And I don’t want to waste it passing notes. Okay?” 

“Okay.” He sounds clipped. His hand fidgets on your back, and you pull away to find him misty-eyed, his brows turned up. He fishes for words that don’t come, and then he nods. “Okay.” 

Neither of you move. The atmosphere around you feels heavy, like it’s pressing in on all sides. Eric’s hand slides up your back and to your face, and you remember that you’re still holding his. You’re near sitting in his lap with how close you’ve become, and the realization of that feels like a punch to the gut.

You think you should pull away. You don’t. 

Eric’s thumb traces a gentle arc across your bottom lip. It’s so featherlight it’s barely there– his eyes are honed in on your mouth, clearly lost in thought. You’d let him stay there as long as he wants, but you want every minute you can get. “Eric–”

He closes the gap and kisses you. The way you’d said his name– or not said it, rather, you sort of mouthed it against his thumb– had done the job you wanted it to. It feels like this was the obvious conclusion to the system you’d worked out, the close proximity and your shared fears. He’s scared, he said as much last night. You’re scared, you said so just now. 

Nowhere to go, nothing else to do except be right here, living. Alive, together. Kissing Eric, and him pulling you close by the waist, so that you do swing your leg and seat yourself in his lap. And as much as you love talking, and it breaks your heart that you can’t jabber at him, there are some things you just can’t put into words. Like the way that his hand on the back of your neck lights you up inside, or that you can’t think of anything other than all the areas where his skin is touching yours, and how you suddenly wish there was way more of them.

It’s stupid how much you like him already, really. You can feel your nonexistent friends clucking their tongues and shaking their heads, saying, “One day? That’s all it takes? You find some guy at the end of the world and you fall in love in 24 hours?” And they’d be right– maybe it’s not love. Not yet, anyways. But you could see it easily becoming that. And that fact scares you even more.

Your hands find Eric’s chest and the frantic beating of his heart tells you nearly the same thing. You break the kiss, trying to quietly catch your breath without gasping like you’re half-drowning. It’s harder than you expected. 

“Been wanting to do that all morning,” Eric whispers. And just like that you’re falling again, faster this time, like he’s just melted your wings right off and sent you plummeting.

You struggle to keep from gasping aloud when he kisses your jaw, just beneath your ear. It’s the lightest touch but you swear it burns, sears your skin. 

Your hands find the back of the couch, twitchy fingers digging in to keep you steady. Your mouth finds his again, his tongue tasting of coffee, and Eric kisses you a bit harder now, a bit sloppier. 

Breaking away, you open your eyes to find his wide, starstruck, his mouth hanging open like he’s been shocked beyond belief. You didn’t honestly intend for this to happen– you wanted to talk. But somehow this seems better, more appropriate. 

How do you get your feelings across when talking isn’t really an option? When innocent attraction becomes… whatever this is? 

You press a single finger to his plush lips, signaling exactly what you mean without a word. Quiet. 

Eric purses his lips, kisses your finger without breaking eye contact. His pupils are blown out so far that the barest hint of golden brown surrounds them, glinting in the sunlight from the window. 

You lean forward, until your mouth touches his ear. “Your eyes are so fucking pretty, Eric,” you whisper to him, and your teeth latch onto his earlobe to tug gently. You can’t help it– you grind your hips down into his lap, without even thinking of doing it. “You’re so pretty.”

Eric whimpers. It’s a soft sound, hollow in the back of his throat, but it’s still too loud for the world that you’re in. You clamp your hand down over his mouth, and his breath comes out sharp and hot over your knuckles as he tries to regain composure.

“Do you want me to stop?” You ask him, whispering gently in his ear. Against you, he shakes his head no. “Want me to keep going?” Eric nods his head yes. 

He’s shaking under you, his fingertips digging into your lower back like he can’t hold onto you hard enough. At the thought, your pulse pounds, blood positively humming through your veins. 

You nuzzle his cheek, and give him the sweetest kiss you can while your hand is still clamped over his mouth insistently. “You have to be. Fucking. Silent. Do you understand?” He nods. “We can’t make a sound. Okay?” 

Eric nods again, and keeps nodding until you let him go. If the rain was still pouring like earlier, you could tell him how much you want him, too. How you don’t want to be mean, you just don’t want to get hurt. This is a bad idea, all things considered. But Eric slides his hand down and cups your ass to lift you up a bit, and the words bad and idea suddenly fucking vanish from your vocabulary.

You stand long enough to kick off your sweats, your day old panties going down with them. You hadn’t dressed to be sexy yesterday, you dressed to get groceries. You don’t necessarily want Eric to see your faded cotton underwear with the stretched out elastic and multiple frayed holes. You don’t think it would add to your sex appeal right now. 

He doesn’t notice the lack of a strip tease– he’s already taking you by the hips, not even waiting for you to shuck your t-shirt. He pulls until you’re stood in front of him, and then hooks your leg over his shoulder. 

So. Eric doesn’t need to be asked to go down on you, he just does. The gentleman. His hands are firm on your ass as he nuzzles into the patch of hair between your legs, and the precarious balancing act makes you snatch onto the back of the couch again. 

His tongue glides through the folds of your pussy slowly, methodically. You aren’t sure if he wants to take his time, or if he’s going slow so that he doesn’t make too much noise when doing it, but he latches onto your clit and sucks agonizingly softly, like he knows he should do it harder but won’t risk making you moan. 

It’s so gentle, and it builds. Pretty soon, you’re having a tough time keeping your whimpers in, even when he’s basically just teasing you, flicking his tongue over your clit with even the barest pressure. Your head has fallen back on your shoulders, your hand now clasped over your own mouth to stifle your sighs. 

Then, Eric’s hand glides up to splay across your lower back, and he sucks long and hard at your clit, and your hand squeezes murderously at the back of the couch while you ride out your orgasm on his tongue. 

Knees buckling, you collapse into Eric’s lap. He has a doe-eyed look on his face that’s way too innocent after what he just did to you. With panting breath and shaking hands, you cup his rosy cheeks in your palms, shaking your head in disbelief. 

Eric’s brows tilt in worry, like he did something wrong. He opens his mouth, but you put your fingers against his lips to silence him, and lean forward to breathe, “You’re too sweet for me, Eric.” 

He traces his fingers lightly up your spine, and turns his head. “Maybe one day I won’t have to be sweet. Maybe then I can really fuck you.” 

The sound of his whispering voice in your ear makes you shiver, your lust reaching a boiling point. The idea of him really fucking you– that this isn’t even him as normal, that he’s having to hold so much back– makes you burn hot all at once. That this isn’t something he’s planning on doing once. That there’s a ‘one day’ that he sees in the future with you in it. 

With a nod, your breath catches in your throat. You find your way to his mouth again, kissing him desperately. You can taste yourself lingering on his lips, and your hips rock forward against his again. 

Eric inhales sharply, stifling his own moan. You guess you have to take it just as slowly as he did, ease him into it. You work your hand beneath his unbuttoned fly and palm him, keeping your touch gentle against his hot skin. He shakes, his hands laid out against your spine, his eyes sparkling when he looks up at you. 

You push your forehead against his as you sink onto his cock, letting yourself adjust to his size. His breath stutters as he tries to keep quiet, small puffs of air spilling out and meeting your electrified skin. You curl your fingers into the hair at the nape of his neck, rocking your hips just barely, settling into his lap. 

This is more intimate than you can ever remember being with anyone, but right now it just feels right. Maybe it could be cathartic to fuck like a couple of animals in the face of doom, but Eric pulls your body flush against his, one strong forearm around your waist, and his nose nudges yours, and you think this is better. This is what you both need. Closeness. Sweetness. 

There isn’t a lot of movement– you can’t risk it. You and Eric seem to be in agreement on that, because as soon as you start trying to move in earnest, he just pulls you back to him, his arm around your waist and his hand petting the back of your head. 

Eric rocks his hips up into yours slowly, deeply, and it’s the depth of it and the slow sensuality that keeps you floating. Your clit catches on the patch of hair at the base of his cock each time you roll your hips with him, and you have to kiss him to keep from keening aloud. He doesn’t seem to mind it. 

You know he’s close when he tucks his face against your neck, his arm tightening around you. “Feels so fucking good,” comes his whine in your ear, and you gently shush him, your hand resting on the back of his head to keep him muffled against your shoulder. You want so badly to look at his face when he cums, but there’s that pesky issue of staying alive, and that hinges on whether or not he can keep quiet when he does. 

To his credit, he bites your shoulder and only whimpers a little bit. It’s just a squeak, but really, he could have been much louder about it, and then you would have both been in trouble. Imagine having to run for your life with your pants down. 

Ever the gentleman, he keeps you there even after he’s spent and sensitive, his hand clamped down on your thigh to prevent you from moving. His thumb finds your clit, and he lifts his head to watch you, his hooded eyes trained on your face as he brings you to the edge and over it again. He watches the way your brows tilt up, the way you struggle to keep your own eyes open, and the silent moan that threatens to break past your parted lips.

Eric claps his hand down over your mouth before it can. Your eyes fly open, your cunt clenches down around him, and he bares his teeth as you cum hard. It’s cyclical, comes in waves as he continues to stroke you through it, as he keeps his hand clamped down on your mouth to keep you quiet. 

To keep you quiet. 

Feverish and exhausted, you come down with your chest against his, Eric’s head flopped back onto the backrest of the couch. Your knees fucking hurt and you have yet to get off of him, and you sort of dread the moment when you have to. But this means your mouth is positioned right next to Eric’s ear, and you’re nothing if not a talker.

“Eric?” you whisper, and he turns his head just enough to let you know he heard you. “I’m glad that I met you when I did. Even if it’s terrible timing, I’m glad we met.”

A sweet, tired smile flits across Eric’s beautiful face. He nudges his nose against your temple. “I’m glad, too.” 

You shift off of him, and he squeezes your thigh just at the same time as he scrunches his face. He’s such a trooper about it, you kiss his cheek as you go, leaning over to grab a pair of earphones from the coffee table. 

You hand one ear bud to him, watching as confusion crosses his face. He watches you type on your phone as he tucks the bud into his ear, and you the other. 

On low volume, you listen to the soft piano and saxophone intro to an old jazz standard. Eric grins, his hand finding your cheek before he pulls you in for a kiss. 

And then, Billie Holiday’s voice plays for only you two to hear. 

Living for you is easy living, It’s easy to live when you’re in love And I’m so in love, There’s nothing in life but you.

[linkcharacter]

I feel like many people are too focused on what Curly could've 'done' instead of what he 'thought' about it, how he saw and processed it in his head. As I see it, the point isn't that he did nothing, it's that he keeps shoving away and downplaying Jimmy's bullshit in his perception, which would then lead to inaction from Curly's side. That if he could've, we don't know if he would've. Action is very much needed in cases like Anya's, though it wouldn't make things better in the Tulpar situation, BUT that's just the horror of it and it doesn't remove Curly's faults outside of that. The point is that Curly is human and isn't exempt from trying to avoid the issue at hand in his head because of who he is as a person and the environment they're in, the condition Curly's in. He knows it's BAD with Jimmy, yet due to either or both, prolonged conditioning of their toxic friendship and Curly's stunted mental state, it doesn't click in his head properly.

If Anya didn't end up pregnant, if Jimmy didn't crash the ship, would Curly have seriously contemplated about Jimmy or rethought their friendship after finding out he's a rapist? Would anything have changed between them? I would imagine if Curly want half-delirious half-conscious and not going through an existential crisis, then I would give it a very stretched "maybe", and it still would've taken time to detach yourself from a close friend (with possible emotional abuse benefits). But we don't know what COULD'VE been, we just know he DIDN'T. And that is behavior of an enabler, not ill-willed or inconsiderate, but it's human to be afraid of change and be attached. Still ended in upkeeping his friend's harmful behaviors, not due to lack of wanting him to change but that's just how things are. It's realistic, there's no inherent 'morality' attached to Curly's actions, they were simply actions, what matters is the result. Good intentions don't mean much in face of a horrific outcome.

Would Curly keep attempting to give Jimmy help to be better, in vain like he was suggested to have done before? Very possible. "We said tomorrow will be different. Today would be the last day."

Would Curly report Jimmy to the authorities if he could? We don't know (I'm leaning towards a no though). It's not a bad thing to want your friends to be better and believe in them, nor do I think cutting them off is always the best course of action. Rehabilitation is a good thing (though we don't know exactly how Curly tried to help Jim) and having a support system as friends can make it more effective especially if it's a person struggling financially and mentally in life like Jimmy. Yet Jimmy still has to take accountability and be handled in a proper manner for what he did, not just be let go off the hook, only hoping he will improve like Curly does. At some point Curly had to stop making Jimmy's actions his responsibility but never did, until the end.

The conditions of the Tulpar themselves are very lackluster, the system is unfair and harsh with what we know about Mouthwashing's world. The companies are uncaring and scummy as they are in real life, Pony Express especially being cheap and has no regard for the safety and well being of their employees. It all creates a systematic environment for the worst human traits to fester in unchecked, no one single individual could've "fixed it".

So realistically I don't see much that could've been done in the environment they were in and no matter what Curly did, the outcome would never be good. In any course of action Curly could've gone with, the situation isn't changing, Anya was assaulted, Jimmy is the Co-pilot, the duration of the flight is more than the pregnancy term, conflict within the crew will be punished financially by the HR, they were fired. It's horrible and irreparable no matter what. That is the situation.

But

Curly still downplayed it, that's the point. It's not about the potential actions we imagine he could've taken, it's about all the things he didn't take into account and lacked proper judgement towards his friend, which ended up festering a destructive parasite called Jimmy.

Not to mention that Mouthwashing is such a multifaceted game in terms of its themes, it cannot be defined by ONLY this one Curly idea. There's so much more to the story.