#that doesn't go away but you get better

[weaponizedmoth]

This kind of disappeared for me when I started making as much art as possible. Like writing, the old adage is unfortunately right: The more you do it, the more you get used to it. For me it was that at least, because my panic was completely tied to how good I was at it (in my own perception). I still have this feeling with YouTube, because I haven't done enough videos, which is bad, but I also struggled A LOT with writing until I started writing fanfic more often, which was less pressure for me. I made a rule that I can't put as much effort into it as I do original fiction---and then this made me wanna write more original stuff because I was less afraid of mistakes.

Again, this is totally a me thing and might not be the problem in general, you might do a lot of art, but it worked for me.

Genuine Question For Artists:

Does anyone else experience elevated heart rate/irrational fear and panic when trying to draw? This is something I struggle greatly with, and no chemical or therapy treatment has yet helped me.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[introspectivememories]

okay so i know that dash baxter barely gets any character development in the show but like the idea that danny hates dash? boo, lame, overdone!!!! danny who can beat dash up and dash knows this and everyone knows this but by god danny needs something normal to cling on to so dash shoves him in a locker everyday?? yeah that's the good shit

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[serpentface]

reading all about the white calf, love your work, can i just say. gonna put some hibrides appreciation out there because damn. nobody in this story is lucky but she in particular seems to be having a Bad Time

Yeah a lot of things suck pretty bad for her. Unwittingly in a lavender marriage, mutual dislike between her and her dogshit husband, extremely strained relationship to her former best friend/gay quasi-boyfriend/father of her children who alternates between avoiding her and desperate attempts to make her love him again, having to constantly maintain multiple levels of facade to socially protect their throuple and therefore herself, shy and socially isolated, dealing with trauma that she doesn't even begin to recognize as such because 'nothing bad actually happened', pretty sure something is deeply wrong with her, living under a damocles sword of catastrophic social consequences should her children be exposed as bastards, has discovered an unexpected and mostly unwanted pregnancy while on a months long cross-country trek, etc.

She's also someone who prides herself in being rational, put together, stoic against adversity, and not overly emotional and weak, which basically means all of this is getting suppressed and compartmentalized away like crazy.

She HAS managed to fall into a rhythm with it all and her life IS NOT constant misery and agony. But the situation she's in for the duration of the story completely tears her out of this rhythm and makes all these factors very acute (though also opens her up to new opportunities, new and more positive/differently complex relationships, and much bigger things to worry about than her domestic life).

Unrelated drawing of her struggling not to lose her shit in public (in this case trying not to laugh)

[averlym]

fairest of the fair

[keymintt]

found an old flygon i drew back in my gimp-and-deviantart days and it's kinda bonkers comparing it to my recent illustration and realizing that there's been over a decade of me making art between these two pieces

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[vaguely-concerned]

walking through lucanis' mind prison. the tam lin of it all

[tswwwit]

i have a counter argument to the 'only one person can boop bill' thing, mabel. she's the type of person to slap stickers on people, she would definitely be the type to also boop others occasionally and bill would be no exception. she probably doesn't do it to annoy bill like dipper would, but maybe as a form of a friendly gesture, kind of like those people who will lightly punch friends in the arm when they hang out.

You know what? Good point. Mabel would get away with more than most, as a fun-loving lady! Bill understands those impulses, and being a touchy person! He indulges in similar ones himself.

Though when Bill's not in the mood to be playful and gets booped anyway? The 'sister-in-law' status grants her considerable grace.

[sukibenders]

Summarizing Twitter and Tiktoks current climate: "Since you didn't stand in solidarity with me, I'm turning on you and going to the places that are actively assisting in your pain." + "While showing my true colors and expressing my fake activism, I'm also ignoring how I'm assisting in perpetuating a system that keeps me and others like me down as, for example, the places I go to that are assisting in your pain also assist in the pain of myself and others like me, but as long as I get to turn on you it's all good."

[lupins-hehim-pussy]

I think of so many stupid shenanigans between Wriothesley and his daughters in the Addison Lee verse. They tell Wriothesley crazy shit all the time, their daddy-daughter secrets, and it drives Neuvillette nuts that Wriothesley won't snitch.

Sigewinne, whispering into his ear: Today at school I punched a boy because he was being mean. I waited until it was recess, and made sure that no one was watching, and I punched him. Everyone knows he is a liar, so noooo one believed him when he cried about it. And Sigewinne is aaaalways a superstar so Mr Vautrin didn't suspect a thing !

Wriothesley, mildly concerned: Uh huh.

Sigewinne: Papa would say Sigewinne has to be nice to everyone, but, Sigewinne thinks bullies need to get punched sometimes, b'cos, b'cos otherwise, they think everyone is just gonna let them be mean

Wriothesley: Y'know what. That's fair

[tbh-entp]

My ENTP dad's employees told him the reason why I'm single and not birthing grandkids is that he raised me to be too independent and not take shit from men because he treats my INTJ mom so well.

and i know they didn't quite mean it as a positive because this came up in comparing photos of the grandkids and them tell him why he's got none... but it's a little twisted because what they're saying is that their daughters aren't being treated well...?

[third-doctor]

I feel like I'm going insane. That episode read to me as a lot more tragic than other people are reading it. Yeah they were racist and rich and spoiled and awful but they were just kids. They were all just kids. Lindy was absolutely terrified throughout the whole thing and clinging desperately to what she knew, which was terrible. They could've had the chance to learn and become better but they chose to go die and it's infuriating and tragic because nobody deserves that. Nobody deserves to be eaten by slugs or die of exposure in the woods. Nobody deserves to suffer like that. But they chose it rather than let the Doctor help them because they'd rather stay in their rich white supremacist bubble and he just wants to help and there's nothing he can do.

Maybe it's because one of my core beliefs is that nobody deserves death and suffering. Nobody. Even the worst person on earth can learn from their mistakes and come back and change and everyone deserves that chance. There's no such thing as too late. But they're never going to get that chance because they actively rejected it and to me that's still very, very sad.

[bandsandwristbands]

Vent post

[taegularities]

some men are textbook villains fr