#that doesnt take away what it actually is and what it actually says

[eyedrateanatomy]

lila is irresponsible and needs to discipline her son better because lets be real. whos fault is it that skid keeps thinking its ok to disrespect adults and run off on his own. at the same time lila has been going through absolute hell and i genuinely do not understand how anyone thinks she could be able to raise skid by herself. she lives in Nightmare Land. this is a town possibly founded by a cult. like. listen ok this is everything thats happened from her perspective

-her husband and love of her life dies and she is inconsolable. assuming her husband didnt allow her or skid to be outside on their own, she lets skid experience his first taste of freedom at the candy store

-skid and pump are outside avoiding the danger of the two thieves and return home perfectly fine, saying they saw the stars

-lila keeps skid away from the rat and is later attacked by a demon. skid returns home unscathed with a toy and the demon is "defeated"

-skid is sent to mr wonders house, and assumes hes stayed at his house the entire time she was gone, since susie told her nothing. she successfully protects skid and pump from the doll and no longer deems it a threat

-lila missed the news that bob velseb escaped from prison, therefore assuming that its safe for skid to be outside on his own. there are also many kids walking outside by themselves already, not just lilas. its only after a direct confrontation with bob that she runs off on her own to find skid and bring him home safely

-her house is broken into again even with a newly installed alert system, and trusts jaune to take her out to drink to cope with the stress. she still assumes susie and mr wonder are capable of taking care of skid. when she comes home, shes told off for being irresponsible and receives little to no elaboration or sympathy

what lila needs to recognize is that her son is very likely getting into dangerous situations without her knowledge. she doesnt need to know what happened, just needs to see that there might be a pattern. skid is physically and mentally healthy, yes, but its a precaution she needs to take. she can track him on his phone or find the time to take him and pump places on her own. and im not gonna judge her too harshly yet for leaving him alone in episode 7 (presumably) because i dont think this is something people will get right on the first try. skid himself mightve fallen back into old habits and snuck off, who knows. lila clearly loves and cares for her son. like an Incredible amount, but she needs to stop thinking that letting him outside on his own or with other kids is safe. if it was fine before, its not fine now. this needs to be clear to her. if only a certain yellow themed individual showed concern for her friends son and not just his mother. i dont know, im not a drinking buddy

its not just her thinking this, jaune does this with her own kid, ross. carmen does this with roy, she doesnt seem worried one bit about roy being on his own, her only concern is who he hangs out with. as for susie? even though shes a teen, shes more concerned for what their grandpa will think. mr wonder himself doesnt have any idea what pump is doing outside either. this responsibility falls on a majority of the town, and its scary that lila, who has the closest ties to the actual cult leader influencing their livelihoods, has fallen victim to the same irresponsible parenting habits

mayor evermore is a heavy influence, too. hes already convinced the citizens into believing the town is just slightly more safe by removing gun rights and restricting them only to the police force. and as for the police force? evermore was 100% willing to replace jack and john with two incompetent nutjobs, fully believing them to be unable to get rid of a serial killer in less than 24 hours, as if he didnt want them to be successful. thats Such a horrible decision to make, and i cannot see this benefiting the townsfolk at all. i dont know, im not a mayor

you know what, there Was an actual responsible adult who looked over skid and pump and made sure they were safe, following them and disciplining them over the many dangers and warning signs they overlooked. you know what happened to him? he got indoctrinated by the cult overseeing the entire town. its because hes a priest posing a threat to their own religion, but its still telling that the only adult who was able to convince skid and pump to be more responsible and look out for themselves, was heavily reprimanded for it. and who knows, pumps parents couldve been responsible themselves, but we all know they were forcibly separated from him and susie, leaving them under the care of their grandpa who already needs his own separate help. i cant assume theres a pattern, but its still strange

etc etc not only is lila struggling to be a responsible mother but this stupid cult town is making her and her friends actively worse parents by tricking them into thinking their kids are in zero danger. all these missing kids posters, and somehow theyre still convinced their children will return home safe and sound. they cant all seriously be that stupid. this isnt derogatory im seriously concerned for these people. what are they being told on the news. maybe if lila learns to be responsible, itll break the cycle and help her friends and her friends friends be better themselves or something. i feel like these citizens are being left in the dark about whats Truly happening. i dont know, im not a parent

[yan-springlove]

Powder Blues AU

So I've been thinking about the different ways Powder×Jinx could work given that Jinx leaves Zaun and Piltover.

I think it'd be a slowburn in regards to Powder being able to see Vi and Ekko, and a slowburn between Jinx and Powder. In a things-get-worse-before-they-get-better way. So welcome to this AU I made for them!

I got inspired by one of my fav fics where two siblings' bodies get molecularly mashed into a single one thanks to a quirk--but retains the consciousness of both siblings. Much like how our Ekko hopped into Powder's Ekko through the arcane anomaly!! Except the other Ekko didn't retain any sort of control or consciousness.

(https://archiveofourown.org/works/45335362 if u wanna check it out. Its MHA--Touya and Fuyumi centric, wonderfully written)

Powder would probably try to account for that--but what if she wasn't completely succesful?

So Jinx and Powder are stuck in the same body sharing control instead of complete separation. They can't hear each others thoughts, so they have to talk with the same mouth (taking turns) if they want to communicate.

This has so much potential for various scenes!! But here's my idea for how it goes:

---

Powder finds that she has to convince Jinx she's real and not just another facet of Jinx's mental instability. As Jinx is currently wandering Demacia via airship, Powder is trying to convince Jinx to visit Vi and Ekko.

With enough willpower, Powder finds she can move Jinx's body---up until Jinx starts fighting for control of those parts again (like if Powder is doing something Jinx really doesn't want to aka going back to Zaun and Piltover)

Gaining control is kind of a coin toss over who has the most willpower and focus on moving the way they want when theyre fighting for control.

They find out that when one of them sleeps, the other has unimpeded control.

So every step farther away from Zaun Jinx takes, Powder retraces them when she has control. Keeps hoping eventually Jinx will get tired of running and let her go back.

Needless to say, they don't get along very well at the beginning due to clashing goals.

Resentment wells up in Powder, stuck in Jinx's body. It keeps growing until she becomes bitter. Sad. Her comments about Jinx's actions during the day to day adventures go from curious, exasperated, etc--to attempts at cutting insults and dry, sarcastic mockery. Tired. She's exhausted with Jinx's shit.

She's so close to seeing Vi, yet so far.

---

On the other side of the coin; Jinx feels like she's just gone some new kind of insane. But unlike Powder, she's grateful to have company (that can't die) again. At the start she just bickers with Powder for the fun of it, along with the rest of their conversations.

That changes when Powder uses Jinx's confessions/conversations to herself or her voices while thinking Powder was asleep. (Haven't decided what she'll use against Jinx, but I know Powder doesn't actually know/mean the full impact of what she said--she doesnt have the full picture of Jinx, yet. She's angry and fed up with Jinx and lashes out after week or months of trying to keep it in).

Jinx goes quiet. She doesn't talk to Powder for days after that.

---

Thats when their relationship starts to change.

With a few days of silence from Jinx, Powder uses that time to travel to Zaun/Piltover. But she stops outside the city, because the fact that Jinx retreated so far that she hasn't even tried to take back control the whole time worries Powder.

She apologizes for what she said, and talks about the feelings that had been festering since she arrived in Jinx's body. About Vi (and Ekko).

Still no reply.

So Powder gives herself a day to explore Zaun and Piltover without looking for Ekko or Vi. Tries to get Jinx to talk while exploring the cities, but it just ends up with her continuously having one sided conversations. Powder finds she doesn't mind, though. Somehow she knows Jinx is listening.

Powder shares all the differences she sees in Jinx's reality vs her world. Tells Jinx stories about her family. Ekko. Benzo. Heimerdinger. Mylo. Claggor. Vander. Silco.

Vi.

While she told Jinx that her Vi is dead, she never shared the intimate details of the experience.

This time, she tells Jinx how it happened. How it felt. What it's been like for her all these years mourning and missing Vi.

How Jinx's Ekko showed Powder what she looked like in this world when he visited.

How much she just wants to see her sister. To hug her one more time.

Up on a rooftop alone and looking down at the two cities, Powder lets herself cry out everything that's been rotting in her the past few months living in Jinx's body.

When she's done, it's Jinx that carefully wipes Powder's tears away. That whispers hoarsely, "I'll take you to her."

---

next up in this AU is a Vi, Jinx, and Powder reunion (+ Cait and Ekko)

---

Bonus: I like to think that Jinx would ask for more stories of Silco and Vander.

[reineydraws]

i have this fic series i'm still working on where mihawk sort of becomes rayleigh's kid and spends ages 11-17ish on the oro jackson.

shanks and buggy imprint on him (bugs considers him a sort of older brother figure/sparring inspiration and shanks has a crush that eventually turns into full-blown love) and this is how i imagine they're like on the day mihawk sets off on his own haha.

[starry-bi-sky]

Stillborn? No, still born au -- Dani Phantom! Clone girl herself. :]

She can't exist in this au. And it's not that I don't want to add her -- although I'll be blunt, I don't, I'll be the first to admit that I think she's more often than not nothing more than a narrative deadweight used to prop up Danny and I don't like adding characters as props -- but her existence quite literally goes against and muddies the Vlad and Danny dynamic I have for this au. Ellie's existence in canon itself states that she was created -- and Danny's other clones too -- because Vlad gave up on trying to convert him to his side and decided to just make a son instead.

Something that just, doesn't happen in the stillborn-still born au. See, for folks who are only just hearing about this au or didn't see my post about Vlad in this au, he and Danny have a complicated love-hate relationship where they mutually want to adopt each other, but their morals and way of doing things -- mainly Vlad's insistence on getting revenge against the Fentons -- gets in the way of them being able to do that in full.

Vlad knows Danny wants him to adopt him, and is only fighting him on it because he refuses to let Vlad kill the Fentons for essentially killing the both of them. He's succeed in 50% of his goal. Canon Vlad never even made it to 1%. With that in mind, stillborn Vlad has no reason and sees no reason to clone Danny, he has his son. He just needs to convince him to let him avenge them both.

Dani simply has no place in the stillborn-still born au. And in fact, if Vlad did decide to clone Danny -- for whatever reason, -- it would damage his relationship with Danny damn near beyond repair. That's because Danny would view it the same way he views Damian's existence; as a replacement for himself. He would become beyond furious and hurt, and not for the typical 'I can't believe you cloned me, you creep!' reason, but for a 'I can't believe you cloned me, you said I was your son!' reason.

I am not pulling any punches here when I say Danny wants Vlad to be his dad just as much as Vlad wants Danny to be his son, there's just a lot of factors getting in the way. They are, as the french say, ✨mentally unwell.✨ Danny has a ton of abandonment and trust issues due to his experiences in foster care. He would immediately become jealous, insecure, and incredibly furious and hurt. He'd despise her on principal and want nothing to do with her, or Vlad for that matter. He'd just fucking haaate her. It's not her fault she was made but Danny doesn't really care, he's lashing out and pushing people away because he's been betrayed yet again.

The only way they could get along or for Danny to actually like her in any capacity would be if it was his idea to clone himself. Which is like, kinda obvious but considering most clone plots tend to be non-consensual it's kinda gotta be said. He has to have a hand in creating her, that's the only way I can see him liking her in any way. Or if someone other than Vlad created her. If Vlad clones him though, all bets are off the table and he'll despise her.

TL;DR: Dani can't exist in this au because she goes against the narrative I've got for the two most fucked up half-dead could-be-father-son duo in existence, but if she did exist Danny would despise her.

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[yuwuta]

I LOVE UR BRAIN SO BAD 😭😭😭 YOU ALWAYS POST THEBBEST HEADCANONS AND THOUGHTS LIKE. WORK HUSBAND GOJO. AND JUST HAVING A WHOLE IMAGINATION OF THE OFFICE W NANAMI AND HIGURUMA AND TOJI I?????? I WANT TO LIVE IN YOUR BRAIN

TEEHEEEE you’re so sweet <33333 the work husband to actual husband to househusband gojo pipeline is so so real to me and the office au that comes with it truly does take up space in my brain, so here’s some more loosely established points 

satoru has been your work husband since you got your first job in undergrad. you two met in your dorms, and became friends, and eventually you thought a job would help with your time management skills, so you got a very low-maintenance position at the front desk of the library. satoru applied right after you and schmoozed the two little old librarians into giving him the same shifts as you. that was probably the first moment satoru knew he was a little bit in love with you—because he had no reason to have a job while in school, but this small change in your schedule made him miss you so much that he was moved to get his very first job, probably ever, just to spend more time with you. 

he wasn’t bad at his library receptionist job, but he technically wasn’t good at it, either. if a student asked him for a laptop charger or to check out a book or something, he could do that, but anything else he’d just smile and say, “oh, you’ve gotta ask the pretty girl right there about that, she knows way more than me,” and bat his eyelashes at you. except, then, when you did need to get up to grab something for someone, satoru would just spring up instead, and tell you he’s got it. it’s like… he was incapable of helping anybody else unless he got to flirt with you, and then help you out to help them out……… strange boy 

anyways, satoru makes it a habit to assist you through your student jobs throughout undergrad, and then follows you to the same law school and repeats the process there. (also not to elle woods-ify him a bit but his father heavily questions him going to law school btw because satoru has never showed any interest in working, let alone following in his footsteps to be a lawyer, and now he’s going to law school? his mom is a bit sharper though, because when satoru tells his parents he’s going to the same law school as you, she just smiles and sips her tea and wonders if her son has already made a trip to their family jeweler). 

the firm is large, but the floor you work on is a pretty close knit group. there’s hiromi’s office at the tail end, which is the largest because he’s managing partner and he practically lives in there. on the other end, both you and nanami have decently sized offices. satoru doesn’t like hiromi at first because he thinks he’s mean. then satoru watches him play a little prank on kento, and suddenly the two of them are best friends. it would be a surprisingly wholesome friendship if their common denominator wasn’t irritating kento, and acting as guard dogs for you. 

kento’s office used to be just the bare necessities—law books, his degree, basic furniture, maybe a fancy paperweight, until satoru got his hands on it and decked it out. which is not something kento asked for, nor he thinks is necessary, but that doesn’t stop satoru from continually adding little trinkets and decorations and art to his office to make it livelier. when kento first meets you, he’s surprised when you tell him satoru gojo is going to be your secretary because kento interned for satoru’s father for two summers during law school, but when kento sees you and satoru together for the first time, it answers all of his questions. satoru couldn’t be more of a lovesick fool if he tried. 

listen the ex-convict to single father to janitor to lawyer toji pipeline is so real to me. while toji is working as a janitor at the firm, satoru slips once and then jokes that toji shines the floors too aggressively on purpose to make him slip, toji tells him to fuck off and he can sue for harassment. they truly don’t like each other at first, but once satoru steals toji’s masterkey to get into your office one night after you’re gone to leave flowers, and handle some paperwork to lighten your load in the morning, toji is sort of impressed. he still almost hits him with a broomstick, but even someone as gruff as him can see that satoru had pure intentions. toji is a lot of things, but he’s not immune to or devoid of love or passion. so, eventually he and satoru develop a weird sort of banter and respect for each other. one day someone actually tries to accuse toji of not putting the wet floor sign down and how it’s gonna be a lawsuit because some lowlife janitor fucked up his $3000 suit. satoru catches the argument as he’s heading upstairs and recognized the schmuck as the stuck up lawyer on the other side of kento’s case. satoru’s ready to jump in, but toji’s displaying an impressive amount of physical restraint and legal knowledge that when the dust is all settled, satoru asks him if he ever considered being a lawyer. toji laughs at it at first, but after a month of serious consideration (and megumi becoming a college freshman), he figures it can’t be all that bad. and turns out, toji’s a half-decent lawyer—once you’ve spent so much of your life skirting (or blatantly breaking) the law, you become pretty good at getting people out or around it, too. and with his life experience, he’s a pretty good judge of character; so when it comes time to lock up the bad ones, toji makes sure they get the maximum sentence.

except he has a bad habit of sending out emails with “URGENT: NEEDS ATTN” in the subject, which prompts you, kento, and hiromi to rush to his office, just to see toji with his feet up on his desk tell you that, “the emergency is i hate the opposing counsel, and now that i work on this side of the law i’d really like to not kill him, so somebody else should take this case.” 

anyways back to work husband secretary satoru. he pulls you out of boring meetings under the guise of an urgency, just for him to admit that the emergency is that he missed you, and you two were gonna be late for your lunch reservation. because he’s actually a licensed attorney, he can actually carry out duties an associate otherwise would, which saves you a lot of time and trouble; and it means that satoru gets to work even more closely with you, which is always an upside for him. sometimes you ask him to hand you documents and instead he just hands you his hand. and then pretends to blush and preen like a schoolgirl which always draws way too much attention to the two of you, but there’s no way to stop him either. he takes your coat off of your shoulders when you arrive in the morning, and helps you put it back on in the evening. when you tell him you’re looking for an apartment closer to the firm, he has eight places lined up for viewing, and one surprise at the end which happens to be the other vacant penthouse suite in his apartment building; which, conveniently, would make you satoru’s neighbor. he claims that it’ll be just like in college, but it certainly doesn’t feel that way when you finally move in and satoru can now loudly and proudly proclaim, “see you at home!” in the halls at work now. 

[triglycercule]

yall who cast reverse animal themes on my horror and dust,,, why we got BUNNY horror and PUPPY dust

ok but on a real note i was DYING drawing this. i cant believe its my first time drawing the 1 of the trio in a maid dress!!!! id like to thank underfella and calvateyla for inspiring me; i wouldn't have graduated from shit art college without you guys ❤️💜 (inspo) (SOMEONE GET THIS DOG OUT OF HERE DUST HAS A FUCKING CHAINED COLLAR???? 💀💀💀)

i didn't know what to do for the background either so i just added funny photos. HERE. yes its a coincidence the memes are both horror and dust themed i totally didn't plan that

[moeblob]

Right and his work menaces (Brent and Karen).

I don't remember last I mentioned it but apart from crude nicknames to people (except Chris), he also just puts them in his phone really weird (except Chris, who is literally in his phone as Chris). And I bring this up because in Right's phone, Karen is saved as "Lawful Obligation".

[gophergal]

TFTober 4 - Provision

[schnee-gheist]

dp fanfic ideas are getting to me again goddammit

[microwavetoaster-selfships]

I love the original Cars 2006 game so much. The one that got released on like GameCube and Xbox. I mean, I love all the Cars games(Cars 3 Switch game they did you dirty), but that's an entire story for another time giving my individual appriciation for all of them later. What I'm going to say here applies pretty well to the other games that are centered around the first movie as well like Race-O-Rama and Maternationals, but I'm specifcally rewatching the original one's cutscenes again because I don't want to restart my data every time I wanna go through the cutscenes again(even though I enjoy playing it so, so much), and I just love the atmosphere in it so much. Some of my favorite movie scenes are the ones where they don't have any music playing because I love to close my eyes and turn up the volume and just.. pretend I am right there with the characters and right next to them and stuff or that they're talking to me or such, and that is extra immersible when there isn't an entire orchestra going on(not that I am knocking at having music at all, I regularly go back and listen to the soundtracks from movies if they have them posted).

And the game doesn't really have any music at all during any of the cutscenes and the whole thing is like super..soft to me? Not soft as in like fluffy pillows and pink aesthetic soft, but soft as in like it's getting late out and so you're trying to be kinda hushed with your voice and there's not really anywhere you have to be so you slow down your pace and kick a couple of pinecones or rocks. If that makes any sense at all. Cause normally movies or shows(whether the whole series or each individual episode) have a certain plot or arc that is happening that everyone is focused on and consumes the whole thing, give or take a few moments. And while this game does have a particular thing so it can have a start and end to the story of the game, everything is framed in like a "Yeah, this is what they get up to in their freetime." And I don't know if you know but I love my slice of life stuff so sooooooo so so infinitely much. So getting to get that sort of content is really fun and perfect for me. It's like you're just actively hanging around them and getting caught up in whatever typical nonsense they end up in(assuming we are ignoring the whole monster truck bit), and the "OH THINGS ARE. HITITNG THE FAN." Or bigger development moments are saved for like the movies or something or whatever comes up in my head.

I'm not really entirely headed anywhere with this, I just wanted to put out some appriciation for the game and how nice the atmosphere is. I think it's also cause I really love getting to just sit and here them talk and there is a lot of casual conversation that happens and just plain dialog. Like it's not even filler dialog it's just talking and chatting. And I spend a stupid silly amount of time listening to voiceline compilations on YouTube so this is just the bees knees for me.

Thank you for the read though, may I offer you with a clip because APPERENRLY there's a limit to one clip per post that I am just now finding out about. I think I've already talked about the Litnig one anyway. Maybe I'll post it again later.

I uuuuguguhhh also perfectly reached the tag limit. If anyone needs anything to do in their freetime while bored or as a filler may I suggest reading this post and it's tags, you will be occupied for a while IFNFJCJFNS. I was half joking about reaching the tag limit as well. Well, we all saw it coming, it was going to have to happen one day. And go figure after a long absence that I was going to have it in me to do some running of my mouth...

I do want to say I am probably back now yall! Knock on wood- but I think the reign of my absence is over! Which I am especially hoping so for several reasons but also because I am so SO not done milking F/Ovember to its full extent. I spent too many months looking forward to that to not invest and rot my blog with it.

[the-kipsabian]

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.

[cringelordofchaos]

Actually I have just now decided I really like Luke (I just gave him mommy issues ☠️ and it worked)

[eggbagelz]

gale voice here feel the pulse of the magic in my heart that will eventually be the end of me. im on my knees before you like an animal showing its belly. im in excrutiating pain bc of the contact with the magic in my heart but please dont take your hand away please dont stop touching me

[jamietxrtt]

For the WIP word thing how about team and/or sun (or any weather related item)?

aaaaa tysm for the ask!!!

from 3 men 3 ghosts (my big long wip!):

“I’m figuring it out now. I don’t know. I’m not a natural at this like you.”

Ted half-smiles. “A natural at what?”

“You know. Coaching. Mentoring. Being a guiding hand and all that.”

Ted stares at him openly, blatantly. “Are you serious? You’ve been Jamie’s keeper all summer.”

Roy looks surprised at that for a moment, but then his lips tug up into a smile. “Well, yeah,” he admits. “But that’s different. Jamie’s easy. I dunno.”

“Jamie’s easy?” The baby pancakes are done now too, and Ted starts tearing pieces of tin foil to keep them warm until the subject of their conversation wakes up. “I love him to bits, Roy, but… are we talking about the same Jamie?”

Roy laughs. “Yeah,” he says. “For me he actually is.”

Ted waits for an explanation.

“He’ll, like, tell you if you’re being an asshole. He calls me on it all the time. The other boys won’t do that. Like, Sam, he’ll just get all sad and puppy dog eyes on me, and then I feel bad. Jamie’s not shy about telling me when I’m pushing it too far.”

Privately, Ted worries about a player pushing back on the coach's authority in front of the team, but he decides not to say that. If it works for Roy, then okay.

aa and this one is earlier from the same fic!:

He remembers one day, one summer, when Dad sat out there with him, rolling balls of clay together until their hands were dyed red. On Dad’s instruction, they left the clay balls out in the sun to dry, and the next day when Ted woke up, Dad had set up makeshift targets set against the trees. They were only flimsy pieces of cardboard with circles drawn on in marker, but when Dad lined up those homemade projectiles and winked down at Ted, it felt like the most exciting activity in the world. “Just like darts,” Dad had promised, putting one of the brittle clay balls into little Ted’s hands.

They’d spent the whole day playing target practice, taking turns chucking those clay balls as hard and as far as they could. When Ted finally scored a bullseye, Dad lifted him up on his shoulders and paraded him around to nobody but Mom, laughing along from the porch.

She was sitting right where Ted’s sitting now, actually.

Ted’s suddenly very uncomfortable out here. The heat feels less comforting and more oppressive. What was he thinking, bringing out a hot mug of coffee to sip on in the summertime? He can feel a bead of sweat tracing its way down his back.