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absolutepokemontrash · 4 years ago

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The Brothers and Side Characters Go on a Road Trip!

So, Diavolo, Lord of the Devildom, wants to go on a road trip for reasons unknown. You know what? Screw it, the reason is because Dia wants to do a fun human thing because MC brought it up during tea time. No one can defy the king, so TIME FOR A ROAD TRIP!

Shut Up! HE DOESN’T NEED DIRECTIONS! (Lucifer)

He was going to turn that car around. That’s it, he was going to leave. Someone else drive.

I hope your MC likes staticky traffic updates because that’s what Lucifer constantly had on the radio.

Obviously, some of the brothers complained, so Lucifer put on Beethoven’s Symphony no. 9. HELL YEAH TURN IT UP DJ!

Lol JK no one can car-dance to classical music. Just go back to the staticky traffic updates…

Lucifer would have preferred it if MC or Barbatos were riding shotgun next to him, but Diavolo ended up getting it. Dia is constantly asking Lucifer to stop so he can take pictures of the most mundane shit.

Lucifer stopped stopping after the first fifteen requests.

“I’m not stopping at McDonalds- hang on. Hi McDonald’s employee, one black coffee please.”

In true father fashion, Lucifer got lost and REFUSED to ask for directions. They were lost for five hours before Diavolo finally asked:

“Lucifer, you can turn on the GPS right?”

“Yes, but I don’t trust it.”

Everyone screamed in frustration and were all fully prepared to abandon Lucifer at the side of the road.

Please… can someone else drive? Anyone else…

Are We There Yeeeet..? (Mammon)

Okay, so, Mammon was one of two ways on that road trip. One: complete ADHD daydream zoned out. Or type Two: AAAAAAAAAARRRRRRREEEEE WEEEEEEEE THEEEEEEEEERRRRRREEEE YEEEEEEET???!

He wanted to stop and go to all the tourist traps, by the end of the road trip Mammon wanted to open his own.

The Avatar of Greed loves driving, problem is, he’s used to driving off into the sunset as a lone bachelor, not with his friends and brothers in the car as well.

He only got to drive once, and it was awful. 0/10 would not recommend. Luke thought MC was driving and called shotgun…

Mammon just turns on the radio for music and hopes something good is on at least ONE channel.

STOP WEAVING BETWEEN LANES YOU MORON-

Not all of Mammon’s time driving was bad, the combined powers of Luke and Mammon meant that everyone stopped at a petting zoo at the side of the road. Everyone had a good time, even though when they got back into the car they all smelled like a farm.

Did anyone else hear that oinking in the car-

*Vibes to Music in the Backseat* (Levi)

After being cruelly dragged from his room and placed in this stupid van… he just climbed into the backseat and put on his headphones.

Maybe anime openings could drown out this problem…

Levi only drove for fifteen minutes, it was the most terrifying fifteen minutes of everyone’s lives.

Mario Kart is not a substitute for proper driving school!

Listen- Levi actually saved the entire trip, after stopping at a gas station everyone noticed that Levi never complained about what was on the radio because he was wearing headphones, so everyone bought their own pair and the car trip was so much more pleasant…

No matter how many times Lucifer told Levi to get his feet off the seat, he wouldn’t listen, he was GAMING and they took him away from his gaming chair! HE NEEDED TO SCRUNCH HIMSELF UP LIKE A GOBLIN TO FOCUS DAMMIT!

Whenever the car would stop so everyone could get out and take a picture or look at something, Levi had to be practically dragged out of the car and manually posed for the pictures.

“Is this one of those vans with TVs in them? I brought the first five volumes of TSL on DVD!”

While Satan was driving they stopped at a lake, and Levi burst out of the car and made friends with all the lake fish.

He was still soaking wet when they had to leave.

I’m a Responsible Driver- IS THAT AN OLD BOOKSTORE?! (Satan)

Satan, we believed in you…

Our favourite nerd wanted to stop at any and all historical spots or cool looking bookstores he saw.

When everyone went to buy headphones, he got a pair with cat-ears on them! Because obviously!

Satan’s a responsible driver, and he’s not as prone to road rage as one might think. He has patience, remember in the Jobs event when he worked in customer service? Those kinds of jobs take a godlike amount of self control to do.

Asmo called shotgun and Satan got to have the wonderful experience of having his ear chatted off by his dear brother.

Satan was not about to have fast food for the eighth time in four days, if everyone wanted food, he’d stop at a restaurant.

He was terribly sorry to anyone who needed to use the restroom, but they should have gone at the last rest stop.

When Satan stopped at the lake, he gave everyone a long lecture on the historical significance of the place, then noticed that Levi was being crowned king of the lake and decided he should cut his history lesson short before Levi abandoned his family to chill with the fish forever.

I wanted Satan to be the normal chill one with the radio… I really did… but deep in my subconscious I feel like Satan would put on one of those language learning DVDs so he can learn another language on the go like a total dork.

Road Rage (Asmodeus)

No one saw this coming but- Asmo gets some B A D road rage. Someone cuts him off? “Hi hello dear, WOULD YOU LIKE ME TO SHOVE MY FOOT UP YOUR ASS?!” Someone doesn’t use a turn signal? “YOU BRAIN DEAD MORON! LEARN TO DRIVE!” Someone just pisses him off? “*prolonged horn sound*”

It’s just… the car trip was so taxing on the poor Avatar of Lust… he was crammed into the middle seat for the majority of the trip… he had to give his sleeping mask to Belphie… Beel was getting crumbs all over him and he couldn’t move over… just so tragic…

Solomon called shotgun and it was the greatest couple of hours of his life. He got a front row seat to Lucifer and Barbatos dragging Asmo back into the car because he tried to pick a fight with another driver.

Asmo wasn’t having a good time…

He didn’t want to stop for any gas station food or go through a drive-thru so it was another expensive restaurant trip. Rest In Peace to the gang’s wallets.

When he wasn’t driving, Asmo was loudly talking with MC or talking on the phone. It was a blessing in disguise when they went through an area with bad phone reception and Asmo finally had to shut up.

Oh well… at least he got a few nice pictures for Devilgram.

MCDONALDS! MCDONALDS! MCDONALDS! (Beel)

We all know Beel is massive, right? His head is touching the ceiling and every speed-bump hurt.

He’s the one begging to stop at every gas station or fast food place they pass by.

Beel’s section in the car was covered in empty bags of Doritos by the end of the trip.

When Beel got to drive, Belphie got shotgun! Hell yeah dream team!

Poor Beel, he got distracted and ended up somehow popping a tire. He pulled over next to a farm, changed the tire, then got back in the car and kept driving.

Uh… there was an awful lack of snoring next to Beel- OH FUCK THEY LEFT BELPHIE!

Belphie was found sleeping next to the cows on the farm they had stopped at earlier.

The cows didn’t want to give their sleepy god up so easily…

After that… Beel didn’t want to drive anymore…

“Look, cows.” (Belphie)

I really need to stop with the cow jokes but I CAN’T

*snore*

Belphie’s crammed between Beel and MC for most of the trip and is probably drooling all over poor MC’s lap or shoulder.

Beware, he jolts up randomly and looks around in a panic before he realizes he’s in a car. This happens every three hours.

Belphie’s not allowed to drive, he’d fall asleep. But when Lucifer takes the wheel and puts on that fucking staticky radio, Belphie forms an idea.

“*ahem* four thousand bottles of beer on the wall, four thousand bottles of beer,”

Mission success, Lucifer wanted to tear his hair out.

Belphie ended up asking to stop when they get to a stretch of road with no streetlights, everyone got out of the and stared at the stars.

…listen, it’s a miracle no one got axe murdered but the stars were gorgeous.

Remember when I said Satan put on those language learning DVDs? Yeah uh…. Belphie woke up from his last nap of the trip almost fully fluent in Spanish. At least one person gained a new skill on this trip…

Oooo, Look at Thaaaaat! (Diavolo)

Even though the side characters were in a different car most of the time, sometimes people would switch to the other car if they met up at a gas station.

By the end of the road trip Dia looked like one of those tourist dads, Hawaiian shirt and all.

Dia can’t drive

He’s absorbing human culture… and human culture involves ordering everything at this random Wendy’s.

Diavolo’s camera roll is so unbelievably full by the end of the trip and he refuses to delete ANY of the pictures.

Most of the pictures are of really weird and boring stuff, like traffic signs and trees, but the picture he ends up printing out and putting in a picture frame is a picture of the whole group at the petting zoo having a grand old time.

He wanted to take home a baby goat but Barbatos said that wasn’t a good idea :(

Help. (Barbatos)

So, it could have been worse for Barbatos, he could have been stuck in the car with the brothers and MC.

Dia always had the seat up front, but when he left the car to go hang out with the dude-squad, Solomon got the passenger seat.

Solomon decided it would be a good idea to pester Barbatos to go faster and take weird shortcuts through (probably not legal) backroads and creepy forest paths.

Good thing Barbatos, Luke, and Simeon had functioning brain cells and knew that’s how horror movies began.

Barbatos stopped for fast food once and only once. It’s not healthy!

He’s the only driver to take suggestions for music, meaning that the side characters’ car was the best one of the two.

“SOMEONE GET THE BARF BAG!”(Simeon)

He’s just… he’s just trying his best not to vomit…

Simeon thought the car would be a good place to get some writing done while they drove down long stretches of road. Simeon was wrong in that assumption.

With his head down way too much while the car zoomed down the highway, Simeon felt himself getting *very* sick about four hours in.

He was worried he may have accidentally eaten something of Solomon’s… but nope. The angel was carsick.

Luke had the important job of patting Simeon on the back as he leaned over the barf-bag while Solomon dry heaved up front.

Hurry and open the windows before Solomon barfs too!!!!

Other than the car sickness, he had the job of making sure Luke was entertained, there was a good hour of eye-spy until they just got to a stretch of forest.

After that, Simeon realized that he could just give Luke free permission to ramble about whatever he wanted and that would keep the little guy entertained for HOURS.

What do You Mean I Can’t Legally Make This Turn?! (Solomon)

Shifty bastard can drive, problem is, he doesn’t care about the laws of the road.

He ended up getting pulled over after breaking approximately 11 traffic laws in less than ten minutes.

“License and registration.” “Yeah yeah yeah…” “…sir, this license expired in 1989.” “…shit.”

Solomon gunned it and managed to use his magic to hide the car and evade the very confused traffic cop.

Luke was completely aghast at the flagrant law breaking, but Solomon’s excuse was that the 80s were a lawless wasteland and he completely forgot he legally had to update his license.

He’s an equally obnoxious passenger as he is driver, but at least no one in the car is bored.

“You know, back in the day cars didn’t have seatbelts.” “Solomon put your seatbelt back on.”

��Can we keep it? (Luke)

He was against this from the start. A road trip? With those nasty demons? No! Never!

Okay fine… maybe he wanted to see some more of the human world… he agreed to go.

After helping Simeon through his car sickness, he misheard the other car say that MC would be driving, and Luke wanted to hang out with his third parent 🥺

That’s how he ended up riding shotgun next to Mammon. It started out rough, but when the two spotted the petting zoo it was all sunshine and rainbows.

Luke made friends with all the animals! He was like a little Disney Prince. He got especially attached to this one piglet, it was a surprise to Simeon that the goodbye wasn’t tearful.

Luke smuggled that piglet out of the petting zoo and they were all over fifty miles away before anyone noticed.

Of course, everyone was just shocked that Luke had stolen something, but he looked so cute holding the little piggy… awwww…

The bros obviously joked that Luke had gone to the dark side and was totally evil because he had taken the pig, much to the poor kid’s dismay.

Simeon tried to convince Luke that he needed to return the piglet but Luke was adamant that he could totally take good care of it.

Welp, time for Lucifer to fix this.

“Luke, you need to go put the pig back, it’s not yours.”

“No! I’ll take good care of it!”

“That doesn’t matter, you stole it. It’s not your property, do you want to end up a scummy thief like Mammon?”

“No not at all. Let’s go return the pig.”

“THAT’S ALL IT TOOK?!”

#Obey me #Obey me!#Obey me Headcanons #obey me shall we date #obey me! shall we date?#Obey me Lucifer #Obey me Luke #Obey me Simeon #Obey me Diavolo #Obey me Solomon #Obey me Barbatos #Obey me Mammon #Obey me Leviathan #Obey me Belphegor #Obey me Beelzebub #Obey me Asmodeus #Obey me Satan

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dangermousie · 4 years ago

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2020 End of Year Post - cdrama edition

This is only going to cover cdramas that aired in 2020; if I had to make a post about all the cdramas I watched this year, I would still be doing it in three months...

Overall it’s been a fairly decent cdrama year (certainly better than the very lacklustre kdrama year.) It’s no miracle that 2019 was (so many excellent dramas!) but overall pretty solid.

DRAMAS WATCHED

(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)

44 The Legend of Jing Yan - the worst cdrama I have seen this year, and possibly the worst drama of 2020, period. The hero and heroine were both uncharismatic, incapable of acting and saddled with such shrilly moronic characters, the only suspense was how they haven’t both perished long since from forgetting to breathe. Nor was anyone in the rest of the cast much better; the screenplay was written by a lower mammal and the cinematography was the best a third-rate wedding cinematographer could offer. Stay the HELL away from this one.

43 Unicorn Girl - the only unicorn about this bland yet irritating piece of pap was the fact that I was supposed to believe the leads are hockey players.

42 Autumn Cicada - I like spy stories, Allen Ren, and Republican Era settings. I can tune out Communist propaganda with the best of them. Yet, the propaganda ate the story to such a degree that there was nothing left; pre magic change Pinocchio was less wooden then this narrative.

41 You Complete Me - no you do not.

40 Skate into Love - the only positive thing I can say about this is that at least it’s better than Unicorn Girl, if for no other reason that only one of them is supposed to be a hockey player.

39 Irreplaceable Love - how do you make a story about fake siblings with a mad mother falling for each other boring? I don’t know, ask the makers of this.

38 Eternal Love Rain - I hate to rain on their parade, but these two actors cannot act, have about as much chemistry as a piece of bread, and are trapped in a story perfect for entertaining the mental abilities of the leads of Jin Yan.

37 For Married Doctoress - ummmm, you could do worse I guess. It only made me break out in mild hives. The sadistic ending did make me laugh though.

36 Dance of the Sky Empire - why you get Xu Kai and waste him in this insipid mess of a story is beyond me.

35 Love Designer - it’s inoffensive except to my sense of entertainment. There is nothing wrong with it but oh God is it bland.

34 Love a Lifetime - It felt like a lifetime watching this, but I didn’t love it. The story is incoherent, the actors have no chemistry and it’s all an epic waste of time.

33 Love is Sweet - so sweet it gave me diabetes. I like Luo Yunxi and Bai Lu, but there is literally no plot. I don’t need to sink into a plotless morass to watch pretty people engage in PG-rated make-outs. I am an adult with access to stronger stuff if I am thus inclined, though to be fair they could get x-rated and I still wouldn’t be able to sit through so many episodes of plotlessness for that.

32 Fake Princess - I love Zhao Yi Qin, but the guy needs to pick better projects. The female lead in this one has the voice and personality that can strip paint but the story is also doing nobody any favors.

31 The Changan Youth - I lost my brain checking this out. I had to go and read a dense treatise on medieval coinage or Mayan farming to try to recover it.

30 My Dear Destiny - kinda cheesy fun. It honestly shouldn’t be as low except it really feels like community theater.

29 Handsome Siblings - why is the Nic Tse version so good and this one so bad? True mystery for the ages. Chen Zhe Yuan is the sole reason this isn’t lower, because that kid tries SO HARD to make this drama bearable and almost succeeds. I can’t wait to see him in Sha Po Lang which actually will give him something to do.

28 In a Class of Her Own - see my comment on The Changan Youth. But at least Song Weilong is gorgeous to look at.

27 General’s Lady - inoffensive, pretty and so utterly pointless.

26 The Blooms at Ruyi Pavilion - those two leading actors are a no go to me but at least they considerately acted with each other instead of ruining two dramas for me. It’s very pretty though.

25 Jiu Liu Overlord - it’s a mess and I bailed, but I placed it this high merely due to the fact that Lai Yi finally gets a leading role and he’s sexy as fuck and I am shallow. Whoever styled Bai Lu should never work again except at a circus, however.

24 Cross Fire - not my genre and Luhan will always look too much like my cousin for comfort, but it’s a surprisingly gripping and dark drama. I liked it!

23 God of Lost Fantasy - if you want to watch a mediocre wuxia/xianxia, this is not a bad choice. Probably better than Legend of Fei actually, because at least it doesn’t have an A-list cast to waste and gives us Sheng Yilun himbo and shirtless.

22 Renascence - the insane cuts (it went from 70 eps to 36!!!) made a fairly cheesy story into a total mess. But I had a good time until I finally bailed mainly because of the male lead (Chen Zhe Yuan yet again carrying a not-good 2020 drama on his shoulders; the guy should be nicknamed Atlas) and the insane but in a fun way story. The female lead (both the character and the actress) were not up to par but oh well.

21 Legend of Fei - only this high because objectively there is nothing I disliked it. But there is nothing I liked either. The most uninspired drama on the list. If you could eat cardboard, this is what it would taste like.

20 Ever Night 2 - compared to EN1, it’s a waste of film. On its own merits, it’s not very good (the cast replacements are uniformly inferior and Dylan Wang is so wrong for Ning Que I cannot even put it into words; the script is useless.) But it had some parts I loved so very VERY much (all the shippy stuff was perfection) so I don’t feel too bitter.

19 Castle in the Sky 2 - a lovely if not too complex fairy tale. It is inferior to its prequel because it doesn’t have Zhang Ruo Yun who elevated it, but it’s still a solid bit of fun.

18 The Great Ruler - it’s very high fantasy, very pretty, and surprisingly involving.

17 (tie) Legend of Two Sisters in the Chaos - the secondary couple steals the show but the rest is not too bad if not too involving.

17 Legend of Awakening - a solid bit of fun with a seriously BDSM streak (theme this year apparently - but come on, the lead’s powers only activate when he’s in extreme pain!) It’s a bit generic and the costuming is done by a blind person, not to mention the OTP is a NOTP, but the rest of relationships (romantic and platonic) are wonderful (I live for the found siblings story in this one) and I like most of the characters.

16 Consummation - a rare modern cdrama I liked; a sweet coming of age story (and love story) even if wrapped in a pretty weird virtual reality concept.

15 Oops the King is in Love - this is how you do a low budget, sweet, silly piece of fluff. Our heroine pretends to be a eunuch and crosses paths with a powerless young king and they are adorable, even more so than the drama.

14 Song of Glory - pretty solid, though draggy and I didn’t love the toothpaste filter. But A+ cast, excellent leading couple chemistry, Li Qin being a BAMF and a leading man (Qin Hao) who is actually an adult.

13 And the Winner is love - objectively kind of a mess (and the heroine has the brainpower of a gnat), but the OTP chemistry is excellent and Luo Yunxi fighting and flirting with a fan as finally a leading man is worth the price of admission.

12 Miss S - snazzy and snappy and stylish and whatever else starts with S.

11 Eternal Love of Dream - I don’t know if it would work for you as well if you weren’t a hardcore shipper for this OTP in Three Lives but I was and this was such a darling, wonderful, shippy delight; plus I love this type of high fantasy.

10 (tie) Maiden Holmes - solid and sweet and a wonderful OTP. Proves that functional doesn’t have to mean boring. If you watch one cross-dressing drama this year make it this one.

10 Qin Dynasty Epic - srs bsns history epic. I am not far into it but it’s so good and smart and visually stunning (if you love battles, this one is for you.)

9 Love Lasts Two Minds - I adored this so much more than I should objectively have, but it’s so beautiful (and no I am not just referring to Alan Yu’s face) and the OTP has wonderful chemistry and the story is solid, and the whole trope of her memory being wiped but falling for him all over again while he’s constantly and utterly devoted is a fave; plus he’s in pain and semi-dyng for most of it so sluuuurp (happy ending, don’t worry)

8 To Love - yes, a modern drama is this high! But it involves intensity, tragedy, genuine adults and sexiness that is Lin Gengxin. And there is an actual plot and darkness OMG!

7 Legend of Xiao Chuo - so beautiful, so fun, so full of gorgeousness of Shawn Dou. Plus, Liao is a rare setting for a cdrama and there are a lot of characters and stories I liked a LOT. Less ship content than I wanted but more than I expected.

6 The Romance of Tiger and Rose - so so delightful. I was literally laughing out loud. I have no idea if it will work as well if one isn’t a seasoned watcher of period cdrama/reader of web novels, with bonus for watching/reading Goodbye My Princess, but it was a complete delight for me (and yes, I shipped for real, as well. Best of both worlds.)

5 Twisted Fate of Love - Jin Han gets a leading period drama role! And he’s enjoying it to the hilt, excellent as a smart, twisty bastard who is also charming and so madly in love with heroine. Sun Yi is beautiful and tough and her chemistry with JH is on fire, the story never drags, and it’s so twisty and fun and just awesome.

4 Love In Between - the most underrated drama on this list. It has no big names or big budget, but it’s wuxia that’s clever, driven, tragic, hopeful and so beautifully shot. Three separate (amazing) OTPs, a leading man who is so not typical (a doctor who cannot fight and who never acquires this ability) and who is intense and smart and damaged, a heroine who puts her quest ahead of her emotions, an unhealthy degree of involvement by yours truly. This is a drama Fei should have been.

3 Love and Redemption - such a lovely, addictive, utterly romantic fairy tale. I was obsessed with it for a reason. All the tropes you love and some you didn’t know you did, a star-crossed OTP to the nth power (and a secondary OTP I hardcore love), a twisty yet coherent plot, some insane chemistry and so much whump and hurt/comfort they must have bought blood packets in bulk.

2 Go Ahead - yes, I can’t believe it either. A contemporary slice of life cdrama made it this high on my list. But the way it feels so real, the found family perfection, the characters I love and loathe, the perfect cherry of a wonderful OTP that hits my narrative kinks on top, and just a perfect storm of loveliness all around with this one.

1 The Wolf - is that any surprise to anyone who’s checked out this tumblr for the last couple of months? Tragic, intense and gorgeous; so romantic and angsty and passionate it made me lose my mind (though some of it was gone the moment the camera panned to Darren Wang) - all my favorite tropes and then some; this is a drama that may not be perfect but it is 100% and then beyond perfect for ME.

FAVORITE DRAMA

The Wolf - I have seen objectively better cdramas; even this year. But it has been literal years since I have been this hardcore obsessed, this utterly pleased, this emotionally catered to and devastated at once. A beautiful dark fairy tale that manages to own me despite the storytelling gaps due to censorship, it took me for one of the biggest emotional roller coaster rides of my drama watching career. Visually gorgeous, poetic, intense, and so romantic it took my breath away, this is not just my favorite cdrama of 2020, it’s my favorite drama this year period, and the one cdrama this year to make it into my permanent Top 10 cdramas list.

WORST DRAMA

Legend of Jin Yan - see my write up for it for why as I refuse to waste more time on this stupid mess.

FAVORITE MALE CHARACTER

Wolfie, The Wolf - he is such a haunted, tormented, complex, dark mess; loving and violent, severely damaged and with a hidden yearning softness, longing and aloof. And the amount of charisma and sheer masculine sex appeal Darren Wang brings to the role is insane and not something I see much of in a cdrama. Plus, that character arc with its rapid fall and slow painful redemption is A++++

Runner Up: Sifeng, Love and Redemption - has a male lead ever loved more utterly and selflessly, suffered more thoroughly and beautifully, and managed to have such chemistry with both his leading lady and his leading man (that his leading lady temporarily turned into) at once? The answer is no.

Almost made the cut - Feng Xi, Twisted Fate of Love, Han Shuo, The Romance of Tiger and Rose, Qing Ci, Love in Between.

FAVORITE FEMALE CHARACTER

Xiao Qian, The Romance of Tiger and Rose - so funny, so much the reason this drama was such a delight. I adore her beyond words.

NEEDS TO BE MURDERED

Murder Daddy, The Wolf - I am sad the censors robbed us of seeing him die on screen. He was fully human but nonetheless managed to be the worst monster in a drama full of literal ones.

Ling Xiao’s Mom, Go Ahead - I hate her so much I don’t want to look up her name. She abused the kid, the disappeared and came back to abuse him some more. I mean she literally gave her child mental health issues. She is the WORST.

FAVORITE SHIP

Xing’er x Wolfie, The Wolf - are you kidding me? Who else could it ever be for me? They destroyed each other and saved each other, sworn enemies and childhood lovers, soulmates and epic messes, they couldn’t live with or without each other. The longing, the passion, the intensity, the angst, the epicness. LIKE THERE ARE NO WORDS!!!!

FAVORITE SECONDARY OTP

Si Yuan, Shen Manqing, Love in Between - I loved them as much and often more than the main OTP. So much angst and passion and a happy ending! She is a seeming sect darling (except the sect is horrible and also sexist so her only worth is as a marriage candidate) and he’s an information broker who is actually one of the members of a destroyed sect that’s blamed for the massacre of her family. That chemistry and yearning is insane. The scene where she touches his face when he’s unconscious was in serious running for my favorite scene of 2020.

NOTP

Legend of Awakening - I have never seen a couple that didn’t just have no chemistry but exhibited actual revulsion towards each other before watching Chen Feiyu and Cheng Xiao try to act as lovers in this one. It was almost entertaining to be honest.

FAVORITE SCENE

It’s a tie and both are from The Wolf. One is a sequence where Wolfie marches to the walls alone, seeking death at Xing’er’s hands and the whole sequence with the battle and rescue follows. The other is the intercut between Xing’er going to her wedding and Wolfie going to his execution, and the auto-da-fe being intercut with her wedding.

BIGGEST CRUSH

Wolfie, The Wolf - Ummm have you seen this tumblr lately, it’s basically a drool shrine to the man.

BEST SCENE STEALER CHARACTER

Yelü Yansage, The Legend of Xiao Chuo - I have loved this actor since The Myth and he continued to competently steal every scene he was in.

NEEDS A SEQUEL

To Love - come out of the coma, dammit!!!!!!!

NEEDS A DIRECTOR’S CUT

The Wolf - duh. It started out as 59 eps and got cut to 49. I reaiize some stuff is never gonna get put in due to censorship, but some of the stuff that got cut got for time reasons because they were deluded and hoping to get a TV broadcast so ep count had to be under 50. I mean I doubt the censors would care if they kept scenes of Wolfie building her a swing or whatever. I really really want a director’s cut the way Goodbye My Princess did even if like with GMP it’s only three extra eps. Hell, I will take extra three minutes, as long as those three minutes are Darren Wang shirtless or with a sword. Ahem.

NEEDS SCISSORS TAKEN TO IT

The Song of Glory - it’s a fairly solid drama but honestly it didn’t need to be as long as it was and kind of got draggy and I got lost interest. (I could have gotten snarky and said all the dramas I didn’t like needed scissors taken to them in their entirety but decided to play nice.)

TOO MANY SCISSORS TAKEN TO IT

There are a number of dramas I could complain about with regard to this (hi there, darling The Wolf!) but this award goes to Renascence - poor Renascence was never going to be a masterpiece, but it had the potential to be a bit of good cheesy fun until it had its run time cut by more than half and became an incoherent piece of insanity.

TROPE THAT NEEDS TO DIE

Dumb shrill innocent heroine who can’t tie her shoes - see basically all the cdramas I didn’t like this year.

FAVORITE TROPE WE’VE SEEN A LOT OF

Male lead torture - I mean it’s always open season on that in cdramas, but between Love and Redemption, The Wolf, Love Lasts Two Minds, Love in Between and so on, it was a banner year!

BIGGEST DISAPPOINTMENT

Legend of Fei - what a waste of that cast; what a waste of our finite time on this Earth. What a waste of my intelligence to hope for something better and stick with it for a dozen eps. I have had stale wonderbread that had more personality than this drama.There is absolutely nothing that stands out about this drama in any way, from half-dimensional characters, to actors who are sleepwalking, to a plot that moves at the speed of an arthritic snail, to uninspired cinematography and direction, to lack of any chemistry between anyone in the cast. If paint-by-numbers was done by a group of particularly linear robots, it might come across the same way as this drama.

BIGGEST GOOD SURPRISE

The Wolf - honestly, I did not expect it to come out AT ALL EVER let alone to become my favorite drama of 2020. I was not familiar with the leading man (hahah), I liked Li Qin but wasn’t yet obsessed with her, and Xiao Zhan was excellent in The Untamed but I was hardly going to follow him from drama to drama (and I don’t do SLS any way.) And the trailer was enjoyable but unlike seemingly everyone, I didn’t think it was going to be some epic masterpiece. And then it came out and while it wasn’t objectively an epic masterpiece, it pulled out all the favorite tropes, shippy and narrative kinks from the deepest darkest recesses of my id. And I fell harder than I have in years.

2020 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

None. Covid Year gave me PLENTY of time

BEST NON-2020 DRAMA I’VE WATCHED IN 2020

Novoland Eagle Flag and Joy of Life - they are in my Top 10 dramas from anywhere now. They are quite different except being smart and giving me protagonists to obsess over.

ETA: Also The Untamed because @idlewilds3 pointed out I actually watched it in 2020 even though I didn’t think so because this hellyear has lasted about three decades.

MOST ANTICIPATED IN 2021

I am gonna limit it to dozen and leaving out ones that aren’t necesarily supposed to air next year (Joy of Life 2, Love in Flames of War, Novoland Princess from Plateau.)

Monarch Industry, Novoland Pearl Eclipse, Silk Washing Stream, Dream of Changan, Sword Snow Stride, Wu Xing Shi Jia, Ancient Love Poetry, Immortality, The Long Ballad, Mirror Twin Cities, The Imperial Age, Fall In Love

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musingsofanunorgainizedmind · 4 years ago

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Supernatural: Unpopular Opinions

This is mostly a stream of consciousness cause I’ve seen a lot of strong opinions and some I agree with and some I disagree with. I don’t know if anyone will agree with any of these opinions, but I just wanted to get them out there in case anyone does. If you disagree, that’s totally fine! I mean no disrespect to anyone who sees things differently :)

1. Both Bisexual Dean and Straight Dean are valid interpretations of the text. Believing that Dean is straight does not automatically make you homophobic. Believing that Dean is bisexual doesn’t make you delusional. Personally? I think he’s bisexual. Either way, jumping onto anyone’s post with the sole purpose of invalidating their reading of the text or name-calling is rude.

2. My own personal headcanon? I think Jensen Ackles take on the character is genuinely that Dean’s feelings for Castiel are “open to interpretation”. My belief is that even Dean doesn’t even know the nature of his own feelings in regards to Castiel. It’s not something he’s ever really looked at too closely, you know? I think the confession probably shook him, but he figures it doesn’t matter now anyway. Regardless of the nature of his feelings for Castiel, I still think he would have immediately looked for Cas in heaven. He’s still his best friend.

3. John Winchester is one of my favorite characters. Top five, definitely. However, I believe that “Lebanon” and “Carry On” gave him far too much credit. John is far from perfect. But he’s not a monster either. It’s his complexity and nuance that makes him so interesting. On the one hand, he’s a terrible father. He treats his sons like soldiers, does a number on both their psyches, and can be very narrow-minded. On the other hand, he only ever did what he thought was best for his sons, he was a “righteous man” and a hero, and he was working through a lot of trauma himself. He’s very flawed, but he’s not actively malicious. He loves his sons, but he makes a lot of mistakes. He’s a complicated character and I both love and hate him simultaneously. That’s what makes him such a good character.

4. Carver Era is my least favorite Era. I don’t hate it and there are a lot of great episodes in that time. But this was the Era where I almost quit the show and got so bored that I had to force myself through the episodes. It wasn’t until they brought back Lucifer that I started getting excited again and it wasn’t until “Don’t Call Me Shurley” that I actually started enjoying the show again.

5. Chuck Shurley is another one of my top five characters (the other three being Dean, Castiel, and Gabriel). I love dorky prophet Chuck, I love absent father Chuck, and I love evil maniacal Chuck. The writing is inconsistent, but they’re all so compelling to watch and interesting for different reasons. Honestly, I just think Rob Benedict is a really great actor and deserves major props for playing three separate characters for the price of one. I still think it’s a shame that they weren’t able to pull off a wrathful antagonistic (but not fully evil) Chuck. I love the meta of the character’s defeating the writer, but how cool would a disappointed and tired Chuck finally losing his patience with humanity and going all Noah’s Arc/Sodom and Gomorrah on Earth have been???

6. I believe Sam’s ending is just as tragic as Castiel and Dean’s. Castiel was never told he was loved and Dean never got to live his life. But the ending I cried the most about was Sam’s. Sam had to watch as all of his hunting friends and surrogate family disappeared before his eyes. He lost Eileen again. We have no idea whether he ever reunited with any of them or not. He lost his best friend and wasn’t even there to say goodbye to him. His son flew the coop. Not too long after, he lost his brother. Sam lost everyone he loved. Sam then spends the next forty years mourning all those who he’s lost and tries to live the life he thinks they’d want for him so that their sacrifices were worth it. It’s just so...depressing.

7. I ship Destiel, Saileen, Dean/Jo, Megstiel, and Sabriel. I feel like these ships can all coexist since they all existed at different times in the story. They don’t have to be in competition with each other. They all had potential and they all ended tragically.

8. Rufus was the best part of the finale. The fact that the only characters (outside of Sam and Dean) who were mentioned were Bobby, Castiel, Jack, John, Mary, Donna, and Rufus is so funny to me. I mean, I know why, but still. There are so many unanswered questions and emotional arcs left unresolved, but at least we know Rufus is in Dean and Sam’s heaven. Also my favorite headcanon from the DeanCas wedding is that Rufus taught them the Hora and that they did the chair lift because I imagine Dean would hate every second of it and Castiel would spend the whole time trying to calm him down and assuring him that he won’t fall off the chair.

9. None of the main actors deserve any hate. They’ve all said and done stupid things, but they all seem like overall good people. They’re all friends with each other. Trying to compare their friendships, put certain actors on pedestals, and demonize other actors is just....pointless and immature. We don’t know these people.

10. Canon ends when Chuck is defeated and the author is rendered powerless. Anything after the beach scene is subjective and you can choose your own ending. Does Jack become the new God? Does Dean die on a hunt a few weeks later? Five years later? Does Dean save Cas from the empty? Does Sam marry Eileen? Do Dean and Cas reunite in heaven? Does Sam start a hunting network? Does Sam quit hunting? Does his son get into the hunting life or does he have a normal life? Is the purgatory and empty situation resolved? It’s all up to your interpretation.

#spn #supernatural #castiel #dean winchester #sam winchester #chuck shurley #john winchester #15x20 #team free will #destiel #sabriel #saileen #megstiel #dean x jo #jensen ackles #misha collins #jared padalecki

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thelightofthingshopedfor · 4 years ago

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1, 2, 3, 9, 16, 26 for the Loki meme~

already answered 1 and 2! and I...meant to answer this a long time ago and it kept getting buried in my drafts.

3. Did someone refer him to you or you found him on your own? A little of both, I guess. @erlkonigstochter watched the first Thor movie before I did and told me it had a quiet overlooked nerd vs. loud popular jock thing going on, so I was kind of predisposed to sympathize with Loki even before I watched it. and then of course I saw it and it turned out Loki was goddamn tragic and also fuck Odin because WHO FUCKING DOES THAT WHEN THEIR KID IS ABOUT TO COMMIT SUICIDE, HOLY SHIT (yeah overidentifying with Loki in multiple ways has always been part of why I love him). I can’t remember if I properly got into the fandom as such until after Avengers, but I definitely didn’t start trying to write my own fic before then, and fandom was very much a feedback loop--gifsets and meta made me notice things I wouldn’t have noticed otherwise (like...I don’t think it even occurred to me that Loki was probably tortured before being sent to Earth until I saw others discussing it and pointing out the onscreen evidence, and then of course it was obvious) and have feelings about those things, and fanart gave me more feelings, and so did fic, which also gave me various ideas. so in the absence of fandom, I think it’s safe to say I still would’ve liked Loki a lot, but it’s hard to say if I would’ve gotten in so deep.

9. Do you have a Loki song list? Answered before but answering again because I want to share a few! currently I have 68 songs on my general Loki playlist, which I rarely listen to because I’m a baby and some of them make me too sad. but! I also have a handful near the end that I’ve been meaning to post as a mini-fanmix, because it’s actually not terribly sad and it’s about a very specific topic: post-IW/Endgame Loki recovering in New Asgard because fuck canon actually, and it’s kind of bittersweet because trauma’s a bitch and he’s going to be dealing with all this shit for a long time but also he’s alive to deal with it and so is Thor and they’ll help each other heal because again, and I cannot stress this enough, fuck canon. so far it’s got: “No Monsters,” Roddy Hart & The Lonesome Fire “Tender Offerings,” First Aid Kit “Falling Slowly,” The Swell Season “Saturn,” Sleeping At Last “Never Quite Free,” The Mountain Goats, which really kinda sums up the whole concept and then some combination of “In Harmony,” “In the Silence,” “Going Home,” or the original Icelandic versions of them, all by Ásgeir. these are all extremely gorgeous songs by the way, the whole list, and most of them are even available on Freegal, if your library has that.

oh and the other super-specific mini-mix is about Loki’s time in the Void, and so far the only one on there that’s a sure thing is “Meet Me in the Woods” by Lord Huron (possibly also “The Yawning Grave” by same). other possibilities include “The Colour out of Space” by Matt Pond PA, “The Cold, the Dark & the Silence” by Sea Wolf, “The Void” by Metric, and “Was There Nothing?” (or its Icelandic version) by Ásgeir, but tbh most of those are based on the title more than the lyrics. also it’s sad.

16. How would rate yourself as a Loki fan from 1-10? (1- casual, 10-stan™) I’m gonna be totally honest here and say that I probably have to admit to 10. I mean--I’ve written a bunch of fic. I’ve made multiple custom figures. I’ve cosplayed five different Loki outfits (all fairly straightforward, but still). and of course, I have an army, which doesn’t even include all the other Loki stuff I have like prints and t-shirts. all of that speaks to a certain level of fanatical dedication, you know?

26. What’s your dream team for Loki? JUST LIKE. A FRIEND. LITERALLY ANY FRIEND, AS LONG AS THE FRIEND IS GOOD FOR HIM I’M REALLY NOT FUSSY but also I always wanted him to team up with the Avengers, you know, the thing that would’ve happened in IW/Endgame if the Russos weren’t such fucking hacks? could’ve even led to working with Nebula! that would’ve been extremely cool but nooooo, we can’t have anything nice! but uh, for things that might actually happen still, teaming up with Wanda would be fun. teaming up with Dr. Strange could also be cool if they both learn to respect each other. so yeah, if all three team up in Dr. Strange 2, I will be just...beside myself.

#iamanartichoke #conversations #ask memes #loki #marvel cinematic universe #music #loki meta #my meta

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featuringthecreature · 4 years ago

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Reviews for Every Movie I Watched in March+April

Kinda fell off on watching movies after January due to some mental health shtuff, but I’ve slowly been getting back on that horse and I wanted to talk about the movies I’ve seen, so here we are. Take my number ratings with a grain of salt, they’re mostly off the cuff and giving a movie a numbered grade is pretty arbitrary anyway.

March 1: The Wizard of Oz (1939) dir. Victor Fleming - 9/10

It is STUPID how good this movie is for 1939. I really do like almost everything about this movie, from the fun characters to the bright and colorful set design to the iconic music. In fact, the only parts of the movie I don’t like are that ugly ass Cowardly Lion and those godforsaken Munchkins.

March 1: Kick-Ass (2010) dir. Matthew Vaughn - 8/10

Even when Matthew Vaughn is bad, he is still amazingly fun, and this movie is by no means a bad movie. Nicolas Cage gives the best performance, I love his delivery on some of his lines. This movie is so much fun y’all. Just watch it, you’ll have a good time. (And yes, I know both Quicksilvers are in this, you don’t have to tell me)

March 13: There Will Be Blood (2007) dir. Paul Thomas Anderson - 10/10

This is a fuck-you movie. This movie curb stomped me, spat in my face, and told me I’d never make it in this industry. I don’t need to tell you this movie is incredible, ‘cause if you’ve seen it you already know, and if you haven’t you are seriously missing out.

March 14: The Philadelphia Story (1940) dir. George Cukor - 7/10

I had a hard time deciphering how I feel about this movie. I watched this for a Classic Film course, so I had a couple days to listen to and share some deeper analysis, and I feel like this film is actually pretty good. I don’t have any strong feelings on it, check it out if you like classic film.

March 14: Moulin Rouge! (2001) dir. Baz Luhrmann - 8/10

This movie is bombastic as hell, and even if this is a bad movie, it’s a good movie in my soul. Ewan McGregor, please return my calls.

March 15: The Ruthless (2019) dir. Renato De Maria - 5/10

I guess this movie just isn’t for me, I don’t know. I really do like Riccardo Scamarcio in this movie, but that’s the extent of the really good things. I was on a “Santino from John Wick” kick, I can’t really explain it.

March 20: The Host (2006) dir. Bong Joon-ho - 9/10

Bong Joon-ho has never disappointed me once, and I don’t think he ever will. This is one of the best monster movies I have ever seen (granted I don’t think I’ve seen a lot of monster movies). Watch this movie, it has a wonderful heart and a wonderful monster.

March 20: Citizen Kane (1941) dir. Orson Welles - 10/10

Anything I can say about this movie has already been said, so I’m going to leave you with “I wrote a paper on this film and got a C so fuck this movie” and call it a day.

March 27: Sound of Metal (2019) dir. Darius Marder - 9/10

I am so glad a watched this movie. Riz Ahmed gives an award winning performance if only he hadn’t been competing against Anthony Hopkins. Paul Raci is also really, really good in this movie, and I don’t think that’s mentioned as much, and I think it should be.

April 6: Casablanca (1942) dir. Michael Curtiz - 9/10

I did not think I would enjoy Casablanca as much as I did, but yeah. This is a great movie. I wanna go on record and say Humphrey Bogart is not tall, he is 5′8″. He wears pumps in this movie and they’re really funny to look at.

April 10: Dr. No (1962) dir. Terence Young - 7/10

This was my introduction to the Bond universe, and I thought it was a pretty good way to get me into the character of James Bond. Sean Connery is the strongest part of this movie as Bond. It is by no means a perfect movie, some aspects are extraordinarily outdated. But as a first crack this movie gets two thumbs up from me.

April 18: The Godfather (1972) dir. Francis Ford Coppola - 10/10

This film is truly something special. I am lucky that I was able to experience the story basically blind (I knew about some specific plot points and some famous lines, but for the most part this was all new to me), and I was extra lucky that I got to watch it with my dad. Being able to watch The Godfather with someone who has a deep love of the genre and the film itself is something that enhances almost every movie going experience. The Godfather is one of the greats.

April 19: Mank (2020) dir. David Fincher - 6/10

I am not in love with this movie. I don’t hate it, but I don’t particularly like it either. The production design is great, and as a general appreciator of classic cinema I liked those aspects just fine. There’s just something in here that’s preventing me from fully liking this movie.

April 21: Judas and the Black Messiah (2021) dir. Shaka King - 9/10

The only way I can describe this movie is “important.” King gives us a story of a often left out part of the Civil Rights movement, and it’s a story that everyone should be aware of. Fred Hampton was only 21 when he was assassinated, and yet he left such a mark on the fight for racial equality. Daniel Kaluuya absolutely deserved his Oscar win, he is a dream in this film. This is an uncompromising, tragic, and endlessly relevant movie.

April 23: The Father (2020) dir. Florian Zeller - 10/10

Yeah I cried. Anthony Hopkins is... I don’t think his performance can be summed up in words. It’s heartbreaking, everything about this movie is soul-crushing.

April 24: Promising Young Woman (2020) dir. Emerald Fennell - 8/10

(You can tell I was cramming for the Oscars at this point) It is really hard to review Promising Young Woman. It’s incredibly polarizing to the film community, and it’s also polarizing in my own opinion. I really don’t know how I feel here, all I know is my feelings are strong. Also every time Bo Burnham was on screen I had a big stupid grin on my face, I can’t wait for his new special to come out.

April 25: Nomadland (2020) dir. Chloe Zhao - 9/10

What a beautiful experience. This movie, on top of being absolutely gorgeous, has such a wonderful soul that completely shines through Zhao’s directing. There’s a monologue about maybe a half hour in that describes so succinctly the beauty of nature, and as someone who lives in a much more urban area of the world, it’s a description that I don’t get to see that often in my life. That’s why I love film. If Promising Young Woman made me angry at the world Nomadland made me fall back in love with it.

April 25: Minari (2020) dir. Lee Isaac Chung - 8/10

Watching Minari is like being gently set on fire. My feelings aren’t as strong as they were for Nomadland, and I don’t have much to say, but I still adore this movie and think it’s worth watching.

April 26: Singin’ in the Rain (1952) dir. Gene Kelly, Stanley Donen - 8/10

I think my film teacher puts it best in describing this movie as “just so stinkin joyous.” That’s what this movie is, it’s joy put to film. I love how you can clearly see the excitement over making film that comes through in older movies, I feel like you don’t really see that anymore.

April 28: Some Like It Hot (1959) dir. Billy Wilder - 7/10

As glaringly outdated this film is, I still managed to have a pretty good time with it, although I can totally see why the plot could put some people off, or even make them outright dislike the film as a whole. Marilyn Monroe playing a ukulele made me feel very seen. (This is my first Marilyn movie as well!)

April 29: Snowpiercer (2013) dir. Bong Joon-ho - 8/10

CHRIST this movie is intense. The best part of Snowpiercer is it is engaging as hell. Unfortunately I had to duck out about three quarters of the way through to get some dental work done, but rest assured under different circumstances I would have been glued to the screen from start to finish. The premise is chilling (ha ha, get it), and the subplot of class disparity is also really compelling. If you know me you’ll know that I love me some John Hurt, Song Kang-ho has been great in pretty much every movie I’ve seen him in, TILDA FUCKING SWINTON rocks every scene she’s in. My only real problem here is sometimes Chris Evans is a bit hit or miss for me, I really like his performance at times, and I like it less at others. It has been cool to see him grow as an actor over the years, you can definitely see his improvement in more recent movies. In any case, I stand by my previous statement, Bong Joon-ho has never disappointed me once, and I don’t think he ever will.

#movie review #Film Review #i combined two months to give myself more content #but i think i might have given myself too much content #there's a lot in here

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bigskydreaming · 4 years ago

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This isn't a meme thing or anything but I was wondering if you had a top ten favorite characters from books? I actually end up getting a lot of good book recs from reading your blog so I was just curious lol.

LOL I wasn't going to do this ask because I was like ugh I suck at top ten lists because I can never pick just ten. But then I thought about it for like, five whole seconds and realized I DO have ten standout characters in answer to this so its like oh hey, learned something new about myself today! Lmao.

Anyway, in no particular order:

1) Anyanwu - from Wild Seed by Octavia Butler - Can not stress how like fucking...formative Anyanwu's character was for me as an abused kid who first read this when I was like 12. The book heavily deals with the back and forth across centuries between these two immortals, Anyanwu and Doro, as Doro basically tries to control her every which way he can, and Anyanwu just defies him at every turn, and it just....you love to see it. She's a bad-ass and I adore her.

2) Prince Corwin and Merle Corey/Merlin - from Chronicles of Amber by Roger Zelazny - Yes I'm cheating but its me so you should have seen that coming. Another fave series from when I was in middle school, its ten books in total, and the first five are in Corwin's POV and the second five are in the POV of his son Merle/Merlin. So I maintain it counts. And is fine. Shhh, let it go, Elsa said so. ANYWAY, I actually probably like Merle better than his dad, because I mean, lbr, Corwin is a total asshole. But he's MY asshole, y'know? Wait, that came out wrong. Don't quote me there. But you know what I mean. Merle is a lot more level-headed, and quick-witted I think, and I like his supporting cast of relatives who want to kill him and he sometimes want to kill more than his dad's supporting cast of relatives who want to kill him and he always wants to kill, but like. Both are Valid. Also shout out to Fiona and Rinaldo, with a side shout out to Flora, who are probably my next three favorites from the series. Dara would be up there too but she knows what she did.

3) Elric/Corum/Dorian/etc - from the Eternal Champion books by Michael Moorcock - Look I'm already cheating so why not continue on a theme. But basically this counts too, I'm just saying. See Michael Moorcock's big project going all the way back to the 60s was he created a fantasy multiverse of different dimensions where this one Eternal Champion, meant to balance the scales between the Lords of Law and the Lords of Chaos, like, is reborn over and over again in different incarnations but who are all essentially him. So Elric of Melnibone, Dorian Hawkmoon, Corum I can never remember his last name.....they're all essentially the same guy.....but they're all at the same time very very very different, and they have extremely different storylines. But I maintain if you're gonna read one you kinda gotta just read them all, all Pokemon like and such forth, because the real beauty of these books is seeing the familiar traces of the Eternal Champion threaded through each of these incarnations but also contrasting how different they are from each other and like, looking at what makes them so different each time and how much it stems from their environment and situations, etc.

4) Civet - from the Dragons of the Inland Sea series by Laurence Yep - This is a kids' series, like for ages 10-12 kinda, but easily my favorite from when I was a kid. I reread them so many times, and I love pretty much all the characters from Shimmer to Thorn to Monkey, but Civet was always a standout. She's essentially a tragic character and her ending is bittersweet, but like.....she fully knows who she is and what she's about and makes no apologies for that, and she ends on exactly the note she wants to. Like, her story and her characterization was pretty damn dark for such a young-aimed series, but that's part of what drew me to it, it managed to capture the tone it set out to convey but in a completely age-appropriate way, and in an era when most books aimed at kids dumbed down most of their story concepts and themes, this one was refreshing for just being....real. Despite being blatantly fantasy. Also the Boneless King is one of the best villains ever, despite being deliberately over the top a lot of the times....idk what it was about him, but he was just chilling.

5) Jack the Bodiless and Diamond Mask - from the Galactic Milieu series by Julian May - These are linked as well because they're a couple and their stories intertwine so much that there's no real point in separating them y'know? That's my story and I'm sticking to it. But anyway, they're a weird choice for me because Julian May is hit or miss for me overall....I HATE her Saga of the Pliocene Epic, which is technically in the same universe as her Galactic Milieu series, but they have totally different vibes and the latter series doesn't contain any of the elements from the Saga of the Pliocene that I loathe, so it just works. Plus it has Jack and Diamond Mask, and like.....I don't actually know why I love them so much? They're just so different from pretty much any other characters I've ever read. Like, May does a lot of really high concept stuff across the board, but Jack and Diamond Mask are like.....high concept character wise? If that makes sense? Its okay if it doesn't. I'm literally just spitting words out here. Honestly, its hard to say anything specific about them because so much of their characters conceptually just doesn't make sense without knowing the in-universe concepts that led to them even existing, but like. They're weird and off the wall but still astoundingly human for all that and I love them.

6) Naomi Nagata - from the Expanse books by James S. A. Corey - I mean, if you've seen me ramble all the Naomi love in my live-watches of The Expanse TV show, this should be no surprise, but my love for her in the books like, exists manifold. She's great in both, but the books cover so much more content-wise, that her character has so much more room to breathe and be explored in all kinds of directions the TV show never touches on. The funny thing is, I actually prefer the TV characterizations overall....I think the authors of the books are actually pretty shit at characterization a lot of the time, but the basic thread of Naomi's character is consistent and the sheer abundance of story material she has in the books like.....keeps me going back to them even just for her. Her conflict with Marco in the books in particular just has so much more depth than in the show....like, I don't hate the show's version at all, anyone who's seen my posts there knows that lol, and I'm not actually even sure which version I actually like more in terms of that particular storyline.....but I just love that both versions are so different, while still being recognizably the same, y'know? I don't even know. Nobody knows. Its a mystery. Just nod and say yes, shh, its fine.

7) Locke Lamora - from The Lies of Locke Lamora/The Gentleman Bastards series by Scott Lynch. This is an odd one for me, because in one sense Locke is a very contrived archetypal character from an author that doesn't always pull it off as successfully as I feel he thinks he does.....like, what I mean is Locke is inherently that type of character that is SUPPOSED to push buttons and straddle a line between likable and unlikable....and to be fair, that is VERY hard to pull off without at least some of the time falling on the wrong side of that line and alienating at least some readers. But there's something very genuine or sincere feeling about the character underneath all that, which is ironic for a character who is an acknowledged pathological liar and hardly ever tells the truth....like I said, its an odd one for me because I can't actually put my finger on what makes this particular character work for me when so many similar characters just bug the crap out of me.

8) Damien - from Black Sun Rising/The Coldfire trilogy by C. S. Friedman - This one is a whole fucking lie because I don't actually even like Damien that much lmao, but the thing is, I don't have a particular fondness for any of the characters in this series? But I gotta put it on the list anyway because I just love the world in this series so much, and its practically a character in and of itself. Like, so this was a science fantasy series set on a distant planet in the future but otherwise steeped in fantasy archetypes about spirit creatures that only Adepts could see, and like, Fae and life energy and sorcery that had roots in scientific principles but was otherworldly all the same. And that's like.....all literally my jam, and so I can't deny that this series was very formative for me even if its not the best example of those concepts. Its just the one I tend to go back to the most in my mind, like....the world and its characters are very standout and larger than life for me, even if they don't specifically APPEAL to me? They're impactful all the same. Its another odd one. I'm odd. You just kinda gotta roll with it. Its a thing. Its factual.

9) Yeine Darr - from The Hundred Thousand Kingdoms by N. K. Jemisin - This was a tough one because I love literally everything by Jemisin and all her characters are just so....ooof. They're very very real, even in the most fantastical of settings. I have mad characterization envy every time I read her stuff, but like. Its so good. So really the struggle was picking one character or even two, because I mean, The Fifth Season and its sequels are easily her best known works and have a ton of fantastic characters, and I think her Dreamblood duology is vastly overlooked but in the end I had to go with The Hundred Thousand Kingdoms even if just cuz of nostalgia. Its the first of her works and when I first started reading her and so its just.....anyway, if I was gonna go with that, it had to be Yeine, because she's so central to everything and also just....fantastic. Nahadoth and Sieh are also standout characters who get mentioned a lot in talk of this trilogy, and they're both such big personalities that at times they kinda overshadow Yeine, but Yeine has such a compelling.....undercurrent to her that she never actually gets lost in the shuffle even when surrounded by all these larger than life gods, and just. You love to see it. I do anyway. And its my list so nyah. But also if you're gonna read Jemisin, read everything Jemisin. It just makes sense, y'know? Good for the pores.

10) Cayal and Arkady - from The Immortal Prince/The Tide Lords by Jennifer Fallon - All the other Tide Lords can rot, but Cayal is hilarious in a depressing way. He's a ten thousand year old immortal whose greatest wish is just to die, which is how he meets Arkady who is a historian who just wants to like....know everything he knows once she realizes he actually is the figure of legend he professes to be and is so mad at him for not really giving a shit about all the weight of history he's been present for, but Cayal's just like, umm, I LIVED it so that's why I don't care, I'm allowed to not care, that shit hurt. Did you miss the part where one of the other Tide Lords threw a fucking meteor at me? And Arkady, distinctly unimpressed, is just like....I thought YOU did that, to Jasper. And Cayal's like, no that doesn't sound right. And Arkady's just like, you literally JUST told me that story. And Cayal's like, huh. I must have been lying. I do that sometimes. And Arkady's like, I thought you never lie, that's your whole thing? And Cayal's like, ahah, but what if THAT was a lie too? And Arkady's just like, bitch I hate you so goddamn much, how are you the worst of all the Immortals while still the only one who will actually talk to me and answer my questions. Cayal's like, we may never know.

Anyway, there's my list but like there's a lot more obviously because I'm me, I don't do moderation, its against my religion, but also I have to stop some time and the ask was for ten and those were the ten that popped into my head so they must be the right ones! Probably. Until I change my mind at least.

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mattzerella-sticks · 4 years ago

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⭐2020 Fics in Review ⭐

Happy New Year’s Eve! 💫💫💫 2020 sure was a year... between everything that was happening on the macro (the pandemic, elections, etc.) and on the micro-level (shows delayed, some ending - disastrously, so much drama, etc.), the past 12 months felt like a blur. Especially since we’ve been inside and realized time is an illusion!

But, there were moments where I was able to ground myself in the present and not be swept away by the tide. Most of them were because of fanfiction. Whether writing or reading, fanworks became a soothing balm. And I’d be remiss (and breaking tradition) if I didn’t reflect on my past works of 2020!

I’ve written 43 fics across a wide array of fandoms - the most being Supernatural, with 9-1-1, DC Comics, Marvel, Boku No Hero Academia, Stargirl, Star Wars, Hollywood, and RWBY sprinkled in. I really branched out this year, and am looking forward to what I will write in 2021. Maybe new fandoms? Maybe an original work? Who’s to say!

Thank you to all those who’ve read my works, and am grateful for both your support and continued engagement - can’t wait to see you in 2021 with me 😁

Here are my works!

9-1-1 (TV Show)

Caught (Evan ‘Buck’ Buckely/Eddie Diaz, side Athena Grant/Bobby Nash, side Maddie Buckley/Howie ‘Chimney’ Han)

Photobooths are prime for catching special moments and making them last forever, even if they are less both and more open spaces with a backdrop. When Athena, Bobby, and Michael stumble upon one such moment between Buck and Eddie, what will they do?

And how will it affect Maddie and Chimney?

Lumped Together (Evan ‘Buck’ Buckely/Eddie Diaz, side Henrietta ‘Hen’ Wilson/Karen Wilson, side Maddie Buckley/Howie ‘Chimney’ Han)

As an apology for keeping her thoughts about medical school secret from her wife and partner, Hen takes them (and Maddie) out for lunch. With the promise that it would only be them. And for the most part it was. Until Buck and Eddie strode in with every intention of eating Takoyaki.

Just not with them.

Armed with new information, what's a girl to do? Hen spends the next day fighting back the natural instinct to tease her friends about the wonderful step they've taken together in their relationship. Can she make it home without saying anything? Or will she give in?

DCU

Lonely Together (Barry Allen/Bruce Wayne, past Barry Allen/Iris West, past Bruce Wayne/Selina Kyle)

Barry needs others, yet whether by his enemies or his own actions, he ends up alone. After Iris leaves him, Barry feels as if he drifts through life. Like lightning humming in the air without a rod to ground him.

Until he struck another lonely soul and entered a relationship he never thought possible. Now, months since he and Bruce began sleeping with each other, Barry feels settles. At peace in a way he hasn't felt in a long while. Since he and Iris started petering out.

But it's not love... is it?

Come Home (Jason Todd/Kyle Rayner)

Jason Todd gets a message from Bruce. He's surprised to see it. Then, he's surprised by the message itself. Hearing Bruce's final message stirs something inside of him, urging him towards a place he's avoided ever since his and Bruce's falling out. So he gathers his things, and then... waits.

He can't leave yet. Jason doesn't know why. Bruce gave him a mission, just like old times. Except it's not, because he... Jason can't move. Can't even stand.

That's how Kyle finds him.

Restless (Barry Allen/Bruce Wayne)

Returning home from a mission in outer space, the team picks up a distress signal off-course. They rush off to help, landing on a strange alient planet teeming with life. Especially within the plant kingdom.

While guarding the Javelin, Bruce and Barry encounter one such member while engaging in some familiar fight-flirting. Will its effects spell trouble for the League, or help these two relax their guards long enough to explore new possibilities?

(Hint: It's a little bit of both)

Marvel

Hot Seat (Peter Parker/Johnny Storm)

Spiderman likes Johnny. Like likes him. And he thought Johnny felt the same. He wasn't wrong, but Johnny like liked someone else, too. Someone he actually wanted to pursue, over Spiderman.

Unfortunately that someone is Peter Parker.

However, after a terrible misunderstanding, Johny isn't too keen on seeing either Peter or Spiderman; the longer this confusion left unresolved, the more Johnny's hurt would fester. Can Peter find a way to make Johnny listen?

Hollywood

Merrily We Roll Along (Archie Coleman/Rock Hudson)

With their careers still on the rise and no peak in sight, sometimes Archie's and Roy's lives get a little too busy. Understandably so. Archie's in the midst of writing his next screenplay while the latest opens across America. Roy spend more time on set than at home working on his latest project. When their schedules allow it, all they want is to be together.

Can they enjoy a simple morning together, or will the clouds of Hollywood cast a heavy shadow over their sunny day?

RWBY

Lucky You, Huh? (Qrow Branwen/Clover Ebi)

After all that happened, it's time for the dust to settle. Choices were made. Now, the consequences for certain actions need to be carried out.

Even though he fought alongside her to save Mantle, Robyn Hill couldn't help save Clover from the whims of the Council. Without a job or home, Clover needs to find a way to carry on.

If anyone understands what that feels like, it's Qrow. Never being one who can communicate his feelings well, would he be the best to comfort the other man. When he's the only one who can, what does that mean for Clover?

Star Wars

Fourth (Poe Dameron/Finn)

What's a man and his co-general to do when they're on a mission together on a planet known for frequent sandstorms?

Flirt? That is a possibility. And definitely the one they take.

Stargirl

I’m Here (Courtney Whitmore/Yolanda Montez, past Yolanda Montez/Henry King, Jr.)

Coda to 1x10 "Brainwave Jr."

Losing Henry was sad, but it's not the first person Courtney knew whose future was snatched by the Injustice Society of America. That doesn't make his death any less tragic. It does remind Courtney how screwed up and dangerous her life was. At least she was able to wake up the next day and keep moving. And so was Beth, and Rick. But Yolanda...

Where was Yolanda? Courtney needs to know.

Crusher (Lawrence Crock/Paula Crock, Pat Dugan/Barbara Whitmore, Lawrence Crock/Pat Dugan)

When Lawrence met Pat, he saw another body that could benefit from some exercise at his gym. The more they interacted, became friends, he saw that body doing other things in other places. And his wife is totally supportive of this. While in the midst of an afterhours training session, Lawrence drags his feet on telling his friend a few important things. Egged on by Paula, will he say what's on his mind? How will Pat react?

And does Pat have a secret or two of his own?

Boku No Hero Academia/My Hero Academia

Little Secrets Everywhere (Bakugou Katsuki/Kirishima Eijiro)

Mina thought letting Bakugo read whatever was in her folder wouldn't be too bad. Maybe he would snipe at her for her less than perfect English translation and sentence structure, slap her on the head with the balled up assignment. What she wasn't expecting was for him to charge with hellish fury towards her in the common room with all their friends to see.

One careless mistake leads to many things coming to light. Everyone walking away with something new to think about.

Boku No Fundanshi (Bakugou Katsuki/Kirishima Eijiro)

Bakugo Katsuki is a top student at the premier hero academy in the world. Bakugo Katsuki is a boy with the ability to use his sweat as a weapon, each droplet containing enough nitroglycerin to obliterate a phone book. Bakugo Katsuki enjoys reading manga where boys fall in love with one another. Two out of the three are commonly accepted facts. The final one is a heavily guarded secret that Bakugo protects with his life. At least until his vigilance lapses, and he loses a doujinshi.

Will he be able to recover what he lost before anyone realizes it's his? Or, by the end of this, will he have found something he didn't know he was missing?

Portmanteau (Bakugou Katsuki/Kirishima Eijiro)

Portmanteau (port·man·teau) n. a word blending the sounds and combining the meanings of two others

Like Bakugo's chosen hero name. But was that his first choice? Kirishima doesn't think so, after finding a damning piece of evidence hidden within his notes. Except it's not what he thinks, at all...

Supernatural

Real (Dean Winchester/Castiel, background Eileen Leahy/Sam Winchester)

Coda to 15x09 "The Trap"

Morning after, and Sam spies a little something blossoming in the kitchen. Something that stokes the fires of his curiosity. When the scene ends, he walks in with an intent to investigate. Learn about the strange magic that happened before his eyes. How quickly Dean and Cas's relationship repaired. And what brilliant new shape it took on after Purgatory.

Will Sam be satisfied with the answer?

Half-Priced Chocolates (Dean Winchester/Castiel, background Eileen Leahy/Sam Winchester)

The day after Valentine's Day is great for many things. Basking in the glow of a night well spent, sharing the joy of love with your family, and eating chocolate priced considerably lower than it was the day before.

Except Sam can't enjoy any of that, because Dean won't let him. Because Dean woke up in a sour mood and has picked up the banners of war against romantic love.

Albeit, the three aforementioned things might make his conflict the shortest in history.

Spill (Dean Winchester/Castiel)

Dean always thought it would take more to force him into retirement. Yet here he is, locked in the Bunker until the world figures out a cure for a deadly virus. It could be worse - at least they have a home. He cannot imagine how worse it would be if this happened years earlier, where he and Sam were trapped in a tiny motel room together. Here they have options, and miles of outdoor space they can stroll through if their options become stale.

And they were beginning to. Dean could only do so much indoors. Dean knew he needed to shake things up, but couldn't begin thinking how. Luckily Castiel has an idea, and gives him a new way of looking at their kitchen.

Supernatural Crack🩹tober

Following the Supernatural Cracktober prompt list, one day at a time.

Prompts will be listed in the notes and the chapter title.

Enjoy!

Bullets Over the Bayou (Dean Winchester/Castiel)

Everyone wants Castiel Novak to quit the force, including Castiel. But he stays on despite the toxic work environment he’s surrounded by. Still believing he can do some good despite the many lines of red tape impeding him. Luckily, a pair of scissors by the name of Dean Winchester drops into his hands, and he finally feels like he can do some good.

Dean Winchester thought he would be in New Orleans for a day or two. Identify the body of his deadbeat father and then move on. No one knows he’s here. His mother and brother are blissfully unaware of the danger his father roped him into. With a parting gift of a journal, delivered to him the same day he received word about his father, Dean has become the target of a group of people who want him dead. The same people who killed his father.

Racing against the clock, can Dean and Castiel figure out what is so important about John Winchester’s journal that someone would kill for it?

Kick Ball Change (Dean Winchester/Castiel, background Eileen Leahy/Sam Winchester)

Coda to 15x10 "The Heroes' Journey"

Dean has the Bunker to himself at a time after he and Sam regain their supernatural abilities. With nothing needing his attention, he decides taking time for himself wouldn't hurt. But the usual fare leaves him bored and tired.

So he tries something new. Something he wanted to try, but wasn't sure he would be good at. Dean starts off strong, but doing it on your own can only be so fun. Get you so far. Luckily a partner happens by and truly allows Dean to enjoy a part of himself he knew was there, but didn't want to share.

Tempered Desires (Dean Winchester/Castiel, background Charlie Bradbury/OC, background Sam Winchester/Jessica Moore, background Sam Winchester/Ruby, background Sam Winchester/Mick Davies, past Dean Winchester/Arthur Ketch)

Dating, sex, and finding love were the farthest things on the minds of both Dean and Castiel. There were more important things to worry about - namely the pandemic that swept across the globe and changed everything. Navigating this new environment was hard enough without adding romance.

But fate never intervenes when you expect. From first meetings to first dates, we'll see how Dean and Castiel's relationship blossoms despite the circumstances.

Sunrise (Dean Winchester/Castiel, background Eileen Leahy/Sam Winchester)

Dean and Sam were free. Finally, unequivocally, free.

But this wasn't the happy ending Dean had expected. Maybe in the past, having Sam in the passenger seat tearing across an open stretch of highway as the sunsets, it'd be what he wanted. But that was years ago. He's not that man anymore. Dean's tired of sunsets, of saying goodbye. He yearns for a different ending. One that's less of an ending, and more of a beginning. A sunrise instead of a sunset.

Sam has his. Dean lost his. Despite this setback, he won't stop. He'll live in memory of his sunrise.

Except, what can he do when he feels those rays on his face again?

Coda to 15x19

Fixing It (Dean Winchester/Castiel, background Eileen Leahy/Sam Winchester)

Dean Winchester walked a long & difficult road. House burning down when he was 4, constantly being on the move until his father lost a fight with demons at the age of 25. Reunited with his mother only to lose her again. Have a son only to lose him, too. Of all the shadows that have crossed his path, he thought one of the main sources of light was his husband Castiel.

But he had to ruin that, too.

Can he ever have that shine again? Or are there things that are too good for him to hold? Will they mend what was broken?

Heart in My Hand (Dean Winchester/Castiel, background Eileen Leahy/Sam Winchester)

He was right there.

Cas was telling Dean everything he ever wanted to hear since meeting the angel of the Lord... only each and every word of his confession stabbed at Dean's heart. Because once he finished, there's no more time for them. For him. For any chance of happiness - all that taken away by the Empty. And now he has to carry on.

He tries. Stands, gets in his car and drives where Sam tells him. When he meets with the others, though...

Coda to 15x18 "Despair"

A Dumb Idea (Dean Winchester/Castiel)

They celebrated Christmas, Halloween, Thanksgiving, birthdays, even the Fourth of July. What about the other holidays? What about Valentine's Day?

Mrs. Butters actually had a plan for that, but she left before it could come to fruition. Sam, however, stumbles on Dean and a leftover piece from said plan. Something Dean would rather Sam not see. When he does get a peek as to what it is, well... Dean and Sam have a lot to talk about.

Coda to 15x14 "The Last Holiday"

What the Water Gave Him (Dean Winchester/Castiel)

It was over. Chuck lost, Sam and Dean can live their lives how they want them. But their victory wasn't without losses. The biggest upset nearly taking Dean out of the game, happening so close to the final battle. Now he's on the other side, alive against all odds, but Sam knows he isn't happy. Not truly happy since the Empty stole his best friend.

But there's a chance they can save him. A slim chance. A risk that Dean's willing to take despite every logical nerve in Sam's body screaming at him to look for better options. That threading a needle this small is too dangerous. That they don't have to take on another big bad, not anymore. That they don't have to risk their lives anymore. Dean is far past the point of listening. Dead set on this mission, Sam can only watch.

And pray his brother proves him wrong.

(Now with art from gabester-sketch)

Acutely (Dean Winchester/Castiel)

Jack said he's sorry, after getting his soul back.

Jack said he's sorry, and he's looking at Dean. They're all looking at Dean.

Jack said he's sorry, and Dean can't take it. It's too much. Like a frog thrown into a boiling pot he hops out, jumping out from the room towards safety. Doing his best not to succumb to the pain.

He can't hide forever, let the wounds fester. It's too much to deal with on his own, though. Can someone help him through it?

Leeches (Dean Winchester/Castiel)

Sharing a Netflix makes sense, in hindsight. Dean gets it. But that doesn't mean he appreciates seeing a bunch of profiles after his that weren't there last he checked.

He's gonna get to the bottom of this - of when this happened, why, and how they were able to guess his password.

Revival (Dean Winchester/Castiel, Eileen Leahy/Sam Winchester)

Sam and Dean stand there on the bridge, the camera panning out on them as they are finally reunited in Heaven.

But then Sam wakes up.

(Coda/Fix-It Fic to 15x20 "Carry On")

Memento (Dean Winchester/Castiel)

Why did Castiel have a photo of himself in a cowboy hat? Where did he get it? Who took it, and more importantly who gave it to him?

Coda to 15x15 "Gimme Shelter"

The End (We Deserve) (Dean Winchester/Castiel)

Dean Winchester dies in Sam's arms.

And then he doesn't.

(How that scene originally looked...)

Constants

Meeting with alternate versions of themselves makes Sam and Dean think about what the landscape of the former multiverse might have looked like - or, really, "If there can be multiple Deans and multiple Sams, can there be other versions of things they know. Like... Baby?"

Dean says no. There's only one Baby. She's got four wheels, black paint, and has been his from the beginning. Sam thinks otherwise.

Let's explore what the possibilities of Deans, Sams, and Babys in different universes might look like.

Enjoy the Present (Dean Winchester/Castiel)

Sam had a birthday, Jack had a birthday...

It would only be fitting for Dean to have one, too. It's expected, really. Yet the one Sam and Jack throw him still catches him by surprise. Maybe because he actually agreed with Butters, about having outgrowned birthdays. Or because his thoughts were pulled elsewhere because of some disappointing news.

If it's the latter, than a birthday will definitely take his mind off of that. Especially when it comes time for his present.

Coda to 15x14 'The Last Holiday'

Swallow It Whole (Dean Winchester/Castiel)

"The older you get... the less lies make everything better"

But when you've told as many lies as Dean has, it's hard to tell what's true and what's not. How can he remove all the rotten parts of himself without bringing everything down? Which lies have ingrained themselves so firmly, that removing them would change everything about who he was?

And, scariest of them all, who would he be without those lies?

Coda to 15x16 "Drag Me (Away From You)"

Desperation, Baby! (Dean Winchester/Castiel)

Death took her sweet time parsing through Chuck's book, meaning Lucifer spent longer than he'd like surrounded by his former vessel, his brother, his son, and a man whose obvious longing made him want to vomit. Instead of returning with his prize, Chuck welcoming him back, he must waste his valuable time playing 'nice; with those he can't stand.

Not that it matters. They don't trust him, each member of this ragtag group of survivors watching Lucifer in shifts. Never leaving him alone.

It's Dean's turn now, and he's driving Lucifer up a wall by doing nothing at all save for broadcasting a never-ending supply of feeling. Can he cut the signal without showing his hand, or put Dean's heart to good use?

Coda to 15x19 "Inherit the Earth"

A Healing Touch/New Experiences (Dean Winchester/Castiel, Adam/Serafina)

Maybe if Cas hadn't abandoned him, he wouldn't have agreed to Adam's offer. But with free will finally theirs, Cas made his choice, and Dean his. Now he has to live with the consequences - even if they are awkward. He won't die from it, certainly.

It's only a massage.

But what Dean doesn't know, is that it's more than a massage. It's healing.

It Feels Real Good (Claire Novak/Kaia Nieves, background Dean Winchester/Castiel)

Jody sent her to Yosemite, and she brings her back. For what reason, Claire doesn't know. But it had better be important, otherwise Claire gave the Dark Figure that stole her happiness another chance at escape. Will Jody's house hold a reason important enough for Claire to let go of the heavy burdens she's been carrying since hopping through a rift into another universe?

Coda to 15x12 "Galaxy Brain"

Through the Door (Dean Winchester/Castiel)

Cas tells Sam that Chuck and Amara are here. But how does he know? Sure, he could've felt them land through his grace. But all that time Sam was gone? There was enough there that he could've investigated. They'd need to know where they were anyway, when the time came.

But Cas should've known better. Now wasn't the best moment for a little family reunion, especially when there's so much bad blood it can drown them all. Yet he came, and finally got the audience he always seeked with his father.

Coda to 15x17 "Unity"

Four of Swords (Dean Winchester/Castiel, background Eileen Leahy/Sam Winchester)

The Four of Swords, in the present position, means you don't want to interact with the rest of the world. Because of stress, you need to spend some time with yourself - unhealthy always being 'on'. That the healthiest thing to do is to escape.

Dean might crave escape, but it's not something he thinks he can have. Something he deserves, even. After his and Sam's most recent hunt, this cancerous feeling has grown heavy and weighs him down. He cannot escape on his own, as best he tries.

Luckily a guardian 'former angel' angel swoops in at his lowest. Helps pick up the pieces as best he can and lovingly put them back together. But he can only do so much. The rest is up to Dean.

Can Dean take those final steps, say those final words, and finally free himself?

i’d like to teach the world to sing (Dean Winchester/Castiel, Castiel/Others, WIP, 10 out of 15 chapters posted so far)

Mar del Vista, California - 1972

The groovy counterculture that dominated conversation in the past few years still clings to the landscape, floating around like smoke off a burning joint. Changed by the fires of war, Manson, and life into something new. Less trusting, optimistic, and innocent.

Cas is just one of many disillusioned hippies, saddled with a general distrust even before the movement self-imploded. Wary of about everything. Perfect for his line of work, where what's on the surface might not match the truth underneath. It's not an easy life, but he's comfortable with how it goes. Coasting until he hears a case he has no business accepting. For one, it's about a missing teen. And another, it's personal.

Except Jack's disappearance, like every other case he's worked, isn't so cut and dry. Like a rock skipping across a then-placid lake, the ripples stretch far and wide. Those waves slamming at Cas; of cops, federal agents, hippie cultists, and a certain green-eyed detective who's a little too interested in Cas's investigation.

Will Cas find Jack? Or will he drown in the tides.

Checkmate (Dean Winchester/Castiel)

Billie saves Jack from suffering a fatal end from her plan, and knowing Jack was safe gave Cas space to focus on his own troubles. Nearly losing his son again... revelations from Chuck... choices Dean made, were set on, until Sam broke through at the last minute - too close - they all were...

It was too much. Cas needed to digest these roiling experiences away from faces it hurt to look at. Except he stumbles exactly where Chuck wants him. After countless times praying for guidance, Chuck finally decides now is perfect for a long-awaited heart-to-heart.

Coda to 15x17 "Unity"

Slide (Dean Winchester/Castiel, Eileen Leahy/Sam Winchester)

This isn't his day. It's Sam's and Eileen's. But while out on the dance floor, Dean realizes something that forces him to act. Act boldly.

It's not his day, but he cannot push back what's been there all along, dam bursting with no hope or need of rebuilding itself. He has to say something to Cas.

Why? Because it's Electric... boogie woogie woogie

(Inspired by the Suptober Day 9 prompt - Electric)

Unwrap Me (Dean Winchester/Castiel)

Dean never thought he would make it this far. Nor would he have as many wonderful things that he has now. A home, friends, family, and most importantly love. With a former angel.

Given how normal his life is now, Dean decides he wants to go all out celebrating Christmas. Parties, feasts, and the perfect presents. He wants to get Cas something that will translate everything that resides in his heart. Dean believes he has the right gift, but decides against leading with it. Instead surprising Cas with it after showing him his Christmas best.

Although, during his entire time planning Cas's present, he never wondered what Cas got him...

Disappointment is temporary, but creativity is eternal 🥂 to more fanworks in 2021!!!

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forestwater87 · 5 years ago

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Every episode of Camp Camp ranked: A very (non)objective list

It's well past the time of year when Season 5 of Camp Camp would've dropped. I fully understand and support it not coming out; the crew's health and safety are much more important than a comfort show.

However . . . man, would it be nice to have some comfort right now.

So I'm reliving the entire series! I've been known to share with the world a whole bunch of Spicy Hot Takes, but I've never really sat down and talked about my feelings about the show as a whole.

And what's the best way to do that? Well, just ask Jenny Nicholson: a numbered list! That is, here's the series ranked from worst episode to best, because I want to get the negativity out of the way early and focus on everything I love (and because people enjoy complaining, so let’s frontload all that).

The takes will be hot. The feelings will be intense. The post, I'm assuming, will be largely unread.

Let's do it!

Oh and duh, there are spoilers. I tried to keep it pretty chill, but you’ll want to have watched the whole show or just not care about spoilers before going forward.

Also slashes in the middle of “naughty words” are meant to prevent this from being kept out of the main tags. Who knows if it’ll work? I don’t.

60. Who Peed the Lake? (Season 4, epis/sode 3)

Ah, good ol' Pi/ss Lake (or as @hopefullypessimistic84 calls it because she's funnier than any of us will ever be, “Pis/s Fe/tish Dot Com”). Terrible, one of the few I’d consider nigh unwatchable. I actually kind of love this episode for being such great shorthand for "the absolute worst one."

Who signed off on an entire episode centered around Sherlock Holmes meets a bad om/o joke? Give me names and addresses: I just want to talk.

59. Reigny Day (Season 1, episode 6)

And nobody was surprised.

I'll admit I'm more willing to defend this episode than many people, but it's not . . . like, good. It seemed okay when there were only 11 other episodes to compare it to, but now that there have been so many bangers, this comes across as extremely weak.

And let’s just say the Na/zi jokes hit a lot differently in 2020 than they did in the summer of 2016.

I’m overall happy with the direction the showrunners have moved Dolph’s character in, and I can’t totally blame them for using a kind of humor that was fairly common in the pre-Trump era, but yikes, this has aged like milk. And it wasn’t even very funny at the time, so it aged like milk that was already pretty bad to begin with.

58. Squirrel Camp (Season 4, episode 10)

This is a dumb one.

Not much else to say; it’s just kinda stupid and lame.

57. Fashion Victims (Season 4, episode 13)

I love Sasha, but this is filler. Which isn’t in itself a bad thing -- I have a couple episodes near the top that could reasonably be called filler, and a valid argument could easily be made that “filler episodes” don’t actually exist in a show with no plot -- but as much as I adore the Flower Scouts and enjoy the handful of good moments we get in this episode . . . who cares? Does anyone really give a sh/it about anything that happens here? Does anyone get their life from this one?

I didn’t think so.

56. Foreign Exchange Campers (Season 3, episode 3)

I know, I know, your Russian waifu came from this episode. Why do you think it’s so low on this list?

Okay, for real: this is . . . fine. It’s fine. It’s fine? I’m not mad at it, it just feels tonally incongruous and not very memorable beyond the fact that the fandom got really weird and kinda gross about Vera. But the episode itself? There’s some cute stuff with Neil and Nikki being jealous, but for the most part it’s a big hunk of white bread with some super mild white cheese that’s kinda soggy from sitting in a bag for too long and getting all condensation-y.

That is to say: it’s fine.

ETA: Space Kid does say “fu/ck.” I can’t decide if that’s a point in the episode’s favor or against it.

This is the last of what I’d call the “bad” episodes. Everything after this ranges from mediocre to mind-blowingly amazing. But whatever our failing tier of Camp Camp episodes is, it stops right about here.

Onto the good stuff!

55. Night of the Living Ill (Season 2 Halloween episode)

I keep switching this with “Eggs Benefits,” which probably means they should be tied. But whatever, this is my list and I am in charge and I’ve finally decided, after like 5 changes, that I like this one a little bit less.

It’s a fun Romero parody with nothing I’d call bad. Really this one’s only so low on the list because I think it’s kinda icky, and looking at those green snotty faces makes me queasy. If you think this is a bad reason to put it near the bottom of the list, then make your own post.

54. Cameron Campbell Can't Handle the Truth Serum (Season 4, episode 11)

I . . . don’t remember this at all. I initially had it a bit higher because I tend to love things with Campbell in them, but then I realized that nothing about this episode stuck in my brain even a little bit.

Oh, this is the “Dolph has autism” episode that made everyone either extremely happy or really mad? Okay. I guess that’s the most remarkable thing about it. Neato.

Cam, I love you, but this was just not the best use of your sleazy charm.

53. Eggs Benefits (Season 2, episode 9)

This is one of those episodes with enough cute moments and good ideas to save it from being totally unmemorable, and I mostly enjoy rewatching. Platypus being a mom is a fabulous idea, and pairing the campers the way they did was mostly really interesting and fun.

The Preston-Nurf stuff takes it down several pretty significant notches, though. It’s what the kids would call problematic, and while I normally enjoy how the show doesn’t skew away from darker themes and jokes, it didn’t really fit either of their characters and just . . . isn’t fun to watch. It’s not especially funny, it’s not especially tragic, it’s just uncomfortable.

52. Camp Campbell Wants YOU! (Season 1, episode 0)

Honestly, this would be a lot higher if it was a full-length episode. It’s funny.

The next 5 or so episodes fall under the “cute but not very memorable” umbrella:

51. Nikki's Last Day on Earth (Season 3, episode 4)

I love the ensemble episodes, so this was always going to score higher than any of the single-character “meh” eps. I didn’t see the twist coming, though I know a lot of other fans did. Textbook example of “cute but not very memorable” -- the Platonic ideal of that concept.

50. The Candy Kingpin (Season 3, episode 9)

A clever idea that plays on Max’s worst characteristics and then calls him out for them, while also giving Dolph some much-needed character development. Unfortunately, I don’t feel like it really picks up until the last third of the episode, leaving the rest just kind of sitting there.

49. Campfire Tales (Season 4, episode 13)

Who doesn’t love campfire stories?

That’s all I got. They’re campfire stories.

ETA: OH SH/IT THIS ONE HAS THAT REALLY SCARY STORY! Where David’s all like . . . Slenderman’d. Fu/ck, I didn’t remember that until I was writing out my thoughts for #35 or so. That definitely elevates it, but I’m too tired to try and re-decide where this should go, so just tie it with “New Adventure!”

48. New Adventure! (Season 4, episode 4)

New trio! Focusing on these 3 was a definite risk, and I think it really paid off. While the “plot” itself isn’t anything special, there are a handful of really great side gags (hi, Dirty Kevin!!!!) and it’s fun to see these three interact. They all get some nice character beats. It’s a good time.

47. Something Fishy (Season 3, episode 8)

This might’ve hit me harder if I’d actually seen The Shape of Water, but the send-up works fine without having more than the seen-the-trailer level of understanding. Gwen dresses pretty, which I love; Max sucks, which I also love. What drags this one down is mostly feeling like the surreal aspects of the comedy go a bit too far into the “what the fu/ck am I looking at?” territory without really . . . making an actual joke beyond “look! Wacky!"

Why is David at the opera with a bird? Why??

46. City Survival (Season 3, episode 11)

Literally do not remember a single thing about this episode except David getting mugged and being called a “homeless twi/nk.” That should probably rank it lower on the list, but David being a fluttery mother hen saves it for me -- as does the fact that it leads directly into one of my favorite episodes, and the single best story arc of the series.

Next set of episodes is what I’m going to arbitrarily call “okay! but like the good kind of okay, not the bad kind.”

45. Bonjour Bonquisha (Season 2, episode 7)

Max and Sasha masterminding a scheme is really fun; their dynamic is great (though it won’t be fully realized until Season 4), and heartbroken David is so tragically cute it actually makes my heart explode out of my chest.

Also I can’t resist a good “3 kids in a trench coat” gag.

44. Anti-Social Network (Season 2, episode 2)

Neil is very relatable and I don’t have much else to say about this one. It’s fun to see an episode that more heavily focuses on our nerdy science boy, and Max and Neil teaming up to save Nikki was really charming and sweet and set my Makkiel ship out to sea.

43. A Camp Camp Christmas, or Whatever (Season 2 holiday episode)

Why does this episode have a musical number? It’s not good.

Okay, that was mean. This is fun and cute and Gwen wears a pretty purple sweatshirt and Space Kid gives her a present and it’s really sweet. But that musical number is an instant fast-forward for me, sorry.

42. Preston Goodplay's Good Play (Season 4, episode 7)

We get some Preston character development! Awesome!

It’s done in a really trippy and surreal way that totally fits his character and heightens the drama of the episode! Awesome!

David has an apparently-tragic history of being a French mime! Not a good call!

Next tier: Some good sh/it! (Tbh, these could all be put in just about any order; they might as well be one massive tie.)

41. Cookin' Cookies (Season 2, episode 11)

I love the Flower Scouts. I love Dirty Kevin. I love the idea of accidentally starting a dru/g empire. Another weird, borderline experimental one focusing on side characters, and I think it works better than “New Adventure!” because the scale of the melodrama is just so over-the-top.

The fact that this is in the bottom 20 but I have nothing but good things to say about it illustrates how dang good this show is. It’s only getting better from here, folks!

40. Romeo & Juliet II: Love Resurrected (Season 1, episode 7)

Preston is a terrible playwright. This makes sense, because he’s like 11, but he’s the kind of hilariously bad I wish I’d been as a preteen, because his play is absolutely bonkers. Max fucking with David is great, Tabii vs. Bonquisha is great, Bonquisha in general is a giant amazonian goddess and I want to be swept up into her giant arms. Neil is . . . a robot, for some reason?

So much fun!

39. Camp Cool Kidz (Season 1, episode 4)

I don’t love Ered’s characterization in this one, but there are a lot of wacky hijinks in this episode that I think make it really enjoyable. Max’s wide-eyed revolutionary naïveté is a fun change from his usual dour pessimism, and Nikki’s loyalty to Ered is both very gay and very charming. Plus we get to learn a bit more about how the camp operates (and fails to operate), and it’s a nice way to better establish the campsite as its own setting.

(Definitely think “Cool” should’ve been spelled with a K though. But whatever, I don’t write for the show.)

38. Scout's Dishonor (Season 1, episode 3)

The birth of Neeancy! The introduction of the Flower and Wood Scouts! Neil saying “cu/nt” -- one of the first and only truly shocking uses of profanity in the entire show! ZUKO!

I don’t know if my fondness for this one is rooted mostly in nostalgia or if it was actually really fun, but I enjoyed the he/ll out of it. Not as highly-rated as some other episodes mostly because it doesn’t really do anything, character or story-wise, but not every episode needs to be a massive game-changer that drowns us in feels. Sometimes it’s enough to have a fun romp, and this is very that.

37. Ered Gets Her Cool Back (Season 3, episode 2)

Awww, Ered. I have a soft spot for her, because I love the archetype of a spoiled bit/ch clearly still figuring out how to be a person and have friends. You really get the sense of her as a teenager trying to sort her shi/t out in this episode, which I would love to see more of. Her interactions with Nerris are top-tier, and I like that it’s a continuation of how her character’s been softening since Season 1 into this kind of big-sister figure.

Also, all the female campers in this show are lesbians. I do not make the rules.

36. Attack of the Nurfs (Season 4, episode 2)

I feel like this is a pretty underrated episode. But then again, I feel like Nurf is a pretty underrated character, so maybe that’s just my own personal bias.

I really enjoyed all the different iterations of Nurf, and I think Blaine did a killer job giving each one its own personality and life. It’s a fun episode that plays hard with cartoon physics (a 3D printer printing people! I love it!) and has a surprisingly moving ending.

At least, that’s what I think. Most other people seem to find this one pretty forgettable. Again: make your own da/mn list. I liked it.

35. Mascot (Season 1, episode 2)

This entire episode is memorable for so many things, but a few of my favorites:

David is established as kind of a di/ck.

Platypus arrives and kicks all the as/s.

Quartermaster is the best.

Nerris, Harrison, and Space Kid all get little moments to show off how cute they are.

Neil and Nikki bonding.

This:

34. Quest to Sleepy Peak Peak (Season 2, episode 3)

I love watching Nerris and Harrison bicker, and Neil and Nikki fit really well into their group. It reminds me of being a kid, and of playing Dungeons & Dragons (as an adult, because I’m so cool), and of summer . . . which is a really good thing for this show. There are a lot of funny one-liners, and it’s just a good dang time.

33. Quartermaster Appreciation Day (Season 2, episode 6)

I don’t think this one is all that well-loved, but I thought it was funny. There are literally zero important plot or character moments, but it made me laugh a lot, and that’s all I need a Camp Camp episode to do.

I love QM, and the more we learn about him, the more confused and disturbed we end up being. What a fu/cking champion.

32. Arrival of the Torso Takers (Season 3 Halloween episode)

I lowkey hated this one when it came out, because I knew the Daniel stans were going to be exhausting. And they kind of were? But looking back, it’s a great way to reintroduce this motherfu/cker. He’s a lot scarier than he was the last time around -- but also less competent, which is a great way to kick him in the proverbial ba/lls -- and while I wish it had a lot more Gwen in it, it’s a clever and creative Halloween episode.

31. Operation: Charlie Tango Foxtrot (Season 3, episode 10)

Charlie . . . Tango . . . Foxtrot . . . CTF . . . OH! Capture the Flag! I never got that before. Oh, that’s neat. I love this show.

Listen, every time the writers decide to take a risk and do something bizarre and creative, I’m going to be here for it at least a little bit. An entire episode told from the POV of the Woodscouts, explaining how hard they failed in all directions? A great gag where everyone in Petrol’s story talks in grunts? The return of Jermy Fartz?! Fantastic.

30. Panicked Room (Season 4, episode 16)

Listen. I’m a sucker for my trash grandpa; anything Campbell-centric is probably going to be pretty good (except #54), because he’s just one of the most consistently funny and engaging characters. Good times are had whenever this terrible man is on the screen, and giving him a romantic backstory? A tragic romantic backstory full of mistakes and emotional damage?? One where he waited 17 YEARS for the love of his life???

We have no choice but to stan.

29. Party Pooper (Season 4, episode 15)

I’m so predictable. If you put Gwen in something, I will be happy. If you make an entire episode about how Gwen is under-appreciated and overworked and just trying to do her best despite the circumstances, I will dedicate my firstborn child to you.

Anyway, this episode is really sweet, and I liked the unexpected direction the writers took her relationship with her dad. He seems like a nice guy, they seem like they have a nice relationship, and . . . well, an episode about how hard it is to be an adult millennial hit pretty hard. Plus this was just a really pretty episode -- and not just because Gwen was in so much of it! Seriously, that night sky was a thing of beauty.

Also if you say a fuc/king word about Max and that godda/mn dog I will choke you out with your own intestines. Few things are more hilariously, annoyingly ironic than the fact that the entire fandom ignored and failed to appreciate Gwen . . . in the episode all about how everyone ignores and fails to appreciate Gwen.

28. Culture Day (Season 3 holiday episode)

Now, would it be arrogant to point out that I had the idea for a Culture/Heritage Day back in September 2018? Yes, especially since I don’t think the writers ever read fanfiction and it has literally nothing to do with this episode. Will that stop me? He/ll no it will not! I am a creature of ego! Read my stuff!

Anyway, this is a really fun look at Neil’s background, personality, and relationships. Max looking out for him is just . . . oh my god, I cannot, I’ve written like 30 of these and my brain is starting to melt, but these two are so cute. I love arrogant Neil, and I love protective Max, and I love QM and Gwen fuc/king over the Flower Scouts to save the day. Everything about this episode is lovely.

27. Cameron Campbell the Camp Campbell Camper (Season 3, episode 7)

This should not be ranked so high (even if these are all essentially tied). This is a dumb episode based on a really, really dumb premise.

But . . . I don’t know what to tell you. “Samboy Kidwell,” Max realizing he and Campbell are disturbingly similar and not liking what his future could look like, David’s “I’m not mad, I’m disappointed” face . . . this episode happens to hit all of my favorite things. It had a really good balance of heavy-handed moralizing and goofs, it was part of the most graceful lead-up into a finale the show has ever had, and I’m just all about it.

Excellent job, Samboy. Count Olaf would be proud of your disguise.

There ends the “some good sh/it” tier. We’re starting to get into the really excellent stuff now!

26. Parents' Day (Season 2, episode 12)

I know. You want this to be higher. I hear you.

Honestly I’m kind of shocked it’s this high; it’s my least favorite of the season finales so far, and I had to push past a lot of prejudice to actually rank this where I think it deserves to be, as opposed to somewhere in the like mid-40s. Mostly because it gave fuel to the raging inferno of “Max has terrible parents and David should adopt him” headcanons, which I’ve detailed my problems with extensively in the past (in a post that, statistically speaking, none of you have read).

But, trying to be objective: is this episode actually any good?

Well . . . yeah, it really is.

So much work was put into giving each of the campers families that make sense with their characters and bounce absurdly well off of them, ranging from wholesome and adorable (Nerris’s family) to quietly tragic (Harrison’s parents), and they’re all designed so well; they’re fun to look at and fun to watch interact with the kids and each other. (The only exception is Dolph’s dad, who is both kinda lame and misattributes the cause of the weird Na/zi thing because it did not come from Germany, I assure you. But things with Dolph are always a little off, and I don’t really know how you would give him a backstory that actually works with the character, so they were caught between a rock and a hard place there.)

The drama of David having to choose between the man he considers his father and the camp he considers his home is really touching, and him and Gwen choosing to take a sad camper out to get pizza instead of covering for their boss’s a/ss is such a beautiful moment for both of them that I can’t really blame the fandom for losing their mind over it. Campbell’s arrest leading into the arcs of the next two seasons was great as well, and the finale left us all with this weird sense of foreboding because we didn’t know what was going to happen next; it was the only finale that actually ended on something close to a cliffhanger, while still being satisfying enough to keep us all from melting down.

Plus, it’s funny. Carl and Candy are really funny and the idea of Neil and Nikki’s parents boning is funny in a horrible way. The joke about Quartersister is funny. It’s a good episode.

Should this be higher? Maybe, but I can’t bring myself to put it above the rest of these episodes. Again: make your own list.

25. Mind Freakers (Season 1, episode 10)

The episode that launched a thousand ships. Assuming those ships are all Harrison/Neil, anyway.

It’s hard to talk about these Season 1 episodes because they feel so classic. Like, what is there to say? You’ve all seen it a couple dozen times; I’ve seen it a couple dozen times. Harrison is a di/ck, Neil is possibly an even bigger di/ck, and magic may or may not be real. (Though spoilers for literally every season: yes, magic is definitely real.) It’s so much fun watching these two smug as/sholes snipe at each other in an almost literal playground hair-pulling way that could very easily be read as flirtation.

And the fandom did most certainly read it that way, at least for a little while.

24. Gwen Gets a Job (Season 2, episode 8)

It’s Gwen. What, was I supposed to not put it this high?

This was the first Gwen-centric episode, and it absolutely slaps. She’s pushed to the breaking point and responds by being a cold-hearted BAMF, and it got her some pretty significant hate from fans but I don’t give a fu/ck, I loved it. We got to see her all dolled up, and then we got to see her all disheveled, and both of those looks were gorgeous. David gives her a tiny fragment of the love and validation she deserves (I don’t know if this is when gwenvid started taking off -- I think it wasn’t really until “Parents’ Day,” or even Season 3 -- but I ate that s/hit up).

Also, again: job hunting post-2008. It’s a bad time, y’all. Camp Camp gets it.

23. Follow the Leader (Season 4, episode 6)

Yeah, I was kind of surprised at how high this landed, too. I guess I’m just a sucker for unlikely companionships, and these three have a great chemistry. The combination of competitiveness, sass, and reluctant admiration make their interactions a lot of fun. Their motivation of doing petty errands for Campbell for the sake of getting at the Box of Illegal Contraband is a great framework too, with high enough stakes to justify all sorts of wacky shenanigans without causing actual anxiety.

I want to see these characters forced to spend more time together. Please, RT, make that happen.

22. Escape from Camp Campbell (Season 1, episode 1)

In terms of numbers, this feels so low, but considering everything from about #45 on is ranked as at least decent, this is actually a pretty high rating. There are 21 episodes I’d call better than this, but these decisions were all pretty painful.

This introduces us to everyone! The main trio, the counselors, Mr. Campbell; we get a snapshot of the major personalities running around the camp, the major points of conflict (Max vs. David, primarily), the major building blocks of future episodes, setting, and relationships . . .

Again, I don’t know how much of my love for this episode is nostalgia -- there’s a lot of squeeing at familiar faces and gags; this is the first time David gets hit by a bus!!! -- but it was a fun and funny introduction to a series that’s ended up being so important to me, and I’m so grateful this wonderful, quirky little show with its wonderful and quirky little premiere.

Of all the episodes, I really can’t look at this one objectively. It’s too important.

21. The Fun-Raiser (Season 3, episode 1)

David and Gwen scheming is my ki/nk. They very rarely scheme together, but every single time their teamwork makes the dream work (or, more frequently, makes the dream fail horribly and have disastrous consequences) my soul flies out of my body and takes to the stars, where I write another 500 first chapters to gwenvid fanfics I’ll probably never finish.

This is a great follow-up to “Parents’ Day,” where we immediately see the consequences of the previous season finale and what happens when the one adult in the camp disappears. Mr. Campbell was a terrible adult, true, but at least he was smart enough not to steal QM’s hook. Like . . . whose plan was this? It was so bad. These two are hilariously incompetent sometimes -- often when their bad ideas are feeding off of each other, actually, a la this and “Space Camp Was a Hoax” -- and watching them frantically try and keep all their balls in the air is so great.

The ending is satisfying, too; a bit graphic, in keeping with a show that tends to keep the violence limited to periodic spurts of bloodshed 1-2 times a season and mostly pretty mild the rest of the time, but between Max stepping up and fixing everything while still being his shi/tty self to our dear dumba/ss counselors getting their dumb as/ses handed to them (deservedly so, if we’re being honest) . . . it’s such a great note to begin a new season on.

20. Journey to Spooky Island (Season 1, episode 5)

A classic.

We get to meet our spooky boy Jasper, we get to watch the comedy trio play off each other and continue to sketch out the general contours of their friendship, and we get to see the Quartermaster with a big purple dil/do for a hand. What’s not to love?

19. The Butterfinger Effect (Season 4, episode 17)

CONTROVERSIAL HOT TAKES! GET YOUR CONTROVERSIAL HOT TAKES HERE!

I’ve already gone into some pretty intense detail about why I think this one is actually really good and carries the theme of embracing change that everything about Season 4 was centered around, but none of y’all read that so here it is in short: this episode is super funny, almost all of the campers’ transformations work really well as extensions of their characters while still being strange and surprising, and the fact that Nurf creates all of these problems by trying to solve them is deliciously fun to watch in a karmic sort of way.

Or maybe it’s just because any Nurf-centric episode is going to rank pretty highly for me. That is also possible.

18. Space Camp Was a Hoax (Season 2, episode 10)

Our camp counselors being bad people: it’s my drug of choice.

We get Space Kid tripping balls in what might be one of the funniest sequences in the show, the entire camp coming together to try and pull off the stupidest, most impossible task (and kinda maybe almost nailing it???), and once again the fun of watching Gwen and David scramble to keep from getting caught in their boss’s shit/ty lies is so great. And Lindsay’s voice acting is absolutely killer, even more so than usual.

17. Jermy Fartz (Season 2, episode 4)

I get the sense this might be a somewhat controversial one.

I’ve written before about why I think this episode is a lot of fun, but it mostly boils down to two things: watching the campers try (and fail) to be nice to the most bully-able person on the entire planet, and the essential likeableness of Jermy.

No, really.

I think a lot of people were put off by Jermy’s general grossness, because . . . my god is he disgusting, but he’s also polite and good-natured, and seems totally self aware of how difficult he is to be around, without letting it make him depressed. He’s cheerful in a weirdly downbeat way that’s impossible to understand until you see him in action. He’s so matter-of-fact about his own awfulness in a way that I found entirely endearing. I don’t think I’d want him at my camp, either, but get that kid to a good dermatologist and gastroenterologist, teach him some basic hygiene and social skills, and you’ll have quite a little gentleman there.

I do however find it hilarious that apparently David got the type of tree wrong when making fun of Jermy. Not only is that a great moment for reveling in David being an as/shole, but he didn’t even have the right wood. F/ucking idiot. I love him so much.

These last ones are my favorites! (Well, duh, that’s how this whole ranking thing works.) Maybe not perfect, but just really good and with limitless rewatch value.

16. St. Campbell's Day (Season 4 holiday episode)

They Grinch’d Camp Camp. Those brilliant bast/ards, they really pulled it off.

Ignoring the fact that David is truly frightening-looking for most of the episode, this is a great bookend to Season 4, following up on the theme established in the first episode about how David is a flawed and selfish human being despite trying his best not to be.

This is another one I was surprised to find so high on the list, but the more I thought about it the more I realizes how good it is. David being a jerk is always one of my favorite storylines, and the fact that the trouble comes from him trusting Mr. Campbell too little instead of too much is a nice twist on the usual formula. Gwen coming to help him out despite a blistering hangover gave me aggressive shipping feels, yes, obviously.

Between a lot of really funny little gags like QM’s failed satanic ritual and the genuinely touching moral about the importance of spending time with the people you love, it’s just a really lovely episode that gets just the right amount of maudlin for the holiday season.

15. Jasper Dies at the End (Season 2, episode 5)

I kept switching this and “Dial M for Jasper”; it was a really difficult decision to make, figuring out where these two belonged. I think in the end, while the John Dies at the End reference was very, very good, this one loses me a little bit by being told from David’s perspective. Now, normally the more David is in an episode the more I’ll be likely to love it (see my #1 for proof of that), but his blinders when it comes to the camp and Mr. Campbell result in a really funny story, but one without the same emotional heft as hearing about what happened from Jasper’s point of view.

That doesn’t mean it’s not perfect for what it needs to be: each Jasper episode builds on the previous ones, and having the same intensity of “Dial M for Jasper,” where we learn how he died and how his relationship with David fell apart, would be weird and heavy at this point. In Season 1 we just found out he’s a ghost (and eagle-eyed viewers realized he’d been a camper with David); in Season 2 we find out how David views their friendship and time at camp; and in Season 3 we get Jasper’s perspective. It’s an absolutely wonderful raising of the stakes (for lack of a better term), but the one that packs more of an emotional punch is going to rank a bit higher than the one that’s mostly just for laughs.

That being said: there are plenty of laughs in this one. Everyone -- Griffin, Miles, Travis, the animators -- nailed this one, and it gets funnier every time I watch it.

14. Camporee (Season 1, episode 11)

AKA the episode where Forest realized she was in love with Gwen.

What a great idea for an episode, seriously. Every coming-of-age story has a talent show or a competition or a big game -- something where the kiddos can show off their improved skills and teamwork to beat their bullies or whatever. And this show has both kinds of bullies: the popular girly girls and the violent muscleheads. What a great moment to pull everyone together and show how friendship can help us accomplish anything!

Except . . . of course that’s not what happens. Of course they’re absolute garbage, and of course teamwork isn’t the answer. Gwen is the perfect foil for David here, being the anti-teamwork, anti-Camp-Campbell adult who can perfectly and effortlessly undermine David’s relentless optimism. David wants so badly for his campers to live in the same coming-of-age summer movie he did as a child, and their staunch refusal to do that leads to a really heartbreaking closer to the episode, as well as lead into the next one. Everything about this, from the challenges to the setup to Gwen shouting “we are winning this FUC/KING trophy!” is just gold.

13. David Gets Hard (Season 1, episode 9)

We have David. We have Nurf. We have Gwen. We have Max trying to be helpful in the shi/ttiest way possible.

We have all the makings of a da/mn good episode. And they deliver. Not a very emotionally intense or moving one, but so, so funny.

12. Dial M for Jasper (Season 3, episode 5)

This isn’t the fate any of us expected for Jasper, and it’s not the fate of a lot of people wanted. But godda/mn it, it worked. The constant bait-and-switch the episode keeps playing with, where you keep waiting for something really dramatic and tragic to happen . . . and then the reality is that Jasper died because Mr. Campbell was stupid and careless, and it was all just a horribly sad accident.

It’s anticlimactic, but in a way that suits the series, both as a comedic counterpoint to all the hype throughout the episode and as a way to establish that Cameron Campbell is a bad man first and foremost through selfishness and laziness, not Daniel-esque sinister evil. Jasper’s death was totally avoidable and totally Campbell’s fault, and while that’s sad, it also adds a weird sort of lightness to the episode. David didn’t do something terrible to kill his best friend, Jasper didn’t kill himself, and without having actively chosen to murder a child (well, not this time), the door remains open for fans accepting Campbell’s later pseudo-redemption. It was just an accident, and Jasper was “haunting” David to tell him that he was sorry for how their friendship ended. That’s really sweet, actually.

I think it’s the best way this reveal could’ve gone, and I’m so impressed with how they pulled it all off.

11. Into Town (Season 1, episode 8)

This might actually be the only flawless episode in the entire show. I mean, I call a lot of them flawless, and I mean that on an emotional level -- “I love this so much I cannot see anything wrong with it” -- but this one is a masterpiece of storytelling. All the technical jumbo I’m bad at, like planting and payoff and tension and all of that, is just perfect.

I feel like this is the kind of claim that needs to be backed up with a long-as/s essay full of citations and video clips and references to, like, Joseph Campbell or something, but this is my 49th entry in the list so I am not going to be doing that. Besides, I don’t think my English degree qualifies me to critique film/animation; I don’t even entirely know half the terms I’ve used to compliment this episode. Someone else please explain why this is such a good one.

10. The Quarter-Moon Convergence (Season 4, episode 5)

I’ve mentioned in other entries that the weird, surreal humor sometimes doesn’t work; it feels too much like being odd for its own sake, and sometimes gets so distracted in being surreal that it forgets to include anything funny or meaningful.

This . . . is not one of those.

Putting Harrison and QM together is a stroke of genius; the two of them are literally the most magical beings in the entire show, and using them as the conveyance for this great Lovecraftian horror-comedy was such a good idea. I don’t know if we’ll ever see these two interact in another episode -- honestly, this felt a bit like lightning in a bottle, and I have a hard time imagining what could possibly bring them together again -- but if this is the only episode we get, it is such a fantastic one.

Harrison makes a really good everyman, despite his powers; he’s just the right amount of confident and insecure to pull off that wide-eyed apprentice to QM’s grizzled wise mentor. (The fact that QM is objectively a terrible mentor is beside the point.) I still don’t entirely know what the two of them accomplished, but it feels baffling and momentous, with the perfect amount of gravity to make things extremely tense all the way through to the end.

Also, I guess God is an octopus? That’s kinda cool. I like octopuses.

9. Camp Corp. (Season 3, episode 12)

Another unpopular opinion? Oh ho ho, I am so contrary! I am Not Like Other Fans! I am the Ebony Dark'ness Dementia Raven Way, refusing to have the same opinions of all you prepz.

I know this wasn’t the most well-loved episode, but I think it did a really great job tying together story threads woven throughout Season 3: Max’s selfishness leading to him hurting other people, his growing realization that he cares about his friends and the camp itself, the parallels between him and Mr. Campbell (and the fact that they both get this redemption moment in the finale).

This is the most Max-centric season, focusing on his flaws and character growth, and they pulled it off in a really organic way that felt faithful to his character, touching without being too maudlin. The fact that his feelings about the camp are echoed in Gwen, Neil and Nikki, the other campers, and even Mr. Campbell drives home how important the camp -- and David -- are to this strange little family.

Each season, Max reluctantly becomes a better person, without changing the fundamental core of who he is. That’s a really hard putt for the writers and Michael, and I’m blown away every finale by how they so consistently nail it.

8. Time Crapsules (Season 4, episode 18)

Gwen-centric? Check.

Max learning how to be a better person while still being the bratty kid we know and love? Check.

Looks at one of the most under-appreciated character dynamics in the entire show (i.e., Max and Gwen)? Checkity check-check-check.

I don’t really have much to say about this one, which I should: it was considered a pretty serious letdown to a lot of fans, and I’m not sure how to explain why I loved it so much.

Comparing Max from “The Order of the Sparrow” to Max from this episode is wild. It’s not like 2 different characters: they’re still very obviously the same cynical, self-absorbed 10-year-old trying to survive summer camp. But he’s become a more considerate friend and decent version of that kid, and it’s great to watch. The moment where he and Gwen go too far and immediately regret snapping at each other is still painful (on my god, the VAs in this show, they’re so talented), Nikki and Neil both get nice subplots about how they’re also growing up, and the ending is fuc/king hilarious, perfectly breaking the tension from Campbell’s speech, which is both beautifully done and important to hear, especially if you’re in a period of uncomfortable transition (like, say, in your late 20s, or living through about 5 different national and global catastrophes).

And okay, I found that speech on the wiki for this episode and it made me deeply emotional, so here:

Here's the thing: you've got to take your failures and make something out of them. Take Camp Campbell for instance: a lot of poor decisions went into making this place what it is today. Sure, somewhere along the line it maybe strayed from its path, not living up to the camp it wanted to be. At some point, the camp realized that the camp would never reach the end of its path until it was ready or until it gave up. So, if the camp wanted to keep embezzling money and dealing with foreign powers, so be it! But, at some point, it didn't anymore. I never saw this coming, but I'm starting to think this camp is the best it's ever been.

If this is the last episode of Camp Camp we ever get -- and for at least a little while, it looks like it’s going to be -- I can’t think of a sweeter, funnier, and more lovely bittersweet note for this show to go out on.

7. The Lake Lilac Summer Social (Season 3, episode 6)

And again: No one was surprised.

This is the longest non-finale episode of the show, and it uses that time perfectly. Rather than having some big emotional moments and character arcs -- which are great, don’t get me wrong -- the writers use the extended time to build a series of shenanigans as complicated as Gwen’s matchmaking web, and watching her try to set up a series of dominos (with David, for once, being the responsible, level-headed one) is almost as satisfying as the catastrophic results.

Neil and Snake steal this episode, even from someone as in love with Gwen as I am, and for an episode that’s largely about making fun of shippers, there hasn’t been one that launched nearly as many ships as this. Neil/Snake? Tabii/Erin? Max/Nikki? GWENVID?! It’s all here, and I am here for it.

It was also fun to get a traditional episode setup in a very non-traditional show. I assume this means the beach and/or hot springs episode is forthcoming. (No, Pis/s Lake doesn’t count. Obviously it doesn’t count.)

6. Keep the Change (Season 4, episode 1)

Again, this is an episode I’ve said a lot about in the past -- and I was pretty uncharitable toward Season 3, which in retrospect was very unse/xy of me -- but I stand by a lot of my opinions then: this is a fu/cking great episode.

David is an as/shole, Max is an as/shole, Campbell is an as/shole. No one escapes the as/sholery. David schemes, Max catches him in the scheme, Campbell gets drunk and kind of gay . . . I’m 54 entries into this list and I don’t have much to say anymore: it’s just really good and fun and I love it.

5. Camp Loser Says What? (Season 4, episode 9)

This is another one I kind of hated when it came out, and again for fandom-related and personal-grudge reasons.

Fu/cking Daniel. That motherfu/cker. He shows up for 12 minutes and Tumblr bursts into flames. Every single time.

However, it’s really hard not to love this one. Daniel-as-Trump is a clever but subtle -- I mean, for this show’s definition of subtle -- allegory, and it’s amazing how much this slimy freak and the Woodscouts slot into it. David is a bise/xual disaster with the absolute worst taste in men, Dirty Kevin and Daniel are onscreen together for all of 2.5 seconds and the kevdan shippers lost their minds, and Xemug looks like Megamind for some weird reason.

My only minor complaint is that the ending is a bit anticlimactic, but it plays on Daniel’s stupidity and the value of teamwork, so it’s a very small nitpick in an episode that mostly works like gangbusters.

4. Cult Camp (Season 2, episode 1)

Duh. There’s a really good song and we’re introduced to a charismatic, sinister, and totally dumba/ss villain. What’s not to like?

I don’t think I even need to say anything about this episode. Season 2 started off the summer by throwing a lit firecracker directly at the viewer’s face, and ignoring the fact that we as a fandom proceeded to eat each other, it’s impossible not to get caught up in the episode’s wild energy.

And dude, that song. Fabulous. Fu/ck Daniel, but thank god he’s around to be such a prickly little pri/ck.

Now for the top 3: Literally perfect, wouldn’t change a single solitary thing.

3. After Hours (Season 4, episode 8)

I’m not sure anyone loved this episode as much as me. But this is my list, and I will put this up at the top if I want to and you cannot stop me.

It’s much easier in a lot of ways to talk about the episodes I hated than the ones I love this much. What do I say besides “literally everything about this fills me with joy and my life is better because it exists”? I don’t know. The counselors are my favorite characters, and between Gwen and QM having the weirdest bonding experience, Gwen getting to meet up with people who care about her silly fanfiction, Mr. Campbell being the trash grandpa of my dreams, David getting in way over his head . . . it’s the episode I always wanted, and they made it work so well.

Also, I just discovered that “Gwen Isn’t Your Mother So Stop Asking Her to Rinse Your Dishes” is an actual song and I am overwhelmed with delight. Here, I’m embedding it as well as linking because it’s so good:

youtube

God. This show. What the fu/ck even is up with this amazing, weird-as/s show.

2. The Order of the Sparrow (Season 1, episode 12)

Duh.

The entire first season is a great time (except “Reigny Day”), but it’s a pretty low-stakes kind of great time. There isn’t much in terms of emotional depth until the very end of “Camporee,” despite some hints at darker themes in one-off jokes and quick asides, so this episode comes a bit out of left field, tonally speaking.

But that’s not a bug, it’s a feature; if the show had been this overtly emotional from the outset, this finale wouldn’t hit as hard, and the rest of the season wouldn’t be as funny.

This manages to serve as a capstone to the conflict of the first season, building on episodes like “Into Town” and “Escape from Camp Campbell” in a way that feels totally natural for both David and Max’s characters while revealing new sides of them. It works because it’s so unexpected, but it doesn’t come across as incongruous with their personalities. It’s the first and only time David swears in all 4 seasons, and that line -- I don’t even need to say it, you know exactly what I’m talking about -- still gives me chills.

Also, Gwen sings the camp theme song. Impossible not to cherish.

1. The Forest (Season 4, episode 12)

I’m not sure if this one is a surprise or not. It might be the obvious first place, or it might be a bit of an oddball for some people.

I had a really hard time choosing between this and “The Order of the Sparrow”; I switched their places half a dozen times, and the difference in quality between the two is razor-thin. I think part of that is because it accomplishes a lot of what “Order of the Sparrow” does: puts David in a situation where he’s pushed to his absolute emotional and physical capacity, crushes every shred of hope he has left, and sees what he’s actually made of when you strip everything away. It’s much more dramatic this time around, but it’s the same basic concept.

And just like in the Season 1 finale, what we see is a man who’s determined to do good even when he isn’t rewarded for it, even when he’s actively punished for it. Who wants to love nature, and life, and make the world a better place -- despite his faults, his selfishness and thoughtlessness and anger, David proves that he is fundamentally kind. He’s not nearly as deludedly optimistic as he seems; he just refuses to stop trying.

Because somebody fuc/king has to.

I’ll admit, some of what puts this one in first place is that I’m a sucker for whump, and David really goes through the ringer. However, I also think it’s important to acknowledge the risk Joe Nicolosi took with writing this episode: it’s all centered around a single character, it’s darker and more viscerally bloody than any other episode in the show’s history, the art is focused on these grand sweeping backgrounds that must’ve taken forever to paint, and there’s very little talking in a show that runs 99% on clever dialogue. This could have so easily backfired -- and for some fans it did -- but it was brave and beautiful and breathtaking.

I’ve actually only watched this in full once. It’s really hard to get through; it’s just so intense and even disturbing. But if there’s one episode I'll remember for the rest of my life, even when I’m 80 years old and haven’t seen the show in years, it’ll be “The Forest.”

It’s funny how such a sharp departure from the format and style of the rest of the show somehow manages to perfectly capture the heart of it. Talk about a fuc/king achievement.

So what have we learned?

I don’t entirely know what the purpose of this whole exercise was. I think it was mostly to get myself a nice Camp Camp fix that came from something other than slogging through 20 different fanfic WIPs, and to remind myself of what a strange and fun ride the last 4 summers have been.

I also wanted to take a moment to acknowledge what Camp Camp means to me. This show has been hugely important to me on a personal level: I met two of my best friends through this fandom, and I’ve never been more connected to a community or readers than I have with CC. I know I bi/tch about this fandom a lot, but it’s a big extended internet family, and I’m so happy to be a part of it. Going through all these episodes, getting the chance to ramble about the things I liked and the things I didn’t, was a great way to reconnect with a series and community that I love.

So . . . what have we learned?

1. Season 4 was all over the place.

Some of this has to be due to the sheer volume of episodes, but when I sat down and organized everything into tiers:

There isn’t a single category Season 4 doesn’t have at least one episode in. I was surprised to see how high a lot of them ended up; it really was the best and worst of the show so far.

For the fun of it, I decided to give a number to each placement -- 60 points for the #1 episode, 59 for #2, etc. -- and see how each season broke down. Because that’s that kind of thing I think is worthwhile, apparently. And . . .

2. Seasons 1 and 4 are really good, actually.

Well, I don’t think anyone’s surprised to see how well Season 1 stacked up; it was amazing. But I was surprised to see how much I ended up enjoying Seasons 3 and 4, when if you’d asked me before this little project, I would’ve said they were the most underwhelming. Maybe I messed up the numbers a bit -- I’m no mathmagician -- but not only are they all really close, but Season 4 was one of my favorites.

3. This entire show is really good, actually.

One thing that really struck me when I put it all together visually is how most of the episodes sit in the “good,” “really good,” or “amazing” categories. The amount of episodes that are memorable, fun, and/or emotionally resonant is crazy. I don’t now how many other tiny cult-hit web series can say the same, honestly, and all of the writers, animators, directors/producers/other people whose jobs I don’t really understand, and voice actors should be commended for their outstanding talent and hard work.

4. Thank you, Camp Camp.

It was a real pleasure to relive all of these episodes again and think about what they meant to me. It won’t be the last time I sit down and watch this show -- and it certainly won’t be the end of my being a shrieking fangirl over it -- but with this break, where we have to get through a blazing, extremely difficult summer without a new season to fawn over, it’s nice to stop and appreciate what a precious gem of a show this is.

I hope everyone involved with Rooster Teeth is taking a much-deserved rest and prioritizing their health and well-being. Thank you for creating something truly special, and I can’t wait to see what happens next.

#campcamp #camp camp roosterteeth #thank you RT Animation for giving me my life these past 4 years #cc david #cc max #cc gwen #i'm not tagging all the characters #campcamp masterpost #i really hope this doesn't get hidden from the tags but #guys this was a super intense labor of love please check it out #but also reading it is also a super intense labor so i get it if you don't XD

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firstdove15 · 3 years ago

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August Reading

This is officially the most books I’ve read in years and I’m still on a roll.

1) Spinning Silver by Naomi Novik (Four Stars)

I found myself enjoying this more than I did Uprooted, which surprised me because I really did enjoy Uprooted and the spins Novik put on her magic system (standard magic vs. working magic in your own way). I blame it on the fact that there’s fae in here. XD Granted, the Staryk king was a major dick but I still found him entertaining because he’s a fae; of course his morals are going to clash with humans. Also ice fae. Need I say more? XD And the tsar...my goodness. Couldn’t stand him at first, but then he showed to be just as much a victim AND having barely a brain cell to run his own freaking country. And I’m saying that generously. At least it’s heavily implied he’s realized how lucky he is to have his wife by his side (’cause she totally saved his tush). The found family juice was strong in this one and I enjoyed every second of it.

2) Boys Run the Riot Volume 2 by Keito Gaku (Four Stars)

I actually enjoyed this as much as I did the first volume so it really should be four and a half stars, but that ending was so not okay. O_O I imagine volume three is going to be more emotionally tense. *hugs baby boy*

3) Gekkan Shoujo Nozaki-kun Volume 11 by Izumi Tsubaki (Four Stars)

There’s no denying that some of the humor is becoming hit or miss but I still chuckle more often than not. <333

4) Gekkan Shoujo Nozaki-kun Volume 12 by Izumi Tsubaki (Four Stars)

See above. I’d totally keep buying the volumes as they come out in English because it’s pretty much modern Ranma 1/2 in terms of character development not being the main priority in its narrative. As long as it makes you chuckle; it’s doing its job.

5) A Deadly Education by Naomi Novik (Four Stars)

Yo, yooooooo. I can’t live in that world. I can’t. I do not envy the characters. If I lived in that world and found out I had magic powers, I’d be screwed. Anyway, I highly enjoyed El and her snark. I didn’t expect this to be a dark comedy and dark comedies are actually up my alley. XD It was nice watching her slowly develop some genuine friendships in an otherwise hostile environment and her dynamic with Orion is where I don’t care where it goes as long as they care about each other. Platonic, romantic, quasiplatonic. I’ll take it.

Also, I’m still lowkey reeling from that last sentence. Best believe I’m buying the sequel.

6) To Your Eternity Volume One by Yoshitok Oma (Three Stars)

I didn’t know how to feel about this one. I mean, it’s well-written but I couldn’t decide if this is the type of story I want to follow because the premise, while fascinating, can possibly lead on the depressing side. I mean, I freaking watched a child get his leg infected and die in his sleep in the first freaking chapter (which I totally saw coming given who the author is, but dang). But judging from screencaps I saw of the manga and the themes going on, I’ll probably continue. Or at least follow the anime.

7) That Kind of Guy by Talia Hibbert (Four Stars)

It’s Hibbert. She writes; I read. All I have left is Wanna Bet? (which apparently got renamed The Roommate Risk) but I look forward to reading it sometime in the future.

8) Allegedly by Tiffany D. Jackson (Four Stars)

I was gonna wait until the start of September to read, but I ended up starting early and finishing early. Monday’s Not Coming broke my heart; Allegedly freaking betrayed me. Like, it’s been two days and I’m still lowkey pissed. XD And the worst part is you can totally recall what counted as hints to the twist and, YMMV, but I thought it was clever. Disturbing, but clever. I found out people either loved the ending or hated it and honestly, both are fair.

9) Grown by Tiffany D. Jackson (Four Stars)

I speed through this in two freaking days. I had to know who killed the man so I could shake their hand. Then when I found out who they were (minor spoiler), it was like, “Yo, he deserved to rot in jail, not this.” Then it was revealed that they started the assault but the finishing blow by the other person was justified. I appreciated that while the novel mentioned a tragic backstory and let you realize why he partially turned out the way he did, it absolutely did not justify what he did to all those girls. Not at all.

Plans for September

Technically I’m ahead of the game because I was gonna read Allegedly and Grown in September, but that means time for other books. <3 So far, I already got started on Let Me Hear a Rhyme by Tiffany D. Jackson. So:

1) Let Me Hear a Rhyme by Tifftany D. Jackson

2) the book S got me for my birthday; I forgot the name but it’s safe in my room for the time being

3) The Last Graduate by Naomi Novik

4) White Smoke by Tiffany D. Jackson

5) The Long Way to a Small, Angry Planet by Becky Chambers

I would roll the dice for the TBR game but this list is enough. XD

#faye reads #as of tonight i've read 59 books #last year was 51 #year before was 57 #dunno why i've rarely encountered a reading slump this year but i'm not complaining #three months to go

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zosonils · 4 years ago

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about the sonic/mega man crossover, how would Sonic figure into it? would Sonic be like a player 2, maybe have his own separate side story, or what?

i was like 'hmm i haven't thought about it much so i guess this'll be a quick ask' and then the part of my brain that's thought about sonic level design every day for the past ten years awakened and i wrote so fucking much [and tragically it's not even illustrated this time] so this is gonna be under a cut again bhjfkngbkjg

there's a handful of ways you could go about this but i imagine it'd work like classic and modern sonic in generations where every stage has one act for sonic and one act for mega man that you can play in either order! alternatively the sonic rush approach where they both have their own story and you beat both to unlock the final boss could work. there's also the idea of doing it like sonic rush adventure or mega man and bass where you pick one character at the beginning of each stage and can go the entire game only playing as one of them, but this wouldn't really work for the same reason it didn't work in mega man and bass dialled up to 11 - sonic and mega man gameplay are so fundamentally different from each other that it's almost impossible to design a level that's equally fun and fair to play through for both of them. either sonic has to slog through a slow-paced level filled with enemies that can attack him from afar with no way for him to counter from a distance, or rock is constantly tripping over his own big ol robot boots as he stumbles through a level that's throwing shit at him from every possible direction faster than he can reasonably react

sonic's gameplay would probably function more or less identically to sonic colours, i'm thinking for consistency's sake it'd pull from the ds port rather than the wii version so that the entire game is a sidescrolling platformer. all the wii-exclusive wisps [cube, hover, spikes] work in two dimensions and two out of those three are exclusive to the 2d segments so there'd be no issues with squeezing those down to a purely sidescrolling experience, as opposed to the logistical nightmare of making up a way for every single colour power to function in 3d - sonic lost world on 3ds kinda did that for red burst if my memory is correct but it's just not as fun. also i think the thing modern sonic does sometimes where it switches between 2 and 3d mid-level is clunky but that's just me

the reason i talk about wisp logistics is that of course sonic's still gonna have the wisps. nearly all of them would function pretty identically to their ingame incarnations, but unlike in regular sonic colours where you can only use certain wisps in certain spots in certain levels, they'd act more like mega man's weapons where sonic can activate and deactivate them at will until an energy gauge runs out. [i say 'nearly all' because as i mentioned in the last post about this au i think blue cube sucks ass and that'd be even more apparent if you could use it whenever you want. keep some optional ring/cube puzzles for funsies, that's fine, but i'm envisioning a heavier emphasis on the ground pound aspect of it that the game sorta glosses over so that it feels less underwhelming]

just as rock unlocks a new weapon with every robot master defeated, sonic unlocks a new colour power. of course this means that even sonic's levels would have to be almost completely reworked so that you can beat any of them without a single colour power, since i wanna keep the near-total non-linearity from mega man, but honestly i think you could make just as fun a sonic colours experience treating wisps like this. side note, i think i heard a rumour or leak or whatever the kids call it now that sonic colours ultimate is leaning towards this approach, and i have no idea if it's true or not [after all the playable tails rumour [which i had a very vivid dream about while staying at my grandparents' house one summer when i was i think 9 or thereabouts, i wanted it to be real so bad] turned out to be not real :(] but if it is that'll fucking rule

also this should've gone earlier but i can't find a good place to insert it so i'm just saying that both sonic and mega man's gameplay styles will probably lean a bit closer to each other so it doesn't feel too jarring for fans of only one series. since i love both i could just rip straight from their respective titles and it wouldn't matter but unfortunately i care about game design. the core gameplay would be pretty identical for both of them, it'd just be little differences - mega man levels naturally flow faster and the punishment for charging in headfirst is a little more gentle, sonic levels have tighter platforming and encourage a slightly more thoughtful approach without sacrificing the momentum-based gameplay. sonic's stages are a bit trickier than usual [at least on par with the genesis games] and require deliberate skillful movement, mega man's stages are more forgiving and give you more room to breathe, striking a tough but fair balance between 'sometimes challenging but rarely distressingly so' sonic and 'for the love of god please help me' mega man. each character still plays distinctly like themselves, but with adjustments to make it easier for a fan of specifically one series to ease into the other's playstyle, and also so that the constant shifting between two different gameplay styles feels more natural and less jarring

really the biggest issue that this hypothetical crossover poses in terms of gameplay is bosses. of course the robot masters are gonna be the main bosses, but who's gonna fight them? rock could take on the robot masters while sonic fights his own guys, but sonic bosses aren't nearly as interesting as robot masters by nature of each series' core design [sonic is all about the levels themselves whereas mega man is pretty much defined by the showdown with each boss]. is the boss a separate, self-enclosed act 3 you can choose either character for? what's the point of a mega man level that doesn't end in a boss fight, though? is there a forced structure of act 1 as sonic and act 2 as mega man? do they BOTH fight the robot master at the end of their act? if so, how did he come back when he got beaten the first time, but not the second? i guess i'll go with they both fight the robot master and he just teleports away from whoever beats him first or something, but it feels like an incomplete solution and it bothers me lmao

obviously the boss issue only comes up with the robot master stages and the boss rush [would you even want to do a boss rush if you've already had to beat them twice] because the obligatory egg/wily stages at the end would be fine with more generic bosses - maybe the actual bosses from sonic colours repurposed for the final levels, at least on sonic's side of things. the true final boss would naturally have you switch between the two of them in a completely different gameplay style that you have to learn fast or die trying a la sonic adventure 2 or the rushes, and almost definitely is the nega-mother wisp from colours ds

#this devolved into word vomit so fast lmao whoops #i have something of a special interest in game design theory. if it wasn't glaringly obvious yet lmao #too bad i can't code. if i could i'd be making this game already #sega is clearly fine with sonic fangames and i think capcom officially stated that you can use their assets as long as it's not for profit #so if i COULD code this together i don't think any poor innocent corporations would be scared of my big scary fan project and c&d me lmao #just fucking whatever #sonic the hedgehog #mega man #sonic colours #mega colours #sonic forces me to answer questions #aprofessionallurker #op genuinely thank you for giving me the excuse to infodump paragraphs of absolute nonsense about the funny special interest crossover

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hopeymchope · 5 years ago

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Magia Record: Reflecting on the Anime and the Game’s Story Ending

With Magia Record's story now complete in-game and with the anime "finished" (only the first season, but it took until literally this past weekend for the production team at Shaft to acknowledge that the second season is coming/inevitable), I have like… a ton of thoughts about where the game and the anime landed.

This will probably mostly be gripes, but overall, I'm still pretty happy with both. I've invested my past year into Magia Record during a lot of my free time, and hey – no regrets here. That game was absolutely worth the experience. The anime? Jury's still out somewhat, but it looks good so far.

This is definitely a normal thing to find surrounding a radio tower.

Anime Adaptation Thoughts:

The original Madoka Magica anime made the world feel slightly off-kilter by employing locations that were just a little off the rails from reality. The producers noted Madoka's bathroom as an important example; it's simply too large and has too much wasted space. It's maybe the biggest room in their house for no discernible reason, and that's by design, because it feels wrong. Another one was the music store we see in the first episode, where the technology is noticeably on a level that you just can't find in any real shop. On the flip side, the Magia Record anime creates a world that is deeply bizarre in many ways – much moreso than the original anime or the Magia Record game world. This is probably because the creator of the witch designs in the original was given far more creative control over the series as a whole this time around, and the result was BUGNUTS. Take note of the massive stack of discarded school desks that is arranged in a dangerous, precarious pile atop the school building (helpfully labeled as a waste pile, despite the fact that… well, who is picking up these garbage desks from the goddamn roof?). That's some imagery straight out of a witch's labyrinth, but it is ostensibly "reality." I think that's where Magia Record's anime really goes bugnuts, sometimes to powerful effect in that it makes things feel more unsettling… and sometimes to ridiculous effect. I mean, the field surrounding the radio tower now being replaced with a yard of jagged, cockeyed, towering gravestones and cross-like woodwork dangling with ropes and tridents? That's a LOT. That's… that's too much.

Look, if you were a die-hard fan of Kaede in the game, I am deeply sorry, because your girl got done DIRTY by the anime. Anyone who played the game who then sees where she winds up at the end of episode 12 is likely on a train straight to Double-You Tee Eff Station. I can't deny that it makes sense for the limited story she's given to develop across, but it was still disappointing to see. I suppose we don't really have the time to develop up all of the other characters from the game, so somebody had to sub in for this role… but oof.

Sana's backstory with her family is not nearly explained or explored enough in the show. I honestly think it comes off as confusingly unclear why they treated her like this or why they didn't notice her vanish at all. The game justifies this devastatingly well, but it feels like it's not clear at all here.

I think they could've had Kyubey run around Kamihama for part of the first season before he got ousted/blocked, and I think it would've been beneficial to do so. Now, that's not just because I love his character and find him fascinating, although that's definitely true, but it's also because there's so much exposition that I wish he could deliver to the characters about what's happened before we got here. Like, the tragic truth about Felicia's backstory is wonderfully awful, and I wish there was some way to deliver that into the anime, but I don't think it's possible without a ton of flashbacks. (And to be fair, players of the game may never know it without playing her particular Magical Girl Story.)

The change to not having Mami attack Yachiyo when they first meet was something I felt was a positive move. I loved that Mami got to have a moment she never had in the game during the Radio Tower arc, too. In generally, I enjoyed the slower, more piecemeal involvement of the original Holy Quintet, which has served as nice slow tease compared to having them be more upfront in the game. I did kind of miss the Madoka/Homura involvement in the radio tower case, but I ultimately came away feeling like it was better to save those two for later in the story because they're probably the best-known characters from the original series.

The combat soundtrack is exquisite - maybe better than ever before, honestly. The Magia Record anime has the best fight music in the series outside of, say, Rebellion.

Game's Ending Thoughts: (Spoilers Within)

The anime cutscenes in the final chapter are delightful.

Puella Magi has never shied away from having its characters die in the original anime or in the many manga stories. I'd argue that those deaths are at least part of what makes it such a successful subversion of the Magical Girl formula; the threat of death (often via witchiness) establishes the idea of there being permanent consequences that simple hope and faith and love can't overcome in spite of what those other anime may have told you. On the other hand, Magia Record turns out to have very close to zero consequences. Aside from established deaths from flashbacks that have occurred before the game even begins, by the end of the game, literally no one dies. Not even the most blatantly psychotic character is allowed to shuffle off her mortal coil; she just "disappears" and escapes. I particularly like (please note the sarcasm) how three different characters do some kind of "super-move" during the final two chapters that is said to most likely kill them, and yet they all survive them! At least ONE character winds up with some paralysis, but jeez, the others walk away completely unscathed. I can only hope the anime doesn't go quite so weak in the knees about any of the characters suffering actual consequences from the potentially-world-ending-level battles that occur.

I previously griped that I actually expected the psychos responsible for the entire storyline to get off scot-free, and although they don't get off 100% free and clear by the time the credits role, they come extremely close to doing so. However, I was really happy with the "Cherry Blossom Dreams" epilogue event, because there is dialogue in there that has the Magius admit that whatever guilt they have now, they are still capable of being complete sociopaths who want to dominate the Earth. That one person's presence (Ui) shouldn't be (and isn't) enough to keep them from being incredibly dangerous. Ultimately, the solution/punishment they receive is probably the best one available in light of their overall survival. Well done.

Speaking of the Magius, I mean… is it really possible that so many feathers never questioned that they were following a couple of 11/12-year-olds and one blatantly obvious psychotic? I guess having face time with the Magius was pretty rare, but there was still enough that some of the feathers declared their allegiance was primarily to those three above all else. And most magical girls range closer to 16 than to 11, I mean, y'know? Which is practically an eternity in terms of maturity. So I guess MIfuyu did a lot of heavy lifting on NOT making them seem like absolutely the worst possible choices for leadership, huh? (And for that reason: Mifuyu got off fucking LIGHT.)

Aaaand speaking of "one obvious psychotic," I find it funny how almost nobody knows Alina outside of her Magius role except for Karin. Because, just… it's so perfect. Karin (who is not a "Karen") happens to be the most insanely tolerant person when it comes to Alina. She seems to shrug off Alina's entire everything as amusing, forgivable quirks. Perhaps because so many people believe Karin's own obsession with Halloween is a weirdly morbid quirk, Karin doesn't even question Alina's obsession with making art about death using actual human remains. Which is… funny? No, seriously. I think it's legitimately comedic in a good way. But it should probably be much more alarming to me that she doesn't care. I'd like to think that Karen feels it's just delightfully Halloween-y for Alina to paint her canvas with legit blood, and I do believe Karin isn't really the kind of person who would ask where the blood came from because whatever, it's probably fine, better get back to planning my pageant or something. She probably even thinks Alina's skulls are plastic Halloween decorations. :P

We need to talk about Mami: Mami in "Another Story Chapter 9" felt so off and out-of-character compared to how she was written in things like Rebellion or A Different Story or Wraith Arc, and furthermore, despite that chapter being entirely about Mami wanting to just be a simple peer with no superiority over the rest of the Holy Quintet, Another Story Chapter 10 has her immediately revert back to being the smart senpai character, further cementing how weirdly "off" Chapter 9 felt. I realize they had something difficult to write, here, though. It's painful how Sayaka has to run middlewoman between Kyoko and Mami in Chapter 10 of AS. I feel like I could write a whole screed about Kyoko's behavior across the franchise and how difficult a character she is for me to like even though I "get it" and don't think she's necessarily a bad person; she's just living on the edge of being almost a total hypocrite basically ALL THE TIME. The conclusion where Kyoko acknowledges that she's going to continue to work with Mami and the others semi-regularly in spite of everything is really the best closure you can hope for with her. She's too antagonistic to give us much else, and she prefers it that way. It would take years to see her mellow.

At this point, it seems safe to assume that there isn't going to be any "season 2" of the game like what happened with Fate/Grand Order after its finale. The main narrative is well and truly done, and it's just going to be various events from here on out. Is that enough to keep me around? Um. I don't know. Probably not? Hard to say. I don't really know what other mobile game to throw my heart into. I've considered Attack on Titan Tactics, but like… Attack on Titan hasn't been kind to me lately so uhhhhh.

#magia record #puella magi madoka magica #pmmm

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mattbrothersscriptwriter · 5 years ago

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My Top 20 Films of 2019 - Part Two

I don’t think I’ve had a year where my top ten jostled and shifted as much as this one did - these really are the best of the best and my personal favourites of 2019.

10. Toy Story 4

I think we can all agree that Toy Story 3 was a pretty much perfect conclusion to a perfect trilogy right? About as close as is likely to get, I’m sure. I shared the same trepidation when part four was announced, especially after some underwhelming sequels like Finding Dory and Cars 3 (though I do have a lot of time for Monsters University and Incredibles 2). So maybe it’s because the odds were so stacked against this being good but I thought it was wonderful. A truly existential nightmare of an epilogue that does away with Andy (and mostly kids altogether) to focus on the dreams and desires of the toys themselves - separate from their ‘duties’ as playthings to biological Gods. What is their purpose in life without an owner? Can they be their own person and carve their own path? In the case of breakout new character Forky (Tony Hale), what IS life? Big big questions for a cash grab kids films huh?

The animation is somehow yet another huge leap forward (that opening rainstorm!), Bo Peep’s return is excellently pitched and the series tradition of being unnervingly horrifying is back as well thanks to those creepy ventriloquist dolls! Keanu Reeves continues his ‘Keanuassaince‘ as the hilarious Duke Caboom and this time, hopefully, the ending at least feels finite. This series means so much to me: I think the first movie is possibly the tightest, most perfect script ever written, the third is one of my favourites of the decade and growing up with the franchise (I was 9 when the first came out, 13 for part two, 24 for part three and now 32 for this one), these characters are like old friends so of course it was great to see them again. All this film had to do was be good enough to justify its existence and while there are certainly those out there that don’t believe this one managed it, I think the fact that it went as far as it did showed that Pixar are still capable of pushing boundaries and exploring infinity and beyond when they really put their minds to it.

9. The Nightingale

Hoo boy. Already controversial with talk of mass walkouts (I witnessed a few when this screened at Sundance London), it’s not hard to see why but easy to understand. Jennifer Kent (The Babadook) is a truly fearless filmmaker following up her acclaimed suburban horror movie come grief allegory with a period revenge tale set in the Tasmanian wilderness during British colonial rule in the early 1800s. It’s rare to see the British depicted with the monstrous brutality for which they were known in the distant colonies and this unflinching drama sorely needed an Australian voice behind the camera to do it justice.

The film is front loaded with some genuinely upsetting, nasty scenes of cruel violence but its uncensored brutality and the almost casual nature of its depiction is entirely the point - this was normalised behaviour over there and by treating it so matter of factly, it doesn’t slip into gratuitous ‘movie violence’. It is what it is. And what it is is hard to watch. If anything, as Kent has often stated, it’s still toned down from the actual atrocities that occurred so it’s a delicate balance that I think Kent more than understands. Quoting from an excellent Vanity Fair interview she did about how she directs, Kent said “I think audiences have become very anaesthetised to violence on screen and it’s something I find disturbing... People say ‘these scenes are so shocking and disturbing’. Of course they are. We need to feel that. When we become so removed from violence on screen, this is a very irresponsible thing. So I wanted to put us right within the frame with that person experiencing the loss of everything they hold dear”.

Aisling Franciosi is next level here as a woman who has her whole life torn from her, leaving her as nothing but a raging husk out for vengeance. It would be so easy to fall into odd couple tropes once she teams up with reluctant native tracker Billy (an equally impressive newcomer, Baykali Ganambarr) but the film continues to stay true to the harsh racism of the era, unafraid to depict our heroine - our point of sympathy - as horrendously racist towards her own ally. Their partnership is not easily solidified but that makes it all the stronger when they star to trust each other. Sam Claflin is also career best here, weaponizing his usual charm into dangerous menace and even after cementing himself as the year’s most evil villain, he can still draw out the humanity in such a broken and corrupt man.

Gorgeously shot in the Academy ratio, the forest landscape here is oppressive and claustrophobic. Kent also steps back into her horror roots with some mesmerising, skin crawling dream scenes that amplify the woozy nightmarish tone and overbearing sense of dread. Once seen, never forgotten, this is not going to be everyone’s cup of tea (and that’s fine) but when cinema can affect you on such a visceral level and be this powerful, reflective and honest about our own past, it’s hard to ignore. Stunning.

8. The Irishman

Aka Martin Scorsese’s magnum opus, I did manage to see this one in a cinema before the Netflix drop and absolutely loved it. I’ve watched 85 minute long movies that felt longer than this - Marty’s mastery of pace, energy and knowing when to let things play out in agonising detail is second to none. This epic tale of the life of Frank Sheeran (Robert De Niro) really is the cinematic equivalent of having your cake and eating it too, allowing Scorsese to run through a greatest hits victory lap of mobster set pieces, alpha male arguments, a decades spanning life story and one (last?) truly great Joe Pesci performance before simply letting the story... continue... to a natural, depressing and tragic ending, reflecting the emptiness of a life built on violence and crime.

For a film this long, it’s impressive how much the smallest details make the biggest impacts. A stammering phone call from a man emotionally incapable of offering any sort of condolence. The cold refusal of forgiveness from a once loving daughter. A simple mirroring of a bowl of cereal or a door left slightly ajar. These are the parts of life that haunt us all and it’s what we notice the most in a deliberately lengthy biopic that shows how much these things matter when everything else is said and done. The violence explodes in sudden, sharp bursts, often capping off unbearably tense sequences filled with the everyday (a car ride, a conversation about fish, ice cream...) and this contrast between the whizz bang of classic Scorsese and the contemplative nature of Silence era Scorsese is what makes this film feel like such an accomplishment. De Niro is FINALLY back but it’s the memorably against type role for Pesci and an invigorated Al Pacino who steals this one, along with a roll call of fantastic cameos, with perhaps the most screentime given to the wonderfully petty Stephen Graham as Tony Pro, not to mention Anna Paquin’s near silent performance which says more than possibly anyone else.

Yes, the CG de-aging is misguided at best, distracting at worst (I never really knew how old anyone was meant to be at any given time... which is kinda a problem) but like how you get used to it really quickly when it’s used well, here I kinda got past it being bad in an equally fast amount of time and just went with it. Would it have been a different beast had they cast younger actors to play them in the past? Undoubtedly. But if this gives us over three hours of Hollywood’s finest giving it their all for the last real time together, then that’s a compromise I can live with.

7. The Last Black Man in San Francisco

Wow. I was in love with this film from the moving first trailer but then the film itself surpassed all expectations. This is a true indie film success story, with lead actor Jimmie Fails developing the idea with director Joe Talbot for years before Kickstarting a proof of concept and eventually getting into Sundance with short film American Paradise, which led to the backing of this debut feature through Plan B and A24. The deeply personal and poetic drama follows a fictionalised version of Jimmie, trying to buy back an old Victorian town house he claims was built by his grandfather, in an act of rebellion against the increasingly gentrified San Francisco that both he and director Talbot call home.

The film is many things - a story of male friendship, of solidarity within our community, of how our cities can change right from underneath us - it moves to the beat of it’s own drum, with painterly cinematography full of gorgeous autumnal colours and my favourite score of the year from Emile Mosseri. The performances, mostly by newcomers or locals outside of brilliant turns from Jonathan Majors, Danny Glover and Thora Birch, are wonderful and the whole thing is such a beautiful love letter to the city that it makes you ache for a strong sense of place in your own home, even if your relationship with it is fractured or strained. As Jimmie says, “you’re not allowed to hate it unless you love it”.

For me, last year’s Blindspotting (my favourite film of the year) tackled gentrification within California more succinctly but this much more lyrical piece of work ebbs and flows through a number of themes like identity, family, memory and time. It’s a big film living inside a small, personal one and it is not to be overlooked.

6. Little Women

I had neither read the book nor seen any prior adaptation of Louisa May Alcott’s 1868 novel so to me, this is by default the definitive telling of this story. If from what I hear, the non linear structure is Greta Gerwig’s addition, then it’s a total slam dunk. It works so well in breaking up the narrative and by jumping from past to present, her screenplay highlights certain moments and decisions with a palpable sense of irony, emotional weight or knowing wink. Getting to see a statement made with sincere conviction and then paid off within seconds, can be both a joy and a surefire recipe for tears. Whether it’s the devastating contrast between scenes centred around Beth’s illness or the juxtaposition of character’s attitudes to one another, it’s a massive triumph. Watching Amy angrily tell Laurie how she’s been in love with him all her life and then cutting back to her childishly making a plaster cast of her foot for him (’to remind him how small her feet are’) is so funny.

Gerwig and her impeccable cast bring an electric energy to the period setting, capturing the big, messy realities of family life with a mix of overwhelming cross-chatter and the smallest of intimate gestures. It’s a testament to the film that every sister feels fully serviced and represented, from Beth’s quiet strength to Amy’s unforgivable sibling rivalry. Chris Cooper’s turn as a stoic man suffering almost imperceptible grief is a personal heartbreaking favourite.

The book’s (I’m assuming) most sweeping romantic statements are wonderfully delivered, full of urgent passion and relatable heartache, from Marmie’s (Laura Dern) “I’m angry nearly every day of my life” moment to Jo’s (Saoirse Ronan) painful defiance of feminine attributes not being enough to cure her loneliness. The sheer amount of heart and warmth in this is just remarkable and I can easily see it being a film I return to again and again.

5. Booksmart

2019 has been a banner year for female directors, making their exclusion from some of the early awards conversations all the more damning. From this list alone, we have Lulu Wang, Jennifer Kent and Greta Gerwig. Not to mention Lorene Scafaria (Hustlers), Melina Matsoukas (Queen & Slim), Jocelyn DeBoer & Dawn Luebbe (Greener Grass), Sophie Hyde (Animals) and Rose Glass (Saint Maud - watch out for THIS one in 2020, it’s brilliant). Perhaps the most natural transition from in front of to behind the camera has been made by Olivia Wilde, who has created a borderline perfect teen comedy that can make you laugh till you cry, cry till you laugh and everything in-between.

Subverting the (usually male focused) ‘one last party before college’ tropes that fuel the likes of Superbad and it’s many inferior imitators, Booksmart follows two overachievers who, rather than go on a coming of age journey to get some booze or get laid, simply want to indulge in an insane night of teenage freedom after realising that all of the ‘cool kids’ who they assumed were dropouts, also managed to get a place in all of the big universities. It’s a subtly clever remix of an old favourite from the get go but the committed performances from Kaitlyn Dever and Beanie Feldstein put you firmly in their shoes for the whole ride.

It’s a genuine blast, with big laughs and a bigger heart, portraying a supportive female friendship that doesn’t rely on hokey contrivances to tear them apart, meaning that when certain repressed feelings do come to the surface, the fallout is heartbreaking. As I stated in a twitter rave after first seeing it back in May, every single character, no matter how much they might appear to be simply representing a stock role or genre trope, gets their moment to be humanised. This is an impeccably cast ensemble of young unknowns who constantly surprise and the script is a marvel - a watertight structure without a beat out of place, callbacks and payoffs to throwaway gags circle back to be hugely important and most of all, the approach taken to sexuality and representation feels so natural. I really think it is destined to be looked back on and represent 2019 the way Heathers does ‘88, Clueless ‘95 or Easy A 2010. A new high benchmark for crowd pleasing, indie comedy - teen or otherwise.

4. Ad Astra

Brad Pitt is one of my favourite actors and one who, despite still being a huge A-lister even after 30 years in the game, never seems to get enough credit for the choices he makes, the movies he stars in and also the range of stories he helps produce through his company, Plan B. 2019 was something of a comeback year for Pitt as an actor with the insanely measured and controlled lead performance seen here in Ad Astra and the more charismatic and chaotic supporting role in Once Upon a Time... in Hollywood.

I love space movies, especially those that are more about broken people blasting themselves into the unknown to search for answers within themselves... which manages to sum up a lot of recent output in this weirdly specific sub-genre. First Man was a devastating look at grief characterised by a man who would rather go to a desolate rock than have to confront what he lost, all while being packaged as a heroic biopic with a stunning score. Gravity and The Martian both find their protagonists forced to rely on their own cunning and ingenuity to survive and Interstellar looked at the lengths we go to for those we love left behind. Smaller, arty character studies like High Life or Moon are also astounding. All of this is to say that Ad Astra takes these concepts and runs with them, challenging Pitt to cross the solar system to talk some sense into his long thought dead father (Tommy Lee Jones). But within all the ‘sad dad’ stuff, there’s another film in here just daring you to try and second guess it - one that kicks things off with a terrifying free fall from space, gives us a Mad Max style buggy chase on the moon and sidesteps into horror for one particular set-piece involving a rabid baboon in zero G! It manages to feel so completely nuts, so episodic in structure, that I understand why a lot of people were turned off - feeling that the overall film was too scattershot to land the drama or too pondering to have any fun with. I get the criticisms but for me, both elements worked in tandem, propelling Pitt on this (assumed) one way journey at a crazy pace whilst sitting back and languishing in the ‘bigger themes’ more associated with a Malik or Kubrick film. Something that Pitt can sell me on in his sleep by this point.

I loved the visuals from cinematographer Hoyte van Hoytema (Interstellar), loved the imagination and flair of the script from director James Gray and Ethan Gross and loved the score by Max Richter (with Lorne Balfe and Nils Frahm) but most of all, loved Pitt, proving that sometimes a lot less, is a lot more. The sting of hearing the one thing he surely knew (but hoped he wouldn’t) be destined to hear from his absent father, acted almost entirely in his eyes during a third act confrontation, summed up the movie’s brilliance for me - so much so that I can forgive some of the more outlandish ‘Mr Hyde’ moments of this thing’s alter ego... like, say, riding a piece of damaged hull like a surfboard through a meteor debris field!

3. Avengers: Endgame

It’s no secret that I think Marvel, the MCU in particular, have been going from strength to strength in recent years, slowly but surely taking bigger risks with filmmakers (the bonkers Taika Waititi, the indie darlings of Ryan Coogler, Cate Shortland and Chloe Zhao) whilst also carefully crafting an entertaining, interconnected universe of characters and stories. But what is the point of building up any movie ‘universe’ if you’re not going to pay it off and Endgame is perhaps the strongest conclusion to eleven years of movie sequels that fans could have possibly hoped for.

Going into this thing, the hype was off the charts (and for good reason, with it now being the highest grossing film of all time) but I remember souring on the first entry of this two-parter, Infinity War, during the time between initial release and Endgame’s premiere. That film had a game-changing climax, killing off half the heroes (and indeed the universe’s population) and letting the credits role on the villain having achieved his ultimate goal. It was daring, especially for a mammoth summer blockbuster but obviously, we all knew the deaths would never be permanent, especially with so many already-announced sequels for now ‘dusted’ characters. However, it wasn’t just the feeling that everything would inevitably be alright in the end. For me, the characters themselves felt hugely under-serviced, with arguably the franchise’s main goody two shoes Captain America being little more than a beardy bloke who showed up to fight a little bit. Basically what I’m getting at is that I felt Endgame, perhaps emboldened by the giant runtime, managed to not only address these character slights but ALSO managed to deliver the most action packed, comic booky, ‘bashing your toys together’ final fight as well.

It’s a film of three parts, each pretty much broken up into one hour sections. There’s the genuinely new and interesting initial section following our heroes dealing with the fact that they lost... and it stuck. Thor angrily kills Thanos within the first fifteen minutes but it’s a meaningless action by this point - empty revenge. Cutting to five years later, we get to see how defeat has affected them, for better or worse, trying to come to terms with grief and acceptance. Cap tries to help the everyman, Black Widow is out leading an intergalactic mop up squad and Thor is wallowing in a depressive black hole. It’s a shocking and vibrantly compelling deconstruction of the whole superhero thing and it gives the actors some real meat to chew on, especially Robert Downy Jr here who goes from being utterly broken to fighting within himself to do the right thing despite now having a daughter he doesn’t want to lose too. Part two is the trip down memory lane, fan service-y time heist which is possibly the most fun section of any of these movies, paying tribute to the franchise’s past whilst teetering on a knife’s edge trying to pull off a genuine ‘mission impossible’. And then it explodes into the extended finale which pays everyone off, demonstrates some brilliantly imaginative action and sticks the landing better than it had any right to. In a year which saw the ending of a handful of massive geek properties, from Game of Thrones to Star Wars, it’s a miracle even one of them got it right at all. That Endgame managed to get it SO right is an extraordinary accomplishment and if anything, I think Marvel may have shot themselves in the foot as it’s hard to imagine anything they can give us in the future having the intense emotional weight and momentum of this huge finale.

2. Knives Out

Rian Johnson has been having a ball leaping into genre sandpits and stirring shit up, from his teen spin on noir in Brick to his quirky con man caper with The Brothers Bloom, his time travel thriller Looper and even his approach to the Star Wars mythos in The Last Jedi. Turning his attention to the relatively dead ‘whodunnit’ genre, Knives Out is a perfect example of how to celebrate everything that excites you about a genre whilst weaponizing it’s tropes against your audience’s baggage and preconceptions.

An impeccable cast have the time of their lives here, revelling in playing self obsessed narcissists who scramble to punt the blame around when the family’s patriarch, a successful crime novelist (Christopher Plummer), winds up dead. Of course there’s something fishy going on so Daniel Craig’s brilliantly dry southern detective Benoit Blanc is called in to investigate.There are plenty of standouts here, from Don Johnson’s ignorant alpha wannabe Richard to Michael Shannon’s ferocious eldest son Walt to Chris Evan’s sweater wearing jock Ransom, full of unchecked, white privilege swagger. But the surprise was the wholly sympathetic, meek, vomit prone Marta, played brilliantly by Ana de Armas, cast against her usual type of sultry bombshell (Knock Knock, Blade Runner 2049), to spearhead the biggest shake up of the genre conventions. To go into more detail would begin to tread into spoiler territory but by flipping the audience’s engagement with the detective, we’re suddenly on the receiving end of the scrutiny and the tension derived from this switcheroo is genius and opens up the second act of the story immensely.

The whole thing is so lovingly crafted and the script is one of the tightest I’ve seen in years. The amount of setup and payoff here is staggering and never not hugely satisfying, especially as it heads into it’s final stretch. It really gives you some hope that you could have such a dense, plotty, character driven idea for a story and that it could survive the transition from page to screen intact and for the finished product to work as well as it does. I really hope Johnson returns to tell another Benoit Blanc mystery and judging by the roaring box office success (currently over $200 million worldwide for a non IP original), I certainly believe he will.

1. Eighth Grade

My film of the year is another example of the power of cinema to put us in other people’s shoes and to discover the traits, fears, joys and insecurities that we all share irregardless. It may shock you to learn this but I have never been a 13 year old teenage girl trying to get by in the modern world of social media peer pressure and ‘influencer’ culture whilst crippled with personal anxiety. My school days almost literally could not have looked more different than this (less Instagram, more POGs) and yet, this is a film about struggling with oneself, with loneliness, with wanting more but not knowing how to get it without changing yourself and the careless way we treat those with our best interests at heart in our selfish attempt to impress peers and fit in. That is understandable. That is universal. And as I’m sure I’ve said a bunch of times in this list, movies that present the most specific worldview whilst tapping into universal themes are the ones that inevitably resonate the most.

Youtuber and comedian Bo Burnham has crafted an impeccable debut feature, somehow portraying a generation of teens at least a couple of generations below his own, with such laser focused insight and intimate detail. It’s no accident that this film has often been called a sort of social-horror, with cringe levels off the charts and recognisable trappings of anxiety and depression in every frame. The film’s style services this feeling at every turn, from it’s long takes and nauseous handheld camerawork to the sensory overload in it’s score (take a bow Anna Meredith) and the naturalistic performances from all involved. Burnham struck gold when he found Elsie Fisher, delivering the most painful and effortlessly real portrayal of a tweenager in crisis as Kayla. The way she glances around skittishly, the way she is completely lost in her phone, the way she talks, even the way she breathes all feeds into the illusion - the film is oftentimes less a studio style teen comedy and more a fly on the wall documentary.

This is a film that could have coasted on being a distant, social media based cousin to more standard fare like Sex Drive or Superbad or even Easy A but it goes much deeper, unafraid to let you lower your guard and suddenly hit you with the most terrifying scene of casually attempted sexual aggression or let you watch this pure, kindhearted girl falter and question herself in ways she shouldn’t even have to worry about. And at it’s core, there is another beautiful father/daughter relationship, with Josh Hamilton stuck on the outside looking in, desperate to help Kayla with every fibre of his being but knowing there are certain things she has to figure out for herself. It absolutely had me and their scene around a backyard campfire is one of the year’s most touching.

This is a truly remarkable film that I think everyone should seek out but I’m especially excited for all the actual teenage girls who will get to watch this and feel seen. This isn’t about the popular kid, it isn’t about the dork who hangs out with his or her own band of misfits. This is about the true loner, that person trying everything to get noticed and still ending up invisible, that person trying to connect through the most disconnected means there is - the internet - and everything that comes with it. Learning that the version of yourself you ‘portray’ on a Youtube channel may act like they have all the answers but if you’re kidding yourself then how do you grow?

When I saw this in the cinema, I watched a mother take her seat with her two daughters, aged probably at around nine and twelve. Possibly a touch young for this, I thought, and I admit I cringed a bit on their behalf during some very adult trailers but in the end, I’m glad their mum decided they were mature enough to see this because a) they had a total blast and b) life simply IS R rated for the most part, especially during our school years, and those girls being able to see someone like Kayla have her story told on the big screen felt like a huge win. I honestly can’t wait to see what Burnham or Fisher decide to do next. 2019 has absolutely been their year... and it’s been a hell of a year.

#top 20 #films of the year #films of 2019 #10-1 #toy story 4 #the nightingale #the irishman #the last black man in san francisco #little women #booksmart #ad astra #avengers endgame #knives out #eighth grade

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datleggy · 5 years ago

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a list of every anime i love/recommend, accumulated over the last 10+ years

1. NATSUME YUUJINCHOU

SUMMARY/REVIEW:

The main character is a teenage boy named Natsume, whose parents died when he was too young to remember them properly. He’s passed around random relatives homes, but because he can see yokai (spirits), he’s ostracized by classmates and his foster families (ALL HIS CHILDHOOD FLASHBACKS ARE SO FUCKING SAD) and eventually very distant relatives (an older couple who never had kids of their own and have so much goddamn love to give D:!!!) take Natsume in, and the story basically starts from there.

It’s a very heart-warming story following Natsume’s new life in this new town, accepting his ability to see yokai, forging new relationships in the form of friends and family, and even with the yokai themselves.

This is honestly probably my favorite anime/manga period, because it’s so sad but so cathartic and you watch as the main character grows and learns to trust those around him, and finally gets the unconditional love he’s always deserved, not to MENTION THE FACT THAT THEY DO A WHOLE EP WHERE NATSUME IS TURNED BACK INTO A LITTLE KID AND IT IS SOOOO GOOD OMG

Plus for those of you who enjoy whump, this show has a decent amount of it. Mainly emotional whump, but also some episodes where Natsume is injured or sick--as well as I believe one where his companion (the chubby cat on his shoulder who’s actually a pretty badass yokai) gets shot with an arrow and is down for the count.

10/10 would and have watched again.

2. KODOCHA NO OMOCHA

SUMMARY/REVIEW: The main character is a sixth grader named Sana. She’s a gifted actress on a t.v. show everyone likes and she’s silly and fun, very intuitive and surprisingly empathetic for a child.

Her main problem is in school, where Akito, who she deems the leader of her class’ wolf pack of rowdy rude boys, lets them terrorize not just the teacher, but all the girls in class, as well.

I don’t really want to give a lot away, so I’ll just state the obvious. This anime/manga is shoujo, which means that it does focus on a romantic relationship throughout the series. Mainly the one between Sana and Akito. Sana is absolutely oblivious about her own feelings, while Akito is a stubborn little shit.

I remember watching this at like, age 12 maybe? And I really enjoyed it because (although I do enjoy your typical silly doesn’t take itself too seriously slice of life shoujo) this particular anime, while super funny and light hearted at times, was also really dramatic and even kinda dark, which was surprising considering the characters ages and the general kid-friendly vibe (especially the opening for the anime).

3. DETECTIVE CONAN

SUMMARY/REVIEW: Our main character is initially Shinichi Kudo, teenage detective, who’s on a date with childhood sweetheart Ran (whose father also happens to a detective but like....not a good one lmao), when his nosy ass self decides to go and check out some shady business and gets “poisoned”.

The poison he’s given is intended to kill him, but what it actually does is turn him back into a child. And now, as Conan Edogawa, (who’s 7 but like....we just supposed to believe all these cops and detectives on the force are cool with a seven year old wee lil babe on these really gruesome ass crime scenes??? lmaoooo) we follow him on his adventures as he solves crimes and tries to solve the biggest mystery of all, his own!

I absolutely LOVE this anime/manga, even though I’ll be honest, there is SO MUCH FILLER, but I like the characters enough that I really don’t mind. The show is at least 900+ episodes in at this point, and there are a total of 26 movies so far, last time I checked.

Also, the show is a whump fangirls’ dream come true. The main character is thrown out of windows, balconies, shot at, and in one occasion actually shot, he’s had broken bones, sprains, almost been blown up or drowned/burned, been sick, and oh, his occasional transformations from child to teenager are incredibly painful.

This show is probably at fault for my love of whump, since it was one of my first animes at like, age 9. smh.

4. THE DEVIL IS A PART-TIMER!

REVIEW:

I’m not even going to summarize this one. The title does it for me. This is truly one of the funniest animes I’ve ever seen. Motherfuckin Satan works at a McDonalds part time and it is the BEST.

Technically I would count this show as a kind of harem, but only because there are like three main girl characters after the overlord Satan himself. I usually dislike harem type animes but the way this is done is sooooo good I couldn’t resist.

I would watch a million filler episodes of Satan trying to solve problems at his minimum wage job tbh. I love every single character, I love the plot, I love everything about this anime! In terms of comedy (with the occasional plot driven serious moments) this is IT bro.

5. BLACK BUTLER

SUMMARY/REVIEW:

The main character is Ciel Phantomhive (roughly 14 years old). His parents are killed, his house is burned to ashes, and he’s kidnapped (around age 9 or 10 I believe) and abused. During this abuse Ciel calls upon a demon to free him and help him get revenge on those who harmed the Phantomhive household, which is where Sebastian, one “hell of a good butler” comes in.

We then follow Ciel and Sebastian on their path of vengeance, and along the way we meet Ciel’s human servants, three very clumsy and seemingly bad at their given tasks characters (i love them all), and some of his extended relatives and connections.

My favorite thing about Black Butler is the art, both in the anime and manga. Everything is so detailed and pretty!

The characters are interesting, the plot is dark but they manage to make most of the series overall pretty light-hearted and funny in general. Though of course there are chapters/parts of the series that get really grim (which duh, the whole thing focuses on revenge so...)

I have to say, the arc I enjoyed the most has to be the movie, Black Butler: Book Of the Atlantic. It is beautifully drawn and sooooooo entertaining.

6. INUYASHA

SUMMARY/REVIEW:

Our main characters are Inuyasha, a half-demon, who’s been in a sort of spiritually binding coma for the last few decades, and fourteen year old Kagome, who falls into an old well in her family’s shrine and finds herself being transported into another time period.

Together, she and Inuyasha travel across the lands in the feudal era to find the scattered shards of the shikon jewel, a powerful jewel which grants anyone who possesses it ultimate power.

I was too young to stay up and watch Inuyasha on adult swim, so my mom would tape the show on a VCR for me to watch the next day after school--yes, I’m old old. lmaoooo I ADORE this show.

It’s so good! It’s got everything! A tortured lil half-demon with a sad past who’s stubborn and rude but got a good heart! A fierce and equally as stubborn main protagonist, who’s whole ass family knows exactly where she goes off to??? and are supportive af????? like???? her mama packs her and her squad of demon/exorcist/demon hunter pals bentos?!?! lmao i love it.

The characters are awesome and funny and likable as all heck, and of course they all have their sad backstory, but like, unlike some animes (lookin at YOU Naruto) they don’t go mega overboard on it, at least not without some plot behind the episode.

7. YU YU HAKUSHO

SUMMARY/REVIEW:

Before I even start in on the summary, ya’ll should watch this soley bc of the cute ass 90′s style animation alone. LOOK AT ALL THAT SHINY HAIR!

ANYWAY. Main character is teenage hooligan and overall cutie pie Yusuke! He gets struck by a car and fucking DIES in the first episode after shoving a little boy out of the way, only to end up in the spirit world where the head honcho up there (who looks like a wee baby) tells him “Oh shit, didn’t expect you to like, actually do anything self-sacrificing EVER so like, you’re not on our list of people who were supposed to die today...”

And uh, I don’t wanna give anything away, so I’m just gonna say that if you haven’t seen this anime yet, you definitely should! It’s hilarious and dramatic, the fight scenes are very well done, all the side characters, who eventually become main characters are a blessing (specifically Hiei, who’ve I’ve had a crush on since I was 12) and the ending is a satisfying one, which you can’t really say for a lot of media.

8. CHRONO CRUSADE

SUMMARY/REVIEW:

I still get weepy when I think of this anime, so all I’ll say is it’s about a badass demon slaying nurse and her demon companion and some very tragic shit.

It’s a great anime overall, especially if you like crying yourself to sleep at night :)

9. GHOST HUNT

SUMMARY/REVIEW:

The main character is high school student Mai, who is hired by Naru, the head of a Shibuya psychic research, and together, with a group of questionable exorcists/psychics, they encounter paranormal phenomenons and some outright scary shit.

I’m not really a fan of the horror genre tbh but I do like mystery, and the series deals with that quite a bit. They deal with each case for several episodes so nothing feels too rushed.

The series is really fun in a creepy, wtf is that way. I recommend the manga, only because it’s more detailed in terms of plot than the anime.

10. ASSASSINATION CLASSROOM

SUMMARY/REVIEW:

I didn’t really make this list in any particular order but if I had to say, Assassination Classroom and Natsume Yuujinchou probably tie for BEST ANIME PERIOD!

This anime is about a weird ass “alien” creature, no one knows where it came from or why tf it’s here on earth, all they know is that in one year it’s threatened to blow the world up.

His only request to the government is that they let him become a teacher for Class E, the worst class of Kunugigaoka Junior High School, and he will stay put, so that they can attempt an assassination on him during this one year period.

AND LISTEN! I am a shallow hoe, so I literally never would have read this manga or watched the series had I not been roaming Barnes and Noble one day with my S.O. and picked it up to read as a JOKE!

I was hooked after the first chapter and I am soooooooo glad I picked this manga up, bc it is absolutely not the type I would normally go for, cover art wise. I finally, after many many years, learned not to judge a book by its cover bc LORD this anime is so goddamn good, you don’t understand! Like, I’ve watched it so many times and still laugh at the same parts, cry at the same parts, am proud af at the same parts! like, this anime is an instant classic and should definitely be more popular than it is.

assassination classroom and natsume yuujinchou????? MASTERPIECES!

#anime i can't imagine life without #natsume yuujinchou #assassination classroom #inuyasha #black butler #detective conan #whump #chrono crusade #ghost hunt #yu yu hakusho #the devil is a part-timer #kodocha #long post is long

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