#that don't necessarily exist 😂

[fromsupernaturaltof1]

pictures say a thousand words 😌

[fluxweeed]

yes I agree that you’re implicitly required to rec a fic you’re involved in which is why it HURTS WHEN PEOPLE DONT like oof. you said yes to work on it but then you didn’t like it that much hey. obviously I’d rather that than people rec something they don’t actually like, I’m not saying it should be disingenuous, it just hurts you know? ouch

nahhh i don't think ppl should feel obligated to do marketing for a fic they've already put time and energy into helping the writer with!

[wavesoutbeingtossed]

I’ve been thinking about all our conversations about the shift in tone between Lover and Folklore in terms of feeling like there was some forward momentum in Joe and Taylor’s relationship that stalled out, and I keep thinking about the Lakes in relation to this and in relation to her Miss Americana comments about her career and feeling like Lover was her last shot in some ways.

Like was The Lakes the future she and Joe kind of thought they would have. Like after Lover, she would leave behind her legacy and go off to the lakes and lead a quiet, private life with Joe? Did Taylor at some point realize that was a fantasy but not ultimately what she wanted her whole life to be? I don’t have a fully formed thought on this, but I do find it so interesting especially with the lakes being the last bonus track, technically going after hoax. I don’t completely know what I’m trying to say but would love your thoughts

Ooooooooh this is such a good question!!! I don’t know why, but The Lakes is one of those songs I rarely think too deeply about as a whole, not because it’s not incredible, but that it just feels so otherworldly to me. Individual lines absolutely stay with me, but the song itself like, exists on a different plane to me. Does that makes sense at all? 😂

I think I tend to think that The Lakes was more a reflection of the uncertainty of the early days of the pandemic, but of course now we have a better idea of just how fraught that time was, even outside of what was happening in the world and what was happening to them both professionally. (Or, I suppose, they were all happening in tandem.) It's so interesting to think of it in relation to the discussion about the stalled relationship that we can surmise was happening around then, too.

If I had to guess, through that lens, is that The Lakes is more a reaction to the storm around them at the time. I was always fascinated by, "I don't belong, and my beloved, neither do you." It's the implication that neither of them are fit for the world in which they live. There's such a deep sadness in the song, like with much of her work, grief is again at the forefront thematically, and she desperately trying to find respite from it. It feels like there are still external forces acting against them-- the cynical clones, the hunters with cell phones, the name-dropping sleaze, etc.-- and the pain is compounding on itself freezing her in place. So in thinking about it this way, it almost feels to me like she's telling herself, if we can just get out of here, escape to an idyllic land (which may not truly exist) where none of these forces can touch us, then maybe this hurt will dissipate and finally mean something.

It's interesting to me that it also kind of feels like the flip side of I Hate It Here, or rather, like the prologue to it. She wants to go to this mythical land where she and her muse are untouched by the pressures of the real world in which they live, but it's not really clear (imo) if she actually believes in this place, or if it's the earliest secret garden she goes to in her mind to deal with the cracks forming in her real life.

Another thing that strikes me that even in this fantasy land in which they escape together, all she wants to do is cry. It speaks to someone holding onto so much unexpressed hurt who's begging to let it all go, but also that she might not be the only one who wants to do so.

So I guess if I have to come to a conclusion, it's less that she necessarily feels like she wants to escape to a quiet life alone with her beloved, but more like she feels like she has no other choice, because she wants to go to a place where she can feel her pain without being exploited for it. As in, it's not like this is her romantic ideal, but more that the place she is in is so hurtful to her that she wants to run to the antithesis of it to quiet herself, but she doesn't want to do it alone. It's kinda like the pendulum swinging, if you think about it: going from being hunted in the fishbowl to setting off alone with her beloved in the desolation of nature.

(I also think a lot of the song came from the Scott/Scooter/masters situation and speaks to how much that broke her, along with general industry/career fears about her place in it, and dealing with the fallout still of 2016. Along with other stuff I'm sure including her relationship.)

Does any of that make sense?

[sissylittlefeather]

Hi friends! I wrote another fic. I'm just churning these out right now because I'm obsessed 😂

You really have to suspend reality for this one. Like, just let your imagination have at it and try not to think about how it would actually work out. Also, it's based on a scene from the movie, so it's probably more Austin!Elvis, but you could pretend it really happened with EP if you wanted to. The world is your oyster. Dream on.

This is a continuation of Baby What's Your Name?, but you don't necessarily have to read that one first. Basically, all my fics exist in the same timeline with the same Elvis & reader characters.

Warnings: F/m p in v, fingering, unprotected sex, public sex, cops?, smut, cussing, MINORS DNI 18+

Summary: this takes place after the riot at the Russwood Park show in the Elvis (2022) movie. Austin!Elvis x reader (y/n). You've come to comfort Elvis after they shove him in the cop car.

Always, Honey

You sit and watch in horror as the police officers drag Elvis from the stage. He's finally done it. He's gone too far and the people in charge stepped in. For a minute or two, you sit there in shock at what's happening with your hand covering your open mouth.

You need to get to him, but you know it won't be easy. You're not there in any official capacity. His parents don't know about you. The Colonel has suspicions that Elvis has been seeing someone, but he doesn't know who you are. No one knows that you've been with Elvis every time you could since that first night together when you threw your panties on the stage. What started with lust has turned into a relationship and you realize right now in this moment that you love him. Your worry for him makes that clear. You have to find a way to get to him.

You shake off the shock of the moment and stand up. You were sitting toward the back of the concert, so you can see the squad car at the back of the ballpark. That's where they will be headed. You take off in that direction, away from all the other fans who are running toward him. You make it to the car. As you stand there trying to decide what to do next, you see the crowd coming through the gates, and the officers dragging Elvis are at the center. He's yelling to his parents to get in the car they're being taken to, trying to keep himself clear of policemen and fans alike. You pretend to be just another fan as they shove him in the backseat and close the door. You're standing on the other side of the car when actual fans press in around you, screaming and grabbing at the car. You manage to get your face down to the window and knock on it, just praying that he'll look over in your direction. You pull on the door, but it's locked. You knock again on the window and yell as loud as you can, "E!"

He hears your voice amidst the chaos and turns, seeing you in the window. There's no one in the front seat yet, so he's able to unlock the door and open it just enough for you to slip into the backseat with him. He pulls you close to him and grabs your face with both hands.

"Are you okay?"

"Yeah, E, I'm fine. Are you okay?" He relaxes a little, knowing that you aren't hurt.

"Man, that was... I'm pissed, but yeah, I'm not hurt or anything." He pulls you in for a kiss. He's dripping in sweat, but you don't care. This isn't the first time he's kissed you after a show. Usually you're squeezed somewhere backstage together for a quick moment before he's whisked away to wherever he's supposed to be post-performance.

Just then, though, the front doors of the car open and the cops slide into their positions on the front seat. The one in the passenger seat turns to look back at Elvis, glaring with a hatred you've never seen before. Elvis glares back with the same intensity. It takes a minute for the cop to even realize you're back there.

"What the hell is she doing in here? Get her out! You can't have a damn fan girl in the backseat when you're getting arrested!"

"IF SHE GETS OUT, I GET OUT." Elvis yells. You can see his hands shaking with rage. "SHE IS NOT A FAN. SHE IS MY GIRL." Your head whips around and your eyes lock on him. That's the first time he's acknowledged what you might be to each other.

The cop opens his mouth to yell back, but the other officer cuts in.

"-- you can't open the door right now. There's too many people out there and we need to go. She's going to have to stay where she is." He drives off slowly, careful to not run over any of the fans who are mobbing the car.

"Well... just... don't touch her." The passenger seat cop growls at Elvis, who defiantly throws his arm around you.

"I'll do what I damn well please. What are you gonna do? Arrest me?"

The cop's face goes beet red and he turns around in his seat to face front. Elvis plants a kiss on the side of your head and apologizes quietly.

"I'm sorry about all this, honey." He's got one hand around your shoulder and the other on your thigh. You look up into his eyes.

"Your girl, huh?" You try to keep your smile from giving away the elation you feel in your heart. Yep. You absolutely are in love with him. He gives you a soft smile.

"Yeah, baby, that alright with you?"

"Yeah, if that's what you want."

"If it means you're all mine, then it's what I want, kid." Your heart flip flops in your chest.

"And are you all mine?" You shouldn't have asked that. You know he belongs to his fans. You prepare yourself for him to say no without saying no.

"Always, honey." He leans in to kiss you again, this time with his lips parted. You let your tongue explore his as you turn toward him and move your legs across his lap. The hand that was on your thigh moves back to your hip as he pulls you in to him as close as you can get without straight up straddling him. He leans you back in the seat until he's on top of you.

"E. There are COPS in the front seat." You whisper with your teeth gritted. You feel the desire starting to build up between your legs, but you know this cannot happen here.

"I know, honey, I just want to make my girl feel good. Can I do that?" Your resolve melts. Let the cops watch, for all you care in this moment.

He sits up and slides his hands up under your dress, pulling your panties down your legs and over your shoes. You feel his hand crawl back up your thigh to your center. He uses his thumb to make circles on the spot that drives you so crazy. Then, he dips his fingers into you, where you're already wet and waiting for him. He uses some of your wetness to lubricate what his thumb is doing. It gets harder and harder to stay quiet as he works, so you bite your bottom lip and close your eyes.

"Damn, baby. You look so good right now." He whispers, not stopping what his hand is doing. Your heart is beating so fast and your breathing is heavy. You know your climax is coming and you're just praying that you'll stay quiet and the cops won't turn around until after you finish. He moves his thumb faster and faster, his fingers rubbing against your inside spot. You let out a small whine as the waves of ecstasy ripple through you. You look at Elvis and he smiles as he feels the throbbing and wetness on his fingers.

Almost on cue, the cop in the passenger side turns back to the backseat as you arrive at your destination. You shoot up in your seat and Elvis clears his throat, pulling his hand from under your skirt. You can't tell if the cop is clueless, or if he's just ignoring what happened so he doesn't have to talk about it. The driver pulls around to the back of the police station to avoid any press that might be gathered at the front.

"We have to go inside and get things arranged to bring you inside quietly. Arresting a movie star is harder than you think. Young lady, come with us." You start to move toward the door, but Elvis grabs your hand.

"I told you, officer, if she gets out, I get out. She's staying with me." He says it with so much authority that even the cop relents. He closes the door and both officers walk up to the back of the building. The second they're out of view, you turn back to Elvis and undo his pants, freeing his erection.

"Honey, what..?" He looks at you puzzled until he figures out what you're doing. He whips his head from side to side looking out both windows for paparazzi or cops or anyone at all while you hike up your skirt and straddle him. As you slide down onto him, your eyes meet and you moan in unison. You know you probably only have a few minutes, so you work fast, bouncing on him vigorously.

"Oh shit, baby." Elvis groans into your ear as his pleasure is released. Between the build up, watching you orgasm, and the thrill of maybe getting caught, he didn't last long at all. You push his wet hair back off of his sweaty forehead and kiss him. He's about to apologize for coming so quickly when you notice the cops coming back out. You jump off of him and sit back in your seat while he puts himself away and wipes off as much evidence as possible.

"I hope it's kinda dark in there." He laughs and holds your hand as the cops open his door. He turns back to you and gives you one last kiss.

"I'll see you soon, baby." They take him out of the car and cuff him as the other officer helps you out of the car. When you get inside, they let you use the phone to call Margie to come get you. It's not until you're in her car that you realize you've left your panties in the cop car. You giggle. Another pair of panties lost because of Elvis Presley...

[yuurivoice]

Im curious, do you have any ships between characters created by the fandom that you enjoy? ( like how people ship Seth and Finn [ iirc ] )

I feel like I was asked this fairly recently, but I might be losing my mind.

The answer is no. 😂

I don't mind them, but like...those things often invite mischaracterizations or big reaches, the same reasons I don't mess with fanfic etc.

But they're not for me, they're for fans! It's a result of enthusiasm and wanting more of characters and to do things with them. It's all very positive.

I avoid those things in fandoms I'm a part of as well. I am picky. I think being picky is part of why I've got a pretty dialed in sense of what I'm doing with what I make. I don't dislike that they exist or think badly of anyone doing the thing. It's all good, I just keep scrolling. 😂

I'll say that I do think two nature lovers like Finn and Seth would absolutely get along. That makes sense to me! I see the vision.

I think with EoE and an expanded cast, there will be plenty of room for shipping. I don't frown upon it, and might even throw a few crumbs people's way for different connections that don't necessarily play out on screen, but would be fun to consider.

I think giving the audience wiggle room and inviting them to use their imagination and creativity is a great thing. So you won't catch me being like "ugh it's not canon why are you doing that!?" because...that's the dream, right? Create things that are so fun for complete strangers, they want to create with them, play pretend, imagine and contemplate.

Anywho. That's the vibe.

[paperstorm]

Caveat out of the way: I am aware that this is a TV show and one in it's last season to boot. I am in no way expecting it to show the reality of this type of situation (although I have faith it will be handled as well as it can be in a two episode ark, b/c I have trust in the writers this season)

Now for the thing that flabergasts me: HOW is the Jonah Conversation not something that has come up before!?!? Carlos is a man who regularly updates his WILL he has a unspecified number of nieces and nephews. He would be FULLY AWARE that someone would have to be Jonah's legal guadian on paper should something happen to Enzo. TK too!! He has a brother 30 years younger than him, with no other family (seemingly) besides Enzo a man old enough to be a grandfather! Enzo is apparently a billionaire, no lawyers brought up who would take Jonah in case of tragedy? It's not written down somewhere what happens to him?!? TK AND CARLOS BOTH HAVE DEAD PARENTS. I stg out of every single thing this show has thrown at me this is the most absurd one yet lmao. There is no way to me that this conflict would exist, b/c both these men are too smart not to realize it was a REAL possiblity. They would have talked about it before now!

Like the drama will be delicous but the way I have to suspend disbelief more than watching a marvel movie to wrap my head around how we got here.

Can't wait for tonight tho - it's gonna be SO GOOD.

No that is a super good point 😂😂 It's not necessarily something that TK or Carlos should've thought of I mean he's not their kid but Gwyn died when Jonah was like 8 months old and Enzo is in his 50s, how did he never give any thought to what would happen to Jonah if he died too lol. That's just crazy irresponsible for any parent to not have a legal guardian set up and established in writing but especially for a 57 year old single parent to a toddler. Sending him to boarding school doesn't negate the fact that he still needs a legal guardian which I don't think Enzo can be if he's in federal prison. We gotta suspend disbelief in order to have a good time and love the silly wee woo show but it is utterly bonkers to think there was no plan already in place for this child given he is the offspring of a lawyer and a fucking billionaire lmao

[sketch-guardian]

Funny thought Mc calling Uriel racist every single time she shows prejudice to our demon RAD classmates and any demon friends (excluding those that are jerks)

Cutting the line? Mc shouting racists while pointing at Uriel

Being rude to a demon for no reason? Racist!!- Mc

Being rude to one of our lovey demon RAD classmates?! “How are you an Angel if your racists and being cruel for no specific reason? Doesn’t god say you should love everyone? And they say demons are cruel and evil belong here yet your an Angel?” - Mc probably

Just a funny thought I needed to share cause Mc gives no fucks be funnier if everytime Uriel is mean for not specific reason to them or the RAD classmates they just say “Racists” while pointing at Uriel

Another + if Mc did a whole PowerPoint presentation on how racism is bad and how it effects people in the human world (POC Mc - A Mexican)

(Ps: I’m not saying Uriel is racist I just think it’d be funny,pls don’t take it the wrong way I don’t mean it offensively!! Like in Deadpool with how he calls Cable racists over Russel or how in those funny movies that have people being called racists or that one football movie scene,pls I’m begging you don’t take it the wrong way)

Don't worry, I didn't take that idea as offensive towards my OC😌actually as you said, I think it would be funny if someone actually pointed out Uriel's prejudicial attitude😂so let's proceed with the headcanon✨:

"URIEL WITH A MC WHO CALLS HER OUT FOR BEING 'RACIST' TOWARDS DEMONS "

The first time MC happens to point out that Uriel sometimes behaves in a racist manner towards the demon brothers or the RAD classmates, the warrior angel would glare at them and even if MC doesn't give a damn, they couldn't help but think that if it were not for some kind of celestial law, Uriel would have smited them already. As for the motivations behind Uriel's resentment towards demons, on the one hand it's because of how she was educated on the hellborn demons (like Diavolo), a bit like Luke at the beginning who didn't trust demons, in fact some celestial beings still struggle to accept the possible prospect of a truce with Devildom, on the other hand, however, there is a greater, deeper motivation for Uriel, namely having felt betrayed by those who once she considered superiors or even friends, seeing those same people break God's teachings that characterized her entire existence, her reason for living being broken and disrespected, affected Uriel deeply. Uriel once admired some of them, for example she looked up to Zuri, in her opinion one of the most beautiful, diligent and pure angels, alongside Lucifer, so when the 7 brothers and the others fell from grace, Uriel felt distraught, almost abandoned, and began to grow and hold back feelings of hatred and regret within herself, thinking about how things could have been resolved differently, if only they had followed the rules. Returning to the MC's reproaches, the first few times Uriel would respond in a rather cynical or dry way, reminding MC that even though those demons seem good, they are in Devildom for a reason and that they shouldn't forget it, given what they went through and risked in their presence, she would also add that quesioning God's will is a sin in the Celestial Realm, definitively more serious than her prejudice towards demons, which in her opinion is justified. As a warrior angel, not used to empathy, Uriel would need help and patience from MC and others (such as Simeon, Luke, Raphael, Nathaniel and Remiel) to overcome her block in accepting demons, however it wouldn't be impossible, showing Uriel that they're still the same people she once knew and that not everyone is necessarily evil would be enough. By improving over time, Uriel would also receive more praise from MC for her efforts, which she would appreciate. As for MC making a powerpoint to explain to Uriel why racism is a bad thing and how it also affects people in the human world, I didn't have time to make a quick sketch, but the graphic representation would be more or less something like this-

[0perfectimperfections0]

Yo, I know I might be one of many people who ask this but I was wondering. Will get any lore expansion on the Everett family in the book you’re working on? I’m asking because the family has me really intrigued, especially Greyson. I know he’s one heck of a jerk, to say the least, but he’s a rather interesting jerk and I want to know more about him. I especially want to know how on earth he became that way despite his father, Henry, being quite a decent person, at least upon first impressions. I don’t expect any spoilers, though. I know you might want to save that for later. I just confirmation on when we can expect to see more of the Everett’s. Hope to hear from you soon! Keep up the great work!

You're actually the first person to ask about the Everett family. Which isn't surprising to me since I didn't make them a main focus point for the first book. The second book, "Blind Stitch", will give them more screen time like chapter 5 does, but most of the lore for Greyson Everett will be revealed through my Shell-Shock series.

It's just a matter of trying to figure out how to incorporate said lore into the Stitch series, because I really want to.

Greyson Everett is different as far as antagonists go, and I intentionally made it that way. He doesn't necessarily have trauma, he hasn't been abused, he wasn't set to unrealistic expectations, none of that.

Greyson's grandpa used to work at the World Trade Center (twin towers) and died when 9/11 took place. Yes, 9/11 will have an impact on the Stitch series and Shell-Shock, so if any of you are uneasy about that bit, consider this your warning. There won't be flashbacks or anything like that, just a general explanation of why Greyson initiated Henry's idea to start a doll company and why Louis exists.

The reason I don't have Greyson as a victim of trauma or anything like that is because of the way I have him treat Lou. Greyson is obviously abusive to him both physically and psychologically. And the message I'm getting through with that is that generational abuse and trauma have to start somewhere.

Greyson simply has strong political and world views, shaped by his family upbringing and 9/11, that drive him to simply believe that the way he treats Lou is the only proper way.

Not everyone that is abusive needs a tragic backstory, because it has to start somewhere. Some people are just cruel and don't deserve the "I was abused" card, and that's the hidden message I'm writing within the series.

As such, Greyson won't have a redemption arc or anything of that nature.

For background (I don't know how much you noticed in chapter 5 of Blind Stitch) but they live in Georgia. I can't remember the specific city, but the Everett's and the factory are located there.

I also did research on the actual UglyDolls line and that's how I built the rest of my fictional world around the factory. It originally was established February 14th of 2001, just months prior to 9/11.

In my story, Henry is the one that founded the company itself and was making it for the purpose of creating and producing dolls. He made sketches of potential doll designs, and Greyson helped him with most of the work.

Technical stuff aside, the first dolls weren't actually conscientious (alive). The first actual prototype couldn't walk or talk or any of that.

It wasn't until after 9/11 (spoilers so I won't go into detail) that Greyson started a secret operation that Henry didn't know about to create the microchips that would bring the prototypes alive. And this in turn would mean the regular dolls would be sentient as well.

I swear it makes sense once you know the full plan 😂 right now it probably sounds chaotic, and it kinda is. But I've got some sound plot based on my research of programming, AI, and all that stuff.

There are fictional elements to these stories, obviously, but a lot of the specific information I use is actual sound research.

Yes, I spent like 2 hours researching the step-by-step process of how to make a microchip 😂 which is why in my short story "Reunited" is really long. All that information he tells the dolls about their microfibers, microchips taking 4 months to make, all that stuff, that was research.

And the light colours are also accurate, but not specifically for when something is learned. Microchips are made out of silicon, which can be multiple colours, but whichever colour it starts out as affects what colour it ends up being after being exposed to light or thermal annealing.

I still have to do more research on it, but the reason why Lou's eyes are blue ties in with his microchip and the colours that are reflected when the microchip is exposed to light.

https://opg.optica.org/oe/fulltext.cfm?uri=oe-22-25-31545&id=306286

The above link is for those of you that want to read through an example of one of the many articles I use to attain this information, but don't feel pressured to 😂

Anyway, I'll stop rambling. I have to go to class anyway.

[earthsickwithoutyou]

hannibal x the creep tape parallels 2/?

So, I have a few compelling reasons why I don't necessarily think Hannibal would murder and eat Josef on sight. Now, there's no telling for sure because it depends on how obnoxious Josef is right away, and that could potentially be a problem. 😂

But let's say Hannibal stumbles upon Josef's existence as a killer (maybe he's going after the same victim and Josef gets them first, or vice versa and he later sees Josef hanging around the dead person's house looking sullen). So he follows Josef around and sees his routine.

Not only does Josef share Hannibal's exact, petty, hypocritical, babyish, ridiculous concept of love and friendship 😂, but they feel the same way about what constitutes rude behavior. And the consequences. 🔪🪓 More below!

Josef is a dork who literally never shuts up (I was gonna say 'when he should' -- no, in fact, he actually never shuts up, regardless of the circumstances 😂), but he's also a cold, skillful killer with his own form of commemoration or trophy artistry (the tapes). Josef is also extremely clever, as we can tell from his plotting and how he's able to hide his crimes without getting caught by the authorities. He has a chameleon quality that's something Hannibal might relate to. A very well-stitched person suit? How about a whole closet full of them?

Additionally, Josef has some intriguing traits in his psychology that are similar to Randall Tier's "being a killer-beast" obsession (Hannibal found it fascinating and encouraged it; he was even proud of Randall when he met him as an adult, for finding a way to do his thing and keep it secret). Namely, the whole Josef and Peachfuzz factor. If Hannibal got a load of that, he might be quite eager to observe more, as a connoisseur of brilliant and unusual minds.

I don't know what would come of it, whether Hannibal would just show his admiration and respect by letting Josef live and leave the Baltimore area never to return 😂 or if he'd want to mentor and help Josef improve the messier aspects of his murder hunt (like his total lack of social skills, this is something Hanni could coach him on). It's just fun to think about! 🥰

[darklinaforever]

I always wonder what exactly the accusation about me liking ships or men abusing women is based on ?

Like... like I have some sort of fetish about female suffering caused by men ? I don't know ?

I'm trying to find meaning in this accusation that I often make of myself, when in reality, generally these haters are just talking to me about the super popular enemies to lovers trope or ships with twisted / toxic dynamics without necessarily this particular trope, even if it's rather rare and the people who follow me know very well that this type of ship is not reserved for heterosexual couples, that I ship LGBTQ+ characters with this kind of dynamic.

So how does it work from this accusation of loving relationships where men specifically abuse women ?

Although, knowing their stupidity, I imagine they would say that liking this kind of dynamic on LGBTQ+ couples would simply be proof of my so-called homophobia / queerphobia ? 😂 After all the bullshit I've been through, we're not ready for that.

Especially since sometimes it’s women in the role of the villainous crush that I like, so what would that mean ? That I'm sexist for wanting women to be portrayed as villains perhaps ? 😂

Once again, the whole principle of often coming to tell me that I am problematic because I apparently like ships where men abuse women, makes no sense since sometimes it is the opposite, sometimes it is LGBTQ+ couples.

I just like, like many other people, seeing dark twisted complex and toxic relationships often in the enemy-to-lover trope.

Loving this type of relationship is not surprising. It has existed and been represented in the media for as long as it has existed simply because it is a fascinating concept to look at.

I mean, are you going to tell someone they're weird because they love watching movies about serial killers ? No, I do not think so.

And that for me is because liking to see this kind of relationship on screen is more often women who will appreciate seeing that, so immediately when a woman likes something in the media it is often demonized and we are going to point this out as one of the worst perverse things that can exist even though it is completely ridiculous.

How does loving fictional relationships give you an objective portrait of the person I am in real life ? This is really completely stupid.

Well, I went far, but all this to say that the accusation that I like ships where the man abuses the woman is really stupid.

I just like a trope no matter what type of couple is involved. Let it be the woman who is morally doubtful. Let the dynamic be there on a queer couple etc.

I imagine that this type of accusation is intended to give the impression that you are standing on the side of women and defending them, but the reality is quite different since you are allowing yourself to judge and moralize a trope very popular with women.

You are nothing but hypocrites trying to give yourselves the right moral role, and it is tiring.

[acourtofthought]

I'm about to put my foot in my mouth because I just responded to an anon on how I don't see Gwyn playing a major role in an Elucien book because I think Elain's journey will distance herself from Nesta and anyone associated with Nesta (and Az). Just as Nesta needed to discover who she was outside of being Elain's protector, I think Elain needs to do the same and that includes Nesta's found family. I think they'll get along during holidays / dinners in the NC 100%, I just don't think they'll bond in any major way. With Gwyn as a Valkryie and her found a family in the NC, I don't see her traveling to Spring by herself or with Az in an Elucien book.

With that said...........I'm about to steal Mor from Feyre 😂

In SF we have Feyre saying that Mor was her drinking buddy however things are a bit different with Nyx......

Which wouldn't be worth a second thought unless you look at the following:

Rhys laid the groundwork in the novella. He's telling us that Mor is not completely happy remaining in the NC for major periods of time. We're also given her POV, showing that she has a bit of wanderlust:

In SF, Cassian tells us the darkness of the Hewn City lurks around her like Azriel's shadows, another possible nod to her leaving the NC on a more permanent basis.

At the end of SF, Mor had still not managed to get the peace treaty signed, a situation that had been going on for nearly a year.

That's where we left Mor at the end of SF.

It's possible a Gwynriel book could deal with Mor finally getting the treaty sign, she and Az are connected. Though I wonder if it would be better if Mor played a minimal role in a Gwynriel book. Not to mention I don't necessarily see Az or Gwyn being the ones to help convince those on the continent to sign the peace treaty.

I can easily see Elain and Lucien, along with Vassa and Jurian, being the ones to join her on the continent to work on obtaining an alliance through the treaty. Not only are both Elain and Lucien excellent at talking to others but along with Vassa and Jurian, they represent the voice of more than just the NC. They'd speak on behalf of the human lands, Autumn (especially if Eris traveled with them as well), Day Court, and the Spring Court.

Which again, might not seem like enough to convince some, however.....

Elain and Mor already have an interesting bond. When Az said that Elain was a Seer, it was Mor that Elain looked to. Mor also used her gift of truth on Lucien and found him worthy. It was Mor who subtly sat next to Elain after the ravens attack. Mor is protective of Elain, but not overly so. When Elain was glamoured to head to Graysens estate, it was Mor she shared a poignant moment with and Mor who she chose to sit next to:

And for some currently unknown reason, SJM also decided to tie Mor into Tamlins storyline whereas she could have left her minor part back in ACOMAF.

I don't necessarily see Mor settling wherever Elain does, or even remaining with her throughout the entirety of the book, she seems to need to roam. I'm not even convinced she'll end up in the NC with Emerie unless Emerie is willing to travel with her (though wouldn't it be interesting if the Golden Queen is alive and now a lion shifter - playing nicely into Mor being drawn to the "untamed wild things of the world").

However Mor leaving the NC on a more permanent basis makes sense to me. As travel companions / plotlines go, not only does it make sense that she and Elain would find common ground as Mor has always been about girl empowerment (something Elain needs) and they are both associated with light and sunshine but I think with Az most likely ending up with Gwynriel in one of the next books and Nesta and Feyre moving into a new phase of their relationship, it's a convenient time for Mor to make her exit, especially with the history that existed between she, Cassian and Az.

I could see Elain gathering friends all along her journey rather than having a smaller found family in the way Feyre and Nesta did. Vassa, Mor, some in Spring and Day, maybe even in Autumn once Lucien reconnects with the LoA. So to me, giving Mor page time in an Elucien book makes sense when you look at the outstanding plots and how Elucien could lend aid to the major one Mor is currently connected to. Not to mention Mor has a past with Eris that needs resolved, possibly before a Gwynriel book, so that when it's time for an Az pov, she's ready to tell him everything. And Eris sharing page time (but not a pov) with Lucien, Elain, and Mor gives SJM a chance to tie up a lot of loose ends including getting rid of Beron once and for all, especially when he also has been traveling to the continent to keep tabs on his father.

Edit / Also Adding: the more I think about it, the more this makes sense to me because now that Feyre has Nyx, she can't really be Mor's found family outside of Velaris. If Mor is meant to not keep getting pushed way into the background and her plans / plot involve her traveling outside of the NC, she needs someone to do that with her. She's got no found family / female friends that can easily leave.

[panlight]

Not sure if you've watched this anime (or might not be into anime in general, that's ok!) but I recently got into a vampire comedy anime called "The Vampire Dies in No Time" and there was one episode that stood out to me and gave me huge Twilight vibes.

basically there's this vampire who's trying to get away from this human who's constantly chasing him (he meant to feed on a different human, but she mistook his advances for flirting and has been obsessed since). The human girl really wants to be a vampire to be together with him forever, which is why she's always going "bite me!" Soon she gets run over by a vehicle as she tries to save him, and because he's touched by her sacrifice he gives in and turns her into a vampire.

Upon breing transformed, the characters remark on how powerful she is and she even makes some comment about how she's now in her "true form", implying she was always meant to be a vampire.

Now, i dont know how popular Twilight is in Japan so it could just be a coincidence, but it's funny how much it parallels Bella's "born to be a vampire" ""character arc"". The human girl in that episode, upon becoming a vampire, even wears a blue dress and heels just like Bella did in BD and I find that a hilarious cojncidence if it is! 😂😂

Not familiar with the anime but thanks for sharing! Does seem to have some Bella vibes. And the blue dress and heels seems almost like a specific reference!

Bella being born to be a vampire and having a super easy time of it was never going to be for me. It's not what I want out of vampire stories. Just not my vibe. And that's fine! God knows there are a million male power fantasies where random dude is the chosen one or a natural at some thing and everyone is wowed by his amazingness. Girls should get in on that action. Bella can be the everygirl turned born to be a vampire heroine. But, as I said, just not for me.

The larger problem, IMO, is that, well, I don't know that Bella the Super Vampire was necessarily the Plan all along. That, again, the way these books were written did them a bit of a disservice. The first book was based on a dream about a girl and a vampire in a meadow where the vampire is talking about how much he loves her but also how much he wants to kill her. That sets the tone. The vampire is tortured by this, it's fraught, it's difficult. I'm here for it. This is the Vibe. This is exactly the kind of thing that gets me about vampire stories. And then after SM wrote Twilight -- for herself, remember! Not initially to be published! -- she wrote "a bunch of epilogues" that included E/B getting married, Renesmee being born, Bella becoming a vampire, because she wasn't ready to let these characters go. And my hunch, as someone who has done some writing and has done the "here is a story, but oh I still like these characters, what might happen next?" and spun off into 'epilogues,' is that the Bella becomes a vampire and is amazing at it only happened then. Because, again, in Twilight she only blocks Edward's power. Alice and Jasper's work on her just fine. I suspect that while writing these epilogues she was like "oh well I guess the only solution is for Bella to become a vampire. What should her power be? Well, Edward can't read her mind! Maybe she's immune to ALL THE POWERS! But, whoops, Alice and Jasper work on her. So maybe I can come up with a work around."

And none of this is "bad" necessarily, it's just that when she went back to write the middle books, she leaned more on the vibes of Twilight (that vampirism was kind of sad and hard and bad; Edward hates that part of himself, Rosalie hates it, Carlisle's unsure if he did the right thing in 'saving' them, Jasper nearly kills her over a paper cut, newborn Bree suffering trying not to eat Bella after the fight, the wolfpack exist to fight vampires because they are bad and dangerous and evil, the burning painful thirst they can never quite satisfy with animal blood, etc) and then after three books go back to the happily ever after epilogue of "actually vampirism is super easy, barely an inconvenience" and it seems less like a fun surprise and more like "well now that my protagonist is a vampire I don't want it to be difficult or painful or sad."

Which is all to say if that's the ending she wanted all along (and I think she did want it pretty early on, but still not until after she wrote the first book), she could have done more to set it up in a way that felt organic vs what we get in Breaking Dawn where even Bella's saying things like "I'm mysteriously good at this" and it flies in the face of the struggles of all the other 'good' vampire characters. I keep coming back to the that the first three books are about 'saving' her from a vampiric existence that becomes meaningless when it's like "actually this is the True Form and she was born to be a vampire all along" in the last one.

[glorf1ndel]

OC Headcanon Game

Rules: Use this headcanon generator to make headcanons for your OCs, and talk about how accurate they are.

I was tagged by @hobbitwrangler! Thank you, friend! :D

Let's evaluate a few headcanons for Hlupsuine, my Balrog OC!

Absolutely not, but wouldn't it be funny if she did? Catch her lounging around in Angband with her pink socks! 😂

I mean, Hlupsuine is a villain (she's Glorfindel's Balrog). But her path to evil isn't necessarily quick, and she thinks a lot about whether or not to join Melkor. Her choice to do so is a conscious, deliberate decision, albeit an unfortunate one. So I'd say no to this headcanon!

I don't think she does, but it would fit her aesthetic if she could play some dramatic baroque pieces. Toccata and fugue in D minor, anyone?

No cars in Middle Earth, alas, but if they existed, she could. She'd be zooming all over the place in a leather jacket and sunglasses. 😎

Tagging @cilil @dragonridersofficer-fiammag @sotwk and whoever else wants to do this!

[ananicoleta]

hiii! character ask questions here! 6 and 25 for bugs bunny (*￣︶￣*)

Hiiii! Thanks for the ask! 🫶

6. What is something you have in commom with this character?

Hmm. Not many things actually. Bugs and I aren't really alike if I think about it. I guess I can relate to the fact that he's a simple guy who just wants to live and enjoy a simple life, to just have fun. That's how I am too for the most part. I don't want a luxorious life, I just want a nice one. The difference between my life and Bugs' is that he somehow always manages to get into the most absurd and tangled situations whereas my existence remains pretty uneventful for the most part.😂

(I would also maybe, MAYBE say that, just like Bugs, I get angry whenever I witness an injustice. The reason I am hesitant to say this is because I don't see Bugs as necessarily being justice-driven. He is a nice guy who sometimes feels bad about others and will try to help them, especially if he percieves them as being more helpless than he is. I identify with that. But he is also very quick to get revenge and very ruthless when he does so, sometimes going to far, so I'm kinda meh about this. Bugs, like I said before, just wants to live his life and doesn't go out of his way to bring justice or fight corrupt systems or whatever. I see myself as more of an activist, more outspoken about these issues and more driven to fix them than him.)

25. What was your first impression of this character? How about now?

At first, I really saw Bugs as this untouchable really cool guy, who never took anyone's bullshit, was perfectly capable of defending himself and of making a complete fool out of anyone who crossed him because he was always ten steps ahead of them. At the same time, he wasn't an asshole because he had a strict sense of morality, an intolerance for injustice and corruption and a tendency to help others in need. Basically, in my eyes he was almost perfect, his only flaw in my view being his slightly inflated ego (but I saw that ego as being sort of justified seeing as he was Bugs freaking Bunny).

Now my view of him is much more nuanced. I certainly don't see him as being almost perfect. He is actually, from what I've noticed, deeply flawed.

A lot of Bugs' power rests in his image and the way he crafts it. He is not as untouchable as he claims to be. He actually fears being alone and forgotten. In Space Jam 2 we can see this fear. He can't function without other toons to engage with, without an audience to applaud him, without someone to laugh at his jokes and humour him. He needs that validation because deep down he's actually very afraid and not at all as confident as he seems (this can be a result from his rocky beginning as a character aka the trauma he suffered in the first years of his creation, with him being a copy of Daffy at first, not being liked by the audience, almost being scrapped away and finally, being redesigned and starring in 'A Wild Hare' in 1940 -- which is considered to be his actual debut -- and being a huge hit).

Secondly, Bugs has a really elevated view of himself. At first, I thought that he truly was a "noble" character, but that doesn't really apply to him. He thinks of himself as being a nice guy -- which to an extent he is -- but he is actually much more selfish that he likes to admit and can be very ruthless when he wants too. This can be seen especially in his earlier shorts when he was a literal menace to society. Then in his later cartoons he became calmer, more contained, more calculated. He began thinking about his image more and how he can manipulate it in order to make himself seem the best and the coolest in the room. Not to say that Bugs doesn't have morals, that his values are inconsistent or flighty. He deffinetly has a moral system and he sticks by it. However, he thinks he is a much better person than he is, which makes him feel justified whenever he gets revenge.

Not to mention how emotionally constipated he is. Look at 'Looney Tunes: Back in Action', where this is shown very well. Daffy means the world to him, that's clear, and he would literaly realign the stars for him -- except he can't say that out loud. He has to act like he doesn't car, like he's too cool to care (nit to memtion tbat everything with Daffy is a power game, a competition and he can't risk losing it by being vulerable, open and sincere). He himself doesn't even know/can't articulate what he's feeling because, if we look past his ability to read people very well, then Bugs isn't really good with feelings. (This movie also ephasizes his selfishness once again -- he wants Daffy back because he misses him, but he dpesm't really consider the duck's demands of an improvement)

Wow, I really went off om that last one huh? Go figure. My point: at first, my perception of Bugs was more simple and it reduced him to a seemingly flawless but, at the same time, one-dimentional character. Now, however, I see him for the flawed but not dislikable character that he is: a huge ego but no aspiration for fame or fortune, a well-defined set of morals that he truly believes in but a manipulative and vindictive nature, an unbelievable calmness that restrains the mischiveous soul of a prankster, an almost perfect image that hides a lot of secret fears, insecurities and feelings. He is a very complex character indeed and I love him for it. :)

[guardian-angle22]

hi Heather!! for nice ask week:

you make such lovely gifs!! what's your favourite part of the gif making process, and what is a part that is tough (that maybe people wouldn't expect)???

Thank you!! That's very sweet of you to say! 💜

The parts that are tough... I think they're exactly the ones people would expect tbh 😂 It's absolutely the coloring/editing of the gifs and then just the amount of time that it takes to make them. idk that people really understand how long they can take sometimes.

the struggle is real to get these scenes visible! and making sure I'm not washing out the characters of color when trying to brighten things or making sure I'm not accidentally oversaturating everyone and turning them all various shades of orange. getting the lighting of differently shot angles of a scene to all match together in a gifset when they absolutely don't.

but it's so worth it for me cause I just have fun making gifs! there have always been moments prior to when I knew how to do this where I would be searching around trying to find gifs of something specific (not necessarily just in this fandom but on tumblr in general) and they just didn't exist! I get to make them exist now! How cool is that??

My favorite part of actually making them is figuring out what moments I want to highlight or what part of a scene I want to focus on, zoom in, interrogate, or maybe bring to someone's attention for the first time even.

I also really enjoy learning new little tricks or effects. I haven't messed around too much with it lately (because again... it's time-consuming lol) but playing around with fonts or with different photoshop tutorials can be such a good time. This was a more serious set that came from that but even making goofy gifs like these:

this was just a big experiment trying to animate the words a bit and they're such silly little gifs with no real purpose but I was havin' a blast with it!

[yuurivoice]

Hello, this is the same anon that you replied to the question that was sent; swear on my unholy heart on that💟 And so here's that big question.

I have a "what if" type of question running in my head. I remember awhile back that you answered a question about magical Finn may or not be the final boss since he's just able to change the outcome of reality.

So that got me thinking about something: If magical Finn is able to change reality, what are the chances of him being able to create a living, breathing person that doesn't exist?(I.e. Sugarboo)

Is Sugarboo a magical product that Finn made as part of the whole changing the outcome because he's wasn't happy with it?

Feel free to shoot me down if that absolutely impossible and insane.

Golly pal you had me thinking you had something nefarious cooked up 😂

I also don't necessarily think I ever specifically said anything about changing reality, though I can never be too sure of what yapping I did and didn't do.

I suppose you could go down a rabbit hole asking what constitutes changing reality, etc.

What I would say is that if you're so busy chasing theories you didn't know that there is a massive stream on Sunday, you might be missing out on some critical information. 😂

I appreciate the big swing, though. I feel like you'll have different questions to ask after Sunday.