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featuringthecreature · 4 years ago
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Reviews for Every Movie I Watched in March+April
Kinda fell off on watching movies after January due to some mental health shtuff, but I’ve slowly been getting back on that horse and I wanted to talk about the movies I’ve seen, so here we are. Take my number ratings with a grain of salt, they’re mostly off the cuff and giving a movie a numbered grade is pretty arbitrary anyway. 
March 1: The Wizard of Oz (1939)  dir. Victor Fleming - 9/10
It is STUPID how good this movie is for 1939. I really do like almost everything about this movie, from the fun characters to the bright and colorful set design to the iconic music. In fact, the only parts of the movie I don’t like are that ugly ass Cowardly Lion and those godforsaken Munchkins.
March 1: Kick-Ass (2010) dir. Matthew Vaughn - 8/10
Even when Matthew Vaughn is bad, he is still amazingly fun, and this movie is by no means a bad movie. Nicolas Cage gives the best performance, I love his delivery on some of his lines. This movie is so much fun y’all. Just watch it, you’ll have a good time. (And yes, I know both Quicksilvers are in this, you don’t have to tell me) 
March 13: There Will Be Blood (2007) dir. Paul Thomas Anderson - 10/10
This is a fuck-you movie. This movie curb stomped me, spat in my face, and told me I’d never make it in this industry. I don’t need to tell you this movie is incredible, ‘cause if you’ve seen it you already know, and if you haven’t you are seriously missing out.
March 14: The Philadelphia Story (1940) dir. George Cukor - 7/10
I had a hard time deciphering how I feel about this movie. I watched this for a Classic Film course, so I had a couple days to listen to and share some deeper analysis, and I feel like this film is actually pretty good. I don’t have any strong feelings on it, check it out if you like classic film.
March 14: Moulin Rouge! (2001) dir. Baz Luhrmann - 8/10
This movie is bombastic as hell, and even if this is a bad movie, it’s a good movie in my soul. Ewan McGregor, please return my calls.
March 15: The Ruthless (2019) dir. Renato De Maria - 5/10
I guess this movie just isn’t for me, I don’t know. I really do like Riccardo Scamarcio in this movie, but that’s the extent of the really good things. I was on a “Santino from John Wick” kick, I can’t really explain it. 
March 20: The Host (2006) dir. Bong Joon-ho - 9/10
Bong Joon-ho has never disappointed me once, and I don’t think he ever will. This is one of the best monster movies I have ever seen (granted I don’t think I’ve seen a lot of monster movies). Watch this movie, it has a wonderful heart and a wonderful monster.
March 20: Citizen Kane (1941) dir. Orson Welles - 10/10
Anything I can say about this movie has already been said, so I’m going to leave you with “I wrote a paper on this film and got a C so fuck this movie” and call it a day.
March 27: Sound of Metal (2019) dir. Darius Marder - 9/10
I am so glad a watched this movie. Riz Ahmed gives an award winning performance if only he hadn’t been competing against Anthony Hopkins. Paul Raci is also really, really good in this movie, and I don’t think that’s mentioned as much, and I think it should be. 
April 6: Casablanca (1942) dir. Michael Curtiz - 9/10
I did not think I would enjoy Casablanca as much as I did, but yeah. This is a great movie. I wanna go on record and say Humphrey Bogart is not tall, he is 5′8″. He wears pumps in this movie and they’re really funny to look at.
April 10: Dr. No (1962) dir. Terence Young - 7/10
This was my introduction to the Bond universe, and I thought it was a pretty good way to get me into the character of James Bond. Sean Connery is the strongest part of this movie as Bond. It is by no means a perfect movie, some aspects are extraordinarily outdated. But as a first crack this movie gets two thumbs up from me.
April 18: The Godfather (1972) dir. Francis Ford Coppola - 10/10
This film is truly something special. I am lucky that I was able to experience the story basically blind (I knew about some specific plot points and some famous lines, but for the most part this was all new to me), and I was extra lucky that I got to watch it with my dad. Being able to watch The Godfather with someone who has a deep love of the genre and the film itself is something that enhances almost every movie going experience. The Godfather is one of the greats. 
April 19: Mank (2020) dir. David Fincher - 6/10
I am not in love with this movie. I don’t hate it, but I don’t particularly like it either. The production design is great, and as a general appreciator of classic cinema I liked those aspects just fine. There’s just something in here that’s preventing me from fully liking this movie. 
April 21: Judas and the Black Messiah (2021) dir. Shaka King - 9/10
The only way I can describe this movie is “important.” King gives us a story of a often left out part of the Civil Rights movement, and it’s a story that everyone should be aware of. Fred Hampton was only 21 when he was assassinated, and yet he left such a mark on the fight for racial equality. Daniel Kaluuya absolutely deserved his Oscar win, he is a dream in this film. This is an uncompromising, tragic, and endlessly relevant movie.
April 23: The Father (2020) dir. Florian Zeller - 10/10
Yeah I cried. Anthony Hopkins is... I don’t think his performance can be summed up in words. It’s heartbreaking, everything about this movie is soul-crushing. 
April 24: Promising Young Woman (2020) dir. Emerald Fennell - 8/10
(You can tell I was cramming for the Oscars at this point) It is really hard to review Promising Young Woman. It’s incredibly polarizing to the film community, and it’s also polarizing in my own opinion. I really don’t know how I feel here, all I know is my feelings are strong. Also every time Bo Burnham was on screen I had a big stupid grin on my face, I can’t wait for his new special to come out. 
April 25: Nomadland (2020) dir. Chloe Zhao - 9/10
What a beautiful experience. This movie, on top of being absolutely gorgeous, has such a wonderful soul that completely shines through Zhao’s directing. There’s a monologue about maybe a half hour in that describes so succinctly the beauty of nature, and as someone who lives in a much more urban area of the world, it’s a description that I don’t get to see that often in my life. That’s why I love film. If Promising Young Woman made me angry at the world Nomadland made me fall back in love with it.
April 25: Minari (2020) dir. Lee Isaac Chung - 8/10
Watching Minari is like being gently set on fire. My feelings aren’t as strong as they were for Nomadland, and I don’t have much to say, but I still adore this movie and think it’s worth watching. 
April 26: Singin’ in the Rain (1952) dir. Gene Kelly, Stanley Donen - 8/10
I think my film teacher puts it best in describing this movie as “just so stinkin joyous.” That’s what this movie is, it’s joy put to film. I love how you can clearly see the excitement over making film that comes through in older movies, I feel like you don’t really see that anymore. 
April 28: Some Like It Hot (1959) dir.  Billy Wilder - 7/10
As glaringly outdated this film is, I still managed to have a pretty good time with it, although I can totally see why the plot could put some people off, or even make them outright dislike the film as a whole. Marilyn Monroe playing a ukulele made me feel very seen. (This is my first Marilyn movie as well!)
April 29: Snowpiercer (2013) dir. Bong Joon-ho - 8/10
CHRIST this movie is intense. The best part of Snowpiercer is it is engaging as hell. Unfortunately I had to duck out about three quarters of the way through to get some dental work done, but rest assured under different circumstances I would have been glued to the screen from start to finish. The premise is chilling (ha ha, get it), and the subplot of class disparity is also really compelling. If you know me you’ll know that I love me some John Hurt, Song Kang-ho has been great in pretty much every movie I’ve seen him in, TILDA FUCKING SWINTON rocks every scene she’s in. My only real problem here is sometimes Chris Evans is a bit hit or miss for me, I really like his performance at times, and I like it less at others. It has been cool to see him grow as an actor over the years, you can definitely see his improvement in more recent movies. In any case, I stand by my previous statement, Bong Joon-ho has never disappointed me once, and I don’t think he ever will.
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